Search results for ""Touchstone""

Written during the Golden Age of Chinese philosophy, and composed partly in prose and partly in verse, the Tao Te Ching is the most terse and economical of the world's great religious texts. In a series of short, profound chapters it elucidates the idea of the Tao, or the Way, and of Te - Virtue, or Power - ideas that in their ethical, practical and spiritual dimensions have become essential to the life of China's powerful civilization. The Tao Te Ching has been translated into Western languages more times than any other Chinese work. It speaks of the ineffable in a secular manner and its imagery, drawn from the natural world, transcends time and place. The application of its wisdom to modern times is both instructive and provocative - for the individual, lessons in self-awareness and spontaneity, placing stillness and consciousness of the word around above ceaseless activity; for leaders of society, how to govern with integrity, to perform unobtrusively the task in hand and never to utter words lightly; for both, the futility of striving for personal success.D. C. Lau's classic English version remains a touchstone of accuracy. Informed by the most impressive scholarship this is a translation both for academic study and for general readers who prefer to reflect on the meaning of this ancient text unencumbered by the subjective interpretations and poetic licence of more recent 'inspirational' translations. Sarah Allan's masterly introduction discusses the origins of the work, sheds light on the ambiguities of its language, and places it firmly in its historical and philosophical context.The Everyman edition uses Lau's translation of the Ma Wang Tui manuscripts (discovered in 1973) in the revised 1989 version published by The Chinese University Press. The iconic text is presented uncluttered by explanatory notes. A chronology and glossary are included, together with the translator's informative appendices.

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Why do we have such extraordinarily powerful responses toward the images and pictures we see in everyday life? Why do we behave as if pictures were alive, possessing the power to influence us, to demand things from us, to persuade us, seduce us, or even lead us astray? According to W. J. T. Mitchell, we need to reckon with images not just as inert objects that convey meaning but as animated beings with desires, needs, appetites, demands, and drives of their own. What Do Pictures Want? explores this idea and highlights Mitchell's innovative and profoundly influential thinking on picture theory and the lives and loves of images. Ranging across the visual arts, literature, and mass media, Mitchell applies characteristically brilliant and wry analyses to Byzantine icons and cyberpunk films, racial stereotypes and public monuments, ancient idols and modern clones, offensive images and found objects, American photography and aboriginal painting. Opening new vistas in iconology and the emergent field of visual culture, he also considers the importance of Dolly the Sheep—who, as a clone, fulfills the ancient dream of creating a living image—and the destruction of the World Trade Center on 9/11, which, among other things, signifies a new and virulent form of iconoclasm.What Do Pictures Want? offers an immensely rich and suggestive account of the interplay between the visible and the readable. A work by one of our leading theorists of visual representation, it will be a touchstone for art historians, literary critics, anthropologists, and philosophers alike. “A treasury of episodes—generally overlooked by art history and visual studies—that turn on images that ‘walk by themselves’ and exert their own power over the living.”—Norman Bryson, Artforum

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Peter Caddick-Adams - one of the leading military historians of his generation - reviews one of the great final engagements of WW2: The Battle of the Bulge. Including specially commissioned maps, black and white photography, archive material and personal interviews, this is a riveting landmark study of a pivotal historical moment and perfect for readers of James Holland, John Keegan, Anthony Beevor and Max Hastings.'A thought-provoking and compelling account of one of the most iconic battles of the Second World War. Brilliant' -- James Holland'Caddick-Adams knows more about the Bulge than any other historian I have read...I admire his originality...Snow and Steel offers an authoritative narrative of the drama...' -- Max Hasting, The Sunday Times'An encyclopaedic and eminently readable book' -- Times Literary Supplement'A compelling read' -- ***** Reader review'The definitive Bulge history' -- ***** Reader review'Absolutely brilliant book' -- ***** Reader review'Brilliant read. Captivating and informative' -- ***** Reader review'Excellent, authoritative and very well written' -- ***** Reader review********************************************************************************************Snow and Steel is a huge reassessment of Hitler's last great throw of the dice: 'The Battle of the Bulge', the battle for the Ardennes from 16 December 1944 to 25 January 1945.This is an utterly fascinating five weeks when for a time it looked like Hitler had outflanked the allied armies pushing toward the Rhine and might just throw them back to the Normandy beaches. It is also the context for the catastrophic events at Bastogne depicted so graphically in Band of Brothers. For military history fans this is one of those touchstone battles of World War Two, written by an author with a world-wide reputation.With specially commissioned maps, photographs, primary archival material and personal interviews, this is a truly controversial, commercial and landmark book.

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A New York Times bestseller! It’s never too late to unearth your hidden passions, rewrite your story, and live with a renewed purpose. Former Today show host Kathie Lee Gifford shares stories from her remarkable life in a beautiful reminder that God is still dreaming big for our years ahead.When Kathie Lee Gifford stepped down as cohost of the fourth hour of the Today show with Hoda Kotb, you might have thought her best days were behind her...but it turns out that she was just getting started. As Kathie Lee says, “I’m not retiring; I’m refiring!”Taking us from her Chesapeake Bay childhood when she first heard God’s calling, to her skyrocketing fame with Regis, to her decision to leave television for Nashville, Kathie Lee inspires us to pursue what really matters. Because it’s never too late to forgive, to dance the cha-cha, or to make a difference in the world.God placed His dreams in your heart for a reason. And like Kathie Lee, you might just discover that the best is yet to come. Whether you’re an empty nester, newly single, navigating a career change, or just eager for any change, Kathie Lee helps you hear God’s loving calling. It’s Never Too Late includes: Touchstone moments in Kathie Lee’s life that have led her to where she is now Inspiration and motivation to live out what’s next and rewrite your story Encouragement to pursue what really matters in life Is it time for you to rewrite your story, unearth your hidden passions, and live with a renewed purpose? It’s never too late.

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The story of Kurt Vonnegut and his beloved masterpiece, Slaughterhouse-Five, a novel born in the destruction of Dresden in World War II and written during the tumultuous days of Vietnam During the Vietnam War, Kurt Vonnegut, after surviving the horrors of Dresden as a POW during World War II, would lose his temper while watching the nightly news, point at the screen and shout, “The liars!” According to his family and friends, Slaughterhouse-Five was Vonnegut’s attempt to exorcize his demons. “He was writing to save his own life,” his daughter Nanette has said, “and in doing it I think he has saved a lot of lives.” Tom Roston’s The Writer’s Crusade is a book about how books save lives. Two decades after World War II had ended, Vonnegut’s sixth book became a significant part of a vital storytelling tradition that has eased the trauma of war for both the writer and the reader. Although Slaughterhouse-Five was championed by the anti-war movement, it became a bulwark for veterans who found in its pages a voice that spoke to them with an intimate, shared understanding of wartime PTSD. Mixing together the story of Vonnegut’s life, the writing and publishing of his most enduring work, and forays into the experiences of soldiers and writers today—people who have made the novel a touchstone in their lives—The Writer’s Crusade is built on research into Vonnegut’s life, from papers and interviews with his children, scholars, psychologists, and writers, including Tim O’Brien, Kevin Powers, and Karl Marlantes. This will be a captivating book for fans of Vonnegut and anyone touched by war and its aftermath.

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In this debut memoir, a James Beard Award–winning writer, whose childhood idea of fine dining was Howard Johnson’s, tells how he became one of Paris’s most influential food critics Until Alec Lobrano landed a job in the glamorous Paris office of Women’s Wear Daily, his main experience of French cuisine was the occasional supermarket éclair. An interview with the owner of a renowned cheese shop for his first article nearly proves a disaster because he speaks no French. As he goes on to cover celebrities and couturiers and improves his mastery of the language, he gradually learns what it means to be truly French. He attends a cocktail party with Yves St. Laurent and has dinner with Giorgio Armani. Over a superb lunch, it’s his landlady who ultimately provides him with a lasting touchstone for how to judge food: “you must understand the intentions of the cook.” At the city’s brasseries and bistros, he discovers real French cooking. Through a series of vivid encounters with culinary figures from Paul Bocuse to Julia Child to Ruth Reichl, Lobrano hones his palate and finds his voice. Soon the timid boy from Connecticut is at the epicenter of the Parisian dining revolution and the restaurant critic of one of the largest newspapers in the France. A mouthwatering testament to the healing power of food, My Place at the Table is a moving coming-of-age story of how a gay man emerges from a wounding childhood, discovers himself, and finds love. Published here for the first time is Lobrano’s “little black book,” an insider’s guide to his thirty all-time-favorite Paris restaurants.

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In 1492 the Spanish humanist Antonio de Nebrija proclaimed that "language has always been the companion of empire." Taking as his touchstone a wonderfully suggestive sonnet that Garcilaso de la Vega wrote in 1535 from the neighborhood of ruined Carthage in North Africa, Richard Helgerson examines how the companionship of language and empire played itself out more generally in the "new poetry" of sixteenth-century Europe. Along with his friend Juan Boscán, Garcilaso was one of the great pioneers of that poetry, radically reforming Spanish verse in imitation of modern Italian and ancient Roman models. As the century progressed, similar projects were undertaken in France by Ronsard and du Bellay, in Portugal by Camões, and in England by Sidney and Spenser. And wherever the new poetry emerged, it was prompted by a sense that imperial ambition—the quest to be in the present what Rome had been in the past—required a vernacular poetry comparable to the poetry of Rome. But, as Helgerson shows, the new poetry had other commitments than to empire. Though imperial ambition looms large in Garcilaso's sonnet and others, by the end of the poem Garcilaso identifies not with Rome but with the Carthaginian queen Dido, one of empire's legendary victims. And with this startling shift, which has its counterpart in poems from all over Europe, comes one of the most important departures the poem makes from its apparent imperial agenda. Addressing these rival concerns as they arise in a single sonnet, Richard Helgerson provides a masterful and multifaceted image of one of the most vital episodes in European literary history.

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With the environmental crisis comes a crisis of the imagination, a need to find new ways to understand nature and humanity's relation to it. This is the challenge Lawrence Buell takes up in The Environmental Imagination, the most ambitious study to date of how literature represents the natural environment. With Thoreau's Walden as a touchstone, Buell gives us a far-reaching account of environmental perception, the place of nature in the history of western thought, and the consequences for literary scholarship of attempting to imagine a more "ecocentric" way of being. In doing so, he provides a major new understanding of Thoreau's achievement and, at the same time, a profound rethinking of our literary and cultural reflections on nature.The green tradition in American writing commands Buell's special attention, particularly environmental nonfiction from colonial times to the present. In works by writers from Crevecoeur to Wendell Berry, John Muir to Aldo Leopold, Rachel Carson to Leslie Silko, Mary Austin to Edward Abbey, he examines enduring environmental themes such as the dream of relinquishment, the personification of the nonhuman, an attentiveness to environmental cycles, a devotion to place, and a prophetic awareness of possible ecocatastrophe. At the center of this study we find an image of Walden as a quest for greater environmental awareness, an impetus and guide for Buell as he develops a new vision of environmental writing and seeks a new way of conceiving the relation between human imagination and environmental actuality in the age of industrialization. Intricate and challenging in its arguments, yet engagingly and elegantly written, The Environmental Imagination is a major work of scholarship, one that establishes a new basis for reading American nature writing.

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Beginning in the late eighteenth century, Europeans embarked on a new way of classifying the world, devising genealogies that determined degrees of relatedness by tracing heritage through common ancestry. This methodology organized historical systems into family trees, transforming the closest contemporaneous terms on trees of languages, religions, races, nations, species, or individuals into siblings. Encompassing political fraternity, sister languages, racial discourse on brotherhood, evolutionary sibling species, and intense, often incestuously inclined brother-sister bonds in literature, siblinghood stands out as a ubiquitous-yet unacknowledged-conceptual touchstone across the European long nineteenth century. In all such systems the sibling term, not-quite-same and not-quite-other, serves as an active fault line, necessary for and yet continuously destabilizing definition and classification. In her provocative book, Stefani Engelstein explores the pervasive significance of sibling structures and their essential role in the modern organization of knowledge and identity. Sibling Action argues that this relational paradigm came to structure the modern subject, life sciences, human sciences, and collective identities such as race, religion, and gender. Engelstein considers theoretical constructions of subjectivity through Sophocles' Antigone; fraternal equality and its exclusion of sisters in political rhetoric; the intertwining of economic and kinship theory by Friedrich Engels and Claude Levi-Strauss; Darwin and his contemporaries' accounts of speciation; anthropological and philological depictions of Muslims and Jews at the margins of Europe; and evolutionary psychology's theorizing around the incest taboo. Integrating close readings across the disciplines with panoramic intellectual history and arresting literary interpretations, Sibling Action presents a compelling new understanding of systems of knowledge and provides the foundation for less confrontational formulations of belonging, identity, and agency.

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In the spring of 1929, Martin Heidegger and Ernst Cassirer met for a public conversation in Davos, Switzerland. They were arguably the most important thinkers in Europe, and their exchange touched upon the most urgent questions in the history of philosophy: What is human finitude? What is objectivity? What is culture? What is truth? Over the last eighty years the Davos encounter has acquired an allegorical significance, as if it marked an ultimate and irreparable rupture in twentieth-century Continental thought. Here, in a reconstruction at once historical and philosophical, Peter Gordon reexamines the conversation, its origins and its aftermath, resuscitating an event that has become entombed in its own mythology. Through a close and painstaking analysis, Gordon dissects the exchange itself to reveal that it was at core a philosophical disagreement over what it means to be human. But Gordon also shows how the life and work of these two philosophers remained closely intertwined. Their disagreement can be understood only if we appreciate their common point of departure as thinkers of the German interwar crisis, an era of rebellion that touched all of the major philosophical movements of the day—life-philosophy, philosophical anthropology, neo-Kantianism, phenomenology, and existentialism. As Gordon explains, the Davos debate would continue to both inspire and provoke well after the two men had gone their separate ways. It remains, even today, a touchstone of philosophical memory.This clear, riveting book will be of great interest not only to philosophers and to historians of philosophy but also to anyone interested in the great intellectual ferment of Europe’s interwar years.

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The definitive oral history of the cult classic Dazed and Confused, featuring behind-the-scenes stories from the cast, crew, and Oscar-nominated director Richard Linklater.Dazed and Confused not only heralded the arrival of filmmaker Richard Linklater, it introduced a cast of unknowns who would become the next generation of movie stars. Embraced as a cultural touchstone, the 1993 film would also make Matthew McConaughey’s famous phrase—alright, alright, alright—ubiquitous. But it started with a simple idea: Linklater thought people might like to watch a movie about high school kids just hanging out and listening to music on the last day of school in 1976. To some, that might not even sound like a movie. But to a few studio executives, it sounded enough like the next American Graffiti to justify the risk. Dazed and Confused underperformed at the box office and seemed destined to disappear. Then something weird happened: Linklater turned out to be right. This wasn’t the kind of movie everybody liked, but it was the kind of movie certain people loved, with an intensity that felt personal. No matter what their high school experience was like, they thought Dazed and Confused was about them.Alright, Alright, Alright is the story of how this iconic film came together and why it worked. Combining behind-the-scenes photos and insights from nearly the entire cast, including Matthew McConaughey, Parker Posey, Ben Affleck, Joey Lauren Adams, and many others, and with full access to Linklater’s Dazed archives, it offers an inside look at how a budding filmmaker and a cast of newcomers made a period piece that would feel timeless for decades to come.

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The classic case for why government must support science—with a new essay by physicist and former congressman Rush Holt on what democracy needs from science todayScience, the Endless Frontier is recognized as the landmark argument for the essential role of science in society and government’s responsibility to support scientific endeavors. First issued when Vannevar Bush was the director of the US Office of Scientific Research and Development during the Second World War, this classic remains vital in making the case that scientific progress is necessary to a nation’s health, security, and prosperity. Bush’s vision set the course for US science policy for more than half a century, building the world’s most productive scientific enterprise. Today, amid a changing funding landscape and challenges to science’s very credibility, Science, the Endless Frontier resonates as a powerful reminder that scientific progress and public well-being alike depend on the successful symbiosis between science and government.This timely new edition presents this iconic text alongside a new companion essay from scientist and former congressman Rush Holt, who offers a brief introduction and consideration of what society needs most from science now. Reflecting on the report’s legacy and relevance along with its limitations, Holt contends that the public’s ability to cope with today’s issues—such as public health, the changing climate and environment, and challenging technologies in modern society—requires a more capacious understanding of what science can contribute. Holt considers how scientists should think of their obligation to society and what the public should demand from science, and he calls for a renewed understanding of science’s value for democracy and society at large.A touchstone for concerned citizens, scientists, and policymakers, Science, the Endless Frontier endures as a passionate articulation of the power and potential of science.

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Paul L. Heck’s Political Theology and Islam offers a sophisticated and comprehensive analysis of sovereignty in Islamic society, beginning with the origins of Islam and extending to the present. This wide-ranging study sets out to answer an unassumingly tricky question: What is politics in Islam? Paul L. Heck’s answer takes the form of a close analysis of sovereignty across Islamic history, approaching this concept from the perspective of political theology. As he illustrates, the history of politics in Islam is best understood as an ongoing struggle for a moral order between those who occupy positions of rulership and religious voices that communicate the ethics of Islam and educate the public in their religious and moral devotions. In this sense, sovereignty in Islam is split between ruling powers and pious communities, whose interactions range from close cooperation to outright competition. Heck shows that it is precisely through these interactions that Islamic conceptions of sovereignty are constructed and negotiated. Political Theology and Islam’s first section spells out the concepts and methods for the study of politics in Islam as a struggle for a moral order, one not only involving varied claims to sovereignty but also a general determination to realize the righteousness of Islam that stands at the heart of the message that the Prophet Muhammad conveyed to his society in seventh-century Arabia. The following sections demonstrate, through examples from both the past and today’s worldwide Muslim community, the diverse ways in which the umma, the community of Muslims, has struggled for a moral order that recalls its prophetic message. Deftly moving in various political theaters and through a wide range of intellectual traditions, Heck’s book will emerge as a touchstone of scholarship in the field of Muslim politics and intellectual thought.

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"The Passion of the Christ" was an extraordinary media event. But the film has also, and more importantly, been a religious phenomenon. Mel Gibson's professed intent was to create not just a cinematic experience but a spiritual one. And he has succeeded for many moviegoers, most notably evangelical Christians, of whom millions have embraced the film as a presentation of Holy Scripture, a twenty-first-century incarnation of the Word. In this volume, biblical scholars Timothy K. Beal and Tod Linafelt - along with an esteemed group of contributors - offer a provocative range of views on "The Passion of the Christ". The book is organized in three parts. The first analyzes the film in terms of its religious foundations, including the Gospels and nonbiblical religious texts: What are the film's literary sources and how does it use them? In what ways does the medium of film require a radically different way of representing gospel narrative? The second group of essays focuses on the ethical and theological implications of the film's presentation of the Christian gospel: What do we make of its representations of female sexuality? What are the implications of focusing on the Passion in terms of atonement rather than social justice? Finally, the third section explores the film as a pop cultural phenomenon: How has the film worked to create a sense of insider status for some and alienated so many others? What can we learn about the religious dimensions of contemporary mass culture from the film's reception? Whether one is inspired or appalled by "The Passion of the Christ", there can be no question that it is a defining moment in the cultural afterlife of the Bible. This volume tries to make sense of that moment and will prove to be a touchstone for adherents and detractors of the film alike.

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“With her trademark brio and deep-tissue understanding, Maria Tatar opens the glass casket on this undying story, which retains its power to charm twenty-one times, and counting.”—Gregory Maguire, author of WickedThe story of the rivalry between a beautiful, innocent girl and her cruel and jealous mother has been endlessly repeated and refashioned all over the world. The Brothers Grimm gave this story the name by which we know it best, and in 1937 Walt Disney sweetened their somber version to make the first feature-length, animated fairy tale, Snow White and the Seven Dwarfs. Since then, the Disney film has become our cultural touchstone—the innocent heroine, her evil stepmother, the envy that divides them, and a romantic rescue from domestic drudgery and maternal persecution. But each culture has its own way of telling this story of jealousy and competition. An acclaimed folklorist, Maria Tatar brings to life a global melodrama of mother-daughter rivalries that play out in unforgettable variations across countries and cultures.“Fascinating…A strange, beguiling history of stories about beauty, jealousy, and maternal persecution.”—Wall Street Journal“Is the story of Snow White the cruelest, the deepest, the strangest, the most mythopoeic of them all?…Tatar trains a keen eye on the appeal of the bitter conflict between women at the heart of the tale…a feast of rich thoughts…An exciting and authoritative anthology from the wisest good fairy in the world of the fairy tale.”—Marina Warner“The inimitable Maria Tatar offers us a maze of mothers and daughters and within that glorious tangle an archetype with far more meaning than we imagine when we say ‘Snow White.’”—Honor Moore“Shocking yet familiar, these stories…retain the secret whisper of storytelling. This is a properly magical, erudite book.”—Literary Review

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Since its construction, Notre Dame Cathedral has played a central role in French cultural identity. In the wake of the tragic fire of 2019, questions of how to restore the fabric of this quintessential French monument are once more at the forefront. This all-too-prescient book, first published in French in 2013, takes a central place in the conversation. The Gothic cathedral par excellence, Notre Dame set the architectural bar in the competitive years of the third quarter of the twelfth century and dazzled the architects and aesthetes of the Enlightenment with its structural ingenuity. In the nineteenth century, the cathedral became the touchstone of a movement to restore medieval patrimony to its rightful place at the cultural heart of France: it was transformed into a colossal laboratory in which architects Jean-Baptiste Lassus and Eugène-Emmanuel Viollet-le-Duc anatomized structures, dismembered them, put them back, or built them anew—all the while documenting their work with scientific precision.Taking as their point of departure a three-dimensional laser scan of the cathedral created in 2010, architectural historians Dany Sandron and the late Andrew Tallon tell the story of the construction and reconstruction of Notre Dame in visual terms. With over a billion points of data, the scan supplies a highly accurate spatial map of the building, which is anatomized and rebuilt virtually. Fourteen double-page images represent the cathedral at specific points in time, while the accompanying text sets out the history of the building, addressing key topics such as the fundraising campaign, the construction of the vaults, and the liturgical function of the choir. Featuring 170 full-color illustrations and elegantly translated by Andrew Tallon and Lindsay Cook, Notre Dame Cathedral is an enlightening history of one of the world’s most treasured architectural achievements.

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A New York Times bestseller! It’s never too late to unearth your hidden passions, rewrite your story, and live with a renewed purpose. Former Today show host Kathie Lee Gifford shares stories from her remarkable life in a beautiful reminder that God is still dreaming big for our years ahead.When Kathie Lee Gifford stepped down as cohost of the fourth hour of the Today show with Hoda Kotb, you might have thought her best days were behind her...but it turns out that she was just getting started. As Kathie Lee says, “I’m not retiring; I’m refiring!”Taking us from her Chesapeake Bay childhood when she first heard God’s calling, to her skyrocketing fame with Regis, to her decision to leave television for Nashville, Kathie Lee inspires us to pursue what really matters. Because it’s never too late to forgive, to dance the cha-cha, or to make a difference in the world.God placed His dreams in your heart for a reason. And like Kathie Lee, you might just discover that the best is yet to come. Whether you’re an empty nester, newly single, navigating a career change, or just eager for any change, Kathie Lee helps you hear God’s loving calling. It’s Never Too Late includes: Touchstone moments in Kathie Lee’s life that have led her to where she is now Inspiration and motivation to live out what’s next and rewrite your story Encouragement to pursue what really matters in life Is it time for you to rewrite your story, unearth your hidden passions, and live with a renewed purpose? It’s never too late.

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States of Plague examines Albert Camus’s novel as a palimpsest of pandemic life, an uncannily relevant account of the psychology and politics of a public health crisis. As one of the most discussed books of the COVID-19 crisis, Albert Camus’s classic novel The Plague has become a new kind of literary touchstone. Surrounded by terror and uncertainty, often separated from loved ones or unable to travel, readers sought answers within the pages of Camus’s 1947 tale about an Algerian city gripped by an epidemic. Many found in it a story about their own lives—a book to shed light on a global health crisis. In thirteen linked chapters told in alternating voices, Alice Kaplan and Laura Marris hold the past and present of The Plague in conversation, discovering how the novel has reached people in their current moment. Kaplan’s chapters explore the book’s tangled and vivid history, while Marris’s are drawn to the ecology of landscape and language. Through these pages, they find that their sense of Camus evolves under the force of a new reality, alongside the pressures of illness, recovery, concern, and care in their own lives. Along the way, Kaplan and Marris examine how the novel’s original allegory might resonate with a new generation of readers who have experienced a global pandemic. They describe how they learned to contemplate the skies of a plague spring, to examine the body politic and the politics of immunity. Both personal and eloquently written, States of Plague uncovers for us the mysterious way a novel can imagine the world during a crisis and draw back the veil on other possible futures.

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*A Waterstones, Financial Times and New Statesman Book of the Year*'A tremendous book, timely, wise, authoritative and clear' Stephen Fry'A brilliantly eloquent, incredibly insightful reimagining of liberalism' Owen Jones'Clear, brave, compelling' David Miliband'Inspiring ... impassioned ... full of hope' Zadie Smith'This is a fantastic book' Thomas PikettyImagine: you are designing a society, but you don't know who you'll be within it - rich or poor, man or woman, gay or straight. What would you want that society to look like? This is the revolutionary thought experiment proposed by the twentieth century's greatest political philosopher, John Rawls. As economist and philosopher Daniel Chandler argues in this hugely ambitious and exhilarating intervention, it is by rediscovering Rawls that we can find a way out of the escalating crises that are devastating our world today.Taking Rawls's humane and egalitarian liberalism as his starting point, Chandler builds a careful and ultimately irresistible case for a progressive agenda that would fundamentally reshape our societies for the better. He shows how we can protect free speech and transcend the culture wars; get money out of politics; and create an economy where everyone has the chance to fulfil their potential, where prosperity is widely shared, and which operates within the limits of our finite planet.This is a book brimming with hope and possibility - a galvanising alternative to the cynicism that pervades our politics. Free and Equal has the potential not only to transform contemporary debate, but to offer a touchstone for a modern, egalitarian liberalism for many years to come, cementing Rawls's place in political discourse, and firmly establishing Chandler as a vital new voice for our time.

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From the Wolfson History Prize–winning author of The Man on Devil’s Island, the definitive biography of Vivekananda, the Indian monk who shaped the intellectual and spiritual history of both East and West.Few thinkers have had so enduring an impact on both Eastern and Western life as Swami Vivekananda, the Indian monk who inspired the likes of Freud, Gandhi, and Tagore. Blending science, religion, and politics, Vivekananda introduced Westerners to yoga and the universalist school of Hinduism called Vedanta. His teachings fostered a more tolerant form of mainstream spirituality in Europe and North America and forever changed the Western relationship to meditation and spirituality.Guru to the World traces Vivekananda’s transformation from son of a Calcutta-based attorney into saffron-robed ascetic. At the 1893 World Parliament of Religions in Chicago, he fascinated audiences with teachings from Hinduism, Western esoteric spirituality, physics, and the sciences of the mind, in the process advocating a more inclusive conception of religion and expounding the evils of colonialism. Vivekananda won many disciples, most prominently the Irish activist Margaret Noble, who disseminated his ideas in the face of much disdain for the wisdom of a “subject race.” At home, he challenged the notion that religion was antithetical to nationalist goals, arguing that Hinduism was intimately connected with Indian identity.Ruth Harris offers an arresting biography, showing how Vivekananda’s thought spawned a global anticolonial movement and became a touchstone of Hindu nationalist politics a century after his death. The iconic monk emerges as a counterargument to Orientalist critiques, which interpret East-West interactions as primarily instances of Western borrowing. As Vivekananda demonstrates, we must not underestimate Eastern agency in the global circulation of ideas.

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Ritual is part of what it means to be human. Like sports, music, and drama, ritual defines and enriches culture, putting those who practice it in touch with sources of value and meaning larger than themselves. Ritual is unavoidable, yet it holds a place in modern life that is decidedly ambiguous. What is ritual? What does it do? Is it useful? What are the various kinds of ritual? Is ritual tradition bound and conservative or innovative and transformational? Alongside description of a number of specific rites, this Very Short Introduction explores ritual from both theoretical and historical perspectives. Barry Stephenson focuses on the places where ritual touches everyday life: in politics and power; moments of transformation in the life cycle; as performance and embodiment. He also discusses the boundaries of ritual, and how and why certain behaviors have been studied as ritual while others have not. Stephenson shows how ritual is an important vehicle for group and identity formation; how it generates and transmits beliefs and values; how it can be used to exploit and oppress; and how it has served as a touchstone for thinking about cultural origins and historical change. Encompassing the breadth and depth of modern ritual studies, Barry Stephenson's Very Short Introduction also develops a narrative of ritual's place in social and cultural life. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

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"Learner-centered classrooms rely on teachers who are willing to change and grow, and on school leaders who are willing to intelligently support them. Change is never easy, but teaching has never been easy, either. Its goal is too grand for ease."Carol Ann Tomlinson's role in defining and popularizing differentiated instruction has made her one of the most influential voices in modern education. In So Each May Soar, she illuminates the next step forward: creating learner-centered classrooms to help all students gain a deeper understanding of themselves, others, and the world.Join Tomlinson as she explores principles and practices of learner-centered classrooms, including* What it means for teachers to honor themselves, each learner, and the content they teach. * How to assemble a curriculum that ignites students' imaginations and drives discovery. * How to guide classroom experiences that develop the mind of each learner in accordance with that learner's marvelous individuality. * How to shape curriculum, assessment, and instruction to support both equity and excellence.Use this book's curated collection of strategies to reconnect with professional and personal aspirations, build an energized and mutually respectful classroom community, and deliver instruction that feels alive to you and your students. Examples from all kinds of learner-centered classrooms clarify what this approach looks like across grade levels and subject areas and confirm its viability in schools with budgets both big and small.A must-have touchstone for veterans, a beacon for middle-career educators, and a mission statement for those just beginning their careers, So Each May Soar celebrates the commitment of teachers and the opportunity they have to help each young person in their care build a better future and lead a wonderful life.

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The never-before-told story of the horned rabbit—the myths, the hoaxes, the very real scientific breakthrough it inspired—and how it became a cultural touchstone of the American West.Just what is a jackalope? Purported to be part jackrabbit and part antelope, the jackalope began as a local joke concocted by two young brothers in a small Wyoming town during the Great Depression. Their creation quickly spread around the U.S., where it now regularly appears as innumerable forms of kitsch—wall mounts, postcards, keychains, coffee mugs, shot glasses, and so on. A vast body of folk narratives has carried the jackalope’s fame around the world to inspire art, music, film, even erotica! Although the jackalope is an invention of the imagination, it is nevertheless connected to actual horned rabbits, which exist in nature and have for centuries been collected and studied by naturalists. Around the time the two young boys were creating the first jackalope in Wyoming, Dr. Richard Shope was making his first breakthrough about the cause of the horns: a virus. When the virus that causes rabbits to grow “horns” (a keratinous carcinoma) was first genetically sequenced in 1984, oncologists were able to use that genetic information to make remarkable, field-changing advances in the development of anti-viral cancer therapies. The most important of these is the human papillomavirus (HPV) vaccine, which protects against cervical and other cancers. Today, jackalopes are literally helping us cure cancer. For fans of David Quammen’s The Song of the Dodo, Jon Mooallem’s Wild Ones, or Jeff Meldrum's Sasquatch, Michael P. Branch's remarkable On the Trail of the Jackalope is an entertaining and enlightening road trip through the heart of America.

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Drawing on sources as diverse as Supreme Court decisions, nightclub comedy, congressional records, and cultural theory, Obscene Gestures explores the many contradictory vectors of twentieth-century moralist controversies surrounding literary and artistic works from Henry Miller’s Tropic of Cancer to those of Toni Morrison, Alice Walker, Kathy Acker, Robert Mapplethorpe, 2 Live Crew, Tony Kushner, and others. Patrick S. Lawrence dives into notorious obscenity debates to reconsider the divergent afterlives of artworks that were challenged or banned over their taboo sexual content to reveal how these controversies affected their critical reception and commercial success in ways that were often determined at least in part by racial, gender, or sexual stereotypes and pernicious ethnographic reading practices. Starting with early postwar touchstone cases and continuing through the civil rights, feminist, and LGBTQ+ movements, Lawrence demonstrates on one level that breaking sexual taboos in literary and cultural works often comes with cultural cachet and increased sales. At the same time, these benefits are distributed unequally, leading to the persistence of exclusive hierarchies and inequalities. Obscene Gestures takes its bearings from recent studies of the role of obscenity in literary history and canon formation during the late nineteenth and early twentieth centuries, extending their insights into the postwar period when broad legal latitude for obscenity was established but when charges of obscenity still carried immense symbolic and political weight. Moreover, the rise of social justice movements around this time provides necessary context for understanding the application of legal precedents, changes in the publishing industry, and the diversification of the canon of American letters. Obscene Gestures, therefore, advances the study of obscenity to include recent developments in the understanding of race, gender, and sexuality while refining our understanding of late-twentieth-century American literature and political culture.

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The statesman and political philosopher Edmund Burke (1729–1797) is a touchstone for modern conservatism in the United States, and his name and his writings have been invoked by figures ranging from the arch Federalist George Cabot to the twentieth-century political philosopher Leo Strauss. But Burke’s legacy has neither been consistently associated with conservative thought nor has the richness and subtlety of his political vision been fully appreciated by either his American admirers or detractors. In Edmund Burke in America, Drew Maciag traces Burke’s reception and reputation in the United States, from the contest of ideas between Burke and Thomas Paine in the Revolutionary period, to the Progressive Era (when Republicans and Democrats alike invoked Burke’s wisdom), to his apotheosis within the modern conservative movement. Throughout, Maciag is sensitive to the relationship between American opinions about Burke and the changing circumstances of American life. The dynamic tension between conservative and liberal attitudes in American society surfaced in debates over the French Revolution, Jacksonian democracy, Gilded Age values, Progressive reform, Cold War anticommunism, and post-1960s liberalism. The post–World War II rediscovery of Burke by New Conservatives and their adoption of him as the "father of conservatism" provided an intellectual foundation for the conservative ascendancy of the late twentieth century. Highlighting the Burkean influence on such influential writers as George Bancroft, E. L. Godkin, and Russell Kirk, Maciag also explores the underappreciated impact of Burke’s thought on four U.S. presidents: John Adams and John Quincy Adams, Theodore Roosevelt, and Woodrow Wilson. Through close and keen readings of political speeches, public lectures, and works of history and political theory and commentary, Maciag offers a sweeping account of the American political scene over two centuries.

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Written in 1456 and purporting to be the biography of the actual fourteenth-century knight of its title, Jean de Saintré has been called the first modern novel in French and one of the first historical novels in any language. Taken in hand at the age of thirteen by an older and much more experienced lady, Madame des Belles Cousines, the youth grows into an accomplished knight, winning numerous tournaments and even leading a crusade against the infidels for the love of Madame. When he reaches maturity, Jean starts to rebel against Madame's domination by seeking out chivalric adventures on his own. She storms off to her country estates and takes up with the burly abbot of a nearby monastery. The text moves into darker and uncourtly territory when Jean discovers their liaison and lashes out to avenge his lost love and honor, ruining Madame's reputation in the process. Composed in the waning years of chivalry and at the threshold of the print revolution, Jean de Saintré incorporates disquisitions on sin and virtue, advice on hygiene and fashion, as well as lengthy set pieces of chivalric combat. Antoine de La Sale, who was, by turns, a page, a royal tutor, a soldier, and a judge at tournaments, embellished his text with wide-ranging insights into chivalric ideology, combat techniques, heraldry and warfare, and the moral training of a young knight. This superb translation—the first in nearly a hundred years—contextualizes the story with a rich introduction and a glossary and is suitable for scholars, students, and general readers alike. An encyclopedic compilation of medieval culture and a window into the lost world of chivalry, Jean de Saintré is a touchstone for both the late Middle Ages and the emergence of the modern novel.

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The abolitionist movement launched the global human rights struggle in the 18th and 19th centuries and redefined the meaning of equality throughout the Atlantic world. Even in the 21st century, it remains a touchstone of democratic activism-a timeless example of mobilizing against injustice. As famed black abolitionist Frederick Douglass commented in the 1890s, the antislavery struggle constituted a grand army of activists whose labors would cast a long shadow over American history. This introduction to the abolitionist movement, written by African American and abolition expert Richard Newman, highlights the key people, institutions, and events that shaped the antislavery struggle between the American Revolutionary and Civil War eras as well as the major themes that guide scholarly understandings of the antislavery struggle. From early abolitionist activism in the Anglo American world and the impact of slave revolutions on antislavery reformers to the rise of black pamphleteers and the emergence of antislavery women before the Civil War, the study of the abolitionist movement has been completely reoriented during the past decade. Where before scholars focused largely on radical (white) abolitionists along the Atlantic seaboard in the years just before the Civil War, they now understand abolitionism via an ever-expanding roster of activists through both time and space. While this book will examine famous antislavery figures such as William Lloyd Garrison and Frederick Douglass, it will also underscore the significance of early abolitionist lawsuits, the impact of the Haitian Revolution on both black and white abolitionists in the United States, and women's increasingly prominent role as abolitionist editors, organizers, and orators. By drawing on the exciting insights of recent work on these and other themes, a very short introduction to the abolitionist movement will provide a compelling and up-to-date narrative of the American antislavery struggle

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Library of America presents the first volume in a landmark two-volume collector's edition of the incomparable stories of an American masterBorn into an upper-class New York family, Edith Wharton broke with convention and became a professional writer, earning an enduring place as the grande dame of American letters. This Library of America collection (along with its companion volume, Collected Stories: 1911–1937) presents the finest of Wharton's achievement in short fiction, drawn from the more than eighty stories she published over the course of her career. Opening with her first published story—the charming "Mrs. Manstey's View," about a disruption in the life of an elderly apartment-dweller—this first of two volumes presents a writer, already at the height of her powers, beginning to explore the concerns of a lifetime. In "Souls Belated," two lovers attempt to escape the consequences of their adultery—a subject to which Wharton returns throughout her career. In "The Mission of Jane" (about a remarkable adopted child) and "The Pelican" (about an itinerant lecturer), she discovers her gift for social and cultural satire. Perhaps the finest of her ghost stories, "The Eyes," with its Jamesian sense of evil, is also included, along with two novella-length works, "The Touchstone" and "Sanctuary," revealing the dazzling range of Wharton's fictive imagination. Also included in this edition are a chronology of Wharton's life, explanatory notes, and an essay on the texts.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

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In every legend, there is a legacy. In the life and career of underseaexplorer Jacques Cousteau, that legacy beats in the heart of the sea and inthe heart of his son, Jean-Michel, the noted French environmentalist,educator and documentary film producer who has spent most of his adult lifenurturing the work of his famous father.In My Father, The Captain, Jean-Michel Cousteau takes an open and intimate look at the life he shared with his father, and the legend he has taken itupon himself to carry. In so doing, he hopes to shed new and meaningfullight on the life and work of a man who inspired millions to reconsider ourrelationship with the sea and its creatures-and, in the process, tounderstand a little more about himself and his family as well."Captain Cousteau was a complicated man," the younger Cousteau writes. "Hewas a man of many different personalities, many different moods. But thisis how it is with all great men, yes? We know the public mask, but it isthe private face that reveals a man's true character. It is the man weknow when the cameras are not filming."My Father, The Captain is shot-through with new material and fresh insightsinto the life and mind of a man who helped to jump-start a globalconservation effort that continues to flourish. Jean-Michel Cousteau andhis collaborator, New York Times best-selling author Daniel Paisner, offeran intimate reappraisal of the many touchstone moments Jean-Michel sharedwith his father, as well as the seminal moments from his father's life thathave become part of the Cousteau family lore and legend.

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Written by the President and CEO of the Institute for Healthcare Improvement (IHI) and a leading health care journalist, this groundbreaking book examines how leading organizations in the United States are pursuing the Triple Aim—improving the individual experience of care, improving the health of populations, and reducing the per capita cost of care. Even with major steps forward – including the Affordable Care Act and the creation of the Center for Medicare and Medicaid Innovation -- the national health care debate is too often poisoned by negativity. A quieter, more thoughtful, and vastly more constructive conversation continues among health care leaders and professionals throughout the country. Innovative solutions are being designed and implemented at the local level, and countless health care organizations are demonstrating breakthrough remedies to some of the toughest and most expensive challenges in health care. Pursuing the Triple Aim shares compelling stories that are emerging in locations ranging from Pittsburgh to Seattle, from Boston to Oakland, focused on topics including improving quality and lowering costs in primary care; setting challenging goals to control chronic disease with notable outcomes; leveraging employer buying power to improve quality, reduce waste, and drive down cost; paying for care under an innovative contract that compensates for quality rather than quantity; and much more. The authors describe these innovations in detail, and show the way toward a health care system for the nation that improves the experience and quality of care while at the same time controlling costs. As the Triple Aim moves from being largely an aspirational framework to something that communities all across the US can implement and learn from, its potential to become a touchstone for the work ahead has never been greater. Pursuing the Triple Aim lays out the vision, the interventions, and promising examples of success.

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An accomplished storyteller returns with her biggest, boldest, most entertaining novel yet—a hilarious, heartfelt story about books, love, sisterhood, and the surprises we discover in our DNA that combines the wit of Jonathan Tropper with the heart of Susan Wiggs.Maggie, Eliza, and Tricia Sweeney grew up as a happy threesome in the idyllic seaside town of Southport, Connecticut. But their mother’s death from cancer fifteen years ago tarnished their golden-hued memories, and the sisters drifted apart. Their one touchstone is their father, Bill Sweeney, an internationally famous literary lion and college professor universally adored by critics, publishers, and book lovers. When Bill dies unexpectedly one cool June night, his shell-shocked daughters return to their childhood home. They aren’t quite sure what the future holds without their larger-than-life father, but they do know how to throw an Irish wake to honor a man of his stature.But as guests pay their respects and reminisce, one stranger, emboldened by whiskey, has crashed the party. It turns out that she too is a Sweeney sister. When Washington, DC based journalist Serena Tucker had her DNA tested on a whim a few weeks earlier, she learned she had a 50% genetic match with a childhood neighbor—Maggie Sweeney of Southport, Connecticut. It seems Serena’s chilly WASP mother, Birdie, had a history with Bill Sweeney—one that has remained totally secret until now.Once the shock wears off, questions abound. What does this mean for William’s literary legacy? Where is the unfinished memoir he’s stashed away, and what will it reveal? And how will a fourth Sweeney sister—a blond among redheads—fit into their story?By turns revealing, insightful, and uproarious, The Sweeney Sisters is equal parts cautionary tale and celebration—a festive and heartfelt look at what truly makes a family.

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How the Civil War endures in American life through literature and culture.Recipient of the Eric Hoffer Award's Montaigne MedalThe American Civil War lives on in our collective imagination like few other events. The story of the war has been retold in countless films, novels, poems, memoirs, plays, sculptures, and monuments. Often remembered as an emancipatory struggle, as an attempt to destroy slavery in America now and forever, it is also memorialized as a fight for Southern independence; as a fratricide that divided the national family; and as a dark, cruel conflict defined by its brutality. What do these stories, myths, and rumors have in common, and what do they teach us about modern America? In this fascinating book, Cody Marrs reveals how these narratives evolved over time and why they acquired such lasting power. Marrs addresses an eclectic range of texts, traditions, and creators, from Walt Whitman, Abram Ryan, and Abraham Lincoln to Margaret Mitchell, D. W. Griffith, and W. E. B. Du Bois. He also identifies several basic plots about the Civil War that anchor public memory and continually compete for cultural primacy. In other words, from the perspective of American cultural memory, there is no single Civil War. Whether they fill us with elation or terror; whether they side with the North or the South; whether they come from the 1860s, the 1960s, or today, these stories all make one thing vividly clear: the Civil War is an ongoing conflict, persisting not merely as a cultural touchstone but as an unresolved struggle through which Americans inevitably define themselves. A timely, evocative, and beautifully written book, Not Even Past is essential reading for anyone interested in the Civil War and its role in American history.

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In the late nineteenth and early twentieth centuries, prominent social thinkers in France, Germany, and the United States sought to understand the modern world taking shape around them. Although they worked in different national traditions and emphasized different features of modern society, they repeatedly invoked Jews as a touchstone for defining modernity and national identity in a context of rapid social change. In Modernity and the Jews in Western Social Thought, Chad Alan Goldberg brings us a major new study of Western social thought through the lens of Jews and Judaism. In France, where antisemites decried the French Revolution as the "Jewish Revolution," Emile Durkheim challenged depictions of Jews as agents of revolutionary subversion or counterrevolutionary reaction. When German thinkers such as Karl Marx, Georg Simmel, Werner Sombart, and Max Weber debated the relationship of the Jews to modern industrial capitalism, they reproduced, in secularized form, cultural assumptions derived from Christian theology. In the United States, William Thomas, Robert Park, and their students conceived the modern city and its new modes of social organization in part by reference to the Jewish immigrants concentrating there. In all three countries, social thinkers invoked real or purported differences between Jews and gentiles to elucidate key dualisms of modern social thought. The Jews thus became an intermediary through which social thinkers discerned in a roundabout fashion the nature, problems, and trajectory of their own wider societies. Goldberg rounds out his fascinating study by proposing a novel explanation for why Jews were such an important cultural reference point. He suggests a rethinking of previous scholarship on Orientalism, Occidentalism, and European perceptions of America, arguing that history extends into the present, with the Jews and now the Jewish state continuing to serve as an intermediary for self-reflection in the twenty-first century.

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Featuring long-awaited selections from Robert M. Pirsig's unpublished writings, from before and after Zen and the Art of Motorcycle Maintenance, an original collection illuminating the central theme of Pirsig's thought: “Quality”“The ultimate goal in the pursuit of excellence is enlightenment." —Robert M. Pirsig, 1962More than a decade before the release of the book that would make him famous, Robert M. Pirsig had already caught hold of the central theme that would animate Zen and the Art of Motorcycle Maintenance: “Quality,” a concept loosely likened to “excellence,” “rightness,” or “fitness” that Pirsig saw as kindred to the Buddhist ideas of “dharma” or the “Tao.” As he later wrote in Zen, “Quality is the Buddha.”Though he was revered by fans who considered him a guru, the famously private Pirsig published only two books and consented to few interviews and almost no public appearances in later decades. Yet he wrote and thought almost continually, refining his “Metaphysics of Quality” until his death in 2017.Now, for the first time, readers will be granted access to five decades of Pirsig’s personal writings in this posthumous collection that illuminates the evolution of his thinking to an unprecedented degree. Skillfully edited and introduced by Wendy K. Pirsig, Robert’s wife of four decades, the collection includes previously unpublished texts, speeches, letters, interviews, and private notes, as well as key excerpts from Zen and the Art of the Motorcycle Maintenance and his second book, Lila.Since its publication in 1974, Zen and the Art of Motorcycle Maintenance has established itself as a modern classic of popular philosophy; selling millions of copies and inspiring a generation, while serving as a perennial touchstone for the generations that follow. On Quality is a remarkable contribution to our understanding of one of the most influential thinkers and writers of our time.

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A NEW YORK TIMES BESTSELLER | From the National Book Award-winning author of Just Kids 'Magical' GUARDIAN 'A gripping tale of the search for meaning in times of turbulence - expressed with Smith’s signature poetic flair' VOGUE 'Extraordinary ... A tense, teasing mix of reality and dream' SUNDAY TIMES 'Her willingness to look closely at life’s closing chapters makes for a magical book' WASHINGTON POST, 'The 10 books to read in September' Following a run of New Year’s concerts at San Francisco’s legendary Fillmore, Patti Smith finds herself tramping the coast of Santa Cruz, about to embark on a year of solitary wandering. Unfettered by logic or time, she draws us into her private wonderland, with no design yet heeding signs, including a talking sign that looms above her, prodding and sparring like the Cheshire Cat. In February, a surreal lunar year begins, bringing with it unexpected turns, heightened mischief, and inescapable sorrow. In a stranger’s words, “Anything is possible: after all, it’s the year of the monkey.” For Patti Smith - inveterately curious, always exploring, tracking thoughts, writing the year evolves as one of reckoning with the changes in life’s gyre: with loss, aging, and a dramatic shift in the political landscape of America. Smith melds the Western landscape with her own dreamscape. Taking us from Southern California to the Arizona desert; to a Kentucky farm as the amanuensis of a friend in crisis; to the hospital room of a valued mentor; and by turns to remembered and imagined places - this haunting memoir blends fact and fiction with poetic mastery. The unexpected happens; grief and disillusionment. But as Patti Smith heads toward a new decade in her own life, she offers this balm to the reader: her wisdom, wit, gimlet eye, and above all, a rugged hope of a better world. Riveting, elegant, often humorous, illustrated by Smith’s signature Polaroids, Year of the Monkey is a moving and original work, a touchstone for our turbulent times.

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ImaginingA Phenomenological StudySecond EditionEdward S. CaseyA classic firsthand account of the lived character of imaginative experience."This scrupulous, lucid study is destined to become a touchstone for all future writings on imagination." —Library Journal"Casey's work is doubly valuable—for its major substantive contribution to our understanding of a significant mental activity, as well as for its exemplary presentation of the method of phenomenological analysis." —Contemporary Psychology". . . an important addition to phenomenological philosophy and to the humanities generally." —Choice". . . deliberately and consistently phenomenological, oriented throughout to the basically intentional character of experience and disciplined by the requirement of proceeding by way of concrete description. . . . [Imagining] is an exceptionally well-written work." —International Philosophical QuarterlyDrawing on his own experiences of imagining, Edward S. Casey describes the essential forms that imagination assumes in everyday life. In a detailed analysis of the fundamental features of all imaginative experience, Casey shows imagining to be eidetically distinct from perceiving and defines it as a radically autonomous act, involving a characteristic freedom of mind. A new preface places Imagining within the context of current issues in philosophy and psychology.[use one Casey bio for both Imagining and Remembering]Edward S. Casey is Professor of Philosophy at the State University of New York at Stony Brook. He is author of Getting Back into Place: Toward a Renewed Understanding of the Place-World (Indiana University Press) and The Fate of Place: A Philosophical History.Studies in Continental Thought—John Sallis, general editorContentsPreface to the Second EditionIntroduction The Problematic Place of ImaginationPart One: Preliminary PortraitExamples and First ApproximationsImagining as IntentionalPart Two Detailed DescriptionsSpontaneity and ControllednessSelf-Containedness and Self-EvidenceIndeterminacy and Pure PossibilityPart Three: Phenomenological ComparisonsImagining and Perceiving: ContinuitiesImagining and Perceiving: DiscontinuitiesPart Four: The Autonomy of ImaginingThe Nature of Imaginative AutonomyThe Significance of Imaginative Autonomy

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In New Mexico's Gila Wilderness, 83 Mexican gray wolves may be some of the most monitored wildlife on the planet. Collared, microchipped, and transported by helicopter, the wolves are protected and confined in an attempt to appease ranchers and conservationists alike. Once a symbol of the wild, these wolves have come to illustrate the demise of wilderness in this Human Age, where man's efforts shape life in even the most remote corners of the earth. And yet, the howl of an unregistered wolf, half of a rogue pair, splits the night. If you know where to look, you'll find that much remains untamed, and even today, wildness can remain a touchstone for our relationship with the rest of nature. In Satellites in the High Country, journalist and adventurer Jason Mark travels beyond the bright lights and certainties of our cities to seek wildness wherever it survives. In California's Point Reyes National Seashore, a battle over oyster farming and designated wilderness pits former allies against one another, as locals wonder whether wilderness should be untouched, farmed, or something in between. In Washington's Cascade Mountains, a modern-day wild woman and her students learn to tan hides and start fires without matches, attempting to connect with a primal past out of reach for the rest of society. And in Colorado's High Country, dark skies and clear air reveal a breathtaking expanse of stars, flawed only by the arc of a satellite passing - beauty interrupted by the traffic of a million conversations. These expeditions to the edges of civilization's grid show us that, although our notions of pristine nature may be shattering, the mystery of the wild still exists, and in fact, it is more crucial than ever. But wildness is wily as a coyote: you have to be willing to track it to understand the least thing about it. Satellites in the High Country is an epic journey on the trail of the wild, a poetic and incisive exploration of its meaning and enduring power in our Human Age.

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Marc Woodworth's book covers the album's long and unorthodox period of writing, recording, sequencing, and editing. It includes interviews with members of the band, manager Pete Jamison, web-master and GBV historian Rich Turiel and Robert Griffin of Scat Records. At least sixty-five songs were recorded and considered for the album and five distinct concepts were rejected before the band hit upon the records final form. One late version, very nearly released, contained only a few of Bee Thousand's definitive songs. The rest were left out and nearly ended up in the boxes of cassette out-takes cluttering up Robert Pollard's basement. The story of Guided By Voices transformation from an occasional and revolving group of complete unknowns to indie-rock heroes is very much part of the story behind the making of "Bee Thousand". In addition to providing a central account of how the record was made, Woodworth devotes another substantial chapter to the album's lyrics. Robert Pollard's lyrics are described by critics, when they're described at all, as a brand of tossed-off surrealism, as if his verbal sensibility is somehow incidental to the songs themselves. Nothing could be further from the truth. I want to offer a sustained discussion of Pollard's work as a writer of often sublime, beautiful, and very human lyrics. I won't miss the chance to consider the pleasures of the absurd in this context and, of course, the contributions to "Bee Thousand" of Tobin Sprout. The third key section of the book covers aesthetics. Woodworth considers the great appeal of the do-it-yourself nature of "Bee Thousand" and reflects on the larger importance of the strain of alternative rock for which this record is a touchstone. The focus is on "Bee Thousand", of course, but also includes discussion on the rise of a lo-fi aesthetic and its continuing influence. This chapter would also provide the context for an account of rock that exists because of passion, love, and compulsive need rather than formula, money, and marketing.

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A full-life portrait of the man Tolstoy immortalized, Stalin lionized, and Russian history has manipulated and mythologized beyond recognition. Every Russian knows him purely by his patronym. He was the general who triumphed over Napoleons Grande Armée during the Patriotic War of 1812, not merely restoring national pride but securing national identity. Many Russians consider Field Marshal Mikhail Illarionovich Golenischev-Kutuzov the greatest figure of the 19th century, ahead of Pushkin, Tchaikovsky, even Tolstoy himself. Immediately after his death in 1813, Kutuzovs remains were hurried into the pantheon of heroes. Statues of him rose up across the Russian empire and later the Soviet Union. Over the course of decades and centuries he hardened into legend. As award-winning author Alexander Mikaberidze shows in this fascinating, often startling, and wholly humanizing new biography, Kutuzovs story is far more compelling and complex than the myths that have encased him. An unabashed imperialist who rose in the ranks through his victories over the Turks and the Poles, Kutuzov was also a realist and a skeptic about military power. When the Russians and their allies were routed by the French at Austerlitz he was openly appalled by the incompetence of leadership and the sheer waste of life. Over his long careermarked equally by victory and defeat, embrace and ostracism—he grew to despise those whose concept of war had devolved to mindless attack. Here, at last, is Kutuzov as he really was—a master and survivor of intrigue, moving in and out of royal favor, committed to the welfare of those under his command, and an innovative strategist. When, reluctantly and at the 11th hour, Czar Alexander I called upon him to lead the fight against Napoleons invading army, Kutuzov accomplished what needed to be done not by a heroic charge but by a strategic retreat. Across the generations, portraits of Kutuzov have ranged from hagiography to dismissal, with Tolstoys portrait of him in War and Peace perhaps the most indelible of all. This immersive biography returns a touchstone figure in Russian history to human scale.

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An important look at how America has won its wars in the past and how it can continue winning in the future.Is there a recipe for military success? In No Substitute for Victory, author David Rigby grapples with this issue and determines that, in the case of the United States, there are a number of different strategies that have brought victory in battle to American forces over the years.In a clear, energetic prose, Rigby explains how the dropping of chocolate bars from airplanes over Berlin turned out to be one of the most successful applications of the Cold War strategy of containment. He argues, too, that far from being a radical change in policy by a desperate President Lincoln, the Emancipation Proclamation was in fact an essential part of Lincoln’s plan to reunite the nation. While the focus in No Substitute for Victory is on military maneuvers that have been successful, Rigby brilliantly uses the Vietnam War as a touchstone for comparison purposes on how not to fight a war.While the writing of military strategy is a crowded field, Rigby’s approach is unique in that he draws examples from conflicts throughout American history, from the Revolution up through the modern day. Rigby’s ability to find similarities in—and to draw conclusions from—the successes attained by American forces in battles as seemingly dissimilar as Gettysburg and Midway makes No Substitute for Victory essential reading for anyone interested in the riveting history of our nation’s military.Skyhorse Publishing, as well as our Arcade imprint, are proud to publish a broad range of books for readers interested in history--books about World War II, the Third Reich, Hitler and his henchmen, the JFK assassination, conspiracies, the American Civil War, the American Revolution, gladiators, Vikings, ancient Rome, medieval times, the old West, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

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This is an excellent book. Bruce Kaufman, in his ever thoughtful way, has not just analyzed the history of the development of HRM, but assembled 17 chapters in which world-class local experts report on that history in their own country. The book is full of fascinating information, stories and analysis and will be a touchstone text for everyone wanting to break out of the usual narrow ethnocentric view that often afflicts studies of HRM.'- Chris Brewster, University of Reading, UKThis innovative book describes the historical development of human resource management (HRM) in seventeen countries around the world. The chapters, written by national experts, describe the origin of HRM in the late 19th - early 20th century and its evolution and development as a business practice to the present day.Offering a comprehensive cross-disciplinary perspective, the chapters discuss the economic, political and social factors that shaped HRM in each country, including the role of national labor movements and labor law regimes. The authors also provide an examination of HR practices and systems within firms, starting with rudimentary hiring and compensation a century ago, progressing to personnel and industrial relations programs in the last century, and culminating in modern human resource management practices today, including strategic high-performance systems. This unique book is the first to identify the commonalities and differences in HRM both across nations and over time.A book with real international appeal, The Development of Human Resource Management Across Nations will interest researchers, students and practitioners involved with management, industrial relations, labor economics, organizational behavior and employment law.Contributors: C. Aldao-Zapiola, A. Camuffo, L. Chen, G. Costa, L. Gonãs, H. Gospel, Z. Guimarães Horta, I. Gurkov, I. Harpaz, B.E. Kaufman, P. Larson, Y-M. Lee, M. Meyer, E. Morgunov, J. Rojot, R. Rosenberger, A. Settles, J.S. Sodhi, Z. Su, L. Tüzüner, J-W. Woo, C. Wright, O. Zelenova, X. Zeng

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On September 4, 1915, hundreds of people gathered in Estes Park, Colorado, to celebrate the creation of Rocky Mountain National Park. This new nature preserve held the promise of peace, solitude, and rapture that many city dwellers craved. As Jerry Frank demonstrates, however, the park is much more than a lovely place. Rocky Mountain National Park was a keystone in broader efforts to create the National Park Service, and its history tells us a great deal about Colorado, tourism, and ecology in the American West. To Frank, the tensions between tourism and ecology have played out across a natural stage that is anything but passive. At nearly every turn the National Park Service found itself face-to-face with an environment that was difficult to anticipate—and impossible to control. Frank first takes readers back to the late nineteenth century, when Colorado boosters—already touting the Rocky Mountains’ restorative power for lung patients—set out to attract more tourists and generate revenue for the state. He then describes how an ecological perspective came to Rocky in fits and starts, offering a new way of imagining the park that did not sit comfortably with an entrenched management paradigm devoted to visitor recreation and comfort. Frank examines a wide range of popular activities including driving, hiking, skiing, fishing, and wildlife viewing to consider how they have impacted the park’s flora and fauna, often leaving widespread transformation in their wake. He subjects the decisions of park officials to close but evenhanded scrutiny, showing how in their zeal to return the park to what they understood as its natural state, they have tinkered with its features—sometimes with less than desirable results. Today’s Rocky Mountain National Park serves both competing visions, maintaining accessible roads and vistas for the convenience of tourists while guarding its backcountry to preserve ecological values. As the park prepares to celebrate its centennial, Frank’s book advances our understanding of its past while also providing an important touchstone for addressing its problems in the present and future.

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This expanded and revised version of the best-selling Universal Methods of Design is a comprehensive reference that provides a thorough and critical presentation of 125 research methods, synthesis/analysis techniques, and research deliverables for human-centered design. The text and accompanying photos and graphics of this classic resource are delivered in a concise and accessible format perfect for designers, educators, and students. This new, expanded edition includes updated information on scenarios, secondary research, territory maps, and other chapters. The addition of 25 new chapters brings fresh relevance to the text with innovative design methods that have emerged since the first edition, such as backcasting, behavioral design, horizon scanning, and transition design.Universal Methods of Design, Expanded and Revised distills each method down to its essence, in a format that helps design teams select and implement the most credible research methods suited to their design culture. Each method is presented in a two-page format. The left-hand page contains a concise description of the method, accompanied by references to further reading. On the right-hand page, images and case studies for each method are presented visually. The relevant phases for design application are highlighted as numbered icons along the right side of the page, from phases 1 (planning, scoping, and definition) through 5 (launch and monitor).Build more meaningful products with these methods and more: Affinity Diagramming, Behavioral Mapping, Bodystorming, Contextual Design, Critical Incident Design, Directed Storytelling, Empathy Maps, Graffiti Walls, Image Boards, Parallel Prototyping, Simulation Exercises, Touchstone Tours, and Weighted Matrix. This essential guide: Dismantles the myth that user research methods are complicated, expensive, and time-consuming Creates a shared meaning for cross-disciplinary teams Illustrates methods with compelling visualizations and case studies Characterizes each method at a glance Indicates when methods are best employed to help prioritize appropriate design research strategies Universal Methods of Design, Expanded and Revised is an essential resource for designers of all levels and specializations.

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The Boys in the Band’s debut was revolutionary for its fictional but frank presentation of a male homosexual subculture in Manhattan. Based on Mart Crowley’s hit Off-Broadway play from 1968, the film’s two-hour running time approximates real time, unfolding at a birthday party attended by nine men whose language, clothing, and behavior evoke a range of urban gay ""types."" Although various popular critics, historians, and film scholars over the years have offered cursory acknowledgment of the film’s importance, more substantive research and analysis have been woefully lacking. The film’s neglect among academics belies a rich and rewarding object of study. The Boys in the Band merits not only the close reading that should accompany such a well-made text but also recognition as a landmark almost ideally situated to orient us amid the highly complex, shifting cultural terrain it occupied upon its release—and has occupied since.The scholars assembled here bring an invigorating variety of methods to their considerations of this singular film. Coming from a wide range of academic disciplines, they pose and answer questions about the film in remarkably different ways. Cultural analysis, archival research, interviews, study of film traditions, and theoretical framing intensify their revelatory readings of the film. Many of the essays take inventive approaches to longstanding debates about identity politics, and together they engage with current academic work across a variety of fields that include queer theory, film theory, gender studies, race and ethnic studies, and Marxist theory. Addressing The Boys in the Band from multiple perspectives, these essays identify and draw out the film’s latent flashpoints—aspects of the film that express the historical, cinematic, and queer-political crises not only of its own time, but also of today.The Boys in the Band is an accessible touchstone text in both queer studies and film studies. Scholars and students working in the disciplines of film studies, queer studies, history, theater, and sociology will surely find the book invaluable and a shaping influence on these fields in the coming years.

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Letting It Go—A Bereaving Mother, Delinquent Girls, and the Power of Rehabilitative Poetry Therapy"Anyone who has suffered and cares about our world (that probably includes everyone) will be moved and changed by this book.” ―Elizabeth Lesser, author of the New York Times bestseller Broken Open: How Difficult Times Can Help Us Grow Experience the poignant real-life story of how author Sharon Charde was saved by her relationship with incarcerated young women at Touchstone, a residential all-female treatment center in Litchfield, Connecticut. And, learn how these young women—confined for crimes such as using drugs, truancy, assault, prostitution, and running away—were rehabilitated by their poetry teacher. Letting go of grief and loss by writing poetry as therapy. I Am Not a Juvenile Delinquent is a book for fans of the acclaimed movie Stand and Deliver. After the death of her child, a grief-stricken psychotherapist, teacher, and writer volunteers as a poetry teacher at a residential treatment facility for “delinquent” girls. Here, their mutual support nourishes and enriches each other, though not without large quantities of drama and recalcitrance. As Sharon and the girls share their losses through weekly writing, they came to realize their unlimited potential and poetic talents. Healing from trauma. Healing can come in surprising ways across age and social class, as it did for both the girls and Sharon. But what happens when Sharon finally grasps that the most challenging experiences are the best teachers? Narrated in five parts, the book also contains poems written by the girls, as well as excerpts from their writing, Sharon’s son’s writing, and her own. If you have read books such as Why are All the Black Kids Sitting Together in the Cafeteria?, For White Folks Who Teach in the Hood, The Freedom Writers Diary, Between the World and Me, So You Want to Talk about Race, or Reviving Ophelia; you will love I Am Not a Juvenile Delinquent.

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D.X. Ferris explores the creation of the most universally respected metal album.Slayer's controversial "Reign in Blood" remains the gold standard for extreme heavy metal: a seamless procession of ten blindingly fast songs in just twenty-eight minutes, delivered in furious bursts of instrumental precision, with lyrics so striking that Tori Amos was moved to record a cover. Reign in Blood saw the emerging underground standouts from Huntington Beach team with Rick Rubin - 2007's Grammy-Award winner for producer of the year, then known strictly for creating hip-hop albums with groups such as Run-DMC and the Beastie Boys - to permanently fuse classic rock's technical proficiency, hardcore punk's speed and metal's brute power. Working in a much-maligned genre, guitarists Jeff Hanneman and Kerry King emerged as the Lennon and McCartney of speed metal, penning a collection of apocalyptic scenes comparable to the dark work of novelists like Cormac McCarthy and Herman Melville.The album came together though the efforts of a team that would go on to be some of the biggest names in the current music business. Issued on America's premier rap label at the pinnacle of the thrash movement, Reign in Blood sparked a new genre called death metal and continues to serve as a touchstone for metal musicians. The disc marked Slayer's coronation as the kings of thrash and their ongoing twenty-five year streak of vitality places them in the small fraternity of rock's greatest groups. Through interviews with the entire band, Rubin, engineer Andy Wallace, and a who's who of headbangers from three decades, D.X. Ferris explores the creation of the most universally respected metal album."33 1/3" is a series of short books about a wide variety of albums, by artists ranging from James Brown to the Beastie Boys. Launched in September 2003, the series now contains over 50 titles and is acclaimed and loved by fans, musicians and scholars alike.

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From influential and iconic star Constance Wu, a powerful and poignant memoir-in-essays full of funny and intimate observations that will resonate with readers everywhere. ‘Like her, the book is bold, emotional and unexpurgated; the story of an Asian American who always wanted to fit in, and ended up just wanting to be her true self.’Independent ‘A startling insight into the reality of trials by social media and sexual exploitation in Hollywood… Most powerful is her #MeToo rallying cry, which will make your skin crawl and your blood boil.’ Sunday Times Growing up in the friendly suburbs of Richmond, Virginia, Constance Wu thought that girls were supposed to be reserved, graceful, and polite. Everyone around her praised ladylike behaviour while seeming to disapprove of the louder, rougher girls – the kind of girls who made scenes. And while she spent most of her childhood suppressing her bold, emotional nature, Constance found an early outlet in local community theatre. The stage was the one place where big feelings were okay – were good, even. As she continued to reconcile her personality with the expectations of daily life, acting became more than a hobby. It was her refuge, her touchstone, and eventually her vocation. She went to New York to study classical theatre and pursue an acting career while waiting tables, dating, despairing, and embracing city life. In 2015, she was cast in the ground-breaking TV sitcom Fresh Off the Boat, a touching, funny story about an Asian American family in the ’90s. Another historic role followed when she starred in the smash hit film Crazy Rich Asians, which featured an entirely Asian cast. These two pivotal moments in Hollywood history opened up a new chapter for Constance, who continues to explore the complexities of Asian American representation. Through raw, hilarious, and relatable stories, Constance fearlessly shares her experiences of growing up in suburban Virginia, scraping by as a struggling actress, falling in love again and again, confronting her identity and influence, and navigating the pressures and pleasures of existing in today’s world.

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When former Kentucky Poet Laureate Richard Taylor took a job at Kentucky State University in 1975, he purchased a fixer-upper - in need of a roof, a paint job, city water, and central heating - that became known to his friends as "Taylor's Folly." The historic Giltner-Holt House, which was built in 1859 and sits close by the Elkhorn Creek a few miles outside of Frankfort, became the poet's entrance into the area's history and culture, and the Elkhorn became a source of inspiration for his writing.Driven by topophilia (love of place), Taylor focuses on the eight-mile stretch of the creek from the Forks of the Elkhorn to Knight's Bridge to provide a glimpse into the economic, social, and cultural transformation of Kentucky from wilderness to its current landscape. He explores both the natural history of the region and the formation of the Forks community. Taylor recounts the Elkhorn Valley's inhabitants from the earliest surveyors and settlers to artist Paul Sawyier, who memorably documented the creek in watercolors, oils, and pastels. Interspersed with photographs and illustrations - contemporary and historic - and intermixed with short vignettes about historical figures of the region, Elkhorn: Evolution of a Kentucky Landscape delivers a history that is by turns a vibrant and meditative personal response to the creek and its many wonders.Flowing across four counties in central Kentucky, Elkhorn Creek is the second largest tributary of the Kentucky River. Known for its beauty and recreational opportunities, Elkhorn Creek has become an increasingly popular location for canoeing, kayaking, and camping and is one of the state's best-known streams for smallmouth bass, bluegills, and crawfish. Like Walden Pond for Henry David Thoreau, the Elkhorn has been a touchstone for Taylor. A beautiful blend of creative storytelling and historical exploration of one of the state's beloved waterways, Elkhorn celebrates a gem in the heart of central Kentucky.

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