Search results for ""author william"

Charlotte Ribeyrol presents a fascinating (book)case study exploring the story of an extraordinary object, William Burges’s (1827–1881) Great Bookcase. No fewer than 13 major artists, including Edward Burne-Jones, Edward Poynter, and Albert Moore, took part in the painting of this unique piece of furniture, which has now returned to the Ashmolean Museum after an absence of over 80 years. Ribeyrol throws new light on the chromophilia of the “Pre-Raphaelite” architect William Burges and his key role in shaping aesthetic debates about color in the 1860s. This crucial decade, which saw the advent of the first synthetic dyes, transformed the experience of color for many painters and poets in Burges’s circle. Interweaving art, literature, and chemistry, Ribeyrol reads the eight painted panels of the Great Bookcase in the context of this ‘color revolution’, which brought to the fore new approaches to color while simultaneously triggering a revival of the polychromy of the Pagan and Christian past. Drawing on pioneering interdisciplinary research and featuring new photography throughout, this book provides a definitive account of one of Burges’s most cherished and complex artworks.

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A compelling collection of the life-changing writings of William JamesWilliam James—psychologist, philosopher, and spiritual seeker—is one of those rare writers who can speak directly and powerfully to anyone about life’s meaning and worth, and whose ideas change not only how people think but how they live. The thinker who helped found the philosophy of pragmatism and inspire Alcoholics Anonymous, James famously asked, “is life worth living?” Bringing together many of his best and most popular essays, talks, and other writings, this anthology presents James’s answer to that and other existential questions, in his own unique manner—caring, humorous, eloquent, incisive, humble, and forever on the trail of the “ever not quite.”Here we meet a James perfectly attuned to the concerns of today—one who argues for human freedom, articulates a healthy-minded psychology, urges us to explore the stream of consciousness, presents a new definition of truth based on its practical consequences, and never forecloses the possibility of mystical transcendence. Introduced by John Kaag and Jonathan van Belle, these compelling and accessible selections reveal why James is one of the great guides to the business of living.

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This first full-length study of William Bronk, one of our most important contemporary poets and essayists, locates his work in relation to the eighteenth- and nineteenth-century New England literary tradition, to later twentieth-century modernism, and to the subsequent Objectivist and Black Mountain schools of poetry. Through special attention to his uniquely elegant style, this study demonstrates how Bronk has brought together earlier American poetics and philosophy with modern and postmodern notions of being, emptiness, and nothingness. This book features extensive discussions of Henry David Thoreau, Herman Melville, Walt Whitman, Emily Dickinson, Ralph Waldo Emerson, Robert Frost, and Wallace Stevens, as well as of Charles Olson, Robert Creeley, Cid Corman, and George Oppen. As particularly concerns these twentieth-century figures, Burt Kimmelman also sheds light on the role in their thinking and poetics played by post-positivist science especially its theories of relativity and uncertainty. Analyses of exchanges of letters, most critically between Oppen and Bronk, disclose the great influence of their writing of contemporary intellectual currents aside from poetry itself. Kimmelmans discussion of epistemology is central to understanding this subtle and at times complex poet. The book explains ultimately how, as Michael Heller observes, 'Bronk is, in some sense, a reshaper of an American transcendental tradition, a strong poet of paradoxicality and worldlessness.' Discussions of solitude and abnegation, two key ideas Bronk derives from Thoreau and Melville, reveal not only the roots of Bronks concepts of being, emptiness, and nothingness, but also essential aspects of late-twentieth-century philosophy, psychology, and aesthetics anticipated by Bronk, Borman, Creeley, Olson, Oppen, and others over half a century ago.

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William Connolly, one of the best-known and most important political theorists writing today, is a principal architect of the “new pluralism.” In this volume, leading thinkers in contemporary political theory and international relations provide a comprehensive investigation of the new pluralism, Connolly’s contributions to it, and its influence on the fields of political theory and international relations. Together they trace the evolution of Connolly’s ideas, illuminating his challenges to the “old,” conventional pluralist theory that dominated American and British political science and sociology in the second half of the twentieth century. The contributors show how Connolly has continually revised his ideas about pluralism to take into account radical changes in global politics, incorporate new theories of cognition, and reflect on the centrality of religion in political conflict. They engage his arguments for an agonistic democracy in which all fundamentalisms become the objects of politicization, so that differences are not just tolerated but are productive of debate and the creative source of a politics of becoming. They also explore the implications of his work, often challenging his views to widen the reach of even his most recently developed theories. Connolly’s new pluralism will provoke all citizens who refuse to subordinate their thinking to the regimes in which they reside, to religious authorities tied to the state, or to corporate interests tied to either. The New Pluralism concludes with an interview with Connolly in which he reflects on the evolution of his ideas and expands on his current work.Contributors: Roland Bleiker, Wendy Brown, David Campbell, William Connolly, James Der Derian, Thomas L. Dumm, Kathy E. Ferguson, Bonnie Honig, George Kateb, Morton SchoolmanMichael J. Shapiro, Stephen K. White

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Thirsty is the history of Los Angeles and its fraught relationship with water. As a city on the make since the early twentieth century, Los Angeles' resources fought hard to keep up with its unchecked growth. The city's water chief William Mulholland built an aqueduct to grab water over 200 miles away in Owens Valley, but it wasn't enough. Thirsty is the gripping tale of Los Angeles' epic battles for water, the larger-than-life characters that shaped a city's destiny, and the man-made tragedy that killed 400 and forever changed the way water would be harnessed and allocated.

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This brilliant outline of Blake's thought and commentary on his poetry comes on the crest of the current interest in Blake, and carries us further towards an understanding of his work than any previous study. Here is a dear and complete solution to the riddles of the longer poems, the so-called "Prophecies," and a demonstration of Blake's insight that will amaze the modern reader. The first section of the book shows how Blake arrived at a theory of knowledge that was also, for him, a theory of religion, of human life and of art, and how this rigorously defined system of ideas found expression in the complicated but consistent symbolism of his poetry. The second and third parts, after indicating the relation of Blake to English literature and the intellectual atmosphere of his own time, explain the meaning of Blake's poems and the significance of their characters.

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A dramatic, exciting and tragic book about the Irish fur trapper who held the fate of America and the British Empire in his hands.William Johnson began life as a poor Irish Catholic peasant. After converting to Protestantism, he emigrated to America where he became the leading fur trader in the British colony and one of its richest men. He also 'went native', marrying an Indian woman and adopting the religion of her tribe, the Iroquois. When war broke out between the French and English, Johnson held the fate of the British Empire in his hands. If the Indians fought with the French, the British were doomed. A fascinating historical biography of this adventurous man, whose reinvention in the New World made him the first modern American.

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William Burroughs’ work was dedicated to an assault upon language, traditional values and all agents of control. Produced at a time when he was at his most extreme and messianic, The Job lays out his abrasive, incisive, paranoiac, maddened and maddening worldview in interviews interspersed with stories and other writing. On the Beat movement, the importance of the cut-up technique, the press, Scientology, capital punishment, drugs, good and evil, the destruction of nations, Deadly Orgone Radiation and whether violence just in words is violence enough – Burroughs’ insights show why he was one of the most influential writers and one of the sharpest, most startling and strangest minds of his generation.

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The first modern biography of the most powerful politician in late Tudor England William Cecil, Lord Burghley (1520–1598), was the closest adviser to England’s Queen Elizabeth I and—as this revealing and provocative biography shows—he was the driving force behind the Queen's reign for four decades. Cecil’s impact on the development of the English state was deep and personal. A committed Protestant, he guided domestic and foreign affairs with the confidence of his religious conviction. Believing himself the divinely instigated protector of his monarch, he felt able to disobey her direct commands. He was uncompromising, obsessive, and supremely self-assured—a cunning politician as well as a consummate servant.This comprehensive biography gives proper weight to Cecil's formative years, his subtle navigation of the reigns of Edward VI and Mary I, his lifelong enmity with Mary Queen of Scots, and his obsession with family dynasty. It also provides a fresh account of Elizabeth I and her reign, uncovering limitations and concerns about invasions, succession, and conspiracy. Intimate, authoritative, and enormously readable, this book redefines our understanding of the Elizabethan period.

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What does it mean to render the processes of making art-cutting, pasting, and projecting light-as a series of metaphors for how we think and how we live? And why would an artist embark on such an enterprise? This book considers how renowned artist William Kentridge spins the material operations of the studio into a web of politically astute and historically grounded metaphors, likening erasure to forgetting, comparing animation to the flux of history, and marshaling drawing as a form of nonlinear argument. Placing Kentridge's visual vocabulary and unorthodox methods of production in the context of South Africa's histories of change, Leora Maltz-Leca explores studio process in all of its metaphoric and philosophical dimensions.

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Keep the page in your book with this gorgeous pack of 10 foiled bookmarks, printed on both sides, with a silky ribbon and featuring artwork by William Morris. Born in Walthamstow, Essex, William Morris was an outstanding character of many talents, being an architect, writer, social campaigner, artist and, with his Kelmscott Press, an important figure of the Arts and Crafts movement. Many of us probably know him best, however, from his superb furnishings and textile designs, intricately weaving together natural motifs in a highly stylized two-dimensional fashion influenced by medieval conventions.

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Winner of the Wolfson History Prize, and described by A.S.Byatt as 'one of the finest biographies ever published', this is Fiona MacCarthy's magisterial biography of William Morris, legendary designer and father of the Victorian Arts and Crafts movement. 'Thrilling, absorbing and majestic.' Independent'Wonderfully ambitious ... The definitive Morris biography.' Sunday Times 'Delicious and intelligent, full of shining detail and mysteries respected.' Daily Telegraph'Oh, the careful detail of this marvellous book! . . . A model of scholarly biography'. New StatesmanSince his death in 1896, William Morris has been celebrated as a giant of the Victorian era. But his genius was so multifaceted and so profound that its full extent has rarely been grasped. Many people may find it hard to believe that the greatest English designer of his time - possibly of all time - could also be internationally renowned as a founder of the socialist movement, and ranked as a poet with Tennyson and Browning.In her definitive biography - insightful, comprehensive, addictively readable - the award-winning Fiona MacCarthy gives us a richly detailed portrait of Morris's complex character for the first time, shedding light on his immense creative powers as artist and designer of furniture, fabrics, wallpaper, stained glass, tapestry, and books; his role as a poet, novelist and translator; on his psychology and his emotional life; his frenetic activities as polemicist and reformer; and his remarkable circle of friends, literary, artistic and political, including Dante Gabriel Rossetti and Edward Burne-Jones. It is a masterpiece of biographical art.

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William Carleton, Ireland's great but overlooked nineteenth-century writer, has for the past 150 years been denigrated as a failed novelist, but is here redeemed by David Krause's in-depth study of all his significant novels. Carleton employed techniques similar to the multi-voiced carnival (where oral folk tradition combines sacred with profane and the great with the insignificant) and mock-heroic version of pastoral (where comic characters make profound remarks and whose actions have unanticipated great effects). Through his novels, Carleton illuminated the exploitation of Irish lands by indifferent British authorities and rackrenting Anglo-Irish landlords and subsequent famine and holocaust. Krause's recognition of this ignored author of Irish fiction is a valuable addition to the field of Anglo-Irish literary studies.

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William Makepeace Thackeray has always been an author for those with discriminating literary palettes. `I do not hesitate to name Thackeray first’ said his most devoted disciple, Anthony Trollope. Few would deny that he is the finest literary stylist of his time. Thackeray was at his most Thackerayan in what he called `small beer chronicles’: the little things in life. His style reached its highest pitch in essays, his cutting wit in journalism. This is the first `sampler’ which covers all of Thackeray’s versatile genius: his cartoons, his journalism, his carefully restrained sentimentality (much to Victorian taste), his cutting satire, his essayism and what one could grandly call the Thackerayan world view---summed up (as printed here) in the foreword and afterword of his masterpiece, Vanity Fair. This collection of incidental pieces and cartoons (no writer has ever illustrated his own work better) catches him at his most characteristic. Enjoy. Key Points: •The first anthology of Thackeray’s varied writings as journalist and essayist •With explanatory notes throughout by scholar and writer John Sutherland •Illustrated with sketches and cartoons by Thackeray •A charming gift for fans of Thackeray and Victoriana

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A new biography of which paints the most well-rounded and factually accurate portrait of the composer to date Ralph Vaughan Williams ranks among the most versatile, influential, and enduringly popular British musicians of his era. Throughout his wide-ranging career-as composer, conductor, editor, scholar, folksong collector, teacher, author, administrator, and philanthropist-Vaughan Williams worked tirelessly to improve the standards and quality of British musical life. His dedicated work ethic and fastidious attention to musical detail helped him forge a compelling and original expressive idiom grounded in a profound understanding of musical history and tradition, popularized in concert staples like the Tallis Fantasia, The Lark Ascending, A London Symphony, the Songs of Travel, and the Serenade to Music. Drawing upon both recent scholarship and newly accessible scores and correspondence, author Eric Saylor interweaves in Vaughan Williams an exploration of the composer's life - including new insights about his early career, military service in the Great War, and relationships with the women he loved and married - with chapters surveying his enormous body of music, spanning hymn tunes to operas, keyboard etudes to solo concerti, wind band music for amateurs to perhaps the finest symphonic cycle of the twentieth century. The resulting portrait reveals Vaughan Williams's complex artistry and dynamic personality, a portrayal often at odds with the avuncular persona of "Uncle Ralph" familiar to the public. This contemporary reassessment of the composer's life and works provides a concise and engaging overview of both, positioning Vaughan Williams as an artist of rare skill, sensitivity, and human insight.

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Dominoes is a full-colour, interactive readers series that offers students a fun reading experience while building their language skills. With integrated activities and on-page glossaries the new edition of the series makes reading motivating for learners. Each reader is carefully graded to ensure each student reads from the right level from the very beginning.

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The first biography of William Roy, exploring his life, career and legacy

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The William Morris Set of 3 Midi Notebooks features a collection of three midi, foiled notebooks with alternating lined and blank pages. Each notebook has a different beautiful design: Acanthus, Rose and Compton. With a sturdy cover and rounded corners, they are perfect to be carried everywhere! The popularity and influence of William Morris cannot be underestimated – a man of many talents, he was a poet, writer, social campaigner, artist, designer and, with his Kelmscott Press, a fine book printer and publisher. A hugely important figure of the Arts and Crafts movement, he is best known for his superior wallpaper and textile designs, intricately weaving together natural motifs in highly stylized two-dimensional patterns with medieval influences. This Collection shows some of his best-loved prints and is perfect for all art lovers! Flame Tree: The Art of Fine Gifts.

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William Marshal, born about 1147, was the son of a minor lord who held the hereditary title of ‘Marshal’, or head of the king’s security. He became a knight loyal to five kings, the most powerful man in the kingdom, the hero of Magna Carta and a saviour of England. At his funeral in the Temple Church, London, on 20 May 1219, he was described by the Archbishop of Canterbury as ‘the greatest knight in the world’. William’s son commissioned a biography of his father, The History of William Marshal, which brings William vividly to life and is the fullest and most dramatic such biography to reach us from the Middle Ages. The Rotunda of the Temple Church still contains eight 13th-century effigies of knights in armour. Three of the Marshals – William and two of his sons – are known to have been buried in the Church. By the late 16th century, antiquarians were trying to identify William’s effigy among them; and since 1843 one effigy in particular has been universally accepted to be William’s. This has recently been disputed by a set of drawings, dating to c. 1610, discovered in Washington, DC. These drawings show all the medieval effigies in the Temple Church – and a further, long-lost gravestone which matches the earliest descriptions of William’s tomb. This raises a fascinating question: has the real monument to William been lost? This book will uncover the details of this latest discovery and commemorate the greatest knight that ever lived.

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Lees draws on Burroughs' search for an addiction cure to discover a ground-breaking treatment for shaking palsy, and learns how to use the deductive reasoning of Sherlock Holmes to diagnose patients. Lees follows Burroughs into the rainforest and under the influence of yage (ayahuasca) gains insights that encourage him to pursue new lines of pharmacological research and explore new forms of science.

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William Troy (1903-1961) was a highly regarded literary critic during the 1930s and 1940s. Among his contemporaries, he ranked with Edmund Wilson, Kenneth Burke, and F. O. Matthiessen. Indeed, in the preface to the posthumous, 1968 publication of his Selected Essays, which won a National Book Award, Allen Tate placed Troy among the handful of the best critics of this century. Troy's criticism was informed by an intelligence so balanced that, where many theoreticians took up positions in logical traps, he easily avoided them. At the very moment when scholars and critics were either treating literature like polemics or investigating ideas as if belles-lettres were a sub-category of history or philosophy, Troy acknowledged both the centrality of literary ideas and their distinction from ideas in other forms. When confronted with a text, he analysed it with a firm sense of its inherent meaning and of its cultural implications, in a style that expresses seriousness of commitment precisely and clearly. The Bookman presents a selection of Troy's remaining writings on such major literary figures as Henry James, e. e. cummings, Ernest Hemingway, Edith Wharton, F. Scott Fitzgerald, T. S. Eliot, Andre Gide, William Faulkner, James Joyce, Albert Camus, Jean Cocteau, Willa Cather, W. H. Auden, Virginia Woolf, and Emile Zola. Troy produced a body of work that is timeless, permanent, and exemplary -- perhaps as much as, if not more so than, the work of such other critical contemporaries of his as the Anglo-Americans Yvor Winters, I. A. Richards, William Empson, George Jean Nathan, and R. P. Blackmur. Published in conjunction with Film Nation: William Troy on the Cinema, 1933-1935 (ISBN 978-1-78976-173-3), The Bookman is clear evidence of Troy's role as one of the foremost critics of his age. Inclusion of a substantive index makes the work an essential and accessible gateway to a wide range of literary criticism.

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The first comprehensive study of William Ince and John Mayhew’s famous eighteenth-century cabinetmaking partnership, complemented by high-quality photographs of their work. The partnership of William Ince (1737–1804) and John Mayhew (1736–1811) ran from 1758 to 1804, and was one of the most enduring and well-connected collaborations in Georgian London’s tight-knit cabinetmaking community. The partners’ clientele was probably larger, and their work was arguably more influential over a longer period, than most other leading metropolitan makers – perhaps even than that of their older contemporary, the celebrated Thomas Chippendale. Despite their considerable output and an impressive tally of clients and commissions, much of Ince and Mayhew’s work has remained unidentified until recent times. The authors’ substantial research in private family archives, county record offices and bank archives has allowed them to uncover much new evidence about the business and its influence within cabinetmaking circles. In Industry and Ingenuity, the results of these new investigations are presented alongside an impressive selection of more than 500 colourful, vibrant photographs of Ince and Mayhew’s works, many previously unpublished, which together emphasise the partnership’s proper position in the pantheon of great eighteenth-century cabinetmakers.

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A major figure in the history of twentieth-century American radicalism, William Z. Foster (1881-1961) fought his way out of the slums of turn-of-the-century Philadelphia to become a professional revolutionary as well as a notorious and feared labor agitator. Drawing on private family papers, FBI files, and recently opened Russian archives, this first full-scale biography traces Foster's early life as a world traveler, railroad worker, seaman, hobo, union activist, and radical journalist, and also probes the origins and implications of his ill-fated career as a top-echelon Communist official and three-time presidential candidate. Even though Foster's long and eventful life ended in Moscow, where he was given a state funeral in Red Square, he was, as portrayed here, a thoroughly American radical. The book not only reveals the circumstances of Foster's poverty-stricken childhood in Philadelphia, but also vividly describes his work and travels in the American West. Also included are fascinating accounts of his early political career as a Socialist, "Wobbly," and anarcho-syndicalist, and of his activities as the architect of giant organizing campaigns by the American Federation of Labor, involving hundreds of thousands of workers in the meatpacking and steel industries. The author views Foster's influence in the American Communist movement from the perspective of the history of American labor and unionism, but he also offers a realistic assessment of Foster's career in light of factional intrigues at the highest levels of the Communist International. Originally published in 1994. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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The Parrish Art Museum, on Long Island's East End, holds one of the largest public collections of William Merritt Chase in the United States: over forty paintings and works on paper, and a wealth of archival photographs and documents. This new volume features 30 of the artist's most important paintings and works on paper, including his early "Still Life with Fruit" (1871), works from the famous New York park scenes series, notably "Park in Brooklyn" (c. 1887); major studio paintings from the 1880s, such as "The Blue Kimono" (c. 1888); and of course, the paintings made during his summers in Long island's Shinnecock Hills, including "The Bayberry Bush" (c. 1895). It also includes many family photographs taken during summer spent in Shinnecock Hills, Long Island, where Chase founded, and taught at, the Summer School of Art. There are essays covering the key influences on Chase's art and his early career in Munich and his work in Paris and Madrid.

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This collection of over 350 letters written by William Beckford to his bookseller George Clarke over the years 1830 to 1834, gives a vivid picture of the insatiable connoisseur in the act of gathering the books and prints that ultimately became part of the library of the Duke of Hamilton, sold in 1882. This correspondence, with the addition of Clarke's own letters to Beckford, constitutes the most complete documentary record of Beckford's collecting habits and literary pursuits in existence. They are significant as historical documents that guide the reader into the golden age of the London book trade with its array of wealthy collectors, publishing houses, auction firms, book and print dealers.They also shed light on the negotiations with the publisher Richard Bentley for the publication of Italy; with Sketches of Spain and Portugal and trace the anxiety Beckford experienced in his fruitless efforts to sell the Episodes of Vathek. The editor's explanatory notes are comprehensive, revealing Beckford's enthusiasms and the fury of his attack against competitors in the field.The Consummate Collector will be warmly received by bibliophiles, historians, and readers interested in one of the most fascinating men of his time.

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William Paulet was the ultimate courtier. For an astonishing 46 years he served at the courts of Henry VIII, Edward VI, Mary and Elizabeth and was one of the men responsible for introducing the changes in religious, economic and social issues which shaped England as we know it today. He was a judge at the trials of Fisher, More and the alleged accomplices of Anne Boleyn, and though born a commoner, by his death he was the senior peer in England and, as Lord High Treasurer, he held one of the most influential positions at court. With his long and varied career within the royal household and in government, a study of Paulet presents an excellent opportunity to look in more detail at courtly life, allowing the reader an understanding of how he spent his working day. Tudor Survivor is the biography of the man who defined the role of courtier, but also gives valuable insight into everyday life, from etiquette and bathing, to court politics and the monarchs themselves. When asked how he had managed to survive so long, Paulet replied ‘By being a willow, not an oak’. The author’s research shows that this remarkable man was steelier than he admitted.

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This volume is a collection of ideas stated over a lifetime of service as administrator, diplomat, president, and Chief Justice. It singles out, from the total of Taft's writings and addresses, the essence of his convictions regarding government, diplomacy, and the law. Readers will find the ideas and beliefs of Taft as he dealt with a plethora of issues, principles, and judgments; a treasure of public wisdom satisfying in itself and yet stimulating to the point of prompting further investigation of Taft's public mind and personal convictions. In this undertaking there are three separate categories: political analyses, diplomatic explorations, and judicial deliberations woven into a pattern of a philosophy of government.

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Born the child of an agricultural labourer in Dorset’s Blackmore Vale, by self-education William Barnes (1801-1886) rose to be a lawyer's clerk, a schoolmaster, a much-loved clergyman, and a scholar who could read over seventy languages. He also became the finest example of an English poet writing in a rural dialect. In this book, Alan Chedzoy shows how, uniquely, he presented the lives of pre-industrial rural people in their own language. He also recounts how Barnes’s linguistic studies enabled him to defend the controversial notion that the dialect of the labouring people of Wessex was the purest form of English. Serving both as an anthology and an account of how the poems came to be written, this biography is essential reading for anyone who wants to discover more about the man who, in an obituary, Thomas Hardy described as ‘probably the most interesting link between present and past life that England possessed’.

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This is the first scholarly edition of one of the classics of literary criticism. William Empson was among the two or three most important and influential literary critics and theorists of the twentieth century. He has long been celebrated as one of the most fertile (as well as one of the funniest) explorers of how meaning works in language, especially in poetry. The Structure of Complex Words (1951) was much his longest book and was intended as a major theoretical statement of his contribution to the subject. Since its publication, it has been constantly referred to, but usually from a respectful distance, since it can seem a forbidding and difficult work. This edition provides an extensive introduction together with full critical and explanatory notes. The editors trace the book's genesis and development in detail, beginning with Empson's collaboration with I. A. Richards in the early and mid-1930s, and concluding with the extensive writing and re-writing that Empson undertook while in Peking in 1947-50. This edition also reprints a selection of materials (including articles and letters) that illuminate Empson's thinking and contributed to the eventual book. The edition makes Empson's great work more intelligible to a range of readers and will immediately become the standard version of this celebrated text.

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Now available in paperback, Pamela Todd’s book celebrates William Morris’s genius, presenting a thorough overview of his life and career, while setting out his guiding principles so that a modern audience can recreate the Arts and Crafts style in their own homes. A series of ‘Case Studies’ explores six contemporary houses – from a modern London townhouse to a traditional Arts and Crafts home in Massachusetts – that have followed and adapted Morris’s dicta, brilliantly demonstrating how the style can be applied to our environment today. The book concludes with a comprehensive style-sourcing section, as well as a gazetteer of places to visit for inspiration. ‘An excellent book’ – The Times ‘The definitive source book for anyone interested in the Arts & Crafts style ... stunning’ – Period Living and Traditional Homes ‘Gorgeous ... packed with intelligently researched information and more than 200 exquisite illustrations ... Get this if you’re tempted to introduce the true spirit of Morris to your home’ – Grand Designs

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Jane Williams (Ysgafell) was a writer with a long and varied list of publications: poetry, fiction, a riposte to the 1847 Blue Books, the 'autobiography' of Betsi Cadwaladr, a history of Wales, a biography of the historian and patriot Carnhuanawc, and a history of women's writing in English. In her writing and her life she crossed and re-crossed boundaries - national, social, literary, linguistic and cultural - and carved out her own path. As a nineteenth-century woman whose writing career spanned fifty years and many genres, including serious non-fiction and texts in English on Wales and matters Welsh, Jane Williams is unique. This is the first full-length study of her life and work, comprising detailed original research from which the author has drawn a picture of a remarkable and impressive woman writer.

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This sumptuous and comprehensive evaluation showcases Smith’s 1815 hand-coloured map, A Delineation of the Strata of England and Wales, with part of Scotland, and illustrates the story of his career, from apprentice to fossil collector and from his 1799 geological map of Bath and table of strata to his detailed stratigraphical county maps. The introduction places Smith’s work in the context of earlier, concurrent and subsequent ideas regarding the structure and natural processes of the earth. The book is then organized into four geographical sections, each beginning with four sheets from the 1815 strata map, accompanied by related geological cross sections and county maps (1819–24), and is followed by displays of Sowerby’s fossil illustrations (1816–19) organized by strata. Interleaved between the sections are essays by leading academics that explore the aims of Smith’s work, its application in the fields of mining, agriculture, cartography, fossil collecting and hydrology, and its influence on biostratigraphical theories and the science of geology. Concluding the volume are reflections on Smith’s later work as an itinerant geologist and surveyor, plagiarism by his rival – President of the Geological Society, George Bellas Greenough – receipt of the first Wollaston Medal in 1831 in recognition of his achievements, and the influence of his geological mapping and biostratigraphical theories on the sciences, culminating in the establishment of the modern geological timescale.

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Well known as a political commentator and the author of sixteen novels, William F. Buckley Jr. was also a superb chronicler of travel. Getting About gathers more than one hundred of his articles about journeys by boat, train, or plane, representing a lifetime of adventure around the world—from Annapolis to Zurich, from the Azores to the Virgin Islands.An elegant jet-setter with a flair for literary journalism, Buckley had few rivals in the art of travel writing. He took first place in the Magazine Article on Foreign Travel category in the Lowell Thomas Travel Journalism Competition for eight pieces written while “Concording around the world” in 1989. A master storyteller, he adeptly wove devices of fiction together with reportage to craft entertaining pieces full of exuberance and authority. Being a Bach afficionado, he composed his sentences for a well-tuned ear.Buckley’s talent for arranging a mise-en-scène stands out in accounts of riding the Orient Express, skiing at Alta, or vacationing at Barbuda. Though himself a central character in the story, he never dominates it. He wrote candidly about travel misadventures, as when his sixty-foot schooner broke down in the Bahamas and was towed to Miami by a Coast Guard cutter, or when a malfunctioning compass landed his boat on a rocky shoal off Rhode Island and the Coast Guard said, “Sorry, we can’t help you.” He also took a gimlet eye to the travel industry and a discriminating palate to airline food, suggesting that airports sell “a really good box lunch” with celery rémoulade, fresh figs, and a nice Bordeaux.Getting About is pure enjoyment, but it also broadens the significance of Buckley’s œuvre. Along with Bill Meehan’s illuminating introduction, this delightful collection helps preserve Buckley’s legacy as his centenary, in 2025, approaches.

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