Search results for ""Author becker"

Contract law is increasingly used to serve regulatory purposes considered beyond the reach of private law. This Handbook explores a range of modern practices that are not typically treated in standard expositions of this area. By exploring these phenomena, it reveals the changing role of regulatory private law in a globalised legal world - one where distinctions between public and private law, hard law and soft law, and rule making and contracting have become increasingly blurred. Contributors explore key examples drawing on an extensive range of private law. The book pays close attention to the use of codes of conduct to coordinate and steer behaviour in business-to-business and business-to-consumer relationships, concerning health and safety, environment, and employment conditions. It also examines the formation of contractual `networks', such as franchises, to regulate multi-party trade relationships, and the application of contracts and contract law to secure business and consumer compliance with public standards. With its global reach and detailed research, this Handbook will appeal to academics exploring the potential of new law making methods and practitioners looking to gain insight into emerging approaches to private law.Contributors include: A. Beckers, R. Brownsword, R.R. Condon, D. Leczykiewicz, M. Mataija, M.-C. Menting, H.-W. Micklitz, C. Mitchell, M. Namyslowska, E.T.T. Tai, R. van Gestel, P. Verbruggen

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This special issue is dedicated to the memory of Okwui Enwezor (1963–2019), the first African and Black curator and director of documenta11 (2002) and the 56th Venice Biennale (2015). The articles and personal tributes collected here recognize the profound impact left by the Nigerian art historian, curator, poet, and educator who transformed the curatorial present of global exhibitions and anticipated their decolonizing futures. Enwezor created political platforms and artistic manifestos that not only changed the form and function of global exhibitions, but also opened up new ways to align activism with aesthetic practices, performative displays, and curatorial initiatives. Contributors—art historians and critics, curators, and artists—address how Enwezor’s approach to the exhibition as a “space of public discourse” intersects with theories of affect, indigeneity, race, queer studies, and feminism. Contributors: David Adjaye, Hoor Al Qasimi, Natasha Becker, Naomi Beckwith, María Magdalena Campos-Pons, Jody B. Cutler-Bittner, Jane Chin Davidson, Shane Doyle, Tamar Garb, Kendell Geers, Salah M. Hassan, Amelia G. Jones, Abdellah Karroum, Monique Kerman, Mohammed Ibrahim Mahama, Julie Mehretu, Susette S. Min, Wangechi Mutu, Sabine Dahl Nielsen, Chika Okeke-Agulu, Alpesh Kantilal Patel, Anne Ring Petersen, Yinka Shonibare, Penny Siopis, Mary Ellen Strom, Przemyslaw Strozek, Mikhael Subotzky

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Known for its pioneering studies of urban life, immigration, and criminality using the “city as laboratory,” the so-called Chicago school of sociology has been a dominant presence in American social science since it emerged around the University of Chicago in the early decades of the twentieth century. Canonical figures such as Robert Park, Everett Hughes, Howard S. Becker, and Erving Goffman established foundational principles of how to conduct social research.This groundbreaking book on the development and influence of the Chicago tradition, first published in 2001, became an immediate classic in France, where Chicago sociology has exerted significant appeal. Drawing on deep archival research and interviews with members of the tradition, Jean-Michel Chapoulie interrogates evidence with a historian’s eye and recognizes the profound effects that culture, society, and the economy have on individuals and institutions. His study is a fine-grained and panoramic portrait of the complex and interlocking factors that gave rise to the research interests and methodologies that characterized the Chicago tradition in the 1920s and that contributed to rises and falls in its predominance in American sociology over the following decades. Now revised and available for the first time in English, Chicago Sociology provides a unique perspective on the history of social science in the twentieth century. A foreword by William Kornblum places Chapoulie’s work in context and addresses recent critical challenges to the Chicago school and its origins.

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First performed at the Royal Court Theatre in 1958, Krapp's Last Tape has since become widely celebrated as one of Samuel Beckett's most important and powerful plays. The Making of Samuel Beckett's 'La dernière bande'/'Krapp's Last Tape' is a comprehensive reference guide to the history of the text. The book includes: - A complete descriptive catalogue of available relevant manuscripts, including French and English texts, alternative drafts and notebook pages - A critical reconstruction of the history of the history of the text, from its genesis through the process of composition to its full publication history - A detailed guide to exploring the manuscripts online at the Beckett Digital Manuscripts Project at www.beckettarchive.org This volume is part of the Beckett Digital Manuscript Project (BDMP), a collaboration between the Centre for Manuscript Genetics (University of Antwerp, Belgium), the Beckett International Foundation (University of Reading, UK) and the Harry Ransom Humanities Research Centre (University of Texas at Austin, USA), with the support of the Estate of Samuel Beckett.

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Can a long-term perspective on human adaptations to climate change inform Ireland’s response to the crisis we face today? Climate and Society in Ireland is a collection of essays, commissioned by the Royal Irish Academy, that provides a multi-period, interdisciplinary perspective on one of the most important challenges currently facing humanity. Combining syntheses of existing knowledge with new insights and approaches, contributors explore the varied environmental, climatic and social changes that occurred in Ireland from early prehistory to the early 21st century. The essays in the volume engage with a diversity of pertinent themes, including the impact of climate change on the earliest human settlement of Ireland; weather-related food scarcities during medieval times that led to violence and plague outbreaks; changing representations of weather in poetry written in Ireland between 1600 and 1820; and how Ireland is now on the threshold of taking the radical steps necessary to shed its ‘climate laggard’ status and embark on the road to a post-carbon society. With contributions by Máire Ní Annracháin, Katharina Becker, David M. Brown, Lucy Collins, Lisa Coyle McClung, Bruce M.S. Campbell, Rosie Everett, Benjamin Gearey, Raymond Gillespie, Seren Griffiths, James Kelly, Francis Ludlow, Meriel McClatchie, Conor Murphy, Simon Noone, Aaron Potito, Gill Plunkett, Phil Stastney, Graeme T. Swindles, John Sweeney, Graeme Warren.

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Holocaust Restitution is the first volume to present the Holocaust restitution movement directly from the viewpoints of the various parties involved in the campaigns and settlements. Now that the Holocaust restitution claims are closed, this work enjoys the benefits of hindsight to provide a definitive assessment of the movement. From lawyers and State Department officials to survivors and heads of key institutes involved in the negotiations, the volume brings together the central players in the Holocaust restitution movement, both pro and con. The volume examines the claims against European banks and against Germany and Austria relating to forced labor, insurance claims, and looted art claims. It considers their significance, their legacy, and the moral issues involved in seeking and receiving restitution. Contributors: Roland Bank, Michael Berenbaum, Lee Boyd, Thomas Buergenthal, Monica S. Dugot, Stuart E. Eizenstat, Eric Freedman and Richard Weisberg, Si Frumkin, Peter Hayes, Kai Henning, Roman Kent, Lawrence Kill and Linda Gerstel, Edward R. Korman, Otto Graf Lambsdorff, David A. Lash and Mitchell A. Kamin, Hannah Lessing and Fiorentina Azizi, Burt Neuborne, Owen C. Pell, Morris Ratner and Caryn Becker, Shimon Samuels, E. Randol Schoenberg, William Z. Slany, Howard N. Spiegler, Deborah Sturman, Robert A. Swift, Gideon Taylor, Lothar Ulsamer, Melvyn I. Weiss, Roger M. Witten, Sidney Zabludoff, and Arie Zuckerman.

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A Barcelona architectural firm transforms an abandoned social club into a theater and creative space In 2014, Flores & Prats redesigned Barcelona’s Pau i Justícia building as a theater, creative space and drama school. This publication documents the process, highlighting the historic elements of the existing building that were preserved.

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Liam Beckett is old school. One of Northern Ireland's best-loved sports pundits, few can touch him when it comes to talking about road racing and football. And he doesn't just talk the talk, he's walked the walk - he was Robert Dunlop's mechanic and mentor for almost twenty years and during his ten-year football career he was both player and manager. In this new book, Beckett talks frankly about what these sports mean to him, how they have changed and the challenges that lie ahead. Among other things, he talks passionately about his sporting heroes; relives the games he'll never forget; gets stuck into those who co-opt sport into religion or politics; and opens up about the loss of William Dunlop and his decision to take a break from road racing. Straight-talking, funny and generous, this is Liam Beckett - telling it like it is!

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This study explores the dialectic of destruction and renewal in the work that Samuel Beckett regarded as his masterpiece: the trilogy of novels he wrote after World War II. It interprets the trilogy as presenting a subversive critique of the three idols: mother, father, and self to which humanity has looked for protection and guidance throughout history.

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Samuel Beckett and the Terror of Literature' addresses the relevance of terror to understanding the violence, the suffering, and the pain experienced by the narrative voices of Beckett's major post-1945 works.

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The late Jacques Derrida’s notion of literature is explored in this new study. Starting with Derrida’s self-professed inability to comment on the work of Samuel Beckett, whom Derrida nevertheless considered one of the most interesting and exemplary writers of our time, Asja Szafraniec argues that the shared feature of literary works as Derrida understands them is a double, juridical-economical gesture, and that one aspect of this notion (the juridical) is more hospitable to Beckett’s oeuvre than the other. She then discusses other contemporary philosophical approaches to Beckett, including those of Gilles Deleuze, Stanley Cavell, and Alain Badiou. The book offers an innovative analysis of Derrida’s approach to literature, as well as an overview of current philosophical approaches to contemporary literature, and a number of innovative readings of Beckett’s work.

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Edited by Paul Auster, this four–volume set of Beckett's canon has been designed by award-winner Laura Lindgren. Available individually, as well as in a boxed set, the four hardcover volumes have been specially bound with covers featuring images central to Beckett's works. Typographical errors that remained uncorrected in the various prior editions have now been corrected in consultation with Beckett scholars C. J. Ackerley and S. E. Gontarski. Beckett was interested in consciousness as a form of comedy close to tragedy and logic as a crime. He loved the tension in 'cogito ergo sum' and took a dim view of the connecting word, the 'ergo' in the equation. Cogitating was the nightmare from which his characters were trying to awake. Being was a sour trick played on them by some force with whom they were trying desperately not to reckon. Beckett produced infinite amounts of comedy about the business of thinking as boring, invalid, and quite unnecessary. His characters did not need to think in order to be, or be in order to think. They knew they existed because of the odd habits and deep discomforts of their bodies. I itch therefore I am." — Colm Toibin, from his Introduction

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The budget has been among the most pressing topics facing Brussels throughout the history of the EU. Features and Challenges of the EU Budget proposes a timely analysis of the most pertinent issues surrounding the EU budget with a multidisciplinary approach that includes historical, political, legal and economic interpretations.This thought provoking book considers the history of the EU budget and the European integration process, offering insight into the broader political implications of the budget for both Member State governments and for their citizens. Features and Challenges of the EU Budget also explores the legal and economic repercussions of the EU budget, examines the framework that controls it, and interrogates the budget's effects on European growth and competitiveness alongside its significance to the structural balances of Member States. At a time of uncertainty for the EU, this book provides a critical investigation of how political factors will affect the future of the EU budget. Featuring the unique contributions of academics from a range of disciplinary backgrounds, this insightful work will be of great interest to scholars and students investigating the politics, structure and economics of the EU. This book will also be useful to institutions offering courses or programmes concerning the EU and its budget. Contributors include: P. Becker, A. Isoni, R. Kaiser, M. Kölling, K. Mause, E. Perreau, M. Pierri, M. Schratzenstaller, M. Scotto, U. Villani-Lubelli, L. Zamparini

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Biochemistry is a major new textbook designed and created specifically for briefer courses in the subject. Written by Prof. Terry Brown of the University of Manchester (author of Genomes and Gene Cloning), the book provides the necessary detail and rigour expected for these courses, but without the extraneous material found in the larger textbooks. With an increasing number of students taking a short course in biochemistry there is a growing need for a book that covers the subject concisely and succinctly. Biochemistry has been designed from the outset for these shorter courses; it is not a cut-down version of one of the larger books that dominate the market. Although it is shorter, there is no compromise in content, style and coverage. The book is attractively designed in full colour throughout with all the pedagogical features expected in a major textbook. It covers what students should be expected to know and is written in the clear and accurate writing style for which Terry Brown is widely lauded. With its competitive price and resources for adopting lecturers (all of the illustrations and diagrams from the book, and answers to the end of chapter questions), Biochemistry will become the textbook of choice for any brief biochemistry course. Confirmed Adoptions Biochemistry is already the required text at the following institutions: Becker College, USA Bishop Burton College, UK Bournemouth University, UK Charles R. Drew University of Medicine and Science, USA Charleston Southern University, USA Colorado State University - Pueblo, USA Idaho State University, USA Liverpool John Moores University, UK Montclair State University, USA Newcastle University, UK Rivier University, USA Southeast Missouri State University, USA Staffordshire University, UK Stephen F Austin State University, USA Texas Christian University, USA The University of Texas at Austin, USA Umeå University, Sweden University of Aberdeen, UK University of Bradford, UK University of Bedfordshire, UK University of Brighton, UK University of the Incarnate Word, USA University of Kansas, USA University of Miami Miller School of Medicine, USA University of Nottingham, UK University of Roehampton, UK University of Salford, UK University of the West of England, UK University of Tulsa, USA Valley City State University, USA Yale University School of Medicine, USA

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Understanding the behavior of individuals and firms is at the heart of evolutionary economics, and of related fields such as behavioral economics, management, and psychology. This book brings together a set of cutting-edge theoretical and empirical contributions addressing individual agents, the evolution of firm organization, as well as the interplay of firm dynamics and regional development. This new and original collection of papers focuses on the intersection of three strands of research: evolutionary economics, behavioral economics, and management studies. Combining theoretical and empirical contributions, the expert contributors demonstrate that the intersection of these fields provides a rich source of opportunities enabling researchers to find more satisfactory answers to questions that (not only evolutionary) economists have long been tackling. Topics discussed include individual agents and their interactions; the behavior and development of firm organizations; and evolving firms and their broader implications for the development of regions and entire economies. This challenging book will prove a thought provoking read for academics, students and researchers with an interest evolutionary economics, behavioral economics and business and management, particularly strategy and entrepreneurship. Contributors: Z. Babutsidze, M.C. Becker, R.A. Boschma, G. Buenstorf, T. Burger-Helmchen, U. Cantner, C. Cordes, M.S. Dahl, H. Dawid, K. Frenken, P. Gjerlov-Juel, W. Guth, P. Harting, H. Kliemt, S. Krabel, P. Llerena

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This study of American intellectual histories sketches their development from colonial chronicles to today's professional scholarship. It concentrates upon the writings of a dozen or more major historians between the late 1800's and the middle 1900's who have contributed to the study of the history of ideas in America, including Moses Coit Tyler, Edward Eggleston, Charles Beard, Carl Becker, Vernon Farrington, Merle Curti, Perry Miller, and Ralph Gabriel. The various histories are analyzed partly from the perspective of a developing scholarly discipline and partly from the perspective of the "climate of opinion" in which the histories were written. The methods employed by the historians in studying ideas, as well as the substantive interpretations expressed in the histories, are analyzed in relation to the "world-views" or "ideological positions" of the historians themselves. Originally published in 1966. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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In Eminent Hipsters, musician and songwriter Donald Fagen, best known as the co-founder of the rock band Steely Dan, presents an autobiographical portrait that touches on everything from the cultural figures that mattered the most to him as a teenager, to his years in the late 1960s at Bard College, to a hilarious account of a recent tour he made with Boz Scaggs and Michael McDonald.Fagen begins by introducing the 'eminent hipsters' that spoke to him as he was growing up (and desperately yearning to be hip) in suburban New Jersey in the late 1950s and early 1960s. The figures who influenced him most were not the typical ones – Miles Davis, say, or Jack Kerouac – but rather people like Jean Shepherd, whose manic, acidic nightly radio broadcasts out of WOR-Radio had a tough realism about life and ‘enthralled a generation of alienated young people’; Henry Mancini, whose chilled-out, nourish soundtracks, especially to films by Blake Edwards utilised the unconventional, spare instrumentation associated with the cool jazz school; and Mort Fega, the laid back, knowledgeable all night jazz man at WEVD, who was like ‘the cool uncle you always wished you had’. He writes of how, growing up as a Cold War baby, one of his primary doors of escape became reading science fiction by such authors as Philip K. Dick, and of his regular trips into New York City to hear jazz. Other emblematic musical heroes Fagen writes about include Ray Charles, Ike Turner, and the Boswell Sisters, a trio from the 1920s and 30s whose subversive musical genius included trick phrasing and way out harmony.‘Class of ’69’ recounts Fagen’s colourful tumultuous years at Bard College, the progressive university north of New York City that attracted a strange mix of applicants, including ‘desperate suburban misfits with impressive verbal skills but appalling high school records’ (like himself). It was at Bard that Fagen first met Walter Becker, with whom he would later form Steely Dan. The final section of the book, ‘With the Dukes of September’, offers a day-by-day account of a tour Fagen undertook last summer across America with Boz Scaggs and Michael McDonald, performing a programme of old R&B and soul tunes as well as some of each of their own hits. Told in a weary, cranky, occasionally biting and always entertaining voice, Fagen brings to life the ups and downs and various indignities and anxieties of being on the road – The Dukes were an admittedly ‘low-rent operation’ compared to a Steely Dan tour – as well as communicating the challenges and joy of playing every night to a different crowd in a different city.

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Itself a mixture of idolatry, deft characterization, and critical insight, "Conversations with Samuel Beckett and Bram Van Velde" is both an entertaining and insightful contribution to our understanding of the lives and thoughts of two masters.

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This volume takes up the current scholarly debate on the literary profile and the author of the Letter of James. The approach reaches beyond the conventional historical quest for James' epistolary authorship and intellectual provenance by combining observations about the explicit, the implicit, the historical, and the literary author with studies on style, rhetoric, literary criticism, genre criticism and literary history, religious profiles, literary patterns of authorship, and communicative structures. The essays of this volume present new insights into James' literary concept and multifaceted authorial profile based on the latest research in ancient (epistolary) author-literature, provide new methodological perspectives on early Christian epistolary authorship, and situate the Letter of James within the context of an emerging Christ-believing literary culture.

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Remembered in his native Ireland primarily as a harpsichordist and interpreter of Bach’s music, and in the UK as a conductor of the ground-shaking early music group Musica Reservata, John Beckett also composed avant-garde incidental music, performed on several instruments and was an authoritative, if controversial, conductor. Music was not his only passion: he was interested in films, the theatre, art and pottery, and loved to travel. His varied career included devising music programmes for Radio Éireann, writing for The Bell magazine, working in Dublin’s Pike Theatre, presenting and performing for the BBC Third Programme, composing music for his famous cousin Samuel Beckett, founding Musica Reservata, conducting Bach cantata concerts in Dublin over a ten-year period, and working as a producer and presenter for BBC Radio 3. Despite his reputation as a gruff, confrontational individual with a fondness for Guinness, whiskey and garlic, he made many friends and was familiar with Dublin’s intellectual, musical and bohemian milieu, such as the writers Aidan Higgins, Anthony Cronin, Patrick Kavanagh, Brendan Behan and James Plunkett, composers E.J. Moeran and Frederick May, counter-tenor Alfred Deller, musician John O’Sullivan, Desmond MacNamara, Ralph Cusack, singer and sculptor Werner Schürmann, publisher John Calder and musician David Cairns. Complex, self-deprecating and private, John’s character and achievements are examined with detail garnered from information both published and in archival collections in Ireland and the UK. Recollections from those who knew him at different stages of his life enliven this fascinating biography. The book also examines the development of Musica Reservata, and contains excerpts from unpublished letters written by Samuel Beckett. Extracts from correspondence between John and James Plunkett, Aidan Higgins, Arland Ussher and music critic Charles Acton are also included.

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This book maps out the novel's complex network of intertexts, sources and echoes, interprets its highly experimental writing and explains the work's great significance for twentieth-century literature.

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This title provides Beckett scholars with a range of first-class essays in a single volume. The Reader makes readily available for the first time 18 major, previously uncollected significant essays from the "Journal of Beckett Studies" from 1992 to the present. Divided into two sections, Sources and Archives and Theories and Translations, and containing work by some of the world's leading Beckett scholars (including John Pilling, James Knowlson, Shane Wellar and Mary Bryden) the volume reflects both a distinctive European emphasis as well as the 'new pragmatism' within Beckett Studies. It gathers 5 strongly textual essays laying out the underpinnings of Beckett's texts. It includes 2 theoretically informed essays by major French philosophers, Bruno Clement and Alain Badiou. It offers a distinctive European emphasis, including studies of Beckett's Italian translations. It brings together in one place high-quality, original research from immediately recognizable names in the field.

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In his memoir, A Life in Medicine: From Asclepius to Beckett, Eoin O’Brien, a cardiologist with an international reputation as a clinical scientist, recounts his life in medicine and literature. He depicts his relatively privileged upbringing in a medical family in the impoverished city that was post-war Dublin and describes his intensely Catholic schooling in St Conleth’s School and Castleknock College, and his eventual rejection of religion. O’Brien describes his training in medicine in the Royal College of Surgeons in Dublin and in its teaching hospitals, the Richmond and the Rotunda, with personal vignettes of his teachers and how doctors were trained in the nineteen fifties. Moving to England to specialise as a cardiologist, he recounts, from the unique vantage point of a front-line doctor, the early development of the exciting speciality of cardiology. He was actively involved in the development of coronary care units, in which the then horrendous mortality from heart attack would be reduced with the introduction of new drugs, pacemakers and the techniques of resuscitation and defibrillation. Back in Dublin, O’Brien describes the practice of medicine in the city, and how he and his colleagues established a research unit that would gain international recognition for the treatment of patients with high blood pressure. He traces his role in many activities, including journalism and recording the history of Dublin’s voluntary hospitals, which were being closed to usher in a new era of hospital care. O’Brien’s interest in literature brought into a close friendship with many remarkable writers and artists that included Samuel Beckett, Nevill Johnson, Con Leventhal, Edith Fournier, Brian O’Doherty and Niall Sheridan and in the final section, he writes about these associations, giving unique glimpses into the lives of many remarkable people. His recollections of Samuel Beckett, alone, make this an essential text for those interested in the Nobel Prize-winning writer.

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Explores the relation between humility and humiliation in the works of T. S. Eliot and Samuel Beckett Offers the first book-length comparative study of T. S. Eliot and Samuel Beckett Develops a literary theory of humility and humiliation concepts whose definitions have largely been determined by philosophy and theology Explores the relation between negative affect, ethics and aesthetics Humility and humiliation have an awkward, often unacknowledged intimacy. Humility may be a queenly, cardinal or monkish virtue, while humiliation points to an affective state at the extreme end of shame. Yet a shared etymology links the words to lowliness and, further down, to the earth. As this study suggests, like the terms in question, T. S. Eliot and Samuel Beckett share an imperfect likeness. Between them is a common interest in states of abjection, shame and suffering and possible responses to such states. Tracing the relation between negative affect, ethics, and aesthetics, Eliot and Beckett's Low Modernism demonstrates how these two major modernists recuperate the affinity between humility and humiliation concepts whose definitions have largely been determined by philosophy and theology.

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Scarred by the Second World War, divided during the Cold War, and turned into a massive construction site in the early postwall years, Berlin has dramatically reinvented itself in the new millennium. Film has served a neglected but important function in this transformation.In Berlin Replayed, Brigitta B. Wagner shows how old and new films set in Berlin created a collective urban nostalgia for the city’s best, most inclusive, and most conciliatory pasts in the face of its renewed purpose as the all-German capital. Exploring films such as Walter Ruttmann’s Berlin: Symphony of a Great City, Wim Wenders’s Wings of Desire, Tom Tykwer’s Run Lola Run, and Wolfgang Becker’s Good Bye, Lenin!, the book establishes that these films don’t merely feature the city but actively construct how viewers come to know different Berlins of the past and present. To illustrate how film has repeatedly remade the image of the city, Berlin Replayed focuses on four key periods: the golden 1920s, when the city was a major filmmaking center; the prewall 1950s, when Berlin had two ideologically opposed film industries; the politically transformative late 1980s and early 1990s; and the hyped start of the twenty-first century.By showing how films have helped revive memories of the “good” Berlin and, by extension, the “good” Germany, Berlin Replayed reveals the underappreciated but powerful role film has played in the process of unifying Germany’s historical experience and bridging its physical and political divisions.

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Elizabeth Becker Henley is a present-day dramatist whose 12 complete plays, three of which have been turned into films, have achieved worldwide production. At age 29 she produced her first full-length drama, Crimes of the Heart, which attained Pulitzer Prize status and garnered three Academy Award nominations as a film. Her Mississippi upbringing and her penchant for the eccentricities of southern culture, however, have caused critics to categorize her writing as a kind of southern gothic folklore inspired by feminist ideology. This book, the first critical study of Henley's complete plays, attempts to dispel the common stereotypes that associate Henley's work with regional drama and sociological treatises. It argues instead that Henley can best be perceived as a dramatist who delineates an existential despair manifested in various forms of what Freud calls the modern neurosis. The book maintains that Henley's plays must be understood as universal statements about the angst of modern civilization, and Henley's characters are assessed in light of Freud's proposition that cultural restrictions create neurotic individuals. The Introduction provides a brief account of Henley's childhood and career. Early chapters summarize the theory of the modern agnoisse espoused in Freud's Civilization and Its Discontents, while later chapters relate this theory to thematic and stylistic elements of Henley's most popular play, Crimes of the Heart, as well as Am I Blue?, The Wake of Jamie Foster, The Miss Firecracker Contest, The Debutant Ball, The Lucky Spot, Abundance, Signature, Control Freaks, Revelers, L-Play, and Impossible Marriage.

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This topical book is the first publication that focuses on the impact of the CCCTB project on relations between the European Union and third countries. Although the CCCTB system will only be applicable within the European Union, it will also have wide-ranging impacts for non-resident companies.The book considers the impact of the CCCTB from the perspective of non-EU-based enterprises that are carrying on business in the EU through the operation of branches or subsidiaries in member states. It incorporates the perspectives of leading scholars from all over Europe as well as from third countries such as the United States, and provides in-depth analysis of the key aspects which would affect third countries, such as: withholding taxation, taxation of transparent entities, and transfer of assets to third countries.Corporate Income Taxation in Europe will provide essential insights to academics, practitioners and policymakers in the field of taxation. It will also interest those looking ahead to future tax reforms in the EU, or considering how a similar model may be applied elsewhere.Contributors: K. Andersson, K. Becker, Y. Brauner, J. Englisch, D. Gutmann, C.-A. Helleputte, W. Hellerstein, C. HJI Panayi, C. Kaeser, M.A. Kane, T. Keijzer, E.C.C.M. Kemmeren, R. Lyal, G. Maisto, P. Pistone, R. Seer, D.S. Smit, C. Spengel, J. van de Streek, E. Traversa, D. Weber

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This timely book presents contemporary research on the key role of entrepreneurship in firm growth and development strategies. The contributors reveal that a high level of entrepreneurial activity contributes to economic growth, innovative activities, competition, job creation and local development. The contents of the book, although varied in terms of the topics covered and research methods used, demonstrate the role of entrepreneurship in relation to growth and economic development in a variety of different contexts. Drawing together leading-edge European research, the expert contributors analyze a number of different issues, such as whether firm growth and performance are different concepts in entrepreneurship studies, growth strategies of IT firms, the start-up funding process, cross-border cooperation between enterprises and SME competitiveness. Entrepreneurship, Growth and Economic Development will appeal to researchers and students of entrepreneurship and small business. Policy makers will also find this book a source of inspiration. Contributors: K. Balaton, K. Becker, M. Brannback, A. Carsrud, T.M. Cooney, H. Crijns, A. Fayolle, D. Finn, V. Gupta, T. Hogan, L. Hortovanyi, E. Hutson, K. Ikeuchi, N. Kiviluoto, F. Kronthaler, J. Lepoutre, C. O Gorman, H. Okamuro, M. Raposo, D. Smallbone, C. Streb, L. Szerb, O. Tilleuil, J. Ulbert, W. Van den Berghe, K. Wagner, F. Welter, O. Witmeur, M. Xheneti

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This book examines Samuel Beckett’s unique lesson in courage in the wake of humanism’s postwar crisis—the courage to go on living even after experiencing life as a series of catastrophes. Rabaté, a former president of the Samuel Beckett Society and a leading scholar of modernism, explores the whole range of Beckett’s plays, novels, and essays. He places Beckett in a vital philosophical conversation that runs from Bataille to Adorno, from Kant and Sade to Badiou. At the same time, he stresses Beckett’s inimitable sense of metaphysical comedy. Foregrounding Beckett’s decision to write in French, Rabaté inscribes him in a continental context marked by a “writing degree zero” while showing the prescience and ethical import of Beckett’s tendency to subvert the “human” through the theme of the animal. Beckett’s “declaration of inhuman rights,” he argues, offers the funniest mode of expression available to us today.

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Samuel Beckett’s short play Play / Comédie and his only film Film were written around the same time (1962-1963). They both have self-referential titles that invite meditation on the genres they represent. Although medium-specific opportunities and challenges underlie their very different geneses, they have influenced each other in terms of both form and content. In more ways than one, Film continues where Play left off. Whereas in Play the genesis shows a steady increase in speech tempo to the point of near unintelligibility, the silent Film radically eliminates speech from the outset. Conversely, the cinematic element is also clearly present in Play, notably in the crucial role assigned to the light beam as the mechanical, mindless inquisitor. Both works are grounded in technology and rely heavily on explanatory notes for the members of their production teams, thus exposing the inherently collaborative nature of such projects. The genetic critical analysis of the manuscripts of Play / Comédie and Film not only contributes to the interpretation of each work separately but also considers the two works together through the prism of Beckett’s multimedial authorship.

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Geoff Hodgson has made substantial contributions to institutional and evolutionary economics, economic methodology, the history of economic thought and social theory. To mark his seminal work, this book features original contributions by world-leading scholars from fields that have played a significant role in influencing his thinking or represent key debates to which he has contributed. Building on some of the central philosophical and methodological foundations underlying Hodgson's thinking, the book is organized around the recurring themes of institutions, evolution and capitalism. The contributors explore key connections between philosophy, the history of economic thought, and institutional and evolutionary economics in the light of Hodgson's often path-breaking work. A vital read for institutional, evolutionary and heterodox economists, this book sheds new light on Hodgson's position in these fields. Drawing together critical insights, this is also an important book for economics scholars looking to improve their understanding of current theory. Contributors include: M.C. Becker, C. Camic, J.B. Davis, S. Deakin, K. Dopfer, G. Dosi, S. Dow, F. Gagliardi, D. Gindis, J. Groenewegen, G.M. Hodgson, T. Knudsen, R.N. Langlois, T. Lawson, L. Marengo, C. Ménard, J.S. Metcalfe, P. Mirowski, A. Nuvolari, U. Pagano, J. Potts, J.W. Stoelhorst, A. Tylecote, V.J. Vanberg, J. Vromen

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Der trust ist eine besondere Rechtsfigur des anglo-amerikanischen Rechtskreises (common law), die keine echte Entsprechung im kontinental-europäischen civil law hat. Bisherige Rezeptionsversuche sind stets erheblichen Schwierigkeiten begegnet. Der Gesetzgeber von Québec hat mit der neuen fiducie einen besonders originellen Ansatz zur Einführung einer trust-ähnlichen Rechtsfigur gewählt. Rainer Becker untersucht die fiducie in einer Gegenüberstellung mit anderen Treuhandmodellen, die er aus traditionellen und modernen Rechtsinstituten in civil law- und Mischrechtsordnungen ableitet. Die Besonderheit des neuartigen Ansatzes von Québec liegt darin, dass das Treugut nicht einer der beteiligten Personen (Treuhänder, Treugeber und Begünstigter) zugeordnet ist, sondern eine rechtsträgerlose zweckgewidmete Vermögensmasse, ein patrimoine d'affectation bildet. Im Anschluss an eine Darstellung der fiducie von Québec untersucht der Autor dogmatische Bedenken gegen subjektlose Rechte und Vermögen. Er zeigt, dass sich von den untersuchten Treuhandmodellen mehrere als konstruktive Grundlage eignen, um die funktionalen Qualitäten des trust im civil law erfolgreich nachzuempfinden. Der neuartige Ansatz der fiducie von Québec ist davon, trotz seiner Ungewöhnlichkeit und des erforderlichen Anpassungsaufwands, ein besonders interessantes Modell, das durch ein im civil law bislang einzigartiges umfassendes Regelwerk ergänzt wird. Der Autor widerlegt mit seiner Arbeit auch jene, die den trust gern als Anschauungsbeispiel für eine "untranslatability of legal concepts" und eine unüberbrückbare Kluft zwischen common law und civil law heranziehen.

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A leading disciple and confidant of Freud, Otto Rank revolutionized the field of psychoanalytic theory in The Trauma of Birth (1924). In this book, Rank proposed that the child's pre-Oedipal relationship to the mother was the prototype of the therapeutic relationship between analyst and patient. Although Rank is now widely acknowledged as the most important precursor of humanistic and existential psychotherapy--influencing such well-known writers as Carl Rogers, Rollo May, and Ernest Becker--Rank's knotty prose has long frustrated readers. In this volume of Rank's lectures, Robert Kramer has brought together for the first time the innovator's clearest explanations of his most influential theories. The lectures were delivered in English to receptive audiences of social workers, therapists, and clinical psychologists throughout the United States from 1924 to 1938, the year before Rank's untimely death. The topics covered include separation and individuation, projection and identification, love and will, relationship therapy, and neurosis as a failure in creativity. The lectures reveal that Rank, much maligned by orthodox analysts, invented the modern object-relations approach to psychotherapy in the 1920s. In his introduction, based on private correspondence between Rank, Freud, and others in the inner circle, Robert Kramer tells the full story of why Rank parted ways with Freud. The collection of lectures constitutes a "readable Rank," filled with insights still relevant today, for those interested in the humanistic, existential, or object- relational aspects of psychotherapy, or in the development of the psychoanalytic movement.

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The films of Thorold Dickinson (1903-1984), now being rediscovered, engage with major issues including national identity, the post-colonial world, and political violence – and they also show a rare mastery of style, a thrilling eroticism, a preoccupation with the psychology of betrayal. But the director of Gaslight, The Next of Kin and The Queen of Spades was also an editor, documentarist, trade unionist, film producer (for the British Army and the UN), pioneering academic and controversialist. His adventurous and truly global involvement in film took him to Paris in the heyday of silent cinema in the 1920s, to Stalin’s USSR in 1937, to the Spanish Civil War, to Africa, India, Israel and America.This book gives a lively, multi-angled account of Dickinson’s works, life and times, conveying a sense of his own voice and fascinating character. It includes a richly detailed introduction, a film-by-film discussion of Dickinson with Scorsese, vivid personal memoirs of the director, a dossier of Dickinson’s original writings and interviews from 1924 to 1973 (some never previously published), critical essays on all the feature films, and a ground-breaking reference section. The book draws on extensive archival research and close consultation with those who knew Dickinson well.Contributors include: Martin Scorsese, Gavin Millar, Lutz Becker, Charles Barr, Laura Marcus, Kevin Jackson, Kevin Gough-Yates, Ian Christie, Gregory Dart, Hillel Tryster, Janet Moat.

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This interdisciplinary Handbook combines both mainstream and heterodox economics to assess the nature, scope and importance of leisure activity. Surprisingly, the field of leisure economics is not, thus far, a particularly integrated or coherent one. In this Handbook a wide ranging body of international scholars get to grips with this issue, taking in the traditional income/leisure choice model of textbook microeconomics and Becker's allocation of time model along the way. They expertly apply economics to some usually neglected topics, such as boredom, sleeping and social networking which encourages a move towards an integrate field of economics of leisure. Contributions from further afield by Veblen, Sctivosky and Bourdieu also feature prominently. Applying a mix of theoretical and empirical work, undergraduate students in modules on sport/leisure economics as well as sport/leisure management will find this important resource invaluable. Contributors: V. Ateca-Amestoy, G. Bakker, A. Balestrino, S. Banerjee, G. Black, S. Cameron, A. Collins, A. Cooke, J. Cox, L. David, G. Doyle, P.E. Earl, V.G. Fitzsimons, V. Flambard, M. Fox, S. Hussels, K. Jackson, G. Larsen, L.J.A. Lenten, L. Mintz, D. O'Reilly, D. Paton, T.-C. Peng, R.K. Pillania, S. Scott, A.B. Trigg, N. Vaillant, D.L. Wheeler, F.-C. Wolff

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Nach Erschließung der hebräischen Textbasis durch die Edition der Geniza-Fragmente (2003) und die Synopse der Handschriften beider Versionen von Avot de-Rabbi Natan (2006) legt Hans-Jürgen Becker mit diesem Band eine Übersetzung von Version B vor, die auf dem aktuellen Stand der Textforschung diese für Geschichtsdeutung und Weisheit des antik-rabbinischen Judentums zentrale Quelle auch den Interessierten angrenzender Disziplinen zugänglich macht.Das Werk enthält unter anderem die älteste Fassung der rabbinischen Legenden zu den Umständen der Zerstörung Jerusalems im Jahre 70 n. Chr., Sentenzen und Rätselworte der Weisen des ersten und zweiten Jahrhunderts, Geschehnisse aus ihrem Leben und Schilderungen ihres Alltags mit viel Zeitkolorit, zahlreiche Gleichnisse sowie auch längere schriftauslegende Passagen, etwa zur Erschaffung des Menschen nach dem Bericht der Genesis. Fiktive Gespräche mit Kaisern, Matronen und Philosophen zeugen zusammen mit einer Vielzahl griechischer und lateinischer Lehnwörter von der Verbundenheit der Rabbinen mit der sie umgebenden Kultur.Grundlage dieser ersten Übersetzung ins Deutsche ist die älteste und vollständigste erhaltene Handschrift MS Parma 2785 (= de Rossi 327, Spanien 1289), ergänzt durch MS Vatikan 303 (Italien, 15. Jh.). Übersetzungsrelevante Varianten sämtlicher Textzeugen werden anmerkungsweise oder durch synoptische Darstellung dokumentiert. Die Übersetzung ist um größtmögliche Wörtlichkeit bemüht - schwierige Stellen werden sprachlich nicht geglättet. Die Anmerkungen geben Hinweise zum möglichen Textverständnis, ohne der Interpretation vorzugreifen.

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Studies representations of women and death by women to see whether and how they differ from patriarchal versions. In Western culture, women are often linked with death, perhaps because they are traditionally constructed as an unknowable "other." The first two Women and Death volumes investigate ideas about death and the feminine as represented in German culture since 1500, focusing, respectively, on the representation of women as victims and killers and the idea of the woman warrior, and confirming that women who kill or die violent or untimely deaths exercisefascination even as they pose a threat. The traditions of representation traced in the first two volumes, however, are largely patriarchal. What happens when it is women who produce the representations? Do they debunk or reject the dominant discourses of sexual fascination around women and death? Do they replace them with more sober or "realistic" representations, with new forms, modes, and language? Or do women writers and artists, inescapably bound up in patriarchal tradition, reproduce its paradigms? This third volume in the series investigates these questions in ten essays written by an international group of expert scholars. It will be of interest to scholars and students of German literature and culture, gender studies, and film studies. Contributors: Judith Aikin, Barbara Becker-Cantarino, Jill Bepler, Stephanie Bird, Abigail Dunn, Stephanie Hilger, Elisabeth Krimmer, Aine McMurtry, Simon Richter, Helen Watanabe-O'Kelly. Clare Bielby is Lecturer in German at the University of Hull. Anna Richards is Lecturer in German at Birkbeck College, University of London.

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This book addresses one of the least studied yet most pervasive aspects of modern life--the techniques and mechanisms by which official agencies certify individual identity. From passports and identity cards to labor registration and alien documentation, from fingerprinting to much-debated contemporary issues such as DNA-typing, body surveillance, and the catastrophic results of colonial-era identity documentation in postcolonial Rwanda, Documenting Individual Identity offers the most comprehensive historical overview of this fascinating topic ever published. The nineteen essays in this volume represent the collaborative effort of historians, sociologists, historians of science, political scientists, economists, and specialists in international relations. Together they cover a period from the emergence of systematic practices of written identification in early modern Europe through to the present day, and a geographic range that includes Europe, the Soviet Union, North and South America, and Africa. While the book is attuned to the nefarious possibilities of states' increasing capacity to identify individuals, it recognizes that these same techniques also certify citizens' eligibility for significant positive rights, such as welfare benefits and voting. Unprecedented in subject and scope, Documenting Individual Identity promises to shape a whole new field of research that crosses disciplinary boundaries and is of broad public and academic significance. In addition to the editors, the contributors are Valentin Groebner, Gerard Noiriel, Charles Steinwedel, Marc Garcelon, Jon Agar, Martine Kaluszynski, Peter Becker, Anne Joseph, Kristin Ruggiero, Andrea Geselle, Andreas Fahrmeier, Leo Lucassen, Pamela Sankar, David Lyon, Gary Marx, Dita Vogel, and Timothy Longman.

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In their history of Cornell since 1940, Glenn C. Altschuler and Isaac Kramnick examine the institution in the context of the emergence of the modern research university. The book examines Cornell during the Cold War, the civil rights movement, Vietnam, antiapartheid protests, the ups and downs of varsity athletics, the women's movement, the opening of relations with China, and the creation of Cornell NYC Tech. It relates profound, fascinating, and little-known incidents involving the faculty, administration, and student life, connecting them to the "Cornell idea" of freedom and responsibility. The authors had access to all existing papers of the presidents of Cornell, which deeply informs their respectful but unvarnished portrait of the university. Institutions, like individuals, develop narratives about themselves. Cornell constructed its sense of self, of how it was special and different, on the eve of World War II, when America defended democracy from fascist dictatorship. Cornell’s fifth president, Edmund Ezra Day, and Carl Becker, its preeminent historian, discerned what they called a Cornell "soul," a Cornell "character," a Cornell "personality," a Cornell "tradition"—and they called it "freedom." "The Cornell idea" was tested and contested in Cornell’s second seventy-five years. Cornellians used the ideals of freedom and responsibility as weapons for change—and justifications for retaining the status quo; to protect academic freedom—and to rein in radical professors; to end in loco parentis and parietal rules, to preempt panty raids, pornography, and pot parties, and to reintroduce regulations to protect and promote the physical and emotional well-being of students; to add nanofabrication, entrepreneurship, and genomics to the curriculum—and to require language courses, freshmen writing, and physical education. In the name of freedom (and responsibility), black students occupied Willard Straight Hall, the anti–Vietnam War SDS took over the Engineering Library, proponents of divestment from South Africa built campus shantytowns, and Latinos seized Day Hall. In the name of responsibility (and freedom), the university reclaimed them. The history of Cornell since World War II, Altschuler and Kramnick believe, is in large part a set of variations on the narrative of freedom and its partner, responsibility, the obligation to others and to one’s self to do what is right and useful, with a principled commitment to the Cornell community—and to the world outside the Eddy Street gate.

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