Search results for ""Author Dan"

The first comprehensive account of the Trump administration’s efforts to destroy our government institutions, by the man Ralph Nader says “writes authoritatively and with revealing detail about important topics that few others cover” “Tom McGarity writes authoritatively and with revealing detail about important topics that few others cover.” —Ralph Nader Koch Industries spent $3.1 million in the first three months of the Trump administration, largely to ensure confirmation of Scott Pruitt as head of the EPA. By July 2018, more than sixteen federal inquiries were pending into Pruitt’s mismanagement and corruption. But Pruitt was just the first in a long line of industry-friendly, incompetent, and destructive agency heads put in place by the Trump administration in its effort to dismantle the federal government’s protective edifice. Remember Secretary of the Interior Ryan Zinke, who, before he faced eighteen separate federal inquiries and was fired, made a deal with Halliburton to build a brewery on land that Zinke owned in Montana? Or how about Transportation Secretary Elaine Chao, who rescinded requirements that high-hazard trains install special braking systems, weakened standards for storing natural gas, and lengthened the hours that truck drivers could be on the road without a break, even as she failed for two years to divest her interest in a road materials manufacturer? And then there were Rick Perry, Betsy DeVos, Sonny Perdue, Andrew Puzder . . . the list goes on. In an original and compelling argument, Thomas McGarity shows how adding populists to the Republican’s traditional base of free market ideologues and establishment Republicans allowed Trump to come dangerously close to achieving his goal of demolishing the programs that Congress put in place over the course of many decades to protect consumers, workers, communities, children, and the environment. Finally, McGarity offers a blueprint for rebuilding the protective edifice and restoring the power of the American government to offer all Americans better lives.

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In the eighth decade of the Queendom of Sol, three commodities rule the day. The first is wellstone, a form of programmable matter capable of emulating almost any substance: natural, artificial, even hypothetical. The second is collapsium, a deadly crystal composed of miniature black holes, vital for the transmission of information and matter — including humans — throughout the solar system. The third is the bitter rivalry between Her Majesty's top scientists. Bruno de Towaji, famed lover and statesman, dreams of building an arc de fin, an almost mythical device capable of probing the farthest reaches of spacetime. Marlon Sykes, de Towaji's rival in both love and science, is meanwhile hard at work on a vast telecommunications project whose first step is the construction of a ring of collapsium around the sun. But when a ruthless saboteur attacks the Ring Collapsiter and sends it falling into the sun, the two scientists must put aside personal animosity and combine their prodigious intellects to prevent the destruction of the solar system... and every living thing within it. About The Collapsium: “Ingenious and witty . . . as if Terry Pratchett at his zaniest and Larry Niven at his best had collaborated.”—Booklist "Fresh and imaginative. From a plausible yet startling invention, McCarthy follows the logical lines of sight, building in parallel the technological and societal innovations. 'Our Pick.' I wanted to visit this Queendom and meet these people."—Science Fiction Weekly "The future as McCarthy sees it is a wondrous place. While there are amusing attributes and quirks to McCarthy's characters, the greater pleasures of this novel lie in its hard science extrapolations. McCarthy plays us his technical strengths by providing a useful appendix and glossary for the mathematically inclined reader." —Publishers Weekly "[McCarthy] studs his narrative with far-out scientific concepts that he defends in a series of appendices. He certainly has a sense of humor. [Protagonist] Bruno de Towaji . . . is surely speaking for his creator when he assures another character, 'Imagination really is the only limit.'"—The New York Times About Wil McCarthy: "McCarthy is an entertaining, intelligent, amusing writer, with Heinlein's knack for breakneck plotting and, at the same time, Clarke's thoughtfulness."—Booklist “‘Imagination really is the only limit.’”—The New York Times “The future as McCarthy sees it is a wondrous place.”—Publishers Weekly "A bright light on the SF horizon.”—David Brin “Wil McCarthy demonstrates that he has a sharp intelligence, a galaxy-spanning imagination, and the solid scientific background to make it all work.”—Connie Willis “In nearly every passage, we get another slice of the science of McCarthy’s construction, and a deeper sense of danger and foreboding... McCarthy develops considerable tension.”—San Diego Union-Tribune “An ingenious yarn with challenging ideas, well-handled technical details, and plenty of twists and turns.”—Kirkus

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Survival, the IISS’s bimonthly journal, challenges conventional wisdom and brings fresh, often controversial, perspectives on strategic issues of the moment.In this issue: Alexander K. Bollfrass and Stephen Herzog argue that despite facing major challenges, the global nuclear order remains resilient Maria Shagina assesses Russia’s status as an energy superpower, concluding that it has a bleak future in the long term Erik Jones argues that the war in Ukraine has disrupted the European Central Bank’s ability to operate by consensus Jeffrey E. Kline, James A. Russell and James J. Wirtz contend that the US Navy may struggle to adapt to the pace of technological, social and environmental change Ray Takeyh revisits the Iranian Revolution, finding that Jimmy Carter did not so much ‘lose’ Iran as misunderstand it And five more thought-provoking pieces, as well as our regular Book Reviews and Noteworthy column.Editor: Dr Dana AllinManaging Editor: Jonathan StevensonAssociate Editor: Carolyn WestEditorial Assistant: Charlie Zawadzki

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Thirty years ago five L.A. punks unleashed their debut album upon the atrophied and decadent rock charts of Reagan's America. Within weeks ÊAppetite for DestructionÊ ascended to number one on the U.S. charts; to date ÊAppetiteÊ has sold more than thirty million copies making it the bestselling U.S. debut album of all time. To say that Guns N' Roses redefined rock 'n' roll is akin to asserting that Jimi Hendrix revolutionized surf music ä a statement that while technically true does more to conceal the truth than elucidate it. GN'R turned back the tide of MTV-spawned New Wave/synth pop by infusing the blistering hard rock of Led Zeppelin and Aerosmith with a punk sensibility that hearkened back to the onstage anarchy of the Stooges New York Dolls and Sex Pistols. In ÊGuns N' Roses FAQ: All That's Left to Know About the Bad Boys of Sunset StripÊ Rich Weidman charts the amazing journey of this seminal record and the band behind it. From the gutters of West Hollywood to the Rock and Roll Hall of Fame from ÊAppetiteÊ to ÊThe Spaghetti Incident?Ê these 400 pages of hedonistic nihilism salacious debauchery and raw unadulterated rock are guaranteed to turn your head blow out your eardrums obliterate your comfort zone and leave you begging for more.ÞWritten in Backbeat's popular FAQ format ÊGuns N' Roses FAQÊ breaks the band's story into a series of chapters equally suitable for a straight-through read or piecemeal consumption. Weidman's treasure trove of facts trivia stories and photographs touch on every topic imaginable. Subjects explored include the band's earliest influences and venues most notorious concerts and opening acts highlights from their seemingly endless ÊAppetite for DestructionÊ and ÊUse Your IllusionÊ tours bizarre TV appearances (like the time they destroyed the set of MTV's ÊHeadbangers Ball!Ê) public and private feuds music videos best and worst covers (Pat Boone anyone?) and much more. From the golden years of the late eighties and early nineties to the outrageous antics and self-destructive tendencies that to irreconcilable inner turmoil from the band's West Hollywood club days to the reunion of three of the five classic band members during the 2016 Not in This Lifetime Tour ÊGuns N' Roses FAQÊ paints a portrait replete with sheer talent raw power dangerous rivalries rock excess and sudden reconciliation that's simply unrivaled by anything else on the market.

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Since Freud, the study of dreams has typically involved inquiry into past and present emotional states. The ancients, unfamiliar with the intricate byways of the human soul revealed by modern psychology, typically saw dreams as channels of communication between human beings and external sources. Shaul Bar explores the etymology of key terms for dreams in the Hebrew Bible, presents dozens of examples of biblical dreams and visions, and categorizes them as prophetic, symbolic, or incubation. He studies biblical dreams and visions in the context of similar phenomena in the literature of neighboring cultures and analyzes the functions of dream reports in the biblical corpus. The literature of dream interpretation in Egypt and Mesopotamia informs Bar's treatment of the structure of dream accounts as conforming to the three-part model (setting, message, response) proposed for ancient Near Eastern dream accounts in A. Leo Oppenheim's classic work on dream interpretation. Symbolic dreams, whether or not God is their source, contain no divine appearance and require interpretation to be understood. While oneiro-criticism was a significant profession in ancient Near Eastern cultures, the Hebrew Bible presents only two such experts, Joseph and Daniel. Both were active in royal courts, and the success of both in interpreting the rulers' dreams served to confirm the superiority of the God of Israel. Ambivalence characterizes the attitude toward dreams and visions in prophetic literature. Joel and Job allow that they have some value. But Jeremiah, Zechariah, Isaiah, and Ecclesiates find no religious significance in them and even treat them as tools of deceit. The Talmud presents no consensus about whether dreams are a legitimate form of communication from God. Although a guild of professional interpreters existed in Jerusalem and the Talmud includes a short dream book, many Sages expressed skepticism about such alleged divine messages. Dreams also serve important functions within the literary world of the Hebrew Bible. Bar shows how Jacob's dream at Bethel serves to explain the sanctity of the place and detach it from its Canaanite context, how the dreams in the Joseph cycle show the hand of divine providence in the descent to Egypt followed by the ascent to the Promised Land, how Solomon's dream at Gibeon serves to legitimate Solomon's rule, and how Nebuchadnezzar's dreams served to emphasize once again that it is the Lord who guides universal history.

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This is an anthology to delight both lovers of reggae and lovers of poetry which sings light as a feather, heavy as lead over the bedrock of drum and bass. If in the past Caribbean poetry seemed split between the English literary tradition and the oral performance of dub poetry, Wheel and Come Again brings together work which combines reggae's emotional immediacy, prophetic vision, fire and brimstone protest and sensuous eroticism with all the traditional resources of poetry: verbal inventiveness, richness of metaphor and craft in the handling of patterns of rhythm, sound and poetic structure.Its range is as wide as reggae itself. There are poems celebrating, and sometimes mourning, the lives and art of such creative geniuses as Don Drummond, Count Ossie, Lee 'Scratch' Perry, Bob Marley, Big Youth, Bunny Wailer, Winston Rodney, Patra and Garnett Silk. There are poems of apocalyptic vision, fantasy, humour and storytelling; poems about history, culture, politics, religion, art, human relationships and love; poems which employ standard Caribbean English, poems written in Jamaican nation language and many poems which move easily between the two.From its birth in the ghettos of Kingston, reggae has become an international musical language, and whilst Jamaicans are inevitably well represented in this anthology, Wheel and Come Again reflects reggae's universal appeal with contributors from the USA, Canada, Britain, Guyana and St. Lucia. What all have found in reggae is an art with a rich aesthetic which, like the poetry they aspire to write, speaks to the body, mind and spirit, which compels a state of heightened expectancy with its combination of pattern and surprise: 'Counting out the unspoken pulse/ then wheel and come again'."Wheel and Come Again is no academic treatise - it is an attempt to hold a dancehall session in poetry, to take readers to the heart of reggae and carry them into the compelling seduction of the drum and bass' (26). This bold assertion, made in the introduction of Dawes's latest work, Wheel and Come Again, could have also added the word 'celebration'. And there is a lot to celebrate in this anthology"Geoffrey Philp, The Caribbean Writer.Kwame Dawes is widely acknowledged as the foremost Caribbean poet of the post-Walcott generation. He currently holds the position of Distinguished Poet In Residence and Louise Fry Scudder Professor of Liberal Arts at the University of South Carolina.

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Set in a colonial Caribbean country in the post-war years, Stranger at the Gate has the narrative drive of a Hemingway novel, the ominous sense of fate of classical Greek tragedy, a sensuous appreciation of a landscape, domestic interiors and food that draws on Hearne’s own Jamaica, and an acute, if indulgent, portrayal of the white and light-brown landed and commercial elite. Stranger at the Gate was originally published in 1956 by Faber and Faber, and is part of the Peepal Tree Caribbean Modern Classics series.The stranger is a revolutionary leader escaping from certain death in a Francophone Caribbean state that has suffered a counter-coup aided by the big state to the north. As a leading member of a small communist party in the imagined state of Cuyuna, Roy McKenzie, has the dangerous task of hiding the escaped Etienne and then getting him off the island to be picked up by a passing Polish ship. McKenzie, a lawyer, a light brown man of elite background, radicalised by his wartime experiences, has to acknowledge that his party’s roots among the black working class are very shallow, and that his only hope of helping Etienne is to turn to his friends among the very elite he is supposedly committed to destroy. When he involves his oldest friend, Carl Brandt, and the woman who becomes his lover, in his mission, he sets in train a sequence of events that test the boundaries of the personal and the political in the deepest and most tragic ways.Set in a colonial Caribbean country in the post-war years, Stranger at the Gate has the narrative drive of a Hemingway novel, the ominous sense of fate of classical Greek tragedy, a sensuous appreciation of a landscape, domestic interiors and food that draws on Hearne’s own Jamaica, and an acute, if indulgent, portrayal of the white and light-brown landed and commercial elite.When Hearne’s novel was first published it was heavily criticised by Caribbean radicals for its evasive politics. Reading Stranger at the Gate over 60 years later, those reservations must still apply, but the passing of time allows us to see what a fine handler of character, structurer of narrative and fine writer of prose John Hearne was; and his portrayal of the Caribbean upper-class – at least in its own self-perceptions – is unrivalled, and still pertinent, since this is a class that has scarcely gone away.The cover of Stranger at the Gate features Ralph Campbell's, Gully (oil on canvas, 1951). Courtesy of the University of the West Indies Library, Mona, Jamaica.

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Revives the overlooked stories of pioneering women aviators, who are also featured in the forthcoming documentary film Coming Home: Fight for a Legacy During World War II, all branches of the military had women's auxiliaries. Only the Women Airforce Service Pilots (WASP) program, however, was made up entirely of women who undertook dangerous missions more commonly associated with and desired by men. Within military hierarchies, the World War II pilot was perceived as the most dashing and desirable of servicemen. "Flyboys" were the daring elite of the United States military. More than the WACs (Army), WAVES (Navy), SPARS (Coast Guard), or Women Marines, the WASPs directly challenged these assumptions of male supremacy in wartime culture. WASPs flew the fastest fighter planes and heaviest bombers; they test-piloted experimental models and worked in the development of weapons systems. Yet the WASPs were the only women's auxiliary within the armed services of World War II that was not militarized. In Clipped Wings, Molly Merryman draws upon military documents—many of which weren’t declassified until the 1990s—congressional records, and interviews with the women who served as WASPs during World War II to trace the history of the over one thousand pilots who served their country as the first women to fly military planes. She examines the social pressures that culminated in their disbandment in 1944—even though a wartime need for their services still existed—and documents their struggles and eventual success, in 1977, to gain military status and receive veterans’ benefits. In the preface to this reissued edition, Merryman reflects on the changes in women’s aviation in the past twenty years, as NASA’s new Artemis program promises to land the first female astronaut on the moon and African American and lesbian women are among the newest pilot recruits. Updating the story of the WASPs, Merryman reveals that even in the past few years there have been more battles for them to fight and more national recognition for them to receive. At its heart, the story of the Women Airforce Service Pilots is not about war or planes; it is a story about persistence and extraordinary achievement. These accomplished women pilots did more than break the barriers of flight; they established a model for equality.

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Throughout American history, succeeding in the military has demanded unflagging courage, strength of character, and a patriotic spirit. For an African American man or woman, serving in the military has also meant battling oppression and struggling against deep-seated prejudice. Those who persevered were not only warriors, nurses, or leaders—they were heroes and heroines. In this action-packed collection, you will meet thirty brave and determined African American military heroes, from the eighteenth century up to the present. You'll discover little-known facts about their families and careers, as well as the remarkable odds each of them overcame. Ranging from the Revolutionary War to Vietnam and the Persian Gulf War, these exciting stories show you how: Private Peter Salem, born into slavery, led the charge against the British redcoats at the Battle of Bunker Hill and turned the tide in America's fight for independence. Harriet Tubman, famous for her daring in the Underground Railroad, worked as a spy and nurse for the Union army during the Civil War. Private Henry Johnson, a member of the first black combat battalion in World War I, single-handedly withstood a German ambush and received the Croix de Guerre, France's highest honor for bravery in action. Brigadier General Hazel W. Johnson, chief of the Army Nursing Corps, blazed a trail in the struggle for racial integration in the armed forces during World War II, becoming the military's highest-ranking African American woman. General Colin L. Powell, recipient of the Purple Heart in Vietnam, steadily rose through army ranks to become the first African American chairman of the Joint Chiefs of Staff, overseeing the U.S. invasion of Panama and Operation Desert Storm. This extraordinary collection highlights these and dozens of other absorbing stories of dedicated defenders of America. BLACK STARS Meet the courageous black stars who defended our liberty with uncommon valor—from the early years to modern times: Vernon J. Baker Guion S. Bluford Jr. Sherian Cadoria William H. Carney Austin Dabney Benjamin O. Davis Sr. Benjamin O. Davis Jr. Martin Robison Delany Charity Adams Earley Christian A. Fleetwood Henry O. Flipper Robert O. Goodman Jr. William Goyens Samuel L. Gravely Jr. Lemuel Haynes Michael A. Healy Daniel "Chappie" James Jr. Hazel W. Johnson Henry Johnson Dorie Miller Pinckney Benton Stewart Pinchback Colin L. Powell Peter Salem Deborah Sampson Robert Smalls Harriet Tubman John Bathan Vashon Peter Vogelsang George Washington Williams Charles A. Young

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In this new edition, discover how to achieve commercial-grade recordings, even in the smallest studios, by applying power-user techniques from the world’s most successful producers.Recording Secrets for the Small Studio is based on the backroom strategies of more than 250 famous names. This thorough and down-to-earth guide leads you through a logical sequence of practical tasks to build your live-room skills progressively from the ground up, with user-friendly explanations that introduce technical concepts on a strictly need-to-know basis. On the way, you’ll unravel the mysteries of many specialist studio tactics and gain the confidence to tackle a full range of real-world recording situations.Specifically designed for small-studio enthusiasts, this book provides an intensive training course for those who want a fast track to releasing quality results, while the chapter summaries, assignments, and extensive online resources are perfect for school and college use. Learn the fundamental principles of mic technique that you can apply in any recording scenario – and how to avoid those rookie mistakes that all too often compromise the sonics of lower-budget productions. Explore advanced techniques which help industry insiders maintain their competitive edge even under the most adverse conditions: creative phase manipulation, improvised acoustics tweaks, inventive monitoring workarounds, and subtle psychological tricks. Find out where you don’t need to spend money, as well as how to make a limited budget really count. Make the best use of limited equipment and session time, especially in situations where you’re engineering and producing single-handed. Pick up tricks and tips from celebrated engineers and producers across the stylistic spectrum, including Steve Albini, Neal Avron, Roy Thomas Baker, Joe Barresi, Howard Benson, Tchad Blake, T-Bone Burnett, Geoff Emerick, Brian Eno, Paul Epworth, Shawn Everett, Humberto Gatica, Imogen Heap, Ross Hogarth, Trevor Horn, Rodney Jerkins, Leslie Ann Jones, Eddie Kramer, Jacquire King, Daniel Lanois, Sylvia Massy, Alan Meyerson, Justin Niebank, Gary Paczosa, Tony Platt, Jack Joseph Puig, David Reitzas, Bob Rock, Laura Sisk, Fraser T Smith, Young Guru, and many more. Now extensively expanded and updated, with new sections on contact mics, software instruments, squash mics, and ensemble depth distortion.

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Thirty-four essays that take a serious look at the state of modern cinema Almost half a century ago, Jean-Luc Godard famously remarked, "I await the end of cinema with optimism." Lots of us have been waiting forand wondering aboutthis prophecy ever since. The way films are made and exhibited has changed significantly. Films, some of which are not exactly "films" anymore, can now be projected in a wide variety of wayson screens in revamped high tech theaters, on big, high-resolution TVs, on little screens in minivans and laptops. But with all this new gear, all these new ways of viewing films, are we necessarily getting different, better movies? The thirty-four brief essays in The End of Cinema as We Know It attend a variety of topics, from film censorship and preservation to the changing structure and status of independent cinemafrom the continued importance of celebrity and stardom to the sudden importance of alternative video. While many of the contributors explore in detail the pictures that captured the attention of the nineties film audience, such as Jurassic Park, Eyes Wide Shut, South Park: Bigger, Longer and Uncut, The Wedding Banquet, The Matrix, Independence Day, Gods and Monsters, The Nutty Professor, and Kids, several essays consider works that fall outside the category of film as it is conventionally definedthe home "movie" of Pamela Anderson and Tommy Lee's honeymoon and the amateur video of the LAPD beating of Rodney King. Examining key films and filmmakers, the corporate players and industry trends, film styles and audio-visual technologies, the contributors to this volume spell out the end of cinema in terms of irony, cynicism and exhaustion, religious fundamentalism and fanaticism, and the decline of what we once used to call film culture. Contributors include: Paul Arthur, Wheeler Winston Dixon, Thomas Doherty, Thomas Elsaesser, Krin Gabbard, Henry Giroux, Heather Hendershot, Jan-Christopher Hook, Alexandra Juhasz, Charles Keil, Chuck Klienhans, Jon Lewis, Eric S. Mallin, Laura U. Marks, Kathleen McHugh, Pat Mellencamp, Jerry Mosher, Hamid Naficy, Chon Noriega, Dana Polan, Murray Pomerance, Hillary Radner, Ralph E. Rodriguez, R.L. Rutsky, James Schamus, Christopher Sharrett, David Shumway, Robert Sklar, Murray Smith, Marita Sturken, Imre Szeman, Frank P. Tomasulo, Maureen Turim, Justin Wyatt, and Elizabeth Young.

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How, Barbara Newman asks, did the myth of the separable heart take such a firm hold in the Middle Ages, from lovers exchanging hearts with one another to mystics exchanging hearts with Jesus? What special traits gave both saints and demoniacs their ability to read minds? Why were mothers who died in childbirth buried in unconsecrated ground? Each of these phenomena, as diverse as they are, offers evidence for a distinctive medieval idea of the person in sharp contrast to that of the modern "subject" of "individual." Starting from the premise that the medieval self was more permeable than its modern counterpart, Newman explores the ways in which the self's porous boundaries admitted openness to penetration by divine and demonic spirits and even by other human beings. She takes up the idea of "coinherence," a state familiarly expressed in the amorous and devotional formula "I in you and you in me," to consider the theory and practice of exchanging the self with others in five relational contexts of increasing intimacy. Moving from the outside in, her chapters deal with charismatic teachers and their students, mind-reading saints and their penitents, lovers trading hearts, pregnant mothers who metaphorically and literally carry their children within, and women and men in the throes of demonic obsession. In a provocative conclusion, she sketches some of the far-reaching consequences of this type of personhood by drawing on comparative work in cultural history, literary criticism, anthropology, psychology, and ethics. The Permeable Self offers medievalists new insight into the appeal and dangers of the erotics of pedagogy; the remarkable influence of courtly romance conventions on hagiography and mysticism; and the unexpected ways that pregnancy—often devalued in mothers—could be positively ascribed to men, virgins, and God. The half-forgotten but vital idea of coinherence is of relevance far beyond medieval studies, however, as Newman shows how it reverberates in such puzzling phenomena as telepathy, the experience of heart transplant recipients who develop relationships with their deceased donors, the phenomenon of psychoanalytic transference, even the continuities between ideas of demonic possession and contemporary understandings of obsessive-compulsive disorder. In The Permeable Self Barbara Newman once again confirms her status as one of our most brilliant and thought-provoking interpreters of the Middle Ages.

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The horned dinosaurs, a group of rhinoceros-like creatures that lived 100 to 65 million years ago, included one of the greatest and most popular dinosaurs studied today: Triceratops. Noted for his flamboyant appearance--marked by a striking array of horns over the nose and eyes, a long bony frill at the back of the head, and an assortment of lumps and bumps for attracting females--this herbivore displayed remarkable strength in its ability to fight off Tyrannosaurus rex. It was also among the last dinosaurs to walk the earth. In telling us about Triceratops and its relatives, the Ceratopsia, Peter Dodson here re-creates the sense of adventure enjoyed by so many scientists who have studied them since their discovery in the mid-nineteenth century. From the badlands of the Red Deer River in Alberta to the Gobi Desert, Dodson pieces together fossil evidence to describe the ceratopsians themselves--their anatomy, biology, and geography--and he evokes the human dimension of their discovery and interpretation. An authoritative survey filled with many original illustrations, this book is the first comprehensive presentation of horned dinosaurs for the general reader. Dodson explains first the fascinating ways in which the ceratopsians dealt with their dangerous environment. There follows a lesson on ceratopsian bone structure, which enables the reader quickly to grasp the questions that still puzzle scientists, concerning features such as posture, gait, footprints, and diet. Dodson evenhandedly discusses controversies that continue, for example, over sexual dimorphism and the causes of the dinosaurs' disappearance. Throughout his narrative, we are reminded that dinosaur study is a human enterprise. We meet the scientists who charmed New York high society into financing expeditions to Mongolia, home of Triceratops' predecessors, as well as those who used their poker winnings to sustain paleontology expeditions. Rich in fossil lore and in tales of adventure, the world of the Ceratopsia is presented here for specialists and general readers alike. Originally published in 1998. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Riverdance exploded across the stage at Dublin's Point Theatre one spring evening in 1994 during a seven-minute interval of the Eurovision Song Contest hosted by Ireland. It was a watershed moment in the cultural history of a country embracing the future, a confident leap into world music grounded in the footfall of the choreographed kick-line. It was a moment forty-five years in the making for its composer. In this tenderly unfurled memoir Bill Whelan rehearses a lifetime of unconscious preparation as step by step he revisits his past, from with his Barrington Street home in 1950s Limerick, to the forcing ground of University College Dublin and the Law Library during the 1960s, to his attic studio in Ranelagh. Along the way the reader is introduced to people and places in the immersive world of fellow musicians, artists and producers, friends and collaborators, embracing the spectrum of Irish music as it broke boundaries, entering the global slipstream of the 1980s and 1990s. As art and commerce fused, dramas and contending personalities come to view behind the arras of stage, screen and recording desk. Whelan pays tribute to a parade of those who formed his world. He describes the warmth and sustenance of his Limerick childhood, his parents and Denise Quinn, won through assiduous courtship; the McCourts and Jesuit fathers of his early days, the breakthrough with a tempestuous Richard Harris who summoned him to London; Danny Doyle, Shay Healy, Dickie Rock, Planxty, The Dubliners and Stockton's Wing, Noel Pearson, Sean O Riada; working with Jimmy Webb, Leon Uris, The Corrs, Paul McGuinness, Moya Doherty, John McColgan, Jean Butler and Michael Flatley. Written with wry, inimitable Irish humour and insight, Bill Whelan's self deprecation allows us to to see the players in all their glory, vulnerability and idiosyncracy. This fascinating work reveals the nuts, bolts, sheer effort and serendipities that formed the road to Riverdance in his reinvention of the Irish tradition for a modern age. As the show went on to perform to millions worldwide, Whelan was honoured with a 1997 Grammy Award when Riverdance was named the 'Best Musical Show Album.' Richly detailed and illustrated, The Road to Riverdance forms an enduring repository of memory for all concerned with the performing arts.

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Lonely Planet's annual bestseller returns to mark our 50th anniversary. This special edition sets the travel agenda for the year to come, with an inspirational list of 50 incredible destinations to experience over the forthcoming year. Expect a mix of emerging travel hotspots, underappreciated places and fresh-takes on well-known locations. Inside Lonely Planet's Best in Travel 2024: An expert panel judge and select 5 ranked lists of 10 destinations, covering the themes of: Top 10 Countries, Top 10 Regions, Top 10 Cities, Top 10 Best Value Destinations and Top 10 Sustainable Travel Destinations Voted on by Lonely Planet's writers, staff and community Each destination profile features timely reasons to visit in 2024, expertly curated itineraries and practical advice to have the best travel experience when visiting Featured Top 10 Lists: Top 10 Countries: Mongolia; India; Morocco; Chile; Benin; Mexico; Uzbekistan; Pakistan; Croatia; St Lucia Top 10 Regions: Western Balkans' Trans Dinarica Cycling Route; Kangaroo Island, South Australia; Tuscany, Italy; Donegal, Ireland; País Vasco, Spain; Southern Thailand; Swahili Coast, Tanzania; Montana, USA; Saafelden Leogang, Austria; Far North Scotland Top 10 Cities: Nairobi, Kenya; Paris, France; Montreal, Canada; Mostar, Bosnia; Philadelphia, USA; Manaus, Brazil; Jakarta, Indonesia; Prague, The Czech Republic; Izmir, Turkey; Kansas City, Missouri Top 10 Sustainable Travel Spots: Spain; Patagonia, Argentina & Chile; Greenland; Wales' Trails; The Portuguese Way / Caminho Português de Santiago; Palau; Hokkaido, Japan; Ecuador; Baltic Trails of Estonia, Latvia, Lithuania; Eco-lodges in South Africa Top 10 Best Value Destinations: The Midwest, USA; Poland; Nicaragua; Danube Limes, Romania; Normandy, France; Egypt; Ikaria, Greece; Algeria; Southern Lakes & Central Otago, New Zealand; Night trains, Europe About Lonely Planet: Lonely Planet, a Red Ventures Company, is the world's number one travel guidebook brand. Providing both inspiring and trustworthy information for every kind of traveller since 1973, Lonely Planet reaches hundreds of millions of travellers each year online and in print and helps them unlock amazing experiences. Visit us at lonelyplanet.com and join our community of followers on Facebook (facebook.com/lonelyplanet), Twitter (@lonelyplanet), Instagram (instagram.com/lonelyplanet), and TikTok (@lonelyplanet).'Lonely Planet. It's on everyone's bookshelves; it's in every traveller's hands. It's on mobile phones. It's on the Internet. It's everywhere, and it's telling entire generations of people how to travel the world.' – Fairfax Media (Australia)

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THE SUNDAY TIMES AND NEW YORK TIMES BESTSELLER"Welcome to the family," Nina Winchester says as I shake her elegant, manicured hand. I smile politely, gazing around the marble hallway. Working here is my last chance to start fresh. I can pretend to be whoever I like. But I'll soon learn that the Winchesters' secrets are far more dangerous than my own . . .Every day I clean the Winchesters' beautiful house top to bottom. I collect their daughter from school. And I cook a delicious meal for the whole family before heading up to eat alone in my tiny room on the top floor.I try to ignore how Nina makes a mess just to watch me clean it up. How she tells strange lies about her own daughter. And how her husband Andrew seems more broken every day. But as I look into Andrew's handsome brown eyes, so full of pain, it's hard not to imagine what it would be like to live Nina's life. The walk-in closet, the fancy car, the perfect husband.I only try on one of Nina's pristine white dresses once. Just to see what it's like. But she soon finds out... and by the time I realize my attic bedroom door only locks from the outside, it's far too late.But I reassure myself: the Winchesters don't know who I really am.They don't know what I'm capable of . . .An unbelievably twisty read that will have you glued to the pages late into the night. Anyone who loves The Woman in the Window, The Wife Between Us and The Girl on the Train won't be able to put this down!Read what everyone's saying about The Housemaid:"I got severe whiplash from the twistiest turns... Every time I thought I had it figured out... WRONG!!!... I am still reeling... outstanding... If you love a top notch psychological thriller that will have you questioning your own sanity, then this 5-star read is for you" NetGalley reviewer, FIVE STARS"What a wild ride!!! Freida definitely delivered the best twisty ending... Gripping from start to finish... honestly, I just could not put it down... An absolutely mind-blowing shocker that kept me guessing and on the edge of my seat literally until the very end" Goodreads reviewer, FIVE STARS"So many twists and turns... I was hooked right away - I even read my Kindle while waiting in my kid's school pick-up line so I wouldn't have to put this book down!... addictive... pure perfection!" Goodreads reviewer, FIVE STARS

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THE NEW YORK TIMES AND TIMES BESTSELLER_______________________'A gripping historical adventure that feels sharp, fresh and modern' STYLIST'So beautiful, so daring, so complete' TAYLOR JENKINS REID'A masterpiece' NIGELLA LAWSON'Extraordinary' NEW YORK TIMES'Wonderful' GOOD HOUSEKEEPING MAGAZINE_______________________A soaring, breathtakingly ambitious novel that weaves together the astonishing lives of a 1950s vanished female aviator and the modern-day Hollywood actress who plays her on screen.Marian Graves is driven by a need for freedom and danger. From her days as a wild child in prohibition America to the blitz and glitz of wartime London, she is determined to live an independent life.But it is an obsession with flight that consumes her most.Having become one of the most fearless pilots in her time, she sets out to do what no one has done before: to circumnavigate the globe from pole to pole.But shortly before completing the journey, her plane disappears, lost to history.Over half a century later, troubled film star Hadley Baxter is offered to play Marian in the comeback role of a lifetime. From the first pages of the script, Hadley is drawn inexorably to the female pilot.It is a role that will lead her to an unexpected discovery, throwing fresh and spellbinding light on the story of the unknowable Marian Graves._______________________WATERSTONES FICTION BOOK OF THE MONTH JUNE 2022SHORTLISTED FOR THE WOMEN'S PRIZE FOR FICTION 2022SHORTLISTED FOR THE BOOKER PRIZE 2021A ROYAL READING ROOM PICK 2023SHORTLISTED FOR THE HWA GOLD CROWN 2022TIME MAGAZINE BOOK OF THE YEAR 2021NEW YORK TIMES BESTSELLER MAY 2021TIMES BESTSELLER JUNE 2022_______________________'Full of adventure, passion and tragedy' THE TIMES'Soars from the very first page' SUNDAY EXPRESS'Luminous, masterful. Glides seamlessly through the 20th century' TELEGRAPH, Best Fiction of 2021'Breathtaking' OBSERVER'Truly exceptional storytelling, combining a sweeping arc of history with writing that, at sentence level, is near-flawless.' THE BOOKSELLER'A tour-de-force' DAILY EXPRESS'Impressive and gripping' SUNDAY TIMES'Surprising and moving at every turn' GUARDIAN'Audacious and Immersive' DAILY MAIL'Accomplished and ambitious' FINANCIAL TIMESReaders love GREAT CIRCLE:***** What a read! Immense story with beautifully created characters***** The story is so well researched and planned; historical fiction standing side by side with history itself***** This is a stunning achievement, my perspective feels fundamentally transformed through reading it***** A wonderful saga, covering a large chunk of the twentieth century

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'Its snarky hero is a joy', a Times and Sunday Times Novel of the Year, 2020 'Clever, witty and perceptive . . . Gekoski writes movingly about love, loss and grief, while handling the difficult issue of assisted dying with considerable balance and finesse. Beautifully written, engrossing and heartbreakingly funny' Mail on Sunday'Stylish, funny and daring . . . the clarity and energy of Darke Matter fill you with light' The Times (best summer books)'Harrowing, funny, tender and nearly always beautifully written' Sunday TimesJames Darke is dreading the first family Christmas without his wife Suzy. Engulfed by grief, his grudging preparations are interrupted by a persistent knock at the door. Questions about the circumstances of his wife's death force him to confront the outside world and what really happened to her. Isolated, angry and diminished, James soon faces a crisis both legal and psychological. It will test his resolve and threaten his freedom. Darke Matter is a brilliant, mordant examination of the nature and obligations of love. Both immensely sad and extremely funny, the story wrestles with one of the great moral issues of our time.The surprising sequel to Darke . . . Praise for Darke:'An original and bleakly funny portrait of grief' Economist 'Surprising . . . with a warmth that is genuinely and unexpectedly moving' Guardian 'A wondrous book with two fathers, Kingsley Amis and Dante' Sebastian Barry 'Makes for dark, thrilling reading . . . In James Darke, Gekoski has created a powerful, raging voice' Spectator 'I was beguiled and charmed by the vivid personality being revealed. By that, and by the fact that I couldn't stop reading. Gekoski puts words together with a sure touch and deep craftsmanship' Philip Pullman 'Rick Gekoski's impressive debut novel . . . Darke is both a tender and hard-hitting examination of grief and the slow, singular healing process . . . A brilliantly vivid creation . . . life-affirming and life-shattering' The Herald'Staggeringly accomplished. Heartbreakingly true. A shockingly monumental first novel' John Niven 'Stuffed with more wisdom, bile, wit and tenderness than many writers create in a lifetime. In James Darke we have a hero as troubled and eternal as King Lear . . . And in Rick Gekoski we have a late-flowering genius of a novelist who proves it's never too late to start a glittering career in fiction' The Times 'An immensely enjoyable elegy . . . done with precision and patience' The Scotsman 'Debut delight . . . Just how this

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This remarkable book details the shared experiences of Hans von Mend and his comrade in arms, Adolf Hitler, throughout almost the whole of the First World War. Mend writes of his call-up as a reservist in July 1914 and of joining the 16th Bavarian Reserve Infantry Regiment, more commonly known as List Regiment after its commander Colonel List. It was then that he first met the 25-year-old Hitler. Together, they marched out to the front, and to Flanders, where the regiment was involved in the struggle for Wytschaete, where few men survived unscathed. Hitler was one of those, being promoted to lance-corporal and assigned to the position of regimental runner. Over the course of the following years, the regiment participated in the battles of the Somme and Fromelles in 1916, and Arras and Passchendaele in 1917\. At Fromelles the messengers had to navigate along a particularly dangerous path, which, according to Mend, Hitler passed many times daily and, if he wanted to come through safely, had to more crawl than march. The slightest movement did not elude the English sharp shooters.' Mend states the Hitler's personal courage was acknowledged by those around him'. Mend wrote of Hitler's conversations during quieter periods in the trenches, of how the future Fuhrer spoke of his favourite topics, including art and painting. Mend claims that he listened to him willingly and was amazed how he knew about this field He could explain, like a professor, about German history of art.' But, intriguingly, according to Mend, Hitler's political views, which he was never shy in expounding, made enemies of some of his fellow soldiers. Perhaps inevitably, Hitler was wounded -in his left thigh -and he was decorated with the Iron Cross Second Class, as well as, unusually for a lowly corporal, the Iron Cross First Class. The latter award was for stumbling into a French-held trench while delivering one of his messengers. Reacting quickly, he pointed his rifle at the French soldiers and ordered them to surrender; Hitler delivered twelve prisoners to his commanding officer. Though _I Served With Hitler in the Trenches_ was written in a certain era, it provides much detail about the personal nature and actions of Adolf Hitler. In some ways it is perhaps more insightful than many of the accounts that were to follow when the man who became the German Chancellor was known to the world and a new image of him had been formed.

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The enormous respect and affection of the British public for Betty Boothroyd has its roots in a strong belief in what she stands for: fair play, an unshakeable sense of honour and a passionate belief in the sovereignty of Parliament. Her convictions, she has said, are set in 'Yorkshire granite'. Born into a working class family in Dewsbury in 1929, there was little money, but Betty grew up in a home that radiated love and warmth. Betty was popular and a talented dancer who eventually went on to become one of the celebrated Tiller Girls - the full story of which she tells here for the first time. But by the age of twenty-five, Betty's dreams of taking the West End by storm had crashed - and her father's ambition of seeing her settled with a nice safe job had been abandoned. Undaunted, she won a national speaking award, stood for election to the local council and became a full-time worker for the Labour Party. Nothing would ever part Betty Boothroyd from politics again. In 1953 Betty began work at the House of Commons for Barbara Castle and Geoffrey de Freitas. She speaks candidly about the devastation of losing two by-elections and the time she spent in America campaigning for JFK. Back in Britain, Betty landed a top job with millionaire Labour Minister Lord Harry Walston and the Yorkshire girl became part of the inner circle of the socialist elite, which included Hugh Gaitskell and Roy Jenkins. She describes the elation she felt on becoming an MP at last in 1973, the huge debt she owes her mother for her support, and the full story behind her role in the struggle to save the Labour Party from the hard left. Betty Boothroyd's long political career reached its apogee in 1992 when she was appointed the first woman Speaker of the House of Commons with overwhelming support from both sides of the House. Her term of office coincided with John Major's attempts to defend his slim majority. Detailing many of the true stories behind the headlines, she writes of the sleaze scandals that beset the Major government, her feelings when Labour won their landslide election in 1997 and her strongly held views on the role of Parliament. Finally, she tells why she decided to retire, her plans for the future and - in retrospect - what she feels about her decision to put public service above marriage.

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Dear reader, There is nothing to be found in Lemony Snicket’s ‘A Series of Unfortunate Events’ but misery and despair. You still have time to choose another international best-selling series to read. But if you insist on discovering the unpleasant adventures of the Baudelaire orphans, then proceed with caution… Violet, Klaus, and Sunny Baudelaire are intelligent children. They are charming, and resourceful, and have pleasant facial features. Unfortunately, they are exceptionally unlucky. In The Bad Beginning, the siblings encounter a greedy and repulsive villain, itchy clothing, a disastrous fire, a plot to steal their fortune and cold porridge for breakfast. In the tradition of great storytellers, from Dickens to Dahl, comes an exquisitely dark comedy that is both literary and irreverent, hilarious and deftly crafted. Despite their wretched contents, ‘A Series of Unfortunate Events’ has sold 60 million copies worldwide and been made into a Hollywood film starring Jim Carrey. And in the future things are poised to get much worse, thanks to the forthcoming Netflix series starring Neil Patrick Harris. You have been warned. Are you unlucky enough to own all 13 adventures? The Bad Beginning The Reptile Room The Wide Window The Miserable Mill The Austere Academy The Ersatz Elevator The Vile Village The Hostile Hospital The Carnivorous Carnival The Slippery Slope The Grim Grotto The Penultimate Peril The End And what about All the Wrong Questions? In this four-book series a 13-year-old Lemony chronicles his dangerous and puzzling apprenticeship in a mysterious organisation that nobody knows anything about: ‘Who Could That Be at This Hour?’ ‘When Did you Last See Her?’ ‘Shouldn’t You Be in School?’ ‘Why is This Night Different from All Other Nights?’ Lemony Snicket was born before you were and is likely to die before you as well. He was born in a small town where the inhabitants were suspicious and prone to riot. He grew up near the sea and currently lives beneath it. Until recently, he was living somewhere else. Brett Helquist was born in Ganado, Arizona, grew up in Orem, Utah, and now lives in New York City. He earned a bachelor’s degree in fine arts from Brigham Young University and has been illustrating ever since. His art has appeared in many publications, including Cricket magazine and The New York Times.

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THE ISLES OF SCILLY MYSTERIES #5 'An absolute master of pace, plotting and character' ELLY GRIFFITHSA MISSING CHILD St Martin’s is shrouded in bitterly cold fog when Jade Minear and her twin brother, Ethan, are attacked in a field, late at night. Ethan manages to return home but the shocking events of Jade’s disappearance have rendered him mute.A LONG-HELD GRUDGE On a small island where there are few places a child can hide, DI Ben Kitto must battle the elements to search for Jade. When his investigation reveals that the Minear family have many enemies on the island, Kitto grows increasingly worried that Jade is in danger.A KILLER HIDING IN PLAIN SIGHT . . . Meanwhile, someone on the island knows exactly where the girl is. Someone with a deep-seated hatred of Jade's family. To find the truth, Kitto must investigate the lives of the people he has known all of his life. Because one of them is lying – and it isn’t long until a body is found . . .PRAISE FOR KATE RHODES: ‘Gripping, clever and impossible to put down. I’ve been a Kate Rhodes fan for years and in Ben Kitto she has created a detective who is just as complex and compelling as Kate’s elegant plotting and stunning prose. The claustrophobia and paranoia of the island are so brilliant evoked, I could almost feel the tide encroaching as time ran out to find the killer' ERIN KELLY ‘Absorbing and complex, Hell Bay kept me guessing until the final pages’ RACHEL ABBOTT 'A vividly realised protagonist whose complex and harrowing history rivals the central crime storyline' SOPHIE HANNAH 'Beautifully written and expertly plotted; this is a masterclass' GUARDIAN 'Expertly weaves a sense of place and character into a tense and intriguing story' METRO 'Rhodes does a superb job of balancing a portrayal of a tiny community oppressed by secrets with an uplifting evocation of setting' Jake Kerridge, SUNDAY EXPRESS ‘The whole book tingles with tension. I hope it does for the Scilly Isles what Ann Cleeves did for Shetland' MEL MCGRATH 'I love reading Kate's books in the way I love reading Sophie Hannah – a poet writing crime fiction is a great thing . . . It is at once a locked-room mystery, a story of the returning hero, and an examination of fear and abuse. It has the air of a twenty-first century Agatha Christie' JULIA CROUCH

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When the State of Israel came into existence in 1948, its very legitimacy as a nation was immediately challenged, often by the same people who questioned the rights of the Jewish people to live at peace on their own land. Yet since its independence, Israel has stood out as a nation with a truly democratic form of government surrounded by countries and peoples mostly ruled by tyrants and despots.This has led to wars, border skirmishes and other assaults against Israel. This reached a pinnacle with the steady terrorist assaults against innocent civilians known as suicide bombings. Instead of condemning these attacks, many ignored the inhuman brutality or even worse, glorified the Palestinian Arab perpetrators as martyrs.One of the favored forums for attempts to isolate Israel is at the United Nations. Rather than empathy for the Jewish victims of terrorist attacks, the UN has repeatedly excoriated Israel for its actions toward the Palestinians, ignoring the fact that most of the Palestinian people lived in areas controlled by their own Arab leaders.As a result of the onslaught of the Second Intifada, Israel planned and began the construction of a terrorism prevention security barrier. Built roughly between Israel and the Palestinian territories, Israeli leaders made clear that it was not an attempt to create a border and preempt negotiations, but solely for the purpose of defending and protecting her people.There have been a number of objections from Palestinians, with support from some Israelis, who felt that they were unduly burdened by the barrier. Many of these complaints were lodged with Israel's vibrant and independent court system. Instead of rubber-stamping decisions, courts looked at each situation and in some cases have ordered that the route be changed or altered.In 2004, Israel's detractors at the UN, who refused to even recognize the right or need for Israel to be able to protect its citizens, saw another avenue to demonize the state. Defying its own charter, the UN General Assembly requested of the International Court of Justice at the Hague an advisory opinion about the security fence and its applicability under international law, some calling it an apartheid wall. Few people around the world were even aware that such an important tribunal was looming . Fewer still seemed to understand the potential difficulties it might cause for Israel and other countries desiring to protect their own citizens from terror attacks. One who immediately understood the danger if Israel was not allowed to adequately defend its citizens was Richard D. Heideman. An internationally known attorney, former President of B'nai B'rith International and advocate for the rights of victims of terrorism both in the US, in Israel, in Lebanon and in Europe, he understood how vulnerable innocent civilians would become under such limitations. Heideman filed the only brief on behalf of a non-governmental organization, the Foundation for the Defense of Democracies. He forcefully laid out the case to the ICJ for Israel's right, and obligation, like every nation-state, to provide for the defense of her population. At the same time, he served as lead counsel at hearings held at The Hague, highlighting the victims and their suffering. We follow Heideman's meticulous and passionate defense of Israel's right to defend its people. He complements his arguments with sharp, insightful analysis of the Court's eventual negative and, some would say, inevitable ruling. and is sure to be essential reading for any contemporary discussion of the Arab-Palestinian-Israeli conflict and the questionable ability of the United Nations to have a positive role in achieving a just and secure Israel.

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THE RAZOR’S EDGE OF TYRANNY AND FREEDOM THE EXILED LEADER: He was known as the Butcher of Sargusport. Zander Krycek made a choice that saved his world of Ithaca, but doomed his reputation and banished him to a planet far, far away. THE EVIL EMPIRE: The Orlov Combine intends to swallow Ithaca in the same way they have devoured so many worlds, creating a “company planet” where the residents are little better than slaves. THE DAUGHTER: Adisa Masozi never knew her father, but was taught he was a monster. Now she must reclaim her father’s legacy of leadership. And the place to start is with the mysterious aliens who also inhabit Ithaca. THE NATIVES: The saurians have held themselves aloof from galactic politics for eons in order to regain the strength to exact their revenge on an ancient foe. They have the means to resist the Combine. If they can be convinced to help. THE PRIVATEER: Enter privateer Captain Catherine Blackwood and her ship, the Andromeda. Blackwood and her crew have handled dangerous cargo and dicey situations before. Now, they’ll have to navigate assassination attempts, warring factions, and civil unrest. But Catherine has made a promise, and the freedom of a world hangs in the balance. The Privateer Andromeda series continues! Praise for the prequel, Her Brother's Keeper: “After co-writing Dead Six and Swords of Exodus with Larry Correia, Kupari makes his solo debut with this space opera that is bound to attract fans of Mike Shepherd’s Kris Longknife series or Elizabeth Moon’s Vatta’s War books. An excellent choice for both teen and adult sf readers.” —Library Journal "Mike Kupari is an awesome storyteller."—Larry Correia

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Winner of the 2023 Evelyn Shakir Non-Fiction Book Award from the Arab American National Museum Choice Outstanding Academic Title 2023 Uncovers the surprising history of Muslim life in the early American Midwest The American Midwest is often thought of as uniformly white, and shaped exclusively by Christian values. However, this view of the region as an unvarying landscape fails to consider a significant community at its very heart. Muslims of the Heartland uncovers the long history of Muslims in a part of the country where many readers would not expect to find them. Edward E. Curtis IV, a descendant of Syrian Midwesterners, vividly portrays the intrepid men and women who busted sod on the short-grass prairies of the Dakotas, peddled needles and lace on the streets of Cedar Rapids, and worked in the railroad car factories of Michigan City. This intimate portrait follows the stories of individuals such as farmer Mary Juma, pacifist Kassem Rameden, poet Aliya Hassen, and bookmaker Kamel Osman from the early 1900s through World War I, the Roaring 20s, the Great Depression, and World War II. Its story-driven approach places Syrian Americans at the center of key American institutions like the assembly line, the family farm, the dance hall, and the public school, showing how the first two generations of Midwestern Syrians created a life that was Arab, Muslim, and American, all at the same time. Muslims of the Heartland recreates what the Syrian Muslim Midwest looked, sounded, felt, and smelled like—from the allspice-seasoned lamb and rice shared in mosque basements to the sound of the trains on the Rock Island Line rolling past the dry goods store. It recovers a multicultural history of the American Midwest that cannot be ignored.

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Often called the “most African” part of Brazil, the northeastern state of Bahia has the country’s largest Afro-descendant population and a black culture renowned for its vibrancy. In Mama Africa, Patricia de Santana Pinho examines the meanings of Africa in Bahian constructions of blackness. Combining insights from anthropology, sociology, and cultural studies, Pinho considers how Afro-Bahian cultural groups, known as blocos afro, conceive of Africanness, blackness, and themselves in relation to both. Mama Africa is a translated, updated, and expanded edition of an award-winning book published in Brazil in 2004. Central to the book, and to Bahian constructions of blackness, is what Pinho calls “the myth of Mama Africa,” the idea that Africa exists as a nurturing spirit inside every black person. Pinho explores how Bahian cultural production influences and is influenced by black diasporic cultures and the idealization of Africa—to the extent that Bahia draws African American tourists wanting to learn about their heritage. Analyzing the conceptions of blackness produced by the blocos afro, she describes how Africa is re-inscribed on the body through clothes, hairstyles, and jewelry; once demeaned, blackness is reclaimed as a source of beauty and pride. Turning to the body’s interior, Pinho explains that the myth of Mama Africa implies that black appearances have corresponding black essences. Musical and dance abilities are seen as naturally belonging to black people, and these traits are often believed to be transmitted by blood. Pinho argues that such essentialized ideas of blackness render black culture increasingly vulnerable to exploitation by the state and commercial interests. She contends that the myth of Mama Africa, while informing oppositional black identities, overlaps with a constraining notion of Bahianness promoted by the government and the tourist industry.

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In the early twentieth century, Peruvian intellectuals, unlike their European counterparts, rejected biological categories of race as a basis for discrimination. But this did not eliminate social hierarchies; instead, it redefined racial categories as cultural differences, such as differences in education or manners. In Indigenous Mestizos Marisol de la Cadena traces the history of the notion of race from this turn-of-the-century definition to a hegemony of racism in Peru.De la Cadena’s ethnographically and historically rich study examines how indigenous citizens of the city of Cuzco have been conceived by others as well as how they have viewed themselves and places these conceptions within the struggle for political identity and representation. Demonstrating that the terms Indian and mestizo are complex, ambivalent, and influenced by social, legal, and political changes, she provides close readings of everyday concepts such as marketplace identity, religious ritual, grassroots dance, and popular culture, as well as of such common terms as respect, decency, and education. She shows how Indian has come to mean an indigenous person without economic and educational means—one who is illiterate, impoverished, and rural. Mestizo, on the other hand, has come to refer to an urban, usually literate, and economically successful person claiming indigenous heritage and participating in indigenous cultural practices. De la Cadena argues that this version of de-Indianization—which, rather than assimilation, is a complex political negotiation for a dignified identity—does not cancel the economic and political equalities of racism in Peru, although it has made room for some people to reclaim a decolonized Andean cultural heritage.This highly original synthesis of diverse theoretical arguments brought to bear on a series of case studies will be of interest to scholars of cultural anthropology, postcolonialism, race and ethnicity, gender studies, and history, in addition to Latin Americanists.

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We are just beginning to understand masculinity as a fiction or a localizable, historical, and therefore unstable construct. This book points the way to a much-needed interrogation of the many modes of masculinity, as represented in literature. Both women and men who are engaged in critical thinking about genders and sexualities will find these essays always thoughtful and often provocative. —Thas E. Morgan, Associate Professor of English, Arizona State University Peter Murphy has assembled an innovative, challenging, and important set of contributions to a growing field of inquiry into constructions of masculinities in literature, inspired principally by feminist and gay studies. Illuminatingly crossing lines of genders, sexualities, cultures, and methodologies, Fictions of Masculinity greatly advances our understanding of representations of men, masculinities, misandry, and misogyny in a wide range of literary works and genres, and helps us to imagine (and thereby ultimately bring about) alternative constructions. —Harry Brod, Editor, The Making of Masculinities: The New Men's Studies, A Mensch Among Men: Explorations in Jewish Masculinity, and Theorizing Masculinities. Women writing about women dominates contemporary work on sexuality. Men have been far more willing to discuss female sexuality than male sexuality, while the most radical and insightful analyses of male sexuality have come from women. When men consider the issue of female sexuality they often speak from assumptions of security about their own unexamined sexuality. This book maintains that men have to interrogate their own sexuality if there is to be a revision of phallocentric discourse; and, that this revision of masculinity must be done in dialogue with women. The essays included in this collection examine the deep structure of masculine codes. They ask the question Who are the men in modern literature? Examining the force of the dominant values of Western masculinity, they synthesize insights from feminism, psychoanalysis, post-structuralism, and new historicism. These perspectives help explain how male sexuality has been structured by fictional representations. By examining the images of masculinity in modern literature, the essays explore traditional and non-traditional roles of men in society and in personal relationships. They look at how men are represented in literature, the fiction of manhood. They attempt to unravel the assumptions behind these representations by looking at the implications of this imagination. And they speculate on possibilities for creating a new imaginary of masculinity by identifying what literature has to say about that change. With analyses of a range of genres (novels, poetry, plays and autobiography), Western and Third World literatures, and theoretical perspectives, Fictions of Masculinity provides a significant contribution to this rapidly growing field of study. Contributors are: David Bergman (Towson State University), Miriam Cooke (Duke University), Martin Danahy (Emory University), Richard Dellamora (Trent University, Ontario), Leonard Duroche (University of Minnesota), Jim Elledge (Illinois State University), Alfred Habegger (University of Kansas), Suzanne Kehde (California Polytechnic University, San Luis Obispo), David Leverenz (University of Florida), Christopher Metress (Wake Forest University), Peter F. Murphy (SUNY, Empire State College), Rafael Prez-Torres (University of Pennsylvania), David Radavich (Eastern Illinois University), and Peter Schwenger (St. Vincent University, Nova Scotia).

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THE SEVENTH NOVEL IN THE MULTIMILLION-COPY BESTSELLING ADAM DALGLIESH SERIES FROM THE 'QUEEN OF ENGLISH CRIME' (Guardian) WINNER OF THE CWA SILVER DAGGER'Splendidly suspenseful . . . A triumph and a treat.' Guardian'P. D. James's best novel . . . The plot is detailed and satisfying and the characters are well drawn. I loved it.' 5* reader review'One of the best mysteries I have had the pleasure to read.' 5* reader reviewPERFECT FOR FANS OF VAL MCDERMID, RUTH RENDELL AND ELLY GRIFFITHS__________________________________________________________________________________Trust me, this murder is perfectly simple . . .Two men lie in a welter of blood in the vestry of St Matthew's Church, Paddington. Their throats have been brutally slashed. One is Sir Paul Berowne, a recently-resigned government minister; the other is a homeless man known only as a local alcoholic. Their deaths will be the first case for Commander Dalgliesh's new team, who have been tasked with investigating crimes of particular sensitivity. But as the Berowne family's veneer of prosperous gentility begins to crack and Dalgliesh uncovers more about the dead men, he struggles to keep his customary objectivity. Can he get to the bottom of the ugly and dangerous secrets swirling this case in time to prevent yet another death?__________________________________________________________________________________'Compulsive . . . heart-pounding suspense.' Sunday Times'The story is gripping, the characters beautifully drawn, the atmosphere powerful and the whole makes for a wonderful read.' 5* reader review'It is a masterpiece of the genre of mystery novel . . . Cuts through the decayed class system of the British society via the study of murder.' 5* reader review**Now a major Channel 5 series**__________________________________________________________________________________READERS LOVE THE ADAM DALGLEISH SERIES:'If you are not already an Adam Dalgliesh fan, I urge you to become one . . . James can describe a scene or delineate a character with precision and depth, like no other writer I have read.' 5* reader review'This series is now as thrilling and gripping as Agatha Christie's great mysteries . . . A wonderful treat I must savour.' 5* reader review'P. D. James is guaranteed to be worth reading.' 5* reader review'I would never give less than 5 stars to any P. D. James book. She is one of a kind, always constant, always wonderful writing, always great characters, and always a good mystery that you cannot put down.' 5* reader review'P. D. James writes mysteries for ordinary people. Her characters are relatable and her hero is dynamic. But don't expect cell phones or computers. Her stories are strictly old school, which is what I love about them.' 5* reader review'Crime writing at its very best!' 5* reader reviewPRAISE FOR P. D. JAMES:'A legend.' VAL MCDERMID'Masterful.' MICK HERRON'The greatest contemporary writer of classic crime.' SUNDAY TIMES 'Nobody can put the reader in the eye of the storm quite like P. D. James.' SUNDAY EXPRESS'One of the literary greats. Her sense of place was exquisite, characterisation and plotting unrivalled.' MARI HANNAH'There are very few thriller writers who can compete with P. D. James at her best.' SPECTATOR'Simply a wonderful writer.' NEW YORK TIMES'The queen of English crime.' GUARDIAN

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There is an urgent focus on education around the world, and this book is pushing directly into this territory. It will appeal to a wide range of readers – to anyone who is passionate about art and or education – and will have a strong international appeal as the contributors have international profiles and the book is poised to address global issues concerning contemporary art, education, and independent practice. In this collection of original essays, the writers engage with the work of the artists who took part in Art School. Each contribution provides a lens through which each writer can focus on specific moments within the evolution of Art School, working outwards to explore how these moments resonate with the wider fields of art-in-education and radical pedagogies. These texts respond to a widespread concern with art and its place in education, while retaining a committed and informed engagement with the phenomena they assess. Art School takes place as a series of independent projects, exhibitions, workshop and residency programmes, bringing active contemporary artists into educational systems to inspire and expand their teachings. Responding to a growing desire to rethink art education at all levels, it is for those committed to new forms of social imagination and social engagement in contemporary art. This book is for curators, schoolteachers and other educators, and also for artists and art students who wish to extend their practice beyond the gallery. Less a manifesto or a declaration of doctrine than an emergent set of experiments, Curriculum considers the school as a zone of artistic and curatorial practice, foregrounding the potential of contemporary art (understood in wide terms) to stimulate students’ creativity in original and open ways. Although the book focuses on a specific project in Ireland, that project exemplifies trends in art and education that are happening around the world and includes contributions from an international group of scholars all well-known in their field. Contributors: Clare Butcher, Gerard Byrne, Juan Canela, Helen Carey, Daniela Cascella, Fiona Gannon, Jennie Guy, Andrew Hunt, Hannah Jickling & Helen Reed, Alissa Kleist, Rowan Lear, Peter Maybury, Annemarie Ní Churreáin, Nathan O’Donnell, Sofia Olascoaga and Priscila Fernandes, Matt Packer and Sjoerd Westbroek. Artists: Sven Anderson, John Beattie, Clare Breen, Sarah Browne, Karl Burke, Rhona Byrne, Ella de Búrca, Vanessa Donoso Lopez, Priscila Fernandes, Hannah Fitz, Jane Fogarty, Kevin Gaffney, Adam Gibney, Fiona Hallinan, Elaine Leader, Maria McKinney, Maeve Mulrennan, Mark O’Kelly, Sarah Pierce, Naomi Sex and Orlaith Treacy. Primary interest will be among educators, artists, curators, academics and students, and others working or studying in a variety of settings including school, universities, museums, and other arts organisations. Of interest to these groups in the following ways: Artists: Learning about how other artists are working in sites of education. Curators: Reading about the curatorial mechanisms that support artists maintaining the ethics and integrity of their practice when working with younger audiences in schools. Gallerists: Extending the horizons of audience and public outreach. Museums: Considering new models of education, outreach, exhibition, and off-site events. Schools: Learning about new models of artist residencies and workshops. Students and Parents: Researching the potential of contemporary artists’ impact on education. Educators: Forming a critical perspective of how contemporary arts practice can be integrated in curricula. Local and National Arts Agencies: Learning about how independent curatorial and artistic practice can co-exist within sites of education. This publication was funded by the Arts Council of Ireland and the Arts Office of Wicklow County Council.

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‘will have you gripped from start to finish, so much so that you really don’t want to stop reading!’ (5 stars) Reader review'I was hooked straight in from the first chapter and it really didn't let up. Fast paced and thrilling.’ (5 stars) Reader reviewYou know everything about your husband. Don’t you?He loves you. He loves your children. He’d never put his family in danger.One of these is a lie.It started like any other day at the hairdressers where Sally works as a stylist… until her first client innocently shows her a family photograph; a photograph that causes Sally to collapse in shock. In one moment, Sally discovers that Tom has been hiding an explosive secret – one that could tear apart the life they’ve built together. Faced with an impossible dilemma - search for the truth, or keep her contented life? – Sally is about to discover that even those closest to us have secrets… and that sometimes the truth is the last thing we want to hear.A completely gripping, suspenseful psychological thriller that fans of T.M. Logan, My Lovely Wife and K.L. Slater won't be able to put down.Readers can’t get enough of The Secrets He Kept:‘I read this in one sitting, loved it!! Quickly paced, great story!! Kept me guessing to the very end!!’ (5 stars) Reader review‘I loved, loved this book. It was engaging from the first page and kept me up half the night.’ Reader review‘Every few chapters provide a new twist in this story, all ending with a very satisfying conclusion…I could not recommend this book more!’ (5 stars)‘Wow, this was one gripping read!...A roller coaster of a read that thrills and excites.’ (5 stars) Reader review‘a fast paced and twisty ride that kept me gripped from start to finish…kept me addicted till the very last page.’ Reader review‘A fast paced, twisty domestic thriller…an engrossing read with a likable character and a host of thrilling twists and turns, enjoy!’ Reader review‘I was intrigued by this book from the start… A highly recommended and enjoyable read’ Reader review‘a very compelling thriller…I would definitely recommend this book to those who enjoy psychological thrillers.’ Reader review‘The moment the first jaw-dropping bombshell landed in the first chapter, I was hooked… Clever cliff-hangers...and a twist you couldn't guess even if you tried. A gripping, hard-hitting read’ (5 stars) Reader review‘a splendid thriller that will leave you guessing until the end…I would recommend this book to anyone who loves psychological thrillers.’ (5 stars) Reader review‘What a brilliant fast paced book. I was guessing all the way through.’ (5 stars) Reader review‘Fantastic read! Great plot that grabs you from the very beginning. A masterful story that keeps you endlessly intrigued…HIGHLY RECOMMEND!’ (5 stars) Reader review‘A brilliant roller coaster of a read…full of twists and turns and I was gripped from the very first page’ Reader review‘The characters were well drawn and the story flowed seamlessly. Highly recommended.’ (5 stars) Reader review‘kept me fully engaged from beginning to end…a riveting and twisty tale that will have you racing to get to the bottom of it all.’ Reader review‘The story is full of twists and turns and kept me hooked throughout…will have you flying through the chapters to see how it will all unravel.’ Reader review‘loved all the twists and turns; kept me guessing! I really enjoyed this, read it in one sitting!’ (5 stars) Reader review

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Confidently provide best practices in patient care, with the newly updated Lippincott® Nursing Procedures, 9th Edition. More than 400 entries offer detailed, evidence-based guidance on procedures ranging from the most basic patient care to assisting with intricate surgeries. The alphabetical organization allows you to quickly look up any procedure by name, and benefit from the clear, concise, step-by-step direction of nursing experts. Whether you’re a nursing student, are new to nursing, or are a seasoned practitioner, this is your go-to guide to the latest in expert care and positive outcomes. Ensure a high level of nursing expertise with this practical, quick-reference guide. This edition offers: NEW entries with evidence-based direction on: Ankle-brachial index calculation Biohazardous waste handling Cultural assessment Elastomeric pump use Hazardous drug preparation and handling Hazardous drug spill management Nasal decolonization Opioid withdrawal management Post-traumatic stress disorder assessment Prone positioning for the awake patient Sepsis emergency patient care Wound photography Colored letter tabs at the top of each page that allow quick-and-easy locating of any entry Full-color photos and diagrams that illustrate procedure steps with a quick-read, bulleted format that walks you through each procedure Practices based on clinical evidence—recent studies supporting best practices are cited Colorful, eye-catching special alerts: Nursing Alerts – Potentially dangerous actions or clinically significant findings related to a procedure Pediatric Alerts – Special precautions to take while treating infants, young children, and adolescents Elder Alerts – Elder patient special needs Hospital-Acquired Condition Alerts – Conditions the Centers for Medicare and Medicaid Services have identified as events that may occur during hospitalization Procedures presented in a structured how-to format: Equipment – Types of equipment needed for procedure Preparation of equipment – Guidance on preparing any needed equipment for procedure Implementation – Step-by-step guidance for performing procedure Special considerations – Factors to keep in mind that can affect the procedure Troubleshooting – Methods for troubleshooting equipment issues, with step-by-step interventions Patient teaching – Helpful tips, reminders, and follow-up instructions before patient discharge Complications – Procedure-related complications to watch for Documentation – Everything needed to document the procedure fully

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“Big tech” knows all your secrets and sells them to the highest bidder—this guide for the everyday tech user explains how it happens, why it matters, and how to protect yourself and your most precious commodities, your identity and privacy. THE GUIDE TO USING EVERYDAY TECH—FROM GOOGLE SEARCHES AND AMAZON TO GPS AND FACEBOOK—WITH EYES WIDE OPEN. What if somebody knew everything about you? Your . . . • relationships: work, social, and private • family history, finances, and medical records • even your exact location . . . at any time of the day • personal preferences and purchases Somebody does. That somebody is “Big Tech.” Facebook, Google, Amazon, Apple, and Microsoft know more about you than you do. And they make billions of dollars by cashing in on your private data. Our personal data, which Big Tech companies get for free, is the engine that drives the unregulated, free-for-all, Wild West world called the digital marketplace. These corporate giants may bring us information and entertainment, convenience and connection, but they also do a lot of harm by: • threatening our privacy, discovering and disseminating our personal information. • spreading dangerous misinformation from foreign governments and bad actors. • manipulating our behavior, affecting what we see, buy . . . even who we vote for. So, what can we do about it? This eye-opening book provides vital information that has been out of reach to those who need it most—the millions of Facebook, Google, Amazon, Apple, and Microsoft users who have come to love and depend upon these digital products. Veteran consumer advocate Jane Hoffman makes the complex world of Big Tech simple to grasp as she reveals exactly how Big Tech uses—and abuses—your personal information. And she proposes a bold blueprint for reforming these corporate behemoths—including a data dividend. Your Data, Their Billions is a guidebook to everything at stake in our digital society, from Big Tech’s overreach into our daily lives to its practices that threaten our democracy. Knowledge is power—and it starts here.

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Winner of the Civil War Round Table of New York’s Fletcher Pratt Literary Award Winner of the Austin Civil War Round Table’s Daniel M. & Marilyn W. Laney Book Prize Winner of an Army Historical Foundation Distinguished Writing Award “A superb account” (The Wall Street Journal) of the longest and most decisive military campaign of the Civil War in Vicksburg, Mississippi, which opened the Mississippi River, split the Confederacy, freed tens of thousands of slaves, and made Ulysses S. Grant the most important general of the war.Vicksburg, Mississippi, was the last stronghold of the Confederacy on the Mississippi River. It prevented the Union from using the river for shipping between the Union-controlled Midwest and New Orleans and the Gulf of Mexico. The Union navy tried to take Vicksburg, which sat on a high bluff overlooking the river, but couldn’t do it. It took Grant’s army and Admiral David Porter’s navy to successfully invade Mississippi and lay siege to Vicksburg, forcing the city to surrender. In this “elegant…enlightening…well-researched and well-told” (Publishers Weekly) work, Donald L. Miller tells the full story of this year-long campaign to win the city “with probing intelligence and irresistible passion” (Booklist). He brings to life all the drama, characters, and significance of Vicksburg, a historic moment that rivals any war story in history. In the course of the campaign, tens of thousands of slaves fled to the Union lines, where more than twenty thousand became soldiers, while others seized the plantations they had been forced to work on, destroying the economy of a large part of Mississippi and creating a social revolution. With Vicksburg “Miller has produced a model work that ties together military and social history” (Civil War Times). Vicksburg solidified Grant’s reputation as the Union’s most capable general. Today no general would ever be permitted to fail as often as Grant did, but ultimately he succeeded in what he himself called the most important battle of the war—the one that all but sealed the fate of the Confederacy.

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Years before the Civil War began, another dark conflict threatened to shatter the Union. It was December 1849. The U.S.-Mexican War had just ended, doubling the size of the country. A grave problem emerged: whether slavery should be admitted into the new territories that were to be carved out of the vast new domain resulting from the war. This dilemma strained the relationship between the slave-holding South and the antislavery North. Other issues loomed as well: where to draw the Texas boundary line with the New Mexico territory, how to settle the Texas debt claims, and what to do about the problem of fugitive slaves escaping to the North and the slavetrade in the District of Columbia. The nation was on the brink of secession, dissolution, and civil war. On the Brink of Civil War tells the dramatic story of what happened when a handful of senators-towering figures in nineteenth-century American history-tried to hammer out a compromise to save the Union. The characters in this critical political drama included Henry Clay, seasoned politician and statesman known as the "Great Pacificator," who formulated an agreement in the Senate and would fight to get it through Congress; the gifted orator Daniel Webster, who helped Clay in his efforts by delivering the "Seventh of March" compromise speech on the Senate floor, one of the most memorable speeches in American history; and John C. Calhoun, a fervent defender of slavery and the South who, though nearing death, spoke to the Senate and demanded equal rights for the South in the new Western territories. Four young senators stepped into the fray to play their own unique, important roles: Henry Seward, the Whig from New York who many say controlled President Zachary Taylor and who opposed compromise; Stephen A. Douglas, the dynamic "Little Giant" from Illinois who favored agreement; Salmon P. Chase, the voice of the Free-Soilers and foe of compromise and concessions to the South; and Jefferson Davis, Mexican War hero and second only to Calhoun as the V

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It has become known to many as the moment when the U.S. Supreme Court kicked God out of the public schools, supposedly paving the way for a decline in educational quality and a dramatic rise in delinquency and immorality. The 6-to-1 decision in Engel v. Vitale (1962) not only sparked outrage among a great many religious Americans, it also rallied those who cried out against what they perceived as a dangerously activist Court. Bruce Dierenfield has written a concise and readable guide to the first - and still most important - case that addressed the constitutionality of prayer in public schools. The 22-word recitation in a Long Island school that was challenged in Engel v. Vitale was hardly denominational - not even overtly Christian - but a handful of parents saw it as a violation of the First Amendment's proscription again the establishment of religion. The case forced the Supreme Court to take a stand on Jefferson's ""wall of separation"" between church and state. When it did so, the Court declared that by endorsing the prayer recitation - no matter how brief, nondenominational, or voluntary - the Long Island school board had unconstitutionally approved the establishment of religion in school. Writing with impeccable fairness and sensitivity, Dierenfield sets his account of the Engel decision in the larger historical and political context, citing battles over a wide range of religious activities in public schools throughout American history. He takes readers behind the scenes at school board meetings and Court deliberations to show real people wrestling with deeply personal issues. Through interviews with many of the participants, he also reveals the large price paid by the plaintiffs and their children, who were frequently harassed both during and after the trial. For a long time, opponents of the decision have loudly claimed that it was based on a distorted reading of the First Amendment and deprived Americans of their right to practice religion. Dierenfield shows that the polarizing effect of Engel - a decision every bit as controversial as Roe v. Wade - has reverberated through the subsequent decades and gained intensity with the rise of the religious right. His book helps readers understand why, even in the face of this landmark decision, Americans remain divided on how divided church and state should be.

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Deep in the redwoods, in a magical town, anything can happen, and any creature—or monster—could exist. But when a team of myth-busters comes to Aldermere, they threaten its very existence—and eleven-year-old Fin will do anything to protect her home. For fans of Nevermoor and Amari and the Night Brothers, Emily Lloyd-Jones’s sequel to the acclaimed Unseen Magic is a story of trusting yourself and finding the friends who believe in you, no matter what.Aldermere is a town with its own set of rules: there’s a tea shop that vanishes if you try to force your way in, crows that must be fed or they’ll go through your trash, and a bridge that has a toll that no one knows the cost of. Some say that there may even be bigfoots wandering through the woods.It’s been six months since Fin saved Aldermere from someone intent on exploiting its magic. With spring break just around the corner, Fin’s plans are to relax, try to train her new raven friend, and read some of the mystery books she loves. But her plans are derailed when Fin and her friends find a baby bigfoot who’s been separated from her pack.Then a film crew shows up, intending to add Aldermere to their web show debunking strange and magical legends. Fin can’t let the film crew put the bigfoot—and Aldermere—at risk. Now, Fin, Eddie, and Cedar must keep the bigfoot hidden and find a way to track down her family. But Cedar’s been hiding a secret of her own; one that may complicate everything.As monsters, friends, and enemies collide, Fin, Eddie, and Cedar have to trust one another with secrets both good and bad if they’re going to save the town they all love.Emily Lloyd-Jones crafts a novel infused with magic that is sometimes wonderful and charming—and sometimes dangerous. The sequel to Indie Next Pick Unseen Magic, Unspoken Magic is perfect for fans of Christina Soontornvat’s A Wish in the Dark and Claribel A. Ortega’s Ghost Squad.

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A gripping explanation of the biases that lead to the blaming of pregnant women and mothers. Are mothers truly a danger to their children’s health? In 2004, a mentally disabled young woman in Utah was charged by prosecutors with murder after she declined to have a Caesarian section and subsequently delivered a stillborn child. In 2010, a pregnant woman who attempted suicide when the baby’s father abandoned her was charged with murder and attempted feticide after the daughter she delivered prematurely died. These are just two of the many cases that portray mothers as the major source of health risk for their children. The American legal system is deeply shaped by unconscious risk perception that distorts core legal principles to punish mothers who “fail to protect” their children. In Blaming Mothers, Professor Fentiman explores how mothers became legal targets. She explains the psychological processes we use to confront tragic events and the unconscious race, class, and gender biases that affect our perceptions and influence the decisions of prosecutors, judges, and jurors. Fentiman examines legal actions taken against pregnant women in the name of “fetal protection” including court ordered C-sections and maintaining brain-dead pregnant women on life support to gestate a fetus, as well as charges brought against mothers who fail to protect their children from an abusive male partner. She considers the claims of physicians and policymakers that refusing to breastfeed is risky to children’s health. And she explores the legal treatment of lead-poisoned children, in which landlords and lead paint manufacturers are not held responsible for exposing children to high levels of lead, while mothers are blamed for their children’s injuries. Blaming Mothers is a powerful call to reexamine who - and what - we consider risky to children’s health. Fentiman offers an important framework for evaluating childhood risk that, rather than scapegoating mothers, provides concrete solutions that promote the health of all of America’s children. Read a piece by Linda Fentiman on shaming and blaming mothers under the law on The Gender Policy Report.

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A major historical phenomenon of our century, exile has been a focal point for reflections about individual and cultural identity and problems of nationalism, racism, and war. Whether emigrés, exiles, expatriates, refugees, or nomads, these people all experience a distance from their homes and often their native languages. Exile and Creativity brings together the widely varied perspectives of nineteen distinguished European and American scholars and cultural critics to ask: Is exile a falling away from a source of creativity associated with the wholeness of home and one’s own language, or is it a spur to creativity?In essays that range chronologically from the Renaissance to the 1990s, geographically from the Danube to the Andes, and historically from the Inquisition to the Holocaust, the complexities and tensions of exile and the diversity of its experiences are examined. Recognizing exile as an interior experience as much as a physical displacement, this collection discusses such varied topics as intellectual exile and seventeenth-century French literature; different versions of home and of the novel in the writings of Bakhtin and Lukács; the displacement of James Joyce and Clarice Lispector; a young journalist’s meeting with James Baldwin in the south of France; Jean Renoir’s Hollywood years; and reflections by the descendents of European emigrés. Strikingly, many of the essays are themselves the work of exiles, bearing out once more the power of the personal voice in scholarship.With the exception of the contribution by Henry Louis Gates Jr., these essays were originally published in a special double issue of Poetics Today in 1996. Exile and Creativity will engage a range of readers from those whose specific interests include the problems of displacement and diaspora and the European Holocaust to those whose broad interests include art, literary and cultural studies, history, film, and the nature of human creativity.Contributors. Zygmunt Bauman, Janet Bergstrom, Christine Brooke-Rose, Hélène Cixous, Tibor Dessewffy, Marianne Hirsch, Denis Hollier, Henry Louis Gates Jr., Linda Nochlin, Leo Spitzer, Susan Rubin Suleiman, Thomas Pavel, Doris Sommer, Nancy Huston, John Neubauer, Ernst van Alphen, Alicia Borinsky, Svetlana Boym, Jacqueline Chénieux-Gendron

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Holocaust memorials and museums face a difficult task as their staffs strive to commemorate and document horror. On the one hand, the events museums represent are beyond most people’s experiences. At the same time they are often portrayed by theologians, artists, and philosophers in ways that are already known by the public. Museum administrators and curators have the challenging role of finding a creative way to present Holocaust exhibits to avoid clichéd or dehumanizing portrayals of victims and their suffering.In Holocaust Memory Reframed, Jennifer Hansen-Glucklich examines representations in three museums: Israel’s Yad Vashem in Jerusalem, Germany’s Jewish Museum in Berlin, and the United States Holocaust Memorial Museum in Washington, D.C. She describes a variety of visually striking media, including architecture, photography exhibits, artifact displays, and video installations in order to explain the aesthetic techniques that the museums employ. As she interprets the exhibits, Hansen-Glucklich clarifies how museums communicate Holocaust narratives within the historical and cultural contexts specific to Germany, Israel, and the United States. In Yad Vashem, architect Moshe Safdie developed a narrative suited for Israel, rooted in a redemptive, Zionist story of homecoming to a place of mythic geography and renewal, in contrast to death and suffering in exile. In the Jewish Museum in Berlin, Daniel Libeskind’s architecture, broken lines, and voids emphasize absence. Here exhibits communicate a conflicted ideology, torn between the loss of a Jewish past and the country’s current multicultural ethos. The United States Holocaust Memorial Museum presents yet another lens, conveying through its exhibits a sense of sacrifice that is part of the civil values of American democracy, and trying to overcome geographic and temporal distance. One well-know example, the pile of thousands of shoes plundered from concentration camp victims encourages the visitor to bridge the gap between viewer and victim. Hansen-Glucklich explores how each museum’s concept of the sacred shapes the design and choreography of visitors’ experiences within museum spaces. These spaces are sites of pilgrimage that can in turn lead to rites of passage.

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Food is so much more than fuel, and veganism is so much more than a diet. It’s linked to culture, family, memories, and identity. A collection of over 100 plant-based recipes that, together, give readers a bird’s eye view of vegan cuisine and its facets, Best of Vegan is a marvelously versatile glimpse into the world of vegan cuisine. As someone who grew up eating (and loving) meat, fish, dairy, and eggs, Kim-Julie Hansen never expected to go vegan or even vegetarian. After years of learning and exploring, Hansen committed to a vegan lifestyle and never looked back. Now the creator of the Best of Vegan Instagram and platform, with a reach of over 2 million people, Hansen has fostered a global community of enthusiastic home cooks, chefs, bloggers, and all things food and veganism. Chef contributions include Gaz Oakley (Avant-Garde Vegan, Samantha Onyemenam and Daniel Haimona. In Best of Vegan, Hansen shows that adopting a vegan lifestyle does not mean giving up on the dishes you grew up eating, and plant-based recipes can be accessible, affordable, familiar, and, of course, delicious. A comprehensive guide to a wide variety of vegan dishes, the cookbook includes the most popular recipes from the Best of Vegan community, as well as basic recipes, meal-prep, veganised comfort food, appetisers, and protein-forward wholesome recipes. Fan-favorites include: Avocado Pesto Pasta with Toasted Pine Nuts Fried Tofu “Chick’n” Sandwich Classic Vegan Mac’n Cheese Vegan Baja Style “Fish” Tacos Inspired by Best of Vegan’s global community and the international impact of vegan food, Hansen collaborates with famous vegan chefsfrom all over the world to showcase the incredibly diverse history and newest trends of traditional cultural dishes to include recipes such as: Panamanian Tamal de Olla Chinese Dumplings Sri Lankan Pumpkin Curry Congolese Moambé With simplified yet satisfying vegan recipes, Hansen helps home chefs reconnect with the ingredients and their origins. A result of years of collaboration, trial and error, stories told, and meals shared, Best of Vegan is a creative and comprehensive guide for any level of home chef interested in vegan cuisine and plant-based recipes.

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A wide-ranging, multi-disciplinary collection of essays that decenter, critique, and problematize predominant notions of the meaning of mortality for human creativityThis issue of Alif explores the ways in which humans have come to confront their mortality across time and space. Contributions question the nature of loss, grief, and the possibility of an afterlife. Is death only an interlude? Perhaps simply the end? How have people used literature and the arts to conceptualize its relentless presence in our existence?The articles in this issue decenter, critique, and problematize predominant notions of the meaning of mortality for human creativity. They provide a wide scope of responses to mortality, anthropologically, philosophically, and psychologically. They shed light on different cultural receptions of loss, annihilation, and mortality, ranging from India to Yemen, Palestine to Iraq, the Island of Lampedusa to the war-ravished city of Beirut, among many other locales. Death is dealt with in an intimate fashion through the exploration and reinterpretation of modern and classical elegiac poetry, children’s picturebooks, fictional accounts of war, grief, and displacement, and dramatic treatments of dying and the afterlife.Contributors: Hajjaj Abu Jabr, Egyptian Academy of Arts, Cairo, EgyptKaram AbuSehly, Beni-Suef University, Beni Suef, EgyptHala Amin, Beni-Suef University, Beni Suef, EgyptShaimaa El-Ateek, Imam Mohammad Ibn Saud Islamic University, Riyadh, Saudi ArabiaMohamed Birairi, Beni-Suef University, Beni-Suef, Egypt, and American University in Cairo, Cairo, EgyptElliott Colla, Georgetown University, Washington, DC, USASaeed Elmasry, Cairo University, Cairo, EgyptShaimaa Gohar, Ain Shams University, Cairo, EgyptWalid El Khachab, York University, Toronto, CanadaYasmine Motawy, American University in Cairo, Cairo, EgyptDani Nassif, University of Münster, Münster, GermanyAndrea Maria Negri, Ludwig Maximilian University of Munich, Munich, GermanyMarwa Ramadan, Zagazig University, Zagazig, EgyptCaroline Rooney, University of Kent, Kent, United KingdomTania Al Saadi, Stockholm University, Stockholm, SwedenMay Telmissany, University of Ottawa, Ottawa, CanadaShahla Ujayli, American University of Madaba, Madaba, Jordan

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The French Revolution was the "big bang" out of which all the elements of modern politics and social conflicts were formed. Democracy, populism, liberalism, conservatism, socialism, nationalism, feminism, abolitionism, and "enlightened" imperialism are heir to the momentous upheaval that began in Paris in 1789. To some, the French Revolution might seem only a distant memory of a middle-sized country, but as esteemed historian Jeremy Popkin demonstrates in A New World Begins, the principles of the French Revolution remain the only possible basis for a just society -- even if, after more than two hundred years, these ideals have not been realized and are still often contested.The French Revolution is also perhaps the most dramatic episode in human history. Popkin takes us from the storming of the Bastille and the drafting of the Declaration of the Rights of Man in 1789, and from the descent of the Reign of Terror (and the execution of Louis XIV) to the rise of Napoleon. His gripping narrative follows the French revolutionaries as they attempted to realize the principle that people "are born and remain free and equal in rights," and he shows how this revolutionary idea led both to incredible progress and murderous conflicts in the span of mere months. He paints vivid portraits of the (in)famous leaders of the Revolution, including Robespierre, Danton and Mirabeau and at the same time surfaces lesser-known figures, such as Jean-Marie Goujon, the idealistic Jacobin who told his beloved she would always be second in his mind to the Fatherland and François Molin, the anti-revolutionary priest who became so accustomed to leading underground religious services that he trembled when he performed mass in public again for the first time. This masterful account is also the first to show how women and violence in France's overseas possessions helped determine the course of the Revolution.Drawing on a career spent studying the Revolution and synthesising the last thirty years of historical scholarship, Popkin gives us a history of the French Revolution for our own time, when so many of the Revolution's legacies are facing renewed challenges across the world.

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If there was ever a man who was born to fly, it is John M. Billings. He took his first plane ride in 1926, began taking piloting lessons in 1938, and joined the US Army Air Force in July 1942\. After training he was assigned to fly Consolidated B-24 Liberator long-range bombers. He joined the 825th Bombardment Squadron of the 484th Bombardment Group. After flying fifteen daylight strategic bombing missions, Billings was selected for assignment to the 885th Bombardment Squadron (Heavy) (Special). As its designation suggests, the 885th was no regular bombing unit. The 885th specialized in flying top secret, low-altitude missions at night in support of the clandestine operations of the OSS and the Special Operations Executive. The unit's covert missions included parachuting OSS and SOE agents and supplies deep inside German territory. The most eventful and dangerous of Billings' thirty-nine secret missions with the 885th was his assignment in February 1945 to clandestinely insert a three-man OSS team, code-named _Greenup_, into Austria. The drop zone selected for the _Greenup_ insertion was located on a glacier in a valley surrounded by mountains in the middle of the snow-covered Alps. Billings and his crew finally found the weather in the Alps clear enough to spot the drop zone, slip their unwieldy B-24 between the mountain peaks and descend to an altitude just a few hundred feet above the moonlit snow. On Billings' signal, the OSS agents parachuted right on target. The insertion of this OSS team was the inspiration for the feature film _Inglorious Bastards_. However, Brad Pitt's vengeful character was far removed from the leader of the _Greenup_ team, Fred Mayer, who achieved success by infiltrating enemy ranks to gain vital intelligence. After the war, John Billings flew with Trans World Airlines and Eastern Airlines. He also flew more than 300 'Angel Flight' airlift missions which involve the specialized aerial transportation of critically ill medical patients. This is one man's story of a remarkable lifetime of flying, both in peace and in war.

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Amidst the vast literature on the parties and politics of revolutionary Russia and its near constant appropriation for presentist purposes over the years, States of Anxiety assesses the effects of the great scarcities and enormous losses that Russia experienced between 1914 and 1921, a period of dramatic civil conflicts and Russia's "long World War." Scarcities meant not only the deficits of necessary goods like food, but also their accompanying anxieties and fears. Using archival documents and materials of the period almost exclusively, this study explores how the tsarist, democratic liberal, democratic socialist, and Bolshevik regimes all addressed the forms and effects of scarcity and loss in ways they hoped would assure the revolutionary outcomes of their own historical imaginations. Looking closely at their efforts, it suggests how and why each failed to do so. Approaching the Russian revolutionary period in these terms involves exploring a broad range of connected issues. Material scarcities involved problems with market exchange, prices, and inflation, as well as procurement, production, and distribution. They involved fiscal policies, monetary emissions, and the effects of escalating debt. But they also directly engaged cultural understandings of fairness, sacrifice, and social difference, and were accompanied by what today would be called today the anxieties of "food insecurity," the dangerous risks of unemployment, and a range of fears about family and community welfare. Officials and members of various state and public committees of various political orientations faced both the threats and actualities of market collapse, rampant speculation, black markets, increasingly visible social inequalities, and an array of emotional fields whose implications need to be understood. The statistical and other objective dimensions of scarcity and loss are generally described in ways that omit their complex emotional dimension, as the language of "food insecurity" obscures the actual effects of hunger. While taking into account important recent contributions to a large historiography, new efforts to decipher historical feelings and emotions, and attention to the languages through which events and feelings both were represented and given coherence, this book contributes to a broader understanding of the social and cultural foundations of uprisings and revolutionary upheavals.

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The book discusses why management of abnormal situations is important to process safety. The book provides guidance on practical steps to avoid or mitigate an accident or incident before it escalates into a more dangerous and costly issues which can include downtime, lost production, equipment damage, injuries, and external/ environmental damage. Through the use of case studies the book illustrates the impact these deviant occurrences can have on operating facilities. Management principles that can be established before an issue occurs are presented while case studies are used to illustrate the impact that an abnormal situation can have on an operating facility. The impact of plant design are detailed, with separate focus points on new plant design and retrofits to existing plants. A section on writing plant procedures and plant policies so that they incorporate the principles of managing abnormal situations is also included. Training content is provided on how to manage deviant situations, with guidance on presenting the information to specific target populations, such as front-line operators, operations managers, plant engineers, and process safety engineers. Readers are also shown tools that are currently available for recognizing and responding to abnormal situations, and actions that process safety engineers can use during Hazard Identification and Risk Analysis (HIRA).

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The Gulf of Mexico: A Maritime History presents the first such narrative of the earth's tenth largest body of water. In this beautifully written and illustrated volume, John S. Sledge explores the people, ships, and cities that have made the Gulf's human history and culture so rich. Many famous figures who sailed the Gulf's viridian waters are highlighted, including Ponce de León, Robert Cavelier de La Salle, Francis Drake, Jean Laffite, Tyrone Power, Richard Henry Dana, Libbie Custer, Elizabeth Agassiz, Ernest Hemingway, and Franklin D. Roosevelt, as well as Charles Dwight Sigsbee, at the helm of the doomed Maine. But Sledge also introduces a fascinating and diverse array of people connected to maritime life in the Gulf, including Mesoamerican pyramid builders, Spanish conquistadores, French pirates, Creole women, Cajun fishermen, African American stevedores, British jack-tars, and Greek sponge divers.Gulf events of global historical importance are detailed, such as the only defeat of armed and armored steamships by wooden sailing vessels, the first accurate deep-sea survey and bathymetric map of any ocean basin, the development of shipping containers by a former truck driver frustrated with antiquated loading practices, and the worst environmental disaster in American annals.Occasionally shifting focus ashore, Sledge explains how people representing a gumbo of ethnicities built some of the world's most exotic cities--Havana, way station for conquistadores and treasure-filled galleons; New Orleans, the Big Easy, famous for its beautiful French Quarter, Mardi Gras, and relaxed morals; and oft-besieged Veracruz, Mexico's oldest city, founded in 1519 by Hernán Cortés. Throughout history the residents of these cities and their neighbors along the littoral have struggled with challenges both natural and human-induced--devastating hurricanes, frightening epidemics, catastrophic oil spills, and conflicts ranging from dockside brawls to pirate raids, foreign invasion, civil war, and revolution. In the modern era the Gulf has become critical to energy Production, fisheries, tourism, and international trade, even as it is threatened by pollution and climate change. The Gulf of Mexico: A Maritime History is a work of verve and sweep that illuminates both the risks of life on the water and the riches that come from its bounty.

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Some summers are destined to generate cherished memories. For married high school sweethearts Don and Nancy Hammond, they happened in 1972 and 1973, when Don's lifelong dream of being a United States Forest Service fire lookout came true.Don's first post, the Dunn Peak Lookout, was located eight miles northwest of Avery in Idaho's St. Joe National Forest. Once they arrived, they breathlessly lugged provisions and water up steep stairs to its fifteen-by-fifteen-foot cab two stories above the forest floor. Furnishings included a single bed, small bookcase, cabinet, and table, and a wood stove. There was no electricity or running water. A battery powered two-way Motorola radio would be their only connection to the outside world. That night--engulfed by lightning strikes and filled with adrenalin--they faced their first storm.Unless it was foggy or raining, the Forest Service required Don to conduct binocular searches from the catwalk at least twenty minutes of every hour while he was on duty. He watched for smoke during the day and the glow of fire at night, and learned to distinguish between blue smoke plumes and white wisps of fog. Despite the primitive conditions, Don, Nancy, and their Dalmatian, Misty, settled in and came to love their lookout life. They spotted wildfires, were startled by their first cougar scream, encountered a wide variety of human and animal visitors, discovered delectable huckleberry patches, and simply enjoyed the enchanting beauty all around them.The Forest Service decided to close the Dunn Peak Lookout, so the couple spent the summer of 1973 at the Middle Sister Peak tower, ten miles southeast of Avery. In The Last Lookout, Nancy shares stories from those two exciting, magical fire seasons, along with their return as volunteers 37 years later. Interspersing regional fire history as well as dangers and details of the work, she journeys back to the narrow catwalks and stunning panoramas--a place where storms are building, the forest is dry, and any lightning strike could ignite a raging wildfire.

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