Search results for ""Author "George"""

George Inness (1825-94) is considered one of America's greatest landscape painters. A complicated artist and thinker, he painted stunning, evocative views of the American countryside.Throughout his career, Inness struggled to make visible what was invisible to the human eye by combining a deep interest in nineteenth-century scientific inquiry - including optics, psychology, physiology, and mathematics - with an idiosyncratic brand of mysticism. Rachael Ziady DeLue's "George Inness and the Science of Landscape" - the first in-depth examination of Inness' career to appear in several decades - demonstrates how the artistic, spiritual, and scientific aspects of Inness' art found expression in his masterly landscapes. In fact, Inness' practice was not merely shaped by his preoccupation with the nature and limits of human perception; he conceived of his labor as a science in its own right. This beautifully illustrated work reveals Inness' profound investment in the science and philosophy of his time and illuminates the complex manner in which the fields of art and science intersected in nineteenth-century America.

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“The only Washington biography you need. . . . As a brief account of Washington’s life, it is unlikely to be surpassed for many years.”—Fergus M. Bordewich, Wall Street Journal"A masterpiece, a concise, fluidly written and well-grounded biography. Rhodehamel . . . has executed an accurate and revealing portrait of a man who, more than any other, made possible the creation and subsequent success of the United States."—Steve Forbes, Forbes magazine As editor of the award-winning Library of America collection of George Washington’s writings and a curator of the great man’s original papers, John Rhodehamel has established himself as an authority of our nation’s preeminent founding father. In this “crisply written, admirably concise, and never superficial” biography (Fergus M. Bordewich, Wall Street Journal) Rhodehamel examines George Washington as a public figure, arguing that the man—who first achieved fame in his early twenties—is inextricably bound to his mythic status. Solidly grounded in Washington’s papers and exemplary in its brevity, this approachable biography is a superb introduction to the leader whose name has become synonymous with America.

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14 classic songs from the Gershwin brothers for electronic keyboard and published as part of the Easy Keyboard Library Series. Includes such classics such as Summertime, I Got Rhythm and Nice Work If You Can Get It.

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A groundbreaking look at the lives of George H. W. Bush and George W. Bush, the most consequential father-son pair in American history, often in their own words. In this revealing, often poignant work, presidential historian Mark K. Updegrove tracks the two Bush presidents from their formative years through their post-presidencies and the failed presidential candidacy of Jeb Bush, derailing the Bush presidential dynasty. Drawing extensively on exclusive access and interviews with both Bush presidents, Updegrove reveals for the first time their influences and perspectives on each other’s presidencies; their views on family, public service, and America’s role in the world; and their unvarnished thoughts on Donald Trump and the radical transformation of the Republican Party he now leads.In 2016 George W. Bush lamented privately that he might be “the last Republican president.” Donald Trump’s election marked the end not only to the Bushes’ hold on the White House, but of a rejection of the Republican principles of civility and international engagement and leadership that the Bushes have long championed.The Last Republicans offers illuminating, moving portraits of the forty-first and forty-third presidents, as well as an elegy for the Republican “establishment,” which once stood for putting the interests of the nation over those of any single man.

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A short introduction to the life and work of Italian-born designer, George Giusti, examining his eclectic aesthetic of refined Modernism. George Giusti, an Italian-born and educated designer, first established a professional practice in Switzerland and later, in the United States. Giusti's unique designs became widely praised covers for publications such as Fortune,Holiday, Modern Packaging, Graphis and Time. With multidisciplinary talents, Giusti also created sculptures, metalwork and designed several architectural projects reflecting his eclectic aesthetic of refined Modernism. This is the sixth title in the Graphic Design Archives Chapbook Series. This series celebrates the achievements of key design pioneers whose work is held in the Cary Graphic Arts Collection at RIT Libraries. From the inaugural acquisition in 1986, RIT's holdings have grown to include the work of 36 significant American graphic designers, active from the 1920s to the 1950s. NED DREW heads the Graphic Design area at Rutgers University-Newark andis also a founding partner of the multidisciplinary design firm BRED, which is based in New York City. BRENDA McMANUS is an Assistant Professor of Graphic Design at Pace University and founding partner and creative director of BRED.PAUL STERNBERGER, Associate Professor of Art History at Rutgers University-Newark, specializes in American Art and the History of Photography.

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Georg Forster (17541794) was famous during his lifetime, notorious after his death, and largely forgotten by the later nineteenth century. Remembered today as the young man who sailed around the world with Captain Cook and as one of the leading figures in the revolutionary Republic of Mainz, Forster was also a prolific writer and translator who left behind two travelogues, a series of essays on diverse topics, and numerous letters. This in-depth look at Forster's work and life reveals his importance for other writers of the age. Todd Kontje traces the major intellectual themes and challenges found in Forster's writings, interweaving close textual analysis with his rich but short life. Each chapter engages with themes that reflect the current debates in eighteenth-century literary and cultural studies, including changing notions of authorship, multilingualism, the representation of so-called primitive societies, Enlightenment ideas about race, and early forms of ecological thinking. As

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In 1965/66 Georg Baselitz created the monumental series “The Heroes” and “New Types”, which he presented in wild colour and with defiant style. By turning his attention towards the tradition of representational painting his work formed a striking contrast to the trends towards abstraction and Expressionism prevailing during the 1960s, thereby embarking on his own unique path. In his sceptical basic attitude towards post-war Germany Baselitz (* 1938) emphasised in his works the ambivalent aspects of the present in which he lived. His “Heroes” appear correspondingly contradictory with their military fatigues in tatters, their failure as deeply engraved as their resignation. The contrast to the success story of Western Germany’s economic miracle could hardly be more sharply defined, but there is more at stake: with this group of works the artist reflected his own position in relation to society. It was the artist’s self-assertion and determination of identity that were at stake and that Baselitz formulated so forcefully.

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A huggable plush Curious George doll and a diverse cast of preschoolers step out on amazing imaginary adventures in this photo-illustrated board book with whimsical doodles.Where will your curiosity take you? Will you sail the high seas or explore outer space? With a cuddly Curious George doll by your side, anything is possible!In this padded board book that combines bright crayon doodles and fun photos of kids and Curious George, creative play is the name of the game. Sure to inspire loads of curious fun in preschool readers!

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George is part of a team challenge to help clean up the city on Pretty City Day. But when he finds hidden and forgotten treasures along the way, he realises he's collecting more treasures than he is trash! If he wants to help his team win the challenge, he'll need to sort out his growing stash of treasures and see which ones he really wants to keep. But how? This Green Light Reader based on Curious George, the Emmy Award-winning TV show, also includes bonus activities to help reinforce the concepts presented in the story.

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King of Britain for sixty years and the last king of what would become the United States, George III inspired both hatred and loyalty and is now best known for two reasons: as a villainous tyrant for America's Founding Fathers, and for his madness, both of which have been portrayed on stage and screen.In this concise and penetrating biography, Jeremy Black turns away from the image-making and back to the archives, and instead locates George's life within his age: as a king who faced the loss of key colonies, rebellion in Ireland, insurrection in London, constitutional crisis in Britain and an existential threat from Revolutionary France as part of modern Britain's longest period of war.Black shows how George III rose to these challenges with fortitude and helped settle parliamentary monarchy as an effective governmental system, eventually becoming the most popular monarch for well over a century. He also shows us a talented and curious individual, committed to music, art, architecture and science, who took the duties of monarchy seriously, from reviewing death penalties to trying to control his often wayward children even as his own mental health failed, and became Britain's longest reigning king.

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King of Britain for sixty years and the last king of what would become the United States, George III inspired both hatred and loyalty and is now best known for two reasons: as a villainous tyrant for America's Founding Fathers, and for his madness, both of which have been portrayed on stage and screen.In this concise and penetrating biography, Jeremy Black turns away from the image-making and back to the archives, and instead locates George's life within his age: as a king who faced the loss of key colonies, rebellion in Ireland, insurrection in London, constitutional crisis in Britain and an existential threat from Revolutionary France as part of modern Britain's longest period of war.Black shows how George III rose to these challenges with fortitude and helped settle parliamentary monarchy as an effective governmental system, eventually becoming the most popular monarch for well over a century. He also shows us a talented and curious individual, committed to music, art, architecture and science, who took the duties of monarchy seriously, from reviewing death penalties to trying to control his often wayward children even as his own mental health failed, and became Britain's longest reigning king.

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What motivated John George Haigh to murder at least six people, then dissolve their corpses in concentrated sulphuric acid? How did this intelligent, well-educated man from a loving, strongly religious family of Plymouth Brethren become a fraudster, a thief, then a serial killer? In the latest of his best-selling studies of criminal history, Jonathan Oates reinvestigates this sensational case of the late 1940s. He delves into Haigh's Yorkshire background, his reputation as a loner, a bully and a forger during his years at Wakefield Grammar School, and his growing appetite for the good life which his modest employment in insurance and advertising could not sustain. Then came his move to London and a rapid, apparently remorseless descent into the depths of crime, from deceit and theft to cold-blooded killing. As he follows the course of Haigh's crimes in graphic, forensic detail, Jonathan Oates gives a fascinating inside view of Haigh's attempt to carry through a series of perfect murders. For Haigh intended not only cut off his victims' lives but, by destroying their bodies with acid, literally to remove all traces that they had ever existed.

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Krampf's exclusive collection of Goerges Braque's post-Cubist paintings reveals both Braque's pioneering individuality and craftsmanship in the history of Modern Art. Oras the artist once said himself, I do not do as I want, I do as I can.Progress in art does not consist in expanding one's limitations, but in knowing them better.'Focusing on the artist's transformative period between 1920 and 1960, which arguably produced his best work, this illustrative book explores Braque's most overlooked post-Cubism artwhere he transcends both his own limitations and that of his surroundings, showing readers and collectors alike the timeless and enduring impact of Braque's work.

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This book challenges the idea that the mixing of religion and presidential politics is a new phenomenon. It explores how presidents have drawn on their religious upbringing, rhetoric, ideas, and beliefs to promote their domestic and foreign policies to the nation. This influence is evident in Washington's decision to add "so help me God" to the presidential oath, accusations by Adam's supporters that Jefferson was an infidel, Lincoln's biblical metaphors during the Civil War, and FDR's call to fight against Nazi totalitarianism on behalf of Judeo-Christian civilization. It is also apparent in Truman's support for Israel, Eisenhower's Cold War decision to add "In God We Trust" on American currency, the debate over JFK's Catholicism, Jimmy Carter's born-again Christianity, Reagan's "Evil Empire" speech, Clinton's public repentance, and George W. Bush's "crusade" against Islamic terrorists. This volume explores these issues of religion and power in the presidencies of Washington, Jefferson, Madison, Lincoln, FDR, Truman, Eisenhower, JFK, Carter, Reagan, George H. W. Bush, Clinton, and George W. Bush through scholarly interpretations, primary sources, and illustrations.

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Curious little ones will love to cuddle up at bedtime with this padded story collection with sturdy pages. The perfect ending to a long day of play! Includes six stories: Curious George: Are You Curious Curious George and the Firefighters Curious George’s Day at the Farm Curious George Goes to a Bookstore Curious George Loves to Ride Good Night, Curious George

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In the autumn of 1751, at the age of nineteen, George Washington sailed with his older half-brother Lawrence from Virginia to the Caribbean island of Barbados—the one and only time that the future Revolutionary War hero and president would leave the shores of continental North America. Lawrence had long been in poor health and hoped, in vain, that the island climate would prove restorative. The Washingtons landed in early November, and George spent seven weeks on Barbados, recording his impressions of everything from the exotic landscapes and local culture, to the cultivation of sugarcane and the particulars of plantation slavery, before bidding his brother adieu and embarking on the return sail to Virginia. The two sea voyages provided plenty of adventure, at times harrowing, and framed an island interlude that exposed young George to new cultures and new experiences—and also to smallpox. His exposure to the dread disease, and his resulting immunity, would prove fateful a quarter century later when the commander in chief of the ragtag American revolutionary forces blunted a threat more grave than British cannon by directing the immunization of his troops. Technological advances and fresh scholarship make this the most comprehensive and authoritative edition that has ever been-or likely will ever be-published.

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LONGLISTED FOR THE BAILLIE GIFFORD PRIZE 2023 From the author of Apollo's Angels, the first major biography of the figure who modernised dance: an intimate portrait of the man behind the mythology, set against the vibrant backdrop of the century that shaped him Balanchine's radical approach to choreography reinvented the art of dance and his richly evocative ballets made him a lasting legend. Today, nearly thirty years after his death, the man is still so revered that the mysteries of his biography are often overlooked. Who was George Balanchine? Born in Russia under the last Czar, Balanchine experienced the upheavals of World War One, the Russian Revolution, exile, World War Two and the cultural Cold War; he was part of the Russian modernist moment, a key player in Paris in the 1920s, and in New York he revolutionized ballet, pressing it to the forefront of modernism and making it serious and popular art. His influences were myriad. He considered himself Georgian, yet he did not step foot in his ancestral homeland until he was in his fifties. He was deeply influenced by the cold grandeur and sensuous beauty of the Orthodox Church, but equally absorbed by the new rhythms and dance steps coming out of Harlem in the 1930s. He collaborated broadly, with figures like Diaghilev and Stravinsky. A man of muses, Balanchine was married five times, always to young dancers, and consumed by many other loves in between. The difficulties of his life - personal losses, bouts of ill health, debilitating loneliness and dark moods of despair - resonate in his dances, which speak so poignantly of love and loss, and yet the full implications for his art remain unexplored. Now for the first time we look beyond the myth of 'Mr B' - the mask which Balanchine himself helped to create - to see 'Mr B' the man.

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The Anglo-Saxon view of Georges Clemenceau (1841-1929) is based on John Maynard Keynes' misjudged caricature, that he had imposed a treaty that was harsh and oppressive of Germany. French critics' view, however, is that he had been too lenient, and left Germany in a position to challenge the treaty. In fact the treaty was a just settlement, and it could have been maintained. The failure was not in the terms of the treaty but in the subsequent failure to insist on maintaining them in the face of German resistance.

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This book considers questions of materiality and painting, focalized through the notoriously obscure work of Georges Rouault, and offers an innovative critical approach to the various questions raised by this challenging modernist. Described as a difficult and dark painter, Rouault’s oeuvre is deeply experimental. Images of the circus emerge from a plethora of chaotic marks, while numerous landscapes appear as if ossified in thick paint. Rouault’s work explodes the genre of painting, drawing upon the residue of Gustave Moreau’s symbolism, the extremities of Fauvism, and the radical theatrical experiments of Alfred Jarry. The repetitions and re-workings at the heart of Rouault’s process defy conventional chronological treatment, and place the emphasis upon the coming-into-being of the work of art. Ultimately, the book reveals the process of making as both a search for understanding and a response to the problematic world of the 20th century.

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Taking his inspiration from a 16th century French manual on etiquette, young George Washington compiled his own set of instructions under the title, The Rules of Civility and Decent Behavior. These concise rules to live by have been studied and copied by millions of readers eager to absorb Washington’s secrets of success in life and work. Neither unduly severe nor sentimental, the rules have stood the test of time and still reverberate today.

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George S. Patton: On Guts, Glory, and Winning relies on the writings, speeches, and poems of George Patton, and includes his prayer to stop the rain during the battle of northern Europe. What separates this book from all of the many about World War II’s most famous battle commander is the extensive use of exquisite B&W combat photos on every spread, which illuminate the text on those pages. U.S. Army General George S. Patton is one of the greatest and most controversial battle commanders of World War II. His tactics were criticized by his detractors, lauded by his peers, and feared by the Nazis in North Africa, Sicily, France, and northern Europe. Some erroneously assumed he plunged his troops into battle with little or no forethought, but in fact he studied his opponent’s writings and tactics, knew the terrain and weather conditions on anticipated fields of fire, and even relied on the Bible for guidance. Almost no other general or world leader from World War II has been written about more than Old Blood and Guts Patton – a nickname he hated. Even today, despite advances in weaponry and technology, military commanders still study his battle tactics.

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George Kennan (1845-1924) was a pioneering explorer, writer, and lecturer on Russia in the nineteenth century, the author of classic works such as Tent Life in Siberia and Siberia and the Exile System, and great-uncle of George Frost Kennan, the noted historian and diplomat of the Cold War. In 1870, Kennan became the first American to explore the highlands of Dagestan, a remote Muslim region of herders, silversmiths, carpet-weavers, and other craftsmen southeast of Chechnya, only a decade after Russia violently absorbed the region into its empire. He kept detailed journals of his adventures, which today form a small part of his voluminous archive in the Library of Congress. Frith Maier has combined the diaries with selected letters and Kennan’s published articles on the Caucasus to create a vivid narrative of his six-month odyssey. The journals have been organized into three parts. The first covers Kennan’s journey to the Caucasus, a significant feat in itself. The second chronicles his expedition across the main Caucasus Ridge with the Georgian nobleman Prince Jorjadze. In the final part, Kennan circles back through the lands of Chechnya to slip once again into the Dagestan highlands. Kennan’s remarkable curiosity and perception come through in this lively and accessible narrative, as does his humor at the challenges of his travels. In her introduction, Maier discusses Kennan’s illustrious career and his reliability as an observer, while providing background on the Caucasus to help clarify Kennan’s descriptions of daily life, religion, etiquette, customary law, and local government. In an Afterword, she retraces Kennan’s steps to find descendants of Prince Jorjadze and describes her work in coproducing, with filmmaker Christopher Allingham, a documentary inspired by Kennan’s Caucasus journey.

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Although George Eliot has long been described as “the novelist of the Midlands,” she often brought the outer reaches of the empire home in her work. Dark Smiles: Race and Desire in George Eliot studies Eliot’s problematic, career-long interest in representing racial and ethnic Otherness. Placing Eliot’s diverse and wide-ranging treatment of Otherness in its contemporary context, Alicia Carroll argues that Eliot both engages and resists traditional racial and ethnic representations of Otherness. Carroll finds that Eliot, like other women writers of her time, often appropriates narratives of Otherness to explore issues silenced in mainstream Victorian culture, particularly the problem of the desirous woman. But if Otherness in Eliot’s century was usually gendered as woman and constructed as the object of white male desire, Eliot often seeks to subvert that vision. Professor Carroll demonstrates Eliot’s tendency to “exoticize” images of girlhood, vocation, and maternity in order to critique and explore gendered subjectivities. Indeed, the disruptive presence of a racial or ethnic outsider often fractures Eliot’s narratives of community, creating a powerful critique of home culture. The consistent reliance of Eliot’s work upon racial and ethnic Otherness as a mode of cultural critique is explored here for the first time in its entirety.

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Within eight years of the death of George Washington in 1799, the first major biography of 'the father of his country' was written by John Marshall and published in five volumes. This, the twentieth and final version of the abridgement, published in 1849, is the text reproduced in the new Liberty Fund edition of what Charles A Beard has praised as a 'great' and 'masterly' biography. The editors' foreword and notes, together with maps of major battle campaigns not included in the original edition, make this edition especially attractive for students.

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In this special edition with a beautiful new jacket, Curious George takes a trip to the hospital after swallowing a puzzle piece and learns about the inner workings of the hospital and gets into some mischief. Includes free downloadable audio read by actor John Krasinski. Also includes an afterword from Dr. Frederick Lovejoy Jr., associate physician in chief of the Boston Children's Hospital detailing the wonderful connection the Reys shared with the hospital staff that inspired the book and explains current advances in medical technology and tips on preparing a child for a hospital stay.

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This is a new biography of two great British engineering pioneers, who did much to develop the world we now live in. George and Robert Stephenson, were at the forefront of early railways and were at the cutting edge of modern engineering history. Industrial historian Anthony Burton looks into these two giants of the late Georgian and early Victorian age, who were responsible for the development of much of the early railway map in both Britain and other parts of the world. The work examines the lives of the two men and their ability to overcome some of the most pressing engineering problems of their time. This is a new work, with newly researched material published here for the first time, which take a fresh look at both pioneering engineers and their achievements.

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This book examines the life of George Strachan (1572 1635), early 17th-century Scottish Humanist scholar, Orientalist and traveller. Drawing on a wealth of newly discovered archival material to offer new insights into Strachan's life and work, it also utilises recent scholarship on the relationship between the cultures and religions of East and West. Tom McInally explains the voyages that the Catholic exile took to many of the Catholic courts of Europe as a scholar and spy before turning eastwards to embark upon a 22-year journey around the Ottoman, Safavid and Mughal empires. By becoming fully literate in Arabic and Farsi, Strachan was able to gain a unique knowledge of Eastern societies. His collection of Arabic and Farsi texts on Islam, philosophy and humanities which he translated and sent to Europe for the advancement of European knowledge of Islam and Islamic societies became Strachan's real intellectual legacy

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