Search results for ""author william"

William Young was the son of gentleman farmer Henry Young who owned Cotchford Farm in the mid-nineteenth century. At the age of just twenty-three William left the farm for what we might now term a 'gap year’ working in Canada. This book, based on his own diary from 1854/5, tells the fascinating story of his journey via Liverpool and onwards on a three-masted schooner to New York, Buffalo and eventually Lake Erie. The voyage had its own perils, a long way from transatlantic travel today. Unbeknown to our diarist, the ship he travelled on was part of a criminal enterprise and eventually suffered both mutiny and wreck. In the mill towns on Lake Erie Young proves an indispensable worker both on crops and stonework. Just as he is about to return to England he is beset with difficulties..... His is a young, clear voice on life a hundred and sixty years ago.

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William Smith Clark was in Hokkaido for only eight months but, as John Maki's fascinating biography shows, his influence has endured. A Yankee in Hokkaido places Clark's appointment to oversee the creation of the Sapporo Agricultural College within the context of the Meiji era's drive to modernize and Westernize Japan and to settle the island of Hokkaido. Maki recounts how Clark inspired his Japanese contemporaries with an idealistic vision of the future born in the United States of the late nineteenth century; with agricultural expertise and pedagogical initiatives; and with his devotion to the moral development of his students—men who would later number among the leaders of modern Japan. The work also offers the reader an intimate portrait of this extraordinary citizen of Massachusetts from childhood through Civil War action to the founding and running of the Massachusetts Agricultural College, known today as the University of Massachusetts at Amherst.

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Klein’s madcap romp of a photo-novel brilliantly translates his cult ’60s film into book form Based on the original images and dialogue of William Klein’s 1966 film Who Are You, Polly Maggoo?, this fantastic photo-novel tells the adventures of Polly Maggoo, a star model played by Dorothy McGowan (model for Vogue in the 1960s). The plot unfolds across the fashion world of Polly Maggoo; the world of television (based around the character of director Jean Rochefort); and a magical kingdom of operetta whose crown prince (played by Sami Frey) is in love with the young model. Also featuring in this star-studded cast are Alice Sapritch, Delphine Seyrig, Philippe Noiret, Roland Topor and Jacques Seiler. The publication ingeniously translates into book form the zany universe of the film. Klein’s masterful framing gives exquisite rhythm to its page composition and flow as we follow the crazy adventures of the extraordinary heroine in a madcap race through the streets and rooftops of Paris, all the way up to a distant palace lost in the snow. Born in New York, William Klein (1926–2022) was a multidisciplinary artist whose practice revolutionized photography, particularly fashion and street photography. His fashion work was the subject of several iconic photobooks, including Life Is Good and Good for You in New York (1957) and Tokyo (1964). In the 1980s, he turned to film projects. His works are held in the collections of the Museum of Modern Art in New York, the National Gallery of Art in Washington, DC, and the Art Institute of Chicago, among others.

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Well known as a political commentator and the author of sixteen novels, William F. Buckley Jr. was also a superb chronicler of travel. Getting About gathers more than one hundred of his articles about journeys by boat, train, or plane, representing a lifetime of adventure around the world—from Annapolis to Zurich, from the Azores to the Virgin Islands.An elegant jet-setter with a flair for literary journalism, Buckley had few rivals in the art of travel writing. He took first place in the Magazine Article on Foreign Travel category in the Lowell Thomas Travel Journalism Competition for eight pieces written while “Concording around the world” in 1989. A master storyteller, he adeptly wove devices of fiction together with reportage to craft entertaining pieces full of exuberance and authority. Being a Bach afficionado, he composed his sentences for a well-tuned ear.Buckley’s talent for arranging a mise-en-scène stands out in accounts of riding the Orient Express, skiing at Alta, or vacationing at Barbuda. Though himself a central character in the story, he never dominates it. He wrote candidly about travel misadventures, as when his sixty-foot schooner broke down in the Bahamas and was towed to Miami by a Coast Guard cutter, or when a malfunctioning compass landed his boat on a rocky shoal off Rhode Island and the Coast Guard said, “Sorry, we can’t help you.” He also took a gimlet eye to the travel industry and a discriminating palate to airline food, suggesting that airports sell “a really good box lunch” with celery rémoulade, fresh figs, and a nice Bordeaux.Getting About is pure enjoyment, but it also broadens the significance of Buckley’s œuvre. Along with Bill Meehan’s illuminating introduction, this delightful collection helps preserve Buckley’s legacy as his centenary, in 2025, approaches.

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William Morris is one of the most admired figures of the Victorian era. Studies of his Art and his life fill the shelves of libraries. Yet for all this accessibility, an air of uncertainty has always clouded his image. Since Morris's death, biographers and scholars have portrayed the artist as a victim, bound to an adulterous wife. In Art and Forbidden Fruit, John Le Bourgeois lifts this veil of appearances, and shows the truth about Morris's life. In a close analysis of Morrisís poetry and biography, the author asserts the early existence of an emotional attachment between William Morris and his sister Emma, and how she became the principal source of his inspiration. Le Bourgeois follows the paths of Morris the artist and Morris the man, and points out the links between the poetís love for his sister and his evolution as an artist. Art and Forbidden Fruit provides a highly original biography of William Morris that offers a new perspective on his life and a fresh interpretation of his art by a specialist.

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The work of Kohn Pedersen Fox is international in scope, collaborative in design, and a product of individual voices focused on a single objective - making an architecture, of our time, which creates strong bonds with the the specific place it occupies. While William Pedersen founded the firm, with partners Gene Kohn and Shelley Fox, he never aspired to be a 'director of design.' They had the components with Gene's entrepreneurial drive, Shelley's management and Bill's design leadership - to be a large firm. 'Directing' the work of a large firm was not Bill's desire, instead he wanted to focus on a body of work which he could call his own. The example that work set would inspire others, and it did. Now there are several voices leading their design - all of them rose to their position within the office. The purpose of this book is to define the work of one of the voices - Bill Pedersen's. Pedersen has worked with many different designers, in close collaboration, throughout his career, though his work speaks with a singular voice. Here it is represented chronologically and concludes with the latest phase - furniture. Working from the largest scale to the smallest has always been a preoccupation of those who lead design in KPF. Many of Pedersen's architectural heroes designed chairs, and he strives to follow in their footsteps.

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Clueless gets a makeover that Cher Horowitz and the Bard would approve of in this charming and witty retelling of the 90s teen comedy, presented as an authentic Shakespearean play written in iambic pentameter. Cher, the fairest maiden of Beverly Hills, takes center stage in this comedy of errors in which matchmaking, makeovers, and mall-hopping leads to plenty of merry-making until Cher realizes her good intentions are creating mischief for her friends and family, including her new best friend Tai and her cute stepbrother Josh. The only solution? Admit that she knoweth nothing, and beginneth anew. Just in time for the 25th anniverary of the movie, best-selling author Ian Doescher rolleth with the homies as he brings his signature Shakespearean wordsmithing to this beloved tale. Series Overview: Each book in the Pop Shakespeare series adapts the script of a beloved movie or television show into Shakespearian verse, offering a witty Elizabethan makeover to iconic scenes and dialogue, as if the Bard had written your favorite pop culture touchstones himself!

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La historia de la interpretación en España y, por ende, la de la formación de actores,cambió radicalmente cuando en 1958 un americano llamado William Layton decidióinstalarse en estas tierras para enseñar una técnica que hasta entonces solo se conocía por los actores y las películas estadounidenses: el famoso Método. Pero no el Método del Actors Studio comandado por Lee Strasberg, sino el aprendido con Sanford Meisner. Y con él el teatro español retomó esa corriente modernizadora que se había cortado de raíz con el estallido de la guerra civil y la posterior dictadura, ahogando los esfuerzos de Cipriano de Rivas Cherif, Margarita Xirgu o María Teresa León.Desde el primer viaje en 1955, mientras acompañaba a Agustín Penón en las investigaciones sobre García Lorca y su lugar de enterramiento, Layton percibió las carencias de los actores españoles y la necesidad de una renovación, largamente retrasada, en la técnica interpretativa. A partir de 1960, con la sucesiva fundación d

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Located in Chelten Hills just outside of Philadelphia, Pennsylvania, Camp William Penn was the largest and first Civil War facility to exclusively train Northern-based federal black soldiers during the war. Boasting the biggest free-black population in the country and the 19th-century’s epicenter of the Underground Railroad, Philadelphia and Camp William Penn, hosted the greatest anti-slavery abolitionists, including Frederick Douglass, Harriet Tubman, Sojourner Truth, Robert Purvis, and William Still. Douglass and Tubman spoke to and rallied some of the almost 11,000 soldiers, many of them runaway or ex-slaves, who trained in eleven regiments that fought in a slew of major battles, helped to corner the Confederate General Robert E. Lee and his Rebel forces, as well as capture President Lincoln’s assassins. Several earned the Medal of Honor for their bravery, and many gave their lives. At a time when America’s very existence was threatened, the warriors and freedom fighters for human equality associated with Camp William Penn were a major part of the country’s salvation. The complete story is told here.

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William Carleton, Ireland's great but overlooked nineteenth-century writer, has for the past 150 years been denigrated as a failed novelist, but is here redeemed by David Krause's in-depth study of all his significant novels. Carleton employed techniques similar to the multi-voiced carnival (where oral folk tradition combines sacred with profane and the great with the insignificant) and mock-heroic version of pastoral (where comic characters make profound remarks and whose actions have unanticipated great effects). Through his novels, Carleton illuminated the exploitation of Irish lands by indifferent British authorities and rackrenting Anglo-Irish landlords and subsequent famine and holocaust. Krause's recognition of this ignored author of Irish fiction is a valuable addition to the field of Anglo-Irish literary studies.

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What kind of adventure begins in the living room on a rainy Monday afternoon? It depends. Say you just found out that Granny, who raised you, is going to lose her house because there's nothing valuable left to sell except an unfinished tapestry. And say that your pet blackbird Mead starts talking and swells up to the size of large motorcycle, and that you suddenly find yourself on his back falling into what you could have sworn was just an old rug covered with pictures of knights galloping through forests. If that's your situation, then this adventure could be weirder, scarier, and more amazing than anything you ever imagined. Time and the Tapestry tells the story of a 13 year old, would-be artist Jen and her not-quite-as-nerdy-as-he used-to-be- 10 year old brother Ed. They find themselves adrift in 19th century England, unable to make their way back home until they've gathered the missing pieces to make that tapestry whole. It's great that they can ride on Mead's back. But not so great that his feathers are falling off, too fast to count. Great that they keep meeting up with the rugmaker himself, Jen's hero, British radical William Morris. But not so great that he always seems to be yelling at somebody or tossing something at them. Great that as they travel from London to Oxford to Iceland, they begin to figure out a way to save the Tapestry (and Granny's house along with it). But downright terrifying that Mead's going to be grounded soon, leaving them trapped with Morris and his wacky daughter May in a Victorian London that may be filled with cranky artists and loveable animals, but....it's a long long way from home. The scenes set in Canterbury, Oxford, the English countryside, Trafalgar Square, Iceland, and Boston will enchant those drawn to the tapestry of history. Along with its magnificently detailed illustrations, this expertly woven tale threads together the best of classical fantasy with a tale of modern-day adventure that will captivate readers of all ages. First-time children's book author John Plotz--who's spent years studying, teaching, and dreaming about William Morris--brings the story of Arts and Crafts to life with a yarn about a world where the power of imagination may just be strong enough to bring dragons, flying birds and enchanted books to life.

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In 1954 William Golding was 43 years old and a nobody. He had been demobbed from the navy at the end of World War Two and returned to his pre-war job teaching English at Bishop Wordsworth’s School in Salisbury. Always hard up, he lived in what he called a “lousy council flat” with his wife, Ann, and their two young children. In 1952 he finished the novel that was to become Lord of the Flies, and sent it to five publishers and a literary agency. They all rejected it. The sixth publisher he tried was Faber and Faber, and the professional reader wrote her opinion on the typescript: “Time the Future. Absurd & uninteresting fantasy about the explosion of an atom bomb on the Colonies. A group of children who land in jungle country near New Guinea. Rubbish & dull.”  But the novel was rescued from the reject pile by a new recruit to Faber, and when it was finally published in September 1954 the poet Stevie Smith greeted it as “this beautiful and de

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New Year's Eve, 1746. A castle in the depths of France. A thunderstorm. A pair of lovers in a hay-loft. A wounded soldier toppling from his horse.So begins the second instalment of the life of William Neilson, Scottish soldier in French service and Jacobite agent against his will. Around his neck, William carries the most precious jewel on the surface of the earth, but it is not his, and he must carry it to the exiled King of England, Scotland and Ireland in Italy. Before that, he wishes to see for a last time the woman he has loved for more than half his life.The scene shifts from the wastes and marshes of the Sologne, to the disorderly houses and prisons of the Most Serene Republic of Venice and the desolate court-in-exile of James Stuart in Rome. Along the way are sword-fights, love stories, intrigues, assassinations, blasphemies, kidnappings, musical performances, and treacheries.

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A FLAME TREE NOTEBOOK. Beautiful and luxurious the Slimline Journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year.BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand, and look wonderful on a desk or table.PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list and robust ivory text paper, printed with lines.THE ARTIST. William Kilbur

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A reclamation of experience as the foremost concept in the work of William James, and a powerful argument for the continuing importance of his philosophy.How does one deploy experience without succumbing to a foundationalist epistemology or an account of the subject rooted in immediately given objects of consciousness? In the wake of the so-called linguistic turn of the twentieth century, this is a question anyone thinking philosophically about experience must ask.Alexis Dianda answers through a reading of the pragmatic tradition, culminating in a defense of the role of experience in William James’s thought. Dianda argues that by reconstructing James’s philosophical project, we can locate a model of experience that not only avoids what Wilfrid Sellars called “the myth of the given” but also enriches pragmatism broadly. First, Dianda identifies the motivations for and limitations of linguistic nominalism, insisting that critics of experience focus too narrowly on justification and epistemic practices. Then, by emphasizing how James’s concept of experience stresses the lived, affective, and nondiscursive, the argument holds that a more robust notion of experience is necessary to reflect not just how we know but how we act.The Varieties of Experience provides a novel reconstruction of the relationship between psychology, moral thought, epistemology, and religion in James’s work, demonstrating its usefulness in tackling issues such as the relevance of perception to knowledge and the possibility of moral change. Against the tide of neopragmatic philosophers such as Richard Rorty and Robert Brandom, who argue that a return to experience must entail appeals to foundationalism or representationalism, Dianda’s intervention rethinks not only the value and role of experience but also the aims and resources of pragmatic philosophy today.

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In this richly illustrated portrait, a prize-winning biographer surveys the entire sweep of William Blake’s creative work while telling the story of his life William Blake, overlooked in his time, remains an enigmatic figure to contemporary readers despite his near canonical status. Out of a wounding sense of alienation and dividedness he created a profoundly original symbolic language, in which words and images unite in a unique interpretation of self and society. He was a counterculture prophet whose art still challenges us to think afresh about almost every aspect of experience—social, political, philosophical, religious, erotic, and aesthetic. He believed that we live in the midst of Eternity here and now, and that if we could open our consciousness to the fullness of being, it would be like experiencing a sunrise that never ends. Following Blake’s life from beginning to end, acclaimed biographer Leo Damrosch draws extensively on Blake’s poems, his paintings, and his etchings and engravings to offer this generously illustrated account of Blake the man and his vision of our world. The author’s goal is to inspire the reader with the passion he has for his subject, achieving the imaginative response that Blake himself sought to excite. The book is an invitation to understanding and enjoyment, an invitation to appreciate Blake’s imaginative world and, in so doing, to open the doors of our perception.

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With the historic town of Fort William at its heart, Lochaber boasts some of Scotland's most celebrated mountains and glens, beautiful sea lochs and, on the craggy west coast, dazzling white sandy beaches. Ben Nevis may draw the crowds, but with countless miles of lower-level paths and tracks to explore there is far more than Britain's highest mountain for walkers to enjoy in the region which lays claims to the title of 'The Outdoor Capital of the UK'.This guide features 40 varied walks that take in the very best of Lochaber. From the iconic Glencoe and Glen Nevis to the wild lands of Ardnamurchan and Moidart, there is something for everyone in this diverse selection of routes.

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A splash of something huge resounds through the sea-fog. In the stillness of a dark room, some unspeakable evil is making its approach. This new selection offers the most chilling and unsettling of Hodgson's short fiction, from encounters with abominations at sea to fireside tales of otherworldly forces from his inventive `occult detective' character Carnacki, the ghost finder. A master of conjuring atmosphere, when the horror inevitably arrives it is delivered with breathtaking pace and the author's unique evocation of overwhelming panic.

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Mysterious, introspective, fiercely private, and self-taught, street photographer William Gedney (1932–1989) produced impressive series of images focused on people whose lives were overlooked, hidden, or reduced to stereotypes. He was convinced that photography was a means of expression as efficient as literature, and his images were accompanied by writings, essays, excerpts from books, and aphorisms. Gedney avoided self-promotion, and his underrepresented work was largely unknown during his short lifetime. He died at the age of fifty-six from AIDS.William Gedney: Only the Lonely, 1955–1984 is the first comprehensive retrospective of his photography. It presents images from all of his major series, including eastern Kentucky, where Gedney lived with and photographed the family of laid-off coal miner Willie Cornett; San Francisco and Haight-Ashbury, where he attached himself to a group of disaffected youth, photographing them as they drifted from one vacant apartment to the next during the “Summer of Love”; early photo-reportage of gay pride parades in the eighties; Benares, India, Gedney’s first trip abroad, during which he obsessively chronicled the concurrent difficulty and beauty of daily life; and night scenes that, in the absence of people and movement, evoke a profound universal loneliness. The most complete overview of Gedney’s work to date, this volume reveals the undeniable beauty of a major American photographer.

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The sixth instalment of the brilliant William Dougal crime series, from the bestselling author of The American Boy and The Ashes of London. William Dougal's life seems to be running smoothly. Now working with his old rival, Hanbury, his reputation is gaining him cases from every corner. But with every climb, there has to come a fall . . .When Dougal agrees to investigate the disappearance and suspected murder of publisher Oswald Finwood, he is faced with an array of suspects, all with the means and motive - from Finwood's estranged wife to an elusive author who had an appointment with Finwood on the day he disappeared.As Dougal probes deeper, he finds himself tangled in a complex web of greed, deceit and deadly family revenge . . .

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All histories of Hollywood are wrong. Why? Two words: Colonel Selig. This early pioneer laid the foundation for the movie industry that we know today. Active from 1896 to 1938, William N. Selig was responsible for an amazing series of firsts, including the first two-reel narrative film and the first two-hour narrative feature made in America; the first American movie serial with cliffhanger endings; the first westerns filmed in the West with real cowboys and Indians; the creation of the jungle-adventure genre; the first horror film in America; the first successful American newsreel (made in partnership with William Randolph Hearst); and the first permanent film studio in Los Angeles. Selig was also among the first to cultivate extensive international exhibition of American films, which created a worldwide audience and contributed to American domination of the medium.In this book, Andrew Erish delves into the virtually untouched Selig archive at the Academy of Motion Picture Arts and Sciences Library to tell the fascinating story of this unjustly forgotten film pioneer. He traces Selig’s career from his early work as a traveling magician in the Midwest, to his founding of the first movie studio in Los Angeles in 1909, to his landmark series of innovations that still influence the film industry. As Erish recounts the many accomplishments of the man who first recognized that Southern California is the perfect place for moviemaking, he convincingly demonstrates that while others have been credited with inventing Hollywood, Colonel Selig is actually the one who most deserves that honor.

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By examining the family and financial circumstances of Wordsworth’s early years, this illuminating biography reshapes our understanding of the great Romantic poet’s most creative period of life and writing. Features new research into Wordsworth’s financial situation, and into how the poet and his family survived financially Offers a new understanding of the role of his great unwritten poem ‘The Recluse’ Presents a new assessment of the relationship between Wordsworth and Coleridge

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'He had brought nothing but trouble to the navy: how would he fare as King?'Known as the 'Sailor King', William IV was sent to join the navy by his father to discipline him, but instead became notorious for his calamitous years of service, his debts and his relationship with the actress Mrs Jordan. Yet, as Roger Knight's biography shows, William also helped see the country through the great constitutional crisis of its age, enabling the smooth succession of his niece Victoria.

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William Rossetti's Art Criticism examines the art criticism of William Michael Rossetti, an underrated member of the Pre-Raphaelite Brotherhood and places it within the context of Victorian Culture. Drawing on many reviews never published in book form, this study establishes Rossetti as a major art critic and valuable source of information on the Victorian world. The author presents Rossetti's role in the Pre-Raphaelite movement as editor of Germ and as a beginning reviewer when he maintained the realist creed seen in D.G. Rossetti, Millais, and Holman Hunt. She then follows his broadening view through his exposure to French and Japanese art that affected his eventual sensitive response to James McNeill Whistler. The study concludes with a personal examination of his final approach which he called "aesthetic realism" in which he is grounded in nineteenth century realism, but also shows a twentieth century determination to examine works closely as autonomous objects. It also addresses new findings in Rossetti's own Japanese art collection, his search for a vital spirit of the past in the Classical and Gothic Revivals, and his importance as an authoritative spokesman for humanistic values in Victorian culture.

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They have been dubbed 'the modern royals' by the world's media, and have not only won the hearts and the loyalty of millions of people around the world, but have helped to re-establish the British royal family as an important, and largely admired, presence in national and international affairs. In short, Their Royal Highnesses the Duke and Duchess of Cambridge - also known simply as 'William and Kate' - have done as much as anyone to bring the royal family into the twenty-first century, and to keep it firmly in the national consciousness. The birth of Prince George, their first child, on 22 July 2013, fuelled such a worldwide media and public frenzy that it became the most talked-about event of the year. The birth of a future heir, combined with the historic possibility of the first baby to be born not only to a Queen-in-waiting, but to the son of the much mourned Diana, Princess of Wales, accounted for much of the excitement, but that was stoked by a natural affection for the young couple.From the beginning, the world had watched with bated breath as the charming Prince William and his future bride overcame the struggles of university, rumours and a brief break-up before finally reconciling and becoming engaged. Their ceremonial wedding in 2011 - watched by an incredible estimated 2 billion people worldwide - was a defining moment, not only in their young lives, but also for the perception of the monarchy. The Duke and Duchess of Cambridge have come to embody the spirit and hope of their nation, and their deserved popularity has had a profound effect upon the future of the royal family. As well as a history of the young couple's romantic relationship, this in-depth book chronicles the next chapters in this modern fairy tale, backed by beautiful photographs, fascinating facts and expert analysis. Now completely revised and updated to cover the period from the birth of Prince George to the arrival of the new prince or princess in April 2015, the book is both an intriguing insight into modern royalty, and an unrivalled souvenir.

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Copyright is by no means the only device for asserting ownership of a work. Some writers, including playwrights in the early modern period, did not even view print copyright as the most important of their authorial rights. A rich vein of recent scholarship has examined the interaction between royal monopolies, which have been identified with later notions of intrinsic authorial ownership, and the internal copy registration practices of the English book trades. Yet this dialogue was but one part of a still more complicated conversation in early modern England, James J. Marino argues; other customs and other sets of professional demands were at least as important, most strikingly in the exercise of the performance rights of plays. In Owning William Shakespeare James Marino explores the actors' system of intellectual property as something fundamentally different from the property regimes exercised by the London printers or the royal monopolists. Focusing on Hamlet, The Taming of the Shrew, King Lear, and other works, he demonstrates how Shakespeare's acting company asserted ownership of its plays through intense rewriting combined with progressively insistent attribution to Shakespeare. The familiar versions of these plays were created through ongoing revision in the theater, a process that did not necessarily begin with Shakespeare's original manuscript or end when he died. An ascription by the company of any play to "Shakespeare" did not imply that it was following a fixed, authorial text; rather, Marino writes, it indicates an attempt to maintain exclusive control over a set of open-ended, theatrically revised scripts. Combining theater history, textual studies, and literary theory, Owning William Shakespeare rethinks both the way Shakespeare's plays were created and the way they came to be known as his. It overturns a century of scholarship aimed at re-creating the playwright's lost manuscripts, focusing instead on the way the plays continued to live and grow onstage.

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The Brigade of Guards was the elite force of the British Army in the Crimea. William Scarlett, a captain in the Scots Fusilier Guard and one of the most active junior officers in the regiment, fought throughout the entire campaign. After the Allied landing at Kalamita Bay, Scarlett rallied his regiment at a critical moment during the battle of the Alma, supported by his company sergeant, who was awarded the VC. William Scarlett’s life may well have been saved after the battle of Balaklava by becoming an aide de camp to his uncle, General James Scarlett, the commander of the Heavy Brigade. This meant that he did not fight at Inkerman, which took a heavy toll on the officers of the Guards Brigade. Returning to the trenches early in 1855, William Scarlett was involved in all the phases of the siege of Sebastopol until its fall in September 1855. The survival of 139 previously unpublished letters record Scarlett’s deeds and thoughts. Written to nineteen different correspondents, and deliberately intended by him to form a personal account of his rôle in the war, his letters provide a forceful commentary on the successes and failures of the British army in the East. His life before and after the war is well recorded. Becoming the third Lord Abinger in 1861, Scarlett was the second English peer to marry an American. He built a castle in Scotland, where Queen Victoria stayed in 1873, and two of his daughters became notable suffragettes.

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In his introduction to this collection, John McDermott presents James's thinking in all its manifestations, stressing the importance of radical empiricism and placing into perspective the doctrines of pragmatism and the will to believe. The critical periods of James's life are highlighted to illuminate the development of his philosophical and psychological thought. The anthology features representive selections from The Principles of Psychology, The Will to Believe, and The Variety of Religious Experience in addition to the complete Essays in Radical Empiricism and A Pluralistic Universe. The original 1907 edition of Pragmatism is included, as well as classic selections from all of James's other major works. Of particular significance for James scholarship is the supplemented version of Ralph Barton Perry's Annotated Bibliography of the Writings of William James, with additions bringing it up to 1976.

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Classics, modern fiction, non-fiction and more. Written for secondary and adult students the Oxford Bookworms Library has seven reading levels from A1-C1 of the CEFR.William Shakespeare. Born April 1564, at Stratford-upon- Avon. Died April 1616. Married Anne Hathaway: two daughters, one son. Actor, poet, famous playwright. Wrote nearly forty plays. But what was he like as a man? What did he think about when he rode into London for the first time... or when he was writing his plays Hamlet and Romeo and Juliet... or when his only son died? We know the facts of his life, but we can only guess at his hopes, his fears, his dreams.CEFR A2/B1Word count 9,135

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William Dargan’s career began in Wales on the Holyhead Road, working under the famous Scottish engineer, Thomas Telford. He went on to build roads, railways, canals and reservoirs, developed hotels and the resort towns of Bray and Portrush, laid out Belfast harbour, ran flax and thread mills and reclaimed vast tracts of farmland in Derry and Wexford. He operated canal boats and cross-channel steamers, constructed several canals and railways in England and in 1834 built Ireland’s first railway from Dublin to Dun Laoghaire. There is hardly a town in Ireland untouched by William Dargan. Alone he funded and constructed the 1853 Art-Industry Exhibition on Dublin’s Merrion Square as a boost to a country recovering slowly from the effects of the Great Famine just five years before. The National Gallery, raised largely in tribute to him, has a Dargan Wing and his statue stands in its grounds. Despite these achievements Dargan was a modest man. Several times he declined a peerage, a seat in parliament and even the baronetcy offered by Queen Victoria when she came to take tea at Mount Anville, his south Dublin mansion. This fascinating book, complete with over thirty archival photographs, draws on a range of original material and sources, much never seen in print before, to present an all-round portrait of a dynamic and engaging figure showing how his energy and abilities laid the foundations for Ireland’s later prosperity. The story of Dargan and his era will inform and uplift, evoking wider appreciation of a true patriot and an honourable man who did so much for his country.

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Edition of the correspondence of the notable antiquarians William Stukeley and Maurice Johnson, presenting vivid details of life at the time. Both sides of a correspondence, stretching over forty years, between two remarkable Lincolnshire friends, the antiquaries William Stukeley (1687-1765) and Maurice Johnson (1688-1755), are brought together in this volume. Beginningwhen the writers were in their twenties, the letters cover Johnson's work as a lawyer and the development of his cherished Spalding Gentlemen's Society, and Stukeley's career as a physician, his ordination in 1729, and eventual return to London in 1747. The two friends wrote on a wide range of topics, including current affairs, political scandals, financial disasters like the South Sea Bubble and the threat of Jacobite invasions. The letters reflect cultural life: the founding of the British Museum, operatic performances, the activities of the Royal Society and Society of Antiquaries. They portray life in South Lincolnshire: local elections, concerts, race meetings and plays. Local gossip reveals a parade of characters, marrying for love or money, building houses, and encountering alarming accidents. Naturally, the letters also illustrate the lives of the two friends, their financial concerns, their marriages, children and pets, their friendships, difficulties with neighbours and all the minutiæ of small-town Lincolnshire life. Above all, the two men shared their passion for the study of antiquity and their enthusiasm for spreadingknowledge as widely as possible, particularly through the learned societies founded during this period. The letters are presented with explanatory notes and a full introduction. Diana Honeybone and Michael Honeybone taught history for the Open University and Nottingham University Department of Adult Education. They have spent many years studying and teaching the local history of the East Midlands, with special emphasis on intellectual activity in the eighteenth century.

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William Elliot Griffis (1843 1928) graduated from Rutgers College in 1869 and taught four years in Fukui and Tokyo. After his return to the United States, he devoted himself to his research and writing on East Asia throughout his life. He authored 20 books about Japan and five books about Korea including,Corea: The Hermit Nation (1882), Corea, Without and Within: Chapters on Corean History, Manners and Religion (1885), The Unmannerly Tiger, and Other Korean Tales (1911), A Modern Pioneer in Korea: The Life Story of Henry G. Appenzeller (1912), and Korean Fairy Tales (1922). In particular, his bestseller, Corea: The Hermit Nation (1882) was reprinted numerous times through nine editions over thirty years. He was not only known as the foremost interpreter of Japan to the West before World War I but also the American expert on Korea. After his death, his collection of books, documents, photographs and ephemera was donated to Rutgers. The Korean materials in the Griffis Collection at R

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William Morris - poet, designer, campaigner, hero of the Arts & Crafts movement - was a giant of the Victorian age, and his beautiful creations and provocative philosophies are still with us today: but his wife Jane is too often relegated to a footnote, an artist's model given no history or personality of her own. In truth, Jane and William's personal and creative partnership was the central collaboration of both their lives. The homes they made together - the Red House, Kelmscott Manor and their houses in London - were works of art in themselves, and the great labour of their lives was life itself: through their houses and the objects they filled them with, they explored how we all might live a life more focused on beauty and fulfilment.In How We Might Live, Suzanne Fagence Cooper explores the lives and legacies of Jane and William Morris, finally giving Jane's work the attention it deserves and taking us inside two lives of unparalleled creative artistry.

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For more than half a century, William J. Courtenay has been opening up new avenues in the exploration of later-medieval intellectual and university history. He has also trained several generations of scholars who are themselves active researchers, and some of his students have had students of their own. The present volume collects thirteen contributions authored by Courtenay's students and "grand-students". From early thirteenth-century manuscripts to fourteenth-century atomism and the eternity of the world; from the theology of the resurrection to that of the incarnation; from Paris to Oxford and Regensburg, the studies and the critical editions of texts gathered here are eloquent witness to the range of William J. Courtenay's influence in medieval studies.

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Sir William Davenant (1606–1668) – Poet Laureate and Civil War hero – is one of the most influential and neglected figures in the history of British theatre. He introduced ‘opera’, actresses, scenes and the proscenium arch to the English stage. Narrowly escaping execution for his Royalist activities during the Civil War, he revived theatrical performances in London, right under Oliver Cromwell’s nose. Nobody, perhaps, did more to secure Shakespeare’s reputation or to preserve the memory of the Bard. Davenant was known to boast over a glass of wine that he wrote ‘with the very spirit’ of Shakespeare and was happy to be thought of as Shakespeare’s son. By recounting the story of his eventful life backwards, through his many trials and triumphs, this biography culminates with a fresh examination of the vexed issue of Davenant’s paternity. Was Sir William’s mother the voluptuous and maddening ‘Dark Lady’ of Shakespeare’s Sonnets, and was he Shakespeare’s ‘lovely boy’?

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William Stimpson was at the forefront of the American natural history community in the latter half of the nineteenth century. Stimpson displayed an early affinity for the sea and natural history, and after completing an apprenticeship with famed naturalist Louis Agassiz, he became one of the first professionally trained naturalists in the United States. In 1852, twenty-year-old Stimpson was appointed naturalist of the United States North Pacific Exploring Expedition, where he collected and classified hundreds of marine animals. Upon his return, he joined renowned naturalist Spencer F. Baird at the Smithsonian Institution to create its department of invertebrate zoology. He also founded and led the irreverent and fun-loving Megatherium Club, which included many notable naturalists. In 1865, Stimpson focused on turning the Chicago Academy of Sciences into one of the largest and most important museums in the country. Tragically, the museum was destroyed in the Great Chicago Fire of 1871, and Stimpson died of tuberculosis soon after, before he could restore his scientific legacy. This first-ever biography of William Stimpson situates his work in the context of his time. As one of few to collaborate with both Agassiz and Baird, Stimpson's life provides insight into the men who shaped a generation of naturalists--the last before intense specialization caused naturalists to give way to biologists. Historians of science and general readers interested in biographies, science, and history will enjoy this compelling biography.

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