Search results for ""Author Anne"

A history of the most important scholarly criticism of Emerson from his time down to the present. Since the 1820s, Ralph Waldo Emerson has provoked an unsettled response from his readers and contentiousness among critics. Critics still contest Emerson's position: Was he poet or philosopher? Did he liberate American literatureor narrow it to a one-dimensional idea? Is his signature concept of self-reliance the most profound contribution to democratic individualism or the epitome of capitalism's impoverished thought? But by the mid 20th century the swing between condemnation and celebration of Emerson had given way to the familiar story of his bisected career, which provided a neat structure for viewing his life and work, and shaped our thought about him. Now that story is beingchallenged by the application of poststructuralism and textual editing, and with the publication of an amazing repertoire of editions, the Emerson canon is changing. The result is that Emerson criticism now faces a far more complex group of writings than before. One hundred and fifty years after Emerson styled himself an 'experimenter' who would 'unsettle all things,' this new critical history illustrates the continuing, thought-provoking success of thatexperiment. Sarah Ann Wider is Professor of English at Colgate University in Hamilton, New York.

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In Para-States and Medical Science, P. Wenzel Geissler and the contributors examine how medicine and public health in Africa have been transformed as a result of economic and political liberalization and globalization, intertwined with epidemiological and technological changes. The resulting fragmented medical science landscape is shaped and sustained by transnational flows of expertise and resources. NGOs, universities, pharmaceutical companies and other nonstate actors now play a significant role in medical research and treatment. But as the contributors to this volume argue, these groups have not supplanted the primacy of the nation-state in Africa. Although not necessarily stable or responsive, national governments remain crucial in medical care, both as employers of health care professionals and as sources of regulation, access, and – albeit sometimes counterintuitively - trust for their people. “The state” has morphed into the “para-state” — not a monolithic and predictable source of sovereignty and governance, but a shifting, and at times ephemeral, figure. Tracing the emergence of the “global health” paradigm in Africa in the treatment of HIV, malaria, and leprosy, this book challenges familiar notions of African statehood as weak or illegitimate by elaborating complex new frameworks of governmentality that can be simultaneously functioning and dysfunctional.Contributors. Uli Beisel, Didier Fassin, P. Wenzel Geissler, Rene Gerrets, Ann Kelly, Guillaume Lachenal, John Manton, Lotte Meinert, Vinh-Kim Nguyen, Branwyn Poleykett, Susan Reynolds Whyte

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It may be said that every trauma is two traumas or ten thousand-depending on the number of people involved. How one experiences and reacts to an event is unique and depends largely on one's direct or indirect positioning, personal psychic history, and individual memories. But equally important to the experience of trauma are the broader political and cultural contexts within which a catastrophe takes place and how it is "managed" by institutional forces, including the media. In Trauma Culture, E. Ann Kaplan explores the relationship between the impact of trauma on individuals and on entire cultures and nations. Arguing that humans possess a compelling need to draw meaning from personal experience and to communicate what happens to others, she examines the artistic, literary, and cinematic forms that are often used to bridge the individual and collective experience. A number of case studies, including Sigmund Freud's Moses and Monotheism, Marguerite Duras' La Douleur, Sarah Kofman's Rue Ordener, Rue Labat, Alfred Hitchcock's Spellbound, and Tracey Moffatt's Night Cries, reveal how empathy can be fostered without the sensationalistic element that typifies the media. From World War II to 9/11, this passionate study eloquently navigates the contentious debates surrounding trauma theory and persuasively advocates the responsible sharing and translating of catastrophe.

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In Body, Movement, and Culture, Sally Ann Ness provides an original interpretive account of three forms of sinulog dancing practiced in Cebu City in the Philippines: a healing ritual, a dance drama, and a "cultural" exhibition dance. Ness's examination of these dance forms yields rich insights into the cultural predicament of this Philippine city and the way in which kinesthetic and visual symbols interact to create meaning. Ness scrutinizes the patterns of movement, the use of the body and of objects, and the shaping of space common to all three versions of the sinulog. She then relates these elements to the fundamental ways the culture bearers of Cebu City experience their world. For example, she shows how each of the dance forms functions to reinforce class distinctions and to establish a code of authenticated "cultural" action. At the same time, Ness demonstrates, the dances manifest and actualize widely applied notions about the nature of "devotion," "sincerity," "naturalness," and "beauty." Throughout the text, Ness provides a close analysis of movement that is all too often missing from anthropological studies of dance. Most significantly, she works to relate the movements used in dance to everyday movement and to interpret the attitudes and values that are embodied in both choreographed and quotidian movement. Important and illuminating, Body, Movement, and Culture is of particular interest to students and scholars of anthropology, folklore, dance, and Asian studies.

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Starting with Dreiser's Sister Carrie, Meyerowitz uses turn-of-the-century Chicago as a case study to explore both the image and the reality of single women's experiences as they lived apart from their families. In an era when family all but defined American womanhood, these women—neither victimized nor liberated—created new social ties and subcultures to cope with the conditions of urban life. "Brilliant. . . . Gracefully written, and mercifully free from the jargon that often plagues social history, this book is a welcome addition to literature in women's, urban, and black history."—Ann Schofield, American Historical Review"Meyerowitz provides a splendid portrait of her subjects. . . . She deserves praise for her demographic spadework, sensitive analysis, and engaging style. This is a valuable and rewarding book."—Nancy Woloch, Journal of American History "A state-of-the-art product of the new women's history. . . . Meyerowitz's work is an extremely useful contribution, a corrective to over-concentration on women in family, an opening to new ways of looking at single women."—Linda Gordon, Women's Review of Books "Women Adrift not only brings together many of the most exciting insights of women's history in recent years, but Meyerowitz's particular angle on issues of work, family, sexuality, mass culture and relationships among women also encourages us to rethink these insights."—Ileen A. DeVault, Historian

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Calling into question the common assumption that the Middle Ages produced no secondary epics, Ann W. Astell here revises a key chapter in literary history. She examines the connections between the Book of Job and Boethius' s Consolation of Philosophy—texts closely associated with each other in the minds of medieval readers and writers—and demonstrates that these two works served as a conduit for the tradition of heroic poetry from antiquity through the Middle Ages and into the Renaissance. As she traces the complex influences of classical and biblical texts on vernacular literature, Astell offers provocative readings of works by Dante, Chaucer, Spenser, Malory, Milton, and many others. Astell looks at the relationship between the historical reception of the epic and successive imitative forms, showing how Boethius's Consolation and Johan biblical commentaries echo the allegorical treatment of" epic truth" in the poems of Homer and Virgil, and how in turn many works classified as "romance" take Job and Boethius as their models. She considers the influences of Job and Boethius on hagiographic romance, as exemplified by the stories of Eustace, Custance, and Griselda; on the amatory romances of Abelard and Heloise, Dante and Beatrice, and Troilus and Criseyde; and on the chivalric romances of Martin of Tours, Galahad, Lancelot, and Redcrosse. Finally, she explores an encyclopedic array of interpretations of Job and Boethius in Milton's Paradise Lost, Paradise Regained, and Samson Agonistes.

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First full-length collection on one of the most significant and influential historians of the medieval period. The Gesta Normannorum ducum and Historia ecclesiastica of Orderic Vitalis are widely regarded as landmarks in the development of European historical writing and, as such, are essential sources of medieval history forstudents and scholars alike. The essays here consider Orderic's life and works, presenting new research on existing topics within Orderic studies and opening up new directions for future analysis and debate. They offer fresh interpretations from across the disciplines of medieval manuscript studies, English-language studies, archaeology, theology, and cultural memory studies; they also revisit established readings. CHARLES C. ROZIER gained hisPhD from the University of Durham; DANIEL ROACH gained his PhD from the University of Exeter; GILES E.M. GASPER is Senior Lecturer in History, University of Durham; ELIZABETH VAN HOUTS is Honorary Professor of Medieval European History, University of Cambridge. Contributors: William M. Aird, Emily Albu, James G. Clark, Vincent Debiais, Mark Faulkner, Giles E. M. Gasper, Véronique Gazeau, Estelle Ingrand-Varenne, Elisabeth Mégier, Thomas O'Donnell, Benjamin Pohl, Daniel Roach, Thomas Roche, Charles C. Rozier, Sigbjørn Olsen Sønnesyn, Kathleen Thompson, Elisabeth van Houts, Anne-Sophie Vigot,Jenny Weston

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* SELECTED FOR BARACK OBAMA'S SUMMER READING LIST 2022 * 'Anyone interested in the future of liberal democracy should read this book' ANNE APPLEBAUM ---------- One of our most important political thinkers looks to the greatest challenge of our time: how to live together equally and peacefully in diverse democracies. It’s easy to be pessimistic about the fate of democracy in multi-ethnic societies. At the end of the Second World War, fewer than one in twenty-five people living in the UK were born abroad; now it is one in seven. The history of humankind is a story of us versus them, and the project of diverse democracies is a relatively new one – it is, in other words, a great experiment. How do identity groups with different ideologies and beliefs live together? Is it possible to embark on a democracy with shared values if our values are at odds? Yascha Mounk argues that group identity is both deeply rooted and malleable. No community is beyond conciliation: groups are moving towards cooperation across the world. The Great Experiment offers a profound understanding of the problem behind all our other problems, and genuine hope for our capacity to solve it.

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A groundbreaking volume introduces the unique feminist thought of the longstanding Italian group known as Diotima Introducing Anglophone readers to a potent strain of Italian feminism known to French, Spanish, and German audiences but as yet unavailable in English, Another Mother argues that the question of the mother is essential to comprehend the matrix of contemporary culture and society and to pursue feminist political projects. Focusing on Diotima, a community of women philosophers deeply involved in feminist politics since the 1960s, this volume provides a multifaceted panorama of its engagement with currents of thought including structuralism, psychoanalysis, linguistics, and Marxism. Starting from the simple insight that the mother is the one who gives us both life and language, these thinkers develop concepts of the mother and sexual difference in contemporary society that differ in crucial ways from both French and U.S. feminisms. Arguing that Diotima anticipates many of the themes in contemporary philosophical discourses of biopolitics—exemplified by thinkers such as Giorgio Agamben, Antonio Negri, and Roberto Esposito—Another Mother opens an important space for reflections on the past history of feminism and on feminism’s future. Contributors: Anne Emmanuelle Berger, Paris 8 U–Vincennes Saint-Denis; Ida Dominijanni; Luisa Muraro; Diana Sartori, U of Verona; Chiara Zamboni, U of Verona.

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This illuminating book traces the development of Scottish women’s writing in English from its genesis in the late eighteenth century to its flowering in the late nineteenth and early twentieth centuries. Hindered initially by the hostility of the Presbyterian Church and the self-serving attitude of the male hierarchy which denied them a proper education, an astonishing number of women found opportunities, in the midst of domestic obligations, to write, and often publish – novels, poetry, diaries, journalism, letters, essays and reportage. Charlotte Waldie and Christina Keith visited, respectively, Waterloo and Flanders in the immediate aftermath of battle. Another intrepid writer, Emily Graves, wrote a memoir of her travels in Transylvania in The Light Beyond the Forest – from which Bram Stoker directly lifted the most blood-curdling elements of Dracula. Others remembered include literary multi-tasker and businesswoman Christian Isabel Johnstone; playwright Joanna Baillie; working-class poets Marion Bernstein and Janet Hamilton; novelist Susan Ferrier; memoirist Anne Grant of Laggan; and writer and scientist Mary Somerville, depicted on the cover, after whom Somerville College, Oxford is named.

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The world-renowned UEA Creative Writing MA presents new work from the three prose strands of the course: fiction, life writing, and scriptwriting. Past course tutors and students have included Kazuo Ishiguro, Ian McEwan, Toby Litt, John Boyne, Trezza Azzopardi, Rose Tremain, Malcolm Bradbury, Anne Enright, Angela Carter, Ali Smith, Tracey Chevalier, Joe Dunthorne, Adam Foulds and Tash Aw, among many others. Buy this collection if you want an exciting glimpse into the future of new prose writing in Britain and around the world."UEA has a knack of discovering writers with a distinctive voice – in this case 40 distinctive voices – and this latest anthology proves that standards remain high. Thoughtful prose, provocative stories that stay in the mind, extracts from novels that make one long for the finished book. Read it and sample the future."John Boyne"To all of you with Blurb-fatigue: We always say that this group of writers is exceptionally gifted, promising, and startlingly original.. I won't lie: they actually are all of that, and more... Established writers will wish we'd strangled this lot at birth."Trezza Azzopardi

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For many of us, a good, heart-pounding mystery is the perfect escape from real-world confusion and chaos. But what about the writers who create those stories of suspense and intrigue? How do our favorite novelists cope with our perplexing world, and what mysteries keep them up at night? In Private Investigations, twenty fan-favorite mystery writers share their first-person stories of grappling with mysteries they've personally encountered, at home and in the world. Caroline Leavitt regales us with a medical mystery, a time when she lost her voice and doctors couldn't find a cure; Martin Limon travels back to his military stint in Korea to grapple with the chaos of war; Anne Perry ponders the magical powers of stories conjured from writers' imaginations, and more.Exploring all the tropes of the genre--from haunted houses to elusive perpetrators, from respecting the legacy of victims of violence to regrouping after missed signals have derailed their lives--these writers' true tales show just how much art imitates life, and how, ultimately, we are all private investigators in the our own real-life dramas.

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Between 1995 and 2000, the number of music videos airing on MTV dropped by 36 percent. As an alternative to the twenty-four-hour video jukebox the channel had offered during its early years, MTV created an original cycle of scripted reality shows, including Laguna Beach, The Hills, The City, Catfish, and Jersey Shore, which were aimed at predominantly white youth audiences. In Millennials Killed the Video Star Amanda Ann Klein examines the historical, cultural, and industrial factors leading to MTV's shift away from music videos to reality programming in the early 2000s and 2010s. Drawing on interviews with industry workers from programs such as The Real World and Teen Mom, Klein demonstrates how MTV generated a coherent discourse on youth and identity by intentionally leveraging stereotypes about race, ethnicity, gender, and class. Klein explores how this production cycle, which showcased a variety of ways of being in the world, has played a role in identity construction in contemporary youth culture—ultimately shaping the ways in which Millennial audiences of the 2000s thought about, talked about, and embraced a variety of identities.

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This essay collection focuses on the gendered dimensions of reality television in both the United States and Great Britain. Through close readings of a wide range of reality programming, from Finding Sarah and Sister Wives to Ghost Adventures and Deadliest Warrior, the contributors think through questions of femininity and masculinity, as they relate to the intersections of gender, race, class, and sexuality. They connect the genre's combination of real people and surreal experiences, of authenticity and artifice, to the production of identity and norms of citizenship, the commodification of selfhood, and the naturalization of regimes of power. Whether assessing the Kardashian family brand, portrayals of hoarders, or big-family programs such as 19 Kids and Counting, the contributors analyze reality television as a relevant site for the production and performance of gender. In the process, they illuminate the larger neoliberal and postfeminist contexts in which reality TV is produced, promoted, watched, and experienced.Contributors. David Greven, Dana Heller, Su Holmes, Deborah Jermyn, Misha Kavka, Amanda Ann Klein, Susan Lepselter, Diane Negra, Laurie Ouellette, Gareth Palmer, Kirsten Pike, Maria Pramaggiore, Kimberly Springer, Rebecca Stephens, Lindsay Steenberg, Brenda R. Weber

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Foregrounding African women’s ingenuity and labor, this pioneering case study shows how women in rural Mali have used technology to ensure food security through the colonial period, environmental crises, and postcolonial rule. By advocating for an understanding of rural Malian women as engineers, Laura Ann Twagira rejects the persistent image of African women as subjects without technological knowledge or access and instead reveals a hidden history about gender, development, and improvisation. In so doing, she also significantly expands the scope of African science and technology studies. Using the Office du Niger agricultural project as a case study, Twagira argues that women used modest technologies (such as a mortar and pestle or metal pots) and organized female labor to create, maintain, and reengineer a complex and highly adaptive food production system. While women often incorporated labor-saving technologies into their work routines, they did not view their own physical labor as the problem it is so often framed to be in development narratives. Rather, women’s embodied techniques and knowledge were central to their ability to transform a development project centered on export production into an environmental resource that addressed local taste and consumption needs.

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An anthology of essays examining the nature and practice of sexual masochism The contested psychoanalytic concept of masochism has served to open up pathways into less-explored regions of the human mind and behavior. Here, rituals of pain and sexual abusiveness prevail, and sometimes gruesome details of unconscious fantasies are constructed out of psychological pain, desperate need, and sexually excited, self- destructive violence. In this significant addition to the Essential Papers in Psychoanalysis series, Margaret Ann Fitzpatrick Hanly presents an anthology of the most outstanding writings in the psychoanalytic study of masochism. In bringing these essays together, Dr. Fitzpatrick Hanly expertly combines classic and contemporary theories by the most respected scholars in the field to create a varied and integrated volume. This collection features papers by S. Nacht, R. Loewenstein, Victor Smirnoff, Sigmund Freud, Jacques Laplanche, Robert Bak, Leonard Shengold, K. Novick, J. Novick, S. Coen, Margaret Brenman, Esther Menaker, S. Lorand, M. Balint, Bernhard Berliner, Charles Brenner, Helene Deutsch, Annie Reich, Marie Bonaparte, Jessica Benjamin, S.L. Olinick, Arnold Modell, Betty Joseph, and Janine Chasseguet-Smirgel.

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No one has been more influential in the contemporary practice of art history than Erwin Panofsky, yet many of his early seminal papers remain virtually unknown to art historians. As a result, Michael Ann Holly maintains, art historians today do not have access to the full range of methodological considerations and possibilities that Panofsky's thought offers, and they often remain unaware of the significant role art history played in the development of modern humanistic thought. Placing Panofsky's theoretical work first in the context of the major historical paradigms generated by Hegel, Burckhardt, and Dilthey, Holly shows how these paradigms themselves became the grounds for creative controversy among Panofsky's predecessors—Riegl, Wölfflin, Warburg, and Dvorák, among others. She also discusses how Panofsky's struggle with the terms and concepts of neo-Kantianism produced in his work remarkable parallels with the philosophy of Ernst Cassirer. Finally, she evaluates Panofsky's better known and later "iconological" studies by reading them against the earlier essays and by comparing his earlier ideas with the vision that has inspired recent work in the philosophy of history, semiotics, and the philosophy of science.

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For the city's first two hundred years, the story told at Washington DC's symbolic center, the National Mall, was about triumphant American leaders. Since 1982, when the Vietnam Veterans Memorial was dedicated, the narrative has shifted to emphasize the memory of American wars. In the last thirty years, five significant war memorials have been built on, or very nearly on, the Mall. The Vietnam Veterans Memorial, the Korean War Veterans Memorial, the Women in Military Service for America Memorial, The National Japanese American Memorial to Patriotism During WWII, and the National World War II Memorial have not only transformed the physical space of the Mall but have also dramatically rewritten ideas about U.S. nationalism expressed there. In "Sacrificing Soldiers on the National Mall", Kristin Ann Hass examines this war memorial boom, the debates about war and race and gender and patriotism that shaped the memorials, and the new narratives about the nature of American citizenship that they spawned. "Sacrificing Soldiers on the National Mall" explores the meanings we have made in exchange for the lives of our soldiers and asks if we have made good on our enormous responsibility to them.

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Part of the highly regarded Diagnostic Medical Sonography series, Ann Marie Kupinski’s The Vascular System, 3rd Edition, thoroughly covers the core content students need to master in today’s rigorous sonography programs. Careful, collaborative editing ensures consistency across all three titles in this series: The Vascular System, Abdomen and Superficial Structures, and Obstetrics and Gynecology, providing the right content at the right level for both students and instructors. Features up-to-date sonograms and relevant content throughout, including new coverage of ergonomics Reflects today’s best practices with up-to-date coverage of diagnostic criteria Provides key terms for quick reference, pathology boxes with tables of relevant pathologies, a complete glossary to help students master vocabulary of the sonography profession, and updated references that reflect the latest research in the field Also available: Workbook for Diagnostic Medical Sonography-The Vascular System, 3rd Edition, ISBN 978-1-9751-7707-2 This hands-on, full-color workbook (available separately for each series title) provides a variety of custom-designed exercises to help students master each objective and get the most out of their study time.

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Maura Dooley’s poetry is remarkable for embracing both lyricism and political consciousness, for its fusion of head and heart. These qualities have won her wide acclaim. Helen Dunmore (in Poetry Review) admired her ‘sharp and forceful’ intelligence. Adam Thorpe praised her ability ‘to enact and find images for complex feelings…Her poems have both great delicacy and an undeniable toughness…she manages to combine detailed domesticity with lyrical beauty, most perfectly in the metaphor of memory ’ (Literary Review). Five Fifty-Five is Maura Dooley’s first new collection since The Silvering (2016). These are quizzical poems concerned with time and mortality which ask fundamental questions about our lives, such as Where have you gone? and Who were you anyway? She tries to find out through conversations with, among others, Louisa M. Alcott, Hokusai, Jane Austen, Buzz Aldrin, Anne Tyler and the Great Uncle and Grandfather she never knew. There are poems, too, about the difficulties and responsibilities of translation, both from the written word and in interpreting what is left unspoken in different kinds of absence; empty streams, bare trees, the loss of friends. Yet these are poems that find and try to offer consolation: 'What have you learned exactly? / To love, to speak up, to hold steady.'

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The story of Depo-Provera joins the national struggle over the drug's FDA approval to the state legal issues raised by its contraceptive and criminal justice uses. Depo-Provera is known as an injectable hormonal birth control method, but few are familiar with its dark and complicated history. Depo-Provera was tested on women since the mid-1960s without their informed consent until it was FDA-approved in 1992, but never FDA-approved as chemical castration for male sex offenders. Contraceptive Risk is William Green's landmark study of Depo-Provera. Based on a fascinating combination of archival materials and interviews, the book is framed as three interconnected stories told by Judith Weisz, who chaired the FDA's Public Board of Inquiry on Depo-Provera, a scientific court; by Anne MacMurdo who brought a products liability suit against Upjohn, the drug's manufacturer, for the deleterious side effects she suffered from the drug's use; and by Roger Gauntlett, an Upjohn heir who, when he was convicted of sexual assault, refused to take a dose of his family's own medicine as a probation condition. Together these three stories of Depo-Provera's convoluted fifty year odyssey call for a paradigm shift in pharmaceutical drug development. Contraceptive Risk is a thoroughly researched and engrossing approach to the scientific, political and institutional forces involved in health law and policy, as well as the multifaceted politics of measuring risk.

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The biggest crime story in American history began on the night of March 1, 1932, when the twenty-month-old son of Charles and Anne Lindbergh was snatched from his crib in Hopewell, New Jersey. The news shocked a nation enthralled with the aviator, the first person to fly solo nonstop across the Atlantic. American law enforcement marshalled all its resources to return “Little Lindy” to the arms of his parents—and perhaps even more energized were the legions of journalists catering to a public whose appetite for Lindbergh news was insatiable.In Little Lindy Is Kidnapped, Thomas Doherty offers a lively and comprehensive cultural history of the media coverage of the abduction and its aftermath. Beginning with Lindbergh’s ascent to fame and proceeding through the trial and execution of the accused kidnapper, Doherty traces how newspapers, radio, and newsreels reported on what was dubbed the “crime of the century.” He casts the affair as a transformative moment for American journalism, analyzing how the case presented new challenges and opportunities for each branch of the media in the days before the rise of television. Coverage of the Lindbergh story, Doherty reveals, set the template for the way the media would treat breaking news ever after. An engrossing account of an endlessly fascinating case, Little Lindy Is Kidnapped sheds new light on an enduring quality of journalism ever since: the media’s eye on a crucial part of the story—itself.

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The biggest crime story in American history began on the night of March 1, 1932, when the twenty-month-old son of Charles and Anne Lindbergh was snatched from his crib in Hopewell, New Jersey. The news shocked a nation enthralled with the aviator, the first person to fly solo nonstop across the Atlantic. American law enforcement marshalled all its resources to return “Little Lindy” to the arms of his parents—and perhaps even more energized were the legions of journalists catering to a public whose appetite for Lindbergh news was insatiable.In Little Lindy Is Kidnapped, Thomas Doherty offers a lively and comprehensive cultural history of the media coverage of the abduction and its aftermath. Beginning with Lindbergh’s ascent to fame and proceeding through the trial and execution of the accused kidnapper, Doherty traces how newspapers, radio, and newsreels reported on what was dubbed the “crime of the century.” He casts the affair as a transformative moment for American journalism, analyzing how the case presented new challenges and opportunities for each branch of the media in the days before the rise of television. Coverage of the Lindbergh story, Doherty reveals, set the template for the way the media would treat breaking news ever after. An engrossing account of an endlessly fascinating case, Little Lindy Is Kidnapped sheds new light on an enduring quality of journalism ever since: the media’s eye on a crucial part of the story—itself.

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In 1963, a young man from Limerick took his £25 savings and journeyed to London to become an actor. To pay his way through drama school he worked as a security guard (once for The Beatles) and served drinks to Miss World contestants at the Lyceum Theatre, then a Mecca Ballroom. While still a student, he was picked to play a small role in Andorra in the inaugural season of the National Theatre at the Old Vic...Fifty years later, while appearing in his fifty-sixth NT production – Pirandello’s Liolà – he was invited by Director Nicholas Hytner to take part in 50 Years on Stage, the NT’s anniversary celebration. Four days on, he is on stage in New York for the Press Night of Trevor Nunn’s production of Beckett’s All That Fall with Michael Gambon. James Hayes has worked with most of the leading actors in the country from Laurence Olivier, Maggie Smith, Anthony Hopkins and Paul Scofield to Michael Gambon, Ian McKellen, Penelope Wilton and Anne-Marie Duff. Touring the world, he has played in Greece, Poland, the USA, Japan, India, Hong Kong, South Korea and China. And, of course, Milton Keynes, Sunderland and Truro! Shouting in the Evenings covers many of the famous (Amadeus) and infamous (The Romans in Britain) productions Hayes has appeared in, and records with affection and humour the changes along the way. It will appeal to seasoned and amateur actors alike, as well as those with an interest in all things theatrical.

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"For I saw in you the mongrel angel that saw in me the same " Following a bereavement, Mark, a disillusioned middle-aged writer seeking something like enlightenment (or an epiphany, he’s not sure), travels to Charleville in Northern France to visit the hometown of his hero, the poet Rimbaud. As he wanders Mark muses on the nature of obsession and how our heroes might be no more than projections of our deepest needs and fears. He also focuses on a famous line of Rimbaud’s – “je est un autre”. “I is another”. When he meets a local woman there is an instant connection and their conversation continues as they traverse the streets together over 24 hours. But something strange is happening. Immediately Anne knows his story and the events of his life. She knows his mind. Has he found his autre? We follow them as Mark narrates in his head the book he will never write, with interjections from characters brought to life by his imagination … and often against his will. Real Life is Elsewhere is an entirely original, unique take on love, ageing and the process of writing.

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Using as her starting point the story of Orpheus and Eurydice, Melissa F. Zeiger examines modern transformations of poetic elegy, particularly as they reflect historical changes in the politics of gender and sexuality. Although her focus is primarily on nineteenth- and twentieth-century poetry, the scope of her investigation is grand: from John Milton's "Lycidas" to very recently written AIDS and breast cancer elegies. Milton epitomized the traditional use of the Orpheus myth as an illustration of the female threat to masculine poetic prowess, focused on the beleaguered Orpheus. Zeiger documents the gradual inclusion of Eurydice, from the elegies of Algernon Charles Swinburne through the work of Thomas Hardy and John Berryman, re-examining the role of Eurydice, and the feminine more generally, in poetic production. Zeiger then considers women poets who challenge the assumptions of elegies written by men, sometimes identifying themselves with Eurydice. Among these poets are H.D., Edna St. Vincent Millay, Anne Sexton, and Elizabeth Bishop. Zeiger concludes with a discussion of elegies for victims of current plagues, explaining how poets mourning those lost to AIDS and breast cancer rewrite elegy in ways less repressive, sacrificial, or punitive than those of the Orphean tradition. Among the poets discussed are Essex Hemphill, Thom Gunn, Mark Doty, Audre Lorde, Adrienne Rich, and Marilyn Hacker.

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An unabridged republication of Selected Designs from Shoppell’s Modern Houses, originally published by The Co-Operative Building Plan Association, Architects, 63 Broadway, New York, 1890. This rare catalog of residential designs is an invaluable guide for architectural historians, preservationists, and anyone attempting to restore a Victorian-era home. Besides acting as a guide to over 250 house plans, the book offers builders and homeowners essays in interior decoration and landscaping. It includes dozens of examples of architecture popular at the turn of the century including bungalow, stick-style, Gothic revival, chateau style, Queen Anne, and Eastlake influenced designs. More than 800 photos and line drawings illustrate front and side views, and floor plans complete with dimensions. Written descriptions include general dimensions, suggestions for interior finishes, color schemes, and cost estimates. The book begins with humble cottages estimated to cost less than $1,000 to build and expands to homes that would run over $10,000. There are also several row houses, a hotel, bank, church or meeting hall, a boathouse, and a seven-room school plan, plus plans for a carriage house and nine stables. Essays provide tips for an ice house, greenhouse, a cistern, heating and ventilation, removal of household waste, plumbing and drainage, and landscape gardening. There’s even a charming children’s playhouse.

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The Spring and Autumn is an annals text composed of brief records covering the period 722–479 BCE and written from the perspective of the ancient Chinese state of Lu. A long neglected part of the Chinese canon, it is traditionally ascribed to Confucius, who is said to have embedded his evaluations of events within the text. However, the formulaic and impersonal records do not resemble the repository of moral judgments that they are alleged to be.Driven by her discovery that the Spring and Autumn is governed by a system of rules, Newell Ann Van Auken argues that Lu record-keepers—not a later editor—produced the formally regular core of the text. She demonstrates that the Spring and Autumn employs formulaic phrasing and selective omission to encode the priorities of Lu and to communicate the relative importance of individuals, states, and events, and that many of its records are derived from diplomatic announcements received in Lu from regional states and the Zhou court. The Spring and Autumn is fundamentally a document designed to enhance the prestige of Lu, and its records reveal a profound concern with relative rank, displaying an idealized hierarchy that positions the state of Lu and its rulers at the apex. By establishing the Spring and Autumn as a genuine Bronze Age record, this book transforms our understanding of its significance and purpose, and also offers new approaches to the study of ancient annals in early China and elsewhere.

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ONE MOMENT CAN CHANGE A LIFE FOREVER. ‘An exceptional read’ The Sunday Times ‘Vital glimmers of hope enlighten this profoundly poignant book’ Guardian A powerful and heart-breaking novel about three childhood friends living during the Second World War whose fates are closely intertwined, even when their lives take very different courses. Inspired by a true story, this is the perfect read for fans of The Book Thief and Anne Frank’s The Diary of a Young Girl.Vienna, 1936.Elsa, Leo and Max have always been best friends, a special team of three. Then the Nazis come. As a growing darkness descends around them, Leo and Elsa run for their lives, taking two very different paths across Europe. And Max, once their closest friend, now becomes the enemy as he is drawn into the Hitler Youth. Will the friends ever find their way back to each other? Will they want to? Inspired by a true story, WHEN THE WORLD WAS OURS is an extraordinary novel that is as powerful as it is heartbreaking, and shows how the bonds of love, family and friendship allow glimmers of hope to flourish, even in the most hopeless of times. Three friends. Two sides. One memory.

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This groundbreaking text demystifies archival and recordkeeping theory and its role in modern day practice. The book's great strength is in articulating some of the core principles and issues that shape the discipline and the impact and relevance they have for the 21st century professional. Using an accessible approach, it outlines and explores key literature and concepts and the role they can play in practice. Leading international thinkers and practitioners from the archives and records management world, Jeannette Bastian, Alan Bell, Anne Gilliland, Rachel Hardiman, Eric Ketelaar, Jennifer Meehan and Caroline Williams, consider the concepts and ideas behind the practicalities of archives and records management to draw out their importance and relevance. Key topics covered include: Concepts, roles and definitions of records and archives Archival appraisal Arrangement and description Ethics for archivists and records managers Archives, memories and identities The impact of philosophy on archives and records management Does technological change marginalize recordkeeping theory? Readership: This is essential reading for students and educators in archives and recordkeeping and invaluable as a guide for practitioners who want to better understand and inform their day-to-day work. It is also a useful guide across related disciplines in the information sciences and humanities.

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The Offenses Against the Person Act of 1828 opened magistrates’ courts to abused working-class wives. Newspapers in turn reported on these proceedings, and in this way the Victorian scrutiny of domestic conduct began. But how did popular fiction treat “private” family violence? Bleak Houses: Marital Violence in Victorian Fiction traces novelists’ engagement with the wife-assault debates in the public press between 1828 and the turn of the century. Lisa Surridge examines the early works of Charles Dickens and reads Dombey and Son and Anne Brontë’s The Tenant of Wildfell Hall in the context of the intense debates on wife assault and manliness in the late 1840s and early 1850s. Surridge explores George Eliot’s Janet’s Repentance in light of the parliamentary debates on the 1857 Divorce Act. Marital cruelty trials provide the structure for both Wilkie Collins’s The Woman in White and Anthony Trollope’s He Knew He Was Right. Locating the New Woman fiction of Mona Caird and the reassuring detective investigations of Sherlock Holmes in the context of late-Victorian feminism and the great marriage debate in the Daily Telegraph, Surridge illustrates how fin-de-siècle fiction brought male sexual violence and the viability of marriage itself under public scrutiny. Bleak Houses thus demonstrates how Victorian fiction was concerned about the wife-assault debates of the nineteenth century, debates which both constructed and invaded the privacy of the middle-class home.

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During the late 1960s, throughout the 1970s, and into the 1980s, New York City poets and musicians played together, published each other, and inspired one another to create groundbreaking art. In "Do You Have a Band?", Daniel Kane reads deeply across poetry and punk music to capture this compelling exchange and its challenge to the status of the visionary artist, the cultural capital of poetry, and the lines dividing sung lyric from page-bound poem. Kane reveals how the new sounds of proto-punk and punk music found their way into the poetry of the 1960s and 1970s downtown scene, enabling writers to develop fresh ideas for their own poetics and performance styles. Likewise, groups like The Fugs and the Velvet Underground drew on writers as varied as William Blake and Delmore Schwartz for their lyrics. Drawing on a range of archival materials and oral interviews, Kane also shows how and why punk musicians drew on and resisted French Symbolist writing, the vatic resonance of the Beat chant, and, most surprisingly and complexly, the New York Schools of poetry. In bringing together the music and writing of Richard Hell, Patti Smith, and Jim Carroll with readings of poetry by Anne Waldman, Eileen Myles, Ted Berrigan, John Giorno, and Dennis Cooper, Kane provides a fascinating history of this crucial period in postwar American culture and the cultural life of New York City.

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In his time his revolutionary ideas appealed to women and he was surrounded by more than a generation of clever and forceful women. One who could say that ‘life is not really a gladiators’ show; it is rather a vast mothers’ meeting!’ could not fail to attract followers. WALTER STEPHENPatrick Geddes – Sociologist, Town Planner, Biologist, Peace Warrior. It is well known that this extraordinary Scot shaped the cityscape of Edinburgh, but for the first time Walter Stephen turns the lens onto the strong, wilful women who influenced the revolutionary man – and who were in turn influenced by him.From his wife and mother in Scotland, to a nun in India and a Marchioness in Ireland, this insightful volume shows the wide range of women across the globe whose lives intertwined with Geddes’s, whether professionally or personally.Delving deeper into Geddes’s personal life than ever before, Walter Stephen and his fellow Modern Geddesians go beyond the surface of the Scotsman’s acclaimed works to reveal the female characters that shaped him throughout his life. Contributors include: Veronica Burbridge, Siân Reynolds, Anne-Michelle Slater, Kenny Munro, Swami Narasimhananda, Sofia Leonard, Kenneth MacLean, Robert Morris and Kate Henderson.A well-researched and thoughtfully written book. SCOTTISH REVIEW OF BOOKS on The Evolution of Evolution[The book] makes the reader realise in what esteem Geddes should be held, not just in Scotland, but across the globe. LALLANS MAGAZINE on A Vigorous Institution

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Provides a variety of queer, interdisciplinary interventions upon the social and legal regulation of sex, gender, reproduction, and family. In Enticements, an exceptional group of interdisciplinary scholars comes together to contribute to the field of Queer Legal Studies. The essays investigate a wildly proliferating assortment of genders, sexualities, and intimacies, questioning how they have been regulated, criminalized, or privileged by law and other regulatory forces. Enticements expands and expounds on the discipline of queer legal studies. Contributors focus on a wide range of sex/gender regulatory regimes, interrogating the use and abuse of queer history for impact litigation and social change, colonial and postcolonial sex laws otherwise obscured by the modern LGBT paradigm of sexual identity, and the policing of trans and cis men. Moving beyond a focus on LGBT identities, contributors consider limits to reproductive freedom, the Christianization of social justice movements, and the politicization of care within and across Black and feminist studies. Accessible and forward-looking, Enticements consolidates and emboldens queer legal studies as a critical, necessary field for the historical present. With noted contributions from Libby Adler, Chris Ashford, Matthew Ball, Noa Ben-Asher, Mary Anne Case, Brenda Cossman, Joseph J. Fischel, Janet Halley, Zachary Herz, Ratna Kapur, Ido Katri, Evelyn Kessler, Ummni Khan, Kyle Kirkup, Jennifer C. Nash, Senthorun Raj, and Matthew Waites.

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Provides a variety of queer, interdisciplinary interventions upon the social and legal regulation of sex, gender, reproduction, and family. In Enticements, an exceptional group of interdisciplinary scholars comes together to contribute to the field of Queer Legal Studies. The essays investigate a wildly proliferating assortment of genders, sexualities, and intimacies, questioning how they have been regulated, criminalized, or privileged by law and other regulatory forces. Enticements expands and expounds on the discipline of queer legal studies. Contributors focus on a wide range of sex/gender regulatory regimes, interrogating the use and abuse of queer history for impact litigation and social change, colonial and postcolonial sex laws otherwise obscured by the modern LGBT paradigm of sexual identity, and the policing of trans and cis men. Moving beyond a focus on LGBT identities, contributors consider limits to reproductive freedom, the Christianization of social justice movements, and the politicization of care within and across Black and feminist studies. Accessible and forward-looking, Enticements consolidates and emboldens queer legal studies as a critical, necessary field for the historical present. With noted contributions from Libby Adler, Chris Ashford, Matthew Ball, Noa Ben-Asher, Mary Anne Case, Brenda Cossman, Joseph J. Fischel, Janet Halley, Zachary Herz, Ratna Kapur, Ido Katri, Evelyn Kessler, Ummni Khan, Kyle Kirkup, Jennifer C. Nash, Senthorun Raj, and Matthew Waites.

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A fascinating look at communication in the eighteenth century.This volume addresses questions of communication in several media, from the oral, printed, and visual to the physical. It encompasses essays featuring France, Germany, Early America, Scotland, and Britain more generally.The first section, "Manuscript Communications," opens with Dena Goodman's presidential address on the secret history of learned societies. It is followed by a panel on manuscript and print circulation introduced by Colin Ramsey, which includes essays by Ryan Whyte, Chiara Cillerai, and Jürgen Overhoff. This section concludes with an essay by Carla J. Mulford on Benjamin Franklin's electrification of London politics.The second section, "Arts and Manufactures," opens with David Shields's Clifford Lecture on the flavors of the eighteenth century. It contains essays by Hanna Roman on Buffon's language of heat and Jason Pearl on the perspective of aerostatic bodies and concludes with essays by Matthew Mauger and Michael C. Amrozowicz on the languages of physical disciplines and social organization.The final section, "Devotion and Other Passions," begins with essays on silence and spectacle as means of convening the passions, by Adam Schoene and Anne Vila respectively, and it concludes with a forum introduced by Laura M. Stevens on Enlightenment representations of devotion. This section includes presentations by Clare Haynes, Penny Pritchard, Jennifer L. Airey, Sabine Volk-Birke, Megan E. Gibson, Laura Davies, and Theresa Schoen and an afterword by Emma Salgard Cunha.

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The past fifty years are conventionally understood to have witnessed an uninterrupted expansion of sexual rights and liberties in the United States. This state-of-the-art collection tells a different story: while progress has been made in marriage equality, reproductive rights, access to birth control, and other areas, government and civil society are waging a war on stigmatized sex by means of law, surveillance, and social control. The contributors document the history and operation of sex offender registries and the criminalization of HIV, as well as highly punitive measures against sex work that do more to harm women than to combat human trafficking. They reveal that sex crimes are punished more harshly than other crimes, while new legal and administrative regulations drastically restrict who is permitted to have sex. By examining how the ever-intensifying war on sex affects both privileged and marginalized communities, the essays collected here show why sexual liberation is indispensable to social justice and human rights. Contributors. Alexis Agathocleous, Elizabeth Bernstein, J. Wallace Borchert, Mary Anne Case, Owen Daniel-McCarter, Scott De Orio, David M. Halperin, Amber Hollibaugh, Trevor Hoppe, Hans Tao-Ming Huang, Regina Kunzel, Roger N. Lancaster, Judith Levine, Laura Mansnerus, Erica R. Meiners, R. Noll, Melissa Petro, Carol Queen, Penelope Saunders, Sean Strub, Maurice Tomlinson, Gregory Tomso

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Providing new insight into the Wesley family, the fundamental importance of music in the development of Methodism, and the history of art music in Britain, Music and the Wesleys examines more than 150 years of a rich music-making tradition in England. John Wesley and his brother Charles, founders of the Methodist movement, considered music to be a vital part of religion, while Charles's sons Charles and Samuel and grandson Samuel Sebastian were among the most important English composers of their time. This book explores the conflicts faced by the Wesleys but also celebrates their triumphs: John's determination to elevate the singing of his flock; the poetry of Charles's hymns and their musical treatment in both Britain and America; the controversial family concerts by which Charles launched his sons on their careers; the prolific output of Charles the younger; Samuel's range and rugged individuality as a composer; the oracular boldness of Sebastian's religious music and its reception around the English-speaking world. Exploring British concert life, sacred music forms, and hymnology, the contributors analyze the political, cultural, and social history of the Wesleys' enormous influence on English culture and religious practices. Contributors are Stephen Banfield, Jonathan Barry, Martin V. Clarke, Sally Drage, Peter S. Forsaith, Peter Holman, Peter Horton, Robin A. Leaver, Alyson McLamore, Geoffrey C. Moore, John Nightingale, Philip Olleson, Nicholas Temperley, J. R. Watson, Anne Bagnall Yardley, and Carlton R. Young.

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This is a book of case series on interventional bronchoscopy and pleuroscopy based on decades of clinical experience of the authors. The purpose of this publication is not to provide the principles, theory or evidence of clinical practice of these procedures but to illustrate actual case scenarios. Each case is presented with the history, including clinical, radiological, endoscopic findings and final outcome; and procedural details in the form of video illustration. Learning points of these cases are highlighted either at the end of the case presentation and/or in a separate chapter. Physicians accessing the immense resource of videos will acquire the knowledge and expertise necessary to manage their patients.

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As Angela Y. Davis has proposed, the “path to prison,” which so disproportionately affects communities of color, is most acutely guided by the conditions of daily life. Architecture, then, as fundamental to shaping these conditions of civil existence, must be interrogated for its involvement along this diffuse and mobile path. Paths to Prison: On the Architectures of Carcerality aims to expand the ways the built environment’s relationship to and participation in the carceral state is understood in architecture. The collected essays in this book implicate architecture in the more longstanding and pervasive legacies of racialized coercion in the United States—and follow the premise that to understand how the prison enacts its violence in the present one must shift the epistemological frame elsewhere: to places, discourses, and narratives assumed to be outside of the sphere of incarceration.Paths to Prison: On the Architectures of Carcerality offers not a fixed or inexorable account of how things are but rather a set of starting points and methodologies for reevaluating the architecture of carceral society and for undoing it altogether.With contributions by Adrienne Brown, Stephen Dillon, Jarrett M. Drake, Sable Elyse Smith, James Graham, Leslie Lodwick, Dylan Rodríguez, Anne Spice, Brett Story, Jasmine Syedullah, Mabel O. Wilson, and Wendy L. Wright.

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In the wide realm of Shakespeare worship, the house in Stratford-upon-Avon where William Shakespeare was born in 1564 – known colloquially as the ‘Birthplace’ – remains the chief shrine. It’s not as romantic as Anne Hathaway’s thatched cottage, it’s not where he wrote any of his plays, and there’s nothing inside the house that once belonged to Shakespeare himself. So why, for centuries, have people kept turning up on the doorstep? Richard Schoch answers that question by examining the history of the Birthplace and by exploring how its changing fortunes over four centuries perfectly mirror the changing attitudes toward Shakespeare himself. Based on original research in the archives of the Shakespeare Birthplace Trust in Stratford-upon-Avon and the Folger Shakespeare Library in Washington, DC, and featuring two black and white illustrated plate sections which draw on the wide array of material available at the Folger Shakespeare Library and the Victoria and Albert Museum, this book traces the history of Shakespeare’s birthplace over four centuries. Beginning in the 1560s, when Shakespeare was born there, it ends in the 1890s, when the house was rescued from private purchase and turned into the Shakespeare monument that it remains today.

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How many times have you heard readers argue about which is better, Jane Eyre or Wuthering Heights? The works of Charlotte, Emily, and Anne continue to provoke passionate fandom over a century after their deaths. Brontë enthusiasts, as well as those of us who never made it further than those oft-cited classics, will devour Miranda Pennington's delightful literary memoir.Pennington, today a writer and teacher in New York, was a precocious reader. Her father gave her Jane Eyre at the age of 10, sparking what would become a lifelong devotion and multiple re-readings. She began to delve into the work and lives of the Brontës, finding that the sisters were at times her lifeline, her sounding board, even her closest friends. In this charming, offbeat memoir, Pennington traces the development of the Brontës as women, as sisters, and as writers, as she recounts her own struggles to fit in as a bookish, introverted, bisexual woman. In the Brontës and their characters, Pennington finally finds the heroines she needs, and she becomes obsessed with their wisdom, courage, and fearlessness. Her obsession makes for an entirely absorbing and unique read. A Girl Walks Into a Book is a candid and emotional love affair that braids criticism, biography and literature into a quest that helps us understand the place of literature in our lives; how it affects and inspires us.

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Close analysis of the poem reveals extensive allusion to contemporary social, religious and political events. This is an entirely new and original reading of Pearl, placing the anonymous masterpiece in the context of the Cheshire coterie that flourished at the court of Richard II during the 1390s. The brilliance of its poetic construction has long been acknowledged, but here Pearl is also shown to engage with the social, religious and political events of the late fourteenth century. The poem's defense of infant baptism is seen as countering Lollardcriticism of the sacraments, its retelling of the Parable of the Vineyard as offering scriptural support to the aims of the Statute of Labourers. The poem's dazzling representation of aristocratic magnificence - jewelled crowns, gem-embroidered gowns, livery badges, civic processions, and monumental architecture - studied in this context, relates to the spectacular royal culture of one of England's most ambitious monarchs. The courtly elegy offered consolation after the death of Anne of Bohemia, while its vision of a royal child-bride figured in the intense national debate over the king's prospective marriage to the six-year-old Isabelle of France. Richard II's fall from power brought to an end not simply Cheshire privilege, but also a poetic tradition that produced some of the finest works of English literature, most notably Pearl and Gawain and the Green Knight. Professor JOHN BOWERS teaches at the Department of English at the University of Nevada at Las Vegas.

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Becoming German tells the intriguing story of the largest and earliest mass movement of German-speaking immigrants to America. The so-called Palatine migration of 1709 began in the western part of the Holy Roman Empire, where perhaps as many as thirty thousand people left their homes, lured by rumors that Britain's Queen Anne would give them free passage overseas and land in America. They journeyed down the Rhine and eventually made their way to London, where they settled in refugee camps. The rumors of free passage and land proved false, but, in an attempt to clear the camps, the British government finally agreed to send about three thousand of the immigrants to New York in exchange for several years of labor. After their arrival, the Palatines refused to work as indentured servants and eventually settled in autonomous German communities near the Iroquois of central New York.Becoming German tracks the Palatines' travels from Germany to London to New York City and into the frontier areas of New York. Philip Otterness demonstrates that the Palatines cannot be viewed as a cohesive "German" group until after their arrival in America; indeed, they came from dozens of distinct principalities in the Holy Roman Empire. It was only in refusing to assimilate to British colonial culture—instead maintaining separate German-speaking communities and mixing on friendly terms with Native American neighbors—that the Palatines became German in America.

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A renowned scientist and environmental advocate looks back on a life that has straddled the worlds of science and politics “Compelling. . . . [Ehrlich’s] memoir includes remarkable stories of his research, travels, friends, colleagues, and scientific controversies that still roil today.”—Peter Gleick, Science Acclaimed as a public scientist and as a spokesperson on pressing environmental and equity issues, delivering his message from the classroom to 60 Minutes, Paul R. Ehrlich reflects on his life, including his love affair with his wife, Anne, his scientific research, his public advocacy, and his concern for global issues. Interweaving the range of his experiences—as an airplane pilot, a desegregationist, a proud parent—Ehrlich’s insights are priceless on pressing issues such as biodiversity loss, overpopulation, depletion of resources, and deterioration of the environment. A lifelong advocate for women’s reproductive rights, Ehrlich also helped to debunk scientific bias associating skin color and intelligence and warned some fifty years ago about a possible pandemic and the likely ecological consequences of a nuclear war. This book is a vital contribution to literature focused on the human predicament, including problems of governance and democracy in the twenty-first century, and insight into the ecological and evolutionary science of our day. It is a must-read for anyone interested in understanding global change, our planet’s wonders, and a scientific approach to the present existential threats to civilization.

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As America’s haves and have-nots drift further apart, rising inequality has undermined one of the nation’s proudest social achievements: the Social Security retirement system. Unprecedented changes in longevity, marriage, and the workplace have made the experience of old age increasingly unequal. For educated Americans, the traditional retirement age of 65 now represents late middle age. These lucky ones typically do not face serious impediments to employment or health until their mid-70s or even later. By contrast, many poorly educated earners confront obstacles of early disability, limited job opportunities, and unemployment before they reach age 65.America’s system for managing retirement is badly out of step with these realities. Enacted in the 1930s, Social Security reflects a time when most workers were men who held steady jobs until retirement at 65 and remained married for life. The program promised a dignified old age for rich and poor alike, but today that egalitarian promise is failing. Anne L. Alstott makes the case for a progressive program that would permit all Americans to retire between 62 and 76 but would provide more generous early retirement benefits for workers with low wages or physically demanding jobs. She also proposes a more equitable version of the outdated spousal benefit and a new phased retirement option to permit workers to transition out of the workforce gradually.A New Deal for Old Age offers a pragmatic and principled agenda for renewing America’s most successful and popular social welfare program.

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The concept of opposing forces of good and evil expressed in a broad range of moral qualities--virtues and vices--is one of the most dominant themes in the history of Christian art. The complex interrelationship of these moral traits received considerable study in the medieval period, resulting in a vast and elaborate system of imagery that has been largely neglected by modern scholarship. Rich resources for the study of this important subject are made available by this volume, which publishes the complete holdings of the more than 230 personifications of Virtues and Vices in the Index of Christian Art's text files. Ranging from Abstinence to Wisdom and from Ambition to Wrath, and covering depictions of the Tree of Virtues, the Tree of Vices, and the Conflict of Virtues and Vices, this is the largest and most comprehensive collection of such personifications in existence. The catalogue documents the occurrence of these Virtues and Vices in well over 1,000 works of art produced between the fifth and the fifteenth centuries. The entries include objects in twelve different media and give detailed information on their current location, date, and subject. This extract from the Index of Christian Art's files, the first to be published, is accompanied by six essays devoted to the theme of virtue and vice. They investigate topics such as the didactic function of the bestiaries and the Physiologus, female personifications in the Psychomachia of Prudentius, the Virtues in the Floreffe Bible frontispiece, and good and evil in the architectural sculpture of German sacramentary houses. The contributors are Ron Baxter, Anne-Marie Bouche, Jesse M. Gellrich, S. Georgia Nugent, Colum Hourihane, and Achim Timmerman.

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The wildly unrestrained poems in Splinters Are Children of Wood, Leia Penina Wilson's second collection and winner of the Ernest Sandeen Prize in Poetry, pose an increasingly desperate question about what it means to be a girl, the ways girls are shaped by the world, as well as the role myth plays in this coming of age quest. Wilson, an afakasi Samoan poet, divides the book into three sections, linking the poems in each section by titles. In this way the poems act as a continuous song, an ode, or a lament revivifying a narrative that refuses to adopt a storyline. Samoan myths and Western stories punctuate this volume in a search to reconcile identity and education. The lyrical declaration is at once an admiration of love and self-loathing. She kills herself. Resurrects herself. Kills herself again. She is also killed by the world. Resurrected. Killed again. These poems map displacement, discontent, and an increasing suspicion of the world itself, or the ways people learn the world. Drawing on the work of Bhanu Kapil, Anne Waldman, Alice Notley, and Mei-mei Berssenbrugge, Wilson's poems reveal familiarity and strangeness, invocation and accusation. Both ritual and ruination, the poems return again and again to desire, myth, the sacred, and body

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