Search results for ""yale university press""

A collection of illustrated essays highlights the works of influential Black artists from Washington, DC, from the 1920s to the present In a twentieth century during which modern art largely abandoned beauty as its imperative, a group of Black artists from Washington, DC, made beauty the center of their art making. This book highlights these influential artists, including David C. Driskell, Sam Gilliam, Lois Mailou Jones, and Alma Thomas, in the context of what Jeffrey C. Stewart describes as the Washington Black Renaissance. Vibrant histories of key District institutions and the city’s communities of educators, critics, and collectors animate a nuanced consideration of the evolution of an aesthetic dialectic from the 1920s up to the present day. The 15 essays in the volume are grounded by voices from a live artist panel at the National Gallery of Art in 2017, which included Lilian Thomas Burwell, Floyd Coleman, David C. Driskell, Sam Gilliam, Keith Morrison, Martin Puryear, Sylvia Snowden, and Lou Stovall.Published by the National Gallery of Art, Center for Advanced Study in the Visual Arts/Distributed by Yale University Press

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An engaging explanation of Oceanic art and an important gateway to wider appreciation of Oceanic heritage and visual culture Art from Oceania, the region encompassing the islands of the central and south Pacific, spans hundreds of distinct artistic processes, formats, and mediums. Many people’s exposure to Oceanic art comes through its influence on the work of European artists, and therefore Oceanic works themselves often remain difficult for Western viewers to interpret and comprehend. How to Read Oceanic Art, the third book in a series of guides to understanding different artistic genres, helps elucidate this subject through explanation of specific objects. The book analyzes the most illustrative Oceanic pieces from the Metropolitan Museum’s collection—including lively painted masks, powerful figurines, and intricately carved wooden poles—which together represent the extraordinary diversity of artistic traditions in the region. Attractive photography and clear, engaging texts explain how and why various works were made as well as how they were used. This publication is an invaluable resource for art historical study, and also an important gateway to wider appreciation of Oceanic heritage and visual culture.Published by The Metropolitan Museum of Art/Distributed by Yale University Press

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In this prize-winning book, one of the most prominent political theorists of our time makes a major statement about what democracy is and why it is important. Robert Dahl examines the most basic assumptions of democratic theory, tests them against the questions raised by its critics, and recasts the theory of democracy into a new and coherent whole. He concludes by discussing the directions in which democracy must move if advanced democratic states are to exist in the future. “When Robert Dahl speaks about democracy, everyone should listen. With Democracy and Its Critics Dahl has produced a work destined to become another classic.”—Lucian W. Pye, American Political Science Review“In this magisterial work [Dahl]… describe[s] what democracy means…; why our own democracy is still deeply flawed; and how we could reform it…. A work of extraordinary intelligence and, what is even rarer, a work of extraordinary wisdom.”—Robert N. Bellah, New York Times Book ReviewRobert A. Dahl, Sterling Professor of Political Science Emeritus at Yale Universtiy, is also the author of Who Governs?, After the Revolution?, Polyarchy, and Dilemmas of Pluralist Democracy, all available from Yale University Press.

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The south London parish of Battersea has roots as a working village, growing produce for London markets, and as a high-class suburb, with merchants’ villas on the elevated ground around Clapham and Wadsworth Commons. Battersea enjoyed spectacular growth during Queen Victoria’s reign, and railroads brought industry and a robust building boom, transforming the parish into another of London’s dense, smoky neighborhoods, though not without its unique and distinguishing features. Among these are Battersea Park, which was created by the Crown in the 1850s; the monumental Battersea Power Station, completed in 1939; and Clapham Junction railway station, which is, by measure of passenger interchanges, the busiest station in the United Kingdom. The two latest volumes of the Survey of London, 49 and 50, trace Battersea’s development from medieval times to the present day. Offering detailed analysis of its streets and buildings both thematically and topographically, and including copious original in-depth research and investigation, the books are a trove of architectural history and British history. Profusely illustrated with new and archival images, architectural drawings and maps, these volumes are welcome additions to the acclaimed Survey of London series.Published for English Heritage by Yale University Press on behalf of the Paul Mellon Centre for Studies in British Art

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This eye-opening study of Civil War photography traces the introduction of the camera into the battlefield and shows its influence on history and our responses to war Six hundred thousand lives were lost between 1861 and 1865, making the conflict between North and South the nation’s deadliest war. If the “War Between the States” was the test of the young republic’s commitment to its founding precepts, it was also a watershed in photographic history, as the camera recorded the epic, heartbreaking narrative from beginning to end—providing those on the home front, for the first time, with immediate visual access to the horrors of the battlefield.Photography and the American Civil War features both familiar and rarely seen images that include haunting battlefield landscapes strewn with bodies, studio portraits of armed Confederate and Union soldiers (sometimes in the same family) preparing to meet their destiny, rare multi-panel panoramas of Gettysburg and Richmond, languorous camp scenes showing exhausted troops in repose, diagnostic medical studies of wounded soldiers who survived the war’s last bloody battles, and portraits of both Abraham Lincoln and his assassin, John Wilkes Booth.Published on the occasion of the 150th anniversary of the battle of Gettysburg (1863), this beautifully produced book features Civil War photographs by George Barnard, Mathew Brady, Alexander Gardner, Timothy O’Sullivan, and many others.Published by The Metropolitan Museum of Art/Distributed by Yale University PressExhibition Schedule:The Metropolitan Museum of Art(04/01/13–09/02/13)The Gibbes Museum of Art(09/27/13–01/05/14)New Orleans Museum of Art(01/31/14–05/04/14)

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Robert Louis Stevenson, celebrated author of such treasured classics as Treasure Island, Kidnapped, and The Strange Case of Dr. Jekyll and Mr. Hyde, has long been recognized as a master storyteller and essayist. But he was also a delightful and instructive letter writer. Now, in the centenary of his death, Yale University Press is publishing the definitive edition of Stevenson's collected letters in eight handsomely produced volumes. The edition will contain nearly 2800 letters; only 1100 have been published before, and many of these were abridged or expurgated. The letters make fascinating reading, not only for those interested in Stevenson's life and work but also for everyone interested in nineteenth-century literature and social history. The letters in volumes I and II, which cover the years from 1854 to 1879, reveal Stevenson's struggles to achieve success as an author. We learn of his years as a student, his work, and his travels. We meet the people who became his chief correspondents for the rest of his life, including Sidney Colvin, who was to be his literary mentor and lifelong friend; the poet and critic W.E. Henley; and Fanny Osbourne, who later became Stevenson's wife. During this period Stevenson published stories and essays and two books, An Inland Voyage and Edinburgh: Picturesque Notes, and set off on the journey to the Cevennes later immortalized in his famous Travels with a Donkey. Ernest Mehew's introduction and detailed annotation place the letters in a biographical framework that gives a chronology of Stevenson's life; explains his family background; and identifies the people he met, the literary projects he planned, and the contemporary events to which he refers.

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Joseph Farington (1747-1821) was a professional landscape and topographical artist. Through his extensive involvement in the affairs of the Royal Academy and his wide circle of friends he was extraordinarily well-informed about the affairs of his day. His diary, which he kept meticulously from 1793 until his death, was published by Yale University Press in sixteen volumes between 1978 and 1984. It comprises not only a detailed record of his actions and observations as an influential figure in the London art world but is also an absorbing record of the social, political, and literary developments of the period. The long-awaited index volume provides access to Farington’s fascination with criminal trials, elections, and frequent Royal scandals of the day as well as the recurrent subject of the French Revolution and Napoleonic Wars in Europe.

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The original English-language translation of Ó Cadhain’s raucous masterpiece Cré na Cille, which Colm Tóibín has called the “greatest novel to be written in the Irish language” “An audacious novel rendered entirely in dialogue . . . [with] hilarious quarrels and devastating put-downs that reflect O’Cadhain’s finely attuned ear for the nimble language of his people. He does not judge their time-wasting pettiness, so much as he celebrates the flaws that make us so tragically, wonderfully, human.”—Dan Barry, New York Times Book Review Máirtín Ó Cadhain’s irresistible and infamous novel The Dirty Dust is consistently ranked as the most important prose work in modern Irish, yet no translation for English-language readers has ever before been published. Alan Titley’s vigorous new translation, full of the brio and guts of Ó Cadhain’s original, at last brings the pleasures of this great satiric novel to the far wider audience it deserves. In The Dirty Dust all characters lie dead in their graves. This, however, does not impair their banter or their appetite for news of aboveground happenings from the recently arrived. Told entirely in dialogue, Ó Cadhain’s daring novel listens in on the gossip, rumors, backbiting, complaining, and obsessing of the local community. In the afterlife, it seems, the same old life goes on beneath the sod. Only nothing can be done about it—apart from talk. In this merciless yet comical portrayal of a closely bound community, Ó Cadhain remains keenly attuned to the absurdity of human behavior, the lilt of Irish gab, and the nasty, deceptive magic of human connection. Also available from Yale University Press: Graveyard Clay, an annotated edition of Cré na Cille translated by Liam Mac Con Iomaire and Tim Robinson

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From Neolithic painted petroglyphs, early paintings on silk, and landscapes by twelfth-century literati to the traditional handscrolls being produced today, Chinese painting has always had the power to enthrall. This magnificent book, written by a team of eminent international scholars, is the first to recount the history of Chinese painting over a span of some three thousand years. Drawing on museum collections, archives, and archaeological sites in China—including many resources never before available to Western scholars—as well as on collections in other countries, the authors present and analyze the very best examples of Chinese painting: more than 300 of them are reproduced here in color. Both accessible to the general reader and revelatory for the scholar, the book provides the most up-to-date and detailed history of China’s pictorial art available today. In this book the authors rewrite the history of Chinese art wherever it is found—in caves, temples, or museum collections. They begin by grounding the Western reader in Chinese traditions and practices, showing in essence how to look at a Chinese painting. They then shed light on such topics as the development of classical and narrative painting, the origins of the literati tradition, the flowering of landscape painting, and the ways the traditions of Chinese painting have been carried into the present day. The book, which concludes with a glossary of techniques and terms and a list of artists by dynasty, is an essential resource for all lovers of, or newcomers to, Chinese painting.Three Thousand Years of Chinese Painting is the inaugural volume in a new series, The Culture & Civilization of China, a joint publishing venture of Yale University Press and the American Council of Learned Societies with the China International Publishing Group in Beijing. The undertaking will ultimately result in the publication of more than seventy-five volumes on the visual arts, classical literature, language, and philosophy, as well as several comprehensive reference volumes.Published in association with Foreign Languages Press, Beijing

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Third edition (and 10th impression) of the standard introduction to traditional buildings - houses, cottages, farmhouses, farm buildings, small manor houses and chapels.

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One hundred of the most evocative modern poems on joy, selected by an award-winning contemporary poet

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"The Mishna", a six-part codification of oral rabbinic law, is the basis of the Talmud. It is one of the two holy books upon which Judaism has been constructed. This edition aims to provide as close to a literal translation as possible, following the syntax of Mishnaic Hebrew.

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A spectacular study of calligraphy, the most esteemed form of visual and textual expression in the Islamic world, through a storied collection of Qur'an manuscripts

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A comprehensive discussion of materials, techniques and condition issues in Western easel paintings from mediaeval times to the present.

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The Virgin Mary has been a figure of inspiration to Catholics, Protestants, Jews and Muslims, artists, musicians, writers, and men and women everywhere. This text examines how Mary has been depicted and venerated through the ages.

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A profound, poignant story of a village healer and her community, from one of the world’s great contemporary novelists “A complex and illuminating portrait of a group of healers in China . . . [that] offers profound insights about what it means to pursue and live a fulfilling life.”—Publishers Weekly “A barefoot doctor herself, [Can Xue] has a unique and powerful way of transporting readers to new worlds where reality and magic are intertwined, and she uses her own experiences to make this novel feel more personal.”—Emily Park, Booklist In rural Yun Village, herbalist Mrs. Yi lives with her husband in a cottage at the foot of Niulan Mountain, where she gathers herbs to treat the ailments of the villagers by day and studies medicine by night. Sickness and herbs are lovers, she tells her patients, rejoicing when they recover, comforting them when they do not. All the while, she hopes to find a worthy successor to take up her mantle. As curious younger villagers observe Mrs. Yi and begin imitating her work—planting gardens and studying the art of healing—they soon discover that the line dividing life from death is porous, and the mountain is more mysterious than they ever knew. Drawing on her experiences as a barefoot doctor in her youth, Can Xue returns with a transporting novel that alights in the in-between spaces: between the living and the dead, healer and sick, nature and us.

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A beautifully curated and translated collection of the Qur'anic surahs and verses that are most cherished and memorized by Muslims the world over

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The first scholarly book to examine a wide breadth of the African Diaspora and its influence on international fashion

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An exploration of the human figure and artistic imagination in public art of the American Renaissance, from the nation's centennial to World War I

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A practical field guide to the common lichens found in the northeastern megalopolis, including New York City, Toronto, Boston/New Haven, Philadelphia, Baltimore/Washington, D.C., and as far west as Chicago “A must-read for all who seek the wonders and diversity of nature in the city. Accessible, clear, and packed with invitations to curiosity.”—David George Haskell, author and winner of The John Burroughs Medal forThe Songs of Trees Lichens are dynamic, symbiotic organisms formed by close cooperation between fungi and algae. There are over 20,000 identified species performing essential ecosystem services worldwide. Extremely sensitive to air pollution, they have returned to cities from which they were absent for decades until the air became cleaner. This guide is the first to introduce urban naturalists to over 60 of the common lichens now found in cities and urban areas throughout northeastern North America--in parks and schoolyards, on streets, and in open spaces. Divided into three sections -- lichen basics, including their biology, chemistry, morphology, and role in human history; species accounts and descriptions; and an illustrated glossary, index, and references for further reading -- the book aims to connect city dwellers and visitors with the natural world around them. The descriptions, exquisite photographs, and line drawings will enable users to enter the hidden world of lichens.

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A comprehensive history of the relationship between Africa and the United States Toyin Falola and Raphael Njoku reexamine the history of the relationship between Africa and the United States from the dawn of the trans-Atlantic slave trade to the present. Their broad, interdisciplinary book follows the relationship’s evolution, tracking African American emancipation, the rise of African diasporas in the Americas, the Back-to-Africa movement, the founding of Sierra Leone and Liberia, the presence of American missionaries in Africa, the development of blues and jazz music, the presidency of Barack Obama, and more.

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A neuroscientist reveals unique aspects of decision-making and the best strategies for protecting and enhancing the brain’s ability to navigate life’s uncertainties Contingency calculations—the ability to predict the outcomes of decisions and actions—are critical for survival and success. Our amazing brains continually process past and current experiences to enable us to make the most adaptive choices. But when the brain’s information systems are compromised—by such varying conditions as drug addiction, poverty, mental illness, or even privilege—we can lose the ability to arrive at informed decisions. In this engaging book, behavioral neuroscientist Kelly Lambert explores a variety of the modern factors that can lead to warped neural processing, or distorted realities she terms “brain bubbles.” Individuals who define success in terms of creature comforts and immediate gratification, for instance, may interact less with the physical and social world and thereby dull their ability to imagine varied contingency scenarios. The author underscores how continuous, meaningful, and well-grounded experiences are required if we are to make the best decisions throughout our lives.

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An essential collection that brings together the core primary texts of the Asian American experience in one volume"A vital, up-to-date collection of critical sources that shed new insight into the lives of diverse Asian Americans, past and present."—Erika Lee, author of The Making of Asian America: A History An essential volume for the growing academic discipline of Asian American studies, this collection of core primary texts draws from a wide range of fields, from law to visual culture to politics, covering key historical and cultural developments that enable students to engage directly with the Asian American experience over the past century. The primary sources, organized around keywords, often concern multiple hemispheres and movements, making this compendium valuable for a number of historical, ethnic, and cultural study undergraduate programs.

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A challenge to conventional wisdom about the spread of democracy Since the end of the Cold War, the assumption among most political theorists has been that as nations develop economically, they will also become more democratic—especially if a vibrant middle class takes root. This assumption underlies the expansion of the European Union and much of American foreign policy, bolstered by such examples as South Korea, the Philippines, Taiwan, and even to some extent Russia. Where democratization has failed or retreated, aberrant conditions take the blame: Islamism, authoritarian Chinese influence, or perhaps the rise of local autocrats. But what if the failures of democracy are not exceptions? In this thought-provoking study of democratization, Joshua Kurlantzick proposes that the spate of retreating democracies, one after another over the past two decades, is not just a series of exceptions. Instead, it reflects a new and disturbing trend: democracy in worldwide decline. The author investigates the state of democracy in a variety of countries, why the middle class has turned against democracy in some cases, and whether the decline in global democratization is reversible.

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Scandals at Abu Ghraib and Guantanamo signal alarming changes in America’s attitudes toward criminals, punishment, and democratic ideals The statistics are startling. Since 1973, America’s imprisonment rate has multiplied over five times to become the highest in the world. More than two million inmates reside in state and federal prisons. What does this say about our attitudes toward criminals and punishment? What does it say about us?This book explores the cultural evolution of punishment practices in the United States. Anne-Marie Cusac first looks at punishment in the nation’s early days, when Americans repudiated Old World cruelty toward criminals and emphasized rehabilitation over retribution. This attitude persisted for some 200 years, but in recent decades we have abandoned it, Cusac shows. She discusses the dramatic rise in the use of torture and restraint, corporal and capital punishment, and punitive physical pain. And she links this new climate of punishment to shifts in other aspects of American culture, including changes in dominant religious beliefs, child-rearing practices, politics, television shows, movies, and more.America now punishes harder and longer and with methods we would have rejected as cruel and unusual not long ago. These changes are profound, their impact affects all our lives, and we have yet to understand the full consequences.

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Louis XIV was a man like any other, but the money and attention lavished on his public image by the French government transformed him into a godlike figure. In this engrossing book, an internationally respected historian gives an account of contemporary representations of Louis XIV and shows how the making of the royal image illuminates the relationship between art and power. Images of Louis XIV included hundreds of oil paintings and engravings, three-hundred-odd medals struck to commemorate the major events of the reign, sculptures, and bronzes, as well as plays, ballets (in which the king himself sometimes appeared on stage), operas, odes, sermons, official newspapers and histories, fireworks, fountains, and tapestries. Drawing on an analysis of these representations as well as on surviving documentary sources, Peter Burke shows the conscious attempt to "invent" the image of the king and reveals how the supervision of the royal image was entrusted to a commitee, the so-called small academy. This book is not only a fascinating chronological study of the mechanics of the image-making of a king over the course of a seventy-year reign but is also an investigation into the genre of cultural construction. Burke discusses the element of propaganda implicit in image-making, the manipulation of seventeenth-century media of communication (oral, visual, and textual) and their codes (literary and artistic), and the intended audience and its response. He concludes by comparing and contrasting Louis's public image with that of other rulers ranging from Augustus to contemporary American presidents.

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A new perspective on early Andean civilization focused on emergent social complexity during the first and second millennia B.C. This Yale University Publications in Anthropology volume presents investigations of Peruvian archaeological sites, focusing on early developments in coastal, highland, and cloud forest environments. The contributors provide new perspectives on early Andean civilization by exploring patterns of interaction, authority, and socioeconomic organization during the first and second millennia B.C. in the Central Andes of Peru. Large-scale subjects such as architecture, organization, technology, and ideology are examined, in addition to fine-grained topics including animal bones, pottery style and technology, site orientation, and religious iconography.Distributed for the Yale Peabody Museum of Natural History

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