Search results for ""Author "George"""

This timely book places Brown s literary vision in a larger frame of reference beyond Scotland, while identifying the special place Brown occupies as a Scottish Catholic writer.

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"The Custer literature is voluminous and most of it is highly controversial. Through the tangle of charges and countercharges Jay Monaghan cuts a clear path in his fresh account of Custer's whole career. Where possible, Monaghan relies on original sources, and he appraises them with the sound judgment of the practiced historian he is. He is sympathetic with Custer but does not hesitate to show the man's foibles and failures. He presents no attorney's brief and yet he disproves a number of ill-founded accusations. . . ."

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Museum quality notecards with beautifully reproduced artwork from Post-Impressionist Georges Seurat. This gorgeous collection of boxed notecards contains 5 images from the master of Pointillism. 20 notecards 4 each of 5 images 20 envelopes Sturdy, reuseable glossy two-piece box Great for home decor and for storing little treasures Box measures 190 x 139 x 38 mm

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Ceramic figurines of beautiful and romantic young women were made in hundreds of different poses and costumes by Josef Originals. This all-color illustrated, revised and expanded edition follows the art of California ceramicist Mauriel Josef George from 1945 through 1985 with over 700 color photographs. Also included for the first time are photos of Applause figurines next to the matching earlier figurines, and never before published catalog images from the authors' private collection. From the relatively common to the rare, this book is an essential reference for anyone with an interest in figurines designed by Muriel Joseph George.

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George Steinmann, artist, musician and researcher, is recognised as an eminent intermediary between art and the sciences in Switzerland. For many years he has been investigating the relation between ecology and aesthetics. Many of Steinmann's works are created in a lengthy process and often involve other artists and scientists working on trans-disciplinary projects. Call and Response presents George Steinmann's thinking and working methods and analyses the development of his oeuvre and his collaboration with other disciplines. The second part of the book features selected works from the past thirty years and discusses them in the context of today's artistic discourse.

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This collection features essays on Nova Scotia-born poet, playwright and literary critic George Elliott Clarke. Instrtumental in promoting the writing of writers of African descent, Clarke's work has won awards including the Governor General's Award for poetry. He is also the recipient of seven honorary doctorates.

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There's no better way to ignite your child's curiosity for learning than with Curious George at the ready, and these workbooks allow for unlimited practice! With more than 60 activities featuring everyone's favourite monkey and his friends, the complete series provides age-appropriate, kid-friendly content to encourage an understanding of preschool and kindergarten math and reading concepts along with a love of learning. Each full colour workbook is designed by teachers and includes more than 60 activities, achievement stickers (25 per sheet), a digital companion with online games and activities designed to increase practice and learning, personalised certificate of completion, and unlimited downloads of activity pages! The Learning with Curious George PreK Reading workbook teaches children: . to recognise letters . to put letters in ABC order . to recognise rhyming words . to hold a crayon and pencil . to right from left to right . to trace letters and words AGES: 4 to 7

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First full study and edition of the works of George Lauder, "the poet whom Scotland forgot". The Scottish poet George Lauder began as a "university wit", by imitating anti-papal satires popular in the Italian Renaissance. He set off for London as a young man, looking for patronage, but instead became an officer in the army, seeing service in France, the Low Countries, Germany, Denmark and Sweden -- an experience which provides the backdrop to the poetry of his mature years. At the Restoration he wrote a lengthy poem of advice to Charles II, and his final masterwork was a poetic conflation of the Gospel accounts of the life of Christ. Lauder was influenced by Ben Jonson, William Drummond, and by the Metaphysical and the Caroline styles. His personal library testifies to his wide range of interests, and to his acquaintance with European literature in neo-Latin and other languages. This volume traces Lauder's career, collects all his surviving verse (presented with full notes and commentary), and examines his interactions with certain of the greatest intellectuals of the Dutch Golden Age. Lauder was a British patriot and a loyal supporter of the House of Orange; above all, however, he is the author of a unique corpus of highly accomplished poetry. ALASDAIR A. MACDONALD is Emeritus Professor of English Language and Literature of the Middle Ages, University of Groningen, Netherlands.

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George IV spent most of his life waiting to become king: as a pleasure-loving and rebellious Prince of Wales during the sixty-year reign of his father, George III, and for ten years as Prince Regent, when his father went mad. 'The days are very long when you have nothing to do' he once wrote plaintively, but he did his best to fill them with pleasure - women, art, food, wine, fashion, architecture. He presided over the creation of the Regency style, which came to epitomise the era, and he was, with Charles I, the most artistically literate of all our kings. Yet despite his life of luxury and indulgence, George died alone and unmourned. Stella Tillyard has not written a judgemental book, but a very human and enjoyable one, about this most colourful of all British kings.

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The acclaimed Penguin Monarchs series: short, fresh, expert accounts of England's rulers - now in paperbackFor a man with such conventional tastes and views, George V had a revolutionary impact. Almost despite himself he marked a decisive break with his flamboyant predecessor Edward VII, inventing the modern monarchy, with its emphasis on frequent public appearances, family values and duty. George V was an effective war-leader and inventor of 'the House of Windsor'. In an era of ever greater media coverage - frequently filmed and initiating the British Empire Christmas broadcast - George became for 25 years a universally recognised figure. He was also the only British monarch to take his role as Emperor of India seriously. While his great rivals (Tsar Nicolas and Kaiser Wilhelm) ended their reigns in catastrophe, he plodded on.David Cannadine's sparkling account of his reign could not be more enjoyable, a masterclass in how to write about Monarchy, that central - if peculiar - pillar of British life.

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The story of a fascinating, controversial man who influenced almost every sphere of musical life in Britain and helped to change the face of music performance and education in this country. George Dyson (1883-1964) was a highly influential composer, educator and administrator, whose work touched the lives of millions. Yet today, apart from his Canterbury Pilgrims and two sets of canticles for Choral Evensong, his music is little known. In this comprehensive and detailed study, based not only on Dyson's own writings but on unpublished papers, personal correspondence, and interviews with his family and friends, Paul Spicer brings this remarkable man and his lyrical, passionate and engaging music to life once more. Born into a working class family in Halifax, West Yorkshire, he rose from humble beginnings to become the voice of public school music in Britain and Director of the RCM. As a scholarship student, he met and studied with some of the leading musicians of the day, including Sir Charles Villiers Stanford and Sir Hubert Parry. He went on to work in some of the country's greatest schools, where he established his reputation as a composer, particularly of choral and orchestral works, of which Quo Vadis was his most ambitious. A member of the BBC Brains Trust panel, Dyson was also the 'voice of music' on the radio for a number of years and helped to educate the nation through his regular broadcasts. A fascinating, controversial man, George Dyson touched almost every sphere of musical life in Britain and helped to change the face of music performance and education in this country. This seminal book, examining every aspect of his long, colourful career, re-establishes him as the towering figure he undoubtedly was in his time. PAUL SPICER was a composition student of Herbert Howells, whose biography he wrote in 1998. He is well-known as a choral conductor especially of British Music of the twentieth century onwards, a writer, composer, teacher, and producer.

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Young readers will find that learning is always an adventure with Curious George! Now you can get twelve exciting books based on the Award-winning CITV series - all packed into in one big bargain of a book. Favourite titles include The Kite, Pinata Party, Home Run, and more! Each story is paired with corresponding activities that will reinforce concepts and appeal to every child's sense of curiosity. This sturdy collection is the perfect way to introduce kids to the wonderful joys of reading and to encourage continued progress.

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George Lewis, one of the great traditional jazz clarinetists, was born in 1900 at about the same time that jazz itself first appeared in New Orleans. And by the time he died, on the last day of 1968, New Orleans jazz had pretty much run its course, too. By then a jazz museum stood on Bourbon Street, and a cultural center was under construction where Globe Hall had Stood. Lewis's life thus paralleled that of New Orleans jazz, and in his later years hew as the best known standard bearer of his city's music. He came to the attention of the jazz world at the time of the so-called "New Orleans Revival" of the 1940's, when veteran trumpeter Bunk Johnson was recorded by a number of jazz enthusiasts, notably William Russell. In this new biography, Tom Bethell challenges a favorite myth of the history of jazz: that the music became moribund in New Orleans after the legal red light district, Storyville, was closed in 1917, resulting in most jazz musicians going "up the river." In fact, Bethell shows, many more jazzmen stayed in the city than left, and the musical style continued to develop and grow. Thus the jazz fans who arrived in the city in the early 1940's did not encounter a "revival" of an old style so much as an ongoing tradition, with clarinetists like Lewis having been influenced by Benny Goodman and the Swing Era in addition to Lorenzo Tio and the Creole School. After Bunk Johnson's death in 1949, at a time when many other social changes were beginning to be felt in the city, the New Orleans jazz tradition began to go into a decline. It became increasingly rigid and repetitive, and was often designed to please what one observer called "Dixieland fans yelling for their favorite members." The book is based on lengthy research in New Orleans, including interviews with George Lewis shortly before his death, and unpublished material from the diaries kept by William Russell on his visits to New Orleans between 1942 and 1949. It also includes a statement by Lewis on jazz and the best way to play it and a complete Lewis discography. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1977.

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George Bernard Shaw has been called the second greatest playwright in English (after William Shakespeare) and one of the inventors of modern celebrity as the most famous public intellectual of his time. Beginning in the 1880s, as a critic and as a playwright, he transformed British drama, bringing to it intellectual substance, ethical imperatives, and modernity itself, setting the theatrical course for the subsequent century. That his legacy endures seventy years after his death is testament to the prescience of his thinking and his prolific creativity. This Very Short Introduction looks at Shaw's life, starting with his upbringing in Ireland, and then takes a chronological approach through his works. Considering Shaw's committed antagonism on behalf of a range of socio-political issues; his use of comedy as a mode for communicating serious ideas; and his rhetorical style that pushes conventional boundaries, Christopher Wixson provides an overview of the creative evolution of core themes throughout Shaw's long career. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

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Jan Le Witt and George Him were a comparative rarity, a graphic design duo; signing their work as 'Lewitt-Him' they brought an innovative use of colour, imaginative abstraction and symbolism to commercial design. Both Polish by birth, they arrived in London in 1937, sponsored by the Victoria and Albert Museum and Lund Humphries. They established their reputation for fine poster work in World War II, and for their exhibition work with their much loved Guinness Clock at the Festival of Britain. In Poland their illustrations for Lokomotywa helped make it a children's classic and they continued with book illustration throughout their partnership. Of very different temperaments and artistic interests the partnership lasted some twenty years, to January 1955, when Le Witt left to develop his career as an artist. Him continued his commitment to graphic design - illustration, exhibitions and general commercial work - most remarkable of which were his witty illustrations marrying Stephen Potter's texts for Schweppes - 'Schweppshire', one of the longest lasting advertisement campaigns. The Design series is the winner of the Brand/Series Identity Category at the British Book Design and Production Awards 2009, judges said: "A series of books about design, they had to be good and these are. The branding is consistent, there is a good use of typography and the covers are superb." Also available: Claud Lovat Fraser ISBN: 9781851496631 GPO ISBN: 9781851495962 Peter Blake ISBN: 9781851496181 FHK Henrion ISBN: 9781851496327 David Gentleman ISBN: 9781851495955 David Mellor ISBN: 9781851496037 E.McKnight Kauffer ISBN: 9781851495207 Edward Bawden and Eric Ravilious ISBN: 9781851495009 El Lissitzky ISBN: 9781851496198 Festival of Britain 1951 ISBN: 9781851495337 Harold Curwen & Oliver Simon: Curwen Press ISBN: 9781851495719 Paul Nash and John Nash ISBN: 9781851495191 Rodchenko ISBN: 9781851495917 Abram Games ISBN: 9781851496778

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These 14 essays examine Georges Perec's impact on architecture, art, design, media, electronic communications, computing and the everyday.

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Georges Perec (1936-82) was a French novelist, filmmaker, documentalist and Rowan Wilken is Associate Professor essayist. This collection of 14 essays asks how Perec has continued to influence of Media and Communication at us after his death. Swinburne University ofTechnology. What do Perec's descriptions of the minutiae of everyday life reveal about our use of information and communications technologies?. What happens if we read Life: A User's Manual as a toolbox of ideas for games studies?. What light does the concept of the'infra-ordinary'shed on social media?. What insights does algorithmic writing generate for the digital humanities?. What lessons can architects, artists, game-designers and writers draw from Perec's fascination with creative constraints?. Through an examination of such questions, this collection takes Perec scholarship beyond its existing limits to offer new ways of rethinking our present.

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Two 8-page photo inserts

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In the first decades of the 20th century, George Bellows and other painters of the Ashcan School, a loosely connected group of gritty, urban realists, created images of the city from street level. Following older artist Robert Henri's insistence that artists should make "pictures from life," the Ashcanners renounced the polished academic style taught in art schools of the time. Instead they practiced a more urgent manner working with bold, highly saturated color, seeking to catch the ebb and flow of life in urban America. Some of them, particularly Bellows, also produced vivid landscapes and portraits. This book introduces the artists of the Ashcan School and the key characteristics and themes of their work. Detailed commentaries are provided for twelve significant paintings by George Bellows, William Glackens, Robert Henri, George Luks, and John Sloan, ranging from depictions of the metropolitan throng to Bellows's vivid seascapes. In their visual contemplation of early-20th-century America, these artists offer deep insights into the nature of ordinary life not only in their time but also in our own.Published by National Gallery Company / Distributed by Yale University PressExhibition Schedule:The National Gallery, London(03/03/11-05/30/11)

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This groundbreaking study details the intellectual development of George Herbert Mead as a thinker of great originality and as a practitioner of social reform. Gary Cook traces the genesis of Mead's social psychological and philosophical ideas by analyzing his journal articles and posthumously published writings.

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What should it be, this whopping terrific exploding shocker for Grandma?This beautiful edition of George's Marvellous Medicine, part of The Roald Dahl Classic Collection, features official archive material from the Roald Dahl Museum and is perfect for Dahl fans old and new.So, enter a world where invention and mischief can be found on every page and where magic might be at the very tips of your fingers . . .The Roald Dahl Classic Collection reinstates the versions of Dahl’s books that were published before the 2022 Puffin editions, aimed at newly independent young readers.

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Georg Oskar Giannakoudakis' (*1985) practice is regarded as a visual diary of his personal observations of the mundane, specifically in nature and people. His works are composed in a unique manner to allow multiple entry points for viewers, prompting them to reflect on the complexities of contemporary life. Infused with a distinct twist, Oskar’s narratives are often sarcastic, but always offer genuine observations of his lived and built environment. A sense of levity and innocence is located within his narratives and murkiness of his palette, to operate as a ‘psychological counteract’ that enables him to maintain a bemused distance from the profane, the dark, and the obscene.

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Active in the 1830s and 1840s, Flora Tristan is best known for her book "Workers' Union", an account of the conditions of women and workers in Peru, London, Paris and the provinces of France. Regarded as something of a pariah, she was one of the first women radicals to draw clear connections between the plight of disaffected workers and powerless women. Her version of socialism has been regarded as leading towards Marx. Sandra Dijkstra aims to paint a clear picture of Tristan as a class- and gender-conscious women writer in a transitional historical period, and to demonstrate her influence on Marxism.

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This book investigates what Bataille, in "The Pineal Eye," calls mythological representation: the mythological anthropology with which this unusual thinker wished to outflank and undo scientific (and philosophical) anthropology. Gasché probes that anthropology by situating Bataille's thought with respect to the quatrumvirate of Schelling, Hegel, Nietzsche, and Freud. He begins by showing what Bataille's understanding of the mythological owes to Schelling. Drawing on Hegel, Nietzsche, and Freud, he then explores the notion of image that constitutes the sort of representation that Bataille's innovative approach entails. Gasché concludes that Bataille's mythological anthropology takes on Hegel's phenomenology in a systematic fashion. By reading it backwards, he not only dismantles its architecture, he also ties each level to the preceding one, replacing the idealities of philosophy with the phantasmatic representations of what he dubs "low materialism." Phenomenology, Gasché argues, thus paves the way for a new "science" of phantasms.

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