Search results for ""Author Dick"

From ancient Greece and Rome (Sappho, Marcellus Empiricus) to the current Covid 19 crisis (Eavan Boland's 'Quarantine'), poets have responded with sensitivity and insight to the troubles of the human body and mind. Poems of Healing is a small treasury of their words, illuminating many different experiences of illness, injury and convalescence, from John Donne's 'Hymne to God My God, In My Sicknesse' to Thom Gunn's 'The Man with Night Sweats'; from Anne Finch's 'Spleen' to Jane Kenyon's 'Prognosis'; from Emily Dickinson's 'The Soul has Bandaged moments' to Seamus Heaney's 'Miracle'. Here are poems from around the world, by Baudelaire, Hugo, Rudaki and Cavafy; by Masaoka Shiki, Miroslav Holub and Zbigniew Herbert. Shakespeare and Milton; Tennyson and Emily Bronte; Charlotte Mew, Sylvia Plath, Wallace Stevens, W. H. Auden, Tony Harrison and Carol Ann Duffy are all present at the sickbed. Messages of hope in the midst of pain - in such masterpieces as Adam Zagajewski's 'Try to Praise the Mutilated World', Wislawa Szymborska's 'The End and the Beginning' and Stevie Smith's 'Away, Melancholy' - make this a perfect gift for anyone on the road to healing.

Read more less

What surprises might life have in store for you?A takeaway, TV and tea with two sugars is about as exciting as it gets for thirty-something Sophie Stone. Sophie's life is safe and predictable, which is just the way she likes it, thank you very much.But when a mysterious benefactor leaves her an inheritance, Sophie has to accept that change is afoot. There is one big catch: in order to inherit, Sophie must agree to meet the father she has never seen.Saying 'yes' means the chance to build her own dream home, but she'll also have to face the past and hear some uncomfortable truths...With interference from an evil boss, warring parents, an unreliable boyfriend and an architect who puts his foot in it every time he opens his mouth, will Sophie be able to build a future on her own terms - and maybe even find love along the way?A totally charming, modern love story for fans of Katie Fforde, Carole Matthews and Trisha Ashley. Praise for Cathy Bramley:'Delightfully warm and with plenty of twists and turns' Trisha Ashley'A witty, laugh-out-loud romantic comedy . . . I highly recommend it!' Miranda Dickinson

Read more less

"Despite the lyric tenderness and subtlety of their voices, the poems in iThe Bob and Weave are simultaneously surreal, spooky, and full of brave love for the world's mysteries, visible and invisible. Like an unpredictable wind, this work finds its way into the cracks between everything you think you know, then overflows them." —Claire Bateman "Jim Peterson's poems are filled with the things of this world--its horses, hands, stones, and baseball players--but are not themselves its inhabitants. Rather, this poet moves in a realm where 'there is / a space between him and the world and he / tunes it like one string of a violin.' Equally committed to nature, to spirit, to dreams, and to the touch of another human body, Peterson constantly expects 'a message / from something that isn't me / or even like me.' The tensions evolving from this anticipation are by turns erotic, mysterious, and instructively frightening." —Steven Corey "With The Bob and Weave, Jim Peterson announces himself as a major American poet. These poems offer insight into both the quotidian and the eternal, and while we hear echoes of his near predecessors--Dickey, Merwin, Hugo, Roethke--the voice in this new collection--assured, resonant, vatic--is entirely Peterson's own." —David Starkey

Read more less

In a world where we’re more connected than ever, why is it that we’re also more lonely? Dip into this anthology of classic writing to reclaim the pleasure of your own company.Part of the Macmillan Collector’s Library; a series of stunning pocket size classics. These beautiful books make perfect gifts or a treat for any book lover. This edition is edited and introduced by writer and academic, Zachary Seager.The Art of Solitude shows some of the myriad ways in which people throughout history have understood their experiences of solitary life, or have counselled others to benefit from solitude. It contains poetry, essays, autobiographical pieces and short stories from writers such as Virginia Woolf, Edgar Allen Poe, Emily Dickinson and Ralph Waldo Emerson.These diverse works can teach us how to think in freedom, how to enjoy a profound inner life and how best to cope with the fact that, as the novelist Joseph Conrad put it, we live, as we dream – alone. Above all, they show how we might truly connect with ourselves and, in the process, how we can meaningfully connect with those around us, including the earth itself. Looked at in this way, solitude is always focused both outward and inward, towards the self and towards the world. The cure for loneliness is, in the end, the art of solitude.

Read more less

In Dying Modern, one of our foremost literary critics inspires new ways to read, write, and talk about poetry. Diana Fuss does so by identifying three distinct but largely unrecognized voices within the well-studied genre of the elegy: the dying voice, the reviving voice, and the surviving voice. Through her deft readings of modern poetry, Fuss unveils the dramatic within the elegiac: the dying diva who relishes a great deathbed scene, the speaking corpse who fancies a good haunting, and the departing lover who delights in a dramatic exit. Focusing primarily on American and British poetry written during the past two centuries, Fuss maintains that poetry can still offer genuine ethical compensation, even for the deep wounds and shocking banalities of modern death. As dying, loss, and grief become ever more thoroughly obscured from public view, the dead start chattering away in verse. Through bold, original interpretations of little-known works, as well as canonical poems by writers such as Emily Dickinson, Randall Jarrell, Elizabeth Bishop, Richard Wright, and Sylvia Plath, Fuss explores modern poetry's fascination with pre- and postmortem speech, pondering the literary desire to make death speak in the face of its cultural silencing.

Read more less

Life in a workhouse during the Victorian and Edwardian eras has been popularly characterised as a brutal existence. Charles Dickens famously portrayed workhouse inmates as being dirty, neglected, overworked and at the mercy of exploitative masters. While there were undoubtedly establishments that conformed to this stereotype, there is also evidence of a more enlightened approach that has not yet come to public attention. This book establishes a true picture of what life was like in a workhouse, of why inmates entered them and of what they had to endure in their day-to-day routine.A comprehensive overview of the workshouse system gives a real and compelling insight into social and moral reasons behind their growth in the Victorian era, while the kind of distinctions that were drawn between inmates are looked into, which, along with the social stigma of having been a workhouse inmate, tell us much about class attitudes of the time.The book also looks at living conditions and duties of the staff who, in many ways, were prisoners of the workhouse. Michelle Higgs combines thorough research with a fresh outlook on a crucial period in British history, and in doing so paints a vivid portrait of an era and its social standards that continues to fascinate, and tells us much about the society we live in today.

Read more less

This is an annotated critical edition of a newly discovered life of Scott by one of his contemporaries. John Macrone, who wrote this life of Scott in 1832-1833, was admirably suited to the task; for, while he had never met Scott, his friends and associates included Cunningham, Galt, and Hogg, who wrote his Anecdotes of Scott for publication in Macrone's book. A quarrel with Lockhart, however, put a stop to the project, and nothing more was heard of it until the recent discovery of an autograph manuscript, here edited and published for the first time. A well-written and carefully-researched narrative, it increases our knowledge of Scott's life and work as perceived by his contemporaries, as well as enabling us to read Hogg's Anecdotes in their original context. The editor's introduction draws extensively on uncollected and unpublished material to illuminate Macrone's career, in the course of which he became the friend and publisher of Dickens, Thackeray, and Moore. It is the first publication of a manuscript which was believed to be lost. It provides a hitherto unknown contemporary perspective on Sir Walter Scott's life and work. It includes an introduction by the editor and a specially commissioned essay by Gillian Hughes giving a detailed account of Macrone's career based largely on uncollected or unpublished material. It establishes a new context for James Hogg's Anecdotes of Scott.

Read more less

In literary studies today, debates about the purpose of literary criticism and about the place of formalism within it continue to simmer across periods and approaches. Anna Kornbluh contributes to--and substantially shifts--that conversation in The Order of Forms by offering an exciting new category, political formalism, which she articulates through the co-emergence of aesthetic and mathematical formalisms in the nineteenth century. Within this framework, criticism can be understood as more affirmative and constructive, articulating commitments to aesthetic expression and social collectivity. Kornbluh offers a powerful argument that political formalism, by valuing forms of sociability like the city and the state in and of themselves, provides a better understanding of literary form and its political possibilities than approaches that view form as a constraint. To make this argument, she takes up the case of literary realism, showing how novels by Dickens, Bront , Hardy, and Carroll engage mathematical formalism as part of their political imagining. Realism, she shows, is best understood as an exercise in social modeling--more like formalist mathematics than social documentation. By modeling society, the realist novel focuses on what it considers the most elementary features of social relations and generates unique political insights. Proposing both this new theory of realism and the idea of political formalism, this inspired, eye-opening book will have far-reaching implications in literary studies.

Read more less

Michael Gove is one of the most recognisable faces in British politics - and one of the most divisive. Whether it's taking on the education `blob', acting as a frontman for the Brexit campaign or orchestrating one of the bloodiest political assassinations in the history of British politics, Gove is a man who makes things happen. But it was almost so different, and his story, from being born into care to standing for the leadership of the Conservative Party, could have come straight from the pages of a Charles Dickens novel. A charming man to his friends, and a cold-blooded zealot to his enemies, Gove provokes a reaction from everyone, be it loyalty, anger, respect or fury. Love him or hate him, it's impossible to deny Gove's impact on the UK over the past ten years, and, with Brexit still up in the air, he will continue to play a key role in the future of the country. Political journalist Owen Bennett's groundbreaking biography takes in original research as well as interviews with current and former Cabinet ministers, ex-colleagues from the BBC and The Times, and numerous other key players in Gove's life story. Lively and insightful in equal measure, Michael Gove: A Man in a Hurry reveals what turned the adopted son of an Aberdeen fishing family into one of the key political figures of the decade.

Read more less

"Five thousand years have now elapsed since the creation of the world, and still it is undecided whether or not there has even been an instance of the spirit of any person appearing after death. All argument is against it; but all belief is for it." --Samuel Johnson Ghosts are woven into the very fabric of life. In Britain, every town, village, and great house has a spectral resident, and their enduring popularity in literature, art, folklore, and film attests to their continuing power to fascinate, terrify, and inspire. Our conceptions of ghosts--the fears they provoke, the forms they take--are connected to the conventions and beliefs of each particular era, from the marauding undead of the Middle Ages to the psychologically charged presences of our own age. The ghost is no less than the mirror of the times. Organized chronologically, this new cultural history features a dazzling range of artists and writers, including William Hogarth, William Blake, Henry Fuseli, Dante Gabriel Rossetti, John Everett Millais, Susan Hiller and Jeremy Deller; John Donne, William Shakespeare, Samuel Pepys, Daniel Defoe, Percy and Mary Shelley, Emily Bronte, Charles Dickens, Wilkie Collins, Henry James, Thomas Hardy, Muriel Spark, Hilary Mantel, and Sarah Waters.

Read more less

Finalist for the Romantic Novelist Association's 'The Romantic Saga Award 2023' for A Mother's WarNorth Yorkshire, 1941.It's been two years since war broke out and the dangers of war are becoming ever more real for the Calvert-Lazenby family. With Raven Hall requisitioned as a maternity hospital, Rosina is rushed off her feet helping to care for the new young mothers and barely has the time to worry about young sergeant Harry who has been posted abroad. Until foreboding news arrives . . .Meanwhile, against Rosina's wishes, eighteen-year-old Connie decides to leave school and move to Scarborough to train as a carpenter's apprentice, sharing a flat with her friend Stella and the mysterious Valentine. Valentine is enigmatic and Connie would love to get to know her better, but little does she know how things will get much worse for them both . . .Nowhere is safe in wartime.Praise for Mollie Walton:'Mollie Walton captures your attention from the very first page and doesn't let go!' Diney Costeloe'A Journey. Compelling. Addictive' Val Wood'Feisty female characters, an atmospheric setting ... A phenomenal read' Cathy Bramley'Evocative, dramatic and hugely compelling. I loved it' Miranda Dickinson

Read more less

Arguably America's greatest living poet, Sharon Olds enters her eightieth year with a book for our times: a book of fear, fragility and love of life***NATIONAL BOOK AWARD FINALIST******AN OBSERVER BOOK OF THE YEAR 2023***'Sharon Olds is a force of nature... She proves triumphantly evergreen'OBSERVER'At the time of have-not, I look at myself in this mirror,' writes Olds in this self-scouring, exhilarating collection, which opens with a section of quarantine poems, followed by her 'Amherst Balladz', honouring Emily Dickinson - 'she was our Girl - our Woman - / Man enough - for me' - and leads to celebrations of lost friends and lovers: her childhood, young womanhood, and old age all mixed up together. She examines her white privilege, sees her mother 'flushed and exalted at punishment time', celebrates the human body, even in ageing, and looks with wonder at the natural world and how we've spoiled it.Renowned for her poetry of searing honesty, sexual frankness and brave originality, Sharon Olds' new book emerges 'at the eleventh hour of the end of the world', from the time of plague, this time of loss, where she can look at the world and her life and tell us plainly 'love is the love of who we are, it is a form of knowing.'

Read more less

Advent is celebrated when the year is becoming darker and colder, moving into the death and dormancy of winter. Before we can greet the coming of the light, we need to engage with some themes that are challenging and occasionally fearful. Like the Magi who travelled a long distance to search out and adore the infant Jesus, and who took some wrong turns on the way, we too have a journey to undertake before we find that we have 'Walked haphazard by starlight straight Into the kingdom of heaven.' U. A. Fanthorpe, BC:AD Haphazard by Starlight is a companion volume to Janet Morley's bestselling Lent book, The Heart's Time, which delighted readers with its thoughtfully chosen selection of poems and its biblically sensitive commentaries. Here, the reader is given an opportunity to engage in a pilgrimage of the heart, through Advent and Christmas to the feast of the Epiphany. Each day - from 1 December to 6 January - offers a poem (sometimes explicitly Christian, often not) and an accessible commentary that is both critically informed and devotional in intent. The poets represented include Rowan Williams, Elizabeth Jennings, Edwin Muir, Philip Larkin, Jane Kenyon, Gillian Clarke, George Herbert, T. S. Eliot, Sylvia Plath, Emily Dickinson, Waldo Williams, P. J. Kavanagh, Ruth Fainlight, William Blake and many more.

Read more less

A remarkable companion piece to The Writer and the World, Naipaul’s previous volume of highly acclaimed essays, Literary Occasions is a stirring contribution to the fading art of the critic, and a revelation of a life in letters.In these eleven extended pieces V. S. Naipaul charts more than half a century of personal enquiry into the mysteries of the written word and of fiction in particular. Here are his boyhood experiences of reading books and his first youthful efforts at writing them; the evolution of his ideas about the extent to which individual cultures shape identities and influence literary forms; observations on Conrad, his literary forebear; the moving preface he wrote to the only book his father ever published; and his reflections on his career, ending with his celebrated Nobel lecture, ‘Two Worlds’. ‘He is an exceptionally good and perceptive critic – a few passages on Dickens are worth whole books by others – and when he addresses the art of fiction he not only writes beautifully (as always) but with complete humility’ New Statesman

Read more less

His elegantly-crafted tale of sibling rivalry, Honoré de Balzac's The Black Sheep is translated from the French with an introduction by Donald Adamson in Penguin Classics.Philippe and Joseph Bridau are two extremely different brothers. The elder, Philippe, is a superficially heroic soldier and adored by their mother Agathe. He is nonetheless a bitter figure, secretly gambling away her savings after a brief but glorious career as Napoleon's aide-de-camp at the battle of Montereau. His younger brother Joseph, meanwhile, is fundamentally virtuous - but their mother is blinded to his kindness by her disapproval of his life as an artist. Foolish and prejudiced, Agathe lives on unaware that she is being cynically manipulated by her own favourite child - but will she ever discover which of her sons is truly the black sheep of the family? A dazzling depiction of the power of money and the cruelty of life in nineteenth-century France, The Black Sheep compellingly explores is a compelling exploration of the nature of deceit.Donald Adamson's translation captures the radical modernity of Balzac's style, while his introduction places The Black Sheep in its context as one of the great novels of Balzac's renowned Comédie humaine.Honoré De Balzac (1799-1850) failed at being a lawyer, publisher, printer, businessman, critic and politician before, at the age of thirty, turning his hand to writing. His life's work, La Comédie humaine, is a series of ninety novels and short stories which offer a magnificent panorama of nineteenth-century life after the French Revolution. Balzac was an influence on innumerable writers who followed him, including Marcel Proust, Émile Zola, Charles Dickens, and Edgar Allan Poe.If you enjoyed The Black Sheep, you might like Balzac's Eugénie Grandet, also available in Penguin Classics.

Read more less

In this ground-breaking Research Handbook, leading international researchers analyse how negotiators' gender shapes their behaviour and outcomes at the bargaining table, in both work and non-work contexts. World-class experts from the field of negotiation present cutting-edge research on gender and negotiation, highlighting controversies and generating new questions for consideration. The Research Handbook offers helpful insights to negotiators and forges a path for future research. The first section highlights how gender shapes negotiation within close relationships and identifies informal social rules for how women and men are expected to negotiate, exploring the socialization patterns and historical contexts that produced these norms and the implications for women at the bargaining table. Chapters discuss how underlying negotiation processes such as trust, emotion, communication and non-verbal behaviour are shaped by gender, as well as considering a number of pragmatic solutions to the obstacles women face as self-advocates. Offering insights for both practitioners and researchers, this Research Handbook will be invaluable to teachers and, also, female professionals who want to understand how to get better outcomes from negotiation. It will also be required reading for HR professionals who wish to understand how and why organizational policies regarding negotiation can level the playing field. Contributors include: E.T. Amanatullah, J.B. Bear, L. Berg, J.E. Bochantin, H.R. Bowles, T.H. Burns, A. Dickson, A.L. Elias, K.R. Gallagher, B.A. Gazdag, M.P. Haselhuhn, H. Jazaieri, J.A. Kennedy, S. Kesebir, D. Kolb, L.J. Kray, C.T. Kulik, S.Y. Lee, M. Liu, B.A. Livingston, S. Mor, M. Olekalns, J. Overbeck, M. Pillutla, T.L. Pittinsky, J. Qiu, L. Ramic-Mesihovic, I.Y. Ren, S.W. Ryu, A. Sabanovic, Z. Semnani-Azad, W. Shan, R. Sinha, A.F. Stuhlmacher, N.R. Toosi, C. Trombini, J. Wareham, L. Zervos

Read more less

A comprehensive look at the academic criticism of Jane Austen from her time down to the present. Among the most important English novelists, Jane Austen is unusual because she is esteemed not only by academics but by the reading public. Her novels continue to sell well, and films adapted from her works enjoy strong box-officesuccess. The trajectory of Austen criticism is intriguing, especially when one compares it to that of other nineteenth-century English writers. At least partly because she was a woman in the early nineteenth century, she was longneglected by critics, hardly considered a major figure in English literature until well into the twentieth century, a hundred years after her death. Yet consequently she did not suffer from the reaction against Victorianism thatdid so much to hurt the reputation of Dickens, Tennyson, Arnold, and others. How she rose to prominence among academic critics - and has retained her position through the constant shifting of academic and critical trends - is a story worth telling, as it suggests not only something about Austen's artistry but also about how changes in critical perspective can radically alter a writer's reputation. Laurence W. Mazzeno is President Emeritus of Alvernia University, Reading, Pennsylvania.

Read more less

Literary representations of British convicts exiled to Australia were the most likely way that the typical English reader would learn about the new colonies there. In Transported to Botany Bay, Dorice Williams Elliott examines how writers—from canonical ones such as Dickens and Trollope to others who were themselves convicts—used the figure of the felon exiled to Australia to construct class, race, and national identity as intertwined. Even as England’s supposedly ancient social structure was preserved and venerated as the “true” England, the transportation of some 168,000 convicts facilitated the birth of a new nation with more fluid class relations for those who didn’t fit into the prevailing national image. In analyzing novels, broadsides, and first-person accounts, Elliott demonstrates how Britain linked class, race, and national identity at a key historical moment when it was still negotiating its relationship with its empire. The events and incidents depicted as taking place literally on the other side of the world, she argues, deeply affected people’s sense of their place in their own society, with transnational implications that are still relevant today.

Read more less

In this sophisticated application of modern Marxist thought, N. N. Feltes demonstrates the determining influence of nineteenth-century publishing practices on the Victorian novel. His dialectical analysis leads to a comprehensive explanation of the development of capitalist novel production into the twentieth century. Feltes focuses on five English novels: Dickens's Pickwick Papers, Thackeray's Henry Esmond, Eliot's Middlemarch, Hardy's Tess of the d'Urbervilles, and Forster's Howards End. Published at approximately twenty year intervals between 1836 and 1920, they each represent a different first-publication format: part-issue, three-volume, bimonthly, magazine-serial, and single-volume. Drawing on publishing, economic, and literary history, Feltes offers a broad, synthetic explanation of the relationship between the production and format of each novel, and the way in which these determine, in the last instance, the ideology of the text. Modes of Production in Victorian Novels provides a Marxist structuralist analysis of historical events and practices described elsewhere only empirically, and traces their relationship to literary texts which have been analyzed only idealistically, thus setting these familiar works firmly and perhaps permanently into a framework of historic materialism.

Read more less

In photographs only seen briefly as part of studio press kits distributed upon release of a new film, these long-lost stills of Hollywood’s leading ladies have been reverently rendered into color portraits that not only evoke a treasured past of beauty and glamour, but also seem comfortably familiar to the contemporary eye. These posed photos have been chosen not only for their bespoke sensuality, but also for how the discrete addition of color has elevated a black and white still to a kind of artistic grace, prompting rediscovery of classic Hollywood’s most beautiful women. Actresses portrayed here include Julie Andrews, Anna Mae Wong, Audrey Hepburn, Ingrid Bergman, Bette Davis, Carole Lombard, Carroll Baker, Joan Crawford, Marion Davies, Angie Dickinson, Eva Marie Saint, and many others.

Read more less

From traditional seaside holiday treats like candy floss, ice cream and fish ’n’ chips, to the British fascination for baking, the Victorian era has shaped British culinary heritage. Victoria’s austere attitude after an age of Regency indulgence generated enormous cultural change. Excess and gluttony were replaced with morally upright values, and Victoria’s large family became the centre of the cultural imagination, with the power to begin new traditions. If Queen Victoria’s family sat down to turkey on Christmas day, so did the rest of the nation. Food was a significant part of the Victorians’ lives, whether they had too much of it or not enough. The destitute were fed gruel in the workhouses – the words of Dickens’s Oliver are forever imprinted on our minds: ‘Please, sir, I want some more.’ The burgeoning street traders spilling over from the previous century devolved into a whole new culture of ‘mudlarks’, trotter boilers and food slop traders, to name but a few. Wealthy Victorians gorged with the newly emerging trend for breakfast, lunch and tea. Public dining became de rigeur, and the outdoor ‘pique-nique’, introduced a new way of eating. Victorians also struggled against many of these trends, with the belief that denial of food was a moral good. This was the era of educating and training in food management, combined with the old world of superstition and tradition, that changed British society forever.

Read more less

There are few more precious routines than that of the bedtime story. So why do we discard this invaluable ritual as grown-ups to the detriment of our well-being and good health? In this groundbreaking anthology, Ben Holden, editor of the bestselling Poems That Make Grown Men Cry, challenges how we think about life, a third of which is spent asleep. He deftly explores not only the science of sleep but also why we endlessly tell stories – even to ourselves, as we dream. Holden combines his own illuminating storytelling with a treasure trove of timeless classics and contemporary gems. Poems and short stories, fairy tales and fables, reveries and nocturnes – from William Shakespeare to Haruki Murakami, Charles Dickens to Roald Dahl, Rabindranath Tagore to Nora Ephron, Vladimir Nabokov to Neil Gaiman – are all woven together to replicate the journey of a single night’s sleep. Some of today’s greatest storytellers reveal their choice of the ideal grown-up bedtime story: writers such as Margaret Drabble, Ken Follett, Tessa Hadley, Robert Macfarlane, Patrick Ness, Tony Robinson and Warsan Shire. Fold away your laptop and shut down your mobile phone. Curl up and crash out with the ultimate bedside book, one you’ll return to again and again. Full of laughter and tears, moonlight and magic, Bedtime Stories for Grown-ups joyfully provides the dream way to end the day – and begin the night . . .

Read more less

The arrival of the Anthropocene brings the suggestion that we are only now beginning to speculate on an inhuman world that is not for us, only now confronting fears and anxieties of ecological, political, social, and philosophical extinction. While pointing out that reflections on disaster were not foreign to what we historically call romanticism, Last Things pushes romantic thought toward an altogether new way of conceiving the “end of things,” one that treats lastness as neither privation nor conclusion. Through quieter, non-emphatic modes of thinking the end of human thought, Khalip explores lastness as what marks the limits of our life and world. Reading the fate of romanticism—and romantic studies—within the key of the last, Khalip refuses to elegize or celebrate our ends, instead positing romanticism as a negative force that exceeds theories, narratives, and figures of survival and sustainability. Each chapter explores a range of romantic and contemporary materials: poetry by John Clare, Emily Dickinson, John Keats, Percy Shelley, and William Wordsworth; philosophical texts by William Godwin, David Hume, Immanuel Kant, and Jean-Jacques Rousseau; paintings by Hubert Robert, Caspar David Friedrich, and Paterson Ewen; installations by Tatsuo Miyajima and James Turrell; and photography by John Dugdale, Peter Hujar, and Joanna Kane. Shuttling between temporalities, Last Things undertakes an original reorganization of romantic thought for contemporary culture. It examines an archive on the side of disappearance, perishing, the inhuman, and lastness.

Read more less

The profound economic and social changes in the post-Civil War United States created new challenges to a nation founded on Enlightenment and transcendental values, religious certainties, and rural traditions. Newly-freed African Americans, emboldened women, intellectuals and artists, and a polyglot tide of immigrants found themselves in a restless new world of railroads, factories, and skyscrapers where old assumptions were being challenged and new values had yet to be created. In An American Cakewalk: Ten Syncopators of the Modern World, Zeese Papanikolas tells the lively and entertaining story of a diverse group of figures in the arts and sciences who inhabited this new America. Just as ragtime composers subverted musical expectations by combining European march timing with African syncopation, so this book's protagonists—who range from Emily Dickinson to Thorstein Veblen and from Henry and William James to Charles Mingus—interrogated the modern American world through their own "syncopations" of cultural givens. The old antebellum slave dance, the cakewalk, with its parody of the manners and pretensions of the white folks in the Big House, provides a template of how the tricksters, shamans, poets, philosophers, ragtime pianists, and jazz musicians who inhabit this book used the arts of parody, satire, and disguise to subvert American cultural norms and to create new works of astonishing beauty and intellectual vigor.

Read more less

The monarchs of seventeenth-century Europe put a surprisingly high priority on the abolition of dueling, seeing its eradication as an important step from barbarism toward a rational state monopoly on justice. But it was one thing to ban dueling and another to stop it. Duelists continued to kill each other with swords or pistols in significant numbers deep into the nineteenth century. In 1883 Maupassant called dueling “the last of our unreasonable customs.” As a dramatic and forbidden ritual from another age, the duel retained a powerful hold on the public mind and, in particular, the literary imagination.Many of the greatest names in Western literature wrote about or even fought in duels, among them Corneille, Molière, Richardson, Rousseau, Pushkin, Dickens, Hugo, Dumas, Twain, Conrad, Chekhov, and Mann. As John Leigh explains, the duel was a gift as a plot device. But writers also sought to discover in duels something more fundamental about human conflict and how we face our fears of humiliation, pain, and death. The duel was, for some, a social cause, a scourge to be mocked or lamented; yet even its critics could be seduced by its risk and glamour. Some conservatives defended dueling by arguing that the man of noble bearing who cared less about living than living with honor was everything that the contemporary bourgeois was not. The literary history of the duel, as Touché makes clear, illuminates the tensions that attended the birth of the modern world.

Read more less

In The Extravagant Robert Baker explores the interplay between poetry and philosophy in the modern period, engaging a broad range of writers: Kant, Wordsworth, and Lyotard in a chapter on the sublime; Rimbaud, Nietzsche, and Bataille in a chapter on visionary quest; and Kierkegaard, Dickinson, Mallarmé, and Derrida in a chapter on apocalyptic negativity. His guiding concern is to illuminate adventures of “extravagant” or “wandering” language that, from the romantic period on, both poets and philosophers have undertaken in opposition to the dominant social and discursive frames of a pervasively instrumentalized world. The larger interpretative narrative shaping the book is that a dialectic of instrumental reason and creative negativity has been at work throughout modern culture. Baker argues that adventures of exploratory wandering emerge in the romantic period as displaced articulations of older religious discourses. Given the dominant trends of the modern world, however, these adventures repeatedly lead to severe collisions and crises, in response to which they are later revised or further displaced. Over time, as instrumental structures come to disfigure every realm of modern life, poetries and philosophies at odds with these structures are forced to criticize and surpass earlier voices in their traditions that seem to have lost a transformative power. Thus, Baker argues, these adventures gradually unfold into various discourses of the negative prominent in contemporary culture: discourses of decentering, dispersing, undoing, and erring. It is this dialectic that Baker traces and interprets in this ambitious study.

Read more less

Karol Charles does not have time for ghosts. It’s Christmas Eve and she’s at the office. Sure, her kids thought she’d be making cookies with them back at home, but this is important. This is what it means to “have it all.” Then, a familiar cough from the adjacent room jolts her out of her work. It can’t be possible. Marley is dead. She has been for years.With Marley’s death, Karol is now running their law firm by herself. But she still strives to live by her best friend and law partner’s creed: The job makes the money and the money buys the things that make your family happy. Working all the time is a sacrifice Karol has made willingly.However, Karol’s life takes a drastic turn when she falls outside of Rockefeller Center and has to be hospitalized. But something is wrong with this hospital. There’s a ghost in the waiting room and another magical visitor in the lobby. With them, Karol revisits long-forgotten memories and begins to unravel the truth about her current situation—and a future that is anything but cheery and bright.In this modern twist on Dickens’s A Christmas Carol, Karol’s journey through her past, present, and future reveals a difficult yet liberating truth: It is far better to have what matters than to have it all.

Read more less

The arrival of the Anthropocene brings the suggestion that we are only now beginning to speculate on an inhuman world that is not for us, only now confronting fears and anxieties of ecological, political, social, and philosophical extinction. While pointing out that reflections on disaster were not foreign to what we historically call romanticism, Last Things pushes romantic thought toward an altogether new way of conceiving the “end of things,” one that treats lastness as neither privation nor conclusion. Through quieter, non-emphatic modes of thinking the end of human thought, Khalip explores lastness as what marks the limits of our life and world. Reading the fate of romanticism—and romantic studies—within the key of the last, Khalip refuses to elegize or celebrate our ends, instead positing romanticism as a negative force that exceeds theories, narratives, and figures of survival and sustainability. Each chapter explores a range of romantic and contemporary materials: poetry by John Clare, Emily Dickinson, John Keats, Percy Shelley, and William Wordsworth; philosophical texts by William Godwin, David Hume, Immanuel Kant, and Jean-Jacques Rousseau; paintings by Hubert Robert, Caspar David Friedrich, and Paterson Ewen; installations by Tatsuo Miyajima and James Turrell; and photography by John Dugdale, Peter Hujar, and Joanna Kane. Shuttling between temporalities, Last Things undertakes an original reorganization of romantic thought for contemporary culture. It examines an archive on the side of disappearance, perishing, the inhuman, and lastness.

Read more less

From the UK Poet Laureate and bestselling translator, a spirited book that demystifies and celebrates the art of poetry todayIn A Vertical Art, acclaimed poet Simon Armitage takes a refreshingly common-sense approach to an art form that can easily lend itself to grand statements and hollow gestures. Questioning both the facile and obscure ends of the poetry spectrum, he offers sparkling new insights about poetry and an array of favorite poets.Based on Armitage’s public lectures as Oxford Professor of Poetry, A Vertical Art illuminates poets as varied as Emily Dickinson, Walt Whitman, Marianne Moore, W. H. Auden, Ted Hughes, Thom Gunn, A. R. Ammons, and Claudia Rankine. The chapters are often delightfully sassy in their treatment, as in “Like, Elizabeth Bishop,” in which Armitage dissects—and tallies—the poet’s predilection for similes. He discusses Bob Dylan’s Nobel Prize, poetic lists, poetry and the underworld, and the dilemmas of translating Sir Gawain and the Green Knight. Armitage also pulls back the curtain on the unromantic realities of making a living as a contemporary poet, and ends the book with his own list of “Ninety-Five Theses” on the principles and practice of poetry.An appealingly personal book that explores the volatile and disputed definitions of poetry from the viewpoint of a practicing writer and dedicated reader, A Vertical Art makes an insightful and entertaining case for the power and potential of poetry today.

Read more less

Victoria's accession to the throne in 1837 coincided with the birth of a now notorious gender stereotype—the "Angel in the House." Comparing the position of real women—from the Queen of England to middle-class housewives—with their status as household angels, Elizabeth Langland explores a complex image of femininity in Victorian culture. Langland offers provocative readings of nineteenth-century fiction as well as a rare glimpse into etiquette guides, home management manuals, and cookbooks. She traces the implications of a profound contradiction: although the home was popularly depicted as a private moral haven, running the middle-class household—which included at least one servant—was in fact an exercise in class management. Drawing on the work of Foucault, Benjamin, and Bourdieu, and of recent feminist theorists, Langland considers novels by Dickens, Gaskell, Oliphant. and Eliot, as well as the memoirs of Hannah Cullwick, a former domestic servant who married a middle-class man. Langland discovers that the middle-class wife assumed a more complex and important function than has previously been recognized. With her substantial power veiled in myth, the Victorian angel mastered skills that enabled her to support a rigid class system; at the same time, however, her achievements unobtrusively set the stage for a feminist revolution. Nobody's Angels reconstructs a disturbing picture of social change that depended as much on protecting class inequity as on promoting gender equality.

Read more less

The puppet creates delight and fear. It may evoke the innocent play of childhood, or become a tool of ritual magic, able to negotiate with ghosts and gods. Puppets can be creepy things, secretive, inanimate while also full of spirit, alive with gesture and voice. In this eloquent book, Kenneth Gross contemplates the fascination of these unsettling objects - objects that are also actors and images of life. The poetry of the puppet is central here, whether in its blunt grotesquery or symbolic simplicity, and always in its talent for metamorphosis. On a meditative journey to seek the idiosyncratic shapes of puppets on stage, Gross looks at the anarchic Punch and Judy show, the sacred shadow theater of Bali, and experimental theaters in Europe and the United States, where puppets enact everything from Baroque opera and Shakespearean tragedy to Beckettian farce. Throughout, he interweaves accounts of the myriad faces of the puppet in literature - Collodi's cruel, wooden Pinocchio, puppet-like characters in Kafka and Dickens, Rilke's puppet-angels, the dark puppeteering of Philip Roth's Mickey Sabbath - as well as in the work of artists Joseph Cornell and Paul Klee. The puppet emerges here as a hungry creature, seducer and destroyer, demon and clown. It is a test of our experience of things, of the human and inhuman. A book about reseeing what we know, or what we think we know, "Puppet" evokes the startling power of puppets as mirrors of the uncanny in life and art.

Read more less

'A lovely kind of nostalgia, which colourises the black and white of yesteryear' - The Oldie Review'He writes about them all with wonderful precision and a powerful evocation' - Radio Times'Like my father before me, I believe that both the playing and watching of sport can teach us important lessons about ourselves by providing practical instruction in co-operation, tests of resolve and temper'For Michael Parkinson it was never really in doubt that he would spend his life in sport. His father, a fearsome fast bowler himself, indoctrinated young Michael from an early age into the Yorkshire cricket tradition and supporting Barnsley FC. All he ever wanted was to play cricket for Yorkshire and England.He rose through the ranks of Barnsley cricket along with his friends Dickie Bird and Geoffrey Boycott. But while they went on to find fame on the field, he spent the next few decades watching, writing and talking about sport. My Sporting Life is Sir Michael's love letter to sport, to the heroes and legends of his Yorkshire youth, to the characters of the international games he watched and wrote about, and to the very idea of sport itself. With warm humorous anecdotes about many icons of sport, from Shane Warne to George Best and Muhammad Ali to Fred Trueman, Sir Michael Parkinson reflects on his life writing about his one great passion.

Read more less

A fresh twist on 24 classic poems, these visual interpretations by comic artist Julian Peters will change the way you see the world.This stunning anthology of favorite poems visually interpreted by comic artist Julian Peters breathes new life into some of the greatest English-language poets of the nineteenth and twentieth centuries.These are poems that can change the way we see the world, and encountering them in graphic form promises to change the way we read the poems. In an age of increasingly visual communication, this format helps unlock the world of poetry and literature for a new generation of reluctant readers and visual learners.Grouping unexpected pairings of poems around themes such as family, identity, creativity, time, mortality, and nature, Poems to See By will also help young readers see themselves differently. A valuable teaching aid appropriate for middle school, high school, and college use, the collection includes favorites from the Western canon already taught in countless English classes.Includes poems by Emily Dickinson, Langston Hughes, Carl Sandburg, Maya Angelou, Seamus Heaney, e. e. cummings, Robert Frost, Dylan Thomas, Christina Rossetti, William Wordsworth, William Ernest Henley, Robert Hayden, Edgar Allan Poe, W. H. Auden, Thomas Hardy, Percy Bysshe Shelley, John Philip Johnson, W. B. Yeats, Gerard Manley Hopkins, Edna St. Vincent Millay, Tess Gallagher, Ezra Pound, and Siegfried Sassoon.

Read more less

Life Lessons from Literature is a must for all bibliophiles, providing a concise and highly accessible bucket list of must-read books that teaches us so many fundamental truths and broadens our minds.‘I read a book one day and my whole life was changed’ ... So confesses the narrator of Orhan Pamuk’s novel The New Life. But what can we learn from reading books? Life Lessons from Literature poses this broad question by examining the works of some of the greatest writers in history.In it, we can draw wisdom from Charles Dickens’ views on poverty and wealth; seek comfort from ideas about love from Jane Austen and the Bronte sisters. Yet books are about much more than just romance and money. Through careful examination of over one hundred classic works of world literature, life lessons are also drawn from themes such as conflict and oppression, identity and psychology, showing how literature enriches and informs our understanding of ourselves and the wider world around us.From Brazil to Japan, the Americas to Africa; from Victor Hugo to Mark Twain and Chinua Achebe to Haruki Murakami, you will find literature from around the world in this gem of a book, in which the plots may differ but the themes and the lessons they have to teach us are entirely universal.

Read more less

Finalist for the National Book Critics Circle Award in CriticismA history of the chapter from its origins in antiquity to todayWhy do books have chapters? With this seemingly simple question, Nicholas Dames embarks on a literary journey spanning two millennia, revealing how an ancient editorial technique became a universally recognized component of narrative art and a means to register the sensation of time.Dames begins with the textual compilations of the Roman world, where chapters evolved as a tool to organize information. He goes on to discuss the earliest divisional systems of the Gospels and the segmentation of medieval romances, describing how the chapter took on new purpose when applied to narrative texts and how narrative segmentation gave rise to a host of aesthetic techniques. Dames shares engaging and in-depth readings of influential figures, from Sterne, Goethe, Tolstoy, and Dickens to George Eliot, Machado de Assis, B. S. Johnson, Agnès Varda, Uwe Johnson, Jennifer Egan, and László Krasznahorkai. He illuminates the sometimes tacit, sometimes dramatic ways in which the chapter became a kind of reckoning with time and a quiet but persistent feature of modernity.Ranging from ancient tablets and scrolls to contemporary fiction and film, The Chapter provides a compelling, elegantly written history of a familiar compositional mode that readers often take for granted and offers a new theory of how this versatile means of dividing narrative sculpts our experience of time.

Read more less

Dear reader, There is nothing to be found in Lemony Snicket’s ‘A Series of Unfortunate Events’ but misery and despair. You still have time to choose another international best-selling series to read. But if you insist on discovering the unpleasant adventures of the Baudelaire orphans, then proceed with caution… Violet, Klaus, and Sunny Baudelaire are intelligent children. They are charming, and resourceful, and have pleasant facial features. Unfortunately, they are exceptionally unlucky. In The End, the siblings face a fearsome storm, a suspicious beverage, a herd of wild sheep, an enormous bird cage, and a truly haunting secret about the Baudelaire parents. In the tradition of great storytellers, from Dickens to Dahl, comes an exquisitely dark comedy that is both literary and irreverent, hilarious and deftly crafted. Despite their wretched contents, ‘A Series of Unfortunate Events’ has sold 60 million copies worldwide and been made into a Hollywood film starring Jim Carrey. And in the future things are poised to get much worse, thanks to the forthcoming Netflix series directed by Neil Patrick Harris. You have been warned. Are you unlucky enough to own all 13 adventures? The Bad Beginning The Reptile Room The Wide Window The Miserable Mill The Austere Academy The Ersatz Elevator The Vile Village The Hostile Hospital The Carnivorous Carnival The Slippery Slope The Grim Grotto The Penultimate Peril The End And what about All the Wrong Questions? In this four-book series a 13-year-old Lemony chronicles his dangerous and puzzling apprenticeship in a mysterious organisation that nobody knows anything about: ‘Who Could That Be at This Hour?’ ‘When Did you Last See Her?’ ‘Shouldn’t You Be in School?’ ‘Why is This Night Different from All Other Nights?’ Lemony Snicket was born before you were and is likely to die before you as well. He was born in a small town where the inhabitants were suspicious and prone to riot. He grew up near the sea and currently lives beneath it. Until recently, he was living somewhere else. Brett Helquist was born in Ganado, Arizona, grew up in Orem, Utah, and now lives in New York City. He earned a bachelor’s degree in fine arts from Brigham Young University and has been illustrating ever since. His art has appeared in many publications, including Cricket magazine and The New York Times.

Read more less

Dear reader, There is nothing to be found in Lemony Snicket’s ‘A Series of Unfortunate Events’ but misery and despair. You still have time to choose another international best-selling series to read. But if you insist on discovering the unpleasant adventures of the Baudelaire orphans, then proceed with caution… Violet, Klaus, and Sunny Baudelaire are intelligent children. They are charming, and resourceful, and have pleasant facial features. Unfortunately, they are exceptionally unlucky. In The Penultimate Peril, the siblings face a harpoon gun, a rooftop sunbathing salon, two mysterious initials, three unidentified triplets, a notorious villain, and an unsavoury curry… In the tradition of great storytellers, from Dickens to Dahl, comes an exquisitely dark comedy that is both literary and irreverent, hilarious and deftly crafted. Despite their wretched contents, ‘A Series of Unfortunate Events’ has sold 60 million copies worldwide and been made into a Hollywood film starring Jim Carrey. And in the future things are poised to get much worse, thanks to the forthcoming Netflix series starring Neil Patrick Harris. You have been warned. Are you unlucky enough to own all 13 adventures? The Bad Beginning The Reptile Room The Wide Window The Miserable Mill The Austere Academy The Ersatz Elevator The Vile Village The Hostile Hospital The Carnivorous Carnival The Slippery Slope The Grim Grotto The Penultimate Peril The End And what about All the Wrong Questions? In this four-book series a 13-year-old Lemony chronicles his dangerous and puzzling apprenticeship in a mysterious organisation that nobody knows anything about: ‘Who Could That Be at This Hour?’ ‘When Did you Last See Her?’ ‘Shouldn’t You Be in School?’ ‘Why is This Night Different from All Other Nights?’ Lemony Snicket was born before you were and is likely to die before you as well. He was born in a small town where the inhabitants were suspicious and prone to riot. He grew up near the sea and currently lives beneath it. Until recently, he was living somewhere else. Brett Helquist was born in Ganado, Arizona, grew up in Orem, Utah, and now lives in New York City. He earned a bachelor’s degree in fine arts from Brigham Young University and has been illustrating ever since. His art has appeared in many publications, including Cricket magazine and The New York Times.

Read more less

Dear reader, There is nothing to be found in Lemony Snicket’s ‘A Series of Unfortunate Events’ but misery and despair. You still have time to choose another international best-selling series to read. But if you insist on discovering the unpleasant adventures of the Baudelaire orphans, then proceed with caution… Violet, Klaus, and Sunny Baudelaire are intelligent children. They are charming, and resourceful, and have pleasant facial features. Unfortunately, they are exceptionally unlucky. In The Ersatz Elevatorthe siblings face a darkened staircase, a red herring, friends in a dire situation, three mysterious initials, a liar with an evil scheme, a secret passageway and parsley soda. In the tradition of great storytellers, from Dickens to Dahl, comes an exquisitely dark comedy that is both literary and irreverent, hilarious and deftly crafted. Despite their wretched contents, ‘A Series of Unfortunate Events’ has sold 60 million copies worldwide and been made into a Hollywood film starring Jim Carrey. And in the future things are poised to get much worse, thanks to the forthcoming Netflix series starring Neil Patrick Harris. You have been warned. Are you unlucky enough to own all 13 adventures? The Bad Beginning The Reptile Room The Wide Window The Miserable Mill The Austere Academy The Ersatz Elevator The Vile Village The Hostile Hospital The Carnivorous Carnival The Slippery Slope The Grim Grotto The Penultimate Peril The End And what about All The Wrong Questions? In this four-book series a 13-year-old Lemony chronicles his dangerous and puzzling apprenticeship in a mysterious organisation that nobody knows anything about: ‘Who Could That Be at This Hour?’ ‘When Did you Last See Her?’ ‘Shouldn’t You Be in School?’ ‘Why is This Night Different from All Other Nights?’ Lemony Snicket was born before you were and is likely to die before you as well. He was born in a small town where the inhabitants were suspicious and prone to riot. He grew up near the sea and currently lives beneath it. Until recently, he was living somewhere else. Brett Helquist was born in Ganado, Arizona, grew up in Orem, Utah, and now lives in New York City. He earned a bachelor’s degree in fine arts from Brigham Young University and has been illustrating ever since. His art has appeared in many publications, including Cricket magazine and The New York Times.

Read more less

From one of our finest poets comes a collection about time—about memory, remembrance, and how the past makes itself manifest in the world. Called “the poet of things” by Richard Howard, Don Bogen understands the ways objects hold history, even if they’ve grown obsolescent, even when they’ve been forgotten. So objects—rendered in cinematic detail—fill these poems. A desk, a mailbox, a house delivering its own autobiography. Hospitals: the patients who have passed through, the buildings that have crumbled. And, in a longer view, the people who survive in what they left behind: Thom Gunn, Charles Dickens, and the pre-Columbian architects who designed the great earthworks of Ohio two thousand years ago. Songs, ephemeral by nature but infinitely repeatable, run throughout the collection. “What did they tell me, all those years?” Bogen writes. Immediate Song offers us a retrospective glance that is at once contemplative and joyous, carefully shaped but flush with sensuous observation: a paean to what is both universal and fleeting.

Read more less

London’s best pub tour guide and host of the celebrated Liquid History Tours leads readers off the beaten path and through the doors of some of the least celebrated but most wonderfully authentic pubs England’s capital city has to offerIt’s not hard to locate London’s iconic pubs, where Chaucer wrote, Shakespeare performed, or Dickens penned a novel. What’s more difficult and, argues John Warland, ultimately more rewarding, is finding that special pub that has just the right vibe; the pub that’s tucked away far from the maddening crowds of tourists and noisy out-of-towners; that almost mythical pub that you’ll want to return to on a rainy evening, or show off to your friends. These are the hidden gems that Warland introduces you to in his newest pub guide. Spanning every corner of London from the city center to its outer limits and beyond, these watering holes are permeated by personality and a passion for traditional hospitality

Read more less

Why is liberalism so often dismissed by thinkers from both the left and the right? To those calling for wholesale transformation or claiming a monopoly on "realistic" conceptions of humanity, liberalism's assured progressivism can seem hard to swallow. Bleak Liberalism makes the case for a renewed understanding of the liberal tradition, showing that it is much more attuned to the complexity of political life than conventional accounts have acknowledged. Anderson examines canonical works of high realism, political novels from England and the United States, and modernist works to argue that liberalism has engaged sober and even stark views of historical development, political dynamics, and human and social psychology. From Charles Dickens's Bleak House and Hard Times to E. M. Forster's Howards End to Doris Lessing's The Golden Notebook, this literature demonstrates that liberalism has inventive ways of balancing sociological critique and moral aspiration. A deft blend of intellectual history and literary analysis, Bleak Liberalism reveals a richer understanding of one of the most important political ideologies of the modern era.

Read more less

The feline has inspired poetic adoration since the days of the pharaohs, and the poems collected here cover an astonishing range of periods, cultures, and styles. Poets across the continents and centuries have described the feline family-from kittens to old toms, pussycats to panthers-doing what they do best: sleeping, prowling, prancing, purring, sleeping some more, and gazing disdainfully at lesser beings like ourselves. Here are Yeats's Minnaloushe, Christopher Smart's Jeoffry, Lewis Carroll's Cheshire Cat, T. S. Eliot's Rum Tum Tugger, William Blake's tyger and Rilke's panther. Here are tributes from Sufi mystics, medieval Chinese poets, and haiku masters of imperial Japan, from Chaucer, Shelley, Borges, Neruda, Dickinson, and Shakespeare. Here are the cats of Mother Goose, and the one who wore the hat for Dr. Seuss.The Great Cat will delight cat lovers everywhere, celebrating as it does the beauty, the mystery, the gravity, the grace, and, of course, the unassailable superiority of the cat.

Read more less

This book is the second of a series documenting a thousand years of selected London streets and their respective histories. Some of the streets have their roots and foundations in places of worship, locations for trading or because of their geographical location or particular topography. With St Paul's at its western end and St Mary-le-Bow as its centrepiece, Cheapside goes back further than a thousand years, all the way to the Romans and beyond. Its colourful history includes kings, queens, poets, playwrights, murderers, criminals, broadcasters, inventors, politicians, pioneers, philanthropists, religious fanatics, revolutionaries, diarists and architects who all played their part in making Cheapside what Charles Dickens Jnr called the greatest thoroughfare in the City of London. With London's streets harbouring a multitude of long lost stories ripe for the recounting, Mike Read's A Thousand Years of a London Street series is one with endless potential. The only question that remains is which street will pique the interest of this broadcaster turned historical supersleuth next?

Read more less

There is no such thing as the wrong step; every time we walk we are going somewhere. Moving around the modern city becomes more than from getting from A to B, but a way of understanding who and where you are. In a series of riveting intellectual rambles, Matthew Beaumont, retraces a history of the walker. From Charles Dicken's insomniac night rambles to wandering through the faceless, windswept monuments of the neoliberal city, the act of walking is one of escape, self-discovery, disappearances and potential revolution. Pacing stride for stride alongside such literary amblers and thinkers as Edgar Allen Poe, Andrew Breton, H G Wells, Virginia Woolf, Jean Rhys and Ray Bradbury, Matthew Beaumont explores the relationship between the metropolis and its pedestrian life. He asks can you get lost in a crowd? It is polite to stare at people walking past on the street? What differentiates the city of daylight and the nocturnal metropolis? What connects walking, philosophy and the big toe? Can we save the city - or ourselves - by taking the pavement?

Read more less

Do you wish it could be Christmas every day? This smashing Text Guide is the next best thing - it contains everything students need to write brilliant essays about A Christmas Carol by Charles Dickens, and it's suitable for all major GCSE English exam boards!Inside, you'll find clear, thorough notes on the novel's context, plot, characters, themes and the writer's techniques - plus quick warm-up activities, in-depth exercises and realistic exam-style questions at the end of sections, alongside challenging questions for students aiming for Grades 8-9. Not only is this book packed with essay advice and engaging activities, it'll also gives you access to our online Sudden Fail quizzes - ideal for putting your skills to the test! To round it all off, we've rustled up a classic CGP cartoon-strip summary of the text to help remind you of all the important plot points.What's more, there''s a free Online Edition with even more activities for specific exam boards - ideal if you're on the move!F

Read more less

The first world title fight in Wales featured Swansea lightweight boxer, Ronnie James, and the city produced another three challengers at the highest level before Enzo Maccarinelli finally reached the pinnacle. Colin Jones, Brian Curvis and Floyd Havard were far from the only top-class exponents of the boxer's craft to emerge from Wales's second city. And the rival conurbation across the Loughor Bridge has contributed its share of stars to the fistic firmament. As well as two-weight British champion Robert Dickie and the legendary Gipsy Daniels, who once knocked out the great Max Schmeling inside a round, Llanelli gave birth to the man who codified the laws by which the sport is regulated, famous under the name of his patron, the Marquess of Queensberry. Some 50 boxers are profiled in these generously illustrated pages. Whether or not you hail from the area, if you are a fight fan, this book will make a worthy addition to your shelves.

Read more less

Gripping, emotional Second World War saga for fans of Annie Groves, Shirley Dickson and Soraya Lane.1943, and The Bluebird Girls are at the top of their game. They are touring with ENSA, visiting army bases across the world in order to boost the morale of the brave boys fighting in the desert and the jungle. The hours are long and the travelling uncomfortable, but Bea, Rainey and Ivy wouldn't be anywhere else for the world.Then tragedy strikes the group and their little showbusiness family. Their manager, Blackie, and Rainey's mother Jo find themselves with heavy new responsibilities, and the change in circumstances causes the girls themselves to reconsider their lives.For years, singing on stage has been their only dream, and they have made so many sacrifices to get where they are. But now other possibilities - relationships, babies - are on the horizon. Could this be the end for The Bluebird Girls?

Read more less

'An irresistible, feel-good story infused with infectious humour' - Miranda DickinsonThe sun is shining in the quiet little seaside town of SandybridgeSandybridge is the perfect English seaside town: home to gift shops, tea rooms and a fabulous fish and chip shop. And it's home to Grace - although right now, she's not too happy about it. Grace grew up in Sandybridge, helping her parents sort junk from vintage treasures, but she always longed to escape to a bigger world. And she made it, travelling the world for her job, falling in love and starting a family. So why is she back in the tiny seaside town she'd long left behind, hanging out with Charlie, the boy who became her best friend when they were teenagers? It turns out that travelling the world may not have been exactly what Grace needed to do. Perhaps everything she wanted has always been at home - after all, they do say that's where the heart is...

Read more less