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The Akademie der Künste (Academy of Arts) in Berlin has carried out its task of promoting the arts in Germany since the year it was founded in 1696. From the outset, master builders have been eligible to become members. The architect Hans Scharoun laid the groundwork for establishing the architectural archive. As the first post-war president of the academy in West Berlin, he was eager to document twentieth-century architecture in the Archive. Besides the story lying behind the assembly of a collection, this publication presents all seventy-one archives and eighty collections, including short biographies of the originators and the nature and scope of inventories. The Preußische Akademie (Prussian Academy) is represented among other things by drawings by Friedrich Gilly from the end of the eighteenth century. Expressionist designs by Bruno Taut, Alfons Anker, Paul Goesch and Adolf Behne in particular are to be found in rich abundance. In common with the archives of Richard Ermisch, Paul Baumgarten and Thilo Schoder, these offer a chronicle of the 1920s. One focus of the collection is devoted to the archives of Second World War émigré architects, among them Adolf Rading, Gabriel Epstein, Julius Posenerand Konrad Wachsmann. The post-war period and the booming 1960s are represented by the archives of Hermann Henselmann, Walter Rossow, Bernhard Hermkes, Werner Hebebrand, Werner Düttmann and Heinz Graffunder. Archives and collections which can be traced back beyond the turn of the twenty-first century emerged from Jörg Schlaich, Kurt Ackermann, Szyszkowitz + Kowalski and Valentien + Valentien. On offer for the first time is an overview in print form of these archives acquired by the Academy up to the present day – archives of architects, engineers, landscape architects and architectural photographers and critics alike. This publication presents an excerpt from around half a million documents.

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A unique, full-color compendium that celebrates and explores the enduring power and allure of the world’s most iconic lip shade, jam-packed with entertaining stories, anecdotes, little-known facts, quotes, and more than 100 gorgeous images culled from fine art, photography, and beauty and fashion editorial and advertising.“Pour yourself a drink, put on some lipstick, and pull yourself together.” — Elizabeth TaylorLipstick is the one makeup item most women can’t live without—and the most iconic shade is red. Exuding power, sensuality, allure, and mystery, red lips have been a constant of fashion for more than 5,000 years, beginning with Mesopotamian women around 3500 B.C. Throughout the ages, red lipstick has been a signature look worn by royalty, celebrities, and real women across cultures and geography. In fact, nearly all women own a tube of red lipstick, whether it’s the favorite shade they’ve been wearing devotedly for years, or as beauty boost they use for special occasions.Filled with a show-stopping selection of images and distinctively packaged—the size of a clutch, with a jacket printed with a matte, velvet, red finish—Red Lipstick is the only cultural history of this makeup essential available. Granted unprecedented access to experts and the archives of revered brands like Chanel and Elizabeth Arden, beauty writer Rachel Felder explores the origins and allure of red lipstick and illuminates its association with aristocracy, sex appeal, illicit sexuality, rebellion, power, glamour, fame, and beauty. She also spotlights the fascinating array of women who have worn it through the ages, including monarchs, suffragettes, flappers, working women in World War II, first ladies, political leaders, geishas, Hollywood sirens, rock and rollers, fashionistas, and more. Inside this enthralling book, you’ll discover why red lipstick makes women more attractive to others (and the science behind it); tips on choosing the most perfect shade of crimson; and a wealth of anecdotes, quotations, select literary excerpts, and trivia, such as the shade Carolyn Bessette Kennedy wore on her wedding day. Red Lipstick is packed with a museum’s worth of fine art, including both Man Ray’s photograph “Red Badge of Courage” and infamous painting “Les Amoreaux;” lush, rarely seen vintage magazine advertisements from stalwart brands like Guerlain and Dior; illustrations by renowned fashion illustrators such as René Gruau, Daisy Villeneuve, and Bil Donovan; artists Dante Gabriel Rossetti, Edgar Degas, Ernst Ludwig Kirchner, Wayne Thiebaud, and Walt Kuhn; and images of famous red lipstick wearers including Cleopatra, Queen Elizabeth II, Coco Chanel, Grace Kelly, Marilyn Monroe, Audrey Hepburn, Madonna, Diana Vreeland, Rihanna, Paloma Picasso, and many others. With its captivating, chic design, beautiful selection of visuals, and engaging, entertaining text, Red Lipstick is a classic, like the perfect red lip shade itself.

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Pocket Rough Guide Lisbon Make the most of your time on Earth with the ultimate travel guides.Entertaining, informative and stylish pocket guide, now with free eBook.Discover the best of Lisbon with this compact and entertaining pocket travel guide. This slim, trim treasure trove of trustworthy travel information is ideal for short-trip travellers and covers all the key sights [Castelo de Sao Jorge, Mosteiro dos Jerónimos, Praça do Comércio, restaurants, shops, cafés and bars, plus inspired ideas for day-trips, with honest and independent recommendations from our experts.Features of this travel guide to Lisbon:- Compact format: packed with practical information, this is the perfect travel companion when you're out and about exploring Lisbon- Honest and independent reviews: written with Rough Guides' trademark blend of humour, honesty and expertise, our writers will help you make the most of your trip- Incisive area-by-area overviews: covering Baixa, the Sé, Alfamo and more, the practical 'Places' section provides all you need to know about must-see sights and the best places to eat, drink and shop- Handy pull-out map: with every major sight and listing highlighted, the pull-out map makes on-the-ground navigation easy- Time-saving itineraries: carefully planned routes will help inspire and inform your on-the-road experiences- Day-trips: venture further afield to Sintra or the Lisbon Coast. This tells you why to go, how to get there, and what to see when you arrive- Travel tips and info: packed with essential pre-departure information including getting around, health, tourist information, festivals and events, plus an A-Z directory and handy language section and glossary- Attractive user-friendly design: features fresh magazine-style layout, inspirational colour photography and colour-coded maps throughout- The ultimate travel tool: download the free eBook to access all this from your phone or tablet- Covers: The Baixa and Rossio; The Sé, Castelo and Alfama; Chiado and Cais do Sodré; Bairro Alto and Sao Bento; Estrela, Lapa and Santos; Alcantara and the docks; Belém and Ajuda; Avenida, Parque Eduardo VII and the Gulbenkian; Parque das Naçoes; Sintra; The Lisbon coastLooking for a comprehensive travel guide to Portugal? Try The Rough Guide to Portugal for an informative and entertaining look at all the country has to offer.About Rough Guides: Rough Guides have been inspiring travellers for over 35 years, with over 30 million copies sold. Synonymous with practical travel tips, quality writing and a trustworthy 'tell it like it is' ethos, the Rough Guides list includes more than 260 travel guides to 120+ destinations, gift-books and phrasebooks.

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Pocket Rough Guide British Breaks EdinburghMake the most of your time on Earth with the ultimate travel guides.Entertaining, informative and stylish pocket guide to the best British break destinations, with free eBook.Discover the best of Edinburgh with this compact and entertaining pocket travel guide. This slim, trim treasure trove of trustworthy travel information is ideal for short-trip travellers and covers all the key sights (including Edinburgh Castle, the Palace of Holyroodhouse and the Royal Botanic Garden), restaurants, shops, cafés and bars, plus inspired ideas for day-trips, with honest and independent recommendations from our experts.Features of this travel guide to Edinburgh:- Compact format: packed with practical information, this is the perfect travel companion when you're out and about exploring Edinburgh- Honest and independent reviews: written with Rough Guides' trademark blend of humour, honesty and expertise, our writers will help you make the most of your trip- Incisive area-by-area overviews: covering everywhere from the historic Royal Mile to trendy Leith and more, the practical 'Places' section provides all you need to know about must-see sights and the best places to eat, drink and shop- Time-saving itineraries: carefully planned routes will help inspire and inform your on-the-road experiences- Day-trips: venture further afield to Hopetoun House, Jupiter Artland or Rosslyn Chapel. This tells you why to go, how to get there, and what to see when you arrive- Travel tips and info: packed with essential pre-departure information including getting around, health, tourist information, festivals and events, plus an A-Z directory- Attractive user-friendly design: features fresh magazine-style layout, inspirational colour photography and colour-coded maps throughout- The ultimate travel tool: download the free eBook to access all this from your phone or tabletLooking for a comprehensive travel guide to Scotland? Try The Rough Guide to Scotland for an informative and entertaining look at all the country has to offer.About Rough Guides: Rough Guides have been inspiring travellers for over 35 years, with over 30 million copies sold. Synonymous with practical travel tips, quality writing and a trustworthy 'tell it like it is' ethos, the Rough Guides list includes more than 260 travel guides to 120+ destinations, gift-books and phrasebooks.

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WINNER OF THE JAMES TAIT BLACK PRIZE FOR BIOGRAPHY 2023A Times Best Literary Non-Fiction Book of the YearCritic and writer Darryl Pinckney recalls his friendship and apprenticeship with Elizabeth Hardwick and Barbara Epstein and the introduction they offered him to the New York literary world.At the start of the 1970s, Darryl Pinckney arrived in New York City and at Columbia University and enrolled in Elizabeth Hardwick's writing class at Barnard. After he graduated, he was welcomed into her home as a friend and mentee, and he became close with Hardwick and her best friend, neighbor, and fellow founder of The New York Review of Books, Barbara Epstein. Pinckney found himself at the heart of the New York literary world. He was surrounded by the great writers of the time, like Susan Sontag, Robert Lowell, and Mary McCarthy, as well as the overlapping cultural revolutions and communities that swept New York: the New Wave in film, rock, and writing; the art of Felice Rosser, Jean-Michel Basquiat, Lucy Sante, Howard Brookner, and Nan Goldin; the influence of feminism on American culture and literature; the black arts movement confronted by black feminism; and New Negro veterans experiencing the return of their youth as history. Pinckney filtered the avant-garde life he was exposed to downtown and the radical intellectual tradition of The Review through the moral values he inherited and adapted from abolitionist and Reconstruction black culture.In Come Back in September, Pinckney recalls his introduction to New York and the writing life. The critic and novelist intimately captures this revolutionary, brilliant, and troubled period in American letters. Elizabeth Hardwick was not only the link to the intellectual heart of New York, but also a source of continual support and inspiration-the way she worked, her artistry, and the beauty of her voice. Through his memories of the city and of Hardwick, we see the emergence and evolution of Pinckney himself: as a young man, as a New Yorker, and as one of the essential intellectuals of our time.

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Forty-five of Britain's best-loved poems, read by John Nettles, Siobhan Redmond, Greg Wise and Emma Fielding.In a national poll conducted to discover Britain's favourite poem, Rudyard Kipling's 'If -' was voted number one. This unique anthology brings together over forty poems from the poll, including the top ten.Here is poignant war poetry (Wilfred Owen's 'Dulce et Decorum Est' and 'Anthem for Doomed Youth', Rupert Brooke's 'The Soldier' and Siegfried Sassoon's 'Everyone Sang' ); romantic verse such as Shakespeare's 'Sonnet 18: Shall I Compare Thee to a Summer's Day?' and W. B. Yeats' 'When You Are Old'; Lewis Carroll and Edward Lear's great nonsense poems 'Jabberwocky' and 'The Owl and the Pussy-Cat', and much more. Classics such as Wordsworth's 'The Daffodils' and Tennyson's 'The Lady of Shallot' sit alongside contemporary poetry like Allan Ahlberg's 'Please Mrs Butler' and Wendy Cope's 'Bloody Men'.Superbly read by John Nettles, Siobhan Redmond, Greg Wise and Emma Fielding, this popular collection includes many of the very best examples ofBritish verse, as chosen by poetry lovers nationwide.The poems included in this collection are:1 'If -' by Rudyard Kipling, read by John Nettles2 'The Lady of Shallot' by Alfred Lord Tennyson, read by Siobhan Redmond3 'The Listeners' by Walter de la Mare, read by Greg Wise4 'Not Waving but Drowning' by Stevie Smith, read by Siobhan Redmond5 'The Daffodils' by William Wordsworth, read by John Nettles6 'To Autumn' by John Keats, read by Siobhan Redmond7 'The Lake Isle of Innisfree' by William Butler Yeats, read by Emma Fielding8 'Dulce et Decorum Est' by Wilfred Owen, read by Greg Wise9 'Ode to a Nightingale' by John Keats, read by Siobhan Redmond10 'He Wishes for the Cloths of Heaven' by William Butler Yeats, read by John Nettles11 'Remember' by Christina Rossetti, read by Siobhan Redmond12 'Elegy Written in a Country Churchyard' by Thomas Gray, read by John Nettles13 'Fern Hill' by Dylan Thomas, read by John Nettles14 'Leisure' by William Henry Davies, read by Emma Fielding15 'The Highwayman' by Alfred Noyes, read by Greg Wise16 'To His Coy Mistress' by Andrew Marvell, read by Greg Wise17 'Dover Beach' by Matthew Arnold, read by John Nettles18 'The Tyger' by William Blake, read by John Nettles19 'Adlestrop' by Edward Thomas, read by Siobhan Redmond20 'The Soldier' by Rupert Brooke ,read by Greg Wise21 'Sea-Fever' by John Masefield, read by John Nettles22 'Upon Westminster Bridge' by William Wordsworth, read by Greg Wise23 'How Do I Love Thee?' by Elizabeth Barrett Browning, read by Emma Fielding24 'Cargoes' by John Masefield, read by Greg Wise25 'Jabberwocky' by Lewis Carroll, read by Emma Fielding26 'The Rime of the Ancient Mariner' by Samuel Taylor Coleridge, read by John Nettles27 'Ozymandias of Egypt' by Percy Bysshe Shelley, read by Greg Wise28 'Abou ben Adhem' by Leigh Hunt, read by John Nettles29 'Everyone Sang' by Siegfried Sassoon, read by Greg Wise30 'The Windhover' by Gerard Manley Hopkins, read by Siobhan Redmond31 'Do Not Go Gentle into that Good Night' by Dylan Thomas, read by John Nettles32 'Sonnet 18: Shall I Compare Thee to a Summer's Day?' by William Shakespeare, read by Siobhan Redmond33 'When You Are Old' by William Butler Yeats, read by Emma Fielding34 'Lessons of the War (To Alan Mitchell): Naming of Parts' by Henry Reed, read by John Nettles35 'The Darkling Thrush' by Thomas Hardy, read by Emma Fielding36 'Please Mrs Butler' by Allan Ahlberg, read by Emma Fielding37 'Kubla Khan' by Samuel Taylor Coleridge, read by John Nettles38 'Home-Thoughts, from Abroad' by Robert Browning, read by Greg Wise39 'High Flight (An Airman's Ecstasy)' by John Gillespie Magee, read by Greg Wise40 'The Owl and the Pussy-Cat' by Edward Lear ,read by Emma Fielding41 'The Glory of the Garden' by Rudyard Kipling, read by Greg Wise42 'The Road Not Taken' by Robert Frost, read by Siobhan Redmond43 'The Way through the Woods' by Rudyard Kipling, read by Emma Fielding44 'Anthem for Doomed Youth' by Wilfred Owen, read by Greg Wise45 'Bloody Men' by Wendy Cope, read by Siobhan Redmond

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This thoroughly revised and updated second edition provides a comprehensive guide to Post Keynesian methodology, theory and policy prescriptions. The Companion reflects the challenges posed by the global financial crisis that began in 2008 and by the consolidation of the New Neoclassical Synthesis in macroeconomic theory. There are 41 entirely new entries, marking the emergence of a new generation of Post Keynesian scholars. The central issues that were dealt with in the first edition remain at the core of the book, but much more attention is paid in this second edition to financial markets, to Post Keynesian economics outside its traditional Anglo-American heartland and to gender issues and environmental policy. Including major theoretical, methodological and policy issues in Post Keynesian economics, this enriching Companion will strongly appeal to postgraduate and advanced undergraduate students in economics as well as related social science disciplines including international political economy, international relations, politics, public policy and sociology.Contributors: A. Altuzarra, P. Arestis, T. Asada, A. Barba, T. Baskoy, J. Bibow, S. Blankenburg, R.A. Blecker, H. Bloch, A. Brown, D. Bunting, F.J. Cardim de Carvalho, V. Chick, J. Cornwall, W. Cornwall, J. Courvisanos, C. Danby, F. Dantas, P. Davidson, L.F. De Paula, D. Dequech, S.C. Dow, P. Downward, S. Dullien, S.P. Dunn, A.K. Dutt, S. Fazzari, F. Ferrari-Filho, B. Fine, G. Fontana, M. Forstater, G. Fujii, R. Garnett, B. Gerrard, M. Glickman, G.C. Gu, G.C. Harcourt, J.T. Harvey, M. Hayes, E. Hein, J.F. Henry, G. Hewitson, M.C. Howard, P. Howells, T. Jefferson, J. Jespersen, T.-H. Jo, D.W. Katzner, S. Keen, S. Kelton, J.E. King, P. Kriesler, M. Lavoie, J. Leclaire, F.S. Lee, J. Lodewijks, M.C. Marcuzzo, J.S.L. McCombie, E.J. McKenna, A. Mearman, J. Melmiès, W. Mitchell, G. Mongiovi, T. Mott, T. Mouakil, Y. Nersisyan, J.W. Nevile, T. Niechoj, R. O'Donnell, P.A. O'Hara, A. Pacella, T.I. Palley, G. Palma, C. Panico, S.D. Parsons, N. Perry, M. Pivetti, R. Pollin, S. Pressman, J. Priewe, A. Razmi, R. Realfonzo, C. Rider, L.-P. Rochon, C.J. Rodríguez-Fuentes, S. Rossi, C. Sardoni, M. Sawyer, R.H. Scott III, M. Setterfield, N. Shapiro, H.J. Sherman, P. Skott, J. Smithin, E. Stockhammer, R. Studart, P.R. Tcherneva, A.P. Thirlwall, Z. Todorova, J. Toporowski, G. Tortorella Esposito, A.B. Trigg, É. Tymoigne, L. Ussher, T. Van Treeck, A. Vercelli, M. Vernengo, M. Watts, E. Webster, A. Winnett, M.H. Wolfson, L.R. Wray, D.C. Zannoni

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This thoroughly revised and updated second edition provides a comprehensive guide to Post Keynesian methodology, theory and policy prescriptions. The Companion reflects the challenges posed by the global financial crisis that began in 2008 and by the consolidation of the New Neoclassical Synthesis in macroeconomic theory. There are 41 entirely new entries, marking the emergence of a new generation of Post Keynesian scholars. The central issues that were dealt with in the first edition remain at the core of the book, but much more attention is paid in this second edition to financial markets, to Post Keynesian economics outside its traditional Anglo-American heartland and to gender issues and environmental policy. Including major theoretical, methodological and policy issues in Post Keynesian economics, this enriching Companion will strongly appeal to postgraduate and advanced undergraduate students in economics as well as related social science disciplines including international political economy, international relations, politics, public policy and sociology.Contributors: A. Altuzarra, P. Arestis, T. Asada, A. Barba, T. Baskoy, J. Bibow, S. Blankenburg, R.A. Blecker, H. Bloch, A. Brown, D. Bunting, F.J. Cardim de Carvalho, V. Chick, J. Cornwall, W. Cornwall, J. Courvisanos, C. Danby, F. Dantas, P. Davidson, L.F. De Paula, D. Dequech, S.C. Dow, P. Downward, S. Dullien, S.P. Dunn, A.K. Dutt, S. Fazzari, F. Ferrari-Filho, B. Fine, G. Fontana, M. Forstater, G. Fujii, R. Garnett, B. Gerrard, M. Glickman, G.C. Gu, G.C. Harcourt, J.T. Harvey, M. Hayes, E. Hein, J.F. Henry, G. Hewitson, M.C. Howard, P. Howells, T. Jefferson, J. Jespersen, T.-H. Jo, D.W. Katzner, S. Keen, S. Kelton, J.E. King, P. Kriesler, M. Lavoie, J. Leclaire, F.S. Lee, J. Lodewijks, M.C. Marcuzzo, J.S.L. McCombie, E.J. McKenna, A. Mearman, J. Melmiès, W. Mitchell, G. Mongiovi, T. Mott, T. Mouakil, Y. Nersisyan, J.W. Nevile, T. Niechoj, R. O'Donnell, P.A. O'Hara, A. Pacella, T.I. Palley, G. Palma, C. Panico, S.D. Parsons, N. Perry, M. Pivetti, R. Pollin, S. Pressman, J. Priewe, A. Razmi, R. Realfonzo, C. Rider, L.-P. Rochon, C.J. Rodríguez-Fuentes, S. Rossi, C. Sardoni, M. Sawyer, R.H. Scott III, M. Setterfield, N. Shapiro, H.J. Sherman, P. Skott, J. Smithin, E. Stockhammer, R. Studart, P.R. Tcherneva, A.P. Thirlwall, Z. Todorova, J. Toporowski, G. Tortorella Esposito, A.B. Trigg, É. Tymoigne, L. Ussher, T. Van Treeck, A. Vercelli, M. Vernengo, M. Watts, E. Webster, A. Winnett, M.H. Wolfson, L.R. Wray, D.C. Zannoni

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