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WINNER OF THE JAMES TAIT BLACK PRIZE FOR BIOGRAPHY 2023A Times Best Literary Non-Fiction Book of the YearCritic and writer Darryl Pinckney recalls his friendship and apprenticeship with Elizabeth Hardwick and Barbara Epstein and the introduction they offered him to the New York literary world.At the start of the 1970s, Darryl Pinckney arrived in New York City and at Columbia University and enrolled in Elizabeth Hardwick's writing class at Barnard. After he graduated, he was welcomed into her home as a friend and mentee, and he became close with Hardwick and her best friend, neighbor, and fellow founder of The New York Review of Books, Barbara Epstein. Pinckney found himself at the heart of the New York literary world. He was surrounded by the great writers of the time, like Susan Sontag, Robert Lowell, and Mary McCarthy, as well as the overlapping cultural revolutions and communities that swept New York: the New Wave in film, rock, and writing; the art of Felice Rosser, Jean-Michel Basquiat, Lucy Sante, Howard Brookner, and Nan Goldin; the influence of feminism on American culture and literature; the black arts movement confronted by black feminism; and New Negro veterans experiencing the return of their youth as history. Pinckney filtered the avant-garde life he was exposed to downtown and the radical intellectual tradition of The Review through the moral values he inherited and adapted from abolitionist and Reconstruction black culture.In Come Back in September, Pinckney recalls his introduction to New York and the writing life. The critic and novelist intimately captures this revolutionary, brilliant, and troubled period in American letters. Elizabeth Hardwick was not only the link to the intellectual heart of New York, but also a source of continual support and inspiration-the way she worked, her artistry, and the beauty of her voice. Through his memories of the city and of Hardwick, we see the emergence and evolution of Pinckney himself: as a young man, as a New Yorker, and as one of the essential intellectuals of our time.

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Papers from the 17th Symposium on Mediterranean Archaeology, SOMA 2013 held in Moscow, 25-27 April 2013. Contents: A project proposal for the construction of underwater archaeological nature routes into the Protected Marine Area of Santa Maria di Castellabate (Salvatore Agizza); A Recently Discovered Thirteenth Century Church at Myra (T. Engin Akyurek); Archaeological Findings of Thracian / Phrygian Tribes' Crossing of Bosporus (ITA) Istanbul Prehistoric Research Project (Haldun Aydingun); Routes And Harbour Archaeology: An Attempt to Identify Some Ancient Toponyms on the Eastern Adriatic Coast (Mattia Vitelli Casella); The Bath Buildings throughout the Cilician shoreline. The cases of Akkale (Tirtar) and Mylai (Manastir) and the problems of their preservation and fruition. Can the archaeological relevance help in preserving the ancient remains? (Emanuele Casagrande Cicci); Byzantine Small Finds From 'Church B' at Andriake (Myra / Antalya): First Results on the Ceramics (Ozgu Comezoglu); Management of Cultural Heritage in the Coastal Zone 'An investigation on the conservation of wooden house in Istanbul through the eyes of the population' (Pierre Emanuel Decombe); XII Scripta And Two Excavated Game Boards From Kibyra (Unal Demirer); Dionysus and Ariadne in Antiocheia and Zeugma Mosaics: a Contrastive Evaluation (Sehnaz Erarslan); Studying aspects of Pre-Roman History, Religion, Political Organization andTrading Contacts of some Ionian Colonies of 'Thracia Pontica': the case of Dionysopolis & Odessos (Maria Girtzi); 'The Time-traveler meets Emperor Justinian in Byzantine Era': an innovative museological project (Maria Girtzi and Athanasia Bountidou); Hun Originated/Influenced Objects Found In China: Ordos Bronze (Feyza Gorez); Attic Imports to the Black Sea area: the Construction of the Reference Framework (Filippo Giudice with the contribution of Elvia & Giada Giudice, Paolo Madella, Francesco Muscolino, Giuseppe Sanfilippo Chiarello, Rossano Scicolone and Sebastiano Luca Tata); Stoa Philosophy and Its Development Stages in Ancient Era (Ilker Isik); 18th and 19th Century Wall Paintings Featuring Views of Istanbul (Bilge Karaoz); Stazione Neapolis: A journey into the history of Naples from the Neolithic to the Modern Age (Alessandro Luciano); Fish sauces trade and consumption in the ager Mutinensis (Manuela Mongardi); Reconstruction of the Settlement Layout at Salat Tepe: An Interpretation of the Archaeological Evidence (A. Tuba Okse and Ahmet Gormus); Denizli - The Ilbadi Cemetery Namazgah (Kadir Pektas); The Role of the Corinthian Relief Ware in Sardinia as a Socio-Economic and Cultural Indicator of a 'Commissioned' Trade (Paola Puppo and Fabio Mosca); Underwater Archaeological Project at the Ancient City of Akra (Eastern Crimea) 2011-2012 188 (Sergey Solovyev and Viktor Vakhoneev); Management of Underwater Archaeological Heritage: An Environmental Approach to the Protection and Preservation of the Harbour Complex of Aegina (Ioannis Triantafillidis and Vassilis Tselentis); The Byzantine Castle in Akbas on Thracian Chersonessos (Ayse C. Turker); Agoras, Theaters, Baths and Gymnasia: A Case Study on the Urban Redevelopment Choices of Carian Benefactors in the Roman Age (Guray Unver); A Byzantine Monastery South-East of Jerusalem (Yehiel Zelinger); Local and Imported Art in the Byzantine Monastery Newly Discovered Near Jerusalem, Israel (Lihi Habas)

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A unique, full-color compendium that celebrates and explores the enduring power and allure of the world’s most iconic lip shade, jam-packed with entertaining stories, anecdotes, little-known facts, quotes, and more than 100 gorgeous images culled from fine art, photography, and beauty and fashion editorial and advertising.“Pour yourself a drink, put on some lipstick, and pull yourself together.” — Elizabeth TaylorLipstick is the one makeup item most women can’t live without—and the most iconic shade is red. Exuding power, sensuality, allure, and mystery, red lips have been a constant of fashion for more than 5,000 years, beginning with Mesopotamian women around 3500 B.C. Throughout the ages, red lipstick has been a signature look worn by royalty, celebrities, and real women across cultures and geography. In fact, nearly all women own a tube of red lipstick, whether it’s the favorite shade they’ve been wearing devotedly for years, or as beauty boost they use for special occasions.Filled with a show-stopping selection of images and distinctively packaged—the size of a clutch, with a jacket printed with a matte, velvet, red finish—Red Lipstick is the only cultural history of this makeup essential available. Granted unprecedented access to experts and the archives of revered brands like Chanel and Elizabeth Arden, beauty writer Rachel Felder explores the origins and allure of red lipstick and illuminates its association with aristocracy, sex appeal, illicit sexuality, rebellion, power, glamour, fame, and beauty. She also spotlights the fascinating array of women who have worn it through the ages, including monarchs, suffragettes, flappers, working women in World War II, first ladies, political leaders, geishas, Hollywood sirens, rock and rollers, fashionistas, and more. Inside this enthralling book, you’ll discover why red lipstick makes women more attractive to others (and the science behind it); tips on choosing the most perfect shade of crimson; and a wealth of anecdotes, quotations, select literary excerpts, and trivia, such as the shade Carolyn Bessette Kennedy wore on her wedding day. Red Lipstick is packed with a museum’s worth of fine art, including both Man Ray’s photograph “Red Badge of Courage” and infamous painting “Les Amoreaux;” lush, rarely seen vintage magazine advertisements from stalwart brands like Guerlain and Dior; illustrations by renowned fashion illustrators such as René Gruau, Daisy Villeneuve, and Bil Donovan; artists Dante Gabriel Rossetti, Edgar Degas, Ernst Ludwig Kirchner, Wayne Thiebaud, and Walt Kuhn; and images of famous red lipstick wearers including Cleopatra, Queen Elizabeth II, Coco Chanel, Grace Kelly, Marilyn Monroe, Audrey Hepburn, Madonna, Diana Vreeland, Rihanna, Paloma Picasso, and many others. With its captivating, chic design, beautiful selection of visuals, and engaging, entertaining text, Red Lipstick is a classic, like the perfect red lip shade itself.

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