Search results for ""Touchstone""

Letting It Go—A Bereaving Mother, Delinquent Girls, and the Power of Rehabilitative Poetry Therapy"Anyone who has suffered and cares about our world (that probably includes everyone) will be moved and changed by this book.” ―Elizabeth Lesser, author of the New York Times bestseller Broken Open: How Difficult Times Can Help Us Grow Experience the poignant real-life story of how author Sharon Charde was saved by her relationship with incarcerated young women at Touchstone, a residential all-female treatment center in Litchfield, Connecticut. And, learn how these young women—confined for crimes such as using drugs, truancy, assault, prostitution, and running away—were rehabilitated by their poetry teacher. Letting go of grief and loss by writing poetry as therapy. I Am Not a Juvenile Delinquent is a book for fans of the acclaimed movie Stand and Deliver. After the death of her child, a grief-stricken psychotherapist, teacher, and writer volunteers as a poetry teacher at a residential treatment facility for “delinquent” girls. Here, their mutual support nourishes and enriches each other, though not without large quantities of drama and recalcitrance. As Sharon and the girls share their losses through weekly writing, they came to realize their unlimited potential and poetic talents. Healing from trauma. Healing can come in surprising ways across age and social class, as it did for both the girls and Sharon. But what happens when Sharon finally grasps that the most challenging experiences are the best teachers? Narrated in five parts, the book also contains poems written by the girls, as well as excerpts from their writing, Sharon’s son’s writing, and her own. If you have read books such as Why are All the Black Kids Sitting Together in the Cafeteria?, For White Folks Who Teach in the Hood, The Freedom Writers Diary, Between the World and Me, So You Want to Talk about Race, or Reviving Ophelia; you will love I Am Not a Juvenile Delinquent.

Read more less

From influential and iconic star Constance Wu, a powerful and poignant memoir-in-essays full of funny and intimate observations that will resonate with readers everywhere. ‘Like her, the book is bold, emotional and unexpurgated; the story of an Asian American who always wanted to fit in, and ended up just wanting to be her true self.’Independent ‘A startling insight into the reality of trials by social media and sexual exploitation in Hollywood… Most powerful is her #MeToo rallying cry, which will make your skin crawl and your blood boil.’ Sunday Times Growing up in the friendly suburbs of Richmond, Virginia, Constance Wu thought that girls were supposed to be reserved, graceful, and polite. Everyone around her praised ladylike behaviour while seeming to disapprove of the louder, rougher girls – the kind of girls who made scenes. And while she spent most of her childhood suppressing her bold, emotional nature, Constance found an early outlet in local community theatre. The stage was the one place where big feelings were okay – were good, even. As she continued to reconcile her personality with the expectations of daily life, acting became more than a hobby. It was her refuge, her touchstone, and eventually her vocation. She went to New York to study classical theatre and pursue an acting career while waiting tables, dating, despairing, and embracing city life. In 2015, she was cast in the ground-breaking TV sitcom Fresh Off the Boat, a touching, funny story about an Asian American family in the ’90s. Another historic role followed when she starred in the smash hit film Crazy Rich Asians, which featured an entirely Asian cast. These two pivotal moments in Hollywood history opened up a new chapter for Constance, who continues to explore the complexities of Asian American representation. Through raw, hilarious, and relatable stories, Constance fearlessly shares her experiences of growing up in suburban Virginia, scraping by as a struggling actress, falling in love again and again, confronting her identity and influence, and navigating the pressures and pleasures of existing in today’s world.

Read more less

An important look at how America has won its wars in the past and how it can continue winning in the future.Is there a recipe for military success? In No Substitute for Victory, author David Rigby grapples with this issue and determines that, in the case of the United States, there are a number of different strategies that have brought victory in battle to American forces over the years.In a clear, energetic prose, Rigby explains how the dropping of chocolate bars from airplanes over Berlin turned out to be one of the most successful applications of the Cold War strategy of containment. He argues, too, that far from being a radical change in policy by a desperate President Lincoln, the Emancipation Proclamation was in fact an essential part of Lincoln’s plan to reunite the nation. While the focus in No Substitute for Victory is on military maneuvers that have been successful, Rigby brilliantly uses the Vietnam War as a touchstone for comparison purposes on how not to fight a war.While the writing of military strategy is a crowded field, Rigby’s approach is unique in that he draws examples from conflicts throughout American history, from the Revolution up through the modern day. Rigby’s ability to find similarities in—and to draw conclusions from—the successes attained by American forces in battles as seemingly dissimilar as Gettysburg and Midway makes No Substitute for Victory essential reading for anyone interested in the riveting history of our nation’s military.Skyhorse Publishing, as well as our Arcade imprint, are proud to publish a broad range of books for readers interested in history--books about World War II, the Third Reich, Hitler and his henchmen, the JFK assassination, conspiracies, the American Civil War, the American Revolution, gladiators, Vikings, ancient Rome, medieval times, the old West, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

Read more less

This is an excellent book. Bruce Kaufman, in his ever thoughtful way, has not just analyzed the history of the development of HRM, but assembled 17 chapters in which world-class local experts report on that history in their own country. The book is full of fascinating information, stories and analysis and will be a touchstone text for everyone wanting to break out of the usual narrow ethnocentric view that often afflicts studies of HRM.'- Chris Brewster, University of Reading, UKThis innovative book describes the historical development of human resource management (HRM) in seventeen countries around the world. The chapters, written by national experts, describe the origin of HRM in the late 19th - early 20th century and its evolution and development as a business practice to the present day.Offering a comprehensive cross-disciplinary perspective, the chapters discuss the economic, political and social factors that shaped HRM in each country, including the role of national labor movements and labor law regimes. The authors also provide an examination of HR practices and systems within firms, starting with rudimentary hiring and compensation a century ago, progressing to personnel and industrial relations programs in the last century, and culminating in modern human resource management practices today, including strategic high-performance systems. This unique book is the first to identify the commonalities and differences in HRM both across nations and over time.A book with real international appeal, The Development of Human Resource Management Across Nations will interest researchers, students and practitioners involved with management, industrial relations, labor economics, organizational behavior and employment law.Contributors: C. Aldao-Zapiola, A. Camuffo, L. Chen, G. Costa, L. Gonãs, H. Gospel, Z. Guimarães Horta, I. Gurkov, I. Harpaz, B.E. Kaufman, P. Larson, Y-M. Lee, M. Meyer, E. Morgunov, J. Rojot, R. Rosenberger, A. Settles, J.S. Sodhi, Z. Su, L. Tüzüner, J-W. Woo, C. Wright, O. Zelenova, X. Zeng

Read more less

On September 4, 1915, hundreds of people gathered in Estes Park, Colorado, to celebrate the creation of Rocky Mountain National Park. This new nature preserve held the promise of peace, solitude, and rapture that many city dwellers craved. As Jerry Frank demonstrates, however, the park is much more than a lovely place. Rocky Mountain National Park was a keystone in broader efforts to create the National Park Service, and its history tells us a great deal about Colorado, tourism, and ecology in the American West. To Frank, the tensions between tourism and ecology have played out across a natural stage that is anything but passive. At nearly every turn the National Park Service found itself face-to-face with an environment that was difficult to anticipate—and impossible to control. Frank first takes readers back to the late nineteenth century, when Colorado boosters—already touting the Rocky Mountains’ restorative power for lung patients—set out to attract more tourists and generate revenue for the state. He then describes how an ecological perspective came to Rocky in fits and starts, offering a new way of imagining the park that did not sit comfortably with an entrenched management paradigm devoted to visitor recreation and comfort. Frank examines a wide range of popular activities including driving, hiking, skiing, fishing, and wildlife viewing to consider how they have impacted the park’s flora and fauna, often leaving widespread transformation in their wake. He subjects the decisions of park officials to close but evenhanded scrutiny, showing how in their zeal to return the park to what they understood as its natural state, they have tinkered with its features—sometimes with less than desirable results. Today’s Rocky Mountain National Park serves both competing visions, maintaining accessible roads and vistas for the convenience of tourists while guarding its backcountry to preserve ecological values. As the park prepares to celebrate its centennial, Frank’s book advances our understanding of its past while also providing an important touchstone for addressing its problems in the present and future.

Read more less

This expanded and revised version of the best-selling Universal Methods of Design is a comprehensive reference that provides a thorough and critical presentation of 125 research methods, synthesis/analysis techniques, and research deliverables for human-centered design. The text and accompanying photos and graphics of this classic resource are delivered in a concise and accessible format perfect for designers, educators, and students. This new, expanded edition includes updated information on scenarios, secondary research, territory maps, and other chapters. The addition of 25 new chapters brings fresh relevance to the text with innovative design methods that have emerged since the first edition, such as backcasting, behavioral design, horizon scanning, and transition design.Universal Methods of Design, Expanded and Revised distills each method down to its essence, in a format that helps design teams select and implement the most credible research methods suited to their design culture. Each method is presented in a two-page format. The left-hand page contains a concise description of the method, accompanied by references to further reading. On the right-hand page, images and case studies for each method are presented visually. The relevant phases for design application are highlighted as numbered icons along the right side of the page, from phases 1 (planning, scoping, and definition) through 5 (launch and monitor).Build more meaningful products with these methods and more: Affinity Diagramming, Behavioral Mapping, Bodystorming, Contextual Design, Critical Incident Design, Directed Storytelling, Empathy Maps, Graffiti Walls, Image Boards, Parallel Prototyping, Simulation Exercises, Touchstone Tours, and Weighted Matrix. This essential guide: Dismantles the myth that user research methods are complicated, expensive, and time-consuming Creates a shared meaning for cross-disciplinary teams Illustrates methods with compelling visualizations and case studies Characterizes each method at a glance Indicates when methods are best employed to help prioritize appropriate design research strategies Universal Methods of Design, Expanded and Revised is an essential resource for designers of all levels and specializations.

Read more less

When former Kentucky Poet Laureate Richard Taylor took a job at Kentucky State University in 1975, he purchased a fixer-upper - in need of a roof, a paint job, city water, and central heating - that became known to his friends as "Taylor's Folly." The historic Giltner-Holt House, which was built in 1859 and sits close by the Elkhorn Creek a few miles outside of Frankfort, became the poet's entrance into the area's history and culture, and the Elkhorn became a source of inspiration for his writing.Driven by topophilia (love of place), Taylor focuses on the eight-mile stretch of the creek from the Forks of the Elkhorn to Knight's Bridge to provide a glimpse into the economic, social, and cultural transformation of Kentucky from wilderness to its current landscape. He explores both the natural history of the region and the formation of the Forks community. Taylor recounts the Elkhorn Valley's inhabitants from the earliest surveyors and settlers to artist Paul Sawyier, who memorably documented the creek in watercolors, oils, and pastels. Interspersed with photographs and illustrations - contemporary and historic - and intermixed with short vignettes about historical figures of the region, Elkhorn: Evolution of a Kentucky Landscape delivers a history that is by turns a vibrant and meditative personal response to the creek and its many wonders.Flowing across four counties in central Kentucky, Elkhorn Creek is the second largest tributary of the Kentucky River. Known for its beauty and recreational opportunities, Elkhorn Creek has become an increasingly popular location for canoeing, kayaking, and camping and is one of the state's best-known streams for smallmouth bass, bluegills, and crawfish. Like Walden Pond for Henry David Thoreau, the Elkhorn has been a touchstone for Taylor. A beautiful blend of creative storytelling and historical exploration of one of the state's beloved waterways, Elkhorn celebrates a gem in the heart of central Kentucky.

Read more less

[Pascal]’s methods are effective, and his creativity is infectious. With gorgeous photos and clear technical details, this book will be a source of great inspiration. Sandor Ellix Katz, author of The Art of Fermentation The perfect guide for DIY homebrewers, fermentation fans and foraging enthusiasts! Fermentation fans and homebrewers are invited to discover a galaxy of wild and cultivated plants, fruits, berries and other natural ingredients traditionally used to make a whole spectrum of fizzy fermented drinks! Wild-plant expert and forager Pascal Baudar’s first book, The New Wildcrafted Cuisine, opened up a whole new world of possibilities for readers wishing to explore and capture the flavours of their local terroir. Next in Pascal’s Wildcrafted series, The Wildcrafting Brewer does the same for fermented drinks. Baudar reveals both the underlying philosophy and the practical techniques for making your own delicious concoctions. Illustrated with full-colour photographs and step-by-step techniques on how to make a variety of drinks, including: Sugar, molasses & syrup-based beers such as ginger beer, mountain beer, nettle beer, wild Belgian beer Country wines & meads including: elderberry wine, honey wine, herbal mead Traditional drinks & medicinal brews such as tepache, fruit kvass, chaga beer Naturally fermented drinks including: pinecone soda, mountain raspberry soda, elderflower soda, lacto-fermented drinks and much more! Baudar is quick to point out that these recipes serve mainly as a touchstone for readers, who can then use the information and techniques he provides to create their own brews using local ingredients. The Wildcrafting Brewer will attract foodies, herbalists, foragers and chefs alike with the author’s playful and relaxed philosophy. Readers will find themselves surprised by how easy making your own natural drinks can be and will be inspired, again, by the abundance of nature all around them. Those interested in the wonders of foraging and fermenting can also check out his next book in the wildcrafted series, Wildcrafted Fermentation!

Read more less

It's Britain's hottest summer since 1976 and English cricket is in a sweat of transformation. The public is no longer interested in County Championship games, traditional touchstone of the calendar. Fans prefer a bit of flash, bang, wallop – or so the experts tell us. Where though does that leave the twenty minor counties – strung out from Northumberland to Norfolk to Cornwall – who for the past one hundred and twenty-five years have fancied themselves the stepping-stone between regional club and first class county competitions? A level of the game seen as either an ex-professionals' graveyard or the last refuge of blazered old duffers is in a struggle for its very existence. And come 2020, the venerable Minor Counties Championship will indeed be blown away, like dandelion seeds on the breeze, replaced by the newly-branded and 'more marketable' National Counties Championship. At least that was the plan. In 2018, no-one has yet heard of Covid-19. What they do know is that this threat to their competition is existential and the modernisers at Lord's are to blame, far more interested in such innovations as a proposed new 'Hundred' than bolstering that which has stood the test of time. Granted full access to committee and squad, Tony Hannan, author of Underdogs – A Year in the Life of a Rugby League Town, spent a season with Cumberland CCC amid the lakes, fells and mountains of Cumbria. And as might have been expected in such dramatic terrain, he tells a story full of ups and downs – complete with one or two surprises. Skippered by former Durham player Gary Pratt – who as substitute fielder ran out Australia captain Ricky Ponting during the 2005 Ashes – Cumberland's expenses-only nomads are nevertheless just one important thread in a yarn stretching well beyond the boundaries of Cumbria. The Wicket Men is a cricket book unlike any other. It draws stumps on a small but fascinating aspect of a pastime whose rhythms and rituals, while endlessly evolving, are rooted firmly in the English folk tradition.

Read more less

Multiculturalism has become a political touchstone in many countries around the world. While many of those on the right oppose it, and many of those on the left embrace it, things are not this simple. For those who defend them, multicultural policies are generally seen as key to the fair and successful integration of minorities, many of whom are immigrants, into diverse democratic societies. For those who oppose multiculturalism, who have become part of the so-called "backlash" against multiculturalism, they are charged with generating segregation rather than inclusion, undermining national cultures, reinforcing difference, and privileging minority groups. Around the world, we see failing attempts at migrant integration, persistent religious intolerance and racial and ethnic discrimination, resurgent national minorities, emboldened majorities, permanent minorities, continuing social isolation, and increasing extremism, including in the form of white nationalism. But is multiculturalism the solution to these problems or does it just make them worse? In this for-and-against book, two prominent scholars of multiculturalism put forward different answers to this important question. While Patti Tamara Lenard argues for minority rights as both the consequence of a right to culture and a way to redress the effects of nation-building, Peter Balint rejects minority rights altogether, instead arguing for a re-imagined liberal neutrality. This theoretical disagreement plays out in real-world policy disagreement. Lenard, for example, argues strongly in favor of exemptions from general rules for minority cultures including the right of Sikhs to be exempt from helmet laws, and for Jews and Muslims to be exempt from bans on male circumcision. She also defends the right of minority cultures to have government-supported separate spaces. Balint, on the other hand, argues directly against these types of exemptions and government support. He is opposed to any form of differentiation based on culture, religion, or ethnicity. The book uses a wide range of real-world examples to demonstrate their significant theoretical disagreement, and to recommend very different policy proposals.

Read more less

The first inside story of one of TV's most popular and beloved dramas, Grey's Anatomy.'I'm a Black woman casting my own show. I wanted their world to look like the world that I live in. I don't think about it in those terms [diversity], and I militantly think I don't have to.' Shonda Rhimes'Multiple generations have discovered Derek through Netflix. They are passionate around the world. It's humbling.' Patrick DempseyMore than 15 years after its premiere, Grey's Anatomy remains one of the most beloved dramas on television in the US and the UK. It continues to win its time slot and has ranked in the Top 20 most watched shows in primetime for most of its 17-season run. It currently averages more than 9 million viewers each week. Now it's time to hear from the people who made the show happen.A cultural touchstone, it introduced the unique voice and vision of Shonda Rhimes, it made Ellen Pompeo, Sandra Oh and T.R. Knight household names, and injected words and phrases into the cultural lexicon like 'McDreamy,' and 'you're my person.' And the behind-the-scenes drama has always been just as juicy as what was happening in front of the camera, from the high-profile firing of Isaiah Washington to Katherine Heigl's fall from grace and Patrick Dempsey's shocking death episode. The show continued to haemorrhage key players, but the beloved hospital series never skipped a beat. Lynette Rice's How to Save A Life takes a deep dive into the show's humble start, while offering exclusive intel on the behind-the-scenes culture, the most heartbreaking departures and the more polarizing plotlines. It's the perfect gift for all Grey's Anatomy stans out there.'It's incredible how this show just keeps resonating with the young generation. It's really touching.' Ellen Pompeo'As much of my life as I feel like I [gave that] character, she has saved me and helped me grow into the artist that I am. . . . If [Shonda] didn't ask me to come back for the series finale, I would hurt her.' Sandra Oh

Read more less

Winner of the Award for Excellence in Government and Political Science (AAP) The Rwandan genocide has become a touchstone for debates about the causes of mass violence and the responsibilities of the international community. Yet a number of key questions about this tragedy remain unanswered: How did the violence spread from community to community and so rapidly engulf the nation? Why did individuals make decisions that led them to take up machetes against their neighbors? And what was the logic that drove the campaign of extermination? According to Scott Straus, a social scientist and former journalist in East Africa for several years (who received a Pulitzer Prize nomination for his reporting for the Houston Chronicle), many of the widely held beliefs about the causes and course of genocide in Rwanda are incomplete. They focus largely on the actions of the ruling elite or the inaction of the international community. Considerably less is known about how and why elite decisions became widespread exterminatory violence. Challenging the prevailing wisdom, Straus provides substantial new evidence about local patterns of violence, using original research—including the most comprehensive surveys yet undertaken among convicted perpetrators—to assess competing theories about the causes and dynamics of the genocide. Current interpretations stress three main causes for the genocide: ethnic identity, ideology, and mass-media indoctrination (in particular the influence of hate radio). Straus's research does not deny the importance of ethnicity, but he finds that it operated more as a background condition. Instead, Straus emphasizes fear and intra-ethnic intimidation as the primary drivers of the violence. A defensive civil war and the assassination of a president created a feeling of acute insecurity. Rwanda's unusually effective state was also central, as was the country's geography and population density, which limited the number of exit options for both victims and perpetrators. In conclusion, Straus steps back from the particulars of the Rwandan genocide to offer a new, dynamic model for understanding other instances of genocide in recent history—the Holocaust, Armenia, Cambodia, the Balkans—and assessing the future likelihood of such events.

Read more less

Winner of the Award for Excellence in Government and Political Science (AAP) The Rwandan genocide has become a touchstone for debates about the causes of mass violence and the responsibilities of the international community. Yet a number of key questions about this tragedy remain unanswered: How did the violence spread from community to community and so rapidly engulf the nation? Why did individuals make decisions that led them to take up machetes against their neighbors? And what was the logic that drove the campaign of extermination? According to Scott Straus, a social scientist and former journalist in East Africa for several years (who received a Pulitzer Prize nomination for his reporting for the Houston Chronicle), many of the widely held beliefs about the causes and course of genocide in Rwanda are incomplete. They focus largely on the actions of the ruling elite or the inaction of the international community. Considerably less is known about how and why elite decisions became widespread exterminatory violence. Challenging the prevailing wisdom, Straus provides substantial new evidence about local patterns of violence, using original research—including the most comprehensive surveys yet undertaken among convicted perpetrators—to assess competing theories about the causes and dynamics of the genocide. Current interpretations stress three main causes for the genocide: ethnic identity, ideology, and mass-media indoctrination (in particular the influence of hate radio). Straus's research does not deny the importance of ethnicity, but he finds that it operated more as a background condition. Instead, Straus emphasizes fear and intra-ethnic intimidation as the primary drivers of the violence. A defensive civil war and the assassination of a president created a feeling of acute insecurity. Rwanda's unusually effective state was also central, as was the country's geography and population density, which limited the number of exit options for both victims and perpetrators. In conclusion, Straus steps back from the particulars of the Rwandan genocide to offer a new, dynamic model for understanding other instances of genocide in recent history—the Holocaust, Armenia, Cambodia, the Balkans—and assessing the future likelihood of such events.

Read more less

During the 2008 election season, the Democratic and Republican presidential candidates both aspired to be understood as foreign policy "realists" in the mold of Henry Kissinger. Kissinger, who is distrusted on the neoconservative right for his skepticism about American exceptionalism and on the liberal left for his amoral, realpolitik approach, once again stood as the sage of foreign relations and the wise man who rises above partisan politics. In The Eccentric Realist, Mario Del Pero questions this depiction of Kissinger. Lauded as the foreign policy realist par excellence, Kissinger, as Del Pero shows, has been far more ideological and inconsistent in his policy formulations than is commonly realized.Del Pero considers the rise and fall of Kissinger's foreign policy doctrine over the course of the 1970s—beginning with his role as National Security Advisor to Nixon and ending with the collapse of détente with the Soviet Union after Kissinger left the scene as Ford's outgoing Secretary of State. Del Pero shows that realism then (not unlike realism now) was as much a response to domestic politics as it was a cold, hard assessment of the facts of international relations. In the early 1970s, Americans were weary of ideological forays abroad; Kissinger provided them with a doctrine that translated that political weariness into foreign policy. Del Pero argues that Kissinger was keenly aware that realism could win elections and generate consensus. Moreover, over the course of the 1970s it became clear that realism, as practiced by Kissinger, was as rigid as the neoconservativism that came to replace it.In the end, the failure of the détente forged by the realists was not the defeat of cool reason at the hands of ideologically motivated and politically savvy neoconservatives. Rather, the force of American exceptionalism, the touchstone of the neocons, overcame Kissinger's political skills and ideological commitments. The fate of realism in the 1970s raises interesting questions regarding its prospects in the early years of the twenty-first century.

Read more less

COLLEGE MEN AND MASCULINITIES is a comprehensive handbook that offers a compilation of the best classic and contemporary research on male students in higher education. The editors, Shaun R. Harper and Frank Harris III—two experts in the field of men and masculinities—frame each of the six sections of the book with a summary of issues and implications for educational practice. Each section also includes a wealth of forward-thinking strategies and suggestions that faculty and institutional leaders can creatively employ on their campuses to reverse problematic trends and outcomes among male undergraduates. With contributions from leading scholars in education, sociology, psychology, and other disciplines, College Men and Masculinities explores the following issues in depth: Identity development and gender socialization Sexualities and sexual orientations Destructive behaviors (judicial offenses, alcohol abuse, and violence) Health and wellness College men of color College men and sports This vital resource will help educators and administrators address the alarming trends and issues that arise from identity-related challenges among boys and college men. "What a valuable resource! This book includes some of the most influential research and theory on all aspects of collegiate masculinity—from sports to spirituality, hazing to hook-ups, and alcohol to assault. Always sensitive to how different groups of men experience college life, Harper and Harris's book will surely become the touchstone text for those who work with or study college men." —Michael Kimmel, author of Manhood in America and professor of sociology, Stony Brook University "Essential reading for all who care about gender equity, this book advances the conversation about men in college at the critical nexus of identity development, culture, and relationship, enabling faculty and student affairs administrators to build more thoughtful and challenging educational environments for men from diverse populations." —Susan Marine, Women's Center director and assistant dean for student life, Harvard University This book offers educators and administrators much-needed guidance for understanding and effectively meeting the developmental, academic, and social needs of undergraduate men." —Chauncey Smith, undergraduate student leader, Morehouse College

Read more less

Pantone, the worldwide color authority, invites you on a rich visual tour of 100 transformative years. "In this visual feast for color nerds, hue gurus Leatrice Eiseman and Keith Recker identify the shades that shaped our collective color palette."—Fast Company From the Pale Gold (15-0927 TPX) and Almost Mauve (12-2103 TPX) of the 1900 Universal Exposition in Paris to the Rust (18-1248 TPX) and Midnight Navy (19-4110 TPX) of the countdown to the Millennium, the 20th century brimmed with color. In this incredible and unique exploration of color, longtime Pantone collaborators and color gurus Leatrice Eiseman and Keith Recker identify more than 200 touchstone works of art, products, décor, and fashion, and carefully match them with 80 different official PANTONE color palettes to reveal the trends, radical shifts, and resurgences of various hues. A color theory book like no other, this vibrant volume takes the social temperature of our recent history with the panache that is uniquely Pantone. STUNNING ART BOOK AND RESOURCE GUIDE: A treasure trove of inspiration and reference for artists, designers, stylists, and lovers of fashion design, modern architecture, contemporary art, furniture, and home décor. HANDS-ON GUIDANCE FOR CREATIVES: As one reviewer notes, "this is a coffee table–sized decade-by- decade guide to the colors of the 20th century, with Pantone color palette listings to enable you to reproduce them exactly right." COLOR MATTERS: Color as a form of communication is incredibly powerful. Its ability to influence thought, mood, and action is gaining newfound attention in the field of modern psychology and in our collective reach for bettering ourselves emotionally and spiritually. Perfect for:  Artists, graphic designers, fashion and décor designers, set decorators, and any professional who incorporates color into their work  Library and museum curation  Homeowners looking for period design inspiration  Fans of cultural history, color exploration, and interior design  Readers of Architectural Digest, Dwell, Wallpaper, and The World of Interiors

Read more less

Since the mid-1960s, Gordon Rohlehr has been an incomparable recorder and analyser of Caribbean literature and culture and their intersection with history and politics. His work on the emergence of Caribbean writing from its colonial shell and his analysis of calypso as the voice of Trinidadian consciousness establishes him as essential to our time as William Hazlitt was to the early 19th century in documenting and characterising the turbulent spirit of his age. Radical, but never willing to compromise his sense of what was fraudulent or power-seeking amongst his fellow travellers, Rohlehr is the best touchstone we have for both what the Caribbean has achieved and of its struggling, neo-colonial fragility in the face of the new imperialism of economic and cultural globalism.Now – though who knows? – in putting together what he says is his last book, Gordon Rohlehr doffs the costume of the carnival figure of the “Bookman”, the recording Satan of the devil band, who walks with his book in which he writes down the names of the damned. And here we have the clue to the fact that along with the serious analysis of calypso, his summing up of what is essential in the work of Derek Walcott, Earl Lovelace and V.S. Naipaul, and the essays of remembrance for those like Walcott, Lloyd Best, Pat Bishop, Tony Martin and others who have made their earthly exits, there is a devilish humour at work. This comes out particularly in an essay that joyfully demolishes an attempt to characterise the Caribbean in any other than its own terms – as a new Mediterranean, for instance – and the subservience of Trinidad’s rulers to the neo-colonialisms of tourism, visiting American ships and the U.S. embassy. What is often salutary, if uncomfortable, is to be reminded by the long span of Rohlehr’s observations that problems seen as contemporary were being identified by the nation’s calypsonians sixty years ago. Rohlehr’s voice is always distinctively personal, though the Bookman has rarely revealed much of himself, but in one of the concluding essays he writes about his Guyanese upbringing from the 1940s to the 1960s in a way that is both very funny and sad and gives an understanding of what has shaped his vision.

Read more less

In Improving Mental Health: Four Secrets in Plain Sight, Dr. Lloyd Sederer draws upon four decades of diverse clinical practice, mental health research and public health experience to create a memorable volume that is as elegant as it is instructive. The book aims to help clinicians improve the lives of their patients—and patients to improve their own lives—by identifying these secrets and taking action in ways that can work immediately, closing the science-to-practice gap. In addition to mental health and primary care clinicians, patients and their families will find the book's many stories, clinical examples and cultural references fascinating and illuminating. The book's four foundational truths, all hiding in plain sight and all eminently actionable, are • Behavior serves a purpose. The search for meaning and the identification and communication value of a behavior are too often overlooked aspects of mental health care and a lost opportunity with and for patients and their families. • The power of attachment. The force of attachment as a human need and drive must be harnessed if we are to change painful and problem behaviors. Relationships are the royal road to remedying human suffering—both individual and collective. • As a rule, less is more. Mental health treatments, both medical and psychosocial, have often been aggressive, from high doses of drugs to intensive sessions and psychic confrontation in individual and group psychotherapy. Unfortunately, these high risk efforts infrequently provide help and often have unwanted and problematic effects. Primum non nocere—first, do no harm—is the first law of medicine. • Chronic stress is the enemy. From adverse childhood experiences to posttraumatic stress, chronic stress can be an underlying factor in the development of many mental and physical disorders. However, chronic stress can be understood and contained, thereby reducing its damage. Dr. Sederer synthesizes the knowledge gained through his considerable experience as a psychiatrist with insights gleaned from history, research and literature to address the four truths in a systematic, yet lively, manner. The result is a book of rare grace. Improving Mental Health: Four Secrets in Plain Sight will be a touchstone for the clinician and general reader alike.

Read more less

The first inside story of one of TV's most popular and beloved dramas, Grey's Anatomy.'I'm a Black woman casting my own show. I wanted their world to look like the world that I live in. I don't think about it in those terms [diversity], and I militantly think I don't have to.' Shonda Rhimes'Multiple generations have discovered Derek through Netflix. They are passionate around the world. It's humbling.' Patrick DempseyMore than 15 years after its premiere, Grey's Anatomy remains one of the most beloved dramas on television in the US and the UK. It continues to win its time slot and has ranked in the Top 20 most watched shows in primetime for most of its 17-season run. It currently averages more than 9 million viewers each week. Now it's time to hear from the people who made the show happen.A cultural touchstone, it introduced the unique voice and vision of Shonda Rhimes, it made Ellen Pompeo, Sandra Oh and T.R. Knight household names, and injected words and phrases into the cultural lexicon like 'McDreamy,' and 'you're my person.' And the behind-the-scenes drama has always been just as juicy as what was happening in front of the camera, from the high-profile firing of Isaiah Washington to Katherine Heigl's fall from grace and Patrick Dempsey's shocking death episode. The show continued to haemorrhage key players, but the beloved hospital series never skipped a beat. Lynette Rice's How to Save A Life takes a deep dive into the show's humble start, while offering exclusive intel on the behind-the-scenes culture, the most heartbreaking departures and the more polarizing plotlines. It's the perfect gift for all Grey's Anatomy stans out there.'It's incredible how this show just keeps resonating with the young generation. It's really touching.' Ellen Pompeo'As much of my life as I feel like I [gave that] character, she has saved me and helped me grow into the artist that I am. . . . If [Shonda] didn't ask me to come back for the series finale, I would hurt her.' Sandra Oh

Read more less

A NEW YORK TIMES BESTSELLER From the National Book Award-winning author of Just Kids Selected as Book of the Year by the Daily Telegraph, i paper, Metro and Harper's Bazaar ‘Magical’ GUARDIAN 'A gripping tale of the search for meaning in times of turbulence - expressed with Smith’s signature poetic flair' VOGUE 'Extraordinary ... A tense, teasing mix of reality and dream' Sunday Times 'A melancholy mood and poetic language distinguish Smith’s third memoir' BBC ‘Her willingness to look closely at life’s closing chapters makes for a magical book' WASHINGTON POST, 'The 10 books to read in September' Following a run of New Year’s concerts at San Francisco’s legendary Fillmore, Patti Smith finds herself tramping the coast of Santa Cruz, about to embark on a year of solitary wandering. Unfettered by logic or time, she draws us into her private wonderland, with no design yet heeding signs, including a talking sign that looms above her, prodding and sparring like the Cheshire Cat. In February, a surreal lunar year begins, bringing with it unexpected turns, heightened mischief, and inescapable sorrow. In a stranger’s words, “Anything is possible: after all, it’s the year of the monkey.” For Patti Smith - inveterately curious, always exploring, tracking thoughts, writing the year evolves as one of reckoning with the changes in life’s gyre: with loss, aging, and a dramatic shift in the political landscape of America. Smith melds the Western landscape with her own dreamscape. Taking us from Southern California to the Arizona desert; to a Kentucky farm as the amanuensis of a friend in crisis; to the hospital room of a valued mentor; and by turns to remembered and imagined places - this haunting memoir blends fact and fiction with poetic mastery. The unexpected happens; grief and disillusionment. But as Patti Smith heads toward a new decade in her own life, she offers this balm to the reader: her wisdom, wit, gimlet eye, and above all, a rugged hope of a better world. Riveting, elegant, often humorous, illustrated by Smith’s signature Polaroids, Year of the Monkey is a moving and original work, a touchstone for our turbulent times.

Read more less

A comprehensive yet accessible introduction to the conceptual tools used to explore real-world environmental problems Environment and Society: A Critical Introduction, Third Edition demonstrates how theoretical approaches such as environmental ethics, political economy, and social construction work as conceptual tools to identify and clarify contemporary environmental issues. Assuming no background knowledge in the subject, this reader-friendly textbook uses clear language and engaging examples to first describe nine key conceptual tools, and then apply them to a variety of familiar objects—from bottled water and French fries to trees, wolves, and carbon dioxide. Throughout the text, highly accessible chapters provide insight into the relationship between the environment and present-day society. Divided into two parts, the text begins by explaining major theoretical approaches for interpreting the environment-society relationship and discussing different perspectives about environmental problems. Part II examines a series of objects, each viewed through a sample of the theoretical tools from Part I, helping readers think critically about critical environmental topics such as deforestation, climate change, the global water supply, and hazardous e-waste. This fully revised third edition stresses a wider range of competing ways of thinking about environmental issues and features additional cases studies, up-to-date conceptual understandings, and new chapters in Part I on racializd environments and feminist approaches. Environment and Society: A Critical Introduction, Third Edition: Covers theoretical lenses such as commodities, environmental ethics, and risks and hazards, and applies them to touchstone environment-society objects like wolves, tuna, trees, and carbon dioxide Uses a conversational narrative to explain key historical events, topical issues and policies, and scientific concepts Features substantial revisions and updates, including new chapters on feminism and race, and improved maps and illustrations Includes a wealth of in-book and online resources, including exercises and boxed discussions, chapter summaries, review questions, references, suggested readings, an online test bank, and internet links Provides additional instructor support such as suggested teaching models, full-color PowerPoint slides, and supplementary teaching material Retaining the innovative approach of its predecessors, Environment and Society: A Critical Introduction, Third Edition remains the ideal textbook for courses in environmental issues, environmental science, and nature and society theory.

Read more less

A lavishly illustrated, large-format reference book highlighting the work of 101 essential children’s illustrators The illustrated children’s book came of age in the 18th century alongside the rising middle-class demand for economic and social advancement. Inspired by philosopher John Locke’s prescient insights into child development, London publisher John Newbery established the first commercial market for illustrated “juveniles” in the West, and the impact of the model he set for books tailored to the interests and capabilities of young readers has spanned the globe, spurring higher literacy rates, cultural enfranchisement, and a better life for generations of children. In Pictured Worlds, renowned historian Leonard S. Marcus shares his incomparable knowledge of this global cultural phenomenon in the definitive reference work on children’s book illustration. The author of more than 25 award-winning books, Marcus here highlights an international roster of 101 artists of the last 250 years whose touchstone achievements collectively chart the major trends and turning points in the history of children’s book illustration. While some illustrators explored in this lively volume (John Tenniel, Maurice Sendak) have become household names, Marcus’s wide-ranging survey also shines a light on several lesser-known figures whose unique contributions merit a closer look. The result is a sweeping chronicle of a vibrant art form and cultural driver that has touched the lives of literate peoples everywhere. Over 400 illustrations showcase landmark books from Great Britain, the United States, France, Germany, Austria, Italy, Sweden, Czech Republic, Russia, Japan, China, Korea, Bulgaria, Argentina, Cameroon, and more. Each illustrated entry is comprised of an artist’s biography and career overview and a deep-dive look at a pivotal book and its legacy. Featured books include Ivan Bilibin’s The Golden Cockerel, Leo Lionni’s Inch by Inch, Richard Doyle’s In Fairyland, Kveta Pacovská’s One, Five, Many, Helen Oxenbury’s We’re Going On a Bear Hunt, Mitsumasa Anno’s Anno’s Journey, and Zhu Chengliang's A New Year's Reunion, and the books that introduced such iconic characters as Alice, Max, Struwwelpeter, the Little Prince, and Winnie-the-Pooh. At once a celebration of illustrated children’s books and an essential reference work, Pictured Worlds encapsulates, in the author’s words, "the special nature of the illustrated children’s book as a cultural enterprise that is at once a rewarding art form, a bridge across cultures, and a ladder between generations.”

Read more less

Praise for Competing for Capital "An indispensable guide for investor relations and communication counselors alike. With more individual investors in the market than ever before, this book makes navigating the new regulatory playing field much more possible--and makes clear the path to victory." --Michael W. Robinson Director, Levick Strategic Communications; Former Director of Public Affairs and Policy, U.S. Securities and Exchange Commission (SEC); Director of Media Relations, NASD "More than simply writing a textbook on IR, Bruce Marcus shares his wealth of experience and critical viewpoint with those seeking to understand a fast-changing profession." --June Filingeri President of Comm-Partners LLC, Investor Relations Consultant, and Educator "Bruce Marcus puts some solid ground under the shifting landscape of being an investor relations professional. A must-read primer for public companies." --Robert C. Roeper Managing Director, VIMAC Ventures, LLC "As the song lyrics go, 'everything old is new again,' but this time with a vengeance. Disclosure has always been the touchstone of securities laws, but now more disclosure is required on a real-time basis with heightened accountability. Competing for Capital is a must-read for those in the securities industry, providing insights into securities markets, the information age and technology, and their impact on the job of investor relations professionals. Investors come in all shapes and sizes from around the globe, and investor relations personnel have their work cut out for them to provide clear, comprehensible, and comprehensive information, accessible to the novice and sophisticate alike. Competing for Capital shows them the way." --Donna L. Brooks, Esq. Partner, Shipman & Goodwin, LLP "Competing for Capital puts our recent turbulent financial marketplace in context, provides solid information for both new and experienced investor relations practitioners, and offers insights into the future of IR--all in Bruce Marcus's easy-reading style." --Dixie Watterson IR consultant, Communica Partners "Competing for Capital aptly illustrates how investor relations has become a major corporate responsibility in generating trust, and how the profession must realize now more than ever that the needs of investors have changed because of technology, regulation, and globalization." --Mark Kollar Managing Director, Cubitt Jacobs & Prosek

Read more less

At the turn of the twentieth century, the photographer Sergey Prokudin-Gorsky undertook a quest to document an empire that was undergoing rapid change due to industrialization and the building of railroads. Between 1903 and 1916 Prokudin-Gorsky, who developed a pioneering method of capturing color images on glass plates, scoured the Russian Empire with the patronage of Nicholas II. Intrepidly carrying his cumbersome and awkward camera from the western borderlands over the Volga River to Siberia and central Asia, he created a singular record of Imperial Russia. In 1918 Prokudin-Gorsky escaped an increasingly chaotic, violent Russia and regained nearly 2,000 of his bulky glass negatives. His subsequent peripatetic existence before settling in Paris makes his collection's survival all the more miraculous. The U.S. Library of Congress acquired Prokudin-Gorsky's collection in 1948, and since then it has become a touchstone for understanding pre-revolutionary Russia. Now digitized and publicly available, his images are a sensation in Russia, where people visit websites dedicated to them. William Craft Brumfield—photographer, scholar, and the leading authority on Russian architecture in the West—began working with Prokudin-Gorsky's photographs in 1985. He curated the first public exhibition of them in the United States and has annotated the entire collection. In Journeys through the Russian Empire, Brumfield—who has spent decades traversing Russia and photographing buildings and landscapes in their various stages of disintegration or restoration—juxtaposes Prokudin-Gorsky's images against those he took of the same buildings and areas. In examining the intersections between his own photography and that of Prokudin-Gorsky, Brumfield assesses the state of preservation of Russia's architectural heritage and calls into question the nostalgic assumptions of those who see Prokudin-Gorsky's images as the recovery of the lost past of an idyllic, pre-Soviet Russia. This lavishly illustrated volume—which features some 400 stunning full-color images of ancient churches and mosques, railways and monasteries, towns and remote natural landscapes—is a testament to two brilliant photographers whose work prompts and illuminates, monument by monument, questions of conservation, restoration, and cultural identity and memory.

Read more less

“This book is essential reading for anyone interested in learning more about one of the most influential and successful approaches to therapy.”Julia McLeod, Lecturer in Counselling, Abertay University, UK“Every edition of a long established text begs the question – what’s new? Michael and Dawn continue to honour the wisdom and relevance of prior editions with characteristic humour and humility. This touchstone text conveys with clarity the richness of Psychodynamic approaches.”Paul King, Assistant Professor, Guidance Counselling and Education, School of Human Development, Dublin City University, Ireland “A highly respected ‘classic’ text which has been thoroughly revised and extended to reflect the changed and changing landscape of therapeutic practice.”Keith E Walmsley-Smith, visiting Lecturer in Clinical Psychology, Staffordshire University, UKA person's past is ever present, from infancy to old age, and it affects the dynamics of therapy and the therapist-patient relationship.Written by a key founding figure of psychodynamic counselling and now with contributions from pre-eminent researcher, Dawn Freshwater, the bestselling The Presenting Past gives practicing therapists and students keen insight into the subject. The theories of Freud, Winnicott, Klein are now complimented by attachment theory and self-psychology and are organized into three main categories: trust and attachment; authority and autonomy; and concord and challenge.In this new edition, Jacobs and Freshwater give psychodynamic counselling and therapy a truly human face. The connections between theory and practice are highlighted through the use of compelling case examples and end of chapter exercises. Combined with an approachable writing style, this edition is the go-to for busy professionals and trainees.Fully updated to include coverage of the prevalence of social media; debates about gender identity and sexuality; the significance of attachment theory and attachment-based practice and self-psychology and its concentration upon the problems of narcissistic wound, The Presenting Past stays wonderfully readable.The book shows Jacobs at his best and is a testimony to his lifetime of experience. Michael Jacobs and Dawn Freshwater provide a clear modernisation on this classic, best-selling text.Michael Jacobs is one of the pioneers of psychodynamic counselling in Britain. He developed the counselling and psychotherapy programme at the University of Leicester, UK up to his retirement in 2000. Dawn Freshwater is adjunct Professor of Mental Health at the University of Leeds, UK and the University of Western Australia, Australia.

Read more less

These poems tell of a continuing journey and reveal a subtly changing voice. They represent a consistent and rewarding attempt to hold together in one space the things that matter. This is seeking first the kingdom of God; maintaining the community of men and women who incarnate that kingdom and make life meaningful; the beauties of St Lucia’s natural world and its rich traditions of folkculture; and the challenges and demands of poetry.John Robert Lee’s Collected Poems tell both of a continuing journey and a subtly changing voice but also of an underlying, consistent attempt to hold together in one space the things that matter. This is seeking first the kingdom of God; maintaining the community of men and women who incarnate that kingdom and make life meaningful; the beauties of St Lucia’s natural world and its rich traditions of folk-culture; and the challenges and demands of poetry.Whilst sometimes Lee’s poems involve a quiet self-communing, more often they are conversations with God and with those people who are close to him. At points they rise to being canticles of praise that express the experience of, or the yearning for the transcendent through the imagery of the visible world. And whilst the poems connect to the wider world of travel and world affairs, their touchstone is always St Lucia. Like Derek Walcott, like Kendel Hippolyte, Jane King and now Vladimir Lucien, John Robert Lee’s poems demonstrate how possible it is to find an enriching, puzzlingly complex and intellectually stimulating world in a small island society.The journey the poems tell is from the young man enthused with the energy of the radical decolonizing spirit of the 1970s, the years of deepening of Christian faith to the present of maturity and the acceptance of loss as well as gain, and the stamina needed for the continuing struggle for St Lucia to emerge from its colonial past and be ever more itself. In the later poems there are more glimpses of the private man who recognises that “My heart holds rooms I’ve never entered/ doors concealed, secret entrances.” And whilst over the forty years of the poems one hears always a personal, signal voice, over time the poems increasingly invest in the Kweyol language of the St Lucian folk as well as the voice of the English master and, latterly, display an growing interest in the relationship between poetry and the visual arts.

Read more less

“Walden. Yesterday I came here to live.” That entry from the journal of Henry David Thoreau, and the intellectual journey it began, would by themselves be enough to place Thoreau in the American pantheon. His attempt to “live deliberately” in a small woods at the edge of his hometown of Concord has been a touchstone for individualists and seekers since the publication of Walden in 1854. But there was much more to Thoreau than his brief experiment in living at Walden Pond. A member of the vibrant intellectual circle centered on his neighbor Ralph Waldo Emerson, he was also an ardent naturalist, a manual laborer and inventor, a radical political activist, and more. Many books have taken up various aspects of Thoreau’s character and achievements, but, as Laura Dassow Walls writes, “Thoreau has never been captured between covers; he was too quixotic, mischievous, many-sided.” Two hundred years after his birth, and two generations after the last full-scale biography, Walls restores Henry David Thoreau to us in all his profound, inspiring complexity. Walls traces the full arc of Thoreau’s life, from his early days in the intellectual hothouse of Concord, when the American experiment still felt fresh and precarious, and “America was a family affair, earned by one generation and about to pass to the next.” By the time he died in 1862, at only forty-four years of age, Thoreau had witnessed the transformation of his world from a community of farmers and artisans into a bustling, interconnected commercial nation. What did that portend for the contemplative individual and abundant, wild nature that Thoreau celebrated? Drawing on Thoreau’s copious writings, published and unpublished, Walls presents a Thoreau vigorously alive in all his quirks and contradictions: the young man shattered by the sudden death of his brother; the ambitious Harvard College student; the ecstatic visionary who closed Walden with an account of the regenerative power of the Cosmos. We meet the man whose belief in human freedom and the value of labor made him an uncompromising abolitionist; the solitary walker who found society in nature, but also found his own nature in the society of which he was a deeply interwoven part. And, running through it all, Thoreau the passionate naturalist, who, long before the age of environmentalism, saw tragedy for future generations in the human heedlessness around him. “The Thoreau I sought was not in any book, so I wrote this one,” says Walls. The result is a Thoreau unlike any seen since he walked the streets of Concord, a Thoreau for our time and all time.

Read more less

The Holocaust was a cataclysmic upheaval in politics, culture, society, ethics, and theology. The very fact of its occurrence has been forcing scholars for more than sixty years to assess its impact on their disciplines. Educators whose work is represented in this volume ask their students to grapple with one of the grand horrors of the twentieth century and to accept the responsibility of building a more just, peaceful world (tikkun olam). They acknowledge that their task as teachers of the Holocaust is both imperative and impossible; they must “teach something that cannot be taught,” as one contributor puts it, and they recognize the formidable limits of language, thought, imagination, and comprehension that thwart and obscure the story they seek to tell. Yet they are united in their keen sense of pursuing an effort that is pivotal to our understanding of the past-and to whatever prospects we may have for a more decent and humane future. A “Holocaust course” refers to an instructional offering that may focus entirely on the Holocaust; may serve as a touchstone in a larger program devoted to genocide studies; or may constitute a unit within a wider curriculum, including art, literature, ethics, history, religious studies, jurisprudence, philosophy, theology, film studies, Jewish studies, German studies, composition, urban studies, or architecture. It may also constitute a main thread that runs through an interdisciplinary course. The first section of Testimony, Tensions, and Tikkun can be read as an injunction to teach and act in a manner consistent with a profound cautionary message: that there can be no tolerance for moral neutrality about the Holocaust, and that there is no subject in the humanities or social sciences where its shadow has not reached. The second section is devoted to the process and nature of students' learning. These chapters describe efforts to guide students through terrain that hides cognitive and emotional land mines. The authors examine their responsibility to foster students' personal connection with the events of the Holocaust, but in such a way that they not instill hopelessness about the future. The third and final section moves the subject of the Holocaust out of the classroom and into broader institutional settings-universities and community colleges and their surrounding communities, along with museums and memorial sites. For the educators represented here, teaching itself is testimony. The story of the Holocaust is one that the world will fail to master at its own peril. The editors of this volume, and many of its contributors, are members of the Pastora Goldner Holocaust Symposium. Led since its founding in 1996 by Leonard Grob and Henry F. Knight, the symposium's scholars--a group that is interfaith, international, interdisciplinary, and intergenerational--meet biennially in Oxfordshire, England.

Read more less

John Darnielle describes Master of Reality through a fictional character, a fifteen-year-old boy being held in an adolescent psychiatric centre in southern California in 1985.John Darnielle describes "Master of Reality" in the voice of a fifteen-year-old boy being held in an adolescent psychiatric centre in southern California in 1985. Adolescents in treatment are often required to keep a journal, and they write letters by the dozens: to their parents, to their friends on the outside, to the nurses who confiscate their belongings, to the teachers back at school who've offered them an outlet for their creativity. Our narrator has arrived in treatment with a Walkman and some tapes that are precious to him, only to have them taken away on the ground that their content is part of his greater problem.His various writings, aimed mainly at getting his tapes and Walkman back, will explain how Black Sabbath differs from their Satan-worshipping popular image, and how Master of Reality is an overtly Christian album, which it is. Our narrator will try to explain Black Sabbath like an emissary from an alien race describing his culture to his captors: passionately, patiently, and lovingly. This album has a genuinely remarkable historical status: as a touchstone for the directionless, and as a common coin for young men and women who felt shut out of the broader cultural economy.It'd be hard to overstate Ozzy Osbourne's totemic status among adolescents in the early eighties. His public image, cobbled together by his audience from occasional mainstream press mentions and niche magazine coverage, made him a nearly perfect sponge for the aggressive feelings of frustrated young men around the world. To this audience, who continue to occupy a an enormous if ghostly position on the margins, the early Black Sabbath albums were accepted classics in a genre whose lack of real status only served to indicate its true value.This, for me, is one of the places where the music does its most interesting work: when it becomes a tool in the hands of its listeners, and when the process of explaining it becomes part of its essence. This was never truer than in the mainstream metal subcultures of the eighties, where album titles served as passwords to a more accepting world. "Master of Reality", from its Christian heart right down to its ultimately incomprehensible title, is the perfect candidate for illuminating these undersung passageways."33 1/3" is a series of short books about a wide variety of albums, by artists ranging from James Brown to the Beastie Boys. Launched in September 2003, the series now contains over 50 titles and is acclaimed and loved by fans, musicians and scholars alike.

Read more less

A confidence-boosting program based on the spiritual insights of Sanskrit, the language of enlightenment • Draws on traditional stories from East and West and scholarly works to reveal the wisdom behind Sanskrit words and how to experience them to transform our lives and build confidence, certainty, clarity, and success • Explains the fourfold energy of the Conscious Confidence program: Focusing, Uniting, Simplifying, and Energizing • Offers practical exercises for discovering our inner certainty and overcoming fear, anxiety, and insecurity Called “the language of enlightenment,” Sanskrit is truly unique among all the languages of the world. This ancient language, upon which so many of our English words are based, gives us an entire system to show what to do in order to experience the full meaning of a word. In this profound way, Sanskrit offers a touchstone of timeless wisdom that each of us can access to transform our lives and build confidence, certainty, clarity, and success. In Conscious Confidence, Sanskrit scholar Sarah Mane offers a practical confidence-boosting program, derived from the deepest meanings of Sanskrit concepts, to help you establish a safe and secure reference point from which to see the world and make clear decisions on how to act, what to say, and how to feel. She explores the Sanskrit roots of English words related to confidence and success, unlocking rich, three-dimensional understandings of each word as well as guidance on how to obtain confidence and find your path in life. For example, the word attitude, based on its Sanskrit roots, means “our point of view, our intent, and our conduct.” A positive attitude means we have a self-aware point of view, have an intent for the good, and conduct ourselves in ways that reflect both. This true attitude gives us a positive and powerful place from which to view the world. The author also incorporates traditional stories from East and West, such as the Mahabharata and the works of Plato, scholarly references, and accounts of people discovering hidden depths in their own lives through the ancient truth of Sanskrit. Drawing upon the deeper meanings behind several Sanskrit words for confidence, Mane outlines principles for harnessing the fourfold energies of Conscious Confidence and offers practical exercises for discovering our inner certainty. She explains how the Conscious Confidence method allows us to tackle the growing anxiety and fear that hang like a shadow over many of us and look to the unchanging core of selfhood for certainty, rather than ever-changing externals. With the Conscious Confidence program and the wisdom of Sanskrit, you can discover a strong and steady inner source of compassion, self-direction, self-empowerment, and the life force of self-confidence.

Read more less

THE ICONIC CLASSIC, WINNER OF THE PULITZER PRIZEONE OF THE BBC '100 NOVELS THAT SHAPED OUR WORLD''A lush celebration of all that it means to be a black female. I love that The Color Purple doesn't try to soften its blows but is also courageous enough to hold on to a wonderfully affirming faith in possibility, in forgiveness and kindness and hope' Chimamanda Ngozi Adichie'The Color Purple is my go-to comfort novel. Every single time I read this book, I walk away as a slightly better person than I was when I picked it up' Tayari Jones'I think that The Color Purple was the first book that made me think that I could try to be a writer - or that made me aware that a young black woman from the South could write about the South' Jesmyn Ward 'I got the book and read it, in one day, when it came out. And then I went back, the next day, and bought every copy they had' Oprah Winfrey A powerful cultural touchstone of modern American literature, The Color Purple depicts the lives of African American women in early twentieth-century rural Georgia. Sisters Celie and Nettie share the pain and struggle of growing up as African American women in early twentieth-century rural Georgia. Forced into an abusive marriage, at least Celie can offer Nettie refuge from their violent father in her new home - until Nettie catches the attention of Celie's husband and is forced to leave and forge her own journey. Through a series of letters spanning twenty years - first from Celie to God, then between the two sisters - they manage to sustain their hope in each other across time, distance and silence, in a triumph of resilience, bravery and ultimately, love. Beloved by generations of readers, The Color Purple broke the silence around domestic and sexual abuse, narrating the lives of women through their pain and struggle, companionship and growth, resilience and bravery. 'One of the most haunting books you could ever wish to read. It is stunning - moving, exciting and wonderful' Lenny Henry'The Color Purple needs no category other than the fact that it is superb' Rita Mae Brown'The great irony about The Color Purple is that it transcends colour. One of the greatest books of all time' Benjamin Zephaniah 'A unique blend of serenity and immediacy that makes your senses ache' Helen Dunmore'A genuinely mind-expanding book' Patrick Ness'Indelibly affecting... Alice Walker is a lavishly gifted writer' New York Times'One of the great books of our time' Essence Magazine'A work to stand beside literature of any time and place' San Francisco Chronicle

Read more less

In 1973, Michael Lesy was a young scholar whose first book had just been published. In the soon-legendary Wisconsin Death Trip he combined 1890s photographs and newspaper clippings to evoke a devastatingly tragic epoch, the real-world antithesis of the fanciful "Gay Nineties." It startled readers then and remains a touchstone of modern photographic interpretation.That year Lesy met and became close friends with the great photographer Walker Evans, who in the 1930s had collaborated with writer James Agee to create another towering landmark in the American photo-essay, Let Us Now Praise Famous Men. Old, frail, with just two years left to live, Evans was still urgently and obsessively photographing. "Outside the rooms he inhabited," Lesy writes, "the world was scattered with objects on their way to oblivion. He photographed them in their passage." Brief as their friendship was, it was intense and rewarding. Each admired the other; each saw himself reflected in the other: aesthetic visionaries who shared a radical belief that photographs were not flat and static documents—that "the plain truth of the images . . . wasn’t as plain as it seemed," Lesy explains. "Meanings, beliefs, and emotions lay crisscrossed under the surface of the most plainspoken photographs." Throughout his career in the classroom and in more than a dozen books, Lesy has continually inspired us to open our eyes, our minds, and our hearts to those many layers of meaning and feeling in photos, from seemingly ordinary snapshots to majestic landscapes.In this unconventional, lyrical biography, Lesy traces Evans’s intimate, idiosyncratic relationships with men and women—the circle of friends who made Walker Evans who he was. "Wonder and scrutiny produced the portraits Walker made in his prime," Lesy writes. Evans’s photographs of Agee, Berenice Abbott, Lady Caroline Blackwood, and Ben Shahn, among others, accompany Lesy’s telling of Evans’s life stories."Wonder and scrutiny, suffused with desire and dread, produced the portraits he made in his last years," Lesy notes. In the 1970s, Evans became enthralled with the Polaroid SX-70 and its colorful instant images, and he used it to take his last photographs—portraits of people, in extreme close up, and portraits of objects."Good clothes and good conversation, wit and erudition, originality and inventiveness, the charms of smart and pretty women—Walker took pleasure in being alive," Lesy writes. "He photographed objects as if they were people and people as if they were souls. All the while, he never forgot Blind Joe Death. The annihilations of the First War, the extinctions of the epidemic that followed it, the pyres and the pits—these he never forgot. The still silence of his images was, to the very last, transcendental, and always he remembered the skull beneath the skin."

Read more less

THE ICONIC CLASSIC, WINNER OF THE PULITZER PRIZEONE OF THE BBC '100 NOVELS THAT SHAPED OUR WORLD''A lush celebration of all that it means to be a black female. I love that The Color Purple doesn't try to soften its blows but is also courageous enough to hold on to a wonderfully affirming faith in possibility, in forgiveness and kindness and hope' Chimamanda Ngozi Adichie'The Color Purple is my go-to comfort novel. Every single time I read this book, I walk away as a slightly better person than I was when I picked it up' Tayari Jones'I think that The Color Purple was the first book that made me think that I could try to be a writer - or that made me aware that a young black woman from the South could write about the South' Jesmyn Ward 'I got the book and read it, in one day, when it came out. And then I went back, the next day, and bought every copy they had' Oprah Winfrey A powerful cultural touchstone of modern American literature, The Color Purple depicts the lives of African American women in early twentieth-century rural Georgia. Separated as girls, sisters Celie and Nettie sustain their loyalty to and hope in each other across time, distance and silence through a series of letters spanning twenty years, first from Celie to God, then the sisters to each other despite the unknown.Abused repeatedly by the man she calls 'father', Celie has two children taken away from her and is trapped into an ugly marriage. But then she meets the glamorous Shug Avery, singer and magic-maker - a woman who has taken charge of her own destiny. And gradually Celie discovers the power and joy of her own spirit, freeing her from her past and reuniting her with those she loves.Beloved by generations of readers, The Color Purple broke the silence around domestic and sexual abuse, narrating the lives of women through their pain and struggle, companionship and growth, resilience and bravery. Deeply compassionate and beautifully imagined, Alice Walker's epic carries readers on a spirit-affirming journey towards redemption and love.'One of the most haunting books you could ever wish to read. It is stunning - moving, exciting and wonderful' Lenny Henry'The Color Purple needs no category other than the fact that it is superb' Rita Mae Brown'The great irony about The Color Purple is that it transcends colour. One of the greatest books of all time' Benjamin Zephaniah 'A unique blend of serenity and immediacy that makes your senses ache' Helen Dunmore'A genuinely mind-expanding book' Patrick Ness'Indelibly affecting... Alice Walker is a lavishly gifted writer' New York Times'One of the great books of our time' Essence Magazine'A work to stand beside literature of any time and place' San Francisco Chronicle

Read more less

This work explores the complex relationship between science and politics. More specifically, it focuses on the problem of scientism. Scientism is a deformation of science, which unnecessarily restricts the scope of scientific inquiry by placing a dogmatic faith in the method of the natural sciences. Its adherents call for nothing less than a complete transformation of society. Science becomes the idol that can magically cure the perpetual maladies of modern society and of human nature itself. Whitney demonstrates that scientism is intellectually impoverishing and politically dangerous. Whitney surveys the development of scientism from early modernity to the present day, beginning with Francis Bacon, arguing that Bacon stands as the founder, not only of the experimental method, but also of scientism. This is most evident in his presentation of a scientific utopia in New Atlantis. After briefly noting the impact of Isaac Newton and the French Encylopedists, Whitney then moves on to the other great representative figure of scientism: Auguste Comte, who demonstrates the religious fervor that accompanies the scientistic attitude. Continuing on the path set forth by Bacon, Comte argues for a reorganization of society based on the precepts of positive science. The eugenics movements in 20th-century America and Germany is next, and the author argues that they reflect the new worldview that had emerged from Darwin’s evolutionary theory; a theory partially based on scientistic principles. The solution to scientism, Whitney advances, lies in a new (or revised) science of politics; the foundation of which is based on the Classical sources that were either discredited or banned outright by the proposals of Bacon and Comte. He concludes the work with contemporary examples of scientism, including the climate change debates, genetic engineering, and the New Atheism movement. “Chief among the spiritually blighting tendencies of the age is materialist reductionism parading as scientific orthodoxy. David Whitney powerfully explores this movement and habit of mind as it takes its rise in the form of scientism, especially from Sir Francis Bacon’s NEW ATLANTIS in the 17th century and finds full fruition in the positivist teachings of August Comte in the 19th century—a preamble to the behavioralist dogmas of our own time. The openness to the facts of experience characteristic of all science as a search for the truth of reality in all its dimensions and diversity is thereby effectively abandoned in favor of an unrelenting insistence on a restrictive methodology ostensibly grounded in phenomenal reality that is perversely made the touchstone of all valid inquiry. The consequences are philosophically as well as politically disastrous, as Whitney brilliantly demonstrates in this path-breaking study.” – Ellis Sandoz, Founder of the Eric Voegelin Institute for American Renaissance Studies "David Whitney’s excellent critique of what he calls scientism, a dogmatic application of the methods of natural science to social science, provides a high-brow diagnosis of the modern maladies that result from the “rhetorical power of science.” –– Scott Robinson, voegelinview

Read more less

SHORTLISTED FOR THE QWF MAVIS GALLANT PRIZE FOR NON-FICTIONTHE GLOBE 100: THE BEST BOOKS OF 2022From LAMBDA Literary Award winner Sina Queyras, Rooms offers a peek into the defining spaces a young queer writer moved through as they found their way from a life of chaos to a life of the mind Thirty years ago, a professor threw a chair at Sina Queyras after they’d turned in an essay on Virginia Woolf. Queyras returns to that contentious first encounter with Virginia Woolf to recover the body and thinking of that time. Using Woolf’s A Room of One’s Own as a touchstone, this book is both an homage to and provocation of the idea of a room of one’s own at the centre of our idea of a literary life. How central is the room? And what happens once we get one? Do we inhabit our rooms? Or do the rooms contain us? Blending memoir, prose, tweets, poetry, and criticism, Rooms offers a peek into the defining spaces a young queer writer moved through as they found their way from a life of chaos to a life of the mind, and from a very private life of the mind to a public life of the page, and from a life of the page into a life in the Academy, the Internet, and on social media."With Virginia Woolf alongside them, Queyras journeys through rooms literal and figurative, complicating and deepening our understanding of what it means to create space for oneself as a writer. Their hard-won language challenges us to resist any glib associations of Woolf’s famous ‘room’ with an easy freedom. Inspiring and moving, Queyras’s memoir testifies to Woolf’s continuing generative power."—Mark Hussey, editor of Virginia Woolf's Between the Acts (2011) and author of Clive Bell and the Making of Modernism (2021)"In this beautiful, perceptive book, Sina Queyras moves deftly between the words and wake of Virginia Woolf and their own formation as writer, lover, teacher, friend, and person. Rooms is expert in its depiction of personal and literary histories, and firmly aware of its moment of composition. Reading these pages, I was enticed by Queyras’s curiosity and openness, thrilled by the sharp edges of their anger. Tight prose, electric thinking, self-discovery – it’s all here, all abuzz. Rooms is alive." – Heather Christle, author of The Crying Book"It is impossible not to question the world as we thought we knew it by the end of this book. Sina Queyras painstakingly aims their extraordinary nerve and talent at Virginia Woolf’s idea of a room of one’s own: 'It’s a mistake to consider the room without all of its entanglements.' Taking Woolf’s cue, Queyras explores writing that is not world-building but something far more generous and transformative; as Woolf wrote, 'Literature is open to everybody.'" – CAConrad, author of AMANDA PARADISE: Resurrect Extinct Vibration

Read more less

In this guided journal, master life coach Nancy Levin shows you how to tap into your desire and find the power you need to create lasting change.There's an art to making change--and it's nowhere near as hard as you think.Change begins with your commitment to your own evolution. As author and life coach Nancy Levin shares, when you practice the eight dimensions of reinvention, you can embody the art of change by consciously curating what you want to bring into your life and what you choose to release.Nancy will be with you every step of the way, coaching you through this guided journal as you move in the direction of your reinvention: a return to the essence of who you are instead of endless versions of who you think you need to be. By dissolving the obstacles in your way, you can tap into your desire and discover the power available to you for creating lasting change.Each week, you'll explore one of the eight dimensions of reinvention through bite-size, actionable daily prompts designed to take you into the heart of who you are.· Week 1: Vision: Your vision is the touchstone that determines the choices you make and the actions you take.· Week 2: Calibration: Having a powerful vision for change requires the ability to continuously assess your journey and course-correct when you need to.· Week 3: Beliefs: What ultimately holds you back is what you believe about yourself--which is why it's a good idea to dig deep and uncover any hidden beliefs.· Week 4: Self-Worth: If you believe you're not enough, you'll also believe there isn't enough or you'll never have enough. This gets shattered when you recognize that your worth is inherent.· Week 5: Boundaries: By firmly setting and holding your boundaries, you'll move out of blame and victimhood, and into responsibility and empowerment as you build a stronger relationship with yourself.· Week 6: Choice: Every choice you make either serves or sabotages you. Your present-moment choices predict your future--so if you don't make conscious choices to support your vision, your future will end up looking a lot like your past or present.· Week 7: Self-Confidence: When you shift from the need for external validation and approval, you discover a limitless source of self-confidence. And when you chip away at the personas and roles you've been taught to take on, you reclaim the incredible person who's buried beneath.· Week 8: Visibility: Visibility is all about allowing yourself to be seen in the truth of who you are. Once you own and honor visibility, you claim the courage to make the changes that will lead toward greater happiness, fulfillment, and purpose--and change becomes a natural part of your journey.Whether you're determined to shift a small habit or move massive mountains, The Art of Change will meet you where you are and take you where you want to go. This journal is for truth seekers and brave, curious souls who are ready to make a shift in a short period of time--and to become skilled practitioners in the art of change.

Read more less

THE SIXTH NOVEL IN THE MULTIMILLION-COPY BESTSELLING ADAM DALGLIESH SERIES FROM THE 'QUEEN OF ENGLISH CRIME' (Guardian) 'I am hooked!! Reading the entire Dalgliesh series! Great character and plot development.' 5* reader review'P. D. James at her very best - fabulous writing and great story line - what more does anyone want or need?' 5* reader review'She does for a forensic science laboratory in East Anglia what Dorothy L. Sayers did for Oxbridge and Ngaio Marsh managed for the London theatre world.' New York TimesPERFECT FOR FANS OF VAL MCDERMID, RUTH RENDELL AND ELLY GRIFFITHS__________________________________________________________________________________Murder has priority. Wasn't that what they always said at the Lab?When a young girl is found murdered in a field, the scientific examination of the remains is just a routine job for the staff of Hoggatt's forensic science laboratory. But nothing could have prepared them for the brutal death of one of their own. When the senior biologist is found dead in his laboratory, Commander Dalgliesh is called to the bleak fens of East Anglia to meet a wealth of potential suspects and cautious forensic scientists quick to pass on the blame. But while Dalgliesh becomes embroiled in the complicated passions that lie hidden beneath the calm surface of the laboratory, the murderer is lying in wait to strike again . . .__________________________________________________________________________________'Perfect - a touchstone British murder mystery.' 5* reader review'James remains one of the greatest word-crafters of the past century, an absolute pleasure to read and contemplate.' 5* reader review'Nobody can put the reader in the eye of the storm quite like P. D. James.' Sunday Express**Now a major Channel 5 series**__________________________________________________________________________________READERS LOVE THE ADAM DALGLEISH SERIES:'If you are not already an Adam Dalgliesh fan, I urge you to become one . . . James can describe a scene or delineate a character with precision and depth, like no other writer I have read.' 5* reader review'This series is now as thrilling and gripping as Agatha Christie's great mysteries . . . A wonderful treat I must savour.' 5* reader review'P. D. James is guaranteed to be worth reading.' 5* reader review'I would never give less than 5 stars to any P. D. James book. She is one of a kind, always constant, always wonderful writing, always great characters, and always a good mystery that you cannot put down.' 5* reader review'P. D. James writes mysteries for ordinary people. Her characters are relatable and her hero is dynamic. But don't expect cell phones or computers. Her stories are strictly old school, which is what I love about them.' 5* reader review'Crime writing at its very best!' 5* reader reviewPRAISE FOR P. D. JAMES:'A legend.' VAL MCDERMID'Masterful.' MICK HERRON'The greatest contemporary writer of classic crime.' SUNDAY TIMES 'Nobody can put the reader in the eye of the storm quite like P. D. James.' SUNDAY EXPRESS'One of the literary greats. Her sense of place was exquisite, characterisation and plotting unrivalled.' MARI HANNAH'There are very few thriller writers who can compete with P. D. James at her best.' SPECTATOR'Simply a wonderful writer.' NEW YORK TIMES'The queen of English crime.' GUARDIAN

Read more less

Can music really arouse emotions? If so, what emotions, and how? Why do listeners respond with different emotions to the same piece of music? Are emotions to music different from other emotions? Why do we respond to fictional events in art as if they were real, even though we know they're not? What is it that makes a performance of music emotionally expressive? Based on ground-breaking research, Musical Emotions Explained explores how music expresses and arouses emotions, and how it becomes an object of aesthetic judgments. Within the book, Juslin demonstrates how psychological mechanisms from our ancient past engage with meanings in music at multiple levels of the brain to evoke a broad variety of affective states - from startle responses to profound aesthetic emotions. He also explores why these mechanisms respond to music. Written by one of the leading researchers in the field, the book is richly illustrated with music examples from everyday life, and explains with clarity and rigour the manifold ways in which music may engage our emotions. Advance praise Musical Emotions Explained is a magnificent publication that has been painstakingly researched to illuminate the many, varied ways music can express and arouse emotions. It provides the most authoritative single authored text on the topic so far. As a highly readable and informative publication, it superbly unlocks the secrets of musical affect for experienced researchers through to lay readers alike. Gary E. McPherson, Ormond Chair of Music and Director, Melbourne Conservatorium of Music, Australia Anyone who wants to understand more about the most essential quality of music - its ability to move us - needs to read this book. Juslin's writing is gripping and thoughtful as he takes us on a journey through the latest research on this most interesting intersection between science and art. Daniel J. Levitin, Author of This Is Your Brain on Music and The World in Six Songs. Music Emotions Explained is a tour de force. In this extraordinary book, written with passion and humor, Patrik Juslin shares insights gleaned from decades of ground-breaking research. Breadth and depth are nicely balanced as grand, over-arching themes are richly supported by systematic and detailed research findings. This book will serve as an inviting introduction to students or interested laypersons but also as a touchstone to which professionals will return frequently for guidance and inspiration. Donald A. Hodges, Professor Emeritus, University of North Carolina at Greensboro, USA Patrik Juslin here deftly synthesizes several decades of psychological research, much of it his own, on how music both expresses emotion and moves us emotionally, in the course of developing an empirically grounded, evolutionarily based, philosophically informed theory of the phenomenon in question, doing so with style and wit. Musical Emotion Explained is wide ranging, engagingly written, full of arresting claims, and studded with telling anecdotes. It is a book that everyone who has ever marveled at the affective power of music should read. Jerrold Levinson, Distinguished University Professor, Department of Philosophy, University of Maryland, USA Musical Emotions Explained is essential reading that sets the new gold standard resource for understanding the delicious pleasures of music experience. Using lucid, witty and compelling arguments, Patrik Juslin illustrates a set of core mechanisms that collectively account for music-evoked emotions. Scholars, general readers and musicians will be inspired by this landmark work, which will stimulate research for decades to come. Bill Thompson, Distinguished Professor, Macquarie University, Sydney, Australia It goes without saying that Patrik Juslin is one of the world's top experts on the science of musical emotion. What this book reveals is that he is a hugely persuasive and accessible interlocutor. It really feels as though one is in conversation with a friend who is thinking issues and arguments through with the reader, step by step. Of course all the important literature is covered, but this is far from a dry literature review. Juslin's book should excite and stimulate layreaders and professional colleagues alike to deepen their understanding of what makes music emotional. John Sloboda, Research Professor, Guildhall School of Music & Drama, London, UK The best comprehensive and critically explanatory tome to-date on one of the most fascinating and still poorly understood topics in music research, written by the foremost international expert on music and emotion. A treasure for decades to come. Michael Thaut, Professor of Music, Neuroscience and Rehabilitation Science, University of Toronto, Canada In Musical Emotions Explained, Patrik Juslin probes and proffers many psychological and philosophical concepts of musical emotions toward unpacking numerous mysteries surrounding the arousal and expression of musical affect. The results of his meticulous research have profound implications for experiencing, creating, valuing, and teaching music. Written with great care and passion, this brilliant book is a must-read for anyone who takes a serious interest in the nature and values of music in people's lives. David Elliott, Professor of Music and Music Education, New York University, USA Patrik Juslin has been at the forefront of research into music and emotion for more than 20 years. Adding to what is already an astonishing body of work, this hugely impressive monograph is the culmination of that remarkable programme of research. Witten in an accessible and engaging style, and covering a huge range of perspectives, this is a book that will undoubtedly become a classic in the psychology of music, an indispensable resource for researchers in the field, and a fascinating read for those who may be new to the topic. Eric Clarke FBA, Heather Professor of Music, University of Oxford, UK

Read more less