Search results for ""Author Dick"

Globalization: Key Thinkers offers a critical commentary on the leading thinkers in the contemporary globalization debate, as well as new arguments about the future direction of globalization thinking. The book guides the reader through the key arguments of leading thinkers, explaining their place in the wider globalization debate and evaluating their critical reception. Eleven thematic chapters focus on one or two key thinkers covering every aspect of the globalization debate including the theoretical arguments of Anthony Giddens and Manuel Castells, to the positive arguments of Thomas Friedman and Martin Wolf and the reforming ideas of Joseph Stiglitz. Other chapters variously address the ideas of Immanuel Wallerstein, Arjun Appadurai, Paul Hirst, Naomi Klein, Grahame Thompson, David Held, Anthony McGrew, Michael Hardt, Antonio Negri, Saskia Sassen and Peter Dicken. Each chapter also provides some carefully selected recommendations for further reading for the thinkers discussed. The book ends with a concluding chapter that examines how thinking about globalization is likely to develop in future. Whilst individual chapters can stand alone, the book is designed as a whole to enhance the reader's understanding of how different thinkers' ideas relate and contrast to each other.

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When Dave Went Up is the fairy-tale story of Wimbledon's famous 1988 FA Cup win over Liverpool, and how a small team overcame the giants of English football. More than just a recollection of the final itself, the book takes us through the tournament round by round, from the third round to the semi-final, and everything in between. We all know that Lawrie Sanchez got the winning goal, but did you know he was in the wrong place for the free kick? The story shows what great team spirit and sheer hard work can achieve. With tales from the key players in the side, the staff, the fans, plus some of the opposition, this is the definitive account of how Wimbledon FC won the FA Cup. Along the way you'll discover how the Dons fell in love with the competition, with background info on their run in the 1974/75 season, when Dickie Guy become a household name overnight after saving a penalty against Leeds United. If you don't know about the Dons' connection with the famous old cup, you certainly will after reading this fascinating book.

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'A PROBING EXPLORATION OF THE CREATIVE AND IMAGINATIVE POSSIBILITIES OF INACTIVITY' FINANCIAL TIMES 'To do nothing at all is the most difficult thing in the world.' Oscar Wilde More than ever before, we live in a culture that excoriates inactivity and demonizes idleness. Work, connectivity and a constant flow of information are the cultural norms, and a permanent busyness pervades even our quietest moments. Little wonder so many of us are burning out. In a culture that tacitly coerces us into blind activity, the art of doing nothing is disappearing. Inactivity can induce lethargy and indifference, but is also a condition of imaginative freedom and creativity. Psychoanalyst Josh Cohen explores the paradoxical pleasures of inactivity, and considers four faces of inertia - the burnout, the slob, the daydreamer and the slacker. Drawing on his personal experiences and on stories from his consulting room, while punctuating his discussions with portraits of figures associated with the different forms of inactivity - Andy Warhol, Orson Welles, Emily Dickinson and David Foster Wallace - Cohen gets to the heart of the apathy so many of us feel when faced with the demands of contemporary life, and asks how we might live a different and more fulfilled existence.

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The Victorian era has dominated the popular imagination like no other period, but these myths and stories also give a very distorted view of the 19th century. The early Victorians were much stranger that we usually imagine, and their world would have felt very different from our own and it was only during the long reign of the Queen that a modern society emerged in unexpected ways. Using character portraits, events, and key moments Paterson brings the real life of Victorian Britain alive - from the lifestyles of the aristocrats to the lowest ranks of the London slums. This includes the right way to use a fan, why morning visits were conducted in the afternoon, what the Victorian family ate and how they enjoyed their free time, as well as the Victorian legacy today - convenience food, coffee bars, window shopping, mass media, and celebrity culture.Praise for Dicken's London:Out of the babble of voices, Michael Paterson has been able to extract the essence of London itself. Read this book and re-enter the labyrinth of a now-ancient city.' Peter Ackroyd

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THE THIRD AND FINAL SAGA IN EVIE GRACE'S MAIDS OF KENT TRILOGY.'An intriguing tale of family relationships and of finding love a second time around . . . I’ll be sure to look out for the next book in the series.' Val Wood ‘An enthralling plotline with unexpected twists that will intrigue the reader until the last page.’ Margaret Dickinson*****East Kent, 1876With doting parents and siblings she adores, sixteen-year-old Rose Cheevers leads a contented life at Willow Place in Canterbury. A bright future ahead of her, she dreams of following in her mother’s footsteps and becoming a teacher. Then one traumatic day turns the Cheevers’ household upside-down. What was once a safe haven has become a place of peril, and Rose is forced to flee with the younger children. Desperate, she seeks refuge in a remote village with a long lost grandmother who did not know she existed. But safety comes at a price, and the arrival of a young stranger with connections to her past raises uncomfortable questions about what the future holds. Somehow, Rose must find the strength to keep her family together. Above all else, though, she needs a place to call home.

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Sometimes, you have to go far from home to find your way back. Nora is about to turn twenty-seven and things couldn't be better. She's just told her boss exactly what she thinks of him after being offered her dream job and is looking forward to a summer of old friends and new adventures. But when Nora discovers that there's been a mistake and they've given her dream job to someone else, her future - and summer - suddenly isn't looking so bright. So, when she's given the opportunity to escape to idyllic Cornwall, she doesn't hesitate. It was just supposed to be a distraction while she looks for something else, but could this be the summer that she finds everything she's looking for right there in Cornwall?________________________________________________________________________________________________PRAISE FOR SOMEDAY AT CHRISTMAS: 'A GORGEOUS, COSY READ, RICH IN DELICIOUS WINTERY DETAIL' KATE YOUNG'THE PERFECT FESTIVE STORY. SWEET, BLISSFULLY ROMANTIC AND BURSTING WITH HEART . . . OH MYGOD I LOVED IT' MIRANDA DICKINSON'ADORABLE' ELLA RISBRIDGER'THE LITERARY EQUIVALENT OF A MINCE PIE WARM OUT OF THE OVEN, WITH A DOLLOP OF BRANDY CUSTARD ON THE SIDE' SARRA MANNING, RED MAGAZINE'YOU WILL FALL IN LOVE WITH SHELL SMITH' PRIMA

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Welcome to the glorious little Cornish town of St Felix - where romance and magic sparkle in the summer air'An enchanting escape to the seaside. Pure magic!' Heidi Swain'St Felix has stolen my heart yet again; a perfect, sparkling, summer read.' Cathy BramleyKate thinks all her wishes have come true when she opens her own little craft shop in the idyllic harbour town of St Felix.But she soon finds a mystery lingers in her new shop - a sixty-year-old love story told through beautiful paintings and intricate embroideries. Jack, the owner of the nearby art shop, volunteers to help Kate unravel the mystery, but in doing so they realise their own lives share some uncanny similarities with Clara and Arty, their 1950s counterparts . . .Can Kate and Jack put right a decades-old wrong, and maybe find their own happy ending on the way?*Praise for Ali McNamara:'Fun and endearing' Katie Fforde'Perfect easy reading' SunAn irresistible, feel-good story infused with infectious humour' Miranda Dickins'Funny and light-hearted' Heat

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David Wagoner has won the acclaim of his peers and been compared with some of the most gifted poets in the English language: Emily Dickinson, James Wright, Robert Frost, Theodore Roethke. The Antioch Review has ascribed to him a"profoundly earthbound sanity," while Publishers Weekly credits him with a "plainspoken formal virtuosity" and a "consistent, pragmatic clarity of perception." His collections have garnered Poetry's Levinson and Union League Prizes, the Ruth Lilly Prize, and nominations for the American Book Award and the National Book Award. For his most recent collection, Walt Whitman Bathing, Wagoner was honored with the Ohioana Book Award in the category of poetry. Witty, eloquent, and insightful, Traveling Light offers new and familiar treasures from a master observer of both the natural and the human worlds. In a style by turns direct and intricate, Wagoner distills the essential emotions from people's encounters with each other, with nature, and with themselves. Through his compassionate but unblinking eyes, we see ourselves and the world that surrounds us more sharply delineated.

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A selection of new and revised essays from eminent scholar and critic Professor Christopher Ricks. Christopher Ricks brings together new as well as substantially augmented critical essays across a wide range. Several derive from his term as the Professor of Poetry at the University of Oxford, when his inaugural lecture engaged with the illuminatingly puzzled relations between poetry and prose. Comparison and analysis (the tools of the critic, as T.S. Eliot insisted) are enlivened by imaginative pairings: of Samuel Johnson with Samuel Beckett, of Norman Mailer with Dickens, of Shakespeare with George Herbert, or of secret-police surveillance in Ben Jonson's Rome with that of Carmen Bugan's Romania. Along Heroic Lines devotes itself to the heroic and to 'heroics' (Othello cross-examined by T.S. Eliot; Byron and role-playing; Ion Bugan, political protest and arrest). This knot is in tension with the English heroic line (Dryden's heroic triplets, Henry James's cadences, Geoffrey Hill's concluding book of prose-poems and how they choose to conclude). All alert to the balance and sustenance of alternate tones that prose and poetry can achieve in harmony.

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Increasingly in the last decade, macropolitics—a consideration of political transformations at the level of the state—has become a focus for cultural inquiry. From the macropolitical perspective afforded by contemporary postcolonial studies, the essays in this collection explore the relationship between politics and culture by examining developments in a wide range of nineteenth-century writing. The dozen essays gathered here span the entire era of colonization and discuss the British Isles, Europe, the United States, India, the Caribbean, and Africa. Addressing the works of Wordsworth, Shelley, Dickens, Melville, Flaubert, Conrad, and Charlotte Brontë, as well as explorers’ reports, Bible translations, popular theater, and folklore, the contributors consider such topics as the political function of aesthetic containment, the redefinitions of nationality under the pressure of imperial ambition, and the coexistence of imperial and revolutionary tendencies. New historical data and new interpretive perspectives alter our conception of established masterpieces and provoke new understandings of the political and cultural context within which these works emerged. This anthology demonstrates that the macropolitical concept of imperialism can provide a new understanding of nineteenth-century cultural production by integrating into a single process the well-established topics of nationalism and exoticism. First published in 1991 (University of Pennsylvania Press), Macropolitics of Nineteenth-Century Literature is now available in paperback. Offering agenda-setting essays in cultural and Victorian studies, it will be of interest to students and scholars of British and American literature, literary theory, and colonial and postcolonial studies.Contributors. Jonathan Arac, Chris Bongie, Wai-chee Dimock, Bruce Greenfield, Mark Kipperman, James F. Knapp, Loren Kruger, Lisa Lowe, Susan Meyer, Jeff Nunokawa, Harriet Ritvo, Marlon B. Ross, Nancy Vogeley, Sue Zemka

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Twelve essays in literary theory, philosophy, and religion – about atheism, freedom, and "the Jesus thought experiment" – connect, but don't conclude. A recurring theme is the "nothing" at the heart of the deep atheism of George Eliot, Walter Pater, Oscar Wilde, Rudyard Kipling, and Thomas Hardy, who approach "nothing" with a directness lacking in their English-speaking philosophical contemporaries. How does being in the world – Thomas Nagel's "what-it's-likeness" – and how do values – Alasdair MacIntyre's justice and misericordia – fare in the face of the mindless "It" that hardy finds at the heart of things? A pivotal essay compares the theism of Paul Ricoeur and the atheism of Daniel Dennett – the subtitle is a response to the latter's latest book.Writing and Freedom defends (a strong version of) free will as necessarily interpersonal: my freedom is nothing but my acceptance of yours. This is how Milton, Rossetti, and Dickinson treat their readers, and how scientists and philosophers ideally treat each other. Moreover, both "nothing" and "freedom" are fundamental to biblical and religious narratives (Mark and Newman). God, being "out of all relation" with the finite, cannot be known from the text of the world. Yet as "nothing," God may be said to grant unconditional autonomy to his creatures, and therefore to be present in his absence. It is round "nothing," therefore, that atheists and theists endlessly circulate. But that is what the deep atheism of European thinkers – Nietzsche, Freud, Lacan, and Zizek – say we all do anyway, however excitedly we pretend to ourselves that we don't.

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A hilarious and satirical debut novel exploring religious hypocrisy in an Irish grade school. Combining the spirit of Kingsley Amis's Lucky Jim with a bawdy evisceration of hypocrisy in old-school Catholic education, The Brothers' Lot is a comic satire that tells the story of the Brothers of Godly Coercion School for Young Boys of Meager Means, a dilapidated Dickensian institution run by an assemblage of eccentric, insane, and often nasty celibate Brothers. The school is in decline and the Brothers hunger for a miracle to move their founder, the Venerable Saorseach O'Rahilly, along the path to Sainthood. When a possible miracle presents itself, the Brothers fervently seize on it with the help of the ethically pliant Diocesan Investigator, himself hungry for a miracle to boost his career. The school simultaneously comes under threat from strange outside forces. The harder the Brothers try to defend the school, the worse things seem to get. It takes an outsider, Finbar Sullivan, a young student newly arrived at the school, to see that the source of the threat may in fact lie inside the school itself. As the miracle unravels, the Brothers' efforts to preserve it unleash a disastrous chain of events. Tackling a serious subject from the oblique viewpoint of satire, The Brothers' Lot explores the culture that allowed abuses within church-run institutions in Ireland to go unchecked for decades. The novel inhabits a space where Angela's Ashes meets the work of Flann O'Brien and Mervyn Peake, while providing a look at a regrettable era that still haunts many countries across the globe.

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The heart-warming and uplifting Sunday Times bestseller from Giovanna Fletcher'This book is beautiful' ZOE BALL'Lovely, very moving. Giovanna's books are very very relatable' LORRAINE KELLYIt's always darkest before the dawn . . .________After Mike loses Pia, his partner of seventeen years, best friends Vicky and Zaza rally round.But the truth is, in Pia's absence, they all need more than a little help . . .Just-engaged Zaza fears the next step. Mum Vicky has lost sight of herself. And Mike can't figure out how to start again.Luckily, Pia left a list of loving instructions to help them cope.Which is why they find themselves trekking in Peru. Stumbling up mountains. Lost in sweltering rainforests. As friendships and hope fray, they cling to their faith in Pia.Soon they learn anything is possible when you're walking on sunshine.________'Heartfelt, uplifting. Her best yet' SUNPraise for Giovanna Fletcher:'Tons of charm and genuine warmth' Star'A heartbreakingly beautiful story about friendship and unrequited love. I was totally and utterly captivated' Paige Toon'A gorgeous, gloriously romantic read with buckets of charm - I absolutely loved it!' Jill Mansell'Warm and romantic, this charming read will certainly brighten up your day' Closer'A gorgeously tender, funny and big-hearted novel with wonderful characters you'll fall in love with' Miranda Dickinson'Wonderfully warm and cosy. The perfect comfort read to curl-up with and enjoy' Ali McNamara

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'Heartwarming historical fiction ... The perfect stocking filler for fans of Nancy Revell, Daisy Styles and Margaret Dickinson' Eastern Daily Press___________________Manchester, 1941Christmas is the season for family and friends, and this year the railway girls will need each other more than ever.Cordelia appears to have the perfect life. When her daughter Emily arrives home unexpectedly, she can't wait to introduce her to her friends. But when things don't go to plan, Cordelia must decide where her loyalty lies.Things aren't going too smoothly for Alison either. Her beloved boyfriend has yet to propose, but there's a charity fundraiser dance and she's dressed up specially. Surely, tonight must be the night.Colette's friends are envious of her devoted husband; he meets her after every shift on the railway, and accompanies her around town. But Colette has a secret, one that will change her life - if only she knew who to confide in.With the festive season fast approaching, the railway girls are hoping for some Christmas magic... ___________________ Readers LOVE the Railway Girls:'Make yourself a cuppa and find a comfy spot on the sofa because you are not going to be able to put this down''I simply cannot wait for the next one - I am hooked!''Gives a vivid picture of women's lives in wartime Manchester''Dramatic, intriguing and sprinkled with plenty of wit and heart''It's just like catching up with old friends'

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The one hundred sites in this guide are in all six New England States, dating from the early 17th century to the threshold of our time and the architectural styles reflect those popular over a period of four centuries. The sites are varied and were the homes of leaders and literati, merchants and millionaires, poets and Pilgrims, philosophers and farmers, and seafarers and Shakers. Each chapter lists the museum’s location, web address, and telephone number and provide a description of the historical occupants as well as an in-depth look at the house's place in national and architectural history. Sites include: Harriet Beecher Stowe Center, Hartford CT Sarah Orne Jewett House, Souther Berwick ME Emily Dickinson Museum, Amherst MA Robert Frost Farm, Derry NH The Breakers, Newport RI

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Carlos is the talented heir to a notable family in fin-de-siecle Lisbon. He aspires to serve his fellow man in his chosen profession of medicine, in the arts and in politics. But he enters a society affected by powerful international influences - French intellectual developments, English trading practices - that trouble and frustrate him and in the end he is reduced to a kind of spiritual helplessness. Carlos' good intentions decline, amiably, into dilettantism; his passionate love affair itself begins to suffer a devastating constraint. "The Maias" tells a compelling story of characters whose lives become as real and engrossing as any in Flaubert, Balzac or Dickens. This is his masterpiece, a novel of intellectual depth, historical compassion and great wit. Hailed as a masterpiece in the Paris of Flaubert, Balzac and Zola, this remains Eca's most popular novel.

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Flamboyant Matthew Cannonbridge was touched by genius, the most influential mind of the 19th century, a novelist, playwright, the poet of his generation. The only problem is, he should never have existed, and recently divorced 21st century don Toby Judd is the only person to realise something is wrong with history.Cannonbridge was everywhere: he was by Lake Geneva when talk between Byron, Shelley and Mary Godwin turned to the supernatural; he was friend to the young Dickens as he laboured in the blacking factory; he was the only man of note to visit Wilde in prison. His extraordinary life spanned a century. But as the world prepares to toast the bicentenary of Cannonbridge’s most celebrated work, Judd’s discovery leads him on a breakneck chase across the English canon and countryside, to the realisation that the spectre of Matthew Cannonbridge, planted so seamlessly into the heart of the 19th century, might not be so dead and buried after all...

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In 1995 Alice’s mother collapsed with pneumonia. She never fully recovered and was eventually diagnosed with ME, or Chronic Fatigue Syndrome. Then Alice got ill. Their symptoms mirrored their mother’s and appeared to have no physical cause; they received the same diagnosis a few years later. Ill Feelings blends memoir, medical history, biography and literary non-fiction to uncover both of their case histories, and branches out into the records of ill health that women have written about in diaries and letters. Their cast of characters includes Virginia Woolf and Alice James, the poets Elizabeth Barrett Browning and Emily Dickinson, John Ruskin’s lost love Rose la Touche, the artist Louise Bourgeois and the nurse Florence Nightingale. Suffused with a generative, transcendent rage, Alice Hattrick’s genre-bending debut is a moving and defiant exploration of life with a medically unexplained illness.

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Sunday is fun day with these 72 medium-difficulty puzzles, featuring fun facts in the answer section. If you’ve got a sharp pencil and a sharp mind, you’ll love solving these super Sunday-sized crosswords. Originally appearing in the Long Island newspaper Newsday, they were crafted by an all-star lineup of constructors and edited by puzzle expert Stanley Newman. Each puzzle features a fabulous theme—including Dickens, Frosty the Snowman, the Chinese zodiac, and US presidents—and every clue has been vetted for accuracy. Fun facts in the back of the book shed light on select answers.Looking for crossword puzzle books for adults, spiral bound to make completing your morning puzzle without bending the spine a breeze? Look no further! The Sunday Crosswords books series from Puzzlewright Press will keep your mind sharp for many mornings and weekends to come.

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Dear Reader,There is nothing to be found in A Series of Unfortunate Events' but misery and despair. You still have time to choose another international best-selling series to read. But if you insist on discovering the unpleasant adventures of the Baudelaire orphans, then proceed with cautionViolet, Klaus, and Sunny Baudelaire are intelligent children. They are charming, and resourceful, and have pleasant facial features. Unfortunately, they are exceptionally unlucky.In The End, the siblings face a fearsome storm, a suspicious beverage, a herd of wild sheep, an enormous bird cage, and a truly haunting secret about the Baudelaire parents.In the tradition of great storytellers, from Dickens to Dahl, comes an exquisitely dark comedy that is both literary and irreverent, hilarious and deftly crafted.Despite their wretched contents, A Series of Unfortunate Events' has sold 60 million copies worldwide and been made into a Hollywood film starring Jim Carrey and a Netflix series directed by Nei

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Dear Reader,There is nothing to be found in A Series of Unfortunate Events' but misery and despair. You still have time to choose another international best-selling series to read. But if you insist on discovering the unpleasant adventures of the Baudelaire orphans, then proceed with cautionViolet, Klaus, and Sunny Baudelaire are intelligent children. They are charming, and resourceful, and have pleasant facial features. Unfortunately, they are exceptionally unlucky.In The Grim Grotto, the siblings face mushrooms, a desperate search for something lost, a mechanical monster, a distressing message from a lost friend, and tap dancingIn the tradition of great storytellers, from Dickens to Dahl, comes an exquisitely dark comedy that is both literary and irreverent, hilarious and deftly crafted.Despite their wretched contents, A Series of Unfortunate Events' has sold 60 million copies worldwide and been made into a Hollywood film starring Jim Carrey and a Netflix series starring Neil Patrick

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GCSE Literature Boost: A Christmas Carol uses academic criticism and theory to relight your literary passion for this classic text and put a newfound excitement in your pedagogy. Beginning with a whistlestop tour of literary theory and criticism from 400BC to the late 20th century, Hughes explains how you can introduce your GCSE English students to themes most often reserved for undergraduate courses, improving their understanding of the text and broadening their knowledge of the subject as a whole.Written in easily digestible chunks, each chapter considers a main theme or section of Charles Dickensâ A Christmas Carol through different critical lenses summarising the relevant academic theories, and shows how you can transfer this knowledge to the classroom through practical teaching ideas. Features include: Case studies showing how English teachers have used academic theory in practical ways. Ideas for teaching linked to GCSE assessment objectives

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'There is no Light without Darknesse and no Substance without Shaddowe'So proclaims Nicholas Dyer, assistant to Sir Christopher Wren and the man with a commission to build seven London churches to stand as beacons of the enlightenment. But Dyer plans to conceal a dark secret at the heart of each church - to create a forbidding architecture that will survive for eternity. Two hundred and fifty years later, London detective Nicholas Hawksmoor is investigating a series of gruesome murders on the sites of certain eighteenth-century churches - crimes that make no sense to the modern mind . . . 'Chillingly brilliant . . . sinister and stunningly well executed' Independent on SundayPeter Ackroyd was born in London in 1949. A novelist, biographer and historian, he has been the literary editor of The Spectator and chief book reviewer for the The Times, as well as writing several highly acclaimed books including a biography of Dickens and London: The Biography. He lives in London.

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Finalist for the SIBA Book AwardA loamy volume of verse thematically inspired, Working the Dirt celebrates Southerners' connections to the land. The selected poems share themes of gardening, farming, and the rich Southern soil. The approximately one hundred poets, known and lesser-known, living and dead, include: Fred Chappell, Walter McDonald, A. R. Ammons, Robert Morgan, Wendell Berry, Henry Taylor, Tom Dent, Jesse Stuart, Jim Wayne Miller, Ellen Bryant Voigt, Marion Montgomery, James Whitehead, C. D. Wright, George Scarbrough, Ahmos Zu-Bolton II, Thad Stem, Jr., William Sprunt, Donald Justice, Thomas Rabbitt, James Dickey, Rick Lott, John Allison, Edwin Godsey, Richard Jackson, Nikki Giovanni, Alvin Aubert, Margaret Walker, Emily Hiestand, Robert Gibbons, John Stone, Coppie Green, Bonnie Roberts, Coleman Barks, Anne George, Edward Eaton, Margaret Gibson, Naomi Shihab Nye, Jack Butler, R. H. W. Dillard, Jane Gentry, Rodney Jones, Dannye Romine, Miller Williams, George Garrett, Sandra Agricola, Patricia Hooper, Gerald Berrax, Gibbons Ruark, Catherine Savage Brosman, Loretta Cobb, and Pattiann Rogers.

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A History of Zinnias brings forward the fascinating adventure of zinnias and the spirit of civilization. With colorful illustrations, this book is a cultural and horticultural history documenting the development of garden zinnias—one of the top ten garden annuals grown in the United States today.The deep and exciting history of garden zinnias pieces together a tale involving Aztecs, Spanish conquistadors, people of faith, people of medicine, explorers, scientists, writers, botanists, painters, and gardeners. The trail leads from the halls of Moctezuma to a cliff-diving prime minister; from Handel, Mozart, and Rossini to Gilbert and Sullivan; from a little-known confession by Benjamin Franklin to a controversy raised by Charles Darwin; from Emily Dickinson, who writes of death and zinnias, to a twenty-year-old woman who writes of reanimated corpses; and from a scissor-wielding septuagenarian who painted with bits of paper to the "Black Grandma Moses" who painted zinnias and inspired the opera Zinnias.Zinnias are far more than just a flower: They represent the constant exploration of humankind's quest for beauty and innovation.

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A cultural revolution in England, France, and the United States beginning during the time of the industrial and political revolutions helped usher in modernity. This cultural revolution worked alongside the better documented political and economic revolutions to usher in the modern era of continuous revolution. Focusing on the period between 1847 and 1937, the book examines in depth six of the cultural "battles" that were key parts of this revolution: the novels of the Brontë sisters, the paintings of the Impressionists, the poetry of Emily Dickinson, the Ballets Russes production of Le Sacre du printemps, James Joyce's Ulysses, and Zora Neale Hurston's Their Eyes Were Watching God. Using contemporaneous reviews in the press as well as other historical material, we can see that these now-canonical works provoked outrage at the time of their release because they addressed critical points of social upheaval and transformation in ways that engaged broad audiences with subversive messages. This framework allows us to understand and navigate the cultural debates that play such an important role in 21st century politics.

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Welcome to the George Inn near London Bridge; a cosy, wood-pannelled, galleried coaching house a few minutes' walk from the Thames. Grab yourself a pint, listen to the chatter of the locals and lean back, resting your head against the wall. And then consider this: who else has rested their head against that wall, over the last 600 years? Chaucer and his fellow pilgrims almost certainly drank in the George on their way out of London to Canterbury. It's fair to say that Shakespeare will have popped in from the nearby Globe for a pint, and we know that Dickens certainly did. Mail carriers changed their horses here, before heading to all four corners of Britain -- while sailors drank here before visiting all four corners of the world... The pub, as Pete Brown points out, is the 'primordial cell of British life' and in the George he has found the perfect case study. All life is here, from murderers, highwaymen and ladies of the night to gossiping pedlars a

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A critical re-evaluation of the imaginative transformations of Romanticism by major American writers The study traverses the traditional critical boundaries of prose and poetry in American and Romantic and Post-Romantic writing Reasserts the significance of Second-Generation Romantic writers for American literary culture Reassessing the indebtedness of major American writers to British Romanticism This book provides innovative readings of literary works of British Romanticism and its influence on twentieth- and twenty-first-century American literary culture and thought. It traverses the traditional critical boundaries of prose and poetry in American and Romantic and post-Romantic writing. Analysing significant works by nineteenth-century writers, including Ralph Waldo Emerson, Henry David Thoreau and Emily Dickinson, as well as the later writings of William Faulkner, F. Scott Fitzgerald, Saul Bellow, Toni Morrison and Wallace Stevens, the book reasserts the significance of second-generation Romantic writers for American literary culture. Sandy reassesses our understanding of Romantic inheritance and influence on post-Romantic aesthetics, subjectivity and the natural world in the American imagination.

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Critics of American exceptionalism usually view it as a destructive force eroding the radical energies of social movements and aesthetic practices. In A Desire Called America, Christian P. Haines confronts a troubling paradox: Some of the most provocative political projects in the United States are remarkably invested in American exceptionalism. Riding a strange current of U.S. literature that draws on American exceptionalism only to overturn it in the name of utopian desire, Haines reveals a tradition of viewing the United States as a unique and exemplary political model while rejecting exceptionalism’s commitments to nationalism, capitalism, and individualism. Through Walt Whitman, Emily Dickinson, William S. Burroughs, and Thomas Pynchon, Haines brings to light a radically different version of the American dream—one in which political subjects value an organization of social life that includes democratic self-governance, egalitarian cooperation, and communal property. A Desire Called America brings utopian studies and the critical discourse of biopolitics to bear upon each other, suggesting that utopia might be less another place than our best hope for confronting authoritarianism, neoliberalism, and a resurgent exclusionary nationalism.

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Motherhood. Not for the faint hearted or blasé, it’s a state of being that tries one’s patience, purpose and peace. Sequel to 10 Women Who Overcame their Past, Dayspring Macleod’s 10 Women Who were Spiritual Mothers is set to be yet another poignant read. In tackling themes from purity to patience, each focused narrative allows the reader an insight into the lives of women whom they may have heard of but not known well. From Katherine Parr, sixth and final wife of Henry VIII, to Sharon Dickens and Lisa Harper, the ten women represent a spectrum of life delivered via the prism of motherhood. This book isn’t only for mothers. It’s for those who are heartbroken, single, bereft or at peace in later life. Discipleship is a key theme, be it with the children who litter your hallways with Nerf Pellets or friends undergoing the ups and downs of infertility. As a woman who knows the support of women in her own life, Macleod has gracefully painted a canvas of joy in sorrows, peace and panic and Christ’s love triumphant.

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‘Begins as a compelling psychological mystery [and] turns to the supernatural... A well-plotted, original, nightmare blend of madness and monsters.’ Guardian The Regent Hotel in Birmingham is a place of lush glamour, where guests sip absinthe cocktails on velvet banquettes and obliging waiters are always on hand. Yet behind its glittering façade, you might find monsters lurking in the shadows... On a cold February evening, Nora Dickinson checks in. A psychoanalyst with a dubious past, Nora has battled not to let her own demons overcome her. But when a terrible snowstorm cuts The Regent off from the outside world, the entire hotel’s grip on reality slips – and the nightmares Nora’s worked so hard to control begin to bare their teeth. Kate Mascarenhas’s latest novel offers her readers a horrifying ride through murder, madness and the darkest recesses of the mind. 'A delicious piece of art deco Gothic' Natalie Marlow ‘Dark, complex and beautifully plotted' Rebecca Netley ‘Immersive, unique... with a dark supernatural core’ Essie Fox ‘An atmospheric, claustrophobic novel... mesmerising’ Elizabeth Lee

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A NEW YORK TIMES 2023 SUMMER READ Meet Tony: the first Indian to set foot on American soil. Among the settlers, slaves, and indentured servants that make the treacherous journey across the Atlantic to the New World in the early 1600s — for some, an exciting opportunity, for others, a brutal abduction — there is also Tony. As a child, his homeland on the Coromandel Coast of India becomes a trading outpost for the English; as an orphaned teenager, he finds himself kidnapped from the streets of London and bound to servitude on a Virginia plantation. But Tony is not giving up on his dreams just yet. Under the rule of a sadistic plantation owner, he forms a tender bond with a young boy who will haunt his nightmares; on an exploration inland alongside a trader and Native Americans, he realises the world is vaster and more mysterious than he could have imagined; and in Jamestown, he finally earns himself a position as a physician’s apprentice, an ambition he has long harboured. The East Indian is a Dickensian-style yarn about family, friendship, and finding oneself in the seeds of a new world.

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Teachers of literature make judgments about value. They tell their students which works are powerful, beautiful, surprising, strange, or insightful—and thus, which are more worthy of time and attention than others. Yet the field of literary studies has largely disavowed judgments of artistic value on the grounds that they are inevitably rooted in prejudice or entangled in problems of social status. For several decades now, professors have called their work value-neutral, simply a means for students to gain cultural, political, or historical knowledge. ​Michael W. Clune’s provocative book challenges these objections to judgment and offers a positive account of literary studies as an institution of aesthetic education. It is impossible, Clune argues, to separate judgments about literary value from the practices of interpretation and analysis that constitute any viable model of literary expertise. Clune envisions a progressive politics freed from the strictures of dogmatic equality and enlivened by education in aesthetic judgment, transcending consumer culture and market preferences. Drawing on psychological and philosophical theories of knowledge and perception, Clune advocates for the cultivation of what John Keats called “negative capability,” the capacity to place existing criteria in doubt and to discover new concepts and new values in artworks. Moving from theory to practice, Clune takes up works by Keats, Emily Dickinson, Gwendolyn Brooks, Samuel Beckett, and Thomas Bernhard, showing how close reading—the profession’s traditional key skill—harnesses judgment to open new modes of perception.

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This is the 11th and final part of the facsimile reprint series of the leading English newspaper published in Yokohama throughout the Meiji era. It represents a complete collection, provided by the Yokohama Archives of History and other institutions. Playing an important role for Meiji Japan’s exchange with western society, the journal contains articles on politics, commerce, and economics, and also on the cultural activities of early Japanologists and the Asiatic Society of Japan. Contributors include George Aston, Ernest Satow, Basil Hall Chamberlain, F. V. Dickins, Henry Dyer, William Anderson, Lafcadio Hearn and many others. It is an indispensable primary source for any scholar of Modern Japan.The Japan Weekly Mail published during this period is in particular important for its coverage of Japanese foreign activities following the Anglo-Japanese Treaty. The collection is a vital primary source for all scholars and students seeking to make sense of Japan’s military movements in the early twentieth century.

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Stepney had tidal mills along the Thames by 1086. In the Middle Ages it provided a land market for Londoners and courtiers. By Tudor times Poplar, Ratcliff and Shadwell were the most populous parts, where shipbuilding, victualling and recruitment had produced a rootless workforce. Subdivision of the large parish had started and ultimately was to leave only Ratcliff and, inland, Mile End Old Town and Mile End New Town. The growth of all the hamlets is traced to c. 1700, besides economic development to c. 1550 and their local government, religious life and charities. Bethnal Green, in the north-west, a parish from 1743 and metropolitan borough from 1900, is described to the present day. It contained Stepney's manor house, offered country retreats by the 16th century, and was settled from the south-west in the 17th when silkweaving preceded the Huguenots. Harsher economic conditions, jerry-building and the spread of factories aggravated poverty and stimulated the concern of outsiders, including Dickens, who advised on the model Columbia market. From the 1890s council housing transformed the scene. This book is intended for local historians, professional and amateur, social, economic, architectural, ecclesiastical, landscape and family historians.

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This book is described as being 'in a genre all its own'. Truly it is. Simeon the cat has two ambitions. the first is to become famous, which is why he writes this book, and the second is to meet the White Rabbit. While pursuing these goals, he takes time to air his views on Oxford, Mr Bean, the internet, on how the British do not value words, and on a while host of other things. He guides us through Oxford's history, landmarks and legends, and provides an entertaining and original introduction to the city. Over-confident in his ability to reason, he enjoys talking with academics and students. All use their real names in the story - Profs of Physics and Medieval German, and postgraduate students. He creates havoc in Blackwell's, discovers an unpublished poem. by Gerard Manley Hopkins, and lays plans to take the grin off the face of the Cheshire Cat. Does he really meet the White Rabbit? It seems he does! Oxford is unique in so many ways. It is the only city in the world where one is in and out of stories all the time. Morse, Mr Bean, Bridgehead, Dickens, Alice in Wonderland, Harry Potter. There is no book that does the job of this one in linking story to reality. It's laugh-out-loud funny, in a dry, sixth-form-humour way. You'll love it!

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Ralph Waldo Emerson is one of the most important figures in the history of American thought, religion, and literature. The vitality of his writings and the unsettling power of his example continue to influence us more than a hundred years after his death. Now Robert D. Richardson Jr. brings to life an Emerson very different from the old stereotype of the passionless Sage of Concord. Drawing on a vast amount of new material, including correspondence among the Emerson brothers, Richardson gives us a rewarding intellectual biography that is also a portrait of the whole man. These pages present a young suitor, a grief-stricken widower, an affectionate father, and a man with an abiding genius for friendship. The great spokesman for individualism and self-reliance turns out to have been a good neighbor, an activist citizen, a loyal brother. Here is an Emerson who knew how to laugh, who was self-doubting as well as self-reliant, and who became the greatest intellectual adventurer of his age. Richardson has, as much as possible, let Emerson speak for himself through his published works, his many journals and notebooks, his letters, his reported conversations. This is not merely a study of Emerson's writing and his influence on others; it is Emerson's life as he experienced it. We see the failed minister, the struggling writer, the political reformer, the poetic liberator. The Emerson of this book not only influenced Thoreau, Fuller, Whitman, Dickinson, and Frost, he also inspired Nietzsche, William James, Baudelaire, Marcel Proust, Virginia Woolf, and Jorge Luis Borges. Emerson's timeliness is persistent and striking: his insistence that literature and science are not separate cultures, his emphasis on the worth of every individual, his respect for nature. Richardson gives careful attention to the enormous range of Emerson's readings - from Persian poets to George Sand - and to his many friendships and personal encounters - from Mary Moody Emerson to the Cherokee chiefs in Boston - evoking both the man and the times in which he lived. Throughout this book, Emerson's unquenchable vitality reaches across the decades, and his hold on us endures.

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Lean Logic is David Fleming’s masterpiece, the product of more than thirty years’ work and a testament to the creative brilliance of one of Britain’s most important intellectuals. A dictionary unlike any other, it leads readers through Fleming’s stimulating exploration of fields as diverse as culture, history, science, art, logic, ethics, myth, economics, and anthropology, being made up of four hundred and four engaging essay-entries covering topics such as Boredom, Community, Debt, Growth, Harmless Lunatics, Land, Lean Thinking, Nanotechnology, Play, Religion, Spirit, Trust, and Utopia. The threads running through every entry are Fleming’s deft and original analysis of how our present market-based economy is destroying the very foundations—ecological, economic, and cultural— on which it depends, and his core focus: a compelling, grounded vision for a cohesive society that might weather the consequences. A society that provides a satisfying, culturally-rich context for lives well lived, in an economy not reliant on the impossible promise of eternal economic growth. A society worth living in. Worth fighting for. Worth contributing to. The beauty of the dictionary format is that it allows Fleming to draw connections without detracting from his in-depth exploration of each topic. Each entry carries intriguing links to other entries, inviting the enchanted reader to break free of the imposed order of a conventional book, starting where she will and following the links in the order of her choosing. In combination with Fleming’s refreshing writing style and good-natured humor, it also creates a book perfectly suited to dipping in and out. The decades Fleming spent honing his life's work are evident in the lightness and mastery with which Lean Logic draws on an incredible wealth of cultural and historical learning—from Whitman to Whitefield, Dickens to Daly, Kropotkin to Kafka, Keats to Kuhn, Oakeshott to Ostrom, Jung to Jensen, Machiavelli to Mumford, Mauss to Mandelbrot, Leopold to Lakatos, Polanyi to Putnam, Nietzsche to Næss, Keynes to Kumar, Scruton to Shiva, Thoreau to Toynbee, Rabelais to Rogers, Shakespeare to Schumacher, Locke to Lovelock, Homer to Homer-Dixon—in demonstrating that many of the principles it commends have a track-record of success long pre-dating our current society. Fleming acknowledges, with honesty, the challenges ahead, but rather than inducing despair, Lean Logic is rare in its ability to inspire optimism in the creativity and intelligence of humans to nurse our ecology back to health; to rediscover the importance of place and play, of reciprocity and resilience, and of community and culture. ------ Recognizing that Lean Logic’s sheer size and unusual structure could be daunting, Fleming’s long-time collaborator Shaun Chamberlin has also selected and edited one of the potential pathways through the dictionary to create a second, stand-alone volume, Surviving the Future: Culture, Carnival and Capital in the Aftermath of the Market Economy. The content, rare insights, and uniquely enjoyable writing style remain Fleming’s, but presented at a more accessible paperback-length and in conventional read-it-front-to-back format.

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With its rich history of prominent families, MassachuSetts is home to some of the most historic residences in the country. In the central and western half of the Commonwealth, these include Edith Wharton's The Mount, the Salisbury Mansion in Worcester, Herman Melville's Arrowhead in Pittsfield, and the Dickinson Homestead and the Evergreens in Amherst.In At Home: Historic Houses of Central and Western MassachuSetts, Beth Luey examines the lives and homes of acclaimed poets and writers, slaves who won their freedom, Civil War ­enlistees, socialites, and leading merchants. Drawing on architectural and genealogical texts, wills, correspondence, and diaries, Luey situates the stories of these notable homes and the people who inhabited them in the context of broader economic, social, and political transformations. Filled with vivid details and fresh perspectives, each chapter is sure to inspire first-time visitors and seasoned travelers alike. All the homes are open to the public.

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The collected work of a poet who turned 102 years old in 2020. These poems, covering sixty years of a free woman's song, are Naomi Replansky's hymns to the struggle for justice and equality and to the enduring beauty of life in our dangerous world.Here at long last is the new and collected work by a writer hailed by George Oppen as one of the most brilliant American poets. Replansky is a poet whose verse combines the compression of Emily Dickinson and the music of W. H. Auden.Naomi Replansky, a Bronx native, began to write poetry in her teens but published her first book when she was 34 in 1952. That collection, Ring Song dazzled critics with its candor and freshness of language. It was nominated for the National Book Award.Since Ring Song, Replansky has since published three additional collections and translated numerous works from German and Yiddish. This collection, Collected Poems is her life's work, won th

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Many people wonder if an item stored in the attic or found at a tag sale could be a lost treasure. Joe Nickell's latest book, Real or Fake, offers a general introduction to the principles of authentication. Illustrating methods used by the pros and recognized by hit shows such as Antiques Roadshow, Nickell educates readers with the specific information necessary to begin forgery detection. Real or Fake focuses on three categories of potential treasures: documents, photographs, and other artifacts. Nickell critiques famous examples from each group to explain how his suggested techniques can be used to unmask fakes. The objects examined and tested for authenticity in the book include Jack the Ripper's diary, a draft of the Gettysburg Address, notes by Charles Dickens, a film of an alien autopsy, and debris from the Titanic. Nickell's extensive knowledge of the field is accessible to everyone -- from the general reader to the aspiring scientist -- who wants a better understanding of how the experts determine if a suspicious heirloom is real or fake.

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This lively, abundant book is distinguished by its focus on hearing poetry read aloud. Robert Pinsky, beloved for his ability to bring poetry to life as spoken language, has collected poems that sound marvelous in a reader’s actual or imagined voice. Pinsky has organized the book into sections with brief introductions that emphasize the attentive, intuitive, and reflective process of listening to poetry. This structure provides an implicit, generous definition-by-example of poetry itself: beginning with “Short Lines, Frequent Rhymes” and “Long Lines” and proceeding through fundamental themes such as “Love Poems,” “Odes, Complaints, and Celebrations,” and “Jokes, Ripostes, Parodies, and Insults.”Essential Pleasures gives a fresh setting to traditional favorites, including poems by William Shakespeare, Emily Dickinson, and Robert Frost, placed among contemporary poems by John Ashbery, Louise Glu¨ck, Yusef Komunyakaa, and many others. This is an inviting and distinguished collection and an essential book for every home.

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Train travel is having a renaissance. Grand old routes that had been cancelled, or were moldering in neglect, have been refurbished as destinations in themselves. The Rocky Mountaineer, the Orient Express, and the Trans-Siberian Railroad run again in all their glory. Pamela Mulloy has always loved train travel. Whether returning to the Maritimes every year with her daughter on the Ocean, or taking her family across Europe to Poland, trains have been a linchpin of her life. As COVID locked us down, Mulloy began an imaginary journey that recalled the trips she has taken, as well as those of others. Whether it was Mary Wollstonecraft traveling alone to Sweden in the late 1700s, or the incident that had Charles Dickens forever fearful of trains, or the famous actress Sarah Bernhardt trapped in her carriage in a midwestern blizzard in the 1890s, or Sir John A. Macdonald''s wife daring to cross the Rockies tied to the cowcatcher at the front of the train, the stories explore the odd mix of a

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If we’re talking agoraphobia, we’re talking books. I slip between their covers, lose myself in the turn of one page, re-discover myself on the next. Reading is a game of hide-and-seek. Narrative and neurosis, uneasy bedfellows sleeping top to toe.When Graham Caveney was in his early twenties he began to suffer from what was eventually diagnosed as agoraphobia. What followed were decades of managing his condition and learning to live within the narrow limits it imposed on his life: no motorways, no dual carriageways, no shopping centres, limited time outdoors.Graham’s quest to understand his illness brought him back to his first love: books. From Harper Lee’s Boo Radley, Ford Madox Ford, Emily Dickinson, and Shirley Jackson: the literary world is replete with examples of agoraphobics – once you go looking for them.On Agoraphobia is a fascinating, entertaining and sometimes painfully acute look at what it means to go through life with an anxiety disorder that evades easy definition.

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'Devastatingly good - wonderfully warm, heartbreakingly real and completely uplifting' - Miranda DickinsonA gorgeous and emotional novel, perfect for fans of Jojo Moyes and Jodi Picoult. On the day Hannah is finally going to tell her husband she's leaving him, he has a stroke . . . and life changes in an instant.Tom's only 32. Now he can't walk or cut up his own food, let alone use his phone or take her in his arms. And Hannah's trapped. She knows she has to care for her husband, the very same man she was ready to walk away from.But with the time and fresh perspective he's been given, Tom re-evaluates his life, and becomes determined to save his marriage. Can he once again become the man his wife fell in love with, or has he left it too late?My Everything is an unputdownable debut novel. It will make you cry, laugh, and stop to think about what's really important in life.

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Early one morning, for no earthly reason, Sara Miles, raised an atheist, wandered into a church, received communion, and found herself transformed-embracing a faith she’d once scorned. A lesbian left-wing journalist who’d covered revolutions around the world, Miles didn’t discover a religion that was about angels or good behavior or piety; her faith centered on real hunger, real food, and real bodies. Before long, she turned the bread she ate at communion into tons of groceries, piled on the church’s altar to be given away. Within a few years, she and the people she served had started nearly a dozen food pantries in the poorest parts of their city. Take This Bread is rich with real-life Dickensian characters-church ladies, millionaires, schizophrenics, bishops, and thieves-all blown into Miles’s life by the relentless force of her newfound calling. Here, in this achingly beautiful, passionate book, is the living communion of Christ.

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How can literature, which consists of nothing more than the description of imaginary events and situations, offer any insight into the workings of "human reality" or "the human condition"? Can mere words illuminate something that we call "reality"? Bernard Harrison answers these questions in this profoundly original work that seeks to re-enfranchise reality in the realms of art and discourse. In an ambitious account of the relationship between literature and cognition, he seeks to show how literary fiction, by deploying words against a background of imagined circumstances, allows us to focus on the roots, in social practice, of the meanings by which we represent our world and ourselves. Engaging with philosophers and theorists as diverse as Wittgenstein, Sartre, Merleau-Ponty, Foucault, Derrida, F. R. Leavis, Cleanth Brooks, and Stanley Fish, and illustrating his ideas through readings of works by Swift, Woolf, Appelfeld, and Dickens, among others, this book presents a systematic defense of humanism in literary studies, and of the study of the Humanities more generally, by a distinguished scholar.

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Once the Oversight, the secret society that polices the lines between the mundane and the magic, counted hundreds of brave souls among its members. Now their number can be tallied on a single hand. When a drunkard brings a screaming girl to the Oversight's London headquarters, it seems their hopes for a new recruit will be fulfilled - but the girl is a trap, her appearance a puzzle the five remaining guardians must solve or lose each other, and their society, for good. As the borders between the natural and the supernatural begin to break down, brutal murders erupt across the city, the Oversight are torn viciously apart and their enemies close in for the final blow. This dark Dickensian fantasy spins a tale of witch-hunters, magicians, mirror-walkers and the unlikeliest of heroes drawn from the depths of British folklore. Meet the Oversight, and remember: when they fall, so do we all.

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