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A pocket-sized edition of the best-selling Great Pubs of London, this book celebrates London''s most significant and historic pubs.For centuries, the pub has been an essential part of London''s cultural and social fabric. This book takes readers through the doors of 25 historically and architecturally significant London pubs. Through photographs specially commissioned for this project, readers can explore these institutions--from snob screens to 400-hundred-year-old flagstone floors. Engaging texts highlight what makes each pub so special, their place in London''s history, the personalities who have frequented them, the events that occurred inside, and the ways pubs have contributed phrases such as on the wagon and one for the road to the modern lexicon. This book reveals why the Lamb and Flag in Covent Garden earned the nickname the Bucket of Blood, and features a pub that Charles Dickens described as a great rambling queer old place. Furthermore, the book muses over th

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The Artful Dodger faces his most dangerous adventure yet as he leaves Dickensian London and finds himself manning the barricades in defence of liberty, fraternity and larceny in the 1848 Paris uprising. For Dodger, life as a criminal kingpin is losing its allure. Leading a gang of petty thieves from the Seven Dials is not as easy as Fagin made it look and after a year in charge Jack Dawkins has been reduced to a shadow of the man who used to be the envy of every pickpocket in London. Opium-addicted and heavy-fingered, Dodger is fast becoming a laughing stock on his own patch until a chance encounter leads him to Paris and a job like nothing he's had before. In a city alive with rebellion, Dodger must avoid assassins, jilted lovers and revolutionaries, and rediscover his touch if he is to lift his most precious treasure yet. The third in the James Benmore's acclaimed series continuing the story of the Artful Dodger, this book confirms Jack Dawkins as one of the great fiction characters.

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During a tumultuous period when financial speculation began rapidly to outpace industrial production and consumption, Victorian financial journalists commonly explained the instability of finance by criticizing its inherent artifice—drawing persistent attention to what they called “fictitious capital.” In a shift that naturalized this artifice, this critique of fictitious capital virtually disappeared by the 1860s, replaced by notions of fickle investor psychology and mental equilibrium encapsulated in the fascinating metaphor of “psychic economy.” In close rhetorical readings of financial journalism, political economy, and the works of Dickens, Eliot, and Trollope, Kornbluh examines the psychological framing of economics, one of the nineteenth century’s most enduring legacies, reminding us that the current dominant paradigm for understanding financial crisis has a history of its own. She shows how novels illuminate this displacement and ironize ideological metaphors linking psychology and economics, thus demonstrating literature’s unique facility for evaluating ideas in process. Inheritors of this novelistic project, Marx and Freud each advance a critique of psychic economy that refuses to naturalize capitalism.

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'A vibrant page-turner with entrancing characters' Margaret Dickinson 'Rosie writes such heartwarming sagas' Lyn AndrewsNuneaton, 1911When Holly Farthing's overbearing grandfather tries to force her to marry a widower twice her age, she finally says no. After he refuses to support her any longer, Holly flees to London, bringing her best friend and maid, Ivy, with her.In the big smoke, Holly searches for the father she's never met and begins nurse training in the local hospital. There she meets the dashing Doctor Parkin. Kind and compassionate, he is everythingHolly has ever dreamt of. When Doctor Parkin proposes, Holly finally feels like she'll have the family she so longs for. But soon, she discovers some shocking news that means they can never be together, and her life is suddenly thrown into turmoil. Supporting the war effort, she heads to France and throws herself into volunteering on the front line. Can Holly ever find the happiness she so truly deserves?

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'A vibrant page-turner with entrancing characters' Margaret Dickinson'Rosie writes such heartwarming sagas' Lyn AndrewsThursday's child has far to go . . . 1912, London.Eighteen-year-old Flora Butler is going up in the world. She has the prized position of lady's maid to young Constance Ogilvie, and is able to provide for her beloved parents and four younger siblings. She has even fallen in love, and though she does not feel quite ready to marry the charming Jamie Branning, her future seems clear.But Flora's life is turned upside down when her mistress's father dies in a tragic accident. Connie is forced to move to New York to live with her aunt until she comes of age, and begs Flora to go with her. Flora has never left the country before, and now faces a difficult decision - give up her position, or leave her family behind. But when her beau lets her down, her mind is made up.Soon Connie and Flora head for Southampton to board the RMS Titanic...

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Based on the acclaimed RTE documentary, 'Shooting the Darkness', this landmark book presents the stories of leading photographers - Alan Lewis, Paul Faith, Martin Nangle, Stanley Matchett, Trevor Dickson, Hugh Russell and Crispin Rodwell - whose images captured some of the most important events of the Troubles. They talk, many of them for the first time, about the photographs they took - how they got the shot; what it cost them to take the photograph; and reflect on whether it was worth it. More broadly, they talk about what it was like to be a photographer during the Troubles: how the paramilitary groups dealt with them, the ethical dilemmas they faced, and the emotional fallout they experienced. The book includes the stories behind iconic images such as Bishop Edward Daly waving a blood-stained handkerchief on Bloody Sunday, Sean Downes being shot and killed by an RUC plastic bullet in Andersonstown in 1984, and the brutal attack of corporals Derek Wood and David Howes in March 1988.

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A rich and beautiful story, set in a quiet cathedral city.When cathedral dean Adam Ayscough encounters clockmaker Isaac Peabody, their unlikely friendship touches the lives of the entire community. Behind the dean's fearsome reputation lies a humble man crippled by shyness. Desperate to leave behind a lasting legacy of goodness, his only wishes are to serve God and his parishioners, and to be loved by his young and dissatisfied wife.Haunted by the memories of a miserable childhood, gifted clockmaker Isaac Peabody has spent a lifetime perfecting his craft and rejecting all belief in God.Despite their fundamental differences, both men find a common understanding, and discover that faith can come in many different guises.What readers are saying about THE DEAN'S WATCH'Goudge in the class of Victor Hugo, or Dickens' - 5 STARS'Beautifully written, simply couldn't put it down' - 5 STARS'An unforgettable book' - 5 STARS'Just plain delightful' - 5 STARS'A wonderful book, full of atmosphere' - 5 STARS'A must for all Goudge fans' - 5 STARS

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Passions run high in Turnham Malpas as one man finds love - and another tragedy.When Harry Dickenson arrives in Turnham Malpas, the warm welcome he receives convinces him to stay. Handsome and charming, Harry quickly earns his place in rural life. But despite his outward friendliness, Harry is a troubled man, hiding memories of a tragic past from which he is desperate to escape. Just as Harry finds some measure of peace, he encounters the one woman in the village likely to turn any man's head. Soon, Harry is caught in an obsessive love that threatens to ruin everything that he has accomplished - and reveal his shocking secret to all.But Harry isn't the only man in the village to fall head-over-heels. Paddy Cleary, the shy gardener, is smitten. But will Paddy find the confidence to reveal his true feelings? And will the young lady return his affections? The villagers must watch and wait, hoping the burgeoning friendship will lead to something more...

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This is a golden treasury of over one hundred English folktales captured in the form they were first collected in past centuries. Read these classic tales as they would have been told when storytelling was a living art – when the audience believed in boggarts and hobgoblins, local witches and will-o’-the-wisps, ghosts and giants, cunning foxes and royal frogs. Find “Jack the Giantkiller”, “Tom Tit Tot” and other quintessentially English favourites, alongside interesting borrowings, such as an English version of the Grimms’ “Little Snow White” – as well as bedtime frighteners, including “Captain Murderer”, as told to Charles Dickens by his childhood nurse. Neil Philip has provided a full introduction and source notes on each story that illustrate each tale’s journey from mouth to page, and what has happened to them on the way. These tales rank among the finest English short stories of all time in their richness of metaphor and plot and their great verbal dash and daring.

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Si los parisinos caminan por su ciudad acompañados por Balzac y los londinenses van de la mano de Dickens, nosotros nos planteamos pasear por nuestro Madrid con Galdós al lado. Y eso no será todo, ya que también lo haremos con Isabel II, con Carlos María de Castro o con el marqués de Salamanca, entre otros.A través de las obras de este gran novelista, que también fue dramaturgo, cronista y político, es fácil introducirse en ese Madrid en construcción, sentirse inmerso en la sociedad decimonónica y verse rodeado por rentistas, especuladores, marqueses arruinados y endeudados hasta las cejas, burgueses enriquecidos, inmigrantes procedentes de otras provincias y en busca de una vida mejor o mujeres que buscan su sitio en aquel nuevo ámbito urbano.Leyendo fragmentos de sus obras, nos sentiremos dentro de los cafés llenos de humo de aquel Madrid del siglo xix; sufriremos el bullicio de las calles sin semáforos ni pasos de cebra. Mientras, quizá veamos a Galdós yendo de aquí para all

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Those special occasions in life all need to be marked with words bigger and better than those we could compose ourselves. This beautiful collection includes some of the best readings and poems to help you mark anything from a birth to a death, an engagement to a retirement, a wedding to a memorial service. Poems and readings from the best British and American writers and poets are arranged into the chapters: New Life, Childhood, Love, Unions, Getting Older, Solitude and Loss. The works of poets Longfellow, Walt Whitman and Emily Dickinson rub shoulders with those of William Blake, Wordsworth and W.H. Auden. The readings come from writers ranging from Churchill to Shakespeare. Mixed in are Apache prayers and Irish blessings to make this a rich reference for anyone looking for the right word at the right moment. It is lavishly illustrated with nostalgic images, making this a wonderful gift.

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Get lost in the gardens of Misselthwaite Manor with this stunning illustrated edition of The Secret Garden. Beautiful contemporary artwork fills the pages of this unique collectible classic.The Secret Garden has enchanted readers for over a century with its story of second chances, found family, and the healing power of nature. Rediscover the timeless tale with this lush, illustrated volume featuring the unabridged text by Frances Hodgson Burnett and beautiful paintings by Kate Lewis created especially for this edition. Lewis’s immersive illustrations invite us to join Mary Lennox as she discovers the wonders of the overgrown garden and befriends the kind Dickon and the stubborn Colin. With new art on almost every page, this is a keepsake edition to be handed down through the generations.A COLLECTIBLE CLASSIC FOR ALL AGES: The Secret Garden is a beloved story shared across generations through films, TV shows, and other adaptatio

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This beautifully illustrated Chinese children''s book features classic nursery rhymes in both English and Mandarin Chinese.It is never too early to immerse children in foreign languages and culture, and exploring rhymes and rhythm is a terrific way to start. Chinese and English Nursery Rhymes presents forty vibrantly illustrated verses in both Chinese and English in a side-by-side format that encourages fun Mandarin Chinese language learning. This inspiring collection of favorite rhymes shows how the simple pleasures of childhood are universal across the globe. The rhymes and songs highlighted in the book include: Muffin Man Happy Birthday to You I See the Moon As I Was Going Along Hickory Dickory Dock And much more… Chinese and English Nursery Rhymes also features Do You Know? notes throughout the book that provide even more ways to experience Chinese culture. A concise tut

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Ada, condesa de Lovelace (1815-1852), fue hija del poeta romántico Lord Byron y su esposa, Anna Isabella. A pesar de ser una actividad inusual para las jóvenes de la época, estudió ciencias y matemáticas desde muy pronto y habitualmente se la considera la primera programadora informática del mundo, por lo que se ha convertido en un icono para las mujeres en el ámbito de la tecnología. Este libro utiliza material de archivo inédito para explorar su infancia precoz, desde sus ideas sobre un caballo volador a vapor hasta preguntas penetrantes sobre la naturaleza de los arcoíris. Persona muy activa en la élite social y científica del Londres victoriano junto con Mary Somerville, Michael Faraday y Charles Dickens, Ada Lovelace quedó fascinada con las máquinas informáticas ideadas por Charles Babbage y desarrolló una tabla de fórmulas matemáticas que se ha llegado a considerar el primer programa informático. Este libro muestra cómo nuestra protagonista, con una asombrosa clarividencia, explo

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In "Dark Horses" prize-winning poet X.J. Kennedy gathers 42 new poems. From the lighthearted ballad "Dancing with the Poets at Piggy's" to the darkly meditative lyric "The Waterbury Cross", the poems show Kennedy's wide range. There are intimate portraits of a woman veterinarian and a young man dying of AIDS, a song about the Sri Lankan festival of Buddha's tooth, and a stark account of a confrontation with a homeless panhandler. "Emily Dickinson Leaves a Message to the World" on the newly installed answering machine in her Amherst homestead. Finding a "Woodpile Skull" - the severed head of a black ant makes the poet laugh at his own expense as he plays "ham Hamlet to a formic Yorick". X.J. Kennedy's first collection, "Nude Descending a Staircase" (1961) won the Lamont Award of the Academy of American Poets. His most recent collection, "Cross Ties: Selected Poems" (1985) received the "Los Angeles Times" Book Award for poetry.

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A calming collection of nature poems to help you relax and unwind at the end of every day. Now more than ever we’re all in need of a daily fix of the natural world, to comfort and distract us from the cares of everyday life. Keep this beautiful book by your bedside and enjoy a dreamy stroll through nature every evening, just before you go to sleep. All the great, time-honoured poets are here – William Wordsworth, John Keats, Emily Dickinson, Robert Bridges – along with some newer and less-well known poetic voices. The poems reflect and celebrate the changing seasons: read Emily Brontë on bluebells in spring and Edward Thomas’s evocative ‘Adlestrop’ in summer, then experience golden autumn with Hartley Coleridge and William Blake's 'To Winter'. Beautifully illustrated with scenes from each season, this wonderful book deserves a place on your bedside table for years to come.

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**AS SEEN ON BBC BETWEEN THE COVERS**'A true diamond of a novel, glinting with comedy and tragedy' Daily MailIt is 1941 and Captain Antonio Corelli, a young Italian officer, is posted to the Greek island of Cephallonia as part of the occupying forces. At first he is ostracised by the locals but over time he proves himself to be civilised, humorous – and a consummate musician.When Pelagia, the local doctor's daughter, finds her letters to her fiancé go unanswered, Antonio and Pelagia draw close and the working of the eternal triangle seems inevitable. But can this fragile love survive as a war of bestial savagery gets closer and the lines are drawn between invader and defender?'Louis de Bernières is in the direct line that runs through Dickens and Evelyn Waugh...he has only to look into his world, one senses, for it to rush into reality, colours and touch and taste' Evening Standard

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Full of mouth-watering flavours, sunshine and escapist adventure Anna and her partner Matteo are ready for a delicious new adventure. Leaving behind their ice cream shop on Brighton beach, they head to Sorrento where they open a new shop full of Italian flavour in a cobbled town square, a short walk from the sparkling blue sea. For a while, life is sweet; but then Matteo’s overbearing family get involved . . . Anna’s younger sister Imogen feels like things are finally coming together – she’s living with her boyfriend Finn in a beach house in Brighton, and her photography career is taking off. But then her career stalls, and the lure of Capri – and a man from her past – proves difficult to resist.Join Anna and Imogen for a summer on the Amalfi Coast that you’ll never forget Praise for Abby Clements ‘Sweet, light and romantic’ Closer ‘Kept me thoroughly entertained until the very last page’ Novelicious ‘Deliciously romantic. A perfect summer read!’ Miranda Dickinson

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When Patrick O'Connor went missing in August 1849, his friends were suspicious. The London dock worker was last seen in the company of Swiss-born Maria Manning and her husband in Bermondsey. By the time police officers discovered his remains under the kitchen floor, the couple had fled. This shocking crime sparked a race against time to bring these cold-blooded killers to justice. After almost a decade of unsolved murders in the capital, could Scotland Yard detectives find the murderous pair and restore public confidence in their sleuthing skills?The search for the Mannings spread beyond England and was closely followed by the Victorian public, including prominent writers such as Charles Dickens who was haunted by the case and later immortalised some of the key characters in _Bleak House_, which was published just four years later. To this day, the Bermondsey Murder remains a legendary crime in the history of Scotland Yard and mid-nineteenth century London. Using primary source mat

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The definitive companion for anyone seeking to delve beneath the surface of Naples. Naples is an Italian city like no other. Drama and darkness are often associated with the Naples, which rests beneath active Mount Vesuvius and is the home of the Camorra - its version of the mafia. But beyond this, Naples reveals itself to be one of the most historically and culturally vibrant cities in Europe. From its origins in Homer's Odyssey and its founding nearly 3,000 years ago, Naples has long attracted travellers, artists and foreign rulers - from the visitors of the Grand Tour to Goethe, Nelson, Dickens and Neruda. The stunning beauty of its natural setting coupled with the charms of its colourful past and lively present - from the ruins of Pompeii to the glittering performances of the San Carlo opera house - continue to seduce all those who explore Naples today. In the Shadow of Vesuvius is a sparkling portrait of the city - the definitive companion for anyone seeking to delve beneath its surface.

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Exam Board: Edexcel Level: GCSE Grade 9-1 Subject: English Literature Suitable for the 2024 exams Everything you need to revise for your GCSE 9-1 set text in a snap guide Everything you need to score top marks on your GCSE Grade 9-1 English Literature exam is right at your fingertips! Revise A Christmas Carol by Charles Dickens in a snap with this new GCSE Grade 9-1 Snap Revision Text Guide from Collins. Refresh your knowledge of the plot, context, characters and themes and pick up top tips along the way to ace your Edexcel exam. Each topic is explained in an easy-to-read format so you can get straight to the point. Then, put your skills to the test with plenty of practice questions included in every section. The Snap Text Guides are packed with every quote and extract you need. We’ve even included examples of how to plan and write your essay responses! This Collins English Literature revision guide contains all the key information you need to practise and pass.

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Lost Rickmansworth, Croxley Green and Chorleywood portrays a vivid picture of the many losses and changes that have taken place in this lovely area over the last 100 years, as the reader embarks on a fascinating journey of discovery. Fond memories are evoked of the local cinemas, long since gone, where for a few hours one could escape to the celluloid world of make-believe in the smoky atmosphere of the auditorium. Sadly, industries such as Walker’s boatbuilding, Moussec’s sparkling wine and the John Dickinson paper mills have similarly disappeared, all irreplaceable and much missed. However, many buildings have survived such as Croxley House, The Cedars and Chorleywood House, though all now used for a different purpose to what they were originally. With a wealth of information inside, this book will surely appeal to those who can still recollect much that is lost and now relegated to memory, and those eager to discover the history of this small town and two villages in south-west Hertfordshire.

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This terrifying selection of ghost stories brings together the very best classic works from the masters of the supernaturalPhantom coaches, evil familiars, shadowy houses, spectral children and mysterious doppelgangers haunt these tales. They range from the famous, such as M. R. James's tale of an ancient curse, 'Oh, Whistle, and I'll Come To You, My Lad' and W. W. Jacobs's story of gruesome wish-fulfilment, 'The Monkey's Paw', to lesser-known masterpieces: Robert Louis Stevenson's 'Thrawn Janet', telling of a parish priest tormented for life by his encounter with the undead; Charles Dickens's unsettling account of a railway signal-man and an ominous portent; and Edward Bulwer Lytton's 'The Haunted and the Haunters', where a cursed house harbours a diabolical secret.Michael Newton's introduction discusses why ghost stories scare us and why they flourished from the mid-nineteenth to early-twentieth century, examining their changing conventions throughout history. This edition also includes further reading, notes, a glossary and a chronology.Edited with an introduction and notes by Michael Newton

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No more profound and intimate expression of America’s spiritual life can be found than the work of its poets. From Anne Bradstreet to the Beats, from Native American chant and Shaker hymnody to Walt Whitman and Emily Dickinson, religion and spirituality have always been central to American poetry. In this unique anthology, world-renowned scholar Harold Bloom weaves a tapestry from the many strands of American religious experience and practice: the searching meditations of Puritan pioneers, the evangelical fervor of the Great Awakenings, the mystical currents of Transcendentalism, the diverse influences of the world religions that have taken root in modern America.Spanning four centuries and more than 200 poets, American Religious Poems is a bountiful and moving gathering of voices that offers countless moments of inspiration, solace, meditation, and transcendence. The poems in this unprecedented volume are a lasting testimony to the American spirit and its unremitting quest for ultimate truth and meaning.This deluxe collector’s edition features: • an introduction by Harold Bloom; • a reader’s guide to significant topics and themes in the poems; • Smyth-sewn binding and flexible, leatherette covers; and • a ribbon page-marker.

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Lyme, Connecticut, early nineteenth century. Elisha Ely Morgan is a young farm boy who has witnessed firsthand the terror of the War of 1812. Troubled by a tumultuous home life ruled by the fists of their tempestuous father, Ely's two older brothers have both left their pastoral boyhoods to seek manhood through sailing. One afternoon, the Morgan family receives a letter with the news that one brother is lost at sea; the other is believed to be dead. Scrimping as much savings as a farm boy can muster, Ely spends nearly every penny he has to become a sailor on a square-rigged ship, on a route from New York to London—a route he hopes will lead to his vanished brother, Abraham. Learning the brutal trade of a sailor, Ely takes quickly to sea-life, but his focus lies with finding Abraham. Following a series of cryptic clues regarding his brother's fate, Ely becomes entrenched in a mystery deeper than he can imagine. As he feels himself drawing closer to an answer, Ely climbs the ranks to become a captain, experiences romance, faces a mutiny, meets Queen Victoria, and befriends historical legends such as Charles Dickens in his raucous quest.

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In this truly beautiful book, Andrea Zanatelli combines his extraordinary artworks with a selection of classical love poetry by Anne Brontë, William Blake, Christina Rossetti, Emily Dickinson, Percy Shelley and many more.Drawing its inspiration from the past, Love is Enough references the decorative arts of a bygone era, and is a combination of romantic imagery, antique fabrics and allegorical illustrations, mixed with poems and mottos. Often mistaken for real embroidery pieces, the artworks are in fact very detailed and intricate digital collages, made to look and feel like handcrafted works.Zanatelli is strongly influenced by the Arts and Crafts movement and the Pre-Raphaelites as well as eighteenth-century collage artist and creator of the Flora Delanica, Mary Delany, among others. Recurring themes in his work are romantic love, magical symbols, Victorian era craftsmanship, historical nun’s work and relics. Details of paintings, ancient fabrics, antique jewellery and miniatures are also returning elements as they often become an integral part of the inspiration for the collages themselves.This stunning book is full of intricate detail and brimming with romance, so you can return to its pages again and again.

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No art has been denounced as often as poetry. It’s even bemoaned by poets: ‘I, too, dislike it,’ wrote Marianne Moore. ‘Many more people agree they hate poetry,’ Ben Lerner writes, ‘than can agree what poetry is. I, too, dislike it and have largely organized my life around it and do not experience that as a contradiction because poetry and the hatred of poetry are inextricable in ways it is my purpose to explore.’ In this inventive and lucid essay, Lerner takes the hatred of poetry as the starting point of his defence of the art. He examines poetry’s greatest haters (beginning with Plato’s famous claim that an ideal city had no place for poets, who would only corrupt and mislead the young) and both its greatest and worst practitioners, providing inspired close readings of Keats, Dickinson, McGonagall, Whitman, and others. Throughout, he attempts to explain the noble failure at the heart of every truly great and truly horrible poem: the impulse to launch the experience of an individual into a timeless communal existence. In The Hatred of Poetry, Lerner has crafted an entertaining, personal, and entirely original examination of a vocation no less essential for being impossible.

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As recently as one hundred years ago British children existed in ways now unthinkable; boys as young as eight worked gruelling hours in unlit factories; girls were sold into sexual slavery with dolls still in their grasp; and boys at schools like Rugby and Harrow were brutally trained for their future at the helm of Britain's vast red empire. In Songs of Innocence Fran Abrams charts the transformation of childhood in the UK from early Victorian disagreements about child-rearing to the Scouts' very direct involvement in the First World War. Poignant first-hand accounts of poverty and deprivation as well as innocent pleasures carry the reader through a Dickensian landscape of urchins and Fauntleroys, the cosseted lives of Edwardian children to the self-sufficient charges of Baden-Powell. Fran Abrams draws distinctions along class lines and divisions such as town and country, Romantic and conservative, to achieve a historical perspective shows the progression of the idea of childhood through a century of massive social change brought about by urbanization, war and medico-psychological advances. Songs of Innocence employs searing personal testimony and immaculate research to provide a fascinating exposition of the past and a mirror for the present.

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The loss of East Indiaman HCS `Halsewell' on the coast of Dorset in southern England in January 1786, touched the very heart of the British nation. `Halsewell' was just one of many hundreds of vessels which had been in the service of the Honourable East India Company since its foundation in the year 1600. In the normal course of events, `Halsewell' would have been expected to serve out her working life, before passing unnoticed into the history books. However, this was not to be. Halsewell's loss was an event of such pathos as to inspire the greatest writer of the age Charles Dickens, to put pen to paper; the greatest painter of the age J. M. W. Turner, to apply brush to canvas, and the King and Queen to pay homage at the very place where the catastrophe occurred. Artefacts from the wreck continue to be recovered to this very day which, and for variety, interest, curiosity, and exoticism, rival those recovered from Spanish armada galleons wrecked off the west coast of Ireland two centuries previously. Such artefacts shed further light both on `Halsewell' herself, and on the extraordinary lives of those who sailed in her.

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In Sensory Experiments, Erica Fretwell excavates the nineteenth-century science of psychophysics and its theorizations of sensation to examine the cultural and aesthetic landscape of feeling in nineteenth-century America. Fretwell demonstrates how psychophysics—a scientific movement originating in Germany and dedicated to the empirical study of sensory experience—shifted the understandings of feeling from the epistemology of sentiment to the phenomenological terrain of lived experience. Through analyses of medical case studies, spirit photographs, perfumes, music theory, recipes, and the work of canonical figures ranging from Kate Chopin and Pauline Hopkins to James Weldon Johnson and Emily Dickinson, Fretwell outlines how the five senses became important elements in the biopolitical work of constructing human difference along the lines of race, gender, and ability. In its entanglement with social difference, psychophysics contributed to the racialization of aesthetics while sketching out possibilities for alternate modes of being over and against the figure of the bourgeois liberal individual. Although psychophysics has largely been forgotten, Fretwell demonstrates that its importance to shaping social order through scientific notions of sensation is central to contemporary theories of new materialism, posthumanism, aesthetics, and affect theory.

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In Sensory Experiments, Erica Fretwell excavates the nineteenth-century science of psychophysics and its theorizations of sensation to examine the cultural and aesthetic landscape of feeling in nineteenth-century America. Fretwell demonstrates how psychophysics—a scientific movement originating in Germany and dedicated to the empirical study of sensory experience—shifted the understandings of feeling from the epistemology of sentiment to the phenomenological terrain of lived experience. Through analyses of medical case studies, spirit photographs, perfumes, music theory, recipes, and the work of canonical figures ranging from Kate Chopin and Pauline Hopkins to James Weldon Johnson and Emily Dickinson, Fretwell outlines how the five senses became important elements in the biopolitical work of constructing human difference along the lines of race, gender, and ability. In its entanglement with social difference, psychophysics contributed to the racialization of aesthetics while sketching out possibilities for alternate modes of being over and against the figure of the bourgeois liberal individual. Although psychophysics has largely been forgotten, Fretwell demonstrates that its importance to shaping social order through scientific notions of sensation is central to contemporary theories of new materialism, posthumanism, aesthetics, and affect theory.

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Ada Lovelace, the daughter of Lord Byron was born in 1815 just after the Battle of Waterloo, and died aged 36, soon after the Great Exhibition of 1851. She was connected with some of the most influential and colourful characters of the age: Charles Dickens, Michael Faraday, Charles Darwin and Charles Babbage. It was her work with Babbage that led to her being credited with the invention of computer programming and to her name being adopted for the programming language that controls the US military machine. Ada personified the seismic historical changes taking place over her lifetime. This was the era when fissures began to open up in culture: romance split away from reason, instinct from intellect, art from science. Ada came to embody these new polarities and her life heralded a new era: the machine age.Reissued to coincide with the bicentenary of Ada's birth, The Bride of Science is a fascinating examination of an extraordinary life offering devastating insight into the seemingly unbridgeable gulf between art and science, the consequences of which are still with us today.

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Whether seeking more time for solitude or suffering what seems a surfeit of it, readers will find the best of companions here. Fenton Johnson’s lyrical prose and searching sensibility explores what it means to choose to be solitary and celebrates the notion, common in his Roman Catholic childhood, that solitude is a legitimate and dignified calling. He delves into the lives and works of nearly a dozen iconic “solitaries” he considers his kindred spirits, from Thoreau at Walden Pond and Emily Dickinson in Amherst, to Bill Cunningham photographing the streets of New York; from Cézanne (married, but solitary nonetheless) painting Mont Sainte-Victoire over and over again, to the fiercely self-protective Zora Neale Hurston. Each character portrait is full of intense detail, the bright wakes they’ve left behind illuminating Fenton Johnson’s own journey from his childhood in the backwoods of Kentucky to his travels alone throughout the world and the people he has lost and found along the way. Combining memoir, social criticism, and devoted research, At the Center of All Beauty will resonate with solitaries and with anyone who might wish to carve out more space for solitude.

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Poetry has long been regarded as the least accessible of literary genres. But how much does the obscurity that confounds the reader of a poem differ from, say, the slang or patois that captivates listeners of hip-hop? "Infidel Poetics" examines not only the shared incomprehensibilities of poetry and slang but also poetry's genetic relation to the spectacle of underground culture. Charting connections between lyric obscurity, vernacular speech, and types of social relations - networks of darkened streets in preindustrial cities, the historical underworld of taverns and clubs, and the subcultures of the avant-garde - Daniel Tiffany shows that poetic obscurity has functioned for hundreds of years as a medium of alternative societies. For example, he discovers in the submerged tradition of canting poetry and its eccentric genres - thieves' carols, drinking songs, beggars' chants - a genealogy of modern nightlife, but also a visible underworld of social and verbal substance, a demimonde for sale. Ranging from Anglo-Saxon riddles to Emily Dickinson, from the icy logos of Parmenides to the monadology of Leibniz, from Mother Goose to modernism, "Infidel Poetics" offers an exhilarating account of the subversive power of obscurity in word, substance, and deed.

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Secret Shepperton explores the history of the town from its early origins as an Iron Age settlement nestling on the banks of the River Thames. It’s the place where Caesar crossed the river in AD 54. Subsequent river finds reveal that this area regularly encountered invaders, such as the Saxons, who grazed sheep here and consequently called it Shepperton. It’s always been a place that attracts artists, such as Turner and Constable, and writers such as Charles Dickens and J. G. Ballard, who wrote the Unlimited Dream Factory in which his protagonist gains energy by phagocytizing the people of Shepperton. In H. G. Wells’ War of the Worlds, the Martians destroy Shepperton and turn the Thames into a boiling inferno with their heat rays. In the twentieth century Shepperton was dubbed the playground of London and Richard D’Oyly Carte bought an island here to build a mini version of his Savoy Hotel. In 1931, Sir Richard Burbridge, Chairman of Harrods, sold his Shepperton mansion to Norman Loudon at a time when ‘the pictures’ were in their infancy but a new fad was catching on – films with sound. This was the forerunner of Shepperton Studio, still operating today and known throughout the world as the ‘Hollywood of England’.

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‘One of my favourite living writers: intelligent, lucid and, most impressive of all, funny’ - Jonathan CoeIf we’re talking agoraphobia, we’re talking books. I slip between their covers, lose myself in the turn of one page, re-discover myself on the next. Reading is a game of hide-and-seek. Narrative and neurosis, uneasy bedfellows sleeping top to toe.On Agoraphobia is a fascinating, entertaining and sometimes painfully acute look at what it means to go through life with an anxiety disorder that evades easy definition.When Graham Caveney was in his early twenties he began to suffer from what was eventually diagnosed as agoraphobia. What followed were decades of managing his condition and learning to live within the narrow limits it imposed on his life: no motorways, no dual carriageways, no shopping centres, limited time outdoors.Graham’s quest to understand his illness brought him back to his first love: books. From Harper Lee’s Boo Radley, Ford Madox Ford, Emily Dickinson, and Shirley Jackson: the literary world is replete with examples of agoraphobics – once you go looking for them.‘Intellectually curious, emotionally bracing and immensely erudite’ - Blake Morrison, The Guardian‘Captivating’ Richard Beard

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How much do you really know about your own hands?Throughout history , civilisations have been defined by the work of human hands: inventing tools, writing records, operating machinery, typing, texting, swiping. But beneath this known history is another, secret story: our hands are not the obedient servants that they seem to be. Through conscious and unconscious gesture, they reveal our deepest psychology, our weaknesses and obsessions, our personal history and our social conditioning. Why do zombies walk with their hands outstretched? How does a new-born baby 'talk' with his hands? What is the connection between prayer beads, snuff boxes and cell phones? And most importantly, can we unlock the mystery of our hands in order to truly know ourselves?The key to understanding everything around you - and everything within you - is staring you in the face. Take a journey through fascinating anecdotes and brilliant psychoanalytic research, through a legacy of ideas from da Vinci to Dickens to Die Hard. With wit and dexterity, Darian Leader reveals that there's much more to your hands than meets the eye.

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A powerful, uplifting and moving story of a teenage girl's battle against losing her sight and keeping her friendships.Mafalda is thirteen and has been blind since she was ten. Her best friend is the cheerfully rule-breaking Filippo, and she is accompanied everywhere by Ottimo Turcaret, her devoted cat. Mafalda is always looking on the bright side, thinking of things she can do both now and in the future despite her loss of sight. But other things are worrying her too: her father who has lost his job and is now in the depths of depression, refusing to leave his bed; and the horrible girl in school, Debbie, who seems very interested in Filippo . . . So now Mafalda has to start thinking what Filippo really means to her . . .Then two new adults come into her life: Elsa, a homeless young woman, and Nino, the elderly upstairs neighbour with an awful temper and a great passion for Charles Dickens. Little by little, Mafalda learns their stories, and how their lives had also been shaped by brave and difficult choices. A moving sequel to THE DISTANCE BETWEEN ME AND THE CHERRY TREE

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After publishing Scent Magic, an acclaimed memoir of plants, gardens and scent, Isabel Bannerman couldn’t leave the subject alone. ‘I came across the star-nosed mole, an adorable and preposterous creature with a highly specialized sensory-motor organ, while writing about the riches of the soil kingdom … and, somewhat mole-like … as I was trying to write about the impossibility of writing effectively about smell, I began to nose around for great writers’ solutions to this problem. How and how much have writers considered the lilies of the field and how they smell. I began grazing on literature and gathering in my stores of quotes.’ In reviews of Scent Magic, Isabel was lauded for ‘putting into words what so much escapes language. With a wonderful range of reference and allusion, it's nothing less than poetry... (Evening Standard)’. And in this anthology, with her beautifully written linking passages bringing carefully chosen quotations together with her dramatic, powerful and mysterious plant images, she evokes the scented garden through poetry and prose spanning millennia, from Ovid to Proust, Milton to George Eliot, and Emily Dickinson to Alice Oswald.

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Leer en paralelo las tres novelas de las hermanas Brontë es toda una experiencia. De algún modo se percibe el denominador común del genio familiar y algunos de los rasgos de la sociedad de la época, pero también la personalidad de cada una. Las hermanas Brontë edificaron su literatura en medio del silencio opresivo y la rígida austeridad de una rectoral. El clérigo de origen irlandés que era su padre también escribía, por lo menos sermones y un par de volúmenes de poemas campestres; si añadimos las historias de fantasmas, los cuentos de duendes y demonios irlandeses y la poesía, tendremos el sustrato común de las hermanas. En 1847, fecha de la aparición de nuestras tres novelas, Dickens ya había escrito media docena de sus grandes obras. Baste el dato para apreciar la originalidad, el lirismo turbador, el paisaje hostil de páramos y ruinas, los amores devastadores, la borrascosa isla literaria en fin que hicieron emerger las tres hermanas en medio del apacible realismo de la novela ing

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The Top 500 Poems offers a vivid portrait of poetry in English, assembling a host of popular and enduring poems as chosen by critics, editors, poets, and general readers. These works speak across centuries, beginning with Chaucer's resourceful inventions and moving through Shakespeare's masterpieces, John Donne's complex originality, and Alexander Pope's mordant satires. The anthology also features perennial favorites such as William Blake, William Wordsworth, and John Keats; Emily Dickinson's prisms of profundity; the ironies of Wallace Stevens and T.S. Eliot; and the passion of Sylvia Plath and Allen Ginsberg. These 500 poems are verses that readers either know already or will want to know, encapsulating the visceral power of truly great literature. William Harmon provides illuminating commentary to each work and a rich introduction that ties the entire collection together.

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Meet the women of American Housewife… They smoke their eyes and paint their lips. They channel Beyoncé while doing household chores. They drown their sorrows with Chanel No. 5 and host book clubs where chardonnay trumps Charles Dickens. They redecorate. And they are quietly capable of kidnapping, breaking and entering, and murder. These women know the rules of a well-lived life: replace your tights every winter, listen to erotic audio books while you scrub the bathroom floor, serve what you want to eat at your dinner parties, and accept it: you’re too old to have more than one drink and sleep through the night.Vicious, fresh and darkly hilarious, American Housewife is a collection of stories for anyone who has ever wondered what really goes on behind the façades of the housewives of America…

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The Best Mum in the World is a glorious collection of more than 300 quotes celebrating mothers and motherhood. Mums have deservedly attracted thousands of amazing quotes, thoughts and observations and this unique anthology features contributions from the deeply philosophical to the wonderfully humorous, and is the perfect present to say thank you for all their hard work on your behalf. With witty and wonderful quotes from the stars of stage, screen and literature, the worlds of music, comedy and politics, The Best Mum in the World makes for a delightful book and gift. 'A mother is one to whom you hurry when you are troubled.' Emily Dickinson. 'All I am I owe to my mother.' George Washington. 'Whatever else is unsure in this stinking dunghill of a world a mother's love is not.' James Joyce. 'God could not be everywhere, and therefore he made mothers.' Ruyard Kipling.

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The son of a deranged Italian immigrant, Joseph Grimaldi (1778-1837) was the most celebrated of English clowns. The first to use white-face make-up and wear outrageous coloured clothes, he completely transformed the role of the Clown in the pantomime with a look as iconic as Chaplin's tramp or Tommy Cooper's magician. One of the first celebrity comedians, his friends included Lord Byron and the actor Edmund Kean, and his memoirs were edited by the young Charles Dickens. But underneath the stage paint, Grimaldi struggled with depression and his life was blighted with tragedy. His first wife died in childbirth and his son would go on to drink himself to death. The outward joy and tomfoolery of his performances masked a dark and depressing personal life, and instituted the modern figure of the glum, brooding comedian. Joseph Grimaldi left an indelible mark on the English theatre and the performing arts, but his legacy is one of human struggle, battling demons and giving it his all in the face of adversity.

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If nineteenth-century Britain witnessed the rise of medical professionalism, it also witnessed rampant quackery. It is tempting to categorize historical practices as either orthodox or quack, but what did these terms really signify in medical and public circles at the time? How did they develop and evolve? What do they tell us about actual medical practices? Doctoring the Novel explores the ways in which language constructs and stabilizes these slippery terms by examining medical quackery and orthodoxy in works such as Mary Shelley’s Frankenstein, Charles Dickens’s Bleak House and Little Dorrit, Charlotte Brontë’s Villette, Wilkie Collins’s Armadale, and Arthur Conan Doyle’s Stark Munro Letters. Contextualized in both medical and popular publishing, literary analysis reveals that even supposedly medico-scientific concepts such as orthodoxy and quackery evolve not in elite laboratories and bourgeois medical societies but in the rough-and-tumble of the public sphere, a view that acknowledges the considerable, and often underrated, influence of language on medical practices.

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An innovative novel featuring an astonishingly wicked female villain, Wilkie Collins's Armadale was regarded by T.S. Eliot as 'the best of [his] romances'. This Penguin Classics edition is edited with an introduction and notes by John Sutherland.When the elderly Allan Armadale makes a terrible confession on his death-bed, he has little idea of the repercussions to come, for the secret he reveals involves the mysterious Lydia Gwilt: flame-haired temptress, bigamist, laudanum addict and husband-poisoner. Her malicious intrigues fuel the plot of this gripping melodrama: a tale of confused identities, inherited curses, romantic rivalries, espionage, money - and murder. The character of Lydia Gwilt horrified contemporary critics, with one reviewer describing her as 'One of the most hardened female villains whose devices and desires have ever blackened fiction'. She remains among the most enigmatic and fascinating women in nineteenth-century literature and the dark heart of this most sensational of Victorian 'sensation novels'.John Sutherland's introduction illustrated how Wilkie Collins drew on scandalous newspaper headlines and on new technology particularly the penny post and the telegraph - to lend extra pace and veracity to his tale. This edition also contains notes, further reading and an appendix on stage dramatisations of Armadale.Wilkie Collins (1824-1889) was born in London in 1824, the eldest son of the landscape painter William Collins. In 1846 he was entered to read for the bar at Lincoln's Inn, where he gained the knowledge that was to give him much of the material for his writing. From the early 1850s he was a friend of Charles Dickens, who produced and acted in two melodramas written by Collins, The Lighthouse and The Frozen Deep. Of his novels, Collins is best remembered for The Woman in White (1859), No Name (1862), Armadale (1866) and The Moonstone (1868).If you enjoyed Armadale, you might like Collins's No Name, also available in Penguin Classics.

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A witty, intricately-plotted exploration of a sudden fall from grace, the Penguin Classics edition of Wilkie Collins's No Name is edited with an introduction and notes by Mark Ford.Magdalen and her sister Norah, beloved daughters of Mr and Mrs Vanstone, find themselves the victims of a catastrophic oversight. Their father has neglected to change his will, and when the girls are suddenly orphaned, their inheritance goes to their uncle. Now penniless, the conventional Norah takes up a position as a governess, but the defiant and tempestuous Magdalen cannot accept the loss of what is rightfully hers and decides to do whatever she can to win it back. With the help of cunning Captain Wragge, she concocts a scheme that involves disguise, deceit and astonishing self-transformation. In this compelling, labyrinthine story Wilkie Collins brilliantly demonstrates the gap between justice and the law, and in the subversive Magdalen he portrays one of the most exhilarating heroines of Victorian fiction.In his introduction Mark Ford examines themes of identity and illegitimacy within Victorian society and compares No Name to Collins's more 'sensational' fiction. This edition also includes notes and a bibliography.Wilkie Collins (1824-1889) was born in London in 1824, the eldest son of the landscape painter William Collins. In 1846 he was entered to read for the bar at Lincoln's Inn, where he gained the knowledge that was to give him much of the material for his writing. From the early 1850s he was a friend of Charles Dickens, who produced and acted in two melodramas written by Collins, The Lighthouse and The Frozen Deep. Of his novels, Collins is best remembered for The Woman in White (1859), No Name (1862), Armadale (1866) and The Moonstone (1868).If you enjoyed No Name, you might like Anthony Trollope's Can You Forgive Her?, also available in Penguin Classics.

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For decades Alan Powers has studied bird vocalizations, developing the remarkable ability to imitate birds’ songs and get them to respond and even change tunes. Through his years of study, he has discovered that birds can teach us important lessons about the world and about ourselves. As Powers explains, by communing cross-species we reach out to the timeless interconnected web of all life past and present--what Renaissance philosopher Giordano Bruno called in Latin the Uni-versus, the “Whole turned into One.” Sharing his journey to learn birdtalk and his profound observations about the poetic, spiritual, and healing influences of birdsong, Powers explores the ancient language of birds and the depth of meaning birds convey. He explains how bird speech sounds like song to us, but birdtalk is urgent and nuanced, whether about predators or the weather. He details how he began learning birdtalk, listening to one bird each summer, learning their many vocalizations and variations. Discussing specific techniques, he shares insights into the birdtalk of many species, including the complex and intelligent speech of Crows, the emotional depths of Loons, the mimicry of Blue Jays, and the beautiful song of the Wood Thrush. Exploring the intertwined metaphysics of bird and human languages, Powers looks at the long-standing tradition of “avitherapy” throughout history, literature, and the arts. He shares insights into birds from Shakespeare and Emily Dickinson, reveals how birds appear in love songs throughout the world, and examines how famous writers such as Keats, Catullus, St. Francis of Assisi, and the French historian Jules Michelet found that talking to birds improves their state of mind. He also explores how song-talk with birds restores peace, calms anxiety, and enhances health.

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