Search results for ""Author Albert"

En este volumen se agrupan críticas, entrevistas, reseñas y artículos dedicados a A. F. Molina desde los años 50 del pasado siglo hasta el 2013 del presente. Con firmas como: Fernando Arrabal, Víctor García de la Concha, Ricardo Senabre, José Luis Calvo Carilla, Antonio Beneyto, Juan Eduardo Cirlot, José Hierro, Jesús Ferrer Solà, Gabino-Alejandro Carriedo, María Zambrano, Fernando Valls, Luis Alberto de Cuenca, Antón Castro. Y más. Se atreven a internarse en la selva fernandezmoliniana, a cruzar al otro lado del espejo, a franquear el umbral? Son muchos y de distintas ideologías los intelectuales que han dedicado atención a la singular obra de A. F. Molina. Por algo será, no creen? Ester Fernández Echeverría En el fondo de su literatura lleva Fernández Molina algo de la visión esperpéntica de Valle-Inclán, el sueño de las calaveras de Quevedo y las figuraciones plásticas de Dalí. Dámaso Santos Apollinaire pensó un libro de caligramas que se titularía Y yo también soy pintor. Antonio F

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Nearly four decades after his death, the legend of Che Guevara has grown worldwide. In this new book, Alvaro Vargas Llosa separates the myth from the reality of Che's legacy, and shows that Che's ideals were a re-hash of notions about centralised power that have long been the major source of suffering and misery in the underdeveloped world. With testimonies from witnesses of Che's actions, Alberto Vargas Llosa's detailed account of the real Che sets the record straight by exposing the delusion at the heart of the Che phenomenon. Vargas Llosa shows that Che's legacy - making the law subservient to the most powerful, crushing any and all dissent, and concentrating wealth under the guise of social equality - is not the solution to poverty and injustice but is the core of the problem.Besides exposing the dark truths of Che's ideology and actions, "The Che Guevara Myth and the Future of Liberty" elaborates on attempts by both the left and right to suppress liberty and examines the manifestation of Latin American spirit throughout the ages, from early indigenous trade to today's enterprising communities overcoming government impediments. In so doing, the book points to the real revolution among the poor - the liberation of individuals from the constraints of state power in all spheres, public and private. Whether you love or hate Che, "The Che Guevara Myth and the Future of Liberty" will not leave you untouched and will provide a powerful, new perspective on how to overcome the challenges facing the Third World.

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The end of the Cold War between the United States and the former Soviet Union reassured people around the world who had lived in fear of a nuclear confrontation between the superpowers. Yet the early euphoria over "peace dividends" and a "new world order" was premature. Conflicts within and between nation-states are springing up around the globe, challenging world leaders and ordinary citizens to find peaceful means for national, group, and individual self-determination.In this book of specially commissioned essays, twenty world leaders assess the possibilities and perils of the new strategic, political, and economic interrelationships that are emerging around the world. They tackle such fundamental questions as: What is the future of the international system as we approach the twenty-first century? What will be the fate of disintegrating nation-states, and how will the international community respond? Has the nation-state outlived its usefulness? Are we beginning to witness the complete breakdown of the international system?The contributors are: Ali Alatas (Indonesia) Tariq Aziz (Iraq) James A. Baker III (United States) Benazir Bhutto (Pakistan) Boutros Boutros-Ghali (United Nations) Fernando Henrique Cardoso (Brazil) Osama El-Baz (Egypt) Eduardo Frei (Chile) Alberto Fujimori (Peru) Rachid Ghannouchi (eminent Islamic thinker) Mikhail Sergeyevich Gorbachev (Russian Federation) Kamal Kharrazi (Iran) Andrei Kozyrev (Russian Federation) Leonid Kuchma (Ukraine) Nelson Mandela (South Africa) Nursultan Nazarbayev (Kazakhstan) Olusegun Obasanjo (Nigeria) Muammar El-Qadhafi (Libya) Fidel Ramos (Philippines) Shri P. V. Narasimha Rao (India)

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In the postdictatorial era, Latin American cultural production and criticism have been defined by a series of assumptions about politics and art—expecially the claim that political freedom can be achieved by promoting a more direct experience between the textual subject (often a victim) and the reader by eliminating the division between art and life. The Vanishing Frame argues against this conception of freedom, demonstrating how it is based on a politics of human rights complicit with economic injustices. Presenting a provocative counternarrative, Eugenio Claudio Di Stefano examines literary, visual, and interdisciplinary artists who insist on the autonomy of the work of art in order to think beyond the politics of human rights and neoliberalism in Latin American theory and culture.Di Stefano demonstrates that while artists such as Diamela Eltit, Ariel Dorfman, and Albertina Carri develop a concept of justice premised on recognizing victims’ experiences of torture or disappearance, they also ignore the injustice of economic inequality and exploitation. By examining how artists such as Roberto Bolaño, Alejandro Zambra, and Fernando Botero not only reject an aesthetics of experience (and the politics it entails) but also insist on the work of art as a point of departure for an anticapitalist politics, this new reading of Latin American cultural production offers an alternative understanding of recent developments in Latin American aesthetics and politics that puts art at its center and the postdictatorship at its end.

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In Marx's Literary Style, the Venezuelan poet and philosopher Ludovico Silva argues that much of the confusion around Marx's work results from a failure to understand his literary mode of expression. Through meticulous readings of key passages in Marx's oeuvre, Silva isolates the key elements of his style: his search for an "architectonic" unity at the level of the text, his capacity to express himself dialectically at the level of the sentence, and, above all, his great gift for metaphor. Silva's unique sensitivity to Marx's literary choices allows him to illuminate a number of terms that have been persistently, and fatefully, misunderstood by many of Marx's most influential readers, including alienation, reflection, and base and superstructure. At the heart of Silva's book is his contention that we we cannot hope to understand Marx if we treat him as a scientist, a philosopher, or a literary writer, when he was in fact all three at once. Originally published in 1971, this is a key work by one of the most important Latin American Marxists of the twentieth century. This edition, which marks the first appearance of one of Silva's works in English, features an introduction by Alberto Toscano.

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In 1996, against the backdrop of Alberto Fujimori's increasingly corrupt national politics, an older woman in Lima, Peru - part of a group of women street sweepers protesting the privatization of the city's cleaning services - stripped to the waist in full view of the crowd that surrounded her. Lima had just launched a campaign to revitalize its historic districts, and this shockingly transgressive act was just one of a series of events that challenged the norms of order, cleanliness, and beauty that the renewal effort promoted."The City at Its Limits" employs a novel and fluid interweaving of essays and field diary entries as Daniella Gandolfo analyzes the ramifications of this act within the city's conflicted history and across its class divisions. She builds on the work of Georges Bataille to explore the relation between taboo and transgression, while Peruvian novelist and anthropologist Jose Maria Arguedas' writings inspire her to reflect on her return to her native city in movingly intimate detail. With its multiple perspectives - personal, sociological, historical, and theoretical - "The City at Its Limits" is a pioneering work on the cutting edge of ethnography.

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Gathering together Ruth Wilson Gilmore's work from over three decades, Abolition Geography presents her singular contribution to the politics of abolition as theorist, researcher, and organizer, offering scholars and activists ways of seeing and doing to help navigate our turbulent present.Abolition Geography moves us away from explanations of mass incarceration and racist violence focused on uninterrupted histories of prejudice or the dull compulsion of neoliberal economics. Instead, Gilmore offers a geographical grasp of how contemporary racial capitalism operates through an "anti-state state" that answers crises with the organized abandonment of people and environments deemed surplus to requirement. Gilmore escapes one-dimensional conceptions of what liberation demands, who demands liberation, or what indeed is to be abolished. Drawing on the lessons of grassroots organizing and internationalist imaginaries, Abolition Geography undoes the identification of abolition with mere decarceration, and reminds us that freedom is not a mere principle but a place.Edited with an introduction by Brenna Bhandar and Alberto Toscano.

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Gathering together Ruth Wilson Gilmore's work from over three decades, Abolition Geography presents her singular contribution to the politics of abolition as theorist, researcher, and organizer, offering scholars and activists ways of seeing and doing to help navigate our turbulent present.Abolition Geography moves us away from explanations of mass incarceration and racist violence focused on uninterrupted histories of prejudice or the dull compulsion of neoliberal economics. Instead, Gilmore offers a geographical grasp of how contemporary racial capitalism operates through an "anti-state state" that answers crises with the organized abandonment of people and environments deemed surplus to requirement. Gilmore escapes one-dimensional conceptions of what liberation demands, who demands liberation, or what indeed is to be abolished. Drawing on the lessons of grassroots organizing and internationalist imaginaries, Abolition Geography undoes the identification of abolition with mere decarceration, and reminds us that freedom is not a mere principle but a place.Edited with an introduction by Brenna Bhandar and Alberto Toscano.

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Praise for Exceptional Selling "Thull's leading-edge thinking makes this book extraordinary. This straightforward guide to communicating across all cultures with credibility and respect will give you a significant competitive advantage in a complex and crowded global marketplace." —Guenter Lauber, Vice President, Siemens Energy & Automation, Inc., EA Systems "Exceptional Selling may be one of the most important books written on sales and marketing communications for high stakes sales. It shows you how to stand apart from your competition, communicate with great clarity, and position your solution as the most compelling choice for the long term." —Rob Mancuso, Senior Vice President, Investors Financial Services Corp. "Thull has taken consultative and collaborative sales to new heights. The knowledge in this book is priceless. The trust and respect created by the diagnostic process is a must-have for success here in Asia and around the globe. It enables us to differentiate ourselves early and achieve long-lasting success." —Tay Chong Siew, Major Customer Director, North Asia, BOC Gases "Having achieved exceptional success by working with Thull and implementing the strategy and process in his first two books, I'm astounded that his leading-edge thinking is captured in yet more detail in another brilliant book. The conversation examples of his powerful diagnostic approach will bring even greater success to our organization. Truly exceptional!" —Alberto Chacin, Director of On Demand Services LAD, Oracle USA "Exceptional Selling is a dramatic departure from the vast majority of sales books. It scares me to see all the ways in which we can self-sabotage our sales opportunities-but that's only chapter one. Throughout the book, Thull describes compelling examples of how to succeed in a cluttered marketplace." —Steven Rodriguez, Senior Vice President, Ceridian Corporation "Thull has again extended the concepts and thinking he developed in The Prime Solution and Mastering the Complex Sale. This is an essential read for anyone working to understand his customers in a complex world." —Wayne Hutchinson, Vice President of SalesMarketing and Consulting, Shell Global Solutions International B.V.

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With a considerable influence on national and international legislators, courts, public administrators and private companies, environmental principles ? such as the polluter-pays principle, sustainable development or the precautionary principle ? play an important role in the making, application and the interpretation of environmental law. As a key part of the Elgar Encyclopedia of Environmental Law, this comprehensive volume provides detailed coverage of all of the important environmental principles and offers unique insights as well as wider reflection on the role played by principles. With 50 structured entries written by leading scholars from around the world the volume discusses the various environmental principles in turn, covering their impact on international cooperation, their varying importance globally, their relevance in the jurisprudence of international and European courts and their growing importance in international business practice. As well as forming an authoritative reference source, Principles of Environmental Law offers new insights into this topic, which has developed strongly over the last 50 years and has become increasingly fundamental for the future of the planet. As well as forming an indispensable guide, this important volume offers both a reflection on the evolution of the legal principles and insight into their practical application. It will prove an essential resource for students, academics, judges, company lawyers, and administrators.Contributors include: A. Aaragao, M. Alberton, S. Atapattu, V. Barral, B. Boer, N. Craik, C. Dalhammar, J. Darpö, N. de Sadeleer, O. Dubovik, L.-A. Duvic-Paoli, T. Fajardo del Castillo, R. Fowler, M. Führ, M. Gestri, G. Handl, M. Hedemann-Robinson, S. Khan, R. Kibugi, S. Kingston, V. Koester, L. Krämer, K. Kulovesi, R. Lefeber, R. Macrory, C.W. Malcomb, G.J. Martin, E. Meidinger, I. Michallet, B. Milligan, M. Montini, E. Morgera, D.M. Ong, E. Orlando, A. Panovic, O. Pedersen, M. Peeters, M. Prieur, A. Proelss, L. Rajamani, C. Redgwell, M. Reese, A. Röhricht, G. Roller, J. Schenten, P. Schwartz, D. Spitzer, T. Stephens, H. Strydom, P. Taylor, E. Tsioumani, J.B. Wiener, G. Winter, Y. Zhao

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Design a rainwater harvesting system for any home in any climate. Water is a crucial resource increasingly under stress. Yet rainfall, even in arid climates, can make up a sizable portion of any home, acreage, or farm's water requirements if harvested and utilized with care. The key is appropriate planning and high-quality site- and climate-specific design. Essential Rainwater Harvesting is a comprehensive manual for designing, building, and maintaining water harvesting systems for the warm and cold climates of the world. Presenting design considerations and approaches for the most common household rainwater supply scenarios – primary, supplemental, and off-grid supply – this step-by-step approach covers: Considerations for full-property water security Demand planning and conservation strategies Supply calculations and design implications for extreme rainfall and drought Materials selection and water quality System and site assessment Sizing and design of gutters, conveyance, tanks, and pumps Pre-filtration, filtration, and disinfection options System maintenance and upkeep This practical resource provides DIYers, trades, and rainwater practitioners with the essential tools, methods, and technical know-how to design, build, and maintain rainwater harvesting systems anywhere. Rob Avis, P.Eng and Michelle Avis, P.Eng own and operate Adaptive Habitat, a leading edge property design firm for resilient homes, acreages, and farms and Verge Permaculture, a globally recognized award-winning education business. They have over 20 years of combined experience in project management, ecological design, and sustainable technologies, which they share at vergepermaculture.ca from their suburban house and yard that they've transformed into a model of cold climate urban permaculture in Calgary, Alberta.

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Alfredo Sánchez Bella (1916-1999) fue uno de los dirigentes españoles con una de las carreras políticas más intensas y dilatadas del franquismo. Desde muy pronto estuvo relacionado con los círculos de Acción Católica que colaborarían con el régimen bajo el liderazgo de Alberto Martín Artajo al frente del Ministerio de Asuntos Exteriores. El empeño por integrar al nuevo Estado en los organismos internacionales sin alterar su sustancia ideológica fue una constante en la actuación diplomática de Sánchez Bella. Qué función le asignó en este cometido a la comunidad hispanoamericana?, cuál fue la posición adoptada con respecto a Europa y su proceso de integración? Son preguntas que hallan respuesta en este libro, en el que el lector además podrá adentrarse en las razones que inspiraron la promoción de la candidatura de Otto de Habsburgo al trono de España, los intentos por instaurar un Estado presidencialista coronado, o los motivos del ascenso de Sánchez Bella al Ministerio de Información y

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THE TIMES AND WATERSTONES BEST ART BOOK OF 2023''Marvellous . . . intimate and insightful . . . reads like a novel by Samuel Beckett' Paul Theroux A portrait of one of the twentieth century's greatest sculptors from one of our most eminent art historiansToday the work of Alberto Giacometti is world-famous and his sculptures sell for record-breaking prices. But from his early days as an unknown outsider to the end of a dramatic international career, Giacometti lived in the same hovel of a studio in Paris. It was Paris that made him, and he in turn immortalised the city through his art.Arriving in Paris from the Swiss Alps in 1922, Giacometti was shaped not only by his relationships with remarkable artists and writers from Picasso, Breton and Dalí to Sartre, Beauvoir and Beckett but by the everyday life, pre-war and post-war, of Paris itself. His distinctive figures emerged from the city's unique atmosphere: the crumbling grey stone of its humbler str

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In the Swiss Pavilion at the 57th Venice Biennale, the Swiss American artist couple Teresa Hubbard / Alexander Birchler (born 1965 and 1962 respectively) presented Flora and Bust, exploring the life of the unknown American artist Flora Mayo, with whom Alberto Giacometti had a love affair in Paris in the 1920s. While Giacometti is one of the most celebrated artists of the 20th century, Mayo's oeuvre has been destroyed, her biography relegated to a footnote in Giacometti scholarship. In this acclaimed work, which had its American premiere at the Los Angeles County Museum of Art (LACMA) in 2019, Hubbard / Birchler reframe Mayo's history through a feminist perspective that interweaves reconstruction, reenactment and documentary into a hybrid form of storytelling. Flora, a double-sided film installation, is conceived as a conversation between Mayo and her son, David, whom the artists discovered living near Los Angeles. The work generates a multifaceted dialogue between a mother and son, Mayo and Giacometti, Paris and Los Angeles, and past and present. This richly illustrated book depicts the journey of Hubbard / Birchler's process and is accompanied by a transcript of the film installation, a visual chronology of Flora Mayo's life, and conversations with the artists.

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Garth Martens’ debut, Prologue for the Age of Consequence, is about the tar sands and industrial projects of Alberta, and the men who work in them. But to describe it as such restricts the book to its physical concerns, when in fact these are poems of great philosophical ambition, and startling ethical and psychological reach.Martens has made an elemental world both beautiful and severe, and on his stage, characters assume a collective status both emphatically human and radically mythic. He is interested in endurance, in addiction, loss, abuse, and pain, in how people are created, and how they create themselves, out of crude material both inherited, and scavenged. His language is rough and baroque; his metaphors are titanic in their range and scope. This is a book about grace and error, about hurtling towards the unknown, about acting out. Martens writes: "It is dark when you reach the excavation and you don't know if the road starts or ends here. If it's abutment, chimera, hole." Prologue for the Age of Consequence accrues the propulsive force of an epic. It will pry you open, and reorder what it finds inside.

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Forever at the Finish Line tells the remarkable and inspiring story of Daniel Mitrovich, a runner from San Diego who had a goal of putting a life-size statue of New York Marathon founder Fred Lebow in Central Park. New York’s parks commissioner Henry Stern said “It will be easier for a camel to go through the eye of a needle than to put a statue in Central Park.” It would not be easy for someone who lacked financial backing and who wasn’t even a New Yorker to make this happen. But with the faith and blessing of Fred Lebow, the support of his family, and his own personal determination, he knew it would happen. His journey involved crossing the continent many times, securing the support of some of the most famous runners of our time, including Joan Benoit Samuelson, Grete Waitz, Alberto Salazar, Bill Rodgers, and Carl Lewis. He would ultimately gain the endorsements of some of the most powerful political people of our time: presidents George Herbert Walker

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In Paramedics On and Off the Streets, Michael K. Corman embarks on an institutional ethnography of the complex, mundane, intricate, and exhilarating work of paramedics in Calgary, Alberta. Corman's comprehensive research includes more than 200 hours of participant observation ride-alongs with paramedics over a period of eleven months, more than one hundred first hand interviews with paramedics, and thirty-six interviews with other emergency medical personnel including administrators, call-takers and dispatchers, nurses, and doctors. At the heart of this ethnography are questions about the role of paramedics in urban environments, the role of information and communication technologies in contemporary health care governance, and the organization and accountability of pre-hospital medical services. Paramedics On and Off the Streets is the first institutional ethnography to explore the role and increasing importance of paramedics in our healthcare system. It takes readers on a journey into the everyday lives of EMS personnel and provides an in-depth sociological analysis of the work of pre-hospital health care professionals in the twenty-first century.

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The Norwegian painter, novelist, and social critic Christian Krohg (1852–1925) is best known for creating highly political paintings of workers, prostitutes, and Skagen fishermen of the 1880s and for serving as a mentor to Edvard Munch. One of the Nordic countries’ most avant-garde naturalist artists, Krohg was influenced by French thinkers such as Émile Zola, Claude Bernard, and Hippolyte Taine, and he shocked the provincial sensibilities of his time. His work reached beyond the art world when his book Albertine and its related paintings were banned upon publication. Telling the story of a young seamstress who turns to a life of prostitution, it galvanized support for outlawing prostitution in Norway—but Krohg was also punished for the work’s sexual content. Examining the theories of Krohg and his fellow naturalists and their reception in Scandinavian intellectual circles, Øystein Sjåstad places Krohg in an international perspective and reveals his striking contribution to European naturalism. In the process, Christian Krohg’s Naturalism provides an unparalleled account of Krohg’s art.

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This is the catalogue of the exhibition held at the Opera Gallery in Paris, dedicated to the Sardinian artist Pino Manos. Manos is renowned for founding the movement called Rigorismo (Rigourism) in 2010, in the wake of Transpatialism and beyond, with the involvement of Enrico Castellani, Agostino Bonalumi, Giuseppe Amadio, Cesare Berlingeri, Alberto Loro, Pino Manos, Vanna Nicolotti, Turi Simeti, Paolo Scheggi, Paolo Bazzocchi, Umberto Mariani and Pino Pinelli, organised and curated by Flavio Lattuada at the Galleria Lattuada, following the spatial poetics of Lucio Fontana. The group of artists were presented by the philosopher, Massimo Donà. Spatialism is expressed in a more radical way and the canons are made more rigorous with the superseding of the bidimensional limitations, the inclusion of new forms of figuration and its openness to new means of expression. A critical essay by Sergio Risaliti, director of the Museo Novecento in Florence, can be seen as an in-depth iconographic apparatus that narrates the vast and transversal artistic activity of a great protagonist of contemporary Italian art. Text in English and Italian.

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In 2024, Dulwich Picture Gallery will present Soulscapes, a major exhibition of landscape art that will expand and redefine the genre. Published to coincide with this revelatory exhibition, this book features over 30 contemporary artworks, spanning painting, photography, film, tapestry and collage from leading artists including Hurvin Anderson, Phoebe Boswell, Njideka Akunyili Crosby, Kimathi Donkor, Isaac Julien, Marcia Michael, Mónica de Miranda and Alberta Whittle, as well as some of the most important emerging voices working today. Soulscapes explores our connection with the world around us through the eyes of artists from the African Diaspora and considers the power of landscape art through the themes of belonging, memory, joy and transformation. Each copy of Soulscapes includes a special edition print by Kimathi Donkor depicting the painting On Episode Seven, 2000, and is only available with this book. The print measures 177 x 221mm., including a 13mm. border, is housed inside the rear cover of the book, and is visible through a bespoke die-cut window.

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Focusing on artwork by Lucio Fontana, Alberto Burri, and Piero Manzoni, Jaleh Mansoor demonstrates and reveals how abstract painting, especially the monochrome, broke with fascist-associated futurism and functioned as an index of social transition in postwar Italy. Mansoor refuses to read the singularly striking formal and procedural violence of Fontana's slit canvasses, Burri's burnt and exploded plastics, and Manzoni's "achromes" as metaphors of traumatic memories of World War II. Rather, she locates the motivation for this violence in the history of the medium of painting and in the economic history of postwar Italy. Reconfiguring the relationship between politics and aesthetics, Mansoor illuminates how the monochrome's reemergence reflected Fontana, Burri, and Manzoni's aesthetic and political critique of the Marshall Plan's economic warfare and growing American hegemony. It also anticipated the struggles in Italy's factories, classrooms, and streets that gave rise to Autonomia in the 1960s. Marshall Plan Modernism refigures our understanding of modernist painting as a project about labor and the geopolitics of postwar reconstruction during the Italian Miracle.

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Mexico has long been the top travel destination for Americans. But until now, there has not been such a panoramic vision of offered by some of Mexico's finest contemporary writers of fiction and literary prose. Here are writings -- many translated for the first time -- that bring you to the people of the beaches, the deserts, jungles, snow-capped mountains, and megacities. The voices are rich and diverse, the stories enthralling and strange. These writings shatter stereotypes as they provide a rollicking journey from the Pacific to the Gulf, from Yucatan to the U.S.-Mexico border, from humble ranchos to a fabulous mountaintop castle. Contributors include Daniel Reveles, Carlos Fuentes, Ines Arredondo, Jesus Gardea, Elizondo Elizondo, Agustin Cadena, C. M. Mayo, Carlos Monsivais, Juan Villoro, Guadalupe Loaeza, Fernando del Paso, Monica Lavin, Pedro Angel Palou, Angeles Mastretta, Raul Mejia, Martha Cerda, Araceli Ardon, Bruno Estanol, Ilan Stavans, Raymundo Hernandez-Gil, Julieta Campos, Alberto Ruy Sanchez, Rosario Castellanos, and Laura Esquivel.

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The 1978 publication of Edward Said's Orientalism unsettled the world. Over two decades earlier Aimé Césaire had famously spoken of the boomerang effect of colonization, which dehumanized both the colonizer and the colonized. Over time, Said and his 1978 book took Césaire’s anti-imperial critique one step further by enabling the boomerang effect of decolonization.Inspired by that intellectual trajectory, The Boomerang Effect of Decolonization redefines post-Orientalism in a relational and integrative way. This volume draws on the reception and critique of Said’s ideas as well as his own attempts to appropriate the boomerang’s recursive nature and empower decolonial processes that aimed to transform everyone, regardless of differences both imagined and real, for the betterment of all. Reflecting upon Orientalism, its legacies, and the myriad conversations it has generated, scholars from various disciplines examine acts of anti-racism and liberation through the lens of critical race theory. Covering topics including Said’s anti-Orientalist world, Métis/Michif consciousness, writing by the French scholar Jacques Berque, the politics of allyship in the Israeli-Palestinian conflict, and the convergence between healthcare and settler-colonialism in Northwestern Ontario, contributors explore the different paths critiques of imperial cultures and their politics of difference have travelled in Canada and abroad. Said’s Orientalism reoriented both decolonization itself and his readers’ imaginations. By redefining post-Orientalism as a relational and inclusive mode of liberation, this volume offers tools to think about difference differently, centring its anti-racist framework on the relationship between misrepresented people and their rewritten histories. Contributors include Yasmeen Abu-Laban (Alberta), Rachad Antonius (UQAM), Sung Eun Choi (Bentley), Mary-Ellen Kelm (Simon Fraser), Allyson Stevenson (Saskatchewan), Mira Sucharov (Carleton), and Lorenzo Veracini (Swinborne).

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Aberrant Nuptials explores the diversity and richness of the interactions between artistic research and Deleuze studies. "Aberrant nuptials" is the expression Gilles Deleuze uses to refer to productive encounters between systems characterised by fundamental difference. More than imitation, representation, or reproduction, these encounters foster creative flows of energy, generating new material configurations and intensive experiences. Within different understandings of artistic research, the contributors to this book--architects, composers, film-makers, painters, performers, philosophers, sculptors, and writers--map current practices at the intersection between music, art, and philosophy, contributing to an expansion of horizons and methodologies. Written by musicians and artists who have been reflecting Deleuzian and Post-Deleuzian discourses in their artworks, and by established Deleuze scholars who have been working on interferences between art and philosophy, this volume reflects the current relevance of artistic research and Deleuze studies for the arts. This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content). Contributors: Suzie Attiwill (RMIT University), Sara Baranzoni (Universidad de las Artes of Guayaquil), Zsuzsa Baross (Trent University), Terri Bird (Monash University), Ronald Bogue (University of Georgia), Barbara Bolt (VCA University of Melbourne), Peter Burleigh (University of Basel / HGK, Basel), Edward Campbell (University of Aberdeen / Centre for Modern Thought), Marianna Charitonidou (University of Paris West Nanterre / National Technical University of Athens), Jean-Marc Chouvel (Paris-Sorbonne University), Guillaume Collett (University of Kent), Zornitsa Dimitrova (University of Munster), Lilija Duobliene (University of Vilnius), Lucia D'Errico (Orpheus Institute), Bracha L. Ettinger (artist, painter, theorist), Henrik Frisk (Royal Academy of Music Malmoe), jan jagodzinski (University of Alberta), Oleg Lebedev (Universite Catholique de Louvain), Gustavo Penha (University of Sao Paulo), Katie Pleming (King's College London), Liana Psarologaki (University of Suffolk), Emilia Marra (University of Trieste), Tero Nauha (Helsinki Collegium), Stefan OEstersjoe (Orpheus Institute), Simon O'Sullivan (theorist, artist), Antonia Pont (Deakin University), Elisabeth Presa (University of Melbourne), Spencer Roberts (University of Huddersfield), Jonas Rutgeerts (dramaturge, performance theorist), Anne Sauvagnargues (University of Paris Ouest Nanterre La Defense), Janae Sholtz (Alvernia University), Steve Tromans (musician, independent researcher), Kamini Vellodi (University of Edinburgh), Paolo Vignola (Universidad de las Artes of Guayaquil), Audrone Zukauskaite (Lithuanian Culture Research Institute). In collaboration with Orpheus Institute

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Traveling alone through the climate-crisis-ravaged wilds of Alberta''s Rocky Mountains, 19-year-old Reid Graham battles the elements and her lifelong chronic illness to reach the utopia of Howse University. But life in one of the storied ''domes'' - the last remnants of pre-collapse society - isn''t what she expected. Reid tries to excel in her classes and make connections with other students but still grapples with guilt over what happened just before she left her community. And as she learns more about life at Howse, she begins to realise she can''t stand idly by as the people of the dome purposely withhold needed resources from the rest of humanity. When the worst of news comes from back home, Reid must make a choice between herself, her family, and the broken new world. In this powerful follow-up to her award-winning novella The Annual Migration of Clouds, Premee Mohamed is at the top of her game as she explores the conflicts and complexities of this post-apocalyptic society and as

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One of the greatest, as well as the most debated, social policy ideas of the 1980s and 1990s was workfare. In Workfare: Why Good Social Policy Ideas Go Bad, Maeve Quaid delves into the definition and history of workfare, and then continues with a critical and comparative analysis of workfare programs in six jurisdictions: three American (California, Wisconsin, New York) and three Canadian (Alberta, Ontario, New Brunswick). Drawing from these case studies, Quaid develops an analytic model that illustrates how workfare falls prey to a series of hazards whereby good social policy ideas fail. Their demise, argues Quaid, begins with politicians with a zest for big ideas but little interest in implementation, continues with short-sighted policy makers, resistant bureaucrats, cynical recipients, flawed evaluations, and is completed by fleeting and fickle public attention for these news stories. Quaid's identification and analysis of these hazards is especially valuable because the hazards can also be applied to innovation in any area of social policy, such as health-care, education, pension plans, child-care, and unemployment insurance.

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While Canada is home to one of the largest Ukrainian diasporas in the world, little is known about the life and culture of Ukrainians living in the country’s rural areas and their impact on Canadian traditions.Drawing on more than ten years of interviews and fieldwork, Ukrainian Ritual on the Prairies describes the culture of Ukrainian Canadians living in the prairie provinces of Alberta and Saskatchewan. Despite powerful pressure to assimilate, these Ukrainians have managed both to preserve their sense of themselves as Ukrainian and to develop a culture sensitive to the realities of prairie life, creating their own uniquely Ukrainian Canadian traditions. The Ukrainian church, an iconic though now rapidly disappearing feature of the prairie landscape, takes centre stage as an instrument for the retention of Ukrainian identity and the development of a new culture. Natalie Kononenko explores the cultural elements of Ukrainian Canadian ritual practice, with an emphasis on family traditions surrounding marriage, birth, death, and religious holidays.Ukrainian Ritual on the Prairies gives voice to a group of everyday people who are too often overlooked, highlighting their accomplishments and their contributions to Canadian life.

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A new history of one of the foremost printers of the Renaissance explores how the Age of Print came to Italy.Lorenz Böninger offers a fresh history of the birth of print in Italy through the story of one of its most important figures, Niccolò di Lorenzo della Magna. After having worked for several years for a judicial court in Florence, Niccolò established his business there and published a number of influential books. Among these were Marsilio Ficino’s De christiana religione, Leon Battista Alberti’s De re aedificatoria, Cristoforo Landino’s commentaries on Dante’s Commedia, and Francesco Berlinghieri’s Septe giornate della geographia. Many of these books were printed in vernacular Italian.Despite his prominence, Niccolò has remained an enigma. A meticulous historical detective, Böninger pieces together the thorough portrait that scholars have been missing. In doing so, he illuminates not only Niccolò’s life but also the Italian printing revolution generally. Combining Renaissance studies’ traditional attention to bibliographic and textual concerns with a broader social and economic history of printing in Renaissance Italy, Böninger provides an unparalleled view of the business of printing in its earliest years. The story of Niccolò di Lorenzo furnishes a host of new insights into the legal issues that printers confronted, the working conditions in printshops, and the political forces that both encouraged and constrained the publication and dissemination of texts.

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In Grasslands Grown Molly P. Rozum explores the two related concepts of regional identity and sense of place by examining a single North American ecological region: the U.S. Great Plains and the Canadian Prairie Provinces. All or parts of modern-day Alberta, Montana, Saskatchewan, North Dakota, South Dakota, and Manitoba form the center of this transnational region. As children, the first postconquest generation of northern grasslands residents worked, played, and traveled with domestic and wild animals, which introduced them to ecology and shaped sense-of-place rhythms. As adults, members of this generation of settler society worked to adapt to the northern grasslands by practicing both agricultural diversification and environmental conservation. Rozum argues that environmental awareness, including its ecological and cultural aspects, is key to forming a sense of place and a regional identity. The two concepts overlap and reinforce each other: place is more local, ecological, and emotional-sensual, and region is more ideational, national, and geographic in tone. This captivating study examines the growth of place and regional identities as they took shape within generations and over the life cycle.

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How do we read after the so-called death of literature? If we are to attend to the proclamations that the representational apparatuses of literature and politics are dead, what aesthetic, ethical, and political possibilities remain for us today? Our critical moment, Graff Zivin argues, demands anarchaeological reading: reading for the blind spots, errors, points of opacity or untranslatability in works of philosophy and art. Rather than applying concepts from philosophy in order to understand or elucidate cultural works, the book exposes works of philosophy, literary theory, narrative, poetry, film, and performance art and activism to one another. Working specifically with art, film, and literature from Argentina (Jorge Luis Borges, Juán José Saer, Ricardo Piglia, César Aira, Albertina Carri, the Internacional Errorista), Graff Zivin allows such thinkers as Levinas, Derrida, Badiou, and Rancière to be inflected by Latin American cultural production. Through these acts of interdiscursive and interdisciplinary (or indisciplinary) exposure, such ethical and political concepts as identification and recognition, decision and event, sovereignty and will, are read as constitutively impossible, erroneous. Rather than weakening either ethics or politics, however, the anarchaeological reading these works stage and demand opens up and radicalizes the possibility of justice.

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In Grasslands Grown Molly P. Rozum explores the two related concepts of regional identity and sense of place by examining a single North American ecological region: the U.S. Great Plains and the Canadian Prairie Provinces. All or parts of modern-day Alberta, Montana, Saskatchewan, North Dakota, South Dakota, and Manitoba form the center of this transnational region. As children, the first postconquest generation of northern grasslands residents worked, played, and traveled with domestic and wild animals, which introduced them to ecology and shaped sense-of-place rhythms. As adults, members of this generation of settler society worked to adapt to the northern grasslands by practicing both agricultural diversification and environmental conservation. Rozum argues that environmental awareness, including its ecological and cultural aspects, is key to forming a sense of place and a regional identity. The two concepts overlap and reinforce each other: place is more local, ecological, and emotional-sensual, and region is more ideational, national, and geographic in tone. This captivating study examines the growth of place and regional identities as they took shape within generations and over the life cycle.

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Shortlisted, Wilfrid Eggleston Award for NonfictionOn a whim, armchair-atheist Richard Kelly Kemick joins the 100-plus cast of The Canadian Badlands Passion Play, North America's largest production of its kind and one of the main tourist attractions in Alberta. By the time closing night is over, Kemick has a story to tell. From the controversial choice of casting to the bizarre life in rehearsal, this glorious behind-the-scenes look at one of Canada's strangest theatrical spectacles also confronts the role of religion in contemporary life and the void left by its absence for non-believers.In the tradition of tragic luminaries such as David Foster Wallace, Jonathan Goldstein, and David Sedaris, I Am Herod gives its congregation of readers unparalleled access to the players of the Passion: there's Judas, who wears a leather jacket even when it's 30°C; the Chief Sadducee, who is ostracized for his fanaticism; Pilate, the only actor who swears; the Holy Spirit, who is breaking ground as the role's first female actor; and the understudy Christ, the previous year's real-deal Christ who was demoted to backup and now performs illicit one-man shows backstage.

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My name is Calvin Sinclair, I'm eleven years old and I have a confession... I killed my brother.It's the summer before grade six and Calvin Sinclair is bored to tears. He's recently moved from a big city to a small town and there's nothing to do. It's hot, he has no friends and the only kid around is his six-year-old brother, Sammy, who can barely throw a basketball as high as the hoop.Cal occupies his time by getting his brother to do almost anything: from collecting ants to doing Calvin's chores. And Sammy is all too eager - as long as it means getting a "Level" and moving one step closer to his brother's Eagle status.When Calvin meets Aleta Alvarado, a new girl who shares his love for Goosebumps books and adventure, Sammy is pushed aside. Cal feels guilty but not enough to change. At least not until a diagnosis makes things at home start spinning out of control and he's left wondering whether Sammy will ever complete his own journey... "Tender, direct, and honest."—Kirkus Reviews"An honest portrayal of love, loss, and friendship." —School Library Journal"A moving and ultimately hopeful book."—Booklist"This book is heart-breaking, gut-wrenching, and awe-inspiring.... highly recommend this book to fans of the book Wonder by R. J. Palacio, but i think that any reader will enjoy this excellent debut novel from Alex Lyttle." —JacobtheBookworm, Goodreads"This is touching, moving, beautiful story and I can't recommend it enough. Even though its target audience is upper middle grade, everyone should read this. Did you watch that television show Red Band Society? My teenager daughter and I loved that show and this book had that seem feel but from the perspective of the non-ill sibling. Nicola Yoon's Everything, Everything was released in September of 2015 and the hype that followed was out of control. The hype for this book needs to surpass that." —Candace, GoodreadsCheck out Alex Lyttle's other book:The Rise of WinterThe Critics Agree: From Ant to Eagle, like The Bridge to Terabithia and Out of My Mind, shouldn't be missed. Read this award-winning book today!Winner, Red Cedar Award 2019Winner, Silver Birch Fiction Award 2018Winner, Rocky Mountain Book Award 2019Finalist, Alberta Writers Guild 2019Finalist, Foreword Indies Book of the Year 2017

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A Sunday Times, Times, Irish Times and Mojo Book of the YearRough Trade #1 Book of the YearResident Music #1 Book of the Year'Were you there? Well this is as close as it gets! Thurston Moore's compelling and spirited account of the streets, the songs, the clothes, the clubs and the contenders! A sensitive and authentic testimony to Moore's life lived through art and music. Beats with the heart of a true artist and mutineer.' Viv Albertine'Downtown scientists rejoice! For Thurston Moore has unearthed the missing links, the sacred texts, the forgotten stories, and the secret maps of the lost golden age. This is history-scuffed, slightly bent, plenty noisy, and indispensable.' Colson WhiteheadA music-obsessed retrospective, beginning with his childhood epiphany of rock 'n' roll in the early 1960s into an infatuation with the subversive world of 1970s punk and no wave blasting forth from New York City - where he eventually runs off to join a band in 1978. By 1981 Moore would form the legendary and notorious experimental rock group Sonic Youth, who proceeded to record and tour relentlessly for almost 30 years, always progressing, always exploring.Along the way we meet a constellation of artists and musicians who colluded and collided with Sonic Youth including Velvet Underground, Stooges, Patti Smith, Television, Sex Pistols, Clash, Nirvana, Hole, Beastie Boys, Neil Young and a cavalcade of other musical visionaries, as well as figures from the art world - Jean Michel Basquiat, Keith Haring and Gerhard Richter.Simply put, Thurston Moore and Sonic Youth changed the sound of modern alternative rock music and opened the minds of a generation of artists to new possibilities within the form. This is essential reading.'I thoroughly enjoyed Thurston Moore's trip down the gauntlet of memory lane, dodging beer bottles and pools of blood as he balances the demands of art and survival. Plus I'm a sucker for anyone who name-checks Saccharine Trust. A raw, rollicking document.' Nell Zink

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Hardship to Homeland recounts Volga Germans' unique story in a saga that stretches from Germany to Russia and across the Atlantic. Burdened by war and debt, life was extremely difficult for impoverished European peasants until a former German princess came to power. Seeking to increase borderland population, provide a buffer against Ottoman Empire incursions, and bring agricultural ingenuity to her country, Russian empress Catherine II issued a remarkable 1763 manifesto inviting Europeans to immigrate. Their passage paid, colonists would become Russian citizens, yet retain their language and culture. For the next four years, some 27,000 settlers came--mostly from Hesse and the Palatinate--founding 104 communities along both banks of the Volga River near Saratov and introducing numerous agricultural innovations. But the Russian Senate revoked the original settlement terms in 1871. Facing poor economic conditions and a forced Russian army draft, 100,000 Volga Germans joined other immigrant waves to the New World. After a decade of hardship in the Midwest, some began moving to the Pacific Northwest, and their westward movement was one of the region's largest single ethnic group migrations. From outposts in Washington State they spread throughout the Columbia Basin, along the coast, and into northern Idaho, Oregon, British Columbia, and Alberta, transforming their new homelands into centers of western productivity and significantly influencing North American religion, politics, and social development.Hardship to Homeland is a revised and expanded reprint of The Volga Germans: Pioneers of the Northwest, published in 1985 and long out of print. This edition offers a new introduction as well as Volga German folk stories from the Pacific Northwest, collected and retold by Richard D. Scheuerman, with illustrations by Jim Gerlitz.

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Learn what marketing practices can positively impact behaviorThe success of the application of commercial marketing practices to change behavior for the betterment of society and the individual is getting more attention. Social Marketing: Advances in Research and Theory explores the use of social marketing through a variety of effective approaches. Chapters examine case studies and qualitative research to gain insight into the adoption of marketing practices to enable social change. This superb collection of top presentations from the SMART (Social Marketing Advances in Research and Theory) inaugural conference held in 2004 in Alberta, Canada provides examples of the latest commercial marketing practices to change behavior such as programs to encourage people to quit smoking or increase seat belt usage.Social Marketing: Advances in Research and Theory presents top experts who provide a wide variety of specific examples explaining ways to enable social marketing to positively impact behavior. This helpful resource provides a broad, useful understanding of this unique type of marketing and its goals. Chapters offer extensive references and detailed tables and figures to clearly present data.Topics in Social Marketing: Advances in Research and Theory include: a case study on approaches to anti-doping behavior in sports a case study reviewing the evolution of the Canadian Heritage anti-racism campaign applying social marketing concepts to increase capacity of programs in a state health department research into a recycling promotion technique using Internet technology to study the impact of anti-smoking messages issues involved in the voluntary change in behavior of automobile users charity support behaviors Social Marketing: Advances in Research and Theory is an insightful resource valuable to academics and practitioners interested in social marketing, or anyone working with nonprofits to change individual behavior and better society.

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Go beyond the big screen and explore the real places that inspired some of the greatest films of all time – brought to life through comprehensively researched text and stunning hand-drawn artwork. Travel journalist Sarah Baxter reveals 25 essential cinematic destinations around the globe, spanning different decades, directors and movie genres. Full-page colour illustrations instantly transport you to each location. You’ll find that these places are not just backdrops to the tales told, but characters in their own right. Travel to the sweeping deserts of Lawrence of Arabia in Jordan, escape to the tumbling hills of San Francisco as seen in Hitchcock’s Vertigo or lose yourself in the cobbled lanes of In Bruges. Featured locations: London, England, Paddington Wells, England, Hot Fuzz Dumfries & Galloway, Scotland, The Wicker Man Belchite & the Sierra de Guadarrama, Spain, Pan’s Labyrinth Montmartre, Paris, France, Amélie Bruges, Belgium, In Bruges Görlitz, Germany, The Grand Budapest Hotel Fårö, Sweden, Persona Salzburg, Austria, The Sound of Music Rome, Italy, La Dolce Vita Matmata & Tozeur, Tunisia, Star Wars: A New Hope Wadi Rum, Jordan, Lawrence of Arabia Mumbai, India, The Lunchbox Hong Kong, China, Enter the Dragon Seoul, South Korea, Parasite Tokyo, Japan, Lost in Translation Outback, Australia, The Adventures of Priscilla, Queen of the Desert Karekare Beach, New Zealand, The Piano Alberta, Canada, The Revenant Philadelphia, USA, Rocky San Francisco, USA, Vertigo Brooklyn, New York, USA, Do the Right Thing Dead Horse Point State Park, Utah, USA, Thelma & Louise Jamaica, Dr No Cusco & Machu Picchu, Peru, The Motorcycle Diaries Delve into this book to discover some of the world’s most fascinating cinematic places and the films that celebrate them. Each book in the Inspired Traveller's Guides series offers readers a fascinating, informative and charmingly illustrated guide to must-visit destinations round the globe. Also from this series, explore intriguing: Artistic Places, Spiritual Places, Literary Places, Hidden Places, Mystical Places and Wild Places.

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The concept of assemblage has emerged in recent decades as a central tool for describing, analysing, and transforming dynamic systems in a variety of disciplines. Coined by Deleuze and Guattari in relation to different fields of knowledge, human practices, and nonhuman arrangements, assemblage is variously applied today in the arts, philosophy, and human and social sciences, forming links not only between disciplines but also between critical thought and artistic practice. Machinic Assemblages focuses on the concept's uses, transpositions, and appropriations in the arts, bringing together the voices of artists and philosophers that have been working on and with this topic for many years with those of emerging scholar-practitioners. The volume embraces exciting new and reconceived artistic practices that discuss and challenge existing assemblages, propose new practices within given assemblages, and seek to invent totally unprecedented assemblages. Contributors: Gareth Abrahams (University of Liverpool), Katarina Andjelkovic (Atelier AG Andjelkovic, Belgrade), Ian Buchanan (University of Wollongong), Edward Campbell (University of Aberdeen), Iain Campbell (University of Edinburgh), Paul Dolan (Northumbria University, ), Guy Dubious (Independent sound artist, Tel-Aviv), Vanessa Farfan (Independent artist, Berlin), Silvio Ferraz (University of Sao Paulo), Jose Gil (Nova University of Lisbon), Barbara Glowczewski (National Scientific Research Centre, CNRS), Derek Hales and Spencer Roberts (University of Salford / University of Huddersfield), Yuk Hui (Bauhaus University, Weimar), Jan Jagodzinski (University of Alberta), Niall Dermot Kennedy (Trinity College Dublin), George Lewis (Columbia University), Quirijn Menken (Avans University of Applied Sciences), Thomas Nail (University of Denver), Tero Nauha and Llona Hongisto (University of the Arts Helsinki / Macquarie University), Alex Nowitz (Stockholm University of the Arts), Peter Pal Pelbart (Pontifical Catholic University of Sao Paulo), Anne Sauvagnargues (University of Paris Ouest Nanterre La Defense), David Savat (University of Western Australia), Chris Stover (Arizona State University)

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In his Metamorphoses, Ovid (43 BC - AD 17) tells the story of Echo and Narcissus. Echo's love for Narcissus ended in a cruel twist of fate. Already punished with an echo for a voice, the nymph suffered further as she petrified and her bones became stones. The study of art has long focused on the Narcissus-mirror syndrome as a paradigm for painting (Leon Battista Alberti (1404-1472)). Echo had no place in this masculine scopic discipline. Recent approaches have rehabilitated Echo from a visual, cultural and gendered point of view. Echo cries; she cries for an alternative to the mirror paradigm and oculocentrism. She helps us break free from Narcissus in favour of visual modalities such as dissolution, camouflage and contamination, in short, disappearance as an alternative to the scopic regime. In this essay I treat the impact of Echo on art history through the lenses of: gender, speech and hearing; Echo as textilisation and sacrifice; Echo as chthonic art; and, finally, Echo and le désir mimétique. With this approach, I develop a new hermeneutic to reintegrate the sonoric senses, camouflage theory, gender epistemology, and the anthropological substrata of nature, love and death into our Western obsession for mimetic thinking.

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Long Ride Yellow is the debut novel from two-time Journey Prize Finalist Martin West. The novel explores the limits of sexual desire and willfully prods the veil at the edge of reality. Nonni is a dominatrix who likes to push the boundaries; she is also easily bored. Her disdain for all that is conventional and "vanilla" launches her on a journey of personal discovery: first via the local swingers' scene, then through the world of clandestine S&M clubs, and on to more adventurous and dangerous "private" diversions. She eventually pushes the envelope so far that she attracts the attention of alien beings she refers to only as the "Woodenheads." They do strange things to her, alchemic things, as she is slowly transformed into wood and steel and electricity. You won't soon forget Nonni; she won't let you. Praise for Cretacea and Other Stories from the Badlands: "[I]n Martin West's impressive debut short story collection ... readers will encounter echoes of Flannery O'Connor and Barry Hannah." (Foreword Magazine) "the 11 tales in Martin West's debut collection ... often surprise with strange, startling images." (Alberta Views)

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British Army Training Unit Suffield (BATUS) is situated in Alberta, amidst the dry, semi-barren, rugged and undulating Canadian prairie, where the Blackfoot, Cree and Sioux tribes once hunted buffalo and engaged in combat. The training area measures 39 miles west to east and 32 miles north to south, with a total area of 1038 square miles. It is slightly larger than Luxembourg and seven times the size of Salisbury Plain. The prime purpose of BATUS is to provide realistic all-arms, battle group manoeuvre training with live firing. Four major `Prairie Storm' exercises are held every year between April and October, involving infantry, armour, artillery, aviation and support arms. Up to 2500-3000 personnel may be on the ground, along with as many as 1200 vehicles of all types from Main Battle Tanks to 4x4s. BATUS was formally established in 1972; making up for the loss of training areas in Libya in 1969. Right from the start it was envisaged that there would be an Army Air Corps element. The original aircraft were replaced by Westland AH1 Gazelles in 1977, they continue in service 40 years later with 29 (BATUS) Flight, which is now part of 5 Regiment Army Air Corps.

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Presents a selection of more than 100 furnishing textiles and designs that range from a spectacular printed hanging designed by the Wiener Werkstätte artist, Dagobert Peche, between 1911 and 1918, to a series of dramatic woven, silk and metal wall coverings Les Colombes designed by Henri Stephany for the 1925 Exposition Internationale des Arts Decoratifs et Industriels Modernes. The Art Deco period is well represented by the works of Raoul Dufy, Alberto Lorenzi, Robert Bonfils, Alfred Latour, Emile Alain Seguy and Paul Dumas. Although the majority of pre-Second World War textiles are of French origin, the exhibition also includes some rare British furnishing fabrics from the 1930s, in particular the iconic and very elegant Magnolia Leaf by Marion Dorn, woven in off-white and silver viscut by Warner & Sons in 1936. During this period, Britain attracted talented European designers, such as Jacqueline Groag and Marian Mahler who had trained with Josef Hoffmann at the Vienna Kunstgewerbeschule. They became highly influential in creating a 'New Look' that took hold of Britain after the austerities of the Second World War. 'The Festival of Britain,' held in 1951, was epitomised by Calyx which launched the career of its designer, Lucienne Day and is now considered to be a landmark of post-War design. So great was its success that several versions were produced as well as contemporary copies, all of which are reproduced here in spectacular colour. Two great textiles from the 1950s - Seaweed designed by Ashley Havinden in 1954 for Arthur Sanderson and Grecian by Alec Hunter in 1956 for Warner & Sons - bridge the gap between the spirit and elegance of the inter-War period and the new 'contemporary' look of the 1950s. Britain maintained its pre-eminent position in textile design throughout the 1950s, 1960s and early 1970s. This was because firms like Edinburgh Weavers, Heal & Sons and Hull Traders and museums such as the Whitworth Art Gallery in Manchester (the centre of the British textile industry) worked hard at integrating and promoting great design, often by well-known artists within the industry. Among the artists who worked with Edinburgh Weavers were Marino Marini, Victor Vasarely and Alan Reynolds. Britain was not alone in applying art to industry. An elegant example of Op Art is the work of the German artist, Wolf Bauer, whose 1969/70 designs for one of the leading American manufacturers, Knoll Textiles, is a highlight of this book.

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In Paramedics On and Off the Streets, Michael K. Corman embarks on an institutional ethnography of the complex, mundane, intricate, and exhilarating work of paramedics in Calgary, Alberta. Corman's comprehensive research includes more than 200 hours of participant observation ride-alongs with paramedics over a period of eleven months, more than one hundred first hand interviews with paramedics, and thirty-six interviews with other emergency medical personnel including administrators, call-takers and dispatchers, nurses, and doctors. At the heart of this ethnography are questions about the role of paramedics in urban environments, the role of information and communication technologies in contemporary health care governance, and the organization and accountability of pre-hospital medical services. Paramedics On and Off the Streets is the first institutional ethnography to explore the role and increasing importance of paramedics in our healthcare system. It takes readers on a journey into the everyday lives of EMS personnel and provides an in-depth sociological analysis of the work of pre-hospital health care professionals in the twenty-first century.

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Thanks to increasingly extreme forms of oil extraction, Canada’s largest oil-producing provinces underwent exceptional economic growth from 2005 to 2015. Yet oil’s economic miracle obscured its ecological costs. Fossilized traces this development trajectory, assessing how the governments of Alberta, Saskatchewan, and Newfoundland and Labrador offered extensive support for oil-industry development, and exploring the often downplayed environmental effects of extraction.Angela Carter investigates overarching institutional trends, such as the restructuring of departments that prioritized extraction over environmental protection, and identifies regulatory inadequacies related to environmental assessment, land-use planning, and emissions controls. Her detailed analysis situates these policy dynamics within the historical and global context of late-stage petro-capitalism and deepening neoliberalization of environmental policy.Fossilized reveals a country out of step with the transition unfolding in response to the climate crisis. As the global community moves toward decarbonization, Canada’s petro-provinces are instead doubling down on oil – to their ecological and economic peril.

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A major, new, and comprehensive look at six decades of macroeconomic policies across the region What went wrong with the economic development of Latin America over the past half-century? Along with periods of poor economic performance, the region’s countries have been plagued by a wide variety of economic crises. This major new work brings together dozens of leading economists to explore the economic performance of the ten largest countries in South America and of Mexico. Together they advance the fundamental hypothesis that, despite different manifestations, these crises all have been the result of poorly designed or poorly implemented fiscal and monetary policies. Each country is treated in its own section of the book, with a lead chapter presenting a comprehensive database of the country’s fiscal, monetary, and economic data from 1960 to 2017. The chapters are drawn from one-day academic conferences—hosted in all but one case, in the focus country—with participants including noted economists and former leading policy makers. Cowritten with Nobel Prize winner Thomas J. Sargent, the editors’ introduction provides a conceptual framework for analyzing fiscal and monetary policy in countries around the world, particularly those less developed. A final chapter draws conclusions and suggests directions for further research.A vital resource for advanced undergraduate and graduate students of economics and for economic researchers and policy makers, A Monetary and Fiscal History of Latin America, 1960–2017 goes further than any book in stressing both the singularities and the similarities of the economic histories of Latin America’s largest countries.Contributors: Mark Aguiar, Princeton U; Fernando Alvarez, U of Chicago; Manuel Amador, U of Minnesota; Joao Ayres, Inter-American Development Bank; Saki Bigio, UCLA; Luigi Bocola, Stanford U; Francisco J. Buera, Washington U, St. Louis; Guillermo Calvo, Columbia U; Rodrigo Caputo, U of Santiago; Roberto Chang, Rutgers U; Carlos Javier Charotti, Central Bank of Paraguay; Simón Cueva, TNK Economics; Julián P. Díaz, Loyola U Chicago; Sebastian Edwards, UCLA; Carlos Esquivel, Rutgers U; Eduardo Fernández Arias, Peking U; Carlos Fernández Valdovinos (former Central Bank of Paraguay); Arturo José Galindo, Banco de la República, Colombia; Márcio Garcia, PUC-Rio; Felipe González Soley, U of Southampton; Diogo Guillen, PUC-Rio; Lars Peter Hansen, U of Chicago; Patrick Kehoe, Stanford U; Carlos Gustavo Machicado Salas, Bolivian Catholic U; Joaquín Marandino, U Torcuato Di Tella; Alberto Martin, U Pompeu Fabra; Cesar Martinelli, George Mason U; Felipe Meza, Instituto Tecnológico Autónomo de México; Pablo Andrés Neumeyer, U Torcuato Di Tella; Gabriel Oddone, U de la República; Daniel Osorio, Banco de la República; José Peres Cajías, U of Barcelona; David Perez-Reyna, U de los Andes; Fabrizio Perri, Minneapolis Fed; Andrew Powell, Inter-American Development Bank; Diego Restuccia, U of Toronto; Diego Saravia, U de los Andes; Thomas J. Sargent, New York U; José A. Scheinkman, Columbia U; Teresa Ter-Minassian (formerly IMF); Marco Vega, Pontificia U Católica del Perú; Carlos Végh, Johns Hopkins U; François R. Velde, Chicago Fed; Alejandro Werner, IMF.

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The essays in Marriage Proposals envision a variety of scenarios in which adults would continue to join themselves together seeking permanent companionship and sustenance, linking sexual intimacy to a long commitment, usually caring for each other, and building new families. What would disappear are the legal consequences associated with marriage. No joint income tax return; no immigration privileges like the “fiancée visa” or the right to bring in a husband or wife; no special statuses for prison visits or hospital decisions; no prerogative to remain silent in court by claiming “confidential marital communications”; no pension entitlements; no marital benefits and detriments regarding criminal or civil liability. The anthology makes a unique contribution amid the two marriage furors of the day: same-sex marriage and the Bush Administration's “marriage movement” (that marrying is good and more marriages would be better for society). Abolishing the legal category of marriage is the only policy suggestion in current American discourse that speaks to both causes. Activists on both sides of the same-sex marriage fight, along with marriage movement partisans, all seek improvement through law reform. Marriage Proposals gives them a viable reform—abolition of marriage as a legal status—for fighting battles in the courtroom and the streets. Contributors include Anita Bernstein, Peggy Cooper Davis, Martha Albertson Fineman, Linda C. McClain, Marshall Miller, Lawrence Rosen, Mary Lyndon Shanley, and Dorian Solot.

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“I love this book! Brilliant biography of the…utterly fascinating artist Isabel Rawsthorne” Jennifer Higgie “Every page is gripping, fascinating, forcefully and excitingly written, and sad.” Andrew Motion “Isabel Rawsthorne’s life reads like a ready-made screenplay… – a poverty stricken upbringing, world wars, espionage, affairs, addiction, politics … all set to a series of evocative cinematic backdrops. And that’s before any mention of her career as one of the most hidden but influential artists of the 20th century.” Interiors and Home “Jacobi’s bigger project here, seems to be to reimagine what an artist biography… can be.” The Art Newspaper “Highlights how talented women have often missed out on the recognition they deserved” Observer Isabel Rawsthorne’s painting career at the centre of the Parisian and London avantgardes was eclipsed by the many occasions on which her friends made her the subject of their art, notably Epstein, Derain, Giacometti, Picasso and Bacon. This pioneering painter exhibited from the early 1930s, was influential in the 1940s and well known in the 1960s, but in her later years Giacometti’s and Bacon’s blockbuster biographies made her famous as a muse. Rawsthorne’s work is now in major collections, and this beautifully illustrated book re-writes the pre- and post-war art history of which she was a part: it is traced through the upheavals of the 20th century and her singular relationships with some of its most fascinating figures. A decade of research into the period, Rawsthorne’s art and archives, and the memories of friends, has revealed for the first time her role in a rebel group at Liverpool School of Art; success and tragedy in the 1930s when she was studio assistant to Jacob Epstein; her life-long collaborations with Alberto Giacometti; and, after the war, with Francis Bacon and with African Modernism in the 1960s, as well as her exceptional late work. It also tells the full story of her break from art during the second world war, when she worked for the government in black propaganda.

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Latin America is a cradle of ancient civilizations like those of the Incas, Maya and Aztecs, and later became the goal of European explorers and immigrants. It looks back on a long history, often full of contrasts and contradictions, but also has a very special multicultural atmosphere. This book presents breathtakingly beautiful landscapes and extraordinary hotels. Short texts and practical information complement the superb photos. The places to stay shown here include the Anavilhanas Jungle Lodge in the Brazilian Amazon and the Uxua on the beach of Trancoso, for which a Dutch designer has transformed historic buildings into villas in ethnic style. Big Bang in Uruguay is a wonderful place for glamping between the ocean and the forest. The elegant vacation destinations of this country are home to the Fasano Punta del Este by the architect Isay Weinfeld and the Posada Ayana, where the American Land Art star James Turrell has installed one of his famous Skyspaces on the estate. This journey also goes to the Explora El Chaltén at the foot of Monte Fitz Roy in rugged Patagonia, to the Tierra Atacama in the world’s driest desert in Chile, to the mid-century classic Antumalal, and to Easter Island, guarded since time immemorial by the huge stone sculptures of the Moai. In Peru visitors follow in the footsteps of the Incas through Valle Sagrado, site of the ruined city of Machu Picchu, and get to know the indigenous Achuar people in Ecuador while staying at the Kapawi Ecolodge. The itinerary also takes in Columbia – with the picturesque Hotel San Pedro de Majagua on Isla Grande. At the Nantipa in Costa Rica, three friends have made their dream of the ideal beach hotel come true, and in Nicaragua an American brother and sister have found their own paradise on a private island, the Isleta El Espino. This book would not be complete without Mexico, of course – including, for example, Alberto Kalach’s spectacular Hotel Terrestre in Puerto Escondido, the eclectic Mesón Hidalgo combining a bed & breakfast with boutiques in San Miguel de Allende, and the luxurious, laid-back Hotel San Cristóbal Baja in Todos Santos.

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