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Depicting the fatal clash between material desires and the liberating power of human passions, Honoré de Balzac's Eugénie Grandet is translated with an introduction by M.A. Crawford in Penguin Classics.In a gloomy house in provincial Saumur, the miser Grandet lives with his wife and daughter, Eugénie, whose lives are stifled and overshadowed by his obsession with gold. Guarding his piles of glittering treasures and his only child equally closely, he will let no one near them. But when the arrival of her handsome cousin, Charles, awakens Eugénie's own desires, her passion brings her into a violent collision with her father that results in tragedy for all. Eugénie Grandet is one of the earliest and finest works in Balzac's Comédie humaine cycle, which portrays a society consumed by the struggle to amass wealth and achieve power. Here Grandet embodies both the passionate pursuit of money, and the human cost of avarice.M. A. Crawford's lucid translation is accompanied by an introduction discussing the irony and psychological insight of Balzac's characterization, the role of fate in the novel, its setting and historical background.Honoré De Balzac (1799-1850) failed at being a lawyer, publisher, printer, businessman, critic and politician before, at the age of thirty, turning his hand to writing. His life's work, La Comédie humaine, is a series of ninety novels and short stories which offer a magnificent panorama of nineteenth-century life after the French Revolution. Balzac was an influence on innumerable writers who followed him, including Marcel Proust, Émile Zola, Charles Dickens, and Edgar Allan Poe.If you enjoyed Eugenie Grandet you might like Molière's The Miser and Other Plays, also available in Penguin Classics.

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A rich collection of primary materials, the multivolume Archives of Empire provides a documentary history of nineteenth-century British imperialism from the Indian subcontinent to the Suez Canal to southernmost Africa. Barbara Harlow and Mia Carter have carefully selected a diverse range of texts that track the debates over imperialism in the ranks of the military, the corridors of political power, the lobbies of missionary organizations, the halls of royal geographic and ethnographic societies, the boardrooms of trading companies, the editorial offices of major newspapers, and far-flung parts of the empire itself. Focusing on a particular region and historical period, each volume in Archives of Empire is organized into sections preceded by brief introductions. Documents including mercantile company charters, parliamentary records, explorers’ accounts, and political cartoons are complemented by timelines, maps, and bibligraphies. Unique resources for teachers and students, these books reveal the complexities of nineteenth-century colonialism and emphasize its enduring relevance to the “global markets” of the twenty-first century. Tracing the beginnings of the British colonial enterprise in South Asia and the Middle East, From the Company to the Canal brings together key texts from the era of the privately owned British East India Company through the crises that led to the company’s takeover by the Crown in 1858. It ends with the momentous opening of the Suez Canal in 1869. Government proclamations, military reports, and newspaper articles are included here alongside pieces by Rudyard Kipling, Charles Dickens, John Stuart Mill, Karl Marx, Benjamin Disraeli, and many others. A number of documents chronicle arguments between mercantilists and free trade advocates over the competing interests of the nation and the East India Company. Others provide accounts of imperial crises—including the trial of Warren Hastings, the Indian Rebellion (Sepoy Mutiny), and the Arabi Uprising—that highlight the human, political, and economic costs of imperial domination and control.

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“Arthur’s Dickensian steampunk world is richly imagined and gorgeously described. . . . This story of friendship, hope, and heroics will delight adventure seekers.” — Bulletin of the Center for Children’s Books (starred review)Welcome to Miss Carbunkle’s Home for Wayward and Misbegotten Creatures, an orphanage for young groundlings (part human, part animal) run by a cunning villainess. For lonely Number Thirteen, a shy, one-eared, foxlike creature, it is the only home he has ever known. When he meets a bird groundling named Trinket, Number Thirteen gains two things: a real name (Arthur, like the good king in the old stories) and a best friend. Trinket and Arthur escape over the high walls of the orphanage and embark on an adventure that will take them out into the wider world and to Arthur’s true destiny: to become the Wonderling and save music for everyone. Rife with steampunk inventions, magical plot twists, and finely d

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Imaginary Distance' is the first book to undertake a survey of the literature produced by nineteenth-century settler emigration. It argues that the demographic shift in the nineteenth century to settler colonies in Canada, Australia, New Zealand was also a textual one: a vast literature supported and underpinned this movement of people. The monograph brings printed emigrants' letters, manuscript shipboard newspapers and settler fiction into conversation with each other across the first three chapters to explore the generic features of 'emigration literature': textual mobility, a sense of place, and home-making. The last two chapters demonstrate how pervasive the textual cultures of settler emigration were in shaping the nineteenth-century cultural imagination: concerns raised in emigration literature were pervasive and seeped through representations of space and place: the works of Charles Dickens, Elizabeth Gaskell and Ford Madox Brown, amongst others, draw upon emigration to explore the networks of people and texts extending across the settler world.

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How can literature, which consists of nothing more than the description of imaginary events and situations, offer any insight into the workings of "human reality" or "the human condition"? Can mere words illuminate something that we call "reality"? Bernard Harrison answers these questions in this profoundly original work that seeks to re-enfranchise reality in the realms of art and discourse. In an ambitious account of the relationship between literature and cognition, he seeks to show how literary fiction, by deploying words against a background of imagined circumstances, allows us to focus on the roots, in social practice, of the meanings by which we represent our world and ourselves. Engaging with philosophers and theorists as diverse as Wittgenstein, Sartre, Merleau-Ponty, Foucault, Derrida, F. R. Leavis, Cleanth Brooks, and Stanley Fish, and illustrating his ideas through readings of works by Swift, Woolf, Appelfeld, and Dickens, among others, this book presents a systematic defense of humanism in literary studies, and of the study of the Humanities more generally, by a distinguished scholar.

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Praised in recent years as a “calculating, improvisatory, essential poet” by Daisy Fried in the New York Times, Charles Bernstein is a leading voice in American literary theory. Pitch of Poetry is his irreverent guide to modernist and contemporary poetics. Subjects range across Holocaust representation, Occupy Wall Street, and the figurative nature of abstract art. Detailed overviews of formally inventive work include essays on—or “pitches” for—a set of key poets, from Gertrude Stein and Robert Creeley to John Ashbery, Barbara Guest, Larry Eigner, and Leslie Scalapino. Bernstein also reveals the formative ideas behind the magazine L=A=N=G=U=A=G=E. The final section, published here for the first time, is a sweeping work on the poetics of stigma, perversity, and disability that is rooted in the thinking of Edgar Allan Poe, Emily Dickinson, Ralph Waldo Emerson, and William Blake.Pitch of Poetry makes an exhilarating case for what Bernstein calls echopoetics: a poetry of call and response, reason and imagination, disfiguration and refiguration.

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Dear reader,There is nothing to be found in Lemony Snicket's A Series of Unfortunate Events' but misery and despair. You still have time to choose another international best-selling series to read. But if you insist on discovering the unpleasant adventures of the Baudelaire orphans, then proceed with cautionViolet, Klaus, and Sunny Baudelaire are intelligent children. They are charming, and resourceful, and have pleasant facial features. Unfortunately, they are exceptionally unlucky.In The Vile Village the siblings face such unpleasant matters as migrating crows, an angry mob, a newspaper headline, the arrest of innocent people, the Deluxe cell, and some very strange hats.In the tradition of great storytellers, from Dickens to Dahl, comes an exquisitely dark comedy that is both literary and irreverent, hilarious and deftly crafted.Despite their wretched contents, A Series of Unfortunate Events' has sold 60 million copies worldwide and been made into a Hollywood film starring Jim Carrey

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_Daily Life in Victorian Britain_ sheds new light on the most remarkable era in British history. Here is a tapestry of time, unpacked and uncovered from January 1st to December 31st, a rich mosaic of facts, events and tales, exploring the most extraordinary moments of the most extraordinary age. Each day offers a different, vivid and accessible snapshot into our past, intermingling famous or renowned events, with rare, quirky and fun facts. What was the mysterious Sheep panic of 1888? Who was the notorious Spring heeled Jack? Why was William Gladstone run over by a cow? The Victorians transformed British society forever. From the Great Exhibition, to the Industrial Revolution, Dickens and Darwin, Entertainment and Empire, the 19th century was an epoch of momentous political, cultural and social change, charted day by day in this book. With meticulous research and a compelling, gripping narrative, _Daily Life in Victorian Britain_ is essential reading for anyone looking for great st

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'Deliciously romantic. A perfect summer read!' Miranda Dickinson. Discover this feel-good bestseller set by the sea, perfect for fans of Jo Thomas and Cathy Bramley. When Imogen and Anna unexpectedly inherit their grandmother Vivien's ice cream parlour, it turns both their lives upside-down. The Brighton shop is a seafront institution, but while it's big on charm it's critically low on customers. If the sisters don't turn things around quickly, their grandmother's legacy will disappear forever. With summer looming, Imogen and Anna devise a plan to return Vivien's to its former glory. Rather than sell up, they will train up, and make the parlour the newest destination on the South Coast foodie map. While Imogen watches the shop, her sister flies to Italy to attend a gourmet ice cream-making course. But as she works shoulder-to-shoulder with some of the best chefs in the industry, Anna finds that romance can bloom in the most unexpected of places...

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'History writing at its compulsive best' A. N. WilsonThis is a history of the ideas that shaped not only London, but Manchester, Glasgow, Liverpool, Leeds, Birmingham, Sheffield and other power-houses of 19th-century Britain. It charts the controversies and visions that fostered Britain's greatest civic renaissance.Tristram Hunt explores the horrors of the Victorian city, as seen by Dickens, Engels and Carlyle; the influence of the medieval Gothic ideal of faith, community and order espoused by Pugin and Ruskin; the pride in self-government, identified with the Saxons as opposed to the Normans; the identification with the city republics of the Italian renaissance - commerce, trade and patronage; the change from the civic to the municipal, and greater powers over health, education and housing; and finally at the end of the century, the retreat from the urban to the rural ideal, led by William Morris and the garden-city movement of Ebenezer Howard.

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Acclaimed historian Jenny Uglow brings us a fascinating and beautifully illustrated biography of Edward Lear, full of the colour of the age.Edward Lear lived a vivid, fascinating, energetic life, but confessed, 'I hardly enjoy any one thing on earth while it is present.' He was a man in a hurry, 'running about on railroads' from London to country estates and boarding steamships to Italy, Corfu, India and Palestine. He is still loved for his 'nonsenses', from startling, joyous limericks to great love songs like 'The Owl and the Pussy Cat' and 'The Dong with a Luminous Nose', and he is famous, too, for his brilliant natural history paintings, landscapes and travel writing. But although Lear belongs solidly in the age of Darwin and Dickens - he gave Queen Victoria drawing lessons, and his many friends included Tennyson and the Pre-Raphaelite painters - his genius for the absurd and his dazzling word-play make him a very modern spirit. He speaks to us today.Le

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Exam Board: AQA Level: GCSE Grade 9-1 Subject: English Literature Suitable for the 2023 exams Everything you need to revise for your GCSE 9-1 set text in a snap guide Our A Christmas Carol Snap Revision Text Guide has everything you need to score top marks on your GCSE Grade 9-1 English Literature exam right at your fingertips! Revise A Christmas Carol by Charles Dickens in a snap with this handy guide. Refresh your knowledge of the plot, context, characters and themes Pick up top tips to ace your AQA exam Plenty of practice questions included in every section Packed with every quote and extract you need Examples of how to plan and write your essay responses QR codes link directly to online videos providing further analysis of the text

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Shortlisted for the Seamus Heaney First Collection Poetry Prize 2021. Growlery conjures a place haunted by flooded villages, broken ankles, ovarian health and factories. It dwells on a world of civic tensions, in the twilit zone between city and country, the human and the natural. Here, Brexit is a city with streets 'worn into themselves like grafted skin', corpse flowers bloom in America, and urban foundations crumble into cisterns. Horrex - whose poems found an enthusiastic readership via Carcanet's New Poetries series - unpicks the illusion that order upholds society and reveals the true ramshackle complexion of things. Her debut collection reimagines the 'growlery' of Dickens' Bleak House by looking at the concept of internal space in a twenty-first century which is both connected and disjointed.

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THE CAPTIVATING NEW NOVEL, SET AGAINST CHARLES DICKENS' HOME FOR FALLEN WOMEN'Absorbing . . . Halls weaves together the elements of her story with great skill' Sunday Times'Acutely observed and beautifully written' Daily Mail'Compelling and richly detailed' Good Housekeeping'Captivating' Woman'Meticulously researched and compelling' Red'Keeps the reader enthralled' Prima'Exquisitely written . . . full of heart and hope' FabulousNOT ALL WHO ARE FALLEN WANT TO BE SAVEDLondon, 1847. In a quiet house in the countryside outside London, the finishing touches are being made to welcome a group of young women. The house and its location are top secret, its residents unknown to one another, but the girls have one thing in common: they are fallen. Offering refuge for prostitute

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Starting in the first century with St Paul and ending in the twentieth with St Oscar Romero, Rowan Williams invites you to reflect with him on the lives and legacies of twenty great Christians – saints, martyrs, poets, theologians and social reformers. Their stories and writings have profoundly influenced his own life and thought, and this sequence of short reflections is sure to sharpen your theological vision and cast a fresh light on what it means to live and breathe the gospel. Included among these 'luminaries' are Augustine of Hippo, William Tyndale, Teresa of Avila, Charles Dickens, Florence Nightingale, Dietrich Bonhoeffer and Simone Weil, Let these brilliant meditations light your way as you follow the footsteps of the faithful who have gone before.

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The relentless pace of urbanization since the industrial revolution has inspired a continuing effort to view, read, and name the modern city. "We are now at a point of transition to a new kind of city", write William Sharpe and Leonard Wallock, "and thus we are experiencing the same crisis of language felt by observers of nineteenth- and early twentieth-century cities." "Visions of the Modern City" explores the ways in which artists and writers have struggled to define the city during the past two centuries and opens a new perspective on the urban vision of our time. In their introduction, the editors outline three phases in the evolution of the modern city-- each having its own distinctive morphology and metaphor-- and argue that a new vocabulary is needed to describe the sprawling "urban field" of today. Eric Lampard draws a detailed demographic and geographic picture of urbanization since the late eighteenth century, culminating with the "decentered" city of the 1980s. Other contributors examine the representation of cities from the London and Paris of 1850 to the New York, Los Angeles, and Tokyo of the present. Deborah Nord and Philip Collins follow Henry Mayhew and Charles Dickens, respectively, through the urban underworld of Victorian London. Theodore Reff traces the double life of Paris expressed in the work of Manet, while Michele Hannoosh shows bow Baudelaire influenced the Impressionists by transferring the aesthetic implications of the term nature to urban experience. Thomas Bender and William Taylor focus on tensions between the horizontal and the vertical in the architectural development of New York City, and Paul Anderer investigates the private, domestic spaces that represent Tokyo in postwar Japanese fiction. Steven Marcus analyzes the breakdown of the city as signifying system in the novels of Saul Bellow and Thomas Pynchon, writers who question whether the indecipherable contemporary city has any meaning left at all.

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Mary Lennox, una niña solitaria que a nadie le cae bien, llega desde la India para vivir con su tío en Yorkshire, Inglaterra. En su nuevo destino, Mary no puede hacer mucho más aparte de explorar esa mansión inmensa y sombría, y de pasear por los alrededores. Hasta que una mañana soleada accede a un jardín secreto, oculto tras unos muros cubiertos de hiedra. Por primera vez en su corta y desdichada vida, ha encontrado algo que le preocupa y decide devolver a ese jardín la gloria de antaño.Gracias a la ayuda de Dickon, el niño que sabe hablar con los animales, y de Colin aprenderá otra manera de relacionarse y a disfrutar del contacto con la naturaleza.Este libro ha perdurado a lo largo de generaciones de lectores y sigue siendo un fascinante clásico por su temática, su argumento, sus personajes, su estilo sencillo y elegante y su calidad literaria. La simbología del jardín, el tono mágico de cuento de hadas y la forma en que todo esto refleja la necesidad humana de compañerismo,

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Un libro puede cambiar el mundo.Freud convenció a la tradición literaria occidental de que todos los niños quieren matar a sus padres cuando lo que en realidad nos cuenta la historia de Edipo -como varias decenas de mitos y relatos populares- es, al revés, que son los padres, o al menos los reyes, los que quieren matar, devorar o abandonar a sus hijos.Este libro, que cabalga entre el ensayo y la ficción, parte de una experiencia singular: la lectura compartida de la literatura sin etiquetas: Homero, Dickens, Canetti, Dante, Salinger...A partir de ahí plantea y responde a dos preguntas inseparables: Para qué sirven los niños? y Para qué sirven los libros?. En una sociedad dominada por solteros sin imaginación, en la que la infancia, exaltada en un escaparate, se ha vuelto más vulnerable que nunca y en la que la discontinuidad del niño y la continuidad del relato están radicalmente amenazadas, Santiago Alba Rico reivindica una especie de nuevo compromiso materno que una, como en

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In The Art of Alibi, Jonathan Grossman reconstructs the relation of the novel to nineteenth-century law courts. During the Romantic era, courthouses and trial scenes frequently found their way into the plots of English novels. As Grossman states, "by the Victorian period, these scenes represented a powerful intersection of narrative form with a complementary and competing structure for storytelling." He argues that the courts, newly fashioned as a site in which to orchestrate voices and reconstruct stories, arose as a cultural presence influencing the shape of the English novel. Weaving examinations of novels such as William Godwin's Caleb Williams, Mary Shelley's Frankenstein, and Charles Dickens's The Pickwick Papers and Oliver Twist, along with a reading of the new Royal Courts of Justice, Grossman charts the exciting changes occurring within the novel, especially crime fiction, that preceded and led to the invention of the detective mystery in the 1840s.

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Throughout the course of the Second World War, many millions of animals were enlisted to serve. Though they had no choice, yet they demonstrated loyalty, determination and bravery as they shared the burden of war with their human companions both on active service and on the Home Front. From the dogs trained to locate air-raid victims buried under rubble, to the mules that carried ammunition and supplies through the jungles of the Far East, each animal played a crucial role in the war effort. In fact, such was their contribution that those animals that showed exceptional gallantry or devotion to duty were recognised officially with the introduction of the Dickin Medal in 1943. This fascinating book draws from first-hand accounts and contemporary sources to reveal the wide-ranging contributions that animals made both on and off the battlefield.

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Here is a uniquely welcome gift for all who treasure the idea of an old-fashioned Christmas. Take a Victorian-inspired journey through the holiday as it was celebrated a century and more ago, beginning in the cold snows of early December and ending with the departure of guests on Christmas night. The book tells of games, gifts, decorations, superstitions, beliefs, fashions, foods, and fun, all presented in illustrated bursts of history combined with the thoughts and poetry of the Victorians themselves. A visual treat, richly peppered with vintage trade cards, greeting cards, photographs, and artwork from period magazines for a scrapbook-like kaleidoscope of colors and impressions, this is Christmas history at its best and most playful. As Charles Dickens wrote, "it is good to be children sometimes, and never better than at Christmas." A value guide to the items shown makes this book a valuable resource as well, offering guidance for new and seasoned collectors alike.

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August 1911. Emily Hardcastle and her inimitable lady’s maid Florence Armstrong are enjoying a fine summer until Harry, Lady H’s brother, turns up out of the blue with a mystery for them to solve. A routine parachute test at a local aeroplane factory has gone horribly wrong—with pilot Dickie Dupree plummeting to his death. Harry is certain there is more to this ‘tragic accident’ than meets the eye, having discovered that someone at the airfield is leaking top secret intelligence to foreign rivals. In between strolls to the Dog & Duck and planning for the annual village show, the daring duo dust off the Crime Board and go undercover at Bristol Aviation. With international powers investing heavily in aeronautics, the stakes are high—sky high—and the suspects soon mount up. Can Lady Hardcastle find the culprit before someone else falls down dead?

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'Engaging ... As each era superimposes itself on the ones before, he conjures up the vanished human history, hidden like the rivers flowing beneath, that is so much part of London's atmosphere' IRISH TIMES'Tantalisingly excellent' ISLINGTON TRIBUNEFrom Chaucer to Churchill, from Pepys to Dickens - the great figures from London's past all make their appearance in A. N. Wilson's affectionate and passionate account of one of the world's greatest cities. Dramatic events are here too - from the Great Fire to the Blitz, from the Peasants' Revolt to Mosley's fascist rallies. But he also looks at the physical transformations of the city: the elegant squares and pleasure gardens of the 18th century; the prodigious expansion of the 19th century and the Railway Age. He moves through the First World War and the 'Big Bang' of the 1980s to celebrate the cosmopolitan nature of modern London while deploring the follies of recent urban planning.

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An incisive, thought-provoking, and timely meditation, at once panoramic and synoptic, on American literature for an age of xenophobia, heightened nationalism, and economic disparity. The distinguished cultural critic Ilan Stavans explores the nation's identity through the prism of its books, from the indigenous past to the early settlers, the colonial period, the age of independence, its ascendance as a global power, and its shallow, fracturing response to the COVID-19 pandemic. The central motives that make the United States a flawed experiment--its celebration of do-it-yourself individualism, its purported exceptionalism, and its constitutional government based on checks and balances--are explored through canonical works like Mark Twain's The Adventures of Huckleberry Finn, Walt Whitman's Leaves of Grass, Emily Dickinson's poetry, F. Scott Fitzgerald's The Great Gatsby, the work of Langston Hughes, Zora Neale Hurston, and Toni Morrison, and immigrant voices such as those of Américo Paredes, Henry Roth, Saul Bellow, Isaac Bashevis Singer, Jhumpa Lahiri, and others. This is literary criticism at its best-informed: broad-ranged yet pungent and uncompromising.

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Many cultures identify mourning as the very source of poetry and music, what Elizabeth Bishop calls the art of losing. That might well be the title of this collection. Not every poem is cornered with death, but all are about loss. The poems chosen traverse a surprisingly wide range of emotions from despair to joy, resignation to anger, all articulated in language of the greatest power and beauty . All the major verse forms of mourning are represented here: epitaph, requiem and lament. Three great elergies by Milton, Whitman and Rilke are surrounded by a wide variety of shorter poems. Naturally, the pathos of death predominates, but its comedy has not been neglected, whether in the savage poems of World War I or the gentle teasing of seventeenth-century satire. Poets include: Akhmatova, Auden, Bishop, Brodsky, Browning, Carew, Cory, Cowley, Dickinson, Donne, Dryden, Dyer, Fletcher, Graves, Gurney, Hardy, Harrison, Herrick, Hopkins, Horace, King, Leopardi, Lowell, MacCaig, Mandelstam, Milosz, Philips, Propertius, Roethke, Smith, Tennyson, Dylan Thomas, Edward Thomas and Wordsworth.

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The arc of poetry of the South, from slave songs to Confederate hymns to Civil War ballads, from Reconstruction turmoil to the Agrarian movement to the dazzling poetry of the New South, is richly varied and historically vibrant. No other region of the United States has been as mythologized as the South, nor contained as many fascinating, beguiling, and sometimes infuriating contradictions. Poems of the American South includes poems both by Southerners and by famous observers of the South who hailed from elsewhere. These range from Herman Melville, Walt Whitman, Edgar Allan Poe, and Francis Scott Key through Langston Hughes, Robert Penn Warren, Wallace Stevens, Elizabeth Bishop, James Dickey, and Donald Justice, and include a host of living poets as well: Wendell Berry, Rita Dove, Sandra Cisneros, Yusef Komunyakaa, Naomi Shihab Nye, C. D. Wright, Natasha Trethewey, and many more. Organized thematically, the anthology places poems from past centuries in fruitful dialogue with a diverse array of modern voices who are redefining the South with a verve that is reinvigorating American poetry as a whole.

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Given the increasing number of old people, the proliferation of books about old age is hardly surprising. Most of these come from cultural historians or social scientists and, when those with a literary background have tackled the subject, they have largely done so through what are known as period studies. In Blasted with Antiquity, David Ellis provides an alternative. Skipping nimbly from Cicero to Shakespeare, and from Wordsworth to Dickens and beyond, he discusses various aspects of old age with the help of writers across European history who have usually been regarded as worth listening to. Eschewing extended literary analyses, Ellis addresses retirement, physical decay, sex in old age, the importance of family, legacy, wills and nostalgia, as well of course as dying itself. While remaining alert to current trends, his approach is consciously that of the old way of teaching English rather than the new. Whether 'blasted with antiquity' like Falstaff in Henry IV Part Two, or with the 'shining morning face' of an unwilling student, his accessible and witty style will appeal to young and old alike.

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Authoritative and comprehensive account of one of Somerset's leading towns. Castle Cary is a relatively unspoilt town deep in the Somerset countryside, its narrow streets rich in high-quality late eighteenth and nineteenth-century buildings. Its most famous industry, horsehair weaving, still flourishes. This volume explores its history from the original castle and its lords to its rebirth as an industrial town. It also covers many villages, among them Ansford, early home of Parson Woodforde; Kingweston, virtually recreated bythe Dickinson family; Keinton Mandeville, once famous for its paving stone quarries and as the birthplace of Henry Irving; tiny Wheathill, almost obliterated by a golf course; and West Lydford, the family home of the early eighteenth-century diarist John Cannon. Other places of note include Barton St David, home of Henry Adams, the reputed ancestor of two American Presidents, and Lovington, whose small primary school traces its origins back to an eighteenth-century charity school. M.C. Siraut is a historian and archivist; she is the county editor for the Victoria History of Somerset.

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The pie, to quote one Victorian writer, is a great human discovery which has universal estimation among all civilized eaters'. "Pie" explores the development of this most esteemed article of food, from the ancient pie, its crust inedible and used for preserving the contents, to its elevation as the highest expression of culinary art. The pie symbolizes family, celebration and ritual, and appears in literature from Chaucer to Jane Austen and in art from Monet to Hogarth. It is the most adaptable of foods, portable, nutritious and tasty, and its contents vary throughout the world, from fish to meat, from sweet to savoury, to the mysterious and sinister Old Maid' or Scrap' pie. A pie can be an economical investment for all miscellaneous savings', as Dickens called it, or a momentous and expensive work of art; it can even contain nothing but live birds, frogs or dancing girls. A celebration of the pie as well as a hugely informative history, with a selection of recipes from throughout the life of the pie, "Pie" will satisfy the appetite of anyone interested in the history of food and cookery.

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A powerful collection of chilling crime with new, modern stories and classic tales reaching back into ancient, medieval, Elizabethan and Victorian fiction: from Oedipus Rex and Thomas More's story of the Princes in the Tower to Scheherazade's 'The Three Apples' and the chilling crime fiction of Dickens, Poe, Henry James, Baroness Orczy, Wilkie Collins and F. Scott Fitzgerald. The new, contemporary and notable writers featured are: Jeremy Bates, Jesse Bethea, Allan Burd, Laura J. Campbell, Ramsey Campbell, D.R. Cartwright, Robert Ford, Tyler Jones, Theresa Konwinski, Alexes Lester, Robert Lopresti, Tom Mead, Marshall J. Moore, Jane Nightshade, Christi Nogle, Michael Penncavage, Zandra Renwick, Dan Stout, and Steve Toase. The Flame Tree Gothic Fantasy, Classic Stories and Epic Tales collections bring together the entire range of myth, folklore and modern short fiction. Highlighting the roots of suspense, supernatural, science fiction and mystery stories, the books in Flame Tree Collections series are beautifully presented, perfect as a gift and offer a lifetime of reading pleasure.

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This innovative collection of essays is the first to situate comedy and laughter as central rather than peripheral to nineteenth century life. Victorian Comedy and Laughter: Conviviality,Jokes and Dissent offers new readings of the works of Charles Dickens, Edward Lear,George Eliot, George Gissing, Barry Pain and Oscar Wilde, alongside discussions of much-loved Victorian comics like Little Tich, Jenny Hill, Bessie Bellwood and Thomas Lawrence. Tracing three consecutive and interlocking moods in the period, all of the contributors engage with the crucial critical question of how laughter and comedy shaped Victorian subjectivity and aesthetic form. Malcolm Andrews, Jonathan Buckmaster and Peter Swaab explore the dream of print culture togetherness that is conviviality, while Bob Nicholson, Louise Lee, Ann Featherstone,Louise Wingrove and Oliver Double discuss the rise-on-rise of the Victorian joke — both on the page and the stage — while Peter Jones, Jonathan Wild and Matthew Kaiser consider the impassioned debates concerning old and new forms of laughter that took place at the end of the century.

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An Ode to Vanishing Beauty It is estimated that, as a result of climate change, illegal trade, and habitat loss from the encroachments of technology and industrialization, as many as one in eight species of birds is heading towards extinction. Created in close collaboration between Sean Scully and Kelly Grovier, each pairing of poem and drawing is devoted to the beauty and mystery of an individual species of bird. Scully’s visual language, at once measured and impassioned, geometric and free-flowing, captures the essence of creatures that are, themselves, on the brink of becoming mere abstractions. Though his first series of iPhone drawings are consistent with his signature style, they reveal a fresh intimacy, playfulness, and exhilaration of gesture, color, and form that is in accord with the wonder of feathered flight. Created on a digital device, the drawings are, as Scully remarked, the ironic embodiment of “technology which is ruining nature turned inside out to protest its demise.” Yet taken together, these duets aim to offer something uplifting in the face of an accelerating tragedy. “Hope” is, after all as Emily Dickinson famously wrote, “the thing with feathers / That perches in the soul.”

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Imagine a world in which every bad thought you had was made visible. Where anger, hatred and envy appeared as a thick, infectious smoke pouring from your body, leaving soot on your skin. A society controlled by an elite who have learned to master their darkest desires.Thomas and Charlie are friends at a boarding school near Oxford, where the children of the rich and powerful are trained to be future leaders. Charlie is naturally good, but Thomas's father was accused of a terrible crime, and Thomas fears that the same evil lies coiled inside him. Then, on a trip to London - a forbidden city shrouded in darkness - they learn all is not as it appears. So begins a quest to understand the truth about this world of smoke, soot and ash - and perhaps to change it.'Mesmerising and imaginative ... a novel that tackles the most fundamental question of good versus evil' Hannah Beckerman, Observer'Like an adult version of the Harry Potter books with a touch of Dickensian dystopia ...a sheer delight' Maxim Jakubowski, Lovereading'A novel that stays in the imagination long after it is read' Adam Roberts, Guardian

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Discover the sixth book in the ludicrously inaccurately named Hitchhiker's Guide to the Galaxy trilogy, as broadcast on BBC Radio 4 and featuring original cast members including Simon Jones, Geoff McGivern, Mark Wing-Davey and Sandra Dickinson.Arthur Dent led a perfectly ordinary, uneventful life until the Hitchhiker's Guide to the Galaxy hurled him deep into outer space. Now he's convinced a cruelly indifferent universe is out to get him. And who can blame him?His life is about to collide with a pantheon of unemployed gods, a lovestruck green alien, a very irritating computer and at least one very large slab of cheese. If, that is, everyone's favourite renegade Galactic President can get him off planet Earth before it is destroyed . . . again.'A triumph, fabulous. Colfer has given us a delight' Observer'I haven't read anything in a long time that made me laugh as much' The Times'Chock-full of fanciful, inventive one-liners and asides, brimming with a burning sense of the ridiculousness of life' Independent on Sunday'The best post-mortem impersonation I have ever read' Mark Lawson, Guardian

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The Heavy Bear Who Goes With Me is the ultimate reader’s companion to poetry: a selection of 100 classic poems from ?ve centuries with lively “companion” commentaries to go with and illuminate each poem. The heavy bear can be many things which go with the bearer: another self or alter ego, the burden of poetry or art, what weighs us down and makes us do what we don’t really want to do as well as what pulls us back to our selves, the animal side which makes us bearable or human. The editors’ selection ranges from Wyatt, Ralegh and Shakespeare in the 16th century, to Donne, Milton and Marvell in the 17th, to Swift, Pope and Johnson in the 18th. It embraces the Romantic visions of Blake, Wordsworth, Coleridge, Shelley and Keats, as well as the later, darker outlook of Browning, Tennyson and Hardy, and seeks enlightenment in the shadowlands of Emily Dickinson, Wilde and Yeats. As well as journeying with the reader through some of the greatest poems in the English language, The Heavy Bear encounters many modern poets, not least Delmore Schwartz, whose sense of con?ict between self and society gave birth to this anthology’s title-poem, ‘The Heavy Bear Who Goes With Me’. Others include some of the major figures in Irish poetry Brendan Kennelly knew personally as well as wrote about, including Patrick Kavanagh, Seamus Heaney, Michael Longley, Derek Mahon and Eavan Boland. The poems keep each other company in this highly original compilation, questioning each other in a continuing thematic, imagistic debate which the editors seek to explore in their responses, trying at all times to de?ne their sense and vision of poetry as disturbing, questioning, enlightening companionship for the reader. Both editors are renowned communicators of poetry: Brendan Kennelly (1936-2021) as one of Ireland’s best-loved poets, as Professor of Modern Literature at Trinity College Dublin, and as a popular cultural commentator on Irish television; Neil Astley as founder and editor of Bloodaxe Books and editor of the Staying Alive anthology series.

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A comprehensive overview of the field of comparative administrative law that builds on the first edition with many new and revised chapters, additional topics and extended geographical coverage. This research handbook s broad, multi-method approach combines history and social science with more strictly legal analyses. This new edition demonstrates the growth and dynamism of recent efforts - spearheaded by the first edition - to stimulate comparative research in administrative law and public law more generally, reaching across different countries and scholarly disciplines.A particular focus is on administrative independence with its manifold implications for separation of powers, democratic self-government, and the boundary between law, politics, and policy. Several chapters highlight the tensions between impartial expertise and public accountability; others consider administrative litigation and the role of the courts in reviewing both individual decisions and secondary norms. The book concludes by asking how administrative law is shaping and is being shaped by the changing boundaries of the state, especially shifting boundaries between the public and the private, and the national and the supranational domains.This extensive and interdisciplinary appraisal of the field will be a vital resource for scholars and students of administrative and comparative law worldwide, and for public officials and representatives of interest groups engaged with government policy implementation and regulation. Contributors: B. Ackerman, A. Alemanno, M. Asimow, J.-B. Auby, D. Barek-Erez, J. Barnes, P. Cane, P. Craig, D. Custos, M. D'Alberti, L.A. Dickinson, C. Donnelly, Y. Dotan, B. Emerson, T. Ginsburg, D. Halberstam, H.C.H. Hofmann, G.B. Hola, C.-Y. Huang, N. Kadomatsu, K. Kovács, P. Lindseth, M.E. Magill, J. Mashaw, J. Massot, J. Mathews, J. Mendes, G. Napolitano, D.R. Ortiz, T. Perroud, M.M. Prado, A. Psygkas, V.V. Ramraj, D.R. Reiss, S. Rose-Ackerman, M. Ruffert, J. Saurer, K.L. Scheppele, J.-P. Schneider, M. Shapiro, B. Sordi, L. Sossin, P. Strauss, A.K. Thiruvengadam, A. Vosskuhle, J.B. Wiener, T. Wischmeyer, J.-r. Yeh

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Science tells us that babies develop best when they are spoken to, sung to and read to. Introduce your baby to a world of words and pictures with these 30 classic nursery rhymes from the Mother Goose collection and beyond paired with images of Chloe Giordano’s delightful hand-embroidered illustrations on cloth. Even when they’re tiny, the sound of their parents’ voices helps babies make sense of the world and feel comfortable with new people and places. This treasury gives you the opportunity to rediscover just how useful (and calming) these best-loved nursery rhymes are in one, handsome volume. Bond with your baby and help them grow as you recite and sing these timeless rhymes: Hey, Diddle Diddle; Baa, Baa, Black Sheep; This Little Piggy; Hush Little Baby; Hickory, Dickory, Dock; Twinkle, Twinkle, Little Star; Little Bo-Peep; Pussy-cat, Pussy-cat; Row, Row, Row Your Boat; The Itsy Bitsy Spider; London Bridge; Mary Had a Little Lamb; One, Two, Buckle My Shoe; Humpty Dumpty; Rub-a-dub-dub; Pat-a-Cake; I Saw a Ship A-Sailing; Old MacDonald; Rock-a-Bye Baby; The Wheels on the Bus; I’m a Little Teapot; This Old Man; Jack and Jill; The Muffin Man; Little Miss Muffet; The Owl and the Pussy-cat; Here We Go Round the Mulberry Bush; Old Mother Hubbard; Pop! Goes the Weasel; Are you Sleeping? Continue this cherished daily ritual of reading to your child with the follow-up book of folktales, Read to Your Toddler Every Day.

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In a series of intriguing routes through the English countryside, Professor Robert Cooper notes those attractions that the casual tourist might unknowingly pass by, such as the house where Dickens wrote A Tale of Two Cities, or the windswept quay where John Fowles’s French Lieutenant’s woman walked. Maps and information about restaurants and accommodations give the traveler the opportunity of having pints of “half and half” where Jane Austen dined or visiting the pub where Blake’s scuffle led to his trial for treason. This newly revised and updated edition of Robert Cooper’s acclaimed handbook combines the utility of current travel information with the appeal of literary history, biography, and anecdote in a leisurely and flavorful guide to the broad sweep of southern England outside of London. A rich and reliable guide to the landscape that fostered one of our most cherished cultures, The Literary Guide and Companion to Southern England is an indispensable resource for those who wish to experience literature firsthand.

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In 1872, a young archaeologist at the British Museum made a tremendous discovery. While he was working his way through a Mesopotamian ‘slush pile’, George Smith, a self-taught expert in ancient languages, happened upon a Babylonian version of Noah’s Flood. His research suggested this ‘Deluge Tablet’ pre-dated the writing of Genesis by a millennium or more. Smith went on to translate what later became The Epic of Gilgamesh, perhaps the oldest and most complete work of literature from any culture.Against the backdrop of innovative readings of a range of paintings, novels, histories and photographs (by figures like Dickens, Eliot, James, Dyce, Turner, Macaulay and Carlyle), this book demonstrates the Gordian complexity of the Victorians’ relationship with history, while also seeking to highlight the Epic’s role in influencing models of time in late-Victorian geology.Discovering Gilgamesh will be of interest to readers, students and researchers in literary studies, Victorian studies, history, intellectual history, art history and archaeology.

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A glorious treasury of literary curiosities for every night of the year. Bedside Companion for Book Lovers contains an eclectic mix of fact and fiction, letters, diaries, essays and dedications, all suffused with the joys of books and reading. The perfect gift for the bibliophile in your life, it contains snippets from some of the greatest writers and book collectors from throughout history, including: Charles Dickens on the smell of books Maya Angelou on the pleasures of reading aloud Virginia Woolf on finding space for writing Nick Hornby on reading for pure enjoyment and much more. Along the way, you’ll find advice on how to look after your most precious volumes, what to do when books start taking over your home, and where to find the most atmospheric libraries and bookshops around the world. Keep this beautifully illustrated book by your bedside and wander into a magical world of books every night of the year.

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Interviewing Children is an accessible guidefor forensic interviewers, clinicians, attorneys, and other professionals who rely on children’s testimony. In this second edition, Poole and Dickinson present new thematic chapters on conversation habits, conventional content, and protocols for training.Highlights include: Sample dialogues that help flesh out and illustrate research-based recommendations for practice quick guides that synthesize core ideas and skills 'Principles to Practice' sections that answer questions about child interviewing;and a comprehensive appendix of learning activities readers can use to sharpen their interviewing skills. The primary goal of all conversations with child witnesses is to help children describe events in their lives as completely, accurately, and unambiguously as they can. But common obstacles can make this task difficult, if not impossible

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In Safe Hands: Rangers' Goalkeeping Greats chronicles the careers of the players who have kept goal for Scotland's most successful football club. From as far back as the days of the founding fathers, Rangers have been blessed with some of the finest goalkeepers in the game. The likes of David Reid, Matthew Dickie, Harry Rennie, Willie Robb, Jerry Dawson, Bobby Brown, George Niven, Billy Ritchie, Peter McCloy, Chris Woods, Andy Goram, Stefan Klos and Allan McGregor have all served the club with distinction. But this book isn't just about the leading lights. Meticulously researched, it explores the Rangers careers of every player to have played in goal for the Gers. The stories are brought to life by personal insights and reflections from past and present Rangers keepers such as Peter McCloy, Jim Stewart, Chris Woods, Lionel Charbonnier, Andy Dibble, Neil Alexander and Allan McGregor. There is also a poignant tribute to the late Andy Goram, arguably the greatest Rangers goalkeeper of all time.

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A cultural revolution in England, France, and the United States beginning during the time of the industrial and political revolutions helped usher in modernity. This cultural revolution worked alongside the better documented political and economic revolutions to usher in the modern era of continuous revolution. Focusing on the period between 1847 and 1937, the book examines in depth six of the cultural "battles" that were key parts of this revolution: the novels of the Brontë sisters, the paintings of the Impressionists, the poetry of Emily Dickinson, the Ballets Russes production of Le Sacre du printemps, James Joyce's Ulysses, and Zora Neale Hurston's Their Eyes Were Watching God. Using contemporaneous reviews in the press as well as other historical material, we can see that these now-canonical works provoked outrage at the time of their release because they addressed critical points of social upheaval and transformation in ways that engaged broad audiences with subversive messages. This framework allows us to understand and navigate the cultural debates that play such an important role in 21st century politics.

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An innovative study of how the Victorians used books, portraits, fairies, microscopes, and dollhouses to imagine miniature worlds beyond perception In 1856, Elizabeth Gaskell discovered a trove of handmade miniature books that were created by Charlotte and Branwell Brontë in their youth and that, as Gaskell later recalled, “contained an immense amount of manuscript, in an inconceivably small space.” Far from being singular wonders, these two-inch volumes were part of a wide array of miniature marvels that filled the drawers and pockets of middle- and upper-class Victorians. Victorian miniatures pushed the boundaries of scientific knowledge, mechanical production, and human perception. To touch a miniature was to imagine what lay beyond these boundaries. In Worlds Beyond, Laura Forsberg reads major works of fiction by George Eliot, Jane Austen, Charles Dickens, and Lewis Carroll alongside minor genres like the doll narrative, fairy science tract, and thumb Bible. Forsberg guides readers through microscopic science, art history, children’s culture, and book production to show how Victorian miniatures offered scripts for expansive fantasies of worlds beyond perception.

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Immerse yourself in some truly festive magic with this brand-new collection of the finest Christmas stories, prose, songs and poetry from some of the greatest writers in the English language. Inspired by the approach and style of the British Library's 2018 bestseller A Literary Christmas, this carefully chosen anthology moves its focus to those most deeply involved in the wonders of Christmas, the Christmas girls and Christmas boys. Twenty-four seasonal chapters allow the excitement to build as parents and grandparents can share pages of unforgettable adventures, festive traditions, tales of elves, snowmen and reindeer, fairytales, folklore and family fun. Age-old pleasures from those essential Christmas favourites, including Dickens, Kenneth Grahame, George Mackay Brown, Robert L. May and Ezra Jack Keats, are presented alongside charming, but often more edgy, award-wining contemporary voices. This treasure trove of stories is brought to life by an equally beautiful selection of seasonal illustrations from the collections of the Library and the artwork of some of the great modern book illustrators.

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"Each century," wrote Charles Dickens "[is] more amazed by the century following it than by all the centuries before." Victorians in theory explores the startling conceit that nineteenth-century poetry is amazed by twentieth-century literary theory. In a daring and exciting departure from critical convention, Schad re-reads postructuralist theory through Victorian poetry. Each chapter pairs a poet with a theorist: Robert Browning meets Jacques Derrida; Christina Rossetti encounters Luce Irigaray; Matthew Arnold is after Michel Foucault; Gerald Manley Hopkins dreams with Jacques Lacan; and Elizabeth Barrett Browning haunts Hélène Cixous. Reading both across and between these writers, Schad opens up a radically intertextual space; he wanders, in Matthew Arnold's words, "between two worlds." Across this no-man's land appear a host of unlikely specters, among them T. S. Eliot, Martin Luther, Friedrich Nietzsche, Lewis Carroll's Alice, Walter Benjamin's "angel of history," and the woman taken in adultery.This book will fascinate anyone interested in the Victorians or theory; at once rigorous and readable, it will appeal to both the scholar and the student.

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Graphic tools and visual solutions for team building and development Visual Teams uses visual tools and methods to help teams—both face-to-face and virtual—reach high performance in today's work environment. As teams become more and more global and distributed, visualization provides an important channel of communication—one that opens up the group's mind to improving work systems and processes by understanding relationships, interconnections, and big picture contexts. Visual Teams shares best practices and uses visualization as a power tool for process improvement by providing teams with a common language for high performance. The book: Explores how any kind of team can draw on the principles and practices of creative design teams in the software, architectural, engineering, and information design professions Introduces the Drexler/Sibbet Team Performance™ Model and related tools—a system used throughout companies such as Nike, Genentech, Becton Dickinson, Chevron, and others Visual Teams presents a comprehensive framework, best practices, and unique visual tools for becoming an innovative, high-performance team.

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THE SUNDAY TIMES BESTSELLER ‘Part whodunnit, part coming of age, this is a gripping debut about the secrets behind every door’ RACHEL JOYCE ‘Cannon is so attuned to other people’s stories… a chronicler both of the human condition and the quotidian details which speak to who we are’ GUARDIAN ‘A very special book’ NATHAN FILER‘An utter delight’ SARAH WINMAN‘A delight’ PAULA HAWKINS‘A treasure chest of a novel’ JULIE COHEN‘One of the standout novels of the year’ HANNAH BECKERMAN‘I didn't want the book to end’ CARYS BRAY‘An excellent debut’ JAMES HANNAH‘Grace and Tilly are my new heroes’ KATE HAMER‘A wonderful debut’ JILL MANSELL‘A modern classic in the making’ SARAH HILARY‘A stunning debut’ KATIE FFORDE‘Phenomenal’ MIRANDA DICKINSON England,1976. Mrs Creasy is missing and The Avenue is alive with whispers. As the summer shimmers endlessly on, ten-year-olds Grace and Tilly decide to take matters into their own hands. And as the cul-de-sac starts giving up its secrets, the amateur detectives will find much more than they imagined…

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