Search results for ""UNKNOWN""

"You've felt it your whole life. You've always known there's something inside of you that's sought to be born fresh and real–something far beyond your imagination trying to break out and be. Everyone feels this inside. But to allow life to express itself in that way, with that much abandon, requires a true surrender into the unknown."—AdyashantiAdyashanti asks us to let go of our struggles with life and open to the full promise of spiritual awakening: the end of delusion and the discovery and expression of our essential being. After 15 years as a spiritual teacher, Adyashanti has found that the simpler the teaching, the greater its power to initiate this awakening. On Falling into Grace, he shares what he considers fundamental insights to "open ourselves to that mysterious element that enters in the hidden and quiet moments and sparks a revolution in the way that we perceive life." Wherever you may be on your own spiritual path, you will find in these sessions down-to-earth guidance on breaking the trance of ego, experiencing the raw energy of emotion, cultivating inner stability, transcending the world of opposites, and more. In the same way that we fall into the arms of a loved one or drop our heads on the pillow at night, we can surrender into the beauty and truth of who and what we really are. Falling into Grace is a program that gets to the core of why we suffer, and allows us to explore Adyashanti's invitation "to be taken by a moment of grace and fall into a sense of life when it is not separate from you, when life is actually an expression of something indefinable, mysterious, and immense." Highlights: The human dilemma–the concept of a separate self and the choice to stop believing the thoughts that perpetuate suffering • “Taking the backward step” into the pure potential of the present moment • Why spiritual awakening can be a disturbing process • Intimacy and availability–feeling absolute union with every part of our experience • True autonomy–the unique expression of our own sense of freedom Adyashanti began teaching in 1996 at the request of his Zen teacher of 14 years. Adya's teachings have been compared to some of the early Ch'an (Zen) masters of China as well as teachers of Advaita Vedanta in India. His award–winning books include Emptiness Dancing, The End of Your World, and True Meditation.

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A “riveting and enlightening account” (Bookreporter) of a mostly unknown chapter in the life of Eleanor Roosevelt—when she moved to New York’s Greenwich Village, shed her high-born conformity, and became the progressive leader who pushed for change as America’s First Lady.Hundreds of books have been written about FDR and Eleanor, both together and separately, but yet she remains a compelling and elusive figure. And, not much is known about why in 1920, Eleanor suddenly abandoned her duties as a mother of five and moved to Greenwich Village, then the symbol of all forms of transgressive freedom—communism, homosexuality, interracial relationships, and subversive political activity. Now, in this “immersive…original look at an iconic figure of American politics” (Publishers Weekly), Jan Russell pulls back the curtain on Eleanor’s life to reveal the motivations and desires that drew her to the Village and how her time there changed her political outlook. A captivating blend of personal history detailing Eleanor’s struggle with issues of marriage, motherhood, financial independence, and femininity, and a vibrant portrait of one of the most famous neighborhoods in the world, this unique work examines the ways that the sensibility, mood, and various inhabitants of the neighborhood influenced the First Lady’s perception of herself and shaped her political views over four decades, up to her death in 1962. When Eleanor moved there, the Village was a zone of Bohemians, misfits, and artists, but there was also freedom there, a miniature society where personal idiosyncrasy could flourish. Eleanor joined the cohort of what then was called “The New Women” in Greenwich Village. Unlike the flappers in the 1920s, the New Women had a much more serious agenda, organizing for social change—unions for workers, equal pay, protection for child workers—and they insisted on their own sexual freedom. These women often disagreed about politics—some, like Eleanor, were Democrats, others Republicans, Socialists, and Communists. Even after moving into the White House, Eleanor retained connections to the Village, ultimately purchasing an apartment in Washington Square where she lived during World War II and in the aftermath of Roosevelt’s death in 1945. Including the major historical moments that served as a backdrop for Eleanor’s time in the Village, this remarkable work offers new insights into Eleanor’s transformation—emotionally, politically, and sexually—and provides us with the missing chapter in an extraordinary life.

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A high-spirited young woman meddles in other peoples' love lives in this classic comedy of errors set in nineteenth century England.For Emma, raised to think well of herself, has such a high opinion of her own worth that it blinds her to the opinions of others. The story revolves around a comedy of errors: Emma befriends Harriet Smith, a young woman of unknown parentage, and attempts to remake her in her own image. Ignoring the gaping difference in their respective fortunes and stations in life, Emma convinces herself and her friend that Harriet should look as high as Emma herself might for a husband—and she zeroes in on an ambitious vicar as the perfect match. At the same time, she reads too much into a flirtation with Frank Churchill, the newly arrived son of family friends, and thoughtlessly starts a rumor about poor but beautiful Jane Fairfax, the beloved niece of two genteelly impoverished elderly ladies in the village. As Emma's fantastically misguided schemes threaten to surge out of control, the voice of reason is provided by Mr. Knightly, the Woodhouse's longtime friend and neighbor. Though Austen herself described Emma as "a heroine whom no one but myself will much like," she endowed her creation with enough charm to see her through her most egregious behavior, and the saving grace of being able to learn from her mistakes. By the end of the novel Harriet, Frank, and Jane are all properly accounted for, Emma is wiser (though certainly not sadder), and the reader has had the satisfaction of enjoying Jane Austen at the height of her powers. This edition inludes: -A concise introduction that gives readers important background information -A chronology of the author's life and work -A timeline of significant events that provides the book's historical context -An outline of key themes and plot points to help readers form their own interpretations -Detailed explanatory notes -Critical analysis, including contemporary and modern perspectives on the work -Discussion questions to promote lively classroom and book group interaction -A list of recommended related books and films to broaden the reader's experience Enriched Classics offer readers affordable editions of great works of literature enhanced by helpful notes and insightful commentary. The scholarship provided in Enriched Classics enables readers to appreciate, understand, and enjoy the world's finest books to their full potential.

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The deep sea covers more than half the surface of the Earth, but until the circumnavigation made by the HMS Challenger almost nothing was known about the animals that live there. Full Fathom 5000 gives an account of the remarkable discoveries that were made during the voyage and describes the strange and bizarre creatures that live in perpetual darkness a kilometer or more below the surface of the sea. Until the early 1870s, very little was known about the creatures lurking in the depths of our oceans. People had found a few things trapped in fishing gear or caught on the anchors of ships, but those who tried to venture to the bottom of the seafloor often died before they made it there. The first systematic investigation into life in our oceans was made during the circumnavigation of the HMS Challenger. Scientists credit this voyage as the beginning of modern oceanography, and the story of it is full of twists and turns. It led to the discovery of a whole new fauna previously unknown, which Full Fathom 5000 describes for the first time in one place for readers. In this book, Graham Bell takes readers through the voyage station by station, following the progress of the expedition and introducing some of the new and strange animals that were hauled up from the depths of the ocean and seen by human eyes for the first time. You will meet, among others, the ugliest fish in the world, flesh-eating clams, dwarf males, sea devils, and an octopus that wears lipstick. The book begins with a description of the first attempts scientists made to explore the deep sea, leading up to the plan for a voyage around the world on the HMS Challenger. The chapters take readers from station to station, though all of the world's oceans, visiting every continent and crossing the Equator five times. Bell details what was discovered during hundreds of stops to take samples, and he describes around a hundred stations where remarkable animals were hauled from the sea. The book ends with a description of what came after the end of this journey, explaining what they did with the animals that were collected and what became of the scientists and sailors who planned the voyage and traveled together around the world.

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Published by Eureka Press, Tokyo, and distributed outside Japan by Routledge.From the Introduction by Setsuko KagawaThe history of women’s medical education is one of the most remarkable aspects of social change in nineteenth-century Britain. Before the modernization and professionalization of medicine, women played an important part in the familial or local medical care systems. However, they were gradually excluded from formal medical practice due to a lack of systematic medical education. Women who hoped to enter the medical profession were obliged to fight a long and painful struggle to gain opportunities for medical education. Sometimes they managed to take informal and personal instruction from sympathetic male physicians, or they had to go abroad to search for medical training and university degrees. Female pioneers had to break through the boundaries of gender and nation defined by medical and social authorities, and they made their way across frontiers; they fought to enter men’s universities and, furthermore, they endured a long journey to colonial lands to practice medicine. The whole story of women’s advance in medicine with collective life-histories of early female doctors reveals significant findings that give a new dimension in women’s and gender history as well as medical history. In this series, I collected contemporary writings relating to pioneering women who contributed in opening up a path for women to practice medicine as qualified doctors in Great Britain. Most of them were of English origin with the exception of some American doctors whose achievements had considerable influence upon English practice. Equally they embraced the earnest ambition to practice scientific medicine especially for their sex, as well as the belief that women were men’ s intellectual equals. (… )In the collected writings in this series, we can glimpse one of the most dramatic aspects of English social history from the latter half of the nineteenth to the early twentieth century. Female pioneers had fought to gain opportunities in medical education as well as access to medical practice. Most of them undertook the challenge to the unknown world; sometimes they tried to enter men’s universities, or go abroad to study at foreign universities, and, furthermore, sailed for colonial lands to practice medicine. The story of women’s medical education is valuable for many historians to explore from a variety of viewpoints, and I hope the writings in this series will be of use to future studies.

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Reveals new and previously unknown biographical material about an important figure in nineteenth-century American architecture and music. Jacob Wrey Mould is not a name that readily comes to mind when we think of New York City architecture. Yet he was one-third of the party responsible for the early development of the city’s Central Park. To this day, his sculptural reliefs, tile work, and structures in the Park enthrall visitors. Mould introduced High Victorian architecture to NYC, his fingerprint most pronounced in his striking and colorful ornamental designs and beautiful embellishments found in the carved decorations and mosaics at the Bethesda Terrace. Resurfacing the forgotten contributions of Mould, Hell on Color, Sweet on Song presents a study of this nineteenth-century American architect and musical genius. Jacob Wrey Mould, whose personal history included a tie to Africa, was born in London in 1825 and trained there as an architect before moving to New York in 1852. The following year, he received the commission to design All Souls Unitarian Church. Nicknamed “the Church of the Holy Zebra,” it was the first building in America to display the mix of colorful materials and medieval Italian inspiration that was characteristic of High Victorian Gothic architecture. In addition to being an architect and designer, Mould was an accomplished musician and prolific translator of opera librettos. Yet anxiety over money and resentment over lack of appreciation of his talents soured Mould’s spirit. Unsystematic, impractical, and immune from maturity, he displayed a singular indifference to the realities of architecture as a commercial enterprise. Despite his personal shortcomings, he influenced the design of some of NYC’s revered landmarks, including Sheepfold, the Metropolitan Museum of Art, the American Museum of Natural History, the City Hall Park fountain, and the Morningside Park promenade. From 1875 to 1879, he worked for Henry Meiggs, the “Yankee Pizarro,” in Lima, Peru. Resting on the foundation of Central Park docent Lucille Gordon’s heroic efforts to raise from obscurity one of the geniuses of American architecture and a significant contributor to the world of music in his time, Hell on Color, Sweet on Song sheds new light on a forgotten genius of American architecture and music. Funding for this book was provided by: Furthermore: a program of the J. M. Kaplan Fund

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The first-ever full-length biography in English of Engelbert Humperdinck, composer of the opera Hänsel und Gretel, examining the rest of his substantial output in a historical framework which sets him in the rich musical life of Wilhelmine Germany. Engelbert Humperdinck's opera Hänsel und Gretel is one of the best-known in the repertoire, its melodies as familiar as folk-tunes - and yet no full-length biography of Humperdinck (1854-1921) has ever been published in English: although highly regarded a century ago, he has since been overshadowed by the continued success of his own fairy-tale creation. His other works remain essentially unknown, but they include five additional operas, ten furtherstage works (including music for four Shakespeare plays), pieces for orchestra and for chorus, and many songs. This book sets a pioneering examination of Humperdinck's entire output in a biographical framework, with detailed, illustrated descriptions accompanied by quotations from Humperdinck's contemporaries. Humperdinck was a quintessential composer of the Germany of the Kaisers: his maturation coincided with the establishment of the German Empire,and his training with teachers who remembered Beethoven and Schubert culminated in an apprenticeship with Richard Wagner. His talents won him entry to the Bayreuth inner circle and to the home of Johannes Brahms, and earned him areception with Kaiser Wilhelm II and an evening in Theodore Roosevelt's White House. His friends included Richard Strauss, Hugo Wolf, Gustav Mahler, Giacomo Puccini and Isadora Duncan. Kurt Weill, Leo Blech, and Hans Pfitzner were among his hundreds of students. Humperdinck was a prolific writer, too, and the detailed and candid letters and diary entries quoted here provide an inside view of musical life in Wilhelmine Germany, with its extraordinary number of theatres, orchestras, choral societies, music publishers, journals and conservatoires, their principal personalities generously illustrated in the pages of this book. William Melton, born in Philadelphia in 1954, did hisgraduate studies in music history at the University of California Los Angeles and spent his career in the horn section of the Sinfonie Orchester Aachen (Aix-la-Chapelle). In addition, he is a contributor to The Cambridge Wagner Encyclopedia (2013) and the author of The Wagner Tuba: A History (edition ebenos, Aachen, 2008). Further projects have included biographical essays on lesser-known Romantics like Friedrich Klose, Henri Kling, Felix Draeseke, and Friedrich Gernsheim, and he has researched and edited the scores of the 'Forgotten Romantics' series for the publisher edition ebenos.

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On December 18, 1867, the Buffalo and Erie Railroad’s eastbound New York Express derailed as it approached the high truss bridge over Big Sister Creek, just east of the small settlement of Angola, New York, on the shores of Lake Erie. The last two cars of the express train were pitched completely off the tracks and plummeted into the creek bed below. When they struck bottom, one of the wrecked cars was immediately engulfed in flames as the heating stoves in the coach spilled out coals and ignited its wooden timbers. The other car was badly smashed. About fifty people died at the bottom of the gorge or shortly thereafter, and dozens more were injured. Rescuers from the small rural community responded with haste, but there was almost nothing they could do but listen to the cries of the dying—and carry away the dead and injured thrown clear of the fiery wreck. The next day and in the weeks that followed, newspapers across the country carried news of the "Angola Horror," one of the deadliest railway accidents to that point in U.S. history. In a dramatic historical narrative, Charity Vogel tells the gripping, true-to-life story of the wreck and the characters involved in the tragic accident. Her tale weaves together the stories of the people—some unknown; others soon to be famous—caught up in the disaster, the facts of the New York Express’s fateful run, the fiery scenes in the creek ravine, and the subsequent legal, legislative, and journalistic search for answers to the question: what had happened at Angola, and why? The Angola Horror is a classic story of disaster and its aftermath, in which events coincide to produce horrific consequences and people are forced to respond to experiences that test the limits of their endurance. Vogel sets the Angola Horror against a broader context of the developing technology of railroads, the culture of the nation’s print media, the public policy legislation of the post–Civil War era, and, finally, the culture of death and mourning in the Victorian period. The Angola Horror sheds light on the psyche of the American nation. The fatal wreck of an express train nine years later, during a similar bridge crossing in Ashtabula, Ohio, serves as a chilling coda to the story.

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Runner-up, National Council on Public History Book Award, 2008The 1930s exodus of "Okies" dispossessed by repeated droughts and failed crop prices was a relatively brief interlude in the history of migrant agricultural labor. Yet it attracted wide attention through the publication of John Steinbeck's The Grapes of Wrath (1939) and the images of Farm Security Administration photographers such as Dorothea Lange and Arthur Rothstein. Ironically, their work risked sublimating the subjects—real people and actual experience—into aesthetic artifacts, icons of suffering, deprivation, and despair. Working for the Farm Security Administration in California's migrant labor camps in 1938-39, Sanora Babb, a young journalist and short story writer, together with her sister Dorothy, a gifted amateur photographer, entered the intimacy of the dispossessed farmers' lives as insiders, evidenced in the immediacy and accuracy of their writings and photos. Born in Oklahoma and raised on a dryland farm, the Babb sisters had unparalleled access to the day-by-day harsh reality of field labor and family life.This book presents a vivid, firsthand account of the Dust Bowl refugees, the migrant labor camps, and the growth of labor activism among Anglo and Mexican farm workers in California's agricultural valleys linked by the "Dirty Plate Trail" (Highway 99). It draws upon the detailed field notes that Sanora Babb wrote while in the camps, as well as on published articles and short stories about the migrant workers and an excerpt from her Dust Bowl novel, Whose Names Are Unknown. Like Sanora's writing, Dorothy's photos reveal an unmediated, personal encounter with the migrants, portraying the social and emotional realities of their actual living and working conditions, together with their efforts to organize and to seek temporary recreation. An authority in working-class literature and history, volume editor Douglas Wixson places the Babb sisters' work in relevant historical and social-political contexts, examining their role in reconfiguring the Dust Bowl exodus as a site of memory in the national consciousness.Focusing on the material conditions of everyday existence among the Dust Bowl refugees, the words and images of these two perceptive young women clearly show that, contrary to stereotype, the "Okies" were a widely diverse people, including not only Steinbeck's sharecropper "Joads" but also literate, independent farmers who, in the democracy of the FSA camps, found effective ways to rebuild lives and create communities.

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What would it be like to leave your loved ones behind knowing you may never see them again? Then depart on a ship in the dead of night heading for an unknown destination and find yourself in the heat of a battle which concludes in enemy conditions so terrible that your survival in captivity is still under threat? Cultivated from a small, faded, address book secretly written by a young soldier in the Royal Army Service Corps, Captured at Singapore, is a POW story of adventure, courage resilience and luck. In 1940, Londoner Stanley Moore became Driver T/170638 and trained for desert warfare along with many others in the British Army's 18th Division. Their mission, they thought, was to fight against Hitler and fascism in the Middle East. But in a change of plan and destination, he and his fellow servicemen became sacrificial lambs on a continent much further from home. After tough rudimentary combat training in England, Stan's division set off on a secret overseas mission. After months at sea, and several unexpected ports of call, their convoy was redirected to the other side of the world as the Imperial Japanese Army rampaged across Manchuria, Hong Kong and other parts of Asia. Singapore was under sole British jurisdiction and a large naval base had been built after the First World War to defend the island at the foot of the Malay Peninsula. The British Government believed Japan would never attack their prize territory and so left Singapore to fight for itself with limited troops and outdated equipment. But after an attack on Pearl Harbor, the under-trained and undersupplied 18th Division was redirected to fight the Japanese. Using extensive research and personal documents, the authors' account - via their father's small, faded, diary and his 1990 tape recording - tells of Stan's journey and arrival in Keppel Harbour under shellfire; the horrific 17 day battle to defend the island, the Japanese Admonition and the harrowing forced labour conditions after capitulation. Only a small percentage of the 85,000 British troops returned after the war. Captivity and years of trauma ultimately stole years of the young soldiers' lives, which they were later ordered to forget by the British Government. The aim of this work is to provide information for future generations to understand how ordinary men died under horrific conditions of war, and how the lucky survived.

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The outstanding collection of European bronze scupltures formed by Peter Marino, which focuses especially on French and Italian bronzes of the High Baroque, includes masterpieces by some of the greatest sculptors of their age, among them Ferdinando Tacca, Giovanni Battista Foggini, Robert le Lorrain, and Corneille van Clève. This volume of the contributions to the symposium held in June 2010 testifying to the importance of the Marino Collection includes ten essays by distinguished scholars of sculpture. Charles Avery, author of major monographs on Giambologna and Bernini, discusses the impetus behind one of the most exciting models in the Marino Collection, a Hercules and Antaeus, after Maderno. Geneviève Bresc-Bautier, Director of the Louvre Sculpture Department, examines the discovery of a large number of small pieces of terracotta sculpture, thought to be from the workshop of Andrés-Charles Boulle, which was destroyed in 1720. Anthea Brook, who has published extensively on Ferdinando Tacca, considers the attribution of a pair of small Florentine bronze hunting groups in the Marino Collection, making the case for Damiano Cappelli - a bronze-casting specialist in the workshop of Tacca - to be considered as a scupltor capable of creating his own designs. Rosario Coppel investigates the impressive collection of small bronzes of the 3rd Duke of Alcalá(1583-1637), who was Philip IV's extraordinary ambassador to Pope Urban VIII and later Viceroy and Captain General in Naples. Phillippe Malgouyres, Curator of Bronzes, Ivories, and Metals at the Louvre, discusses the bronze casts after Bernini sculpture, a little-studied subject in the wide field of Bernini studies. Jeffiner Montagu, Senior Fellow of the Warburg Institute, attempts to put together and define the oeuvre of the unknown sculptor of the magnificent 15-figure group of bronze hunters, their hounds and a bull, in the Suermondt Ludwig Museum in Aachen. Independent scholar Regina Seelig Teuwen extoles Guillaume Berthelot as a sculptor of small bronzes, while Jeremy Warren, Collections and Academic Director at the Wallace Collection, discusses the challenges of cataloguing the Peter Marino Collection for the 2010 exhibition. Dimitros Zikos of the Museo Nazionale del Bargello in Florence presents the extraordinary collection of bronzes and terracottas of Giuseppe and Ferdinando Borri. Eike Schmidt, James Ford Bell Curator of Decorative Arts and Sculpture at the Minneapolis Institute of Art, discusses the adaption of two-dimensional models in Giovanni Battista Foggini's bronze sculpture.

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Some of the finest architectural structures in India are to be found below ground: these are its ancient stepwells. Stepwells are unique to India; the earliest rudimentary wells date from about the 4th century CE, and eventually they were built throughout the country, particularly in the arid western regions. Stepwell construction evolved so that, by the 11th century, they were amazingly complex feats of architecture and engineering, not only providing water all year round but also serving as gathering places, refuges and retreats. The journalist Victoria Lautman first encountered stepwells three decades ago, and this book – now available in paperback for the first time – is a testament to her determined efforts over several years to document these fascinating but largely unknown structures before they disappear. Of the thousands of stepwells that proliferated across India, most were abandoned as a result of modernization and the depletion of water tables. Frequently commissioned by royal or wealthy patrons, the wells vary greatly in scale and design. Some also functioned as subterranean Hindu temples, featuring columned pavilions and elaborate stone carvings. Islamic wells were generally less flamboyant, but often incorporated shady loggias and small chambers in which to relax and escape the stifling heat. Today, few stepwells are in use. The majority have been left to silt up, fill with rubbish and crumble into disrepair. Gradually, however, the Indian government and heritage organizations are recognizing the need to preserve these architectural wonders. In 2014 India’s grandest and best-known stepwell, the Rani ki Vav in Patan, Gujarat, became a UNESCO World Heritage site. In her introduction, Lautman discusses why and where the stepwells were built. She reflects on the reasons they became derelict and considers how the appreciation of stepwells is changing with the work of organizations and individuals who aim to protect and restore them. The main part of the book is arranged in a broadly chronological order, with up to four pages devoted to each of c. 70 stepwells, every one unique in design and engineering. The name, location (including GPS coordinates) and approximate date of each well accompany colour photographs and a concise commentary by Lautman on the history and architecture of the well and her experience of visiting it. While many of the stepwells are rather decrepit, their magnificent engineering and great beauty never fail to impress.

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The real story of what it takes to risk it all and go for broke. Conventional wisdom says most startups need to be in Silicon Valley, started by young engineers around a sexy new idea, and backed by VC funding. But as Mikkel Svane reveals in Startupland, the story of founding Zendesk was anything but conventional. Founded in a Copenhagen loft by three thirty-something friends looking to break free from corporate doldrums, Zendesk Inc. is now one of the hottest enterprise software companies, still rapidly growing with customers in 150 countries. But its success was anything but predestined. With revealing stories both funny and frank, Mikkel shares how he and his friends bravely left secure jobs to start something on their own, how he almost went broke several times, how they picked up themselves and their families to travel across the world to California and the unknown, and how the three friends were miraculously still together for Zendesk's IPO and (still growing) success. Much like Zendesk's mission itself—to remove friction, barriers, and mystery in order to make customer service easier and more approachable—Startupland removes some of the myths about startups and startup founders. Mikkel's advice, hard-won through experience, often bucks conventional wisdom and entrepreneurial tropes. He shares why failure (whether fast or slow) is awful, why a seemingly boring product or idea can be the most exciting, why giving back to the community is as important as the bottom line. From how to hire right (look for people who are not offended by swearing) to which personas generate the highest response rates, Mikkel answers the most pressing questions from the perspective of someone still in the trenches and willing to share the hard truth, warts and all. While there are books by consultants who tell you how to build businesses, or by entrepreneurs now running billion-dollar businesses, there are few books from people still in the trenches who acutely remember the difficult daily decisions, the thrill (and fears) of the early days, the problems that scale with growing a business, and the reason why they all went on the adventure in the first place. Startupland is indispensable reading for all entrepreneurs who want to make their ideas the next big thing. The book will inspire and empower you to follow your own dream and create your own story.

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"A must read."—CHOICE Outstanding Academic Title, 2022 "Holds up a mirror to the unifying, braided futures underlying so-called 'Western' and 'Muslim' feminism that are both undermined by the power of capital, the world trade order, and cynical geopolitics."—2023 Association for Asian Studies Coomaraswamy Book PrizeA crystal-clear account of the entangled history of Western and Muslim feminisms. Western feminists, pundits, and policymakers tend to portray the Muslim world as the last and most difficult frontier of global feminism. Challenging this view, Elora Shehabuddin presents a unique and engaging history of feminism as a story of colonial and postcolonial interactions between Western and Muslim societies. Muslim women, like other women around the world, have been engaged in their own struggles for generations: as individuals and in groups that include but also extend beyond their religious identity and religious practices. The modern and globally enmeshed Muslim world they navigate has often been at the weaker end of disparities of wealth and power, of processes of colonization and policies of war, economic sanctions, and Western feminist outreach. Importantly, Muslims have long constructed their own ideas about women’s and men’s lives in the West, with implications for how they articulate their feminist dreams for their own societies. Stretching from the eighteenth-century Enlightenment era to the War on Terror present, Sisters in the Mirror shows how changes in women’s lives and feminist strategies have consistently reflected wider changes in national and global politics and economics. Muslim women, like non-Muslim women in various colonized societies and non-white and poor women in the West, have found themselves having to negotiate their demands for rights within other forms of struggle—for national independence or against occupation, racism, and economic inequality. Through stories of both well-known and relatively unknown figures, Shehabuddin recounts instances of conflict alongside those of empathy, collaboration, and solidarity across this extended period. Sisters in the Mirror is organized around stories of encounters between women and men from South Asia, Britain, and the United States that led them, as if they were looking in a mirror, to pause and reconsider norms in their own society, including cherished ideas about women’s roles and rights. These intertwined stories confirm that nowhere, in either Western or Muslim societies, has material change in girls’ and women’s lives come easily or without protracted struggle.

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Have you ever thought of citrus fruits as celestial bodies, angelically suspended in the sky? Perhaps not, but J. C. Volkamer (1644-1720) did-commissioning an extravagant and breathtaking series of large-sized copperplates representing citrons, lemons, and bitter oranges in surreal scenes of majesty and wonder. Ordering plants by post mostly from Italy, Germany, North Africa, and even the Cape of Good Hope, the Nuremberg merchant Volkamer was a devotee of the fragrant and exotic citrus at a time when such fruits were still largely unknown north of the Alps. His garden came to contain a wide variety of specimens, and he became so obsessed with the fruits that he commissioned a team of copperplate engravers to create 256 plates of 170 varieties of citrus fruits, many depicted life size, published in a two-volume work. The first volume appeared in 1708, with the impressively lengthy title The Nuremberg Hesperides, or: A detailed description of the noble fruits of the citron, lemon and bitter orange; how these may be correctly planted, cared for and propagated in that and neighboring regions. In both volumes, Volkamer draws on years of hands-on experience to present a far-reaching account of citrus fruits and how to tend them-from a meticulous walk-through of how to construct temporary orangeries, glasshouses, and hothouses for growing pineapples to commentary on each fruit variety, including its size, shape, color, scent, tree or shrub, leaves, and country of origin. In each plate, Volkamer pays tribute to the verdant landscapes of Northern Italy, his native Nuremberg, and other sites that captured his imagination. From Genovese sea views to the Schoenbrunn Palace, each locale is depicted in the same exceptional detail as the fruit that overhangs it. We witness branches heavy with grapefruits arching across a sun-bathed yard in Bologna and marvel at a huge pineapple plant sprouting from a South American town. The result is at once a fantastical line-up of botanical beauty and a highly poetic tour through the lush gardens and places where these fruits grew.Few colored sets of Volkamer's work are still in existence today. This publication draws on the two recently discovered hand-colored volumes in the city of Furth's municipal archive in Schloss Burgfarrnbach. The reprint also includes 56 newly discovered illustrations that Volkamer intended to present in a third volume.

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“According to the words of Phaedrus in the Symposium of Plato, Love, sometimes named Eros, has no parents, no age, no history, and its origin remains unknown to anyone. Love, whose destiny is said to be unique amongst the gods and humans, perhaps embodies desire for a conjunction always in search of its happening. Love would represent a dynamism longing for the copula incarnating the transcendence of our being. As such, Love would remain the everlasting yearning for the accomplishment of the ecstatic destiny of humanity.” In this book, Luce Irigaray - philosopher, linguist, psychologist and psychoanalyst - proposes nothing less than a new way of conceiving what a human being is as well as a means to ensure our individual and relational development from birth. Unveiling the mystery of our origin is probably what most motivates our quests and plans. And yet such a disclosure proves to be impossible. Indeed we were born as one from a union between two, and we are forever deprived of an origin of our own. Hence our ceaseless search for roots: in our genealogy, in the place where we were born, in our culture, religion or language. But a human being cannot develop from its own roots as a tree does. As humans, we must take responsibility for our own being and existence without any given continuity with our origin and background. How can we achieve that? First by cultivating our breathing, which is more than a means to come into the world and to exist; breathing also allows us to transcend mere survival to secure for ourselves a spiritual becoming. Taking on our sexuate belonging is the second element which enables us to assume our natural existence. Indeed, this determination at once brings us energy and provides us with a structure which contributes to our individuation and our relations with other living beings and the world. Our sexuation can compensate for our absence of roots too by compelling us to unite with the other sex so that we freely approach the copulative conjunction from which we were born; that is, the mystery of our origin. This does not occur through a mere sexual instinct or drive, but requires us to cultivate desire and love with respect for our mutual difference(s). In this way we can give rise to a new human being, not only at a natural but also at an ontological level.

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Largely neglected for the four centuries after his death, the fifteenth century Italian artist Piero della Francesca is now seen to embody the fullest expression of the Renaissance perspective painter, raising him to an artistic stature comparable with that of Leonardo da Vinci and Michelangelo. But who was Piero, and how did he become the person and artist that he was? Until now, in spite of the great interest in his work, these questions have remained largely unanswered. Piero della Francesca: Artist and Man puts that situation right, integrating the story of Piero's artistic and mathematical achievements with the full chronicle of his life for the first time. Fortified by the discovery of over one hundred previously unknown documents, most unearthed by the author himself, James R. Banker at last brings this fascinating Renaissance enigma to life. The book presents us with Piero's friends, family, and collaborators, all set against the social background of the various cities and courts in which he lived - from the Tuscan commune of Sansepolcro in which he grew up, to Renaissance Florence, Ferrara, Ancona, Rimini, Rome, Arezzo, and Urbino, and eventually back to his home town for the final years of his life. As Banker shows, the cultural contexts in which Piero lived are crucial for understanding both the man and his paintings. From early masterpieces such as the Baptism of Christ through to later, Flemish-influenced works such as the Nativity, we gain a fascinating insight into how Piero's art developed over time, alongside his growing achievements in geometry in the later decades of his life. Along the way, the book addresses some persistent myths about this apparently most elusive of artists. As well as establishing a convincing case to clear up the long controversy over the year of Piero's birth, there are also answers to some big questions about the date of some of his major works, and a persuasive new interpretation of the much-debated Flagellation of Christ. This book is for all those who wish to know about the development of Piero as man, artist, and scholar, rather than simply to see him through a series of isolated great works. What emerges is a thoroughly intriguing Renaissance individual, firmly embedded in his social milieu, but forging an historic identity through his profound artistic and mathematical achievements.

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When Paula Haney first opened the Hoosier Mama Pie Company on March 14, 2009 (Pi day, appropriately enough), she worried whether her new business could survive by specializing in just one thing. When she opened her storefront that morning and saw a line around the block, she realized she had a more immediate problem: had she made enough pie? The shop closed early that day, but it has been churning out plenty of the Chicago's most delectable pies ever since. Since starting her career as a pastry chef at Trio, one of Chicago's top fine-dining restaurants, Haney dreamed of opening her own pie shop. Exhilarating and exhausting days spent creating fabulous new desserts to keep up with the restaurant's head chef--a then-unknown Grant Achatz, who would go on to culinary superstardom--left Haney in search of classic comfort food on her days off. Her disappointment in being unable to find a good slice of pie in all of Chicago led her to one conclusion: she needed to open her own store. Specializing in hand-made, artisanal pies that only use locally sourced and in-season ingredients, Hoosier Mama Pie Company has become a local favorite and a national destination gaining praise from Bon Appetit, the Food Network, and Food & Wine as one of the top pie shops in the country. Now, The Hoosier Mama Book of Pie delivers all the sumptuous secrets of buttery crusts, fruity fillings, creams and custards, chess pies, over-the-top pies, and even the stout and hearty savory pie. The practically oriented, easy-going, and accessible style of this book will help bakers both new and old make the perfect pie for every occasion. On top of all of this, The Hooser Mama Book of Pie also includes tips on technique, fascinating historical anecdotes, and an emphasis on special seasonal recipes, as well as quiches, hand pies, and scones. This beautifully photographed and designed book has the classic retro feel of the mid-20th century golden age of pie, and all the warmth and personality of the Hoosier Mama Pie Co.'s cozy Chicago storefront. The focus on using local produce and employing the farm-to-table philosophy gives the book a contemporary twist, helping home bakers make the freshest, most delicious pies imaginable. Now readers can take a little piece of the Hoosier Mama Pie Company anywhere they go.

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Diagnose and determine treatment for toxic exposures in small animals with this quick reference! Small Animal Toxicology, 3rd Edition covers hundreds of potentially toxic substances, providing the information you need to manage emergency treatment and prevent poisonings in companion animals. To help you identify an unknown poison, this guide provides a list of potential toxins based on clinical signs or symptoms. It also includes a NEW color insert with 85 full-color photographs of toxic plants and of lesions associated with various poisonings. Written by respected veterinarian Michael E. Peterson and board-certified veterinary toxicologist Patricia A. Talcott, along with a team of expert contributors, this edition covers a wide variety of topics including toxicodynamics, toxicokinetics, effective history taking, recognizing clinical signs of toxic exposures, managing emergencies, and supportive care of the poisoned patient. Comprehensive coverage of toxins/poisons includes the full range of substances from acetaminophen to zinc, including home products, prescription medicines, recreational drugs, and more. Guidelines to evaluation, diagnosis and treatment include examinations of the source, toxic dose, toxicokinetics, clinical signs, minimum database, confirming tests, treatment progress and differential diagnosis for each specific toxicant. Coverage of common poisonous substances includes grapes and raisins, nicotine, mercury, mushrooms, Christmas-time plants, and snake and spider venoms. Toxicological Concepts section provides information on toxicologic principles such as history taking, providing supportive care, and managing emergency treatment. General Exposures section addresses nontraditional toxicology such as indoor environmental air, pesticides, pharmaceuticals, and toxicities in pregnant and lactating animals. Miscellaneous Toxicant Groups section covers commonly encountered specific toxicants, the proper use of diagnostic laboratories, use of human poison control centers, and antidotes for specific toxins. More than 50 international contributors provide up-to-date, authoritative advice on treating poisonings and intoxications. 20 new chapters have been addedNew topics include a list of toxicants affecting body systems, management of toxins in pregnancy, diagnostic toxicology, bacterial toxins, and cosmetic/toilet articlesSnake-bite injuries are treated in two separate, expanded chapters: Pit Vipers and Coral SnakesSection on pharmaceuticals includes bromides, anticonvulsants, tricycle antidepressants, monoamine oxidize inhibitors, B-adrenergic toxicities, and vitamins A and DAdditional specific toxicants are covered, including Amitraz, hydramethylon, ethanol, mercury, toad toxins, poisonous frogs, salamanders, newts and venomous arthropods. Additional specific toxicants are covered, including Amitraz, hydramethylon, ethanol, mercury, toad toxins, poisonous frogs, salamanders, newts and venomous arthropods.

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In this major biography, Catherine Peters explores the complicated life of Wilkie Collins, the greatest of the Victorian "Sensation" novelists and author of the famous Woman in White and The Moonstone. An intimate of Dickens and of the Pre-Raphaelites Holman Hunt and Millais, Collins was called the "king of inventors" by his publisher. On the surface, he was charming, unpretentious, and extremely good company, beloved by men and women. Beneath this facade, however, he was a complex and haunted man, addicted to laudanum, and his powerful, often violent novels revealed a dark side of Victorian life. He supported two common-law wives and their children, and as Peters shows, he provoked scandal by refusing to cloak his complicated love affairs in the customary hypocritical pretense of the period. Having discovered a hitherto unknown autobiography by Wilkie Collins's mother, Peters draws on this document and on thousands of Collins's unpublished letters to create this provocative picture of his life and times. She describes in detail the saga of his exhausting struggle for better copyright protection for authors, especially for English authors in the United States. She has also studied the manuscripts of his novels, plays, and stories, including those which he did not complete, finding that some of his neglected novels turn out to be much more interesting than most readers realize today. This edition of the book has been supplemented to include an appendix describing Collins's "Tahitian" novel. Written when he was twenty, the manuscript of this work, Iolani, was thought to have disappeared, but it has recently been rediscovered and sold to a private collector. For any Collins enthusiast, or for anyone interested in the literary history of the Victorian period, The King of Inventors provides a vivid account of Collins's unusual personal life in the context of his literary and artistic friendships and of newly revealed facts about the two women with whom he shared his "double life." Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Rarely are we privileged to see the making of a saint, but it is just what this book gives us for John of Kronstadt (1829–1908), a major figure in the religious life of Late Imperial Russia. So popular was Father John during his years of ministry that Kronstadt became a pilgrimage site replete with peddlers selling souvenir photographs, postcards, and commemorative mugs. A Prodigal Saint follows Father John’s development from activist priest to venerated spiritual leader and, after his death, to his elevation to sainthood in 1990. We see both the inner life of an aspiring saint and the symbiotic relationship between a living icon and his followers. Father John represented a fundamentally new type of religious behavior and a new standard of sanctity in Late Imperial Russia. He ministered to the poor of Kronstadt, creating shelters and employment programs and participating in the temperance movement. In the process he acquired a reputation for prayerful intercession that soon spread beyond Kronstadt. When he was asked to minister to the dying Alexander III in 1894, his fame became international as he attracted correspondents from the United States and Europe. In his later years he allied himself increasingly with the radical right, which has had momentous implications for the Russian Orthodox Church in the twentieth century.Kizenko draws upon rich and virtually unknown documents from the Russian archives, including Father John’s diaries, thousands of letters he received from his followers, and the police reports on the sect that formed around him. John’s diaries are a truly unique source, for they document the making of a modern saint: his struggles with doubt, his ascetic practices, and his growing realization that others saw him as a saint. Kizenko explores the extent to which Father John collaborated in the formation of his own cult and how he himself was influenced by the expectations and desires of his audience. In the final chapter she follows Father John’s posthumous reputation (and the struggles over how to use that reputation) in Russia, the Soviet Union, and throughout the world. A Prodigal Saint is published in collaboration with the Harriman Institute at Columbia University as part of its Studies of the Harriman Institute series. It is a pioneering study that contributes to our understanding of lived religion, saints’ cults, and modern Russian history.

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Photographer Yushi Li takes us on a journey of desire, fantasy and looking, through a photographic study of the male body. The naked male bodies in Li’s works are not intended for consumption. Instead, the male body is represented in its relation to other elements in the frame, which always involves a staging of a scene, a fantasy. The domestic space and the mundane activities in the works, invite the viewer to see beyond the naked body. The man in her images is the phallus, the signifier of desire – the desire of the (m)Other. Li’s portrayal of the body is a condensation of the imaginary: the unknown paternal and maternal body– and the fantasy of the absent (m)Other. Throughout the book, Li questions the gaze through different works. ‘My Tinder Boys’ is a set of photographs of naked young men in their kitchens — always soft-fleshed and flaccid, mostly gazing off-camera. ‘Your Reservation is Confirmed’, further develops ideas around consumption and satisfaction. Rather than Tinder, this time it’s Airbnb — a hook-up App for houses. Each image takes us to a new room, in a new house, occupied by a new naked man and often Li herself, fully clothed, engaged in some kind of leisure activity. In Li’s most recent series ‘Paintings, Dreams and Love’, we are invited to look at paintings through a different lens. Inspired by classical oil paintings of female nudes, Titian’s ‘Death of Actaeon’ is re-enacted, with the artist outside pointing her bow and arrow both beyond the frame but also ostensibly at a naked man inside. In ‘The Dream of the Fisherwoman’, we see Hokusai’s writhing, erotic octopus become a fishmonger’s corpse, draped across a serenely bathing boy. Li plays with the power dynamic inherent in looking relations further in her moving image work ‘I Hope You Like What You Have Seen’, in which Li asked different men to perform naked, mundane activities for her to watch via Skype. In these video chats, Li tries to become the digital eye, not a woman, nor a man, that is constantly looking at us. Through both looking back at old paintings, and looking directly via the webcam, Li leads us to drift between the physical and the virtual, the conscious and the unconscious, approaching a new form of theatre, desire and spectatorship. Baroness by Yushi Li also includes an introduction by psychoanalyst and writer Anouchka Grose.

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A Times Best Art Book of 2022Reproductions of the young Lucian Freud’s letters alongside insightful context and commentary reveal the foundations of the artist’s personality and creative practice. The young Lucian Freud was described by his friend Stephen Spender as ‘totally alive, like something not entirely human, a leprechaun, a changeling child, or, if there is a male opposite, a witch.’ All that magnetism and brilliance is displayed in the letters assembled here. Ranging from schoolboy messages to his parents, through letters and carefully-chosen, often embellished postcards to friends, lovers and confidants, to correspondence with patrons and associates. They are peppered with wit, affection and irreverence. Alongside rarely seen photographs and Freud’s extraordinary works, each chapter charts Freud’s evolving art alongside intimate accounts of his life. We trace Freud’s early friendships with Stephen Spender, John Craxton, his wild days at art school in East Anglia, and a stint as a merchant seaman. Among the highlights are Freud’s accounts of his first trip to Paris in 1946 and encounters with Picasso, Alexander Calder and Giacometti (who, he thought, looked like Harpo Marx). Equally revealing are letters to and from his first love, Lorna Wishart and second wife, Caroline Blackwood. Among his friends and confidantes were Sonia Orwell and Ann Fleming: remarkable, hitherto unknown letters to both of whom are included. To Ann Fleming he wrote a richly-comic, six-page description of a high society fancy dress ball which took place at Biarritz in 1953. He also went to stay with Ann and her husband Ian in their house in Jamaica, Goldeneye. From there, he sent a stream of letters, plus a telegram to his colleagues at the Slade School of Fine Art (where he was supposed to be teaching): “PLEASE SEND TEN SHEETS GREY GREEN INGRES PAPER”. The volume ends in early 1954 with his inclusion at the age of 31, as one of the artists representing Britain at the Venice Biennale - the high point of his early career. Co-authored by David Dawson and Martin Gayford, this is the first published collection of Freud’s correspondence, many brought to light for the first time. Reproduced in facsimile alongside reproductions of Freud’s artwork, the letters are linked by a narrative that weaves them into the story of his life and relationships through his formative first three decades. Collectively, they provide a powerful insight into his early life and art.

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NYPL BOOK OF THE DAY • NAMED A BEST BOOK OF 2023 BY ZED BOOK CLUB & INDIA CURRENTS • LA WEEKLY BOOK PICK • RECOMMENDED BY BOOK RIOT & ELECTRIC LITERATURE A timely self-examination of the “mixed” American experience featuring exclusive recipes and photographs from the author’s multicultural family. As citizens continue to evolve and diversify within the United States, the ingredients that make up each flavorful household are waiting to be discovered and devoured. In Colorful Palate, author Raj Tawney shares his coming-of-age memoir as a young man born into an Indian, Puerto Rican, and Italian-American family, his struggles with understanding his own identity, and the mouthwatering flavors of the melting pot from within his own childhood kitchen. While the world outside can be cruel and unforgiving, it’s even more complicated for a mixed-race kid, unsure of his place in the world. Turning to his mother and grandmother for guidance, Tawney assists in the kitchen, providing intimate moments and candor as he listened to the tales behind each culinary delicacy and the women who perfected it. Each lovingly prepared meal offered another opportunity to learn more about his extraordinary heritage. The ability to create delicious fare with his family wasn’t just a duty for the grand ladies who raised him; it was a survival tactic for navigating new and unknown cultures, not always willing to accept them at first or even a hundredth glance. As Tawney examines both himself and his loved ones through the formative stages of his life, from boyhood through adulthood, he begins to realize, through all of the chaos and confusion, just how “American” he actually was. In this contemporary coming-of-age tale, Tawney tackles personal hot-button issues about race and identity through poignant, heartfelt moments centered on delicious meals. From succulent tandoori chicken to delectable arroz con habichuelas to scrumptious spaghetti and meatballs, Tawney shares his family recipes along with the intimate stories he overheard in the kitchen as he played sous chef to hundreds of recipes that not only span continents but also come with their own personal histories attached. Colorful Palate is a tale of the mixed experience, one of the millions that rarely get told, undefined by a single group or birthright and unapologetic about its lack of classification.

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After two decades as a behavior analyst in the FBI, Robin Dreeke knows a thing or two about sizing people up. He's navigated complex situations that range from handling Russian spies to navigating the internal politics at the Bureau. Through that experience, he was forced to develop a knack for reading people--their intentions, their capabilities, their desires and their fears.Dreeke's first book, It's Not All About "Me," has become a cult favorite with readers seeking to build quick rapport with others. His last book, The Code of Trust, was about how to inspire trust in others as a leader. In Sizing People Up, Dreeke shares his simple, six-step system that helps you predict anyone's future behavior based on their words, goals, patterns of action, and the situation at hand.Predicting the behavior of others is an urgent need for anyone whose work involves relationships with others, whether it's leading an organization, collaborating with a teammate, or closing a sale. But predictability is not as simple as good and evil, or truth and fiction. Allies might make a promise with every intention of keeping it, not realizing that they will be unable to do so due to some personal shortcoming. And those seeking to thwart your endeavor may not realize how reliable their malevolent tells have become.Dreeke's system is simple, but powerful. For instance, a colleague might have a strong moral code, but do they believe your relationship will be long-term? Even the most upstanding person can betray your trust if they don't see themselves tied to you or your desired result in the long term. How can you determine whether someone has both the skill and will to do what they've said they're going to do? Behaviors as subtle as how they take notes will reveal their reliability.Using this book as their manual, readers will be able to quickly and easily determine who they can trust and who they can't; who is likely to deliver on promises and who will disappoint; and when a person is vested in your success vs when they are actively plotting your demise. With this knowledge they can confidently embark on anything from a business venture to a romantic relationship to a covert operation without the stress of the unknown.

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*Winner of the Wilfrid Eggleston Award for Nonfiction* *Selected as a Most Anticipated Book of Fall by The Globe and Mail and The Toronto Star* An insightful and perspective-shifting new book, from a celebrated journalist, about reclaiming identity and revealing the surprising history of the Muslim diaspora in the west—from the establishment of Canada’s first mosque through to the long-lasting effects of 9/11 and the devastating Quebec City mosque shooting.“Until recently, Muslim identity was imposed on me. But I feel different about my religious heritage in the era of ISIS and Trumpism, Rohingya and Uyghur genocides, ethnonationalism and misinformation. I’m compelled to reclaim the thing that makes me a target. I’ve begun to examine Islam closely with an eye for how it has shaped my values, politics, and connection to my roots. No doubt, Islam has a place within me. But do I have a place within it?” Omar Mouallem grew up in a Muslim household, but always questioned the role of Islam in his life. As an adult, he used his voice to criticize what he saw as the harms of organized religion. But none of that changed the way others saw him. Now, as a father, he fears the challenges his children will no doubt face as Western nations become increasingly nativist and hostile toward their heritage. In Praying to the West, Mouallem explores the unknown history of Islam across the Americas, traveling to thirteen unique mosques in search of an answer to how this religion has survived and thrived so far from the place of its origin. From California to Quebec, and from Brazil to Canada’s icy north, he meets the members of fascinating communities, all of whom provide different perspectives on what it means to be Muslim. Along this journey he comes to understand that Islam has played a fascinating role in how the Americas were shaped—from industrialization to the changing winds of politics. And he also discovers that there may be a place for Islam in his own life, particularly as a father, even if he will never be a true believer. Original, insightful, and beautifully told, Praying to the West reveals a secret history of home and the struggle for belonging taking place in towns and cities across the Americas, and points to a better, more inclusive future for everyone.

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*** PRE-ORDER THE BONE HACKER, COMING IN PAPERBACK IN SPRING 2024! *** 'This page-turning series never lets the reader down’ HARLAN COBENIN A PROFESSION LIKE THIS, YOU'RE BOUND TO MAKE ENEMIES . . .An eye . . . It all starts when Dr Temperance Brennan finds a box on her porch. Inside is a fresh human eyeball with GPS coordinates etched into it. They lead her to a macabre discovery in a Benedictine Monastery, and soon after she discovers a mummified corpse in a state park. . . . for an eye There seems to be no pattern to these killings, except that each mimics a killing connected to something a younger Tempe experienced, or barely escaped. Someone is targeting her, and she needs to figure out why before they strike again. And then her daughter Katy disappears. Someone is playing a dangerous game with Tempe. And they won’t stop until they have taken everything from her . . .Electrifying, heart-stopping and compulsive, this is Tempe’s most personal and dangerous case yet . . .PRAISE FOR KATHY REICHS ‘A thing of clever beauty – smart, scary, complicated, and engrossing from the first sentence' MICHAEL CONNELLY ‘Reanimates all the ghosts from Temperance Brennan’s forensic past until they thoroughly haunt her present . . . This page-turning series never lets the reader down’ HARLAN COBEN ‘Masterfully constructed’ J.A. JANCE 'A mystery within a mystery that invites you to get into the action, complete with twisting turns and heart-stopping dives into the unknown . . . The crowning achievement of a master storyteller' NELSON DeMILLE 'I await the next Kathy Reichs’ thriller with the same anticipation I have for the new Lee Child or Patricia Cornwell' JAMES PATTERSON 'Over the course of twenty books, Kathy Reichs and Tempe Brennan have thrilled readers with pacey, mazey tales . . . We readers are truly grateful' IAN RANKIN ‘Reichs, skilfully using the conventions of the mystery novel, forces the reader to face up to the obscene realities of death time and time again. At work and a play she gets under your skin’ THE TIMES 'A thrilling read from one of my favorite writers' KARIN SLAUGHTER 'One of the absolute best thrillers of the year! I can’t recall when this many twists have been so masterfully woven into a novel.' JEFFERY DEAVER 'The Queen of forensic crime' EVENING STANDARD

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Adolf Hitler - a ranting, evil demagogue whose insane ambitions and beliefs took the world to the brink of extinction and caused the deaths of millions. And yet there was another side to the Fuhrer, one that was rarely seen and even now remains unknown by most people. It was a softer side, a gentler side that, in the main, came out only in his dealings with the women in his life. With his secretaries and other female staff he was caring and considerate - almost without exception they have recorded that he was an employer of compassion and understanding, someone who was really interested in their lives. Eva Braun is a well-known figure but she was not alone in her role as the Fuhrer's lover. Dozens of women preceded her, people like Mitzi Reiter, Henny Hoffmann and his own niece Geli Raubal. To them and the many more who spent time alone with him, Hitler was the ultimate romantic, someone to love and in return be loved back. Hitler was adored by the women of Germany. They flocked in their thousands to see him, to hear him speak. In their eyes he could do no wrong. They might never meet him but they could look, they could listen - and they could fantasise about a future that would never happen. Without the support of women, their help and guidance, Hitler might never have risen to power. In the wild post-war days the Society women of Munich gave him shelter and encouragement. They gave him space and time to climb the slippery political ladder to the top. At the pinnacle of the German state, he used and abused their adulation and support to maintain his position. Women had taught him how to behave, how to be accepted by polite society. Women had funded his Nazi Party and helped give him an ideology to underpin his movement. He accepted that as his right but ultimately he repaid them by leading the country to the edge of destruction. This book, _Hitler and His Women_, looks at all of the women in Hitler's life, his lovers and his passing flings. From his mother and sisters to a teenage infatuation with a girl he never actually met, from actresses like Zara Leander to English aristocrat Unity Mitford, it examines the relationships and how they affected the course of history. The findings may well astound you.

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The Strugatsky brothers' poignant and introspective novel of first contact that inspired the classic film StalkerRed Schuhart is a stalker, one of those strange misfits who are compelled by some unknown force to venture illegally into the Zone and, in spite of the extreme danger, collect the mysterious artefacts that the alien visitors left scattered around. His life is dominated by the Zone and the thriving black market in the alien products. Even the nature of his daughter has been determined by the Zone. And it is for her that Red makes his last, tragic foray into the hazardous and hostile depths.Readers can't stop thinking about Roadside Picnic:'A story of a horrific yet fascinating place, a story of an ordinary and unlikable man just trying to get by, a philosophical interlude on humanity and its significance or lack thereof, of greed and wonder, and the fever dream of the soul scream. It still speaks to me' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐'Such an intriguing setting for me, such an unusual take on alien interaction' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ 'It is a thought-provoking, hard-to-put down masterpiece, most probably the best introduction to Soviet science fiction. A must read for any sci-fi fan' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐'A fantastic and creative exploration of what first contact might be like' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐'The tone of the book is akin to that of some noir works, dark, gritty, getting darker and grittier as the tale wears on . . . Like many great books, the meaning of the ending is left up to the reader' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐'A beautifully depressive and wonderfully atmospheric science fiction novel about life on Earth after an alien "Visitation" that leaves humans with more questions than answers . . . Once I started reading it today, I couldn't stop. The story captured my heart and held my attention' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐ 'This is the sort of book that you read and then immediately feel the need to lend it to someone you know so that they can experience and enjoy it themselves . . . I was truly astonished-by both the poignancy and the deceptive(?) simplicity of this relatively short novel' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐

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In the 1820s, two families, unknown to each other, worked on farms in the American wilderness. It seemed unlikely that the families would ever meet—and yet, they did. The son of one family, the famed actor John Wilkes Booth, killed the son of the other, President Abraham Lincoln, in the most significant assassination in American history. The murder, however, did not come without warning—in fact, it had been foretold. In the Houses of Their Dead is the first book of the many thousands written about Lincoln to focus on the president’s fascination with Spiritualism, and to demonstrate how it linked him, uncannily, to the man who would kill him. Abraham Lincoln is usually seen as a rational, empirically-minded man, yet as acclaimed scholar and biographer Terry Alford reveals, he was also deeply superstitious and drawn to the irrational. Like millions of other Americans, including the Booths, Lincoln and his wife, Mary, suffered repeated personal tragedies, and turned for solace to Spiritualism, a new practice sweeping the nation that held that the dead were nearby and could be contacted by the living. Remarkably, the Lincolns and the Booths even used the same mediums, including Charles Colchester, a specialist in “blood writing” whom Mary first brought to her husband, and who warned the president after listening to the ravings of another of his clients, John Wilkes Booth. Alford’s expansive, richly-textured chronicle follows the two families across the nineteenth century, uncovering new facts and stories about Abraham and Mary while drawing indelible portraits of the Booths—from patriarch Julius, a famous actor in his own right, to brother Edwin, the most talented member of the family and a man who feared peacock feathers, to their confidant Adam Badeau, who would become, strangely, the ghostwriter for President Ulysses S. Grant. At every turn, Alford shows that despite the progress of the age—the glass hypodermic syringe, electromagnetic induction, and much more—death remained ever-present, and thus it was only rational for millions of Americans, from the president on down, to cling to beliefs that seem anything but. A novelistic narrative of two exceptional American families set against the convulsions their times, In the Houses of Their Dead ultimately leads us to consider how ghost stories helped shape the nation.

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An Important Contribution to Understanding Autobiographical and Eyewitness Memory in Those with ASD and the Unique Legal Challenges They Present This book offers an in-depth discussion of how autobiographical and eyewitness memory operate in individuals with Autism Spectrum Disorder (ASD) and provides unique insights into current challenges faced by legal professionals, forensic psychologists, clinicians, and others who extend services to those with ASD. Throughout the book, authors demonstrate why a nuanced understanding of autobiographical and eyewitness memory is required when assessing individuals with ASD, given the developmental, social, and cognitive deficits at play. Authors review current legal services and structures, and explore ideas on whether and how modifications can be made to meet the needs of all individuals who seek and deserve justice, including individuals with ASD. The Wiley Handbook of Memory, Autism Spectrum Disorder, and the Law is sure to spark debate within the mental health and legal communities, while advancing knowledge on the role of key clinical features of ASD in autobiographical and eyewitness memory. The book is distinct in its exploration of ways in which the legal system, with its formal yet inherently social infrastructure and regulated due process demands, should offer services to those with ASD. Of note, authors question if current policies and practices, such as reliance on interviewing protocols standardized for typically developing individuals, are adequate. The book is divided into three sections with the first providing a discussion of theoretical viewpoints on how memory functions in those with and without ASD, and providing a specialized consideration of developmental issues. A second section reviews empirical evidence, followed by a third and final section addressing legal and clinical considerations, including techniques for interviewing individuals with ASD. The first book offering an expert, science-based review of autobiographical and eyewitness memory research on those with ASD and the associated legal challenges Provides thought-provoking, informative, often debated observations on memory in ASD from an international team of experts Offers summaries of what is known about memory abilities in those with ASD as well as what is left unknown that future researchers will need to address and that legal professionals should consider. A book that does much to advance the research frontier in the study of memory in ASD and application to the legal system, The Wiley Handbook of Memory, Autism Spectrum Disorder, and the Law is important reading for academic researchers, clinicians, judges, jurors, law enforcement officials, and public policy makers alike.

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Immediately after the Gospels, the New Testament takes up the history of the early Christian Church, describing the works of the twelve disciples, and introducing Paul, the man whose influence on the history of Christianity is beyond calculation. Teacher, preacher, conciliator, diplomat, theologian, rule giver, consoler, and martyr, his life and writings became foundations for Christianity. Paul inspired a vast, serious, and intelligent literature that seeks to recapture his meaning, his thinking, and his purpose. In his letters to early Christian communities, Paul gave much practical advice about organization and orthodoxy. These treated the early Christian communities as something more than a group of people who believed in the same faith: they were people bound together by a common spirit unknown before. The significance of that common spirit occupied the greatest of Christian theologians from Athanasius and Augustine through Luther and Calvin. In The Mysticism of Paul the Apostle Albert Schweitzer goes against Luther and the Protestant tradition to look at what Paul actually writes in the Epistles to the Romans and Galatians: an emphasis upon the personal experience of the believer with the divine. Paul's mysticism was not like the mysticism elsewhere described as a soul being at one with God. In the mysticism he felt and encouraged, there is no loss of self but an enriching of it; no erasure of time or place but a comprehension of how time and place fit within the eternal. Schweitzer writes that Paul's mysticism is especially profound, liberating, and precise. Typical of Schweitzer, he introduces readers to his point of view at once, then describes in detail how he came to it, its scholarly antecedents, what its implications are, what objections have been raised, and why all of this matters. To students of the New Testament, this book opens up Paul by presenting him as offering an entirely new kind of mysticism, necessarily and exclusively Christian. "There is at least one other point that Albert Schweitzer scores here...The hard-won recognition that divine authority and human freedom ultimately cannot be in conflict must never be taken for granted, and the irony that the thought of Paul has repeatedly been invoked to undo that recognition truly does make this insight one of 'the permanent elements. '"-from the Introduction

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Recollections of Tartar Steppes, first published in 1863, is a lost classic of women's travel writing that remains one of the earliest and best examples of the genre. In February 1848 the erstwhile English governess Lucy Atkinson set off from Moscow with her new husband Thomas Witlam Atkinson on a journey that would eventually last almost six years and cover more than 40,000 miles through the unknown wastes of Siberia and Central Asia. To add to the challenge, Lucy found soon after setting off out that she was pregnant. Having barely ever ridden in her life, she spent her entire pregnancy on horseback, before giving birth to a son in a yurt in a remote corner of Central Asia. Remarkably, her child survived and for the next five years accompanied his parents wherever they travelled - through the Djungar Alatau Mountains on the borders with China, the Altai Mountains in southern Siberia and then thousands of miles east to Irkutsk, Lake Baikal and the Sayan Mountains. Lucy Atkinson was not simply a passive witness on this remarkable journey, but an active participant, handling horses and camels, organizing Cossack and local guides and learning to shoot for the pot. On several occasions she levelled a rifle to protect her husband when he was threatened by brigands. Throughout this book, based on diaries she kept, she brings to life her remarkable experiences, whether sharing a meal with a Kazakh chieftain, negotiating the hire of reindeer to carry her baby son, or setting off for two weeks in an open rowing boat onto the unpredictable waters of Lake Baikal. During the bitter winters, when the Atkinsons hunkered down in one of the scattered towns of Siberia to avoid the worst of the sub-zero temperatures, she was a sensation at the soirées and parties that punctuated the long, dark evenings. Through her connections to her former employer in St Petersburg she also met with many of the exiled Decembrists and their wives, including Princess Maria Volkonsky and Princess Katherine Troubetskoy. Out of print for many years, this new edition includes a detailed introduction by Nick Fielding and Marianne Simpson - a direct descendant of Lucy Atkinson's brother Matthew - which explains the background to Lucy's travels and the fascinating events that followed her return to London and her husband's death in 1861.

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In recent decades, America has been waging a veritable war on fat in which not just public health authorities, but every sector of society is engaged in constant "fat talk" aimed at educating, badgering, and ridiculing heavy people into shedding pounds. We hear a great deal about the dangers of fatness to the nation, but little about the dangers of today’s epidemic of fat talk to individuals and society at large. The human trauma caused by the war on fat is disturbing—and it is virtually unknown. How do those who do not fit the "ideal" body type feel being the object of abuse, discrimination, and even revulsion? How do people feel being told they are a burden on the healthcare system for having a BMI outside what is deemed—with little solid scientific evidence—"healthy"? How do young people, already prone to self-doubt about their bodies, withstand the daily assault on their body type and sense of self-worth? In Fat-Talk Nation, Susan Greenhalgh tells the story of today’s fight against excess pounds by giving young people, the campaign’s main target, an opportunity to speak about experiences that have long lain hidden in silence and shame. Featuring forty-five autobiographical narratives of personal struggles with diet, weight, "bad BMIs," and eating disorders, Fat-Talk Nation shows how the war on fat has produced a generation of young people who are obsessed with their bodies and whose most fundamental sense of self comes from their size. It reveals that regardless of their weight, many people feel miserable about their bodies, and almost no one is able to lose weight and keep it off. Greenhalgh argues that attempts to rescue America from obesity-induced national decline are damaging the bodily and emotional health of young people and disrupting families and intimate relationships. Fatness today is not primarily about health, Greenhalgh asserts; more fundamentally, it is about morality and political inclusion/exclusion or citizenship. To unpack the complexity of fat politics today, Greenhalgh introduces a cluster of terms—biocitizen, biomyth, biopedagogy, bioabuse, biocop, and fat personhood—and shows how they work together to produce such deep investments in the attainment of the thin, fit body. These concepts, which constitute a theory of the workings of our biocitizenship culture, offer powerful tools for understanding how obesity has come to remake who we are as a nation, and how we might work to reverse course for the next generation.

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Scaling a business is not for the faint of heart. It’s a mind-bending journey that causes millions of business owners around the globe to either throw in the towel—or avoid risk entirely and suffer from smallness and mediocrity. Most of these businesses fail because they are ill prepared to face the real challenges involved in scaling. Either they don’t have the bandwidth to keep up with the sales demand or production, miss out on major opportunities due to fear, or keep making the same mistakes over and over because systems and processes aren’t in sync with the rate of growth. To truly scale, you must upsize your strategic practices, implement new marketing strategies, find new ways to build your team, and expand your mindset to break through whatever is keeping you stuck at the same level. Then you must be willing to take the leap into the giant unknown – to make your impossible possible. In Scale or Fail, author Allison Maslan—who has successfully scaled ten companies from scratch and has guided thousands of small businesses to do the same—shares her revolutionary SCALEit Method ® for successfully growing, replicating, and expanding your business. She also shares pivotal mindset strategies she’s used to break the fear barrier as a trapeze artist so you can move past any obstacle, take strategic Big Picture risks, and fulfill your dreams of business expansion and skyrocketing profit. Featuring a wealth of real-life success stories, visual tools, and exercises that are prescriptive and inspirational, Scale or Fail offers proven scaling strategies and a proactive approach to: Create your Big Picture Vision and build a plan to achieve it Produce an ever-flowing stream of cash flow with consistent profits Establish a powerhouse team that functions well without you Become a true leader and feel like you deserve your success Improve systems and processes that facilitate scaling Get past the mental and strategic pitfalls that cause revenue bottlenecks Scale or Fail is adaptable to any type of business—manufacturing, consumer goods, a brick and mortar, a digital service, a wholesaler, a consulting service, and everything in between. Whether you’re six figures and scaling to seven. . . or in the seven figures and scaling to eight or even nine, Scale or Fail provides the roadmap to multiply your business growth—and empower you to soar in the air with the greatest of ease.

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The first all-inclusive introduction to modern statistical research methods in the natural resource sciences The use of Bayesian statistical analysis has become increasingly important to natural resource scientists as a practical tool for solving various research problems. However, many important contemporary methods of applied statistics, such as generalized linear modeling, mixed-effects modeling, and Bayesian statistical analysis and inference, remain relatively unknown among researchers and practitioners in this field. Through its inclusive, hands-on treatment of real-world examples, Contemporary Bayesian and Frequentist Statistical Research Methods for Natural Resource Scientists successfully introduces the key concepts of statistical analysis and inference with an accessible, easy-to-follow approach. The book provides case studies illustrating common problems that exist in the natural resource sciences and presents the statistical knowledge and tools needed for a modern treatment of these issues. Subsequent chapter coverage features: An introduction to the fundamental concepts of Bayesian statistical analysis, including its historical background, conjugate solutions, Bayesian hypothesis testing and decision-making, and Markov Chain Monte Carlo solutions The relevant advantages of using Bayesian statistical analysis, rather than the traditional frequentist approach, to address research problems Two alternative strategies—the a posteriori model selection strategy and the a priori parsimonious model selection strategy using AIC and DIC—to model selection and inference The ideas of generalized linear modeling (GLM), focusing on the most popular GLM of logistic regression An introduction to mixed-effects modeling in S-Plus ® and R for analyzing natural resource data sets with varying error structures and dependencies Each statistical concept is accompanied by an illustration of its frequentist application in S-Plus ® or R as well as its Bayesian application in WinBUGS. Brief introductions to these software packages are also provided to help the reader fully understand the concepts of the statistical methods that are presented throughout the book. Assuming only a minimal background in introductory statistics, Contemporary Bayesian and Frequentist Statistical Research Methods for Natural Resource Scientists is an ideal text for natural resource students studying statistical research methods at the upper-undergraduate or graduate level and also serves as a valuable problem-solving guide for natural resource scientists across a broad range of disciplines, including biology, wildlife management, forestry management, fisheries management, and the environmental sciences.

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“Those who feel physically or emotionally distant from beloved adults will take comfort in the idea that there are others who care. A subtle and affecting journey to resilience best shared one-on-one to pore over the spectacular artwork.”—School Library Journal, STARRED REVIEWFrom one of the great creative teams in picture books, On the Other Side of the Garden is about a city girl learning to accept the change brought about by her parents’ separation after she is left at her grandmother’s house in the country. The girl feels abandoned and lonely, but after venturing into the nighttime garden, she is befriended by an owl, a frog and a mouse. Her talkative new companions show her an extraordinary new world by the light of the moon. When the girl gets back in the morning, her grandmother seems neither alarmed or angry about the girl’s nighttime adventures. Instead she gently introduces her granddaughter to her new surroundings, making clear that the girl is welcome. And as the sun warms their backs, the two seem content to get to know each other better. Buitrago’s stories convey large truths through understatement and suggestion. This story, beautifully illustrated by Yockteng, shows how a child can use her own bravery and curiosity to confront confusing and potentially frightening realities, such as a parents’ separation and being left with an almost unknown relative. There is an endnote about the plants and animals that might be found in such a garden.Key Text Featuresgarden inventoryCorrelates to the Common Core State Standards in English Language Arts:CCSS.ELA-LITERACY.RL.1.7Use illustrations and details in a story to describe its characters, setting, or events.CCSS.ELA-LITERACY.RL.2.3Describe how characters in a story respond to major events and challenges.CCSS.ELA-LITERACY.RL.2.7Use information gained from the illustrations and words in a print or digital text to demonstrate understanding of its characters, setting, or plot.CCSS.ELA-LITERACY.RL.3.7Explain how specific aspects of a text's illustrations contribute to what is conveyed by the words in a story (e.g., create mood, emphasize aspects of a character or setting)CCSS.ELA-LITERACY.RL.4.1Refer to details and examples in a text when explaining what the text says explicitly and when drawing inferences from the text.

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***One of The New Yorker's Best Books of 2022******One of The New York Time's 100 Notable Books of 2022***'Exuberantly entertaining' NYT Book Review'Mark Braude's writing and subject make this book irresistible, as was Kiki herself.' Jim Jarmusch'A delightful, marvelously readable, meticulously-researched romp of a book, Kiki Man Ray brings to life not just the kaleidoscopically talented Kiki herself, but the endlessly fascinating Montparnasse milieu over which she reigned.' Whitney Scharer, author of THE AGE OF LIGHTThough many have never heard her name, Alice Prin - Kiki de Montparnasse - was the icon of 1920s Paris. She captivated as a ground-breaking nightclub performer, wrote a bestselling memoir, sold out exhibitions of her paintings, and shared drinks and ideas with the likes of Pablo Picasso, Peggy Guggenheim, and Marcel Duchamp. She also shepherded along the career of a then-unknown American photographer: Man Ray.Following Kiki in the years between 1921 and 1929, when she lived and worked with Man Ray, Kiki Man Ray charts their complicated entanglement and reveals how Man Ray - always the unabashed careerist - went on to become one of the most famous photographers of the twentieth century, enjoying wealth and prestige, while Kiki's legacy was lost.But this isn't a story of an overbearing male genius and his defeated muse. During the 1920s it was Kiki, not Man Ray, who was the brighter of the two rising stars and a powerful figure among the close-knit community of models, painters, writers and café wastrels who made their homes in gritty Montparnasse. Following the couple as they created art, struggled for power and competed for fame, Kiki Man Ray illuminates for the first time Kiki's seminal influence on the culture of 1920s Paris, and challenges ideas about artists and muses, and the lines separating the two.'Kiki de Montparnasse was more than a muse - she was a vivacious, independent woman whose talent and magnetism helped make Paris the center of the art world in the 1920s. In Mark Braude's riveting cultural history, the Queen of Montparnasse rises again. This is a lively and compassionate tribute to the chanteuse, model, and portraitist who held center stage in her life, and who inspired some of the finest Surrealist art of the twentieth century.' Heather Clark, author of Pulitzer Prize-finalist Red Comet: The Short Life and Blazing Art of Sylvia Plath

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Si les successeurs de Tamerlan n'ont pu conserver l'extension territoriale de l'empire qui leur avait été légué, le siècle timouride quia suivi la mort du conquérant est connu comme celui d'une véritable renaissance de la culture et des arts. La cour du dernier grand souverain timouride, Sultan Husayn Bayqara, pouvait en effet s'enorgueillir de cultiver le génie d'artistes tels que le miniaturiste Bihzad et le poète Jami. Mais il est une autre figure qui reste largement méconnue en Occident et qui a pourtant plus qu'aucune autre marqué de son empreinte cette époque. Il s'agit de l'homme d'État, mécène et littérateur Mir 'Ali Shir Nawa'i (1441-1501), dont l'÷uvre volumineuse composée pour partie en turc oriental a donné ses lettres de noblesse à la littérature turque centrasiatique. L'étude de cette ÷uvre, et notamment de l'une de ses pièces majeures, la Khamsa composée sur le modèle de la célèbre pentalogie de Nizami Ganjawi, est fondamentale à plus d'un titre. Non contente d'incarner pleinement la spécificité esthétique de cette période et de refléter les aspirations d'une dynastie à la veille de sa disparition, elle marque en outre la première tentative de forger une culture turcophone spécifique dans une Asie centrale alors dominée par la civilisation persane. Although Tamerlane's heirs were not able to preserve the territorial extension of the empire they inherited, the Timurid century, which followed the conqueror's death, has been regarded as one of an authentic Renaissance of arts and culture. At his court, the last great Timurid ruler Sultan Husayn Bayqara could pride himself on having such talented artists as the miniaturist Bihzad and the poet Jami. There was yet another figure who has long remained unknown in the West and who made his mark on this time more than any other did. The statesman, patron and writer Mir 'Ali Shir Nawa'i (1441-1501) authored numerous works in Eastern Turkish, and was already considered to be the greatest representative of Chaghatay Turkish literature which, thanks to him, reached its apogee. The study of his works, and especially his masterpiece called Khamsa - an imitation of Nizami Ganjawi's famour pentalogy - is fundamental for many reasons. In addition to being an embodiment of the aesthetics of the period and a reflection of the dynasty's aspirations just before the Timurids were eclipsed, it also marked the first attempt to forge a distinctive Turkish speaking culture within a Central Asian world dominated by Persian civilisation.

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Jared Clement has returned to Trinity, not as a mere ship captain but now as a 5 Suns Fleet Admiral. With his promotion comes increased responsibility that weighs heavy on his shoulders. 30,000 settlers are leaving the dying planets of the Rim, his home, and resettling next to the natives of the planet Bellus. Clement is responsible for those lives and the lives of the natives, Trinity’s children, and for building a better future for them all. But when his migrant fleet arrives in the Trinity system, they are faced with enemies both old and new. Former Fleet Admiral Elara DeVore has escaped her exile on the planet Alphus and has vanished into parts unknown. Soon, however, Clement discovers she has a new fleet and a new ally, the Solar League from Earth. The Solar League has arrived with a massive fleet and plans on taking Trinity for itself, then forcing the 5 Suns to surrender. With just a small military fleet to accompany the migrants, Clement is faced with the almost impossible task of defending both his people and the natives from becoming slaves of the Solar League. About Trinity: “[A] rousing. . . far-future tale, taking hard-drinking former Rim Confederacy Navy Capt. Jared Clement of the gunship Beauregard into a whopper of a galactic confrontation. . . . [with] Clement’s rebirth as an idealistic military commander, leading to breathless Horatio Hornblower–type ship-to-ship action updated into a Star Trek–like environment. . . [with] plenty of fun, derring-do, and even some tension-relieving fraternization will keep readers invested in Clement and crew. This is an entertaining escape from the here and now.”—Publishers Weekly About Dave Bara: “. . . fun, fast, and proper science fiction, where the stakes are big and things matter.”—New York Times best-selling author Simon R. Green on Dave Bara’s Lightship Chronicles Series “This energetic mélange of tried-and-true elements—futuristic jargon, military and romantic tactics, and multiple levels of skullduggery—easily grabs the reader’s attention; more impressive is that Bara’s story holds that attention all the way to the end.” —Publishers Weekly on The Lightship Chronicles Series “Bara manages to ramp up the depth and complexity of his world while retaining that sense of excitement, suspense, and adventure.” —Barnes & Noble Sci Fi & Fantasy Blog

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Leading the Way to Victory is the official history of the 60th Troop Carrier Group, featuring unpublished first-person accounts by participating veterans and expertly written by retired USAF Colonel Mark C. Vlahos, combat veteran and former Vice Wing Commander of 314th Airlift Wing at the Little Rock Air Force Base.The December 7, 1941, surprise attack on Pearl Harbor thrust the United States into World War II. Just six months later in May 1942, flying new C-47 transport aircraft, the 60th Troop Carrier Group led the way as the first U.S. TCG to deploy to England and the European Theater of Operations in World War II. Leading the way to victory, the 60th TCG’s first mission—dropping U. S. paratroopers outside of Oran, North Africa—was not only the first combat airborne mission in U.S. Army history, but also the longest airborne mission of the entire war. This drop spearheaded Operation TORCH, also known as the Invasion of North Africa, by taking key Axis airfields just inland from the amphibious landing zones. The 60th TCG went on to fly some of the first combat aeromedical evacuation missions and the first combat mission towing CG-4A “Waco” gliders during Operation HUSKY—the Invasion of Sicily. As the new airborne, air land, aeromedical evacuation, and glider missions matured in World War II, the 60th TCG continued to play a major role, paying in blood for valuable lessons learned in the school of hard knocks. The group later flew dramatic missions into Yugoslavia, supporting Partisans as part of the secret war in the Balkans, an episode of World War II history still all but unknown today and dropped British paratroops in the airborne invasion of Greece. The Group was inactivated at the end of the war. Drawing on official United States Army Air Forces microfilm records, operational records in the National Archives, photographs from both collections, published historical materials, and many personal accounts, author Mark C. Vlahos’ expertly written and highly readable volume is certain to become the standard history and go-to reference for the 60th TCG. This work offers scholars and lay readers alike an authoritative, informative, and engaging saga of the Group’s battles, adversity, hardships, and triumphs from inception through the Allied victory in Europe.

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A “riveting and enlightening account” (Bookreporter) of a mostly unknown chapter in the life of Eleanor Roosevelt—when she moved to New York’s Greenwich Village, shed her high-born conformity, and became the progressive leader who pushed for change as America’s First Lady.Hundreds of books have been written about FDR and Eleanor, both together and separately, but yet she remains a compelling and elusive figure. And, not much is known about why in 1920, Eleanor suddenly abandoned her duties as a mother of five and moved to Greenwich Village, then the symbol of all forms of transgressive freedom—communism, homosexuality, interracial relationships, and subversive political activity. Now, in this “immersive…original look at an iconic figure of American politics” (Publishers Weekly), Jan Russell pulls back the curtain on Eleanor’s life to reveal the motivations and desires that drew her to the Village and how her time there changed her political outlook. A captivating blend of personal history detailing Eleanor’s struggle with issues of marriage, motherhood, financial independence, and femininity, and a vibrant portrait of one of the most famous neighborhoods in the world, this unique work examines the ways that the sensibility, mood, and various inhabitants of the neighborhood influenced the First Lady’s perception of herself and shaped her political views over four decades, up to her death in 1962. When Eleanor moved there, the Village was a zone of Bohemians, misfits, and artists, but there was also freedom there, a miniature society where personal idiosyncrasy could flourish. Eleanor joined the cohort of what then was called “The New Women” in Greenwich Village. Unlike the flappers in the 1920s, the New Women had a much more serious agenda, organizing for social change—unions for workers, equal pay, protection for child workers—and they insisted on their own sexual freedom. These women often disagreed about politics—some, like Eleanor, were Democrats, others Republicans, Socialists, and Communists. Even after moving into the White House, Eleanor retained connections to the Village, ultimately purchasing an apartment in Washington Square where she lived during World War II and in the aftermath of Roosevelt’s death in 1945. Including the major historical moments that served as a backdrop for Eleanor’s time in the Village, this remarkable work offers new insights into Eleanor’s transformation—emotionally, politically, and sexually—and provides us with the missing chapter in an extraordinary life.

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New York Times bestselling author Dave Hollis knows what it feels like to realize you’ve been chasing someone else’s goals and sacrificing your own. He has taken control of his life and future, and he’s ready to share the lessons he learned along the way with readers who are facing similar struggles.After his hardest year also became his best ever, Dave came to appreciate the power of cultivating courage in the face of adversity. Taking steps into the unknown came at the expense of his comfort, but the willingness to invite discomfort and use it as fuel was precisely why he grew through it to get a step closer to the person he was meant to be. The same can be true for you. After weathering a highly publicized personal crisis amid the backdrop of a global pandemic and navigating the enjoyable but unpredictable waters of being a single father to four kids, he has been forced to become the captain of his own life and is ready to teach others how to do the same.Built for Courage will help you: Develop a deep understanding where you are, a clear vision of where you’re going and the practical steps it will take to get you there; Cultivate the courage to face your fears and embrace discomfort to live the life of impact and fulfillment you were meant for; Unpack the deliberate design and specific purpose that you were created for along with the fundamental daily habits and routines that you’ll need to attach yourself to if you’re going to honor the intention of your creator; Dive deeper into the stories, values, and beliefs you attach yourself to and decide once and for all if they have credibility or if it’s time to cut bait; Identify and, if necessary, adjust your goals to ensure they are clear, don’t belong to other people, and are not contingent on immediate results; Accept failure as the richest source of intelligence and help you reframe it as a requirement for your own progress and growth; and Much, much more. Built for Courage gleans wisdom from sources vast and wide, as well as from the life experiences of Dave himself, to get you to the place you’re meant to go and become who you are meant to be, regardless of any anchor holding you back.

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Animals, trees, flowers, our city forbids them all... Juniper Greene lives in a walled city from which nature has been banished, following the outbreak of a deadly man-made disease many years earlier. While most people seem content to live in such a cage, she and her little brother Bear have always known about their resistance to the disease, and dream of escaping into the wild. To the one place humans have survived outside of cities. To where their mother is. When scientists discover that the siblings provide the key to fighting the disease, the pair must flee for their lives. As they journey into the unknown, they soon learn that there's cruelty in nature as well as beauty. Will they ever find the home they’re searching for? A thrilling and thought-provoking ecological adventure from a fresh new voice in children’s fiction. Perfect for fans of THE EXPLORER, THE LAST WILD and THE ISLAND AT THE END OF EVERYTHING. "Some books are excellent story-telling, and some books broaden your knowledge and mind, and some just ought to be written and this book is all three. I loved it." – Hilary McKay, author of THE SKYLARKS' WAR "WHERE THE WORLD TURNS WILD is a journey between extremes of grey and green, propelled by a bold and timely concept, and written with sharp, intelligent prose. A truly heartfelt and very striking novel." – Darren Simpson, author of SCAVENGERS "A beautiful, memorable story about all the important things – love, family, loyalty, and courage – contained inside a brilliant adventure, WHERE THE WORLD TURNS WILD can’t fail to enthrall any reader lucky enough to encounter it." – Sinéad O'Hart, author of THE EYE OF THE NORTH and THE STAR-SPUN WEB "Wondrous, warm-hearted, wildly exhilarating […] The world is familiar and frightening, the relationships between characters beautifully rendered – Nicola Penfold is an author to watch." – Nizrana Farook, author of THE GIRL WHO STOLE AN ELEPHANT "This novel packs a powerful punch. It calls on the 'wild' in all of us through the characters of these two brave children. We cannot help being drawn in by their epic struggle." – Cath Howe, author of ELLA ON THE OUTSIDE "It is extraordinary! This compelling book has future classic written all over it!" – Lindsay Galvin, author of THE SECRET DEEP

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• Explores Kremmerz’s life, his teachings, his work as a hermetic physician, and the metaphysical and hermetic principles that guided his activities • Offers a detailed account of the distance healing practices, diagnostic methods, and rituals of the Fraternity of Myriam • Includes texts written by Kremmerz on the inner workings and magical operations of the fraternity, intended for its practicing members Giuliano Kremmerz (1861-1930), born Ciro Formisano, was one of the most influential Italian occultists, alchemists, and Hermetic masters of the late nineteenth and early twentieth centuries, though he remains almost unknown to English readers. In 1896, Kremmerz began writing about natural and divine magic, healing, and alchemy through the journal Il Mondo Secreto (The Secret World). At the same time, he founded a school known as the Schola Philosophica Hermetica Classica Italica as well as a magical group, the Therapeutic and Magical Fraternity of Myriam. Within the Myriam, he sought to use Hermetic, magical, and Pythagorean principles to harness the power of the psyche and convey collective energies for therapeutic purposes and distance healing. His initiatic order would become the principal esoteric society in Italy--comparable to its British counterpart, the Hermetic Order of the Golden Dawn--but forced to be a carefully guarded secret as Mussolini’s government rose to power. In this unique compilation of essays, David Pantano presents an in-depth study of Kremmerz’s life and work by his student and initiate, Italian esotericist Marco Daffi. Without holding back criticism, Daffi provides a detailed account of the history and practices of the Myriam as well as the metaphysical and Hermetic principles that guided their activities. Revealing Kremmerz’s rediscovery of the occult healing of ancient mystery schools, Daffi also shows how Kremmerz laid the foundation for passing this initiatory tradition on to the new millennium. He explores the means by which Kremmerz said miracles can be performed and the way Hermetic forces affect both bodily health and mystical eroticism. Throughout this collection, David Pantano provides extensive annotations, offering the English reader essential historical and mystical context for Daffi’s work. Connecting to untranslated Italian texts and elucidating Daffi’s poetic style, Pantano’s commentary reveals the particular tradition of Italian esoterism. Pantano also includes rare and unpublished texts written by Kremmerz and intended for the Myriam’s practicing members. Combined, these papers offer a picture of the inner workings and magical operations of this fraternity, available for the first time in English.

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"...this edition is useful and effective in teaching Bayesian inference at both elementary and intermediate levels. It is a well-written book on elementary Bayesian inference, and the material is easily accessible. It is both concise and timely, and provides a good collection of overviews and reviews of important tools used in Bayesian statistical methods." There is a strong upsurge in the use of Bayesian methods in applied statistical analysis, yet most introductory statistics texts only present frequentist methods. Bayesian statistics has many important advantages that students should learn about if they are going into fields where statistics will be used. In this third Edition, four newly-added chapters address topics that reflect the rapid advances in the field of Bayesian statistics. The authors continue to provide a Bayesian treatment of introductory statistical topics, such as scientific data gathering, discrete random variables, robust Bayesian methods, and Bayesian approaches to inference for discrete random variables, binomial proportions, Poisson, and normal means, and simple linear regression. In addition, more advanced topics in the field are presented in four new chapters: Bayesian inference for a normal with unknown mean and variance; Bayesian inference for a Multivariate Normal mean vector; Bayesian inference for the Multiple Linear Regression Model; and Computational Bayesian Statistics including Markov Chain Monte Carlo. The inclusion of these topics will facilitate readers' ability to advance from a minimal understanding of Statistics to the ability to tackle topics in more applied, advanced level books. Minitab macros and R functions are available on the book's related website to assist with chapter exercises. Introduction to Bayesian Statistics, Third Edition also features: Topics including the Joint Likelihood function and inference using independent Jeffreys priors and join conjugate prior The cutting-edge topic of computational Bayesian Statistics in a new chapter, with a unique focus on Markov Chain Monte Carlo methods Exercises throughout the book that have been updated to reflect new applications and the latest software applications Detailed appendices that guide readers through the use of R and Minitab software for Bayesian analysis and Monte Carlo simulations, with all related macros available on the book's website Introduction to Bayesian Statistics, Third Edition is a textbook for upper-undergraduate or first-year graduate level courses on introductory statistics course with a Bayesian emphasis. It can also be used as a reference work for statisticians who require a working knowledge of Bayesian statistics.

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In recent decades, America has been waging a veritable war on fat in which not just public health authorities, but every sector of society is engaged in constant "fat talk" aimed at educating, badgering, and ridiculing heavy people into shedding pounds. We hear a great deal about the dangers of fatness to the nation, but little about the dangers of today’s epidemic of fat talk to individuals and society at large. The human trauma caused by the war on fat is disturbing—and it is virtually unknown. How do those who do not fit the "ideal" body type feel being the object of abuse, discrimination, and even revulsion? How do people feel being told they are a burden on the healthcare system for having a BMI outside what is deemed—with little solid scientific evidence—"healthy"? How do young people, already prone to self-doubt about their bodies, withstand the daily assault on their body type and sense of self-worth? In Fat-Talk Nation, Susan Greenhalgh tells the story of today’s fight against excess pounds by giving young people, the campaign’s main target, an opportunity to speak about experiences that have long lain hidden in silence and shame. Featuring forty-five autobiographical narratives of personal struggles with diet, weight, "bad BMIs," and eating disorders, Fat-Talk Nation shows how the war on fat has produced a generation of young people who are obsessed with their bodies and whose most fundamental sense of self comes from their size. It reveals that regardless of their weight, many people feel miserable about their bodies, and almost no one is able to lose weight and keep it off. Greenhalgh argues that attempts to rescue America from obesity-induced national decline are damaging the bodily and emotional health of young people and disrupting families and intimate relationships. Fatness today is not primarily about health, Greenhalgh asserts; more fundamentally, it is about morality and political inclusion/exclusion or citizenship. To unpack the complexity of fat politics today, Greenhalgh introduces a cluster of terms—biocitizen, biomyth, biopedagogy, bioabuse, biocop, and fat personhood—and shows how they work together to produce such deep investments in the attainment of the thin, fit body. These concepts, which constitute a theory of the workings of our biocitizenship culture, offer powerful tools for understanding how obesity has come to remake who we are as a nation, and how we might work to reverse course for the next generation.

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Some of the most stunning architectural structures in India are to be found below ground: these are its stepwells, ancient water stores. Stepwells are unique to India and from around the 3rd century CE were built throughout the country, particularly in the arid western regions. Excavated several stories underground in order to reach the water table, these cavernous spaces not only provided water all year long but also fulfilled other functions; they offered pilgrims and other travelers a respite from the heat, and became places in which villagers could socialize. Stepwell construction evolved so that, by the 11th century, the wells were amazingly complex feats of architecture and engineering.The journalist Victoria Lautman first encountered stepwells three decades ago and now, a seasoned traveller to India, she has devoted several years to documenting these fascinating but largely unknown edifices before they disappear. Of the thousands of stepwells that proliferated across India, most were abandoned as a result of modernization and the depletion of water tables. Often commissioned by royal or wealthy patrons, the wells vary greatly in scale, layout, materials and shape. Those in what is now Gujarat state also served as subterranean Hindu temples that featured columned pavilions and elaborate stone carvings of deities. Islamic wells were generally less flamboyant, but incorporated arched side niches. Today, few stepwells are in use. The majority have been left to silt up, fill with rubbish and crumble into disrepair. Gradually, however, the Indian government and heritage organizations have come to recognize the need to preserve these architectural wonders. In 2014 India's best-known stepwell, the Rani ki Vav in Patan, northern Gujarat, became a UNESCO World Heritage site.In her introduction, Lautman discusses why and where the stepwells were built. She reflects on the reasons they became derelict and considers how the appreciation of stepwells is changing with the work of organizations and individuals who aim to protect and restore them. The main part of the book is arranged in a broadly chronological order, with up to six pages devoted to each of c. 80 stepwells, every one unique in design and engineering. The name, location (including GPS coordinates) and approximate date of each well accompany color photographs and a concise commentary by Lautman on the history and architecture of the well and her experience of visiting it. While many of the stepwells are rather decrepit, their magnificent engineering and great beauty cannot fail to impress.

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