Search results for ""Author Albert"

For tourists and locals of Portland, Oregon, see and explore the Rose City as you never have before with this travel-sized illustrated guidebook and journal, all in one. "Locals and visitors alike will find this a creative and invaluable guide to help discover—and record—new experiences across the Rose City."—Powell's Books Staff Pick Discover Portland with this colorfully illustrated tour guide and travel journal, all in one! The Wanderlust Guide series offers a unique way of really getting to know a city, with all its quirks and charms. Inside Wanderlust Portland you'll find historical tidbits, fun trivia, fill-in lists, and creative prompts, including drawing, writing, photography, a scavenger hunt, and more imaginative ideas. With this guide, you can: Shop at the Portland Saturday Market and search for unique items. Relax at Pioneer Courthouse Square and record interesting conversations. Explore the Brewery Blocks for inspiration to make your own special brew. Sample from hundreds of food carts and design a food truck menu. View paintings and murals around Alberta Arts District and create a gallery of artwork. Embrace the outdoors at the parks of Portland and take a nature walk. And much more. Ready for a creative adventure? Grab a pen and some color pencils, bring your phone, and let's go!

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A comparative history of the practices, technologies, institutions, and people that created distinct literary traditions around the world, from ancient to modern timesLiterature is such a familiar and widespread form of imaginative expression today that its existence can seem inevitable. But in fact very few languages ever developed the full-fledged literary cultures we take for granted. Challenging basic assumptions about literatures by uncovering both the distinct and common factors that led to their improbable invention, How Literatures Begin is a global, comparative history of literary origins that spans the ancient and modern world and stretches from Asia and Europe to Africa and the Americas.The book brings together a group of leading literary historians to examine the practices, technologies, institutions, and individuals that created seventeen literary traditions: Chinese, Japanese, Korean, Indian, Greek, Latin, Hebrew, Syriac, Arabic, English, Romance languages, German, Russian, Latin American, African, African American, and world literature. In these accessible accounts, which are framed by general and section introductions and a conclusion by the editors, literatures emerge as complex weaves of phenomena, unique and deeply rooted in particular times and places but also displaying surprising similarities. Again and again, new literatures arise out of old, come into being through interactions across national and linguistic borders, take inspiration from translation and cultural cross-fertilization, and provide new ways for groups to imagine themselves in relation to their moment in history.Renewing our sense of wonder for the unlikely and strange thing we call literature, How Literatures Begin offers fresh opportunities for comparison between the individual traditions that make up the rich mosaic of the world’s literatures.The book is organized in four sections, with seventeen literatures covered by individual contributors: Part I: East and South Asia: Chinese (Martin Kern), Japanese (Wiebke Denecke), Korean (Ksenia Chizhova), and Indian (Sheldon Pollock); Part II: The Mediterranean: Greek (Deborah Steiner), Latin (Joseph Farrell), Hebrew (Jacqueline Vayntrub), Syriac (Alberto Rigolio), and Arabic (Gregor Schoeler); Part III: European Vernaculars: English (Ingrid Nelson), Romance languages (Simon Gaunt), German (Joel Lande), and Russian (Michael Wachtel); Part IV: Modern Geographies: Latin American (Rolena Adorno), African (Simon Gikandi), African American (Douglas Jones), and world literature (Jane O. Newman).

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Encuadernación: RústicaColección: El Libro De Bolsillo. LiteraturaTexto que fascinó a J. R. R. Tolkien hasta el punto de encargarse de la edición de su manuscrito, "Sir Gawain y el Caballero Verde" es sin duda el mejor texto artúrico inglés. El primer día del año se presenta en la corte de Camelot un gigantesco y portentoso caballero, cuya piel, pelo, barba y vestimenta son tan verdes como su admirable corcel y sus arreos, y que hace una extraña propuesta que nos sumerge de lleno en lo maravilloso, dando así inicio a la aventura tras la cual el protagonista saldrá purificado. "Aunque ejemplifica las virtudes caballerescas del valor y la lealtad ?apunta Luis Alberto de Cuenca en su prólogo?, "Sir Gawain." no es sólo un relato al servicio de una moral, sino un relato en sí: fresca y bellísima literatura."

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Did James Joyce, that icon of modernity, spearhead the dismantling of the Cartesian subject? Or was he a supreme example of a modern man forever divided and never fully known to himself? This volume reads the dialogue of contradictory cultural voices in Joyce’s works—revolutionary and reactionary, critical and subject to critique, marginal and central. It includes ten essays that identify repressed elements in Joyce’s writings and examine how psychic and cultural repressions persistently surface in his texts. Contributors include Joseph A. Boone, Marilyn L. Brownstein, Jay Clayton, Laura Doyle, Susan Stanford Friedman, Christine Froula, Ellen Carol Jones, Alberto Moreirias, Richard Pearce, and Robert Spoo.

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This work contains seven documents from the history of economics: Four sets of lecture notes taken by Victor E. Smith, two from courses given by William Jaffe at Northwestern University, on general equilibrium theory and on Keynes, from 1938-39, and one from lectures given at the University of Cambridge during 1954-55. It includes two documents from the history of Institutional Economics, one the 1974 Editor's Report on the "Journal of Economic Issues" - on the conflicts then rampant - and the other, an exposition of the past and future of Institutional Economics, both by Warren J. Samuels. It also includes a set of autobiographical notes by the Wisconsin institutionalist, Martin G. Glaeser, and a bibliography of the writings of F.Y. Edgeworth by Alberto Baccini.

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Campegius Vitringa (16591722) of Franeker University was a biblical scholar of considerable influence for the first half of the 18th century. Similar to that of Calvin, his exegetical methodology attempts to walk a via media between the historicism of Grotius (1583-1645) and the Christocentrism of Cocceius (16031669). His magnum opus was a widely-acclaimed commentary on Isaiah (1720). Vitringa scholars have charted his influence along a historical-critical trajectory (including Schultens, Venema, Alberti, Manger, Delitzsch, and Gesenius) and along a Pietistic trajectory (including Franke, Lange, and Bengel, leading toward Lessing, Herder and German Idealism). The book includes the first biography in English and compares his hermeneneutical theoria with his praxis. It analyzes Vitringas exegetical presuppositions, his remarkably high view of the Bible, and his canones hermeneuticos (highly valued by J.J. Rambach [16931735]). It shows Vitringas contextual sensitivity at every level of exegesis, commitment to New Testament normativity in the reading of Isaiah (in which redemptive history is the ultimate hermeneutical horizon), nuanced views on the historical fulfillment of prophecy, and concern for pastoral application. A scholars scholar, widely admired for his mastery of the languages and his intense historical focus in exegesis, Vitringa was also appreciated for his orthodox views, warm-hearted piety, and love for the church.

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& Western approaches to Africa's visual culture have until recently separated 'traditional' from 'modern' as if the two categories had no common ground, and as if only the former was authentically African. Yet 'tradition' is also an active process of handing on, one subject to evolution, development and history. This book explores a burgeoning body of West African artistic production that draws upon photography, advertising, graphic design, European art history and Ghanaian history and culture. As such it constitutes an envisioning of a local modernity centred upon Kumasi, a vibrant trading city at the centre of local, national and international networks, whether historical, economic, political, educational, religious or aesthetic. The art described here, whatever its immediate purpose, reflects and interprets this intense and unique local context. Among the Ghanaian painters discussed are E.V. Asihene, Grace Kwami, E.K.J. Tetteh, Ablade Glover, Ato Delaquis, B. Offei Nyako, Atta Kwami, kari'kacha seid'ou, Bob Acheampong and many others whose practice was college based. Kwami also discusses the art and lives of Kumasi's leading sign painters - King Samino (King Samino Sign Art Services), Alex Amofa (Supreme Art Works), Kwame Akoto (Almighty God Art Works), Isaac Azey Otchere (Azey Alberto Art Sign Service), and Isumaila Moro (Iss Hi-Tech Prints) - thereby exploring the interrelationship of two entwined traditions, two art worlds of modern painting centred at either the university and/or the signpainter's workshop.

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A long list of canonical writers in Western literature have experienced incarceration and have subsequently written celebrated works about the imprisoned and the condemned. The French tradition is no exception: writers who produced noteworthy texts while incarcerated or who later wrote about their experiences in prison are found on the literary-historical landscape from the medieval era through the twentieth century. Prison writing by inmates, former guards, chaplains, teachers, and doctors is firmly established as part of the fabric of popular culture and has long attracted the attention of culture critics and scholars. Nevertheless, scant analysis exists of the prison novel—a literary genre that, as Andrew Sobanet argues in Jail Sentences, uses fiction as a documentary tool. Its narrative peculiarities, which are the main subjects of Sobanet’s study, include the use of autobiographical and testimonial techniques to critique the penitentiary system. Jail Sentences is the definitive study of the legacy of the Western tradition of prison writing in twentieth-century French literature. Although Sobanet focuses primarily on French writers—Victor Serge, Jean Genet, Albertine Sarrazin, and François Bon—his keen sense of literary dialogue pulls into the orbit of his study an international corpus of work, from Dostoyevsky to Malcolm X. Jail Sentences arrives at a coherent definition of the genre, whose unique conventions stem from the innermost regions of our understanding of stories, truth, fiction, and belief.

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"The art historian after Erwin Panofsky and Ernst Gombrich is not only participating in an activity of great intellectual excitement; he is raising and exploring issues which lie very much at the centre of psychology, of the sciences and of history itself. Svetlana Alpers's study of 17th-century Dutch painting is a splendid example of this excitement and of the centrality of art history among current disciples. Professor Alpers puts forward a vividly argued thesis. There is, she says, a truly fundamental dichotomy between the art of the Italian Renaissance and that of the Dutch masters. . . . Italian art is the primary expression of a 'textual culture,' this is to say of a culture which seeks emblematic, allegorical or philosophical meanings in a serious painting. Alberti, Vasari and the many other theoreticians of the Italian Renaissance teach us to 'read' a painting, and to read it in depth so as to elicit and construe its several levels of signification. The world of Dutch art, by the contrast, arises from and enacts a truly 'visual culture.' It serves and energises a system of values in which meaning is not 'read' but 'seen,' in which new knowledge is visually recorded."—George Steiner, Sunday Times"There is no doubt that thanks to Alpers's highly original book the study of the Dutch masters of the seventeenth century will be thoroughly reformed and rejuvenated. . . . She herself has the verve, the knowledge, and the sensitivity to make us see familiar sights in a new light."—E. H. Gombrich, New York Review of Books

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In Producing Predators Michael D. Wise argues that contestations between Native and non-Native people over hunting, labor, and the livestock industry drove the development of predator eradication programs in Montana and Alberta from the 1880s onward. The history of these antipredator programs was significant not only for their ecological effects but also for their enduring cultural legacies of colonialism in the Northern Rockies. By targeting wolves and other wild carnivores for extermination, cattle ranchers disavowed the predatory labor of raising domestic animals for slaughter, representing it instead as productive work. Meanwhile, federal agencies sought to purge the Blackfoot, Salish-Kootenai, and other indigenous peoples of their so-called predatory behaviors through campaigns of assimilation and citizenship that forcefully privatized tribal land and criminalized hunting and its related ritual practices. Despite these colonial pressures, Native communities resisted and negotiated the terms of their dispossession by representing their own patterns of work, food, and livelihood as productive. By exploring predation and production as fluid cultural logics for valuing labor rather than just a set of biological processes, Producing Predators offers a new perspective on the history of the American West and the modern history of colonialism more broadly.

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The editors' substantive introduction and the specially commissioned chapters in this Handbook explore the emergence of transnational labour law and its contested contours by juxtaposing the expansion of traditional legal methods with the proliferation of contemporary alternatives such as indicators, framework agreements and consumer-led initiatives. Key international (ILO, IMF, OECD) and regional (EU, IACHR, SADC) institutions are studied for their coverage of such classic topics as freedom of association, equality, and sectoral labour standard-setting, as well as for the space they provide for dialogue. The volume underscores transnational labour law's capacity to build hard and soft law bridges to migration, climate change and development. The volume roots transnational labour law in a counter-hegemonic struggle for social justice.Bringing together the scholarship of 41 experts from around the globe, this book encompasses and goes beyond the role of international and regional organizations in relation to labour standards and their enforcement, providing new insights into debates around freedom of association, equality and the elimination of forced labour and child labour. By including the influence of consumers in supply chains alongside the more traditional actors in this field such as trade unions, it combines a range of perspectives both theoretical and contextual. Several chapters interrogate whether transnational labour law can challenge domestic labour law's traditional exclusions through expansive approaches to equality.The volume moves beyond WTO linkage debates of the past to consider emerging developments toward social regionalism. Several chapters explore and challenge public and private international aspects of transnational labour law, revealing some fragmentation alongside dynamic experimentation and normative settling. The book argues that 'social justice' is at least as important to the project of transnational labour law today as it was to the establishment of international labour law.Academics, students and practitioners in the fields of labour law, international law, human rights, political science, transnational studies, and corporate social responsibility, will benefit from this critical resource, given the book s eye-opening examination of labour governance in the contemporary economy.Contributors: Z. Adams, P.C. Albertson, J. Allain, R.-M.B. Antoine, A. Asante, P.H. Bamu, M. Barenberg, J.R. Bellace, G. Bensusán, A. Blackett, L. Boisson de Chazournes, S. Charnovitz, B. Chigara, K. Claussen, L. Compa, S. Cooney, S. Deakin, J.M. Diller, D.J. Doorey, R.-C. Drouin, P.M. Dumas, F.C. Ebert, C. Estlund, A. van Hoek, J. Hunt, K. Kolben, C. La Hovary, B. Langille, J. López López, I. Martin, F. Maupain, F. Milman-Sivan, R.S. Mudarikwa, A. Nononsi, T. Novitz, C. Sheppard, A.A. Smith, A. Suktahnkar, J.-M.Thouvenin, A. Trebilcock, R.Zimmer

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A New Yorker Best Book of the YearA Foreign Affairs Best Book of the YearAn Atlantic Best Book of the YearA Financial Times Best Politics Book of the YearHow a new breed of dictators holds power by manipulating information and faking democracyHitler, Stalin, and Mao ruled through violence, fear, and ideology. But in recent decades a new breed of media-savvy strongmen has been redesigning authoritarian rule for a more sophisticated, globally connected world. In place of overt, mass repression, rulers such as Vladimir Putin, Recep Tayyip Erdogan, and Viktor Orbán control their citizens by distorting information and simulating democratic procedures. Like spin doctors in democracies, they spin the news to engineer support. Uncovering this new brand of authoritarianism, Sergei Guriev and Daniel Treisman explain the rise of such “spin dictators,” describing how they emerge and operate, the new threats they pose, and how democracies should respond.Spin Dictators traces how leaders such as Singapore’s Lee Kuan Yew and Peru’s Alberto Fujimori pioneered less violent, more covert, and more effective methods of monopolizing power. They cultivated an image of competence, concealed censorship, and used democratic institutions to undermine democracy, all while increasing international engagement for financial and reputational benefits. The book reveals why most of today’s authoritarians are spin dictators—and how they differ from the remaining “fear dictators” such as Kim Jong-un and Bashar al-Assad, as well as from masters of high-tech repression like Xi Jinping.Offering incisive portraits of today’s authoritarian leaders, Spin Dictators explains some of the great political puzzles of our time—from how dictators can survive in an age of growing modernity to the disturbing convergence and mutual sympathy between dictators and populists like Donald Trump.

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The use of talismans and amulets stretches back nearly to the dawn of man, from everyday items magically prepared, such as horns or coins, to intricate and beautiful jewelry imbued with protective powers. Drawing on his private collection of medieval manuscripts as well as his privileged access to the rare book archives of major European universities, Claude Lecouteux provides a comprehensive history of the use of talismans and amulets for protection, healing, and divine influence. He explores their use in the Western Mystery Tradition as well as Eastern and Middle Eastern beliefs about these magical objects and their incorporation--despite Church anathema--into the Christian tradition of Medieval Europe. Reviewing many different kinds of amulets and talismans used throughout the ages, such as a rabbit's foot, horseshoe, gris-gris bag, or an inscribed parchment charged through ritual, he details the principles and symbology behind each object and shows that their use is still as widespread today as any time in the past. Lecouteux explains the high magic behind the hermetic art of crafting amulets and talismans: the chains of sympathy, astrological geography, and the invocations required to activate their powers. He explores the work of adepts such as Agrippa, Albertus Magnus, and Athanasius Kircher, including an in-depth look at Kircher's work on planetary seals in his Oedipus Aegyptiacus. Illustrated throughout with period art depicting magical symbols, seals, and a wide array of talismans and amulets, this comprehensive study provides a practical guide to the historical development and step-by-step creation of magical objects.

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Could it get any worse? Two shipwrecked sailors have different views of an absurd series of dilemmas in a wry, visually lavish tale for pessimists and optimists alike.As a pair of shipwrecked sailors float on what’s left of their ship, Albertini is none too happy. The rain, he observes, is unfair enough. Then the flying fish appear overhead – the ones with the sick stomachs. And the singing mermaids, leaving infernal earworms in their wake. There’s the ghost ship full of pirates and the ark teeming with ravenous beasts. But no matter how bad the situation seems, George, cheerfully playing his harmonica, reminds his friend it could always be worse. Ahhhh! But hang on ... is that a giant whale with an overpowering case of tuna breath? Delightfully detailed illustrations add visual comedy to a meditation on tough times that shows that even the worst days can turn around – especially with friends.

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Classic Hikes of North America is a beautifully photographed and eminently practical account of the best backcountry journeys in the United States and Canada. Peter Potterfield, an experienced hiker and photographer, has analyzed and graded these spectacular wilderness experiences with both beginners and avid hikers in mind. Included in the book is helpful information, such as: level of difficulty, trail conditions, recommended seasons, potential hazards and difficulties, resource information, and detailed maps of hiking routes. Illustrated with more than 200 color photographs and hiking directions, here is inspiration and information in a single volume. There are routes in the White Mountains of New Hampshire, the Big Beaver–Little Beaver Loop in the North Cascades National Park of Washington State, and the Slate Range in the Canadian Rockies, Alberta and British Columbia, and many more. These are journeys to dream on, and Potterfield puts them within reach of any aspiring hiker.

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"An excellent introduction to the SiGe BiCMOS technology, from the underlying device physics to current applications." -Ron Wilson, EETimes "SiGe technology has demonstrated the ability to provide excellent high-performance characteristics with very low noise, at high power gain, and with excellent linearity. This book is a comprehensive review of the technology and of the design methods that go with it." -Alberto Sangiovanni-Vincentelli Professor, University of California, Berkeley Cofounder, Chief Technology Officer, Member of Board Cadence Design Systems Inc. Filled with in-depth insights and expert advice, Silicon Germanium covers all the key aspects of this technology and its applications. Beginning with a brief introduction to and historical perspective of IBM's SiGe technology, this comprehensive guide quickly moves on to: * Detail many of IBM's SiGe technology development programs * Explore IBM's approach to device modeling and characterization-including predictive TCAD modeling * Discuss IBM's design automation and signal integrity knowledge and implementation methodologies * Illustrate design applications in a variety of IBM's SiGe technologies * Highlight details of highly integrated SiGe BiCMOS system-on-chip (SOC) design Written for RF/analog and mixed-signal designers, CAD designers, semiconductor students, and foundry process engineers worldwide, Silicon Germanium provides detailed insight into the modeling and design automation requirements for leading-edge RF/analog and mixed-signal products, and illustrates in-depth applications that can be implemented using IBM's advanced SiGe process technologies and design kits. "This volume provides an excellent introduction to the SiGe BiCMOS technology, from the underlying device physics to current applications. But just as important is the window the text provides into the infrastructure-the process development, device modeling, and tool development." -Ron Wilson Silicon Engineering Editor, EETimes "This book chronicles the development of SiGe in detail, provides an in-depth look at the modeling and design automation requirements for making advanced applications using SiGe possible, and illustrates such applications as implemented using IBM's process technologies and design methods." -John Kelly Senior Vice President and Group Executive, Technology Group, IBM

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A ROUGH TRADE, MOJO, UNCUT & LOUDER THAN WAR BOOK OF THE YEARSHORTLISTED FOR THE RALPH J. GLEASON MUSIC BOOK AWARDA redemptive, myth-shattering biography of one of the twentieth century's most underestimated creative and artistic forces.'Here is the Odyssey of Nico . . . a scholarly and detailed chronicle of this brilliant artist, who was spurned and tortured for her trouble.'IGGY POP'At last, a comprehensive and compelling book about Nico.'VIV ALBERTINE'Absorbs from start to finish.'OBSERVERThe real story of Nico is one of determination, self-destruction and belief in one's artistic vision, at any cost . . .You Are Beautiful and You Are Alone is an empowering reappraisal of an underappreciated icon. Drawing upon new interviews and rare archival material Bickerdike defies the sexist casting of Nico's life as the tragedy of a beautiful woman losing her youth and fame, and instead cements her legacy as one of the most vital artists of her generation.'Gripping.' THE TIMES'[This] book gets closer to understanding Nico than most.' GUARDIAN'Deserves to sit with the great biographies.' RECORD COLLECTOR'A compassionate portrait of a musician whose artistry has often been overlooked.' MOJO'Valuable . . . Bickerdike gives Nico her due as an artist.' THE SPECTATOR'Entertainingly written and insightful.' INDEPENDENT'The best music book you will read this year.' LOUDER THAN WAR

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Exploring how DH shapes and is in turn shaped by the classroom How has the field of digital humanities (DH) changed as it has moved from the corners of academic research into the classroom? And how has our DH praxis evolved through interactions with our students? This timely volume explores how DH is taught and what that reveals about the field of DH. While institutions are formally integrating DH into the curriculum and granting degrees, many instructors are still almost as new to DH as their students. As colleagues continue to ask what digital humanities is, we have the opportunity to answer them in terms of how we teach DH. The contributors to What We Teach When We Teach DH represent a wide range of disciplines, including literary and cultural studies, history, art history, philosophy, and library science. Their essays are organized around four critical topics at the heart of DH pedagogy: teachers, students, classrooms, and collaborations. This book highlights how DH can transform learning across a vast array of curricular structures, institutions, and education levels, from high schools and small liberal arts colleges to research-intensive institutions and postgraduate professional development programs. Contributors: Kathi Inman Berens, Portland State U; Jing Chen, Nanjing U; Lauren Coats, Louisiana State U; Scott Cohen, Stonehill College; Laquana Cooke, West Chester U; Rebecca Frost Davis, St. Edward’s U; Catherine DeRose; Quinn Dombrowski, Stanford U; Andrew Famiglietti, West Chester U; Jonathan D. Fitzgerald, Regis College; Emily Gilliland Grover, Notre Dame de Sion High School; Gabriel Hankins, Clemson U; Katherine D. Harris, San José State U; Jacob Heil, Davidson College; Elizabeth Hopwood, Loyola U Chicago; Hannah L. Jacobs, Duke U; Alix Keener, Stanford U; Alison Langmead, U of Pittsburgh; Sheila Liming, Champlain College; Emily McGinn, Princeton U; Nirmala Menon, Indian Institute of Technology; James O’Sullivan, U College Cork; Harvey Quamen, U of Alberta; Lisa Marie Rhody, CUNY Graduate Center; Kyle Roberts, Congregational Library and Archives; W. Russell Robinson, Alabama State U; Chelcie Juliet Rowell, Tufts U; Dibyadyuti Roy, U of Leeds; Asiel Sepúlveda, Simmons U; Andie Silva, York College, CUNY; Victoria Szabo, Duke U; Lik Hang Tsui, City U of Hong Kong; Annette Vee, U of Pittsburgh; Brandon Walsh, U of Virginia; Kalle Westerling, The British Library; Kathryn Wymer, North Carolina Central U; Claudia E. Zapata, UCLA; Benjun Zhu, Peking U. Retail e-book files for this title are screen-reader friendly.

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Si bien el presente estudio no pretende -en palabras de su autor- ser una biografía crítica completa de Piero della Francesca, sino una guía para la valoración de su obra, pocos estudios iluminan de forma tan esclarecedora la peculiar, profunda e incluso enigmática obra del pintor de Borgo San Sepolcro. Gran conocedor no sólo de arte, sino de la civilización occidental y, especialmente, de la cultura del Renacimiento y del marco social e histórico de esta época, como se aprecia en su importante ensayo sobre Leonardo da Vinci y los sugerentes estudios sobre Donatello, Uccello, Alberti, Mantegna y Botticelli que forman el volumen titulado El arte del humanismo, Kenneth Clark (1903-1983), antiguo director de la National Gallery de Londres, nos brinda en este volumen, acompañada de un completo repertorio iconográfico que nos permite abordarla en sus más pequeños detalles, una reveladora visión de un pintor que tuvo una conciencia fuera de lo común del modo en que debían hacerse coincidir l

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Morino zezenaren urtebetetzea da, eta auskalo zer prestatu duen Claude eskeletoak lagunaren eguna ospatzeko. Ez da ohiko ospakizun bat izango, hori seguru. Meriendatxo bat hondartzan, agian? Edo beste bidaia bat karabanan? Zaila da aurretik jakitea, zeren Clauderen oina arrain txiki baten ahoan desagertu, arrain handiago batek arrain txikia jan, eta arrantza-ontzi batek arrain handia harrapatuko baitu. Nola edo hala, oin hori topatu beharra dago! Bi lagunek hondartza nudista bat zeharkatu behar badute Kapetonera heltzeko edo Purrustegi sorginaren erratzetako armairura sartu behar badute, hala egingo dute, eta gerorako utziko urtebetetze tarta.Adrien Albertek adiskidetasunari eta hazteari buruzko alegia bat eskaini zigun Claude eta Morinoren lehen abenturan, eta ildo berari jarraitzen dio bigarren liburuki honek, beti ere umore absurduaz eta nonahiko samurtasunez apaindurik.

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Shortlisted, Trillium Book Award for Poetry and Gerald Lampert Memorial AwardIn this confessional debut collection, Matthew Walsh meanders through their childhood in rural Nova Scotia, later roaming across the prairies and through the railway cafés of Alberta to the love letters and graffiti of Vancouver. In this nomadic journey, Walsh explores queer identity set against an ever-changing landscape of what we want, and who we are, were, and came to be.Walsh is a storyteller in verse, his poems laced with catholic "sensibilities" and punctuated with Maritime vernacular. In These are not the potatoes of my youth, Walsh illuminates the complex choreography of family, the anxiety of individuality, and the ambiguous histories of stories erased, forgotten, or suppressed. Readers will find moments of humour, surprise, and a queer realization that all is not what it seems.

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Say hi to Pica Pau's sweetest friends! Meet Roberto Dachshund, Alberto Seagull, Humboldt Penguin, Horacio Polar Bear, Amalia Giraffe and many more: everyone is a happy member of the bustling Pica Pau family. They're earnest, warmhearted and gentle, and as soon as you've opened the book, you'll feel right at home. Toy maker, character designer and crochet knitter Yan Schenkel has collected the brightest amigurumi around her. In this book, she presents her expert knowledge of amigurumi crochet in 20 precious designs, and she also unveils the secrets to make her most beautiful creations. All patterns contain detailed instructions and are accompanied by step-by-step pictures and explanations of all techniques used, so both beginners and advanced crocheters can easily get acquainted with her amigurumi besties. Discover the phenomenon of Pica Pau and friends.

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The definitive biography of a fascinating and enigmatic figure'Succeeds in every way as one of the most readable, fascinating and informative documents, not just on an artist, but on art and artists in general' WASHINGTON TIMES'The most moving biography of a modern artist I've read' NEWSWEEKAlberto Giacometti is one of the best-known artists of the twentieth century. Born in a Swiss village, he moved to pre-war Paris and went on to play a leading role in the art world, alongside characters such as Picasso, Balthus, Samuel Beckett and Sartre.His passionate and strange life reflects the genius of his works - his gaunt and haunting sculptures and his unsettling paintings. As someone who was personally acquainted with Giacometti and his peers, and who has consolidated his personal knowledge with extensive research, James Lord is uniquely qualified to write Giacometti's biography.

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The 1960s were heady years in Argentina. Visual artists, curators, and critics sought to fuse art and politics; to broaden the definition of art to encompass happenings and assemblages; and, above all, to achieve international recognition for new, cutting-edge Argentine art. A bestseller in Argentina, Avant-Garde, Internationalism, and Politics is an examination of the 1960s as a brief historical moment when artists, institutions, and critics joined to promote an international identity for Argentina’s visual arts. The renowned Argentine art historian and critic Andrea Giunta analyzes projects specifically designed to internationalize Argentina’s art and avant-garde during the 1960s: the importation of exhibitions of contemporary international art, the sending of Argentine artists abroad to study, the organization of prize competitions involving prestigious international art critics, and the export of exhibitions of Argentine art to Europe and the United States. She looks at the conditions that made these projects possible—not least the Alliance for Progress, a U.S. program of “exchange” and “cooperation” meant to prevent the spread of communism through Latin America in the wake of the Cuban Revolution—as well as the strategies formulated to promote them. She describes the influence of Romero Brest, prominent art critic, supporter of abstract art, and director of the Centro de Artes Visuales del Instituto Tocuato Di Tella (an experimental art center in Buenos Aires); various group programs such as Nueva Figuración and Arte Destructivo; and individual artists including Antonio Berni, Alberto Greco, León Ferrari, Marta Minujin, and Luis Felipe Noé. Giunta’s rich narrative illuminates the contentious postwar relationships between art and politics, Latin America and the United States, and local identity and global recognition.

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D entro de un clima y unas preocupaciones esteticas comunes a su generación, Juan Van-Halen (Torrelodones, Madrid, 1944) elige un camino personal que debe mucho a los clásicos en una época en que se valoraba por encima de todo la novedad y la sorpresa. Hombre de su tiempo, hombre de reflexión y también de acción, como su antepasado barojiano, Van-Halen refleja en su obra poética la realidad que lo circunda, tiñéndola de biografía. Su escritura se sitúa entre la crónica whitmaniana de aliento épico y el fresco vivo y colorista, salpicado de sabrosos detalles.Junto a varios libros de prosa, Juan Van-Halen ha publicado hasta la fecha quince libros de versos y tres recopilaciones: Poemas del hombre que pasa (1974), Manual de asombros (1987) y Como un viejo secreto desvelado (1990). Entre los premios que ha obtenido destacan el Fray Luis de León, el Francisco de Quevedo y el Manuel Machado.Esta antología, seleccionada y prologada por Luis Alberto de Cuenca, ofrece

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Guerra viva reúne un conjunto de cuarenta y un poemas bélicos que José Herrera Petere utilizó al servicio de la República durante la Guerra Civil. El poemario está constituido en su amplia mayoría por romances que fueron difundidos con anterioridad en diversos medios de propaganda, como periódicos, revistas y romanceros de guerra, combinados, a su vez, con una pequeña cantidad de inéditos. Estas piezas componen una especie de diario de guerra en forma poética. Para su narración, Petere escoge una forma tan popular como el romance, con el que dirigirse al pueblo y comprometerse con su lucha por un país más justo, libre y equitativo. Con Guerra viva el poeta refleja a través de su palabra la cruda realidad que asoló España en el periodo más trágico de nuestra historia reciente.José Herrera Petere (1909-1977) inicia su trayectoria poética con composiciones de corte vanguardista, en las que se deja sentir su amistad con Rafael Alberti o la influencia de la escuela de Vallecas. Sin emba

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THE TIMES AND WATERSTONES BEST ART BOOK OF 2023 'Marvellous . . . intimate and insightful . . . reads like a novel by Samuel Beckett’ Paul Theroux A portrait of one of the twentieth century’s greatest sculptors from one of our most eminent art historians Today the work of Alberto Giacometti is world-famous and his sculptures sell for record-breaking prices. But from his early days as an unknown outsider to the end of a dramatic international career, Giacometti lived in the same hovel of a studio in Paris. It was Paris that made him, and he in turn immortalised the city through his art. Arriving in Paris from the Swiss Alps in 1922, Giacometti was shaped not only by his relationships with remarkable artists and writers – from Picasso, Breton and Dalí to Sartre, Beauvoir and Beckett – but by the everyday life, pre-war and post-war, of Paris itself. His distinctive figures emerged from the city’s unique atmosphere: the crumbling grey stone of its humbler streets and the café-terraces buzzing with radical ideas and racy gossip. In Giacometti in Paris, Michael Peppiatt, who spent thirty years documenting the Parisian art world and mixing with many of the people Giacometti knew, brilliantly charts the course of the artist’s life and work. From falling in and out with the Surrealists to years of artistic anguish, from devotion to his mother to intense friendships, tragic love affairs and a fraught marriage, this is an intimate portrait of an outstanding artist in exceptional times.

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The newest entry in the USA Today bestselling Murder, She Wrote series.Jessica Fletcher’s British cousin, Emma MacGill, will be traveling to Edmonton in Alberta, Canada, to perform with internationally famous star of stage, screen, and television Derek Braverman in an old-fashioned musical review. Emma would love for Jessica to join her there and suggests she bring along some friends. Having just finished her latest book, Jessica is ready for a vacation and is delighted to agree.  Dr. Seth Hazlitt and Sheriff Mort Metzger are huge fans of Braverman, so they are eager to tag along, and their fanboy behavior gives Jessica and Mort’s wife, Maureen, more than occasional cause to roll their eyes.Upon arrival in Edmonton, Jessica is quickly outed as mystery writer J. B. Fletcher, and despite numerous protests, a hotel staffer arranges a book signing for her. This and touristy adventures arranged for the group make for a muc

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This enthralling hardback guide tells the story of the rise and spread of The Mafia, from the island of Sicily to the United States and beyond, brought to life with striking full-colour photographs and illustrations. The Mafia is full of blood-chilling characters, from Al Capone, who ran Chicago during Prohibition, and hitmen Louis Lepke and Alberto Anastasia who founded Murder, Inc, to Totò Riina, ''boss of bosses'', John Gotti, ''the Teflon don'', and Bernardo ''The Tractor'' Provenzano, who hid out under cover for 43 years... They were extraordinary men who lived through extraordinary times. The Mafia tells the story of their lives, their families, their codes, their crimes and their cold-blooded murders. It''s a long and enthralling tale, drenched in blood and scored with betrayal.Filled with full-colour photographs, illustrations, and special features, this book provides an essential starting point to underst

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A comparative history of the practices, technologies, institutions, and people that created distinct literary traditions around the world, from ancient to modern timesLiterature is such a familiar and widespread form of imaginative expression today that its existence can seem inevitable. But in fact very few languages ever developed the full-fledged literary cultures we take for granted. Challenging basic assumptions about literatures by uncovering both the distinct and common factors that led to their improbable invention, How Literatures Begin is a global, comparative history of literary origins that spans the ancient and modern world and stretches from Asia and Europe to Africa and the Americas.The book brings together a group of leading literary historians to examine the practices, technologies, institutions, and individuals that created seventeen literary traditions: Chinese, Japanese, Korean, Indian, Greek, Latin, Hebrew, Syriac, Arabic, English, Romance languages, German, Russian, Latin American, African, African American, and world literature. In these accessible accounts, which are framed by general and section introductions and a conclusion by the editors, literatures emerge as complex weaves of phenomena, unique and deeply rooted in particular times and places but also displaying surprising similarities. Again and again, new literatures arise out of old, come into being through interactions across national and linguistic borders, take inspiration from translation and cultural cross-fertilization, and provide new ways for groups to imagine themselves in relation to their moment in history.Renewing our sense of wonder for the unlikely and strange thing we call literature, How Literatures Begin offers fresh opportunities for comparison between the individual traditions that make up the rich mosaic of the world’s literatures.The book is organized in four sections, with seventeen literatures covered by individual contributors: Part I: East and South Asia: Chinese (Martin Kern), Japanese (Wiebke Denecke), Korean (Ksenia Chizhova), and Indian (Sheldon Pollock); Part II: The Mediterranean: Greek (Deborah Steiner), Latin (Joseph Farrell), Hebrew (Jacqueline Vayntrub), Syriac (Alberto Rigolio), and Arabic (Gregor Schoeler); Part III: European Vernaculars: English (Ingrid Nelson), Romance languages (Simon Gaunt), German (Joel Lande), and Russian (Michael Wachtel); Part IV: Modern Geographies: Latin American (Rolena Adorno), African (Simon Gikandi), African American (Douglas Jones), and world literature (Jane O. Newman).

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Arte Popular features 100 pieces from Rex May's extensive collection of exquisite hand-crafted objects from all over Mexico. Coming from the reputable Mexican Museum, this volume demonstrates the dramatic power of folk art. This bilingual volume provides a veritable treasure trove of discoveries for the curious reader. • Features bold and atmospheric photographs • Includes scholarly essays that delve into the collection's origins and significance • A visual treat for lovers of Mexican art, craft, and visual culture The Rex May Collection–bequeathed to the Mexican Museum by the legendary 39-Mile-Drive sign designer–demonstrates the dramatic power of folk art. This book is a companion to the opening of the Mexican Museum building in downtown San Francisco's Yerba Buena museum neighborhood. • Wrapped in a striking, gold-foil-bedecked hardcover, this makes a wonderful gift for artists and art fans everywhere. • Perfect for museum goers and fans of Mexican arts and crafts • The Mexican Museum has been a San Francisco cultural destination and educational resource for 37 years, and became the only San Francisco affiliate of the Smithsonian Institution in 2012. • Add it to the shelf with books like Mexican Details by Joe P. Carr and Karen Witynski, Crafts of Mexico by Margarita de Orellana and Alberto Ruy Sanchez, and Masks of Mexico: Tigers, Devils, and the Dance of Life by Barbara Mauldin.

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In Power in the Balance: Presidents, Parties, and Legislatures in Peru and Beyond, Barry S. Levitt answers urgent questions about executive power in “new” democracies. He examines in rich detail the case of Peru, from President Alan García’s first term (1985–1990), to the erosion of democracy under President Alberto Fujimori (1990–2000), through the interim government of Valentín Paniagua (2000–2001) and the remarkable, if rocky, renewal of democracy culminating in Alejandro Toledo's 2001–2006 presidency. This turbulent experience with democracy brings into clear focus the functioning of formal political institutions—constitutions and electoral laws, presidents and legislatures, political parties and leaders—while also exposing the informal side of Peru’s national politics over the course of two decades. Levitt's study of politics in Peru also provides a test case for his regional analysis of cross-national differences and change over time in presidential power across eighteen Latin American countries. In Peru and throughout Latin America, Levitt shows, the rule of law itself and the organizational forms of political parties have a stronger impact on legislative-executive relations than do most of the institutional traits and constitutional powers that configure the formal "rules of the game" for high politics. His findings, and their implications for improving the quality of new democracies everywhere, will surprise promoters, practitioners, and scholars of democratic politics alike.

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A Sunday Times Best Humour Book of the Year 2017 How can you tell if your neighbour is speaking Muslim? Is a mosque a kind of hedgehog? Can I get fries with that burka? You can't trust the media any longer, but there's no need to fret: Don't Panic, I'm Islamic: Words and Pictures on How to Stop Worrying and Learn to Love the Alien Next Door provides you with the answers. Read this book to learn how you too can spot an elusive Islamist. Discover how Arabs (even 21-year-old, largely innocuous and totally adorable ones) plant bombs and get tips about how to interact with Homeland Security, which may or may not involve funny discussions about your sexuality. Commissioned in response to the US travel ban, Don't Panic, I'm Islamic includes cartoons, graffiti, photography, colouring in pages, memoir, short stories and more by 34 contributors from around the world. Provocative and at times laugh-out-loud funny, these subversive pieces are an explosion of expression, creativity and colour. Contributors: Hassan Abdulrazzak, Leila Aboulela, Amrou Al-Kadhi, Shadi Alzaqzouq, Chant Avedissian, Tammam Azzam, Bidisha, Chaza Charafeddine, Molly Crabapple, Carol Ann Duffy, Moris Farhi, Negin Farsad, Joumana Haddad, Saleem Haddad, Hassan Hajjaj, Omar Hamdi, Jennifer Jajeh, Sayed Kashua, Mazen Kerbaj, Arwa Mahdawi, Sabrina Mahfouz, Alberto Manguel, Esther Manito, Aisha Mirza, James Nunn, Chris Riddell, Hazem Saghieh, Rana Salam, Karl Sharro, Laila Shawa, Bahia Shehab, Sjon, Eli Valley, Alex Wheatle.

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Cutting-edge analysis on how to improve life inside the Gaza Strip through architecture and design, illustrated in full-colorThe Gaza Strip is one of the most beleaguered environments on earth. Crammed into a space of 139 square miles (360 square kilometers), 1.8 million people live under an Israeli siege, enforcing conditions that continue to plummet to ever more unimaginable depths of degradation and despair. Gaza, however, is more than an endless encyclopedia of depressing statistics. It is also a place of fortitude, resistance, and imagination; a context in which inhabitants go to remarkable lengths to create the ordinary conditions of the everyday and to reject their exceptional status. Inspired by Gaza’s inhabitants, this book builds on the positive capabilities of Gazans. It brings together environmentalists, planners, activists, and scholars from Palestine and Israel, the US, the UK, India, and elsewhere to create hopeful interventions that imagine a better place for Gazans and Palestinians. Open Gaza engages the Gaza Strip within and beyond the logics of siege and warfare, it considers how life can be improved inside the limitations imposed by the Israeli blockade, and outside the idiocy of violence and warfare.Contributors AffiliationsSalem Al Qudwa, Harvard Divinity School and Harvard Kennedy School, Cambridge, USAHadeel Assali, Columbia University, USATareq Baconi, International Crisis Group, Brussels, BelgiumTeddy Cruz, University of California-San Diego, USAFonna Forman, University of California-San Diego, USAM. Christine Boyer, Princeton University, Princeton, USAAlberto Foyo, architect, New York, USANasser Golzari , Westminster University, London, UKYara Sharif, Westminster University, London, UKDenise Hoffman Brandt, City College of New York, USARomi Khosla, architect, New Delhi, IndiaCraig Konyk, Kean University, Union, NJ, USARafi Segal, Massachusetts Institute of Technology, Boston, USA Chris Mackey, Payette Architects, Boston, USAVyjayanthi V. Rao, Terreform, New York, USASara Roy, Harvard University, Cambridge, USAMahdi Sabbagh, architect, New York, USAMeghan McAllister, architect, San Francisco Bay Area, USADeen Sharp, London School of Economics, UKMalkit Shoshan, Harvard University, Cambridge, USAPietro Stefanini, University of Edinburgh, ScotlandMichael Sorkin (1948–2020) , City University of New York, USAHelga Tawil-Souri, New York University, USAOmar Yousef, Al-Quds University, Jerusalem Fadi Shayya, The University of Manchester, UK

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In Power in the Balance: Presidents, Parties, and Legislatures in Peru and Beyond, Barry S. Levitt answers urgent questions about executive power in “new” democracies. He examines in rich detail the case of Peru, from President Alan García’s first term (1985–1990), to the erosion of democracy under President Alberto Fujimori (1990–2000), through the interim government of Valentín Paniagua (2000–2001) and the remarkable, if rocky, renewal of democracy culminating in Alejandro Toledo's 2001–2006 presidency. This turbulent experience with democracy brings into clear focus the functioning of formal political institutions—constitutions and electoral laws, presidents and legislatures, political parties and leaders—while also exposing the informal side of Peru’s national politics over the course of two decades. Levitt's study of politics in Peru also provides a test case for his regional analysis of cross-national differences and change over time in presidential power across eighteen Latin American countries. In Peru and throughout Latin America, Levitt shows, the rule of law itself and the organizational forms of political parties have a stronger impact on legislative-executive relations than do most of the institutional traits and constitutional powers that configure the formal "rules of the game" for high politics. His findings, and their implications for improving the quality of new democracies everywhere, will surprise promoters, practitioners, and scholars of democratic politics alike.

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Marsilio Ficino (1433-99) directed the Platonic Academy in Florence, and it was the work of this Academy that gave the Renaissance in the 15th century its impulse and direction. During his childhood Ficino was selected by Cosimo de' Medici for an education in the humanities. Later Cosimo directed him to learn Greek and then to translate all the works of Plato into Latin. This enormous task he completed in about five years. He then wrote two important books, "The Platonic Theology" and "The Christian Religion", showing how the Christian religion and Platonic philosophy were proclaiming the same message. The extraordinary influence the Platonic Academy came to exercise over the age arose from the fact that its leading spirits were already seeking fresh inspiration from the ideals of the civilizations of Greece and Rome and especially from the literary and philosophical sources of those ideals. Florence was the cultural and artistic centre of Europe at the time and leading men in so many fields were drawn to the Academy: Lorenzo de'Medici (Florence's ruler), Alberti (the architect) and Poliziano (the poet). Moreover Ficino bound together an enormous circle of correspondents throughout Europe, from the Pope in Rome to John Colet in London, from Reuchlin in Germany to de Ganay in France. Published during his lifetime, "The Letters" have not previously been translated into English. Following the Pazzi Conspiracy of 1478, Florence was at war with both the Pope (Sixtus IV) and King Ferdinand of Naples. Prompted by the appalling conditions under which Florence suffered as a result of the war, Ficino wrote eloquent letters to the three main protagonists. In his three letters to Sixtus, who was the main architect of the war, Ficino states in magnificent terms the true work of the Pope - to fish in the "deep sea of humanity", as did the Apostles. King Ferdinand of Naples spent most of his life in intrigue, not only against other states, but also against his own barons. Yet, Ficino addresses him in the words of his father, the admirable King Alfonso. This extraordinary letter, written in the form of a prophesy, speaks of his son's destiny on Earth. "In peace alone a splendid victory awaits you..., in victory, tranquility; in tranquility, a reverence and worship of Minerva" (wisdom). Negotiations for peace were in fact begun about five months later. In his letter to Lorenzo de 'Medici, Ficino presented, with dramatic clarity, the two sides of Lorenzo's nature. The letter may have prompted Lorenzo's bold visit to King Ferdinand's court and the ensuing negotiations for peace. In insisting on the reality of unity and peace in the face of war and division, Ficino uses a number of analogies. He speaks in at least two letters of all the colours emerging from simple white light, just as all the variety of the universe issues from one consciousness. "For the Sun, to be is to shine, to shine is to see, and to illuminate is to create all that is its own and to sustain what it has created."

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“Ravishing… as if Saavedra were a modern-day Borges.” —Luis Alberto Urrea, O, The Oprah MagazineA novel of dark obsession, missed connections, and violent love.Marcos has just been through a divorce and moved into a new apartment. He feels alienated from his ex-wife, from his daughter, from society; everything feels flat and fake to him. He begins to receive letters at his new address from an anonymous troubled woman who signs off as A. and who clearly believes she is writing to the former tenant, her ex-lover, in the aftermath of a violent heartbreak. Marcos falls under the spell of the manic, hypnotic missives and for the first time in years, something moves him.Blue Flowers alternates between the letters detailing the dissolution of A.''s relationship, and Marcos'' growing fixation with this damaged person. The letters become a kind of exorcism as both A.''s epistolary affair and Marcos'' personal

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In The England's Dreaming Tapes, Jon Savage has gone back to the source to re-create, in original interview form, the extraordinarily disparate and contentious personalities who emerged in the mid-70s as the harbingers of what became known as punk.Here in uncut form is the story of a generation that changed the world in just a few months in 1976. In interviews with all the major figures of the time - including all four original Sex Pistols, Joe Strummer, Chrissie Hynde, Jordan, Siouxsie Sioux, Viv Albertine, Adam Ant, Lee Black Childerss, Howard Devoto, Pete Shelley, Syl Sylvain, Debbie Wilson, Tony Wilson and Jah Wobble - Jon Savage has produced a book huge in scope, vision and generosity of perspective.The England's Dreaming Tapes will surely become the final word and the must-have oral history of the music, fashion and attitude that defined this influential and incendiary era.

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A magnificent volume and a journey through time: This is Christine Turnauer's black and white photo series from 1986, first published in book form. North American indigenous peoples travel thousands of miles to participate in traditional dance contests called powwows. Christine Turnauer visited them from northern Alberta to southern Montana with her mobile studio tent. The result was very authentic and extraordinary portraits. The dancers were completely themselves and when they wear their traditional costumes, it becomes a spontaneous expression of pride and inner freedom. It seems as if they have a connection to their ancestors. What at first glance may seem like the black-and-white photographs of an Edward S. Curtis and other classics of Indian portrait photography of the late 19th and early 20th centuries, is experiencing a new perspective with Turnauer. For the poses are not posed by the photographer, but arise from the active participation of those photographed.

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From the girl next door to sexy switch-blade sisters, the pin-up girls depicted in this collection of works by 15 of today's best artists boldly display the full spectrum of the genre. Through masterful use of color and media, both traditional and digital, these artists from around the world capture the female form in ways that remain true to their forefathers (Gil Elvgren, Alberto Vargas, etc.) but also to their own contemporary styles. To dig deeper into the process, each artist's section includes a statement that unveils his or her inspiration and techniques. Themes in the 280+ works included here are vast and cover everything from action, horror, and 70s cinema to mythology, comic books, science fiction, and fantasy. So, whether you're into zombies, angels, latex, burlesque, or pop-culture, there is fresh, modern pin-up art for everyone.

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Often alchemy is seen as an example of medieval gullibility and the alchemists as a collection of eccentrics and superstitious fools. Sean Martin shows that nothing could be further from the truth. It is important to see the search for the philosopher's stone and the attempts to turn base metal into gold as metaphors for the relation of man to nature and man to God as much as seriously held beliefs. Alchemy had a self-consistent outlook on the natural world and man's place in it. Alchemists like Paracelsus and Albertus Magnus were amongst the greatest minds of their time and the history of alchemy is both the history of a spiritual search and the history of a slowly developing scientific method. Sir Isaac Newton devoted as much time to his alchemical studies as he did to his mathematical ones. This book traces the history of alchemy from ancient times to the 20th century, highlighting the interest of modern thinkers like Jung in the subject, and in the process covers a major, if neglected area of Western thought.

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The world of wealth and patronage that we associate with sixteenth- and early seventeenth-century Italy can make the Renaissance seem the exclusive domain of artists and aristocrats. Revealing a Renaissance beyond Michelangelo and the Medici, Sarah Gwyneth Ross recovers the experiences of everyday men and women who were inspired to pursue literature and learning.Ross draws on a trove of original unpublished sources—wills, diaries, household inventories, account books, and other miscellany—to reconstruct the lives of over one hundred artisans, merchants, and others on the middle rung of Venetian society who embraced the ennobling virtues of a humanistic education. These men and women sought out the latest knowledge, amassed personal libraries, and passed both their books and their hard-earned wisdom on to their families and heirs.Physicians were often the most avid—and the most anxious—of professionals seeking cultural legitimacy. Ross examines the lives of three doctors: Nicolò Massa (1485–1569), Francesco Longo (1506–1576), and Alberto Rini (d. 1599). Though they had received university training, these self-made men of letters were not patricians but members of a social group that still yearned for credibility. Unlike priests or lawyers, physicians had not yet rid themselves of the taint of artisanal labor, and they were thus indicative of a middle class that sought to earn the respect of their peers and betters, protect and advance their families, and secure honorable remembrance after death.

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With a considerable influence on national and international legislators, courts, public administrators and private companies, environmental principles ? such as the polluter-pays principle, sustainable development or the precautionary principle ? play an important role in the making, application and the interpretation of environmental law. As a key part of the Elgar Encyclopedia of Environmental Law, this comprehensive volume provides detailed coverage of all of the important environmental principles and offers unique insights as well as wider reflection on the role played by principles. With 50 structured entries written by leading scholars from around the world the volume discusses the various environmental principles in turn, covering their impact on international cooperation, their varying importance globally, their relevance in the jurisprudence of international and European courts and their growing importance in international business practice. As well as forming an authoritative reference source, Principles of Environmental Law offers new insights into this topic, which has developed strongly over the last 50 years and has become increasingly fundamental for the future of the planet. As well as forming an indispensable guide, this important volume offers both a reflection on the evolution of the legal principles and insight into their practical application. It will prove an essential resource for students, academics, judges, company lawyers, and administrators.Contributors include: A. Aaragao, M. Alberton, S. Atapattu, V. Barral, B. Boer, N. Craik, C. Dalhammar, J. Darpö, N. de Sadeleer, O. Dubovik, L.-A. Duvic-Paoli, T. Fajardo del Castillo, R. Fowler, M. Führ, M. Gestri, G. Handl, M. Hedemann-Robinson, S. Khan, R. Kibugi, S. Kingston, V. Koester, L. Krämer, K. Kulovesi, R. Lefeber, R. Macrory, C.W. Malcomb, G.J. Martin, E. Meidinger, I. Michallet, B. Milligan, M. Montini, E. Morgera, D.M. Ong, E. Orlando, A. Panovic, O. Pedersen, M. Peeters, M. Prieur, A. Proelss, L. Rajamani, C. Redgwell, M. Reese, A. Röhricht, G. Roller, J. Schenten, P. Schwartz, D. Spitzer, T. Stephens, H. Strydom, P. Taylor, E. Tsioumani, J.B. Wiener, G. Winter, Y. Zhao

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Design a rainwater harvesting system for any home in any climate. Water is a crucial resource increasingly under stress. Yet rainfall, even in arid climates, can make up a sizable portion of any home, acreage, or farm's water requirements if harvested and utilized with care. The key is appropriate planning and high-quality site- and climate-specific design. Essential Rainwater Harvesting is a comprehensive manual for designing, building, and maintaining water harvesting systems for the warm and cold climates of the world. Presenting design considerations and approaches for the most common household rainwater supply scenarios – primary, supplemental, and off-grid supply – this step-by-step approach covers: Considerations for full-property water security Demand planning and conservation strategies Supply calculations and design implications for extreme rainfall and drought Materials selection and water quality System and site assessment Sizing and design of gutters, conveyance, tanks, and pumps Pre-filtration, filtration, and disinfection options System maintenance and upkeep This practical resource provides DIYers, trades, and rainwater practitioners with the essential tools, methods, and technical know-how to design, build, and maintain rainwater harvesting systems anywhere. Rob Avis, P.Eng and Michelle Avis, P.Eng own and operate Adaptive Habitat, a leading edge property design firm for resilient homes, acreages, and farms and Verge Permaculture, a globally recognized award-winning education business. They have over 20 years of combined experience in project management, ecological design, and sustainable technologies, which they share at vergepermaculture.ca from their suburban house and yard that they've transformed into a model of cold climate urban permaculture in Calgary, Alberta.

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Alfredo Sánchez Bella (1916-1999) fue uno de los dirigentes españoles con una de las carreras políticas más intensas y dilatadas del franquismo. Desde muy pronto estuvo relacionado con los círculos de Acción Católica que colaborarían con el régimen bajo el liderazgo de Alberto Martín Artajo al frente del Ministerio de Asuntos Exteriores. El empeño por integrar al nuevo Estado en los organismos internacionales sin alterar su sustancia ideológica fue una constante en la actuación diplomática de Sánchez Bella. Qué función le asignó en este cometido a la comunidad hispanoamericana?, cuál fue la posición adoptada con respecto a Europa y su proceso de integración? Son preguntas que hallan respuesta en este libro, en el que el lector además podrá adentrarse en las razones que inspiraron la promoción de la candidatura de Otto de Habsburgo al trono de España, los intentos por instaurar un Estado presidencialista coronado, o los motivos del ascenso de Sánchez Bella al Ministerio de Información y

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The sequel to the best-selling 50 States, 5,000 Ideas takes readers on the road trip of a lifetime: 100 epic journeys through all 50 states--and 10 Canadian provinces--offering thousands of diverting sites, roadside attractions, and pure fun along the way. From breathtaking views across national parks to a vineyard route through Northwest wine country and a winter wonderland on Alberta's Icefields Parkway, this informative travel guide offers epic sights, good bites, and pure fun. Pack your car and hit the road to experience 100 drives--both classic and off the beaten track--across the United States and Canada. You'll find innovative itineraries outlining your route, along with when to go and what to do and see along the way. And there's something here to satisfy every passenger. Take in the magnificent turns along Alaska's Route One through Anchorage to Kenai. Or wind your way through retro spots from Chicago to Los Angeles on Route 66. On nearly 600 miles of New Mexico's Trail of the Ancients, stop off to encounter sites dating back to A.D. 850. Or discover fossils along Dinosaur Drive, a route that winds its way from Calgary to Denver. Beach lovers will delight in Hawaii's Oahu Circle Island Drive, while history lovers can follow Canada's War of 1812 trail: a cruise between Montreal and Windsor with stops at major battlefields along the way. Filled with expert tips, tons of activities, and plenty to see and do as you drive--the ultimate road trip playlist anyone?--here is an inspirational and practical keepsake for any road warrior.

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This book studies the nature of Venetian rule over the Slavs of Dalmatia during the eighteenth century, focusing on the cultural elaboration of an ideology of empire that was based on a civilizing mission toward the Slavs. The book argues that the Enlightenment within the “Adriatic Empire” of Venice was deeply concerned with exploring the economic and social dimensions of backwardness in Dalmatia, in accordance with the evolving distinction between “Western Europe” and “Eastern Europe” across the continent. It further argues that the primitivism attributed to Dalmatians by the Venetian Enlightenment was fundamental to the European intellectual discovery of the Slavs. The book begins by discussing Venetian literary perspectives on Dalmatia, notably the drama of Carlo Goldoni and the memoirs of Carlo Gozzi. It then studies the work that brought the subject of Dalmatia to the attention of the European Enlightenment: the travel account of the Paduan philosopher Alberto Fortis, which was translated from Italian into English, French, and German. The next two chapters focus on the Dalmatian inland mountain people called the Morlacchi, famous as “savages” throughout Europe in the eighteenth century. The Morlacchi are considered first as a concern of Venetian administration and then in relation to the problem of the “noble savage,” anthropologically studied and poetically celebrated. The book then describes the meeting of these administrative and philosophical discourses concerning Dalmatia during the final decades of the Venetian Republic. It concludes by assessing the legacy of the Venetian Enlightenment for later perspectives on Dalmatia and the South Slavs from Napoleonic Illyria to twentieth-century Yugoslavia.

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THE TIMES AND WATERSTONES BEST ART BOOK OF 2023''Marvellous . . . intimate and insightful . . . reads like a novel by Samuel Beckett' Paul Theroux A portrait of one of the twentieth century's greatest sculptors from one of our most eminent art historiansToday the work of Alberto Giacometti is world-famous and his sculptures sell for record-breaking prices. But from his early days as an unknown outsider to the end of a dramatic international career, Giacometti lived in the same hovel of a studio in Paris. It was Paris that made him, and he in turn immortalised the city through his art.Arriving in Paris from the Swiss Alps in 1922, Giacometti was shaped not only by his relationships with remarkable artists and writers from Picasso, Breton and Dalí to Sartre, Beauvoir and Beckett but by the everyday life, pre-war and post-war, of Paris itself. His distinctive figures emerged from the city's unique atmosphere: the crumbling grey stone of its humbler str

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