Search results for ""Author Anne"

Born into a tenant farming family in North Carolina in 1946, Mary Louise, Mary Ann, Mary Alice, and Mary Catherine were medical miracles. Annie Mae Fultz, a Black-Cherokee woman who lost her ability to hear and speak in childhood, became the mother of America's first surviving set of identical quadruplets. They were instant celebrities. Their White doctor named them after his own family members. He sold the rights to use the sisters for marketing purposes to the highest-bidding formula company. The girls lived in poverty, while Pet Milk's profits from a previously untapped market of Black families skyrocketed. Over half a century later, baby formula is a seventy-billion-dollar industry and Black mothers have the lowest breastfeeding rates in the country. Since slavery, legal, political, and societal factors have routinely denied Black women the ability to choose how to feed their babies. In Skimmed, Andrea Freeman tells the riveting story of the Fultz quadruplets while uncovering how feeding America's youngest citizens is awash in social, legal, and cultural inequalities. This book highlights the making of a modern public health crisis, the four extraordinary girls whose stories encapsulate a nationwide injustice, and how we can fight for a healthier future.

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Born into a tenant farming family in North Carolina in 1946, Mary Louise, Mary Ann, Mary Alice, and Mary Catherine were medical miracles. Annie Mae Fultz, a Black-Cherokee woman who lost her ability to hear and speak in childhood, became the mother of America's first surviving set of identical quadruplets. They were instant celebrities. Their White doctor named them after his own family members. He sold the rights to use the sisters for marketing purposes to the highest-bidding formula company. The girls lived in poverty, while Pet Milk's profits from a previously untapped market of Black families skyrocketed. Over half a century later, baby formula is a seventy-billion-dollar industry and Black mothers have the lowest breastfeeding rates in the country. Since slavery, legal, political, and societal factors have routinely denied Black women the ability to choose how to feed their babies. In Skimmed, Andrea Freeman tells the riveting story of the Fultz quadruplets while uncovering how feeding America's youngest citizens is awash in social, legal, and cultural inequalities. This book highlights the making of a modern public health crisis, the four extraordinary girls whose stories encapsulate a nationwide injustice, and how we can fight for a healthier future.

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Marriage has been a contested term in African American studies. Contributors to this special issue address the subject of “black marriage,” broadly conceived and imaginatively considered from different vantage points. Historically, some scholars have maintained that the systematic enslavement of Africans completely undermined and effectively destroyed the institutions of heteropatriarchal marriage and family, while others have insisted that slaves found creative ways to be together, love each other, and build enduring conjugal relationships and family networks in spite of forced separations, legal prohibitions against marriage, and other hardships of the plantation system. Still others have pointed out that not all African Americans were slaves and that free black men and women formed stable marriages, fashioned strong nuclear and extended families, and established thriving black communities in antebellum cities in both the North and the South. Against the backdrop of such scholarship, contributors look back to scholarly, legal, and literary treatments of the marriage question and address current concerns, from Beyoncé’s music and marriage to the issues of interracial coupling, marriage equality, and the much-discussed decline in African American marriage rates. Contributors: Ann duCille, Oneka LaBennett, Mignon Moore, Kevin Quashie, Renee Romano, Hortense Spillers, Kendall Thomas, Rebecca Wanzo, Patricia Williams

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Analyses mid-twentieth century British spy thrillers as resistance to political oppression'Espionage and Exile' demonstrates that from the 1930s through the Cold War British writers Eric Ambler, Helen MacInnes, John le Carre, Pamela Frankau and filmmaker Leslie Howard combine propaganda and popular entertainment to call for resistance to political oppression. Their spy fictions deploy themes of deception and betrayal to warn audiences of the consequences of Nazi Germany's conquests and later, the fusion of Fascist and Communist oppression. With politically charged suspense and compelling plots and characters, these writers challenge distinctions between villain and victim and exile and belonging by dramatising relationships between stateless refugees, British agents, and most dramatically, between the ethics of espionage and responses to international crisis.Key FeaturesThe first narrative analysis of mid-twentieth century British spy thrillers demonstrating their critiques of political responses to the dangers of Fascism, Nazism, and CommunismCombines research in history and political theory with literary and film analysisAdds interpretive complexity to understanding the political content of modern cultural productionOriginal close readings of the fiction of Eric Ambler, John Le Carre and British women spy thriller writers of World War II and the Cold War, including Helen MacInnes, Ann Bridge, and Pamela Frankau as well as the wartime radio broadcasts and films of Leslie Howard

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Sex Scene suggests that what we have come to understand as the sexual revolution of the late 1960s and early 1970s was actually a media revolution. In lively essays, the contributors examine a range of mass media—film and television, recorded sound, and publishing—that provide evidence of the circulation of sex in the public sphere, from the mainstream to the fringe. They discuss art films such as I am Curious (Yellow), mainstream movies including Midnight Cowboy, sexploitation films such as Mantis in Lace, the emergence of erotic film festivals and of gay pornography, the use of multimedia in sex education, and the sexual innuendo of The Love Boat. Scholars of cultural studies, history, and media studies, the contributors bring shared concerns to their diverse topics. They highlight the increasingly fluid divide between public and private, the rise of consumer and therapeutic cultures, and the relationship between identity politics and individual rights. The provocative surveys and case studies in this nuanced cultural history reframe the "sexual revolution" as the mass sexualization of our mediated world.Contributors. Joseph Lam Duong, Jeffrey Escoffier, Kevin M. Flanagan, Elena Gorfinkel, Raymond J. Haberski Jr., Joan Hawkins, Kevin Heffernan, Eithne Johnson, Arthur Knight, Elana Levine, Christie Milliken, Eric Schaefer, Jeffrey Sconce, Jacob Smith, Leigh Ann Wheeler, Linda Williams

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This volume of eighteen articles offers: Andrew R. Dyck, “The Fragments of Heliodorus Homericus”; Hayden Pelliccia, “Aeschylus, Eumenides 64–88 and the Ex Cathedra Language of Apollo”; G. Zuntz, “Aeschyli Prometheus”; Georgia Ann Machemer, “Medicine, Music, and Magic: The Healing Grace of Pindar’s Fourth Nemean”; Carlo O. Pavese, “On Pindar fr. 169”; Deborah Steiner, “Pindar’s ‘Oggetti Parlanti’”; Heinz-Günther Nesselrath, “Parody and Later Greek Comedy”; Noel Robertson, “Athens’ Festival of the New Wine”; Richard F. Thomas, “Two Problems in Theocritus (Id. 5.49, 22.66)”; Nita Krevans, “Ilia’s Dream: Ennius, Virgil, and the Mythology of Seduction”; Benjamin Victor, “Remarks on the Andria of Terence”; Cynthia Damon, “Comm. Pet. 10”; Harold Gotoff, “Oratory: The Art of Illusion”; Henri J. W. Wijsman, “Ascanius, Gargara and Female Power in Georgics 3.269–270”*; Robert V. Albis, “Aeneid 2.57–59: The Ennian Background”; Mario Geymonat, “Callimachus at the End of Aeneas’ Narration”; Alessandro Barchiesi, “Future Reflexive: Two Modes of Allusion and Ovid’s Heroides”; and Monika Asztalos, “Boethius as a Transmitter of Greek Logic to the Latin West: The Categories.”* By misunderstanding this article was published in an uncorrected form in HSCP, vol. 94 (1992). Any reference should be made to the article as published here.

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A discarded painting in a junk pile, a skeleton in an attic, and the greatest racehorse in American history'I loved this book so much' ANN PATCHETT'Brilliantly varied and with a galloping pace' MAIL ON SUNDAY'A masterpiece' JANE SMILEY'Thrilling' NEW YORK TIMESKentucky, 1850. An enslaved groom named Jarret and a bay foal forge a bond of understanding that will carry the horse to record-setting victories across the South. When the nation erupts in civil war, an itinerant young artist who has made his name on paintings of the racehorse takes up arms for the Union. On a perilous night, he reunites with the stallion and his groom, very far from the glamour of any racetrack. Washington, DC, 2019. Jess, a Smithsonian scientist from Australia, and Theo, a Nigerian-American art historian, find themselves unexpectedly connected through their shared interest in the horse - one studying the stallion's bones for clues to his power and endurance, the other uncovering the lost history of the unsung Black horsemen who were critical to his racing success. Based on the remarkable true story of the record-breaking thoroughbred, Lexington, who became America's greatest stud sire, Horse is an original, gripping, multi-layered reckoning with the legacy of enslavement and racism in America.

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Following the New York Times Bestseller, One Thousand Gifts - a guide to giving thanks and finding joy in all aspects of life - Ann Voskamp returns with this companion One Thousand Gifts Devotional. Let this book be your day-by-day guide to finding real joy and experience grace in the midst of deadlines, debt, drama, and all your daily duties. These sixty reflections, each one like a singular tree, invite you to take wing into a forest of graces. Glimpses of grace that will lead you into your own lifestyle of Christ-focus and communion. Into how your desperate need of Him every moment is wildly met with His extravagant love for you. As practical as profound, this devotional offers real life transformation with intentional space to begin the radical habit of thanking God for your own one thousand gifts. The endless grace of our overflowing God, it's meant to be experienced directly. The most important thing is simply to begin. Pick up a pen and this book - and change your life. Take the dare to fully live! God's just waiting to bless you with the greatest gift of all - more and more of Himself.For extended study into this message, pick up the original One Thousand Gifts book plus the One Thousand Gifts video study and study guide.

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In June 2012, Jasper Johns encountered a photograph of the painter Lucian Freud reproduced in a Christie’s auction catalogue. Inspired not only by the photographic image, but also by the physical qualities of the object itself, Johns took this motif through a succession of cross-medium permutations. He also incorporated into his art the text of a rubber stamp he had made several years ago, to allow him to efficiently decline the myriad requests and invitations that come his way: ‘Regrets/Jasper Johns’. But the stamp’s text also calls to mind the more familiar connotations of regret, such as loss, disappointment, and remorse, invoking an enigmatic sense of melancholy. Published in conjunction with an exhibition of this recent series of paintings, drawings and prints, created over the last year and a half through an intricate combination of techniques, this publication presents each of the sixteen new works in full colour. An essay by Ann Temkin, Chief Curator of Painting and Sculpture, and Christophe Cherix, Chief Curator of Drawings and Prints, MoMA, examine the importance of process and experimentation, the cycle of dead ends and fresh starts, and the incessant interplay of materials, meaning, and representation so characteristic of Johns’s career over the last sixty years.

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The Tyrone Guthrie Centre in Annaghmakerrig celebrates a quarter of a century this year and marks this important milestone with the launch of a beautiful volume, ‘Annaghmakerrig‘. The Centre is an artists’ retreat set amid the lakes and drumlins of County Monaghan. An eclectic and varied list of poets, musicians, actors, directors and visual artists use the space to develop what we see on stages, pages and gallery walls throughout the country. The book is a collection and a collage that captures the essence and history of the centre, as well as the stories of its fascinating and somewhat eccentric families, not to mention the creativity of the five thousand artists who have spent time there since it was opened by Brian Friel in 1981. In the book. Eugene McCabe remembers Tony Guthrie the theatre director, while Joseph Hone provides a touching and powerful childhood memoir. Other contributors include Colm Toibin, John Banville, Gerald Barry, Anne Enright, Joseph O’Connor, Paul Muldoon, Patrick Scott, Alice Maher, Rosita Boland, Tim Robinson and Claire Keegan. The book is edited by SHEILA PRATSCHKE, Director of Annaghmakerrig, with works selected by RUAIRI O CUIV (visual art) and EVELYN CONLON (literature).

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Susan Sontag (1933-2004) spoke of the promiscuity of art and literature--the willingness of great artists and writers to scandalize their spectators through critical frankness, complexity, and beauty. Sontag's life and thought were no less promiscuous. She wrote deeply and engagingly about a range of subjects--theater, sex, politics, novels, torture, and illness--and courted celebrity and controversy both publicly and privately. Throughout her career, she not only earned adulation but also provoked scorn. Her living was the embodiment of scandal. In this collection, Terry Castle, Nancy K. Miller, Wayne Koestenbaum, E. Ann Kaplan, and other leading scholars revisit Sontag's groundbreaking life and work. Against Interpretation, "Notes on Camp," Letter from Hanoi, On Photography, Illness as Metaphor, I, Etcetera, and The Volcano Lover--these works form the center of essays no less passionate and imaginative than Sontag herself. Debating questions raised by the thinker's own images and identities, including her sexuality, these works question Sontag's status as a female intellectual and her parallel interest in ambitious and prophetic fictional women; her ambivalence toward popular culture; and her personal and professional "scandals." Paired with rare photographs and illustrations, this timely anthology expands our understanding of Sontag's images and power.

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This innovative anthology focuses on the enslavement, middle passage, American experience, and return to Africa of a single cultural group, the Yoruba. Moving beyond descriptions of generic African experiences, this anthology will allow students to trace the experiences of one cultural group throughout the cycle of the slave experience in the Americas. The 19 essays, employing a variety of disciplinary perspectives, provide a detailed study of how the Yoruba were integrated into the Atlantic world through the slave trade and slavery, the transformations of Yoruba identities and culture, and the strategies for resistance employed by the Yoruba in the New World.The contributors are Augustine H. Agwuele, Christine Ayorinde, Matt D. Childs, Gibril R. Cole, David Eltis, Toyin Falola, C. Magbaily Fyle, Rosalyn Howard, Robin Law, Babatunde Lawal, Russell Lohse, Paul E. Lovejoy, Beatriz G. Mamigonian, Robin Moore, Ann O'Hear, Luis Nicolau Parés, Michele Reid, João José Reis, Kevin Roberts, and Mariza de Carvalho Soares.Blacks in the Diaspora—Claude A. Clegg III, editorDarlene Clark Hine, David Barry Gaspar, and John McCluskey, founding editors

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Rape, claims Ann J. Cahill, affects not only those women who are raped, but all women who experience their bodies as rapable and adjust their actions and self-images accordingly. Rethinking Rape counters legal and feminist definitions of rape as mere assault and decisively emphasizes the centrality of the body and sexuality in a crime which plays a crucial role in the continuing oppression of women.Rethinking Rape applies current feminist theory to an urgent political and ethical issue. Cahill takes an original approach by reading the subject of rape through the work of such recent continental feminist thinkers as Luce Irigaray, Elizabeth Grosz, Rosi Braidotti, and Judith Butler, who understand the body as fluid and indeterminate, a site for the negotiation of power and resistance. Cahill interprets rape as an embodied, sexually marked experience, a violation of feminine bodily integrity, and a pervasive threat to the integrity and identity of a woman's person.The wrongness of rape, which has always eluded legal interpretation, cannot be defined as theft, battery, or the logical extension of heterosexual sex. It is not limited to a specific event, but encompasses the myriad ways in which rape threatens the prospect of feminine agency. As an explication that fully countenances women's experiences of their own bodies, Rethinking Rape helps point the way toward reparation, resistance, and the evolution of feminine subjectivity.

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Penny Schine Gold provides a bold analysis of key literary and artistic images of women in the Middle Ages and the relationship between these images and the actual experience of women. She argues that the complex interactions between men and women as expressed in both image and experience reflect a common pattern of ambivalence and contradiction. Thus, women are seen as both helpful and harmful, powerful and submissive, and the actuality of women's experience encompasses women in control and controlled, autonomous and dependent. Vividly recreating the rich texture of medieval life, Gold effectively and eloquently goes beyond a simple equation of social context and representation. In the process. she challenges equally simple judgments of historical periods as being either "good" or "bad" for women. "[The Lady and the Virgin] presents its findings in a form that should attract students as well as their instructors. The careful and controlled use of so many different kinds of sources . . . offers us a valuable medieval case study in the inner-relationship between the segments of society and its ethos or value system."—Joel T. Rosenthal, The History Teacher "Something of a tour de force in an interdisciplinary approach to history."—Jo Ann McNamara, Speculum"[A] well-written, extremely well-researched book. . . . The Lady and the Virgin is useful, readable, and well informed."—R. Howard Bloch, Modern Philology

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A fresh consideration of the enduring tradition of the Seven Deadly Sins, showing its continuing post-medieval influence. The tradition of the seven deadly sins played a considerable role in western culture, even after the supposed turning-point of the Protestant Reformation, as the essays collected here demonstrate. The first part of the book addresses such topics as the problem of acedia in Carolingian monasticism; the development of medieval thought on arrogance; the blending of tradition and innovation in Aquinas's conceptualization of the sins; the treatment of sin in the pastoral contexts of the early Middle English Vices and Virtues and a fifteenth-century sermon from England; the political uses of the deadly sins in the court sermons of Jean Gerson; and the continuing usefulnessof the tradition in early modern England. In the second part, the role of the tradition in literature and the arts is considered. Essays look at representations of the sins in French music of the thirteenth to the fifteenth centuries; in Dante's Purgatorio; in a work by Michel Beheim in pre-Reformation Germany; and in a 1533 play by the German Lutheran writer Hans Sachs. New interpretations are offered of Gower's "Tale of Constance" and Bosch's Tabletop of the Seven Deadly Sins. As a whole, the book significantly enhances our understanding of the multiple uses and meanings of the sins tradition, not only in medieval culture but also in the transition from the medievalto the early modern period. RICHARD G. NEWHAUSER is Professor of English and Medieval Studies, Arizona State University, Tempe; SUSAN J. RIDYARD is Professor of History and Director of the Sewanee Medieval Colloquium,The University of the South, Sewanee. Contributors: Richard G. Newhauser, James B. Williams, Kiril Petkov, Cate Gunn, Eileen C. Sweeney, Holly Johnson, Nancy McLoughlin, Anne Walters Robertson, Peter S. Hawkins, CarolJamison, Henry Luttikhuizen, William C. McDonald, Kathleen Crowther.

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The extraordinary growth and development of the cult of St Thomas Becket is investigated here, with a particular focus on its material culture. Thomas Becket - the archbishop of Canterbury cut down in his own cathedral just after Christmas 1170 - stands amongst the most renowned royal ministers, churchmen, and saints of the Middle Ages. He inspired the work of medieval writers and artists, and remains a compelling subject for historians today. Yet many of the political, religious, and cultural repercussions of his murder and subsequent canonisation remain to be explored in detail. This book examines the development of the cult and the impact of the legacy of Saint Thomas within the Plantagenet orbit of the late twelfth and early thirteenth centuries - the "Empire" assembled by King Henry II, defended by his son King Richard the Lionheart, and lost by King John. Traditional textual and archival sources, such as miracle collections, charters, and royal and papal letters, are used in conjunction with the material culture inspired by the cult, toemphasise the wide-ranging impact of the murder and of the cult's emergence in the century following the martyrdom. From the archiepiscopal church at Canterbury, to writers and religious houses across the Plantagenet lands, to thecourts of Henry II, his children, and the bishops of the Angevin world, individuals and communities adapted and responded to one of the most extraordinary religious phenomena of the age. Dr Paul Webster is currently Lecturer in Medieval History and Project Manager of the Exploring the Past adult learners progression pathway at Cardiff University; Dr Marie-Pierre Gelin is a Teaching Fellow in the History Department at University College London. Contributors: Colette Bowie, Elma Brenner, José Manuel Cerda, Anne J. Duggan, Marie-Pierre Gelin, Alyce A. Jordan, Michael Staunton, Paul Webster.

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THE ACCLAIMED TRANSLATION BY ROBIN ROBERTSON (FORWARD PRIZE, MAN BOOKER PRIZE SHORTLIST 2018)Euripides' Medea, the brutally powerful ancient Greek tragedy that reverberates down the centuries, has been brought to fresh and urgent life by one of our best modern poets.Medea has been betrayed. Her husband Jason has left her for a younger woman. He has forgotten all the promises he made and is even prepared to abandon their two sons. But Medea is not a woman to accept such disrespect passively. Strong-willed and fiercely intelligent, she turns her formidable energies to working out the greatest, and most horrifying, revenge possible...Suitable for the general reader as well as for students and performers.'In Robertson's lucid, free-running verse, Medea's power is released into the world, fresh and appalling, in words that seem spoken for the first time' Anne Enright'This version of Medea is vivid, strong, readable and brings triumphantly into modern focus the tragic sensibility of the ancient Greeks' John Banville'Robertson's achievement is to make the dialogue flow without losing the unsettling poetry of the original' Financial Times

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Providing an overview of Japanese media theory from the 1910s to the present, this volume introduces English-language readers to Japan's rich body of theoretical and conceptual work on media for the first time. The essays address a wide range of topics, including the work of foundational Japanese thinkers; Japanese theories of mediation and the philosophy of media; the connections between early Japanese television and consumer culture; and architecture's intersection with communications theory. Tracing the theoretical frameworks and paradigms that stem from Japan's media ecology, the contributors decenter Eurocentric media theory and demonstrate the value of the Japanese context to reassessing the parameters and definition of media theory itself. Taken together, these interdisciplinary essays expand media theory to encompass philosophy, feminist critique, literary theory, marketing discourse, and art; provide a counterbalance to the persisting universalist impulse of media studies; and emphasize the need to consider media theory situationally. Contributors. Yuriko Furuhata, Aaron Gerow, Mark Hansen, Marilyn Ivy, Takeshi Kadobayashi, Keisuke Kitano, Akihiro Kitada, Thomas Looser, Anne McKnight, Ryoko Misono, Akira Mizuta Lippit, Miryam Sas, Fabian Schäfer, Marc Steinberg, Tomiko Yoda, Alexander Zahlten

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Providing an overview of Japanese media theory from the 1910s to the present, this volume introduces English-language readers to Japan's rich body of theoretical and conceptual work on media for the first time. The essays address a wide range of topics, including the work of foundational Japanese thinkers; Japanese theories of mediation and the philosophy of media; the connections between early Japanese television and consumer culture; and architecture's intersection with communications theory. Tracing the theoretical frameworks and paradigms that stem from Japan's media ecology, the contributors decenter Eurocentric media theory and demonstrate the value of the Japanese context to reassessing the parameters and definition of media theory itself. Taken together, these interdisciplinary essays expand media theory to encompass philosophy, feminist critique, literary theory, marketing discourse, and art; provide a counterbalance to the persisting universalist impulse of media studies; and emphasize the need to consider media theory situationally. Contributors. Yuriko Furuhata, Aaron Gerow, Mark Hansen, Marilyn Ivy, Takeshi Kadobayashi, Keisuke Kitano, Akihiro Kitada, Thomas Looser, Anne McKnight, Ryoko Misono, Akira Mizuta Lippit, Miryam Sas, Fabian Schäfer, Marc Steinberg, Tomiko Yoda, Alexander Zahlten

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SHORTLISTED FOR THE BLOODY SCOTLAND SCOTTISH CRIME DEBUT OF THE YEAR 2020In a famous Scottish town, someone is bent on murder – but why?On the night of a wedding celebration, one guest meets a grisly end when he’s killed in a hit-and-run. A card bearing the number ‘5’ has been placed on the victim’s chest. DI Clare Mackay, who recently moved from Glasgow to join the St Andrews force, leads the investigation. The following night another victim is struck down and a number ‘4’ card is at the scene. Clare and her team realise they’re against the clock to find a killer stalking the streets of the picturesque Scottish town and bent on carrying out three more murders.To prevent further deaths, the police have to uncover the link between the victims. But those involved have a lot more at stake than first meets the eye. If Clare wants to solve the case she must face her own past and discover the deepest secrets of the victims – and the killer.Don’t miss the page-turning first novel in a gripping series featuring DI Clare Mackay, perfect for fans of Alex Gray, D. S. Butler and Rachel Amphlett.Praise for See Them Run ‘One of Scotland's top up-and-coming crime writers’ The Scottish Sun‘All the ingredients of a cracking crime novel : a strong female lead with a dark backstory, a vivid sense of place, a rising body count and a twist you don’t see coming ... A welcome addition to the Tartan Noir genre’ Claire Macleary, author of Cross Purpose‘An original concept in police procedurals, See Them Run is suspense loaded from start to finish – and author Marion Todd couldn’t have delighted us more.’ I AM IN PRINT magazine‘Marion Todd’s welcome addition to the genre feels like a breath of fresh, tartan noir air.’ Scottish Field‘If you want a story that is guaranteed to get your adrenaline flowing, your blood pressure rising and will leave you breathless then See Them Run is just the book for you. I can't wait to read of Marion's work in the future. This is a series which is going to run and run and I am sure it will go from strength to strength.’ Reader review ⭐⭐⭐⭐⭐‘Hooked from the outset my attention never wavered until I read the last word of this excellent tale, such is the power of Marion Todd’s writing. If you like a fast-paced, believable crime story with originality and depth you’ll love See Them Run. I recommend it highly.’ Reader review ⭐⭐⭐⭐⭐‘Well written with engaging characters that you are rooting for from the beginning. The story is well paced and makes you want to read on. I read this in just a few days. If you like Ann Cleeves, Angela Marsons etc then this is a great new series for you.’ Reader review ⭐⭐⭐⭐⭐‘As an avid detective series reader this is by far one of the best British debuts I’ve read. Beautifully written, understated & down to earth. Characters and plot are superb. Would highly recommend to all.’ Reader review ⭐⭐⭐⭐⭐

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No one wants to be treated like an object, regarded as an item of property, or put up for sale. Yet many people frame personal autonomy in terms of self-ownership, representing themselves as property owners with the right to do as they wish with their bodies. Others do not use the language of property, but are similarly insistent on the rights of free individuals to decide for themselves whether to engage in commercial transactions for sex, reproduction, or organ sales. Drawing on analyses of rape, surrogacy, and markets in human organs, Our Bodies, Whose Property? challenges notions of freedom based on ownership of our bodies and argues against the normalization of markets in bodily services and parts. Anne Phillips explores the risks associated with metaphors of property and the reasons why the commodification of the body remains problematic. What, she asks, is wrong with thinking of oneself as the owner of one's body? What is wrong with making our bodies available for rent or sale? What, if anything, is the difference between markets in sex, reproduction, or human body parts, and the other markets we commonly applaud? Phillips contends that body markets occupy the outer edges of a continuum that is, in some way, a feature of all labor markets. But she also emphasizes that we all have bodies, and considers the implications of this otherwise banal fact for equality. Bodies remind us of shared vulnerability, alerting us to the common experience of living as embodied beings in the same world. Examining the complex issue of body exceptionalism, Our Bodies, Whose Property? demonstrates that treating the body as property makes human equality harder to comprehend.

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“Anne’s contribution to our understanding of the needs of young people with cancer has been unparalleled and without her extraordinary insights our services would be that much poorer.” From the foreword by Simon Davies , CEO Teenage Cancer Trust This topical and timely text provides valuable insights into the choices and experiences of palliative and end of life care for young people with cancer and other life limiting illnesses. With a focus on palliative care provision across a range of different clinical settings, this comprehensive new resource explores care in the home, the hospice and hospital. It looks at how and where families and young people can access palliative care, and what support is offered to attain their preferred place of death. Bereavement support for families is discussed, as well as a discussion of multidisciplinary work, interagency co-operation and resource issues. This title is essential reading for community children’s nurses, specialist palliative care teams, children’s hospices, school nurses, social workers and student nurses as well as families. A comprehensive resource on end of palliative are provision for children and young adults with cancer and other life limiting illnesses Timely and topical, tying in with the Department of Health palliative care strategy ‘Better Care: Better Lives’ Written in an accessible style that does not assume either detailed medical or theoretical knowledge Explores palliative care provision in a range of different clinical settings including the home, hospice, and hospital Provides valuable insights into the experiences of parents, children and young people

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The book first discusses auditory processing disorders are, specifically how auditory processing problems can affect children with autism spectrum disorders, and appropriate evidence-based treatments. The authors highlight the challenges associated with making a dual diagnosis, and discuss specific anatomical differences in the central auditory pathway and brain. Also highlighted is the need for improved research on intervention programs and the important service needs for families and children with autism spectrum disorders. A study is presented wherein pediatric volition among children with autism spectrum disorders participating in the Holland Bloorview (HB) FIRST® robotics program is measured. A review is carried out in order to describe the main neurotransmitters in autism spectrum condition patients. Among the studied neurotransmitters, increased serotonin and glutamate as well as decreased levels of gamma-aminobutyric acid N-Acetylaspartate and oxytocin appear to have the most empirical evidence. The authors assess the relationship between autism spectrum disorder symptomatology, theory of mind, and other individual factor on children's responses through a study attempting to determine the factors that contribute to the complexity of the emotion of embarrassment. The closing study addresses that with respect to dietary issues, awareness of the eating habits and feeding problems experienced by autism spectrum disorder children needs to be emphasized among parents and guardians.

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Introducing The Famous Five to younger readers with this NEWLY-CREATED story for children aged 5 and up!When the Five go to the village show, they find themselves in the heart of a storm! Can they help find the prize that has mysteriously disappeared?Set in the world of Enid Blyton's best-loved series, this newly created story follows Julian, Dick, Anne, George and Timmy the dog on a special new adventure. The story is broken down into short chapters with vibrant, full-colour illustrations on every page - perfect for shared reading or for newly confident readers to enjoy independently.Also look out for: The Birthday Adventure, Five to the Rescue!, Five and the Runaway Dog, Message in a Bottle, Timmy and the Treasure and The Mysterious Noise, illustrated by Becka Moor.Enid Blyton's eight original short stories about the Famous Five are also available as early readers illustrated by Jamie Littler. Collect them all!A Lazy AfternoonGeorge's Hair Is Too LongWell Done, Famous FiveFive and a Half-Term AdventureWhen Timmy Chased the CatFive Have a Puzzling TimeGood Old TimmyHappy Christmas, Five!***The Famous Five®, Enid Blyton® and Enid Blyton's signature are registered trade marks of Hodder & Stoughton Limited. No trade mark or copyrighted material may be reproduced without the express written permission of the trade mark and copyright owner.

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The local ladies all deem Mr John a wizard, so when Agatha finds a few grey hairs on her head - and the rinse she tries at home turns her hair purple - she makes a beeline for the handsome Evesham hairdresser. And as well as sorting out her hair it soon becomes clear the charming man also has designs on her heart - but their future together is cut short when Mr John is fatally poisoned in his salon. Once again Agatha finds herself embroiled in a murder case. Was it one of Mr John's many customers, all of whom divulged to him their darkest secrets? Praise for the Agatha Raisin series: 'M. C. Beaton's imperfect heroine is an absolute gem.' Publishers Weekly 'The detective novels of M. C. Beaton, a master of outrageous black comedy, have reached cult status.' The Times 'Being a cranky, middle-aged female myself, I found Agatha charming!' Amazon customer review 'Agatha Raisin is sharp, witty, hugely intelligent, unfailingly entertaining, delightfully intolerant and oh so magnificently non PC. M C Beaton has created a new national treasure...the stories zing along and are irresistible, unputdownable, a joy. If you buy one book a year, let it be this. Agatha Raisin is The Strongest Link.' Anne Robinson

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Teenage Wasteland provides memorable portraits of "rock and roll kids" and shrewd analyses of their interests in heavy metal music and Satanism. A powerful indictment of the often manipulative media coverage of youth crises and so-called alternative programs designed to help "troubled" teens, Teenage Wasteland draws new conclusions and presents solid reasons to admire the resilience of suburbia's dead end kids. "A powerful book."--Samuel G. Freedman, New York Times Book Review "[Gaines] sheds light on a poorly understood world and raises compelling questions about what society might do to help this alienated group of young people."--Ann Grimes, Washington Post Book World "There is no comparable study of teenage suburban culture ...and very few ethnographic inquiries written with anything like Gaines's native gusto or her luminous eye for detail."--Andrew Ross, Transition "An outstanding case study...Gaines shows how teens engage in cultural production and how such social agency is affected by economic transformations and institutional interventions."--Richard Lachman, Contemporary Sociology "The best book on contemporary youth culture."--Rolling Stone

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AN UNFINISHED MURDER is the sixth Cotswold village crime novel in Ann Granger's Campbell and Carter series. Sure to appeal to fans of Midsomer Murders and M. C. Beaton's Agatha Raisin mysteries.Mitchell and Markby come out of retirement to crack a cold case...As young children, Josh Browning and his sister, Dilys, stumbled across a dead body while playing on the outskirts of their Cotswold village. Terrified by what they'd seen, neither of them told a soul. Now, twenty years later, Josh finds the dead woman's charm bracelet among his sister's possessions.Who better to tell than his trusted friend, the man he gardens for, retired Superintendent Alan Markby? As Markby listens to Josh's confession, alarm bells start to ring. The dates and details tie in with a missing person case that was never solved.Joining forces with Superintendent Ian Carter, who also investigated the original case, and Inspector Jess Campbell, from the region where the missing girl was last seen, Markby delves into the unsolved mystery. Together, they are determined to catch a clever killer who almost got away with murder...

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The Gothic tale has been with us for over two hundred years, but this collection is the first to illustrate the continuing strength of this special fictional tradition from its origins in the late eighteenth century. Gothic fiction is generally identified from Horace Walpole's Castle of Otranto and the works of Ann Radcliffe, and with heroes and heroines menaced by feudal villains amid crumbling ruins. While the repertoire of claustrophobic settings, gloomy themes, and threatening atmosphere established the Gothic genre, later writers from Poe onwards achieved an ever greater sophistication, and a shift in emphasis from cruelty to decadence. Modern Gothic is distinguished by its imaginative variety of voice, from the chilling depiction of a disordered mind to the sinister suggestion of vampirism. This anthology brings together the work of writers such as Le Fanu, Hawthorne, Hardy, Faulkner, and Borges with their earliest literary forebears, and emphasizes the central role of women writers from Anna Laetitia Aikin to Isabel Allende and Angela Carter. While the Gothic tale shares some characteristics with the ghost story and tales of horror and fantasy, the present volume triumphantly celebrates the distinctive features that define this powerful and unsettling literary form.

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'Clever, cunning, and diabolical in the best possible way. Anyone longing for a good old-fashioned thrill need look no further' Ann PatchettCelebrated, bestselling, elusive...who is Maud Dixon?Florence Darrow wants to be a writer. Correction: Florence Darrow IS going to be a writer. Fired from her first job in publishing, she jumps at the chance to be assistant to the celebrated Maud Dixon, the anonymous bestselling novelist. The arrangement comes with conditions - high secrecy, living in an isolated house in the countryside­. Before long, the two of them are on a research trip to Morocco, to inspire the much-promised second novel. Beach walks, red sunsets and long, whisky-filled evening discussions...win-win, surely? Until Florence wakes up in a hospital, having narrowly survived a car crash.How did it happen - and where is Maud Dixon, who was in the car with her? Florence feels she may have been played, but wait, if Maud is no longer around, maybe Florence can make her mark as a writer after all...'Stylish, sharp, with wicked hairpin turns...pure fun' Maria Semple

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New research throws light on the history of the viol after Purcell, including its revival in the late eighteenth century through Charles Frederick Abel. It is normally thought that the bass viol or viola da gamba dropped out of British musical life in the 1690s, and that Henry Purcell was the last composer to write for it. Peter Holman shows how the gamba changed its role and function in the Restoration period under the influence of foreign music and musicians; how it was played and composed for by the circle of immigrant musicians around Handel; how it was part of the fashion for exotic instruments in themiddle of the century; and how the presence in London of its greatest eighteenth-century exponent, Charles Frederick Abel, sparked off a revival in the 1760s and 70s. Later chapters investigate the gamba's role as an emblem of sensibility among aristocrats, artists and intellectuals, including the Countess of Pembroke, Sir Edward Walpole, Ann Ford, Laurence Sterne, Thomas Gainsborough and Benjamin Franklin, and trace Abel's influence and legacy farinto the nineteenth century. A concluding chapter is concerned with its role in the developing early music movement, culminating with Arnold Dolmetsch's first London concerts with old instruments in 1890. PETER HOLMAN is Professor Emeritus of Historical Musicology at Leeds University, and director of The Parley of Instruments, the choir Psalmody, and the Suffolk Villages Festival.

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New research throws light on the history of the viol after Purcell, including its revival in the late eighteenth century through Charles Frederick Abel. It is normally thought that the bass viol or viola da gamba dropped out of British musical life in the 1690s, and that Henry Purcell was the last composer to write for it. Peter Holman shows how the gamba changed its role and function in the Restoration period under the influence of foreign music and musicians; how it was played and composed for by the circle of immigrant musicians around Handel; how it was part of the fashion for exotic instruments in themiddle of the century; and how the presence in London of its greatest eighteenth-century exponent, Charles Frederick Abel, sparked off a revival in the 1760s and 70s. Later chapters investigate the gamba's role as an emblem of sensibility among aristocrats, artists, and intellectuals, including the Countess of Pembroke, Sir Edward Walpole, Ann Ford, Laurence Sterne, Thomas Gainsborough and Benjamin Franklin, and trace Abel's influence and legacy far into the nineteenth century. A concluding chapter is concerned with its role in the developing early music movement, culminating with Arnold Dolmetsch's first London concerts with old instruments in 1890. PETER HOLMAN is Professor of Historical Musicology at Leeds University, and director of The Parley of Instruments, the choir Psalmody, and the Suffolk Villages Festival.

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Imagine Otherwise is an incisive critique of the field of Asian American studies. Recognizing that the rubric "Asian American" elides crucial differences, Kandice Chuh argues for reframing Asian American studies as a study defined not by its subjects and objects, but by its critique. Toward that end, she urges the foregrounding of the constructedness of "Asian American" formations and shows how this understanding of the field provides the basis for continuing to use the term "Asian American" in light of—and in spite of—contemporary critiques about its limitations.Drawing on the insights of poststructuralist theory, postcolonial studies, and investigations of transnationalism, Imagine Otherwise conceives of Asian American literature and U.S. legal discourse as theoretical texts to be examined for the normative claims about race, gender, and sexuality that they put forth. Reading government and legal documents, novels including Carlos Bulosan's America Is in the Heart, John Okada's No-No Boy, Chang-rae Lee's A Gesture Life, Ronyoung Kim's Clay Walls, and Lois Ann Yamanaka's Blu's Hanging, and the short stories "Immigration Blues" by Bienvenido Santos and "High-Heeled Shoes" by Hisaye Yamamoto, Chuh works through Filipino American and Korean American identity formation and Japanese American internment during World War II as she negotiates the complex and sometimes tense differences that constitute 'Asian America' and Asian American studies.

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The romance novel has the strange distinction of being the most popular but least respected of literary genres. While it remains consistently dominant in bookstores and on best-seller lists, it is also widely dismissed by the critical community. Scholars have alleged that romance novels help create subservient readers, who are largely women, by confining heroines to stories that ignore issues other than love and marriage. Pamela Regis argues that such critical studies fail to take into consideration the personal choice of readers, offer any true definition of the romance novel, or discuss the nature and scope of the genre. Presenting the counterclaim that the romance novel does not enslave women but, on the contrary, is about celebrating freedom and joy, Regis offers a definition that provides critics with an expanded vocabulary for discussing a genre that is both classic and contemporary, sexy and entertaining. Taking the stance that the popular romance novel is a work of literature with a brilliant pedigree, Regis asserts that it is also a very old, stable form. She traces the literary history of the romance novel from canonical works such as Richardson's Pamela through Austen's Pride and Prejudice, Brontë's Jane Eyre, and E. M. Hull's The Sheik, and then turns to more contemporary works such as the novels of Georgette Heyer, Mary Stewart, Janet Dailey, Jayne Ann Krentz, and Nora Roberts.

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The long-awaited ninth installment in John Zorn’s essential series of writings by musicians and composers at the forefront of musical innovation, from John Luther Adams to Danny Elfman Initiated in 1997 and now in its ninth installment, John Zorn's Arcana series is a major source of new music theory and practice in the 21st century. To date, close to 300 musicians spanning three generations have contributed, addressing the inner workings of composing, improvising, teaching, living, touring and thinking about music via essays, manifestoes, interviews, notebook entries, critical papers and more. Arcana illuminates via personal vision and experience through the undiluted words and thoughts of the practitioners themselves. This ninth volume is perhaps the most varied and imaginative installment yet, with contributions from classical masters John Luther Adams, Osvaldo Golijov, Ann Cleare and Aaron Jay Kernis, jazz virtuosos Christian McBride, Chris Potter, Tomeka Reid and Joel Ross, soundtrack composers Danny Elfman and Carter Burwell, vocalist Ganavya Doraiswami, recording engineer Ryan Streber and much, much more. Essential for composers, musicians, students and fans alike, this challenging and original collection provides deep insight into the work, mind and methodologies of some of the most remarkable creative minds of our time.

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* THE TOP 10 NEW YORK TIMES BESTSELLER * 'One of the finest contemporary novels I've read ... A moral masterpiece' ANN PATCHETT 'Her writing has a luminous kind of clarity, a grace and scope that fills me with wonder' RACHEL JOYCE 'Damning and dazzling ... The story of a Vietnam we never got in history class' OPRAH DAILY ----------------- You have no idea what it was like. For us. The women, I mean. The wives. 1963. Saigon. Tricia is a shy newlywed, married to a rising attorney working for US Navy intelligence. Charlene is a practiced corporate spouse and mother of three, a beauty and a bully. The two women form a wary alliance as they struggle to balance the pressure to be respectable wives for their ambitious husbands, with their own dubious impulses to “do good” for the people of Vietnam. Sixty years later, Charlene’s daughter, spurred by an encounter with an aging Vietnam veteran, reaches out to Tricia. Together, they look back at their time in Saigon, discovering how their lives as women on the periphery — of politics, of history, of war, of their husbands’ convictions — have been shaped and burdened by the unintended consequences of America’s tragic interference in Southeast Asia. Exploring the disaster of the Vietnam War through the lives built by American wives in 1960s Saigon, this is a virtuosic novel about folly and grace, obligation, sacrifice and the quest for absolution in a broken world.

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Ivy, Dulcie, Barbara, Ann, Dorothy and Jean all had different reasons for applying to work at Carr’s biscuits, but once they had put on their overalls and walked through the factory gates they discovered a community full of life, laughter and friendship. To those who didn’t know, the biscuit factory that towered over Carlisle might look like just another slice of the industrial North, a noisy and chaotic place with workers trooping in and out at all hours. For the biscuit girls it was a place where they worked hard, but also where they gossiped, got into scrapes and made lifelong friends. Outside the factory walls there might be difficult husbands or demanding kids, and sometimes even heartbreak and tragedy, but they knew there would always be an escape from their troubles at Carr's. Some, like Barbara, only applied because she needed the extra cash, until things got a bit easier at home. Her supervisor cross examined her about who would be looking after the kids while she was at work, but let her have the job. Like many of the women who joined up ‘temporary’ Barbara went on to stay at Carrs for 32 years.Beginning in the 1940s, these heartwarming and vividly-remembered stories have all been told by the women themselves to Hunter Davies.

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Agatha Raisin's neighbouring village of Ancombe is usually the epitome of quiet rural charm, but the arrival of a new mineral-water company - which intends to tap into the village spring - sends tempers flaring and divides the parish council into two stubborn camps. When Agatha, who just happens to be handling the PR for the water company, finds the council chairman murdered at the basin of the spring, tongues start wagging. Could one of the council members have polished off the chairman before he could cast the deciding vote? Poor Agatha, still nursing a bruised heart from one of her unsuccessful romantic encounters, must get cracking, investigate the councillors and solve the crime. Praise for the Agatha Raisin series: 'M. C. Beaton's imperfect heroine is an absolute gem.' Publishers Weekly 'The detective novels of M. C. Beaton, a master of outrageous black comedy, have reached cult status.' The Times 'Being a cranky, middle-aged female myself, I found Agatha charming!' Amazon customer review 'Agatha Raisin is sharp, witty, hugely intelligent, unfailingly entertaining, delightfully intolerant and oh so magnificently non PC. M C Beaton has created a new national treasure...the stories zing along and are irresistible, unputdownable, a joy. If you buy one book a year, let it be this. Agatha Raisin is The Strongest Link.' Anne Robinson

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THE SECOND SAGA IN EVIE GRACE'S MAIDS OF KENT TRILOGY. 'One of the most gifted saga writers writing today’ Bookish Jottings ***Will she break free and change her future? Canterbury, 1853 Agnes Berry-Clay might have been born into rags but she is growing up with riches. Given away as a baby by her real mother, she was rescued and raised by her darling Papa and distant Mama. Agnes wants for nothing, except perhaps a little freedom. But as times goes on, her life at Windmarsh Court changes. New arrivals and old resentments push Agnes to the peripheries, and finally the consequences of one fateful day shatter her dreams for the future. Heartbroken and surrounded by the threat of scandal, Agnes is faced with a terrible choice: stay and surrender, or flee and fight to keep her freedom. Praise for Her Mother’s Daughter‘I was completely HOOKED’ Anne Bonny Book Reviews‘Unputdownable … Once I started reading, the world around me didn’t exist’ As the Page Turns Reviews‘I totally and utterly LOVED reading the second episode of the ‘Maids Of Kent’ trilogy and I can’t wait for the concluding instalment’ Ginger Book Geek‘An enthralling and emotional tale that I simply couldn’t bear to put down’ Bookish Jottings‘An enjoyable read’ Shaz’s Book Blog

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EVERY GOLF COURSE around the world has one thing in common – they are all unique. Golf provides a different experience wherever you go. No two courses are ever the same and each has their own captivating story to tell. Blessed with a rich and varied landscape, England has a prolific collection of coastal links and inland courses created by some of golf’s most cherished craftsmen; Sunningdale (Park Jr. & Colt), Walton Heath (Fowler), St Enodoc (Braid), Alwoodley and Moortown (MacKenzie) to name just a few. This guide offers a golfer everything they would require to enjoy a great round of golf at the best courses England has to offer. All the information you need is right here - par scores, yardage, green-fee price indicators, booking procedure, history of each club and how best to play the course. England is where golf’s greatest artists have gifted us moments to treasure for eternity. A young Ballesteros lifting the claret jug at Royal Lytham & St Annes, Bobby Jones storming to victory at Hoylake on his way to the grand slam, and who can ever forget Nicklaus and Jacklin bringing their titanic Ryder Cup battle to a close with a famous handshake at Royal Birkdale. Sharing a border with its spiritual home, England is undoubtedly golf's exquisite front garden.

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When a woman's body is discovered at a lighthouse in the Icelandic town of Akranes, investigators discover shocking secrets in her past. First in the disturbing, chillingly atmospheric, addictive new Forbidden Iceland series. **WINNER of the Storytel Award for Best Crime Novel 2020** **WINNER of the Blackbird Award for Best Icelandic Crime Novel** **SHORTLISTED for the Amazon Publishing Readers Award for Best Independent Voice** **SHORTLISTED for the Amazon Publishing Readers Award for Best Debut Novel** **LONGLISTED for the CWA New Blood Dagger** 'Eva Bjoerg AEgisdottir's accomplished first novel is not only a full-fat mystery, but also a chilling demonstration of how monsters are made' The Times 'Fans of Nordic Noir will love this moving debut from Icelander Eva Bjoerg AEgisdottir's. It's subtle, nuanced, with a sympathetic central character and the possibilities of great stories to come' Ann Cleeves 'An exciting and harrowing tale from one of Iceland's rising stars' Ragnar Jonasson _________________ When a body of a woman is discovered at a lighthouse in the Icelandic town of Akranes, it soon becomes clear that she's no stranger to the area. Chief Investigating Officer Elma, who has returned to Akranes following a failed relationship, and her collegues Saevar and Hoerdur, commence an uneasy investigation, which uncovers a shocking secret in the dead woman's past that continues to reverberate in the present day ... But as Elma and her team make a series of discoveries, they bring to light a host of long-hidden crimes that shake the entire community. Sifting through the rubble of the townspeople's shattered memories, they have to dodge increasingly serious threats, and find justice ... before it's too late. For fans of Yrsa Sigurdardottir, Ruth Rendell, P D James, Sarah Hilary and Camilla Lackberg _________________ 'Elma leaves Reykjavik CID for a job with the police in her hometown of Akranes, deeming it "every bit as quiet as it appeared to be" - until the discovery of a murdered woman starts to unravel a thread of long-buried crimes hidden deep in the community. Elma is a fantastic heroine' Sunday Times 'We're used to Icelandic writers lowering the temperature - in more ways than one - and AEgisdottir proves to be adept at this chilly art as any of her confreres (and consoeurs). Elma is a memorably complex character, and Victoria Cribb's translation is (as usual) non-pareil' Financial Times 'A deserted lighthouse and a murdered woman set the scene for this haunting and compelling mystery where the dark secrets of a small town are shockingly exposed. As chilling and atmospheric as an Icelandic winter' Lisa Gray, author of Thin Air 'The setting in Iceland is fascinating, the descriptions creating a vivid picture of the reality of living in a small town. The Creak on the Stairs is a captivating tale with plenty of tension and a plot to really get your teeth into' LoveReading 'At each stage, AEgisdottir is not giving us information but asking things of us. She's getting us to think through the implications: what if it's him, what if it's her, what would it mean? We're involved, we've got skin in the game and we can't ask for more as readers' Cafe Thinking

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As museums worldwide shuttered in 2020 because of the novel coronavirus, New York-based cultural strategist András Szántó conducted a series of interviews with an international group of museum leaders. In a moment when economic, political, and cultural shifts are signaling the start of a new era, the directors speak candidly about the historical limitations and untapped potential of art museums. Each of the twenty-eight dialogues in this book explores a particular topic of relevance to art institutions today, and tomorrow. What emerges from the series of in-depth conversations is a composite portrait of a generation of museum leaders working to make institutions more open, democratic, inclusive, experimental and experiential, technologically savvy, culturally polyphonic, attuned to the needs of their visitors and communities, and concerned with addressing the defining issues of the societies around them. The dialogues offer glimpses of how museums around the globe are undergoing an accelerated phase of reappraisal and reinvention. CONVERSATION PARTNERS: Marion Ackermann, Cecilia Alemani, Anton Belov, Meriem Berrada, Daniel Birnbaium, Tom Campbell, Tania Cohen, Rhana Devenport, Maria Mercedes Gonzales, Max Hollein, Sandra Jackson-Dumont, Mami Kataoka, Brian Kennedy, Koyo Kouoh, Sonia Lawson, Adam Levine, Victoria Noorthoorn, Hans Ulrich Obrist, Anne Pasternak, Adriano Pedrosa, Suhanya Raffel, Axel Ruger, Katrina Sedwick, Franklin Sirmans, Eugene Tan, Phil Tinari, Marc-Olivier Wahler, Marie-Cécile Zinsou

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Through 15 additional stories on the Hudson River Valley and Catskills, this fascinating and spooky follow-up explores the area's history and folklore. Picking up where the first volume of Hudson Valley History & Mystery left off, readers will learn little-known tales about heroic battles, famous individuals, mysterious creatures, and paranormal happenings. Helpful "Getting There" sections provide detailed directions and coordinates to each site. Featured stories include 1. Hudson River Monsters, Cryptids, and Other Creatures 2. Anne Hutchinson & Split Rock 3. The Battle of White Plains 4. Spook Rock of Sleepy Hollow 5. High Tor 6. “Mad Anthony” & the Battle of Stony Point 7. The Leatherman 8. Doodletown 9. The Lost Silver Mine of the Hudson Highlands 10. Seven Wells 11. Esopus Island 12. Martin Van Buren’s Lindenwald 13. Cohoes Falls 14. Panthers in the Catskills 15. Fawn’s Leap Written by a lifelong resident, the well-researched content in these two volumes provides an ideal guide for exploring a region that is booming in popularity.

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A groundbreaking volume introduces the unique feminist thought of the longstanding Italian group known as Diotima Introducing Anglophone readers to a potent strain of Italian feminism known to French, Spanish, and German audiences but as yet unavailable in English, Another Mother argues that the question of the mother is essential to comprehend the matrix of contemporary culture and society and to pursue feminist political projects. Focusing on Diotima, a community of women philosophers deeply involved in feminist politics since the 1960s, this volume provides a multifaceted panorama of its engagement with currents of thought including structuralism, psychoanalysis, linguistics, and Marxism. Starting from the simple insight that the mother is the one who gives us both life and language, these thinkers develop concepts of the mother and sexual difference in contemporary society that differ in crucial ways from both French and U.S. feminisms. Arguing that Diotima anticipates many of the themes in contemporary philosophical discourses of biopolitics—exemplified by thinkers such as Giorgio Agamben, Antonio Negri, and Roberto Esposito—Another Mother opens an important space for reflections on the past history of feminism and on feminism’s future. Contributors: Anne Emmanuelle Berger, Paris 8 U–Vincennes Saint-Denis; Ida Dominijanni; Luisa Muraro; Diana Sartori, U of Verona; Chiara Zamboni, U of Verona.

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Between 1995 and 2000, the number of music videos airing on MTV dropped by 36 percent. As an alternative to the twenty-four-hour video jukebox the channel had offered during its early years, MTV created an original cycle of scripted reality shows, including Laguna Beach, The Hills, The City, Catfish, and Jersey Shore, which were aimed at predominantly white youth audiences. In Millennials Killed the Video Star Amanda Ann Klein examines the historical, cultural, and industrial factors leading to MTV's shift away from music videos to reality programming in the early 2000s and 2010s. Drawing on interviews with industry workers from programs such as The Real World and Teen Mom, Klein demonstrates how MTV generated a coherent discourse on youth and identity by intentionally leveraging stereotypes about race, ethnicity, gender, and class. Klein explores how this production cycle, which showcased a variety of ways of being in the world, has played a role in identity construction in contemporary youth culture—ultimately shaping the ways in which Millennial audiences of the 2000s thought about, talked about, and embraced a variety of identities.

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This essay collection focuses on the gendered dimensions of reality television in both the United States and Great Britain. Through close readings of a wide range of reality programming, from Finding Sarah and Sister Wives to Ghost Adventures and Deadliest Warrior, the contributors think through questions of femininity and masculinity, as they relate to the intersections of gender, race, class, and sexuality. They connect the genre's combination of real people and surreal experiences, of authenticity and artifice, to the production of identity and norms of citizenship, the commodification of selfhood, and the naturalization of regimes of power. Whether assessing the Kardashian family brand, portrayals of hoarders, or big-family programs such as 19 Kids and Counting, the contributors analyze reality television as a relevant site for the production and performance of gender. In the process, they illuminate the larger neoliberal and postfeminist contexts in which reality TV is produced, promoted, watched, and experienced.Contributors. David Greven, Dana Heller, Su Holmes, Deborah Jermyn, Misha Kavka, Amanda Ann Klein, Susan Lepselter, Diane Negra, Laurie Ouellette, Gareth Palmer, Kirsten Pike, Maria Pramaggiore, Kimberly Springer, Rebecca Stephens, Lindsay Steenberg, Brenda R. Weber

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Foregrounding African women’s ingenuity and labor, this pioneering case study shows how women in rural Mali have used technology to ensure food security through the colonial period, environmental crises, and postcolonial rule. By advocating for an understanding of rural Malian women as engineers, Laura Ann Twagira rejects the persistent image of African women as subjects without technological knowledge or access and instead reveals a hidden history about gender, development, and improvisation. In so doing, she also significantly expands the scope of African science and technology studies. Using the Office du Niger agricultural project as a case study, Twagira argues that women used modest technologies (such as a mortar and pestle or metal pots) and organized female labor to create, maintain, and reengineer a complex and highly adaptive food production system. While women often incorporated labor-saving technologies into their work routines, they did not view their own physical labor as the problem it is so often framed to be in development narratives. Rather, women’s embodied techniques and knowledge were central to their ability to transform a development project centered on export production into an environmental resource that addressed local taste and consumption needs.

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An anthology of essays examining the nature and practice of sexual masochism The contested psychoanalytic concept of masochism has served to open up pathways into less-explored regions of the human mind and behavior. Here, rituals of pain and sexual abusiveness prevail, and sometimes gruesome details of unconscious fantasies are constructed out of psychological pain, desperate need, and sexually excited, self- destructive violence. In this significant addition to the Essential Papers in Psychoanalysis series, Margaret Ann Fitzpatrick Hanly presents an anthology of the most outstanding writings in the psychoanalytic study of masochism. In bringing these essays together, Dr. Fitzpatrick Hanly expertly combines classic and contemporary theories by the most respected scholars in the field to create a varied and integrated volume. This collection features papers by S. Nacht, R. Loewenstein, Victor Smirnoff, Sigmund Freud, Jacques Laplanche, Robert Bak, Leonard Shengold, K. Novick, J. Novick, S. Coen, Margaret Brenman, Esther Menaker, S. Lorand, M. Balint, Bernhard Berliner, Charles Brenner, Helene Deutsch, Annie Reich, Marie Bonaparte, Jessica Benjamin, S.L. Olinick, Arnold Modell, Betty Joseph, and Janine Chasseguet-Smirgel.

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No one has been more influential in the contemporary practice of art history than Erwin Panofsky, yet many of his early seminal papers remain virtually unknown to art historians. As a result, Michael Ann Holly maintains, art historians today do not have access to the full range of methodological considerations and possibilities that Panofsky's thought offers, and they often remain unaware of the significant role art history played in the development of modern humanistic thought. Placing Panofsky's theoretical work first in the context of the major historical paradigms generated by Hegel, Burckhardt, and Dilthey, Holly shows how these paradigms themselves became the grounds for creative controversy among Panofsky's predecessors—Riegl, Wölfflin, Warburg, and Dvorák, among others. She also discusses how Panofsky's struggle with the terms and concepts of neo-Kantianism produced in his work remarkable parallels with the philosophy of Ernst Cassirer. Finally, she evaluates Panofsky's better known and later "iconological" studies by reading them against the earlier essays and by comparing his earlier ideas with the vision that has inspired recent work in the philosophy of history, semiotics, and the philosophy of science.

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