Search results for ""Pantheon""

***OVER A MILLION COPIES OF THE IRON DRUID BOOKS SOLD***'American Gods meets Jim Butcher's Harry Dresden' SFF WorldFor a two-thousand-year-old Druid, Atticus O'Sullivan is a pretty fast runner. Good thing, because he's being chased by not one but two goddesses of the hunt - Artemis and Diana - for messing with one of their own. Dodging their slings and arrows, Atticus, his apprentice Granuaile and his wolfhound Oberon are making a mad dash across modern-day Europe to seek help from a friend of the Tuatha Dé Danann. His usual magical option of shifting planes is blocked, so instead of playing hide and seek, the game plan is . . . run like hell.Crashing the pantheon marathon is the Norse god Loki. Killing Atticus is the only loose end he needs to tie up before unleashing Ragnarok - AKA the Apocalypse. Atticus and Granuaile have to outfox the Olympians and contain the god of mischief if they want to go on living - and still have a world to live in.Praise for the Iron Druid Chronicles:'Atticus and his crew are a breath of fresh air! . . . I love, love, love this series' My Bookish Ways'Entertaining, steeped in a ton of mythology, populated by awesome characters' Civilian Reader'This is one series no fantasy fan should miss. Mystery, suspense, magic and mayhem' SciFiChickThe Iron Druid ChroniclesHounded Hexed HammeredTrickedTrappedHuntedShatteredStakedScourgedBesieged (short stories)HAVE YOU TRIED . . . Kevin Hearne's epic fantasy novel A PLAGUE OF GIANTS - described by Delilah S. Dawson as 'a rare masterpiece that's both current and timeless . . . merging the fantasy bones of Tolkien and Rothfuss with a wide cast of characters who'll break your heart'. Out now!

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When the luxury liner Ile de France sailed into New York harbor for the first time in 1927, she brought to America the first great, coordinated example of what the French then called L'Art Moderne. The revolutionary Art Deco interiors found on the Ile de France were unlike anything previously seen on the North Atlantic and set a standard in ocean liner décor for decades to come. Her glittering passenger lists of the 1920s and 1930s were the envy of other shipping lines: Marlene Dietrich, Gloria Swanson, John D. Rockefeller, Buster Keaton, Barbara Hutton, Maurice Chevalier, Will Rogers, Cary Grant, Marie Curie and Arturo Toscanini were but a few of the luminaries that graced its salons. The Ile de France served heroically in World War II as a troopship, and in peacetime came to the rescue of other ships nine times during her career, most notably when she rescued more than 700 survivors from the stricken Andrea Doria following its collision with the Stockholm in 1956. In a last gasp of immortality, the Ile de France appeared in the epic disaster film The Last Voyage standing in for a fictional, stricken liner. Forgetting her ignoble end, the Ile de France is still held in awe and reverence both in her native France and by the maritime community worldwide. Although neither the fastest nor the largest liner of her time, one writer said of the Ile de France, “She was handsome without being grand, comfortable without being overstuffed, class-conscious without living by exclusions.” The penchant the Ile de France had for attracting the famous, the talented, the youthful, along with her special chic and verve insured her place in the pantheon of immortal Atlantic liners.

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WINNER OF INTERNATIONAL AUTOBIOGRAPHY OF THE YEAR AT THE 2021 TELEGRAPH SPORTS BOOK AWARDS'An intelligent and often beautifully observed book' Donald McRae, The Guardian'A must-read about a career which never dropped out of top gear' Racing Post'A thoroughly engaging memoir. I can't recommend this insightful autobiography enough' Horse & Hound'A superior story: an honest and self-searching account of the glories and thrills but also the doubt and barren spells that visit even rampantly successful jockeys' The Irish TimesThe riveting full-career autobiography of Barry Geraghty, one of the most successful jump jockeys in the sport's history. Now retired, Geraghty takes his rightful place in the pantheon of greats that includes AP McCoy, Richard Johnson and Ruby Walsh.Barry Geraghty is an Irish horseracing legend.From his first win in 1997 he has gone on to ride almost 2000 winners, making him the fourth most successful jumps jockey of all time. With the second most wins at Cheltenham in the sport's history, he has worked with all the greats - Moscow Flyer, Kicking King, Monty's Pass.Barry finally retired in July 2020, covered in scars. He has broken all of his limbs, his shoulders, his ribs, his nose. He has survived falls too numerous to recall, and spent most of 2019 with a metal cast on his leg. And yet, he kept getting back on the horse, for twenty-three years.His autobiography is about resilience, the mental power that enables the great to keep going despite the pain, despite the odds. It explores how Barry has developed the mind tools to continue to push himself, even when all seems lost. Containing startling revelations and a searingly honest insight into the life of a top jockey, this is a must-read for all sports fans.

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This is the story of Admiral Sir John Balchen, his life and career, and HMS _Victory_, the largest, finest ship-of-the-line in the Royal Navy at the time, which he commanded when both were lost, along with more than 1,000 crew, in an October storm in the English Channel in 1744\. This is not the _Victory_ of Trafalgar fame, however, but the First Rate built some thirty years earlier, the last Royal Navy three-decker to carry bronze cannons, and a ship whose poor design may well have contributed to her loss. It is also the story of Admiral John Balchen, a courageous, if not heroic, naval officer who saw major engagements and whose legacy in naval development deserves greater recognition. Indeed, the story of both the ship and her commander, their individual and remarkably parallel lives, can now be revealed as fundamental catalysts to the revolutionary reforms in naval shipbuilding, design and dockyard administration that transformed the Royal Navy after 1745\. They were indeed major foundation stones for a navy that delivered the glorious achievements of Nelson, Anson, Howe, Hood, Rodney, Boscawen and many more in the great pantheon of British naval history that followed their loss. The exciting discovery of the wreck of HMS _Victory_ in 2008, the subsequent and continuing public and political wrangling over possible salvage, and the 2019 display at Portsmouth of a mighty 42-pounder bronze gun retrieved from the wreck, have been the catalyst for this history of the admiral and his ship, and anyone with an interest in naval or maritime history, whether academic or popular, will be fascinated by the facts about the hitherto virtually unknown predecessor of Nelson's great flagship. This glorious man-and-ship odyssey, whose intrinsic importance to naval history can now be recognised, is richly and compelling told in this important new book.

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Feel is the story of how a small-time boy from humble beginnings in Louisiana rose to the pantheon of greats, to win the 500cc and 250cc GP Championship in the same year – an historic achievement over three decades ago which has never been repeated.Growing up at the time of the assassination of Malcolm X and Martin Luther King, Freddie judged by feel, not by colour. Blind to prejudice and discrimination, he formed dynamic connections with people and events, but only years later during his racing afterlife could Freddie come to understand the true power of the things he learned.Spencer is an articulate and compassionate guide as he describes the thrill and horror of racing in an era when death was a perennial threat. He recalls in pin-sharp detail the frenetic high-octane racing duels with the ‘King’ Kenny Roberts, but also describes a parallel internal journey as he struggled to make sense of it all. Driven by a search for the personal fulfilment that comes through finding your purpose, Freddie’s story is a universal one. In its message of hope, Feel transcends its genre to offer a story for everyone. Part thriller, part philosophical self-exploration, it is a remarkably insightful account of what it is like to have it all, but wonder why. “For the first time I will talk about the traumas of my childhood, the contrast between the leaf fire burns, the mistrust and discomfort and the peace and purpose I felt when riding my bike. I didn’t tell my parents about something that happened to me. Why? I felt ashamed, but when I rode I felt connected to everything and the pain in my hand and heart would go away. It gave me the feeling of hope”.

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Although his activity as a recording artist spanned a period of just three years, from 1967, the year of his arrival in England from America to 1970, the year of his death, Jimi Hendrix created a body of work that has exerted a significant influence on a number of artists in the 20th century and beyond. A headline-grabbing, explosive performer, he is widely recognized as an innovative guitarist who broadened the vocabulary of his instrument through both his technique and daring use of technology. For several generations of critics and audiences, he remains the archetypal rock star who framed his immeasurable talent with lifestyle excesses inherent to his profession. Hear My Train A Comin' seeks to appraise Hendrix's legacy in different terms. His ability as a soloist is undeniable, but it is not necessarily the defining aspect of his genius. This book focuses on Hendrix the songwriter, a superlative storyteller who was able to combine melody, lyric and arrangement in order to create pieces that take pride of place in the pantheon of post-war popular music. Why do anthems such as Crosstown Traffic, The Wind Cries Mary, Little Wing, Voodoo Child [Slight Return] Purple Haze or Foxy Lady still affect us today? They alchemize word and sound. These are just a few examples of Hendrix crafting a composition in the most complete sense of the term, making judicious decisions with regard to mood, texture, contrast and overall orchestral richness, looking at his basic resource, the guitar-bass-drums set up as a unit to be enhanced by a range of other instruments and studio production. This book investigates the artist's immense creativity, and the intriguing relationship he had with the art of song, a platform for a multitude of ideas and improvisation.

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Disenchanted Wanderer is the first comprehensive English-language study in over half a century of the life and ideas of Konstantin Nikolaevich Leontiev (1831–1891), one of the most important thinkers in nineteenth-century Russia on political, social, and religious matters. Glenn Cronin gives the reader a broad overview of Leontiev's life and varied career as novelist, army doctor, diplomat, journalist, censor, and, late in life, ordained monk. Reviewing Leontiev's creative work and his writing on aesthetics and literary criticism—notable figures such as Belinsky, Turgenev, Gogol, Dostoevsky, and Tolstoy appear—Cronin goes on to examine Leontiev's sociopolitical writing and his theory of the rise and fall of cultures and civilizations, placing his thought in the context of his contemporaries and predecessors including Hegel, Herzen, and Nietzsche, as well as Danilevsky, Pobedonostsev, and other major figures in Slavophile and Russian nationalist circles. Cronin also examines Leontiev's religious views, including his ascetic brand of Orthodoxy, informed by his experiences of the monastic communities of Mount Athos and OptinaPustyn, and his late attraction to Roman Catholicism under the influence of the theologian Vladimir Solovyev. Disenchanted Wanderer concludes with a review of Leontiev's prophetic vision for the twentieth century and his conviction that, after a period of wars, socialism would triumph under the banner of a new Constantine the Great. Cronin considers how far this vision foretold the rise to power of Joseph Stalin, an aspect of Leontiev's legacy that previously had not received the attention it merits. Elevating Leontiev to his proper place in the Russian literary pantheon, Cronin demonstrates that the man was not, as is often maintained, an amoralist and a political reactionary but rather a deeply moral thinker and a radical conservative.

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In the pantheon of freedom fighters, Mohandas Karamchand Gandhi has pride of place. His fame and influence extend far beyond India and are nowhere more significant than in South Africa. "India gave us a Mohandas, we gave them a Mahatma," goes a popular South African refrain. Contemporary South African leaders, including Mandela, have consistently lauded him as being part of the epic battle to defeat the racist white regime. The South African Gandhi focuses on Gandhi's first leadership experiences and the complicated man they reveal—a man who actually supported the British Empire. Ashwin Desai and Goolam Vahed unveil a man who, throughout his stay on African soil, stayed true to Empire while showing a disdain for Africans. For Gandhi, whites and Indians were bonded by an Aryan bloodline that had no place for the African. Gandhi's racism was matched by his class prejudice towards the Indian indentured. He persistently claimed that they were ignorant and needed his leadership, and he wrote their resistances and compromises in surviving a brutal labor regime out of history. The South African Gandhi writes the indentured and working class back into history. The authors show that Gandhi never missed an opportunity to show his loyalty to Empire, with a particular penchant for war as a means to do so. He served as an Empire stretcher-bearer in the Boer War while the British occupied South Africa, he demanded guns in the aftermath of the Bhambatha Rebellion, and he toured the villages of India during the First World War as recruiter for the Imperial army. This meticulously researched book punctures the dominant narrative of Gandhi and uncovers an ambiguous figure whose time on African soil was marked by a desire to seek the integration of Indians, minus many basic rights, into the white body politic while simultaneously excluding Africans from his moral compass and political ideals.

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In this absorbing, suspenseful novel Julia Kristeva combines social satire, medieval history, philosophy, psychoanalytic theory, and autobiography within a gruesome murder mystery. Murder in Byzantium deftly moves from eleventh-century Europe, wracked by the turbulence of the First Crusade, to the sun-dappled, cultural wasteland of present-day Santa Varvara, threatened by religious cults, gangs, and a serial killer on the loose. This killer is murdering members of a dubious religious sect, the New Pantheon, and leaving a mysterious figure eight drawn on their corpses. Meanwhile, Sebastian Chrest-Jones, a noted professor of human migrations, clandestinely writing a novel about the Byzantine princess-historian Anna Comnena, disappears on a quest to learn more about an ancestor who roamed across Europe to Byzantium during the First Crusade. Kristeva's recurring characters, detective Northrop Rilsky and the French journalist Stephanie Delacour, step in and desperately try to piece together the two-part mystery in the midst of their unexpected love affair. In the tradition of Umberto Eco, Susan Sontag, and Ian McEwan, Kristeva skillfully weaves philosophical and critical ideas into her fiction. Peering into the mores, obsessions, and excesses of contemporary society, Kristeva offers an engrossing portrait of Santa Varvara, a paradoxical place of sunshine and pollution where skeletons lurk in the closets of politicians and oil company executives. Her descriptions of the First Crusade and the Byzantine Empire vividly evoke a distant past while speaking to such contemporary concerns as immigration, fundamentalism, terrorism, and the East-West divide. Murder in Byzantium is also the only work in which Kristeva explores her Bulgarian roots. In the midst of this rich, multilayered historical novel, Kristeva also presents three stunning, closely observed, and interlocking portraits of characters struggling with loss and emptiness in their personal histories and day-to-day lives.

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Myths and legendary tales from around the world are packed with gigantic rivalries; gods, monsters and giants compete for supremacy over the land, the creatures within and the universe beyond. Zeus clashes with the all-powerful Typhon, Odin is destined to face the great wolf Fenrir during Ragnarok. And yet monsters such as the Minotaur, and giants of all kinds, dragons even, are monsters only to those too fearful to understand them, while others such as the Sirens, or the weird sisters, are malevolent without remorse. Such mythical gods and their foes, make great adventures for the modern reader tracing the roots of The Game of Thrones, Lord of the Rings and The Witcher, where good and evil are morphed into real avatars and creatures of vivid imagination. In these pages you'll find the gods of the heavens and mountains, and the spirits and demons of the deep sea, the dark woods and the burning sands. From the gods of Babylon and Ancient Egypt to the Norse Aesir, from the pantheon of mighty Greek deities to the gods of the earth and the sky in Pacific legends, most of the great traditions are featured here, with monsters galore: Anansi the trickster spider, the chaos serpent Apep, the Wendigo (or Windegoo spirits), the Greek Sphinx, the drought demon dragon Vritra and the Chimera to name a few. The Flame Tree Gothic Fantasy, Classic Stories and Epic Tales collections bring together the entire range of myth, folklore and modern short fiction. Highlighting the roots of suspense, supernatural, science fiction and mystery stories the books in Flame Tree Collections series are beautifully presented, perfect as a gift and offer a lifetime of reading pleasure.

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Like the ever-widening universe, Standard candles expands on Alice Major’s earlier themes of family, mythology, and cosmology, teasing out subtle wonders in form and subject. Her voice resonates through experiments with old and new poetic forms as she imbues observed and imagined phenomena—from the centres of galaxies to the mysteries of her own backyard—with the most grounded and grounding moments of human experience. In Standard candles, readers will find an emotional dimension that seamlessly intersects with the dimensions of space and time. Fans of Alice Major will enjoy seeing her work through familiar themes, while readers new to her poetry will discover unexplored universes. Alice Major emigrated from Scotland at the age of eight, and grew up in Toronto before coming west to work as a weekly newspaper reporter. She served as Edmonton’s first poet laureate and has been inducted into the city’s cultural hall of fame. A widely-published author, she has won many distinctions. Her most recent book is Intersecting Sets: A Poet Looks at Science, which received the Wilfrid Eggleston Award for Nonfiction as well as a National Magazine Award gold medal. Her website is www.alicemajor.com. Let us compare cosmologies There is a beginning and a middle. There is an arc of narrative. There is a word, a large engraved initial. There is imperative— a cause, a god. Or not. There is an end. A purpose. Or maybe none. There is a plot with reasons, reason. There is a circus, a theatre stage of space and time. There are equations at the bottom or the top. There is a pantheon of matter, motion, scattered photons. And the questions every universe expects: what came before? What happens next?

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Revolutionary Melodrama explores intersections between cinema and politics during the Nasser era, a period in which a military regime embarked upon the construction of a new civic identity for an independent Egypt. The way in which filmmakers participated in this venture provides the focal point, with their cultural production as the central texts which both shaped and were shaped by an emerging sense of a new Egypt. With the blessing of a "revolutionary" regime, filmmakers began to explore issues of social inequity, colonial and feudal exploitation, changing gender roles, religious and cultural traditions and, finally, the disappointments of the revolutionary project itself. No realm of cultural production holds greater import for the Nasser era than the cinema. Even those who are active in deconstructing the last vestiges of the Nasserist state trumpet the Nasser era as a "golden age" of the arts and media. The faces and voices on big and little screens, many still alive, some still working, constitute a pantheon who many Egyptians, young and old alike, feel will never be replaced. The author approaches his subject as a scholar of the early Nasser years who has turned his attention to questions of civic identity and its relationship to art and political symbology. The work is enriched and informed by extensive interviews with a large circle of people engaged in the production or analysis of Egyptian cinema and broadcast, then and now: directors, actors, critics, historians, scenarists, censors, musicians, writers, politicians, and government ministers. Egyptian film remains a largely ignored topic in an ever-growing literature on film and culture. This book sheds new light on what many consider to be the greatest era of Egyptian filmmaking, one that remains formative for many engaged in creating Egyptian films today.

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The first book to cover Krishna’s entire life, from his childhood pranks to his final powerful acts in the Mahabharata war • Draws from the Bhagavad Purana, the Bhagavad Gita, the Mahabharata, and India’s sacred oral tradition • Shows how the stories of Krishna’s life are expressed with such simplicity and humor that they enable anyone--man, woman, or child--to see the wisdom of his teachings • Provides a valuable meditative tool that allows the lessons of these stories to illuminate from within Krishna, one of the most beloved characters of the Hindu pantheon, has been portrayed in many lights: a god-child, a prankster, a model lover, a divine hero, an exemplary ruler, and the Supreme Being. In The Complete Life of Krishna, Vanamali, a leading Krishna expert from a long line of prominent Krishna devotees, provides the first book in English or Sanskrit to cover the complete range of the avatar’s life. Drawing from the Bhagavad Purana, the Bhagavad Gita, the Mahabharata, and India’s sacred oral tradition, Vanamali shares stories from Krishna’s birth in a dungeon and early days as a merry trickster in Vrindavana, through his time as divine ruler at Dwaraka, to his final powerful acts as the hero Arjuna’s charioteer and guru in the Kurukshetra war. She explains how Krishna became a mahayogi, the greatest of all yogis, and attained complete mastery over himself and nature. By integrating the hero-child with the mahayogi, the playful lover with the divine ruler, Vanamali shows how the stories of Krishna’s life are expressed with such simplicity and humor that they enable anyone--man, woman, or child--to see the wisdom of his teachings. This complete biography of the man who was also a god provides a valuable meditative tool allowing Krishna’s lessons to illuminate from within.

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Winner of The PEN Hessell-Tiltman Prize 2022Shortlisted for The Wolfson History Prize 2022A The Times Books of the Year 2022Three thousand years ago, in the Southwest Asian lands we now call Israel and Palestine, a group of people worshipped a complex pantheon of deities, led by a father god called El. El had seventy children, who were gods in their own right. One of them was a minor storm deity, known as Yahweh. Yahweh had a body, a wife, offspring and colleagues. He fought monsters and mortals. He gorged on food and wine, wrote books, and took walks and naps. But he would become something far larger and far more abstract: the God of the great monotheistic religions.But as Professor Francesca Stavrakopoulou reveals, God’s cultural DNA stretches back centuries before the Bible was written, and persists in the tics and twitches of our own society, whether we are believers or not. The Bible has shaped our ideas about God and religion, but also our cultural preferences about human existence and experience; our concept of life and death; our attitude to sex and gender; our habits of eating and drinking; our understanding of history. Examining God’s body, from his head to his hands, feet and genitals, she shows how the Western idea of God developed. She explores the places and artefacts that shaped our view of this singular God and the ancient religions and societies of the biblical world. And in doing so she analyses not only the origins of our oldest monotheistic religions, but also the origins of Western culture.Beautifully written, passionately argued and frequently controversial, God: An Anatomy is cultural history on a grand scale.'Rivetingly fresh and stunning' – Sunday Times'One of the most remarkable historians and communicators working today' – Dan Snow

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Witness what the gods do after dark in the fourth volume of a stylish and contemporary reimagining of one of the best-known stories in Greek mythology from creator Rachel Smythe."I don't always get to do as I please."The rumor mill of Olympus is constantly churning, but Persephone and Hades are all anyone can talk about. With the constant gossip creating intense pressure on the pair, they decide to slow down their budding romance and focus on sorting out their own issues first.But that's easier said than done.Hades struggles to find support in his personal life, with Zeus trivializing his feelings and Minthe resorting to abusive patterns in their relationship. And while Hades tries to create healthier boundaries where he can-like finally putting a stop to his sporadic, revenge-fueled hookups with Hera-he still feels lonely and adrift.Persephone feels equally ostracized as her classmates shun her for her connection to Hades, and she can find no refuge at home, with Apollo constantly dropping by unannounced and pushing his unwelcome advances. And on top of it all, the wrathful god of war, Ares, has returned to Olympus to dredge up his sordid history with the goddess of spring, threatening to surface Persephone's dark and mysterious past and ruin her tenuous position in the land of the gods.Despite agreeing to take it slow, Persephone and Hades find themselves inextricably drawn toward each other once more amid the chaos. The pull of fate cannot be denied.This edition of Rachel Smythe's original Eisner-winning webcomic Lore Olympus features exclusive behind-the-scenes content and brings the Greek pantheon into the modern age in a sharply perceptive and romantic graphic novel.This volume collects episodes 76-102 of the #1 WEBTOON comic Lore Olympus.

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This beautiful book brings you the very best of art throughout history - using a truly innovative timeline-led approach. Savour iconic paintings such as Leonardo da Vinci's Last Supper and Monet's Waterlilies, and discover less well-known artists, styles, and movements the world over - from Indigenous Australian art to the works of Ming-era China. And explore recurring themes, such as love and religion, and important genres from Romanesque to Conceptual art, along the way. Timelines of Art provides detailed analysis of the works of key artists, showing details of their technique - such as Leonardo's use of light and shade. It tells the story of avant-garde works like Manet's Le Déjeuner sur l'herbe (Lunch on the Grass), which scandalised society, and it traces how certain artists, genres or movements informed the works of others - showing how the Impressionists were inspired by Gustave Courbet, for example, or how Van Gogh was influenced by Japanese prints.Comprehensive, accessible, and lavishly illustrated throughout, Timelines of Art is an essential guide to the pantheon of world art, so dive straight into discover: - An overview of each movement, including the social and cultural background of the period, grounds the works of art in the spirit of their times.- Turning-point paintings that triggered or epitomised each artistic movement are identified and explained, against a backdrop of influences - the technical advances, admired techniques of an earlier artist, and changes in society that enabled new directions in art.- Glossary of technical terms and comprehensive index help make this an indispensable work of reference for any art-lover.Timelines of Art is the perfect art history book for students of art and/or history, proving ideal for families, schools and libraries and doubling up as a great gift for the art lover in your life.

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Elizabeth Lawrence occupies a secure place in the pantheon of twentieth-century gardening writers that includes Gertrude Jekyll and Vita Sackville-West of Great Britain and Katherine S. White of the United States. Her books, such as A Southern Garden (1942) and The Little Bulbs (1957), remain in print, continuing to win praise from criticis and to delight an ever-widening circle of readers. In Gardening for Love, Lawrence reveals another world of garden writing, the world of the rural women of the South with whom she corresponded extensively from the late 1950s into the mid-1970s in responce to their advertisements for herbs and ornamental perennials in several market bulletins (published by state departments of agriculture for the benefit of farmers).It was Eudora Welty who awakened Elizabeth Lawrence's interest in this fascinating topic by putting her name on the mailing list of The Mississippi Market Bulletin, a twice-monthly collection of classified advertisements founded in 1928 and still published today. Lawrence soon discovered market bulletins from the Carolinas and other Southern states, as well as similar bulletins published privately in the North. She began ordering plants from the bulletins, and there ensued a lively exchange of letters wit the women who sold them.Gardening for Love is Lawrence's exploration of this little-known side of American horticulture and her affectionate tribute to country people who shared her passion for plants. Drawing on the letters she received, sometimes a great many of them from the same persons over many years, she delves into traditional plant lore, herbal remedies, odd and often highly poetic vernacular plant names peculiar to particular regions of the South, and the herb collectors of the mountains of the Carolinas and Georgia. She focuses primarily on the Southeast and the Deep South, but her wide knowledge of both literature and botany gives Gardening for Love a dimension that transcends the category of regional writing.

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From the author of the million-copy selling Shout!: The Beatles in Their Generation and the bestselling John Lennon: The Life comes a revealing portrait of George Harrison, the most undervalued and mysterious Beatle. Despite being hailed as one of the best guitarists of his era, George Harrison, particularly in his early decades, battled feelings of inferiority. He was often the butt of jokes from his bandmates owing to his lower-class background and, typically, was allowed to contribute only one or two songs per Beatles album out of the dozens he wrote. Now, acclaimed Beatles biographer Philip Norman examines Harrison through the lens of his numerous self-contradictions. Compared to songwriting luminaries John Lennon and Paul McCartney he was considered a minor talent, yet he composed such masterpieces as ‘While My Guitar Gently Weeps’ and ‘Here Comes the Sun’, and his solo debut album ‘All Things Must Pass’ achieved enormous success, appearing on many lists of the 100 best rock albums ever. Modern music critics place him in the pantheon of Sixties guitar gods alongside Eric Clapton, Jimi Hendrix, Keith Richards and Jimmy Page. Harrison railed against the material world yet wrote the first pop song complaining about income tax. He spent years lovingly restoring his Friar Park estate as a spiritual journey, but quickly mortgaged the property to help rescue a film project that would be widely banned as sacrilegious, Monty Python’s Life of Brian. Harrison could be fiercely jealous, but not only did he stay friends with Eric Clapton when Clapton fell in love with Harrison's wife, Pattie Boyd, the two men grew even closer after Clapton walked away with her.Unprecedented in scope and filled with numerous colour photos, this rich biography captures George Harrison at his most multi-faceted: devoted friend, loyal son, master guitar-player, brilliant songwriter, cocaine addict, serial philanderer, global philanthropist, student of Indian mysticism, self-deprecating comedian and, ultimately, iconic artist and man beloved by millions.

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From the author of the million-copy selling Shout!: The Beatles in Their Generation and the bestselling John Lennon: The Life comes a revealing portrait of George Harrison, the most undervalued and mysterious Beatle. Despite being hailed as one of the best guitarists of his era, George Harrison, particularly in his early decades, battled feelings of inferiority. He was often the butt of jokes from his bandmates owing to his lower-class background and, typically, was allowed to contribute only one or two songs per Beatles album out of the dozens he wrote. Now, acclaimed Beatles biographer Philip Norman examines Harrison through the lens of his numerous self-contradictions. Compared to songwriting luminaries John Lennon and Paul McCartney he was considered a minor talent, yet he composed such masterpieces as ‘While My Guitar Gently Weeps’ and ‘Here Comes the Sun’, and his solo debut album ‘All Things Must Pass’ achieved enormous success, appearing on many lists of the 100 best rock albums ever. Modern music critics place him in the pantheon of Sixties guitar gods alongside Eric Clapton, Jimi Hendrix, Keith Richards and Jimmy Page. Harrison railed against the material world yet wrote the first pop song complaining about income tax. He spent years lovingly restoring his Friar Park estate as a spiritual journey, but quickly mortgaged the property to help rescue a film project that would be widely banned as sacrilegious, Monty Python’s Life of Brian. Harrison could be fiercely jealous, but not only did he stay friends with Eric Clapton when Clapton fell in love with Harrison's wife, Pattie Boyd, the two men grew even closer after Clapton walked away with her.Unprecedented in scope and filled with numerous colour photos, this rich biography captures George Harrison at his most multi-faceted: devoted friend, loyal son, master guitar-player, brilliant songwriter, cocaine addict, serial philanderer, global philanthropist, student of Indian mysticism, self-deprecating comedian and, ultimately, iconic artist and man beloved by millions.

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A full-life portrait of the man Tolstoy immortalized, Stalin lionized, and Russian history has manipulated and mythologized beyond recognition. Every Russian knows him purely by his patronym. He was the general who triumphed over Napoleons Grande Armée during the Patriotic War of 1812, not merely restoring national pride but securing national identity. Many Russians consider Field Marshal Mikhail Illarionovich Golenischev-Kutuzov the greatest figure of the 19th century, ahead of Pushkin, Tchaikovsky, even Tolstoy himself. Immediately after his death in 1813, Kutuzovs remains were hurried into the pantheon of heroes. Statues of him rose up across the Russian empire and later the Soviet Union. Over the course of decades and centuries he hardened into legend. As award-winning author Alexander Mikaberidze shows in this fascinating, often startling, and wholly humanizing new biography, Kutuzovs story is far more compelling and complex than the myths that have encased him. An unabashed imperialist who rose in the ranks through his victories over the Turks and the Poles, Kutuzov was also a realist and a skeptic about military power. When the Russians and their allies were routed by the French at Austerlitz he was openly appalled by the incompetence of leadership and the sheer waste of life. Over his long careermarked equally by victory and defeat, embrace and ostracism—he grew to despise those whose concept of war had devolved to mindless attack. Here, at last, is Kutuzov as he really was—a master and survivor of intrigue, moving in and out of royal favor, committed to the welfare of those under his command, and an innovative strategist. When, reluctantly and at the 11th hour, Czar Alexander I called upon him to lead the fight against Napoleons invading army, Kutuzov accomplished what needed to be done not by a heroic charge but by a strategic retreat. Across the generations, portraits of Kutuzov have ranged from hagiography to dismissal, with Tolstoys portrait of him in War and Peace perhaps the most indelible of all. This immersive biography returns a touchstone figure in Russian history to human scale.

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Gold Winner of the 2008 Foreword Magazine Book of the Year Award, Biography Category Brings to life the inspiring story of one of America's Black Founding Fathers, featured in the forthcoming documentary The Black Church: This is Our Story, This is Our Song Freedom's Prophet is a long-overdue biography of Richard Allen, founder of the first major African American church and the leading black activist of the early American republic. A tireless minister, abolitionist, and reformer, Allen inaugurated some of the most important institutions in African American history and influenced nearly every black leader of the nineteenth century, from Douglass to Du Bois. Born a slave in colonial Philadelphia, Allen secured his freedom during the American Revolution, and became one of the nation’s leading black activists before the Civil War. Among his many achievements, Allen helped form the African Methodist Episcopal (AME) Church, co-authored the first copyrighted pamphlet by an African American writer, published the first African American eulogy of George Washington, and convened the first national convention of Black reformers. In a time when most Black men and women were categorized as slave property, Allen was championed as a Black hero. In this thoroughly engaging and beautifully written book, Newman describes Allen's continually evolving life and thought, setting both in the context of his times. From Allen's early antislavery struggles and belief in interracial harmony to his later reflections on Black democracy and Black emigration, Newman traces Allen's impact on American reform and reformers, on racial attitudes during the years of the early republic, and on the Black struggle for justice in the age of Adams, Jefferson, Madison, and Washington. Whether serving as Americas first Black bishop, challenging slave-holding statesmen in a nation devoted to liberty, or visiting the President's House (the first Black activist to do so), this important book makes it clear that Allen belongs in the pantheon of Americas great founding figures. Freedom's Prophet reintroduces Allen to today's readers and restores him to his rightful place in our nation's history.

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Adapted for the Paramount+ miniseries Lawmen: Bass Reeves, directed by Taylor Sheridan and starring David Oyelowo2022 National Indie Excellence Awards Finalist for Western Fiction 2021 Phillip H. McMath Post Publication Book Award Finalist for Prose 2021 International Afro-American Historical & Genealogical Society Book Award for Historical Fiction in Event/Era 2021 Oklahoma Book Award Finalist for Fiction from the Oklahoma Center for the Book 2021 Will Rogers Medallion Book Award Finalist for Western Fiction 2021 Spur Award Finalist for Historical Novel from the Western Writers of America 2021 Next Generation Indie Book Award Finalist for Historical Fiction (Pre 1900s) 2020 Arkansas Gem from the Arkansas Center for the Book 2021 Peacemaker Award Finalist for Best First Novel 2021 Indie Book Award Finalist for Historical Fiction Follow the Angels, Follow the Doves is an origin story in the true American tradition. Before Bass Reeves could stake his claim as the most successful nineteenth-century American lawman, arresting more outlaws than any other deputy during his thirty-two-year career as a deputy U.S. marshal in some of the most dangerous regions of the Wild West, he was a slave.After a childhood picking cotton, Reeves became an expert marksman under his master’s tutelage, winning shooting contests throughout the region. His skill had serious implications, however, as the Civil War broke out. Reeves was given to his master’s mercurial, sadistic, Moby-Dick-quoting son in the hopes that Reeves would keep him safe in battle. The ensuing humiliation, love, heroics, war, mind games, and fear solidified Reeves’s determination to gain his freedom and drew him one step further on his fated path to an illustrious career. Follow the Angels, Follow the Doves is an important historical work that places Reeves in the pantheon of American heroes and a thrilling historical novel that narrates a great man’s exploits amid the near-mythic world of the nineteenth-century frontier.

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Years before Charles Lindbergh’s flight from New York to Paris electrified the nation, a group of daredevil pilots, most of them veterans of the World War I, brought aviation to the masses by competing in the sensational transcontinental air race of 1919. The contest awakened Americans to the practical possibilities of flight, yet despite its significance, it has until now been all but forgotten. In The Great Air Race, journalist and amateur pilot John Lancaster finally reclaims this landmark event and the unheralded aviators who competed to be the fastest man in America. His thrilling chronicle opens with the race’s impresario, Brigadier General Billy Mitchell, who believed the nation’s future was in the skies. Mitchell’s contest—critics called it a stunt—was a risky undertaking, given that the DH-4s and Fokkers the contestants flew were almost comically ill-suited for long-distance travel: engines caught fire in flight; crude flight instruments were of little help in clouds and fog; and the brakeless planes were prone to nosing over on landing. Yet the aviators possessed an almost inhuman disregard for their own safety, braving blizzards and mechanical failure as they landed in remote cornfields or at the edges of cliffs. Among the most talented were Belvin “The Flying Parson” Maynard, whose dog, Trixie, shared the rear cockpit with his mechanic, and John Donaldson, a war hero who twice escaped German imprisonment. Jockeying reporters made much of their rivalries, and the crowds along the race’s route exploded, with everyday Americans eager to catch their first glimpse of airplanes and the mythic “birdmen” who flew them. The race was a test of endurance that many pilots didn’t finish: some dropped out from sheer exhaustion, while others, betrayed by their engines or their instincts, perished. For all its tragedy, Lancaster argues, the race galvanized the nation to embrace the technology of flight. A thrilling tale of men and their machines, The Great Air Race offers a new origin point for commercial aviation in the United States, even as it greatly expands our pantheon of aviation heroes.

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Pop music surrounds us - in our cars, over supermarket speakers, even when we are laid out at the dentist - but how often do we really hear what's playing? Switched on Pop is the book based on the eponymous podcast that has been hailed by NPR, Rolling Stone, The Guardian, and Entertainment Weekly for its witty and accessible analysis of Top 40 hits. Through close studies of sixteen modern classics, musicologist Nate Sloan and songwriter Charlie Harding shift pop from the background to the foreground, illuminating the essential musical concepts behind two decades of chart-topping songs. In 1939, Aaron Copland published What to Listen for in Music, the bestseller that made classical music approachable for generations of listeners. Eighty years later, Nate and Charlie update Copland's idea for a new audience and repertoire: 21st century pop, from Britney to Beyoncé, Outkast to Kendrick Lamar. Despite the importance of pop music in contemporary culture, most discourse only revolves around lyrics and celebrity. Switched on Pop gives readers the tools they need to interpret our modern soundtrack. Each chapter investigates a different song and artist, revealing musical insights such as how a single melodic motif follows Taylor Swift through every genre that she samples, André 3000 uses metric manipulation to get listeners to "shake it like a Polaroid picture," or Luis Fonsi and Daddy Yankee create harmonic ambiguity in "Despacito" that mirrors the patterns of global migration.Replete with engaging discussions and eye-catching illustrations, Switched on Pop brings to life the musical qualities that catapult songs into the pop pantheon. Readers will find themselves listening to familiar tracks in new waysDLand not just those from the Top 40. The timeless concepts that Nate and Charlie define can be applied to any musical style. From fanatics to skeptics, teenagers to octogenarians, non-musicians to professional composers, every music lover will discover something ear-opening in Switched on Pop.

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A ROUGH TRADE, THE TIMES, CLASH BOOK OF THE YEARThe dramatic story of Solange: a musician and artist whose unconventional journey to international success was far more important than her family name. 'Why Solange Matters is a significant and sober treatise on popular music . . . This book is more than necessary.'THURSTON MOORE'The author's prose sparkles . . . This is a book about what freedom could look like for Black women.'CALEB AZUMAH NELSON, OBSERVER'Invigorating . . . much more than a dry thesis and at times something nearer to personal reverie.'IAN PENMAN, LONDON REVIEW OF BOOKS'A love letter to quirkly black creatives . . . [Phillips'] vibrant writing reminds us how Solange lit "the flame of creativity" within many Black women.' gal-demGrowing up in the shadow of her superstar sister, Beyoncé, and defying an industry that attempted to bend her to its rigid image of a Black woman, Solange Knowles has become a pivotal musician and artist in her own right.In Why Solange Matters, Stephanie Phillips chronicles the creative journey of Solange, a beloved voice of the Black Lives Matter generation. A Black feminist punk musician herself, Phillips addresses not only the unpredictable trajectory of Solange's career but also how she and other Black women see themselves through the musician's repertoire. First, she traces Solange's progress through an inflexible industry, charting the artist's development up to 2016, when the release of her third album, A Seat at the Table, redefined her career. With this record and, then, When I Get Home (2019), Phillips describes how Solange has embraced activism, anger, Black womanhood and intergenerational trauma to inform her remarkable art.Why Solange Matters not only cements the subject in the pantheon of world-changing twenty-first-century musicians, it introduces its writer as an important new voice. MUSIC MATTERS: SHORT BOOKS ABOUT THE ARTISTS WE LOVE- Why Solange Matters by Stephanie Phillips- Why Marianne Faithfull Matters by Tanya Pearson- Why Karen Carpenter Matters by Karen Tongson

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"An American hero...finally gets her due in this riveting narrative. You will absolutely love Florence Finch: her grit, her compassion, her fight. This isn't just history; she is a woman for our times." -KEITH O'BRIEN, the New York Times bestselling author of Fly GirlsWhen Florence Finch died at the age of 101, few of her Ithaca, NY neighbors knew that this unassuming Filipina native was a Presidential Medal of Freedom recipient, whose courage and sacrifice were unsurpassed in the Pacific War against Japan. Long accustomed to keeping her secrets close in service of the Allies, she waited fifty years to reveal the story of those dramatic and harrowing days to her own children.Florence was an unlikely warrior. She relied on her own intelligence and fortitude to survive on her own from the age of seven, facing bigotry as a mixed-race mestiza with the dual heritage of her American serviceman father and Filipina mother.As the war drew ever closer to the Philippines, Florence fell in love with a dashing American naval intelligence agent, Charles "Bing" Smith. In the wake of Bing's sudden death in battle, Florence transformed from a mild-mannered young wife into a fervent resistance fighter. She conceived a bold plan to divert tons of precious fuel from the Japanese army, which was then sold on the black market to provide desperately needed medicine and food for hundreds of American POWs. In constant peril of arrest and execution, Florence fought to save others, even as the Japanese police closed in.With a wealth of original sources including taped interviews, personal journals, and unpublished memoirs, The Indomitable Florence Finch unfolds against the Bataan Death March, the fall of Corregidor, and the daily struggle to survive a brutal occupying force. Award-winning military historian and former Congressman Robert J. Mrazek brings to light this long-hidden American patriot. The Indomitable Florence Finch is the story of the transcendent bravery of a woman who belongs in America's pantheon of war heroes.

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Affectionately known as ‘Bacha’ Khan or ‘Badshah’ Khan amongst his people, Khan Abdul Ghaffar’s life was dedicated to the social reform of the Pukhtuns, who traditionally adhere to a strict code of life called ‘Pukhtunwali’, which is governed by rather rigid tribal norms. Bacha Khan is an acknowledged leader in the hearts of the Pukhtuns across the world, due to his life long struggle to modernise Pukhtun society and his teachings of non-violence, adopted by his Khudai Khidmatgar (Servants of God) party, during the struggle for independence against the British. He stands tall in the pantheon of leaders of the movement for independence. A close associate of Mahatma Gandhi, his success in mobilising the Pukhtuns of the North-West Frontier Province and the Tribal Areas through a non-violent struggle, had significant bearing on this movement, in which the Khudai Khidmatgar allied with the Indian National Congress. The Pushto edition of Bacha Khan’s autobiography was first published in 1983 in Afghanistan, when he was 93 years old. Nearly four decades later the book has been translated and published for the first time in English. This translation was painstakingly done by Sahibzada at the request of Shandana Humayun Khan, to whom he has dedicated the book. Shandana’s maternal great-grandfather was Qazi Ataullah, a close lieutenant of Bacha Khan’s and a key figure in the Khudai Khidmatgar movement. Before the translation process started, Sahibzada and Shandana visited several members of Bacha Khan’s family including his grandsons Nasir Ali Khan, Asfandayar Wali Khan and Saleem Jan. The translator shared a close friendship with Bacha Khan’s son, Abdul Ghani Khan, the greatest Pukhtun poet of the century. The book is a result of the participation of several members of his family and those who have spent their lives studying Bacha Khan’s philosophy. For the first time Bacha Khan’s thoughts on Pukhtun society, his vision for a more equitable world achieved along the lines of non-violence have been researched, translated and made available for the world in his own words.

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A rare look into the history, theory, and craft of the black mages and sorcerers of Russia Born in the Soviet Union and descended from a matrilineal line of witches, Natasha Helvin offers a rare look into the secret practices of Russian black magic, passed down from teacher to disciple for generations both orally and through their grimoires bound in black. Drawing from her own experience, Helvin provides insight into the fundamental ideology of black magic practitioners, from the universal laws of magic to the principles of morality. She explains a mage’s view on fate and predestination, how the world was created, and their relationship with the demons that grant them their power. She examines the demonic pantheon as well as how a black sorcerer is able to influence the forces in the universe and pass on his or her powers and knowledge to further generations. Exploring the history of occult practices in Russia, including how Christianity had a profound effect upon magic and witchcraft, Helvin shows how attempts to forcibly convert the Russian population to the Christian faith were widely resisted, and instead of these ancient pagan practices disappearing, they blended with Christian belief. Authorities repainted old pagan gods as demons in order to eradicate ancient traditions. Black magic became labelled as defiantly anti-Christian simply for preserving the old ways, and as a result, some branches of black magic evolved as a reaction against enforced Christianity and practitioners proudly accepted the label of “blasphemer” or “heretic.” Through this book, readers can explore the Left-Hand path of Russian magic and its spells and rituals. The author explains about cemetery magic, sacrifices, the creation of Hell Icons, and places of power, such as crossroads, swamps, and abandoned villages, as well as the best times to practice black magic, how to choose the best grave for your spell, and how to summon demons. Providing many concrete examples of spells, Helvin demonstrates the broad range of what can be accomplished by those who practice the black arts, if they commit themselves to the craft.

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Jane Austen’s Sense and Sensibility is now available in an exclusive collector’s edition featuring a delicate laser-cut jacket on a textured book with foil stamping and ribbon marker, ideal for fiction lovers and book collectors alike.The Sense and Sensibility Jane Austen Collection Edition: Presents Jane Austen’s beloved classic, widely regarded as a shining example of Romantic epistolary fiction, and after Pride and Prejudice, solidifying Austen’s place in literature’s pantheon of great writers Explores such important themes as the legal ramifications of love and marriage in high society, sense (rational thought) vs. sensibility (emotions), gender roles in the eighteenth century, and the harmful effects of wealth and greed on relationships Is ideal for special-edition book collectors, Jane Austen aficionados, fans of literary fiction and classic literature, and people who love both the book and the movies it inspires Whether you’re buying this as a gift or for yourself, this remarkable limited edition features: Beautiful hardcover with a distinctive one-of-a-kind, high-end/high-treatment laser-cut jacket, perfect for standing out on any discerning fiction lover’s bookshelf Decorative interior pages featuring pull quotes distributed throughout Part of a 6-volume Jane Austen series including Northanger Abbey, Pride and Prejudice, Emma, Mansfield Park, and Persuasion For Elinor Dashwood, sensible and sensitive, and her romantic, impetuous younger sister Marianne, the prospect of marrying the men they love appears remote. In a world ruled by money and self-interest, the Dashwood sisters have neither fortune nor connections. Concerned for others and for social proprieties, Elinor is ill-equipped to compete with self-centered fortune-hunters like Lucy Steele, while Marianne's unswerving belief in the truth of her own feelings makes her more dangerously susceptible to the designs of unscrupulous men.Sense and Sensibility by Jane Austen is one of six titles completing the Jane Austen collection, which includes Emma, Persuasion, Pride and Prejudice, Mansfield Park, and Northanger Abbey.

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Years before Charles Lindbergh’s flight from New York to Paris electrified the nation, a group of daredevil pilots, most of them veterans of the World War I, brought aviation to the masses by competing in the sensational transcontinental air race of 1919. The contest awakened Americans to the practical possibilities of flight, yet despite its significance, it has until now been all but forgotten. In The Great Air Race, journalist and amateur pilot John Lancaster finally reclaims this landmark event and the unheralded aviators who competed to be the fastest man in America. His thrilling chronicle opens with the race’s impresario, Brigadier General Billy Mitchell, who believed the nation’s future was in the skies. Mitchell’s contest—critics called it a stunt—was a risky undertaking, given that the DH-4s and Fokkers the contestants flew were almost comically ill-suited for long-distance travel: engines caught fire in flight; crude flight instruments were of little help in clouds and fog; and the brakeless planes were prone to nosing over on landing. Yet the aviators possessed an almost inhuman disregard for their own safety, braving blizzards and mechanical failure as they landed in remote cornfields or at the edges of cliffs. Among the most talented were Belvin “The Flying Parson” Maynard, whose dog, Trixie, shared the rear cockpit with his mechanic, and John Donaldson, a war hero who twice escaped German imprisonment. Jockeying reporters made much of their rivalries, and the crowds along the race’s route exploded, with everyday Americans eager to catch their first glimpse of airplanes and the mythic “birdmen” who flew them. The race was a test of endurance that many pilots didn’t finish: some dropped out from sheer exhaustion, while others, betrayed by their engines or their instincts, perished. For all its tragedy, Lancaster argues, the race galvanized the nation to embrace the technology of flight. A thrilling tale of men and their machines, The Great Air Race offers a new origin point for commercial aviation in the United States, even as it greatly expands our pantheon of aviation heroes.

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What can you learn from a Silicon Valley legend and a pantheon of iconic leaders? The key to scaling a successful business isn't talent, network or strategy. It's an entrepreneurial mindset - and that mindset can be cultivated.Behind the scenes in Silicon Valley, Reid Hoffman (founder of LinkedIn, investor at Greylock) is a sought-after advisor to heads of companies and heads of state. On his podcast Masters of Scale, he sits down with an all-star list of visionary founders and leaders, digging into the surprising strategies that power their growth. In this book, he draws on their most riveting, revealing stories - as well his own experience as a founder and investor - to distil the counterintuitive secrets behind the most extraordinary success stories of our times.Here, Hoffman teams up with Masters of Scale's executive producers to offer a rare window into the entrepreneurial mind. They share surprising, never-before-told stories from leaders of the world's most iconic companies, including Apple, Nike, Netflix, Spotify, Starbucks, Google, Instagram and Microsoft, as well as the bold, disruptive startups - from 23andMe to TaskRabbit, from the Black List to the Bevel razor - solving the problems of the twenty-first century.Through vivid storytelling and straightforward analysis, Masters of Scale distils their collective insights into a set of counterintuitive principles that anyone can use. How do you find a winning idea and turn it into a scalable venture? What can you learn from a 'squirmy no'? When should you stop listening to your customers? Which fires should you put out right away, and which should you let burn? And can you really make money while making the world a better place? (Answer: Yes. But you have to do the work to keep your profits and values aligned.)Based on more than 100 interviews, and incorporating new material never aired on the podcast, Masters of Scale offers a unique insider's guide, filled with insights, wisdom, and strategies that will inspire you to reimagine how you do business today.

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This pocket-sized guide is a convenient, quick-reference companion to discovering what to do, what to see and how to get around Rome. It covers top attractions like the colosseum, the Pantheon and the Trevi Fountain as well as hidden gems, including Campo de' Fiori and the Carlo Bilotti Modern Art Collection. This will save you time, and enhance your exploration of this fascinating city. This title has been fully updated post-COVID-19.This Mini Rough Guide to Rome covers: Piazza Venezia and Capitoline Hill, Ancient Rome, Centro Storico, Spanish Steps and Tridente, the Trevi Fountain and Quirinale, Villa Borghese, the Vatican, Trastevere, the Aventine and Testaccio, Monti and Esquilino and further afieldIn this travel guide you will find: RECOMMENDATIONS FOR EVERY TYPE OF TRAVELLER Experiences selected for every kind of trip to Rome, from cultural explorations in Testaccio to family activities in child-friendly places, like Villa Borghese or or chilled-out breaks in popular tourist areas, like the Spanish Steps. TOP TEN ATTRACTIONS Covers the destination's top ten attractions not to miss, including Villa Borghese Park, Villa D'Este and the Sistine Chapel, and a Perfect Day itinerary suggestions COMPACT FORMAT Compact, concise, and packed with essential information, with a sharp design and colour-coded sections, this is the perfect on-the-move companion when you're exploring Rome.HISTORICAL AND CULTURAL INSIGHTSIncludes an insightful overview of landscape, history and cultureWHAT TO DODetailed description of entertainment, shopping, nightlife, festivals and events, and children's activities PRACTICAL MAPS Handy colour maps on the inside cover flaps will help you find your way aroundPRACTICAL TRAVEL INFORMATIONPractical information on eating out, including a handy glossary and detailed restaurant listings, as well as a comprehensive A-Z of travel tips on everything from getting around to health and tourist information.STRIKING PICTURESInspirational colour photography throughoutFREE EBOOK Free eBook download with every purchase of a printed book to access all the content from your phone or tablet for on-the-road exploration.

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Winner of The PEN Hessell-Tiltman PrizeShortlisted for The Wolfson History PrizeA The Times Books of the YearA fascinating, surprising and often controversial examination of the real God of the Bible, in all his bodily, uncensored, scandalous forms.'One of the most remarkable historians and communicators working today' – Dan SnowThree thousand years ago, in the lands we now call Israel and Palestine, a group of people worshipped a complex pantheon of deities, led by a father god called El. El had seventy children, who were gods in their own right. One of them was a minor storm deity, known as Yahweh. Yahweh had a body, a wife, offspring and colleagues. He fought monsters and mortals. He gorged on food and wine, wrote books, and took walks and naps. But he would become something far larger and far more abstract: the God of the great monotheistic religions.But as Professor Francesca Stavrakopoulou reveals, God’s cultural DNA stretches back centuries before the Bible was written, and persists in the tics and twitches of our own society, whether we are believers or not. The Bible has shaped ideas about God and religion, but also cultural preferences about human existence and experience; our concept of life and death; attitude to sex and gender; habits of eating and drinking; the understanding of history.Examining God’s body, from his head to his hands, feet and genitals, she shows how the Western idea of God developed. She explores the places and artefacts that shaped our view of this singular God and the ancient religions and societies of the biblical world. And in doing so she analyses not only the origins of our oldest monotheistic religions, but also the origins of Western culture.Beautifully written, passionately argued and frequently controversial, God: An Anatomy is cultural history on a grand scale.'Rivetingly fresh and stunning' – Sunday Times

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The Hittites in the Late Bronze Age became the mightiest military power in the Ancient Near East. Yet their empire was always vulnerable to destruction by enemy forces; their Anatolian homeland occupied a remote region, with no navigable rivers; and they were cut off from the sea. Perhaps most seriously, they suffered chronic under-population and sometimes devastating plague. How, then, can the rise and triumph of this ancient imperium be explained, against seemingly insuperable odds? In his lively and unconventional treatment of one of antiquity’s most mysterious civilizations, whose history disappeared from the records over three thousand years ago, Trevor Bryce sheds fresh light on Hittite warriors as well as on the Hittites’ social, religious and political culture and offers new solutions to many unsolved questions. Revealing them to have been masters of chariot warfare, who almost inflicted disastrous defeat on Rameses II at the Battle of Qadesh (1274 BCE), he shows the Hittites also to have been devout worshippers of a pantheon of storm-gods and many other gods, and masters of a new diplomatic system which bolstered their authority for centuries. Drawing authoritatively both on texts and on ongoing archaeological discoveries, while at the same time offering imaginative reconstructions of the Hittite world, the author argues that while the development of a warrior culture was essential, not only for the Empire’s expansion but for its very survival, this by itself was not enough. The range of skills demanded of the Hittite ruling class went way beyond mere military prowess, while there was much more to the Hittites themselves than just skill in warfare. This engaging volume reveals the Hittites in their full complexity, including the festivals they celebrated; the temples and palaces they built; their customs and superstitions; the crimes they committed; their social hierarchy, from king to slave; and the marriages and pre-nuptial agreements they contracted. It takes the reader on a journey which combines epic grandeur, spectacle and pageantry with an understanding of the intimacies and idiosyncrasies of Hittite daily life.

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Scholars commonly take the Declaration of the Rights of Man and Citizen of 1789, written during the French Revolution, as the starting point for the modern conception of human rights. According to the Declaration, the rights of man are held to be universal, at all times and all places. But as recent crises around migrants and refugees have made obvious, this idea, sacred as it might be among human rights advocates, is exhausted. It's long past time to reconsider the principles on which Western economic and political norms rest. This book advocates for a tradition of political universality as an alternative to the juridical universalism of the Declaration. Insurgent universality isn't based on the idea that we all share some common humanity but, rather, on the democratic excess by which people disrupt and reject an existing political and economic order. Going beyond the constitutional armor of the representative state, it brings into play a plurality of powers to which citizens have access, not through the funnel of national citizenship but in daily political practice. We can look to recent history to see various experiments in cooperative and insurgent democracy: the Indignados in Spain, the Arab Spring, Occupy, the Zapatistas in Mexico, and, going further back, the Paris Commune, the 1917 peasant revolts during the Russian Revolution, and the Haitian Revolution. This book argues that these movements belong to the common legacy of insurgent universality, which is characterized by alternative trajectories of modernity that have been repressed, hindered, and forgotten. Massimiliano Tomba examines these events to show what they could have been and what they can still be. As such he explores how their common legacy can be reactivated. Insurgent Universality analyzes the manifestos and declarations that came out of these experiments considering them as collective works of an alternative canon of political theory that challenges the great names of the Western pantheon of political thought and builds bridges between European and non-European political and social experiments.

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This collection of a dozen major essays written in recent year is vintage Frye—the fine distillation of a lifetime of originative thinking about literature and its context. The essays in Spiritus Mundi—the title comes from one of Yeat's best known poems, "The Second Coming," and refers to the book that was supposedly the source of Yeat's apocalyptic vision of a "great beast, slouching toward Bethlehem"—are arranges in three groups of four essays each. The first four are about the "contexts of literature," the second are about the "mythological universe," and the last are studies of four of the great visionary or myth-making poets who have been enduring sources of interest for Frye: Milton, Blake, Yeats, and Wallace Stevens.The volume is full of agreeable surprises: a delightful piece on charms and riddles is followed by an illuminating essay on Shakespearean romance. Like most of the other essays in the book, these two are compressed and elegant expositions of ideas that in the hands of a lesser writer would have required a book. In another selection Frye rescues Spengler from neglect and argues for the inclusion of The Decline of the West among the major imaginative books produced by the Western world. Elsewhere he advances the case for placing Copernicus in a pantheon composed primarily of literary figures. OF particular interest are several essays in which Frye comments personally and reflectively on the influence he has had on the study of literature and the reactions elicited by his work. In "The Renaissance of Books" he dissents from the opinion of the McLuhanites that the written word is showing signs of obsolescence and argues that books are "the technological instrument that makes democracy possible."As the dozen essays collected here amply attest, Northrop Frye continues to be the most perceptive and most persuasive exponent of the power of mythological imagination—or as he himself calls it, "the mythological habit of mind"—written in English.

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Black Sands is the most popular independent book series in the black community and it is clear why.In this exciting new volume, the secret of the ancients in Minoa has been revealed.Ausar is now faced with an impossible decision. Will he choose to pursue the very real threat of the ancients below the mountain? Or aid in fighting the Spartans who have a significant advantage? Ausar knows the battle is most likely lost without his aide. But he chooses to deal with the ancients instead and requests soldiers to back him up. As they press deeper into the mountain, the Spartans have now launched a full-fledged invasion by land. Thousands of soldiers battle across the borders of Akrotiri but they maintain the line as best they can. Meanwhile Ausar exposes the real threat. Ausar finds out the Sumerians are here and actually control the ancients. A dangerous battle ensues for control of the underground, but Ausar will not yield!The Black Sands Universe is based in the ancient Middle East during the pre-dynastic era. because there is little to no historical text during this time period, we have liberty to tell our own stories. The Black Sands Universe combines mythology, historical context, and a little sci-fi into a coherent cross-pantheon experience everyone can enjoy.The story involves seven major kingdoms vying for power in the year 3500 BCE. Prior to this point, the world was completely under the control of ancient being from the planet Nibiru, but the coming of the God Killers divided many nations and began a war on a global scale. This story is told through the mythological characters of the time period. They will struggle, come of age, and suffer unimaginable loss throughout their quest to take back the Earth. Readers dive into the details of this vivid world and learn a lot about the cultures of the time period.

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Like Gary Shteyngart or Michel Houellebecq, Wang Xiaobo is a Chinese literary icon whose satire forces us to reconsider the ironies of history. Apparently, there was a rumour that Chen Qingyang and I were having an affair. She wanted me to prove our innocence. I said, to prove our innocence, we must prove one of the following: Chen Qingyang is a virgin I was born without a penis Both propositions were hard to prove, therefore, we couldn’t prove our innocence. In fact, I was leaning more toward proving that we weren’t innocent.” And so begins Wang Er’s story of his long affair with Chen Qinyang. Wang Er, a 21-year-old ox herder, is shamed by the local authorities and forced to write a confession for his crimes but instead, takes it upon himself to write a modernist literary tract. Later, as a lecturer at a chaotic, newly built university, Wang Er navigates the bureaucratic maze of 1980’s China, boldly writing about the Cultural Revolution’s impact on his life and those around him. Finally, alone, and humbled, Wang Er must come to terms with the banality of his own existence. But what makes this novel both hilarious and important is Xiaobo’s use of the awkwardness of sex as a metaphor for all that occurred during the Cultural Revolution. This achievement was revolutionary in China and places Golden Age in the great pantheon of novels that argue against governmental control. A leading icon of his generation, Wang Xiaobo’s cerebral and sarcastic narrative is a reflection on the failures of individuals and the enormous political, social, and personal changes in 20thcentury China. "At the time Wang was writing, novels about the Cultural Revolution tended to be fairly conventional tales of how good people suffered nobly during this decade of madness. The system itself was rarely called into question. Wang’s book was radically different . . . The idea of how to stand up to power underlies Golden Age." —Ian Johnson, The New York Times Book Review

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Jane Austen’s Persuasion is now available in an exclusive collector’s edition featuring a delicate laser-cut jacket on a textured book with foil stamping and ribbon marker, ideal for fiction lovers and book collectors alike.The Persuasion Jane Austen Collection Edition: Presents Jane Austen’s final fully completed novel, viewed by many literary scholars as her most maturely written work; its 1817 posthumous publication helped established Austen’s iconic place in literature’s pantheon of great writers Explores such important themes as social mobility, class rigidity, the gender-centric skills required to navigate between public life and domestic life, and the ramifications of remaining true to one’s convictions vs being open to the suggestions of others Is ideal for special-edition book collectors, Jane Austen aficionados, fans of literary fiction and classic literature, and people who love both the book and the movies it inspires Whether you’re buying this as a gift or for yourself, this remarkable limited edition features: Beautiful hardcover with a distinctive one-of-a-kind, high-end/high-treatment laser-cut jacket, perfect for standing out on any discerning fiction lover’s bookshelf Decorative interior pages featuring pull quotes distributed throughout Part of a 6-volume Jane Austen series including Northanger Abbey, Pride and Prejudice, Sense and Sensibility, Mansfield Park, and Emma At twenty-seven, Anne Elliot is no longer considered young enough for worthy romantic prospects. Eight years earlier, she had been persuaded by her friend Lady Russell to break off her engagement to Frederick Wentworth, a handsome naval captain with neither fortune nor rank. What transpires when they encounter each other again is movingly told in Jane Austen's last completed novel. A brilliant satire of vanity and pretension, Persuasion is, above all, a love story tinged with the heartache of missed opportunities.Persuasion by Jane Austen is one of six titles completing the Jane Austen collection, which includes Emma, Sense and Sensibility, Pride and Prejudice, Mansfield Park, and Northanger Abbey.

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Dit boek is gebaseerd op de resultaten van langdurig en intensief antropologisch veldwerk onder de Garifuna van de Baai van Tela gelegen aan de Atlantische kust van de Centraal-Amerikaanse Republiek Honduras. Het is de eerste uitvoerige studie van het magisch-religieuze systeem van dat volk dat ontstond in de zeventiende eeuw op het eiland San Vicente uit de kruising van een Afrikaanse en een Amerindiaanse populatie.Een eerste deel behandelt de geschiedenis, het identiteitsbesef, de sociale structuur, het economisch leven en de fundamentele beginselen van het waardesysteem van de Garifuna. Speciale aandacht wordt besteed aan de manier waarop deze kustbewoners de ruimte omvormen tot woongebied en aan de symbolisering van dat proces. In een tweede deel worden de verschillende bewoners van het Garifuna pantheon voorgesteld: God, Christus en de katholieke heiligen huizen er zij aan zij met traditionele natuurgeesten, hulpgeesten en voorvaderen. Waar vroegere studies nauwelijks melding maakten van de duivel, stelt dit onderzoek ruim de specifieke bemiddelende functie in het licht die dat personage vervult in het dagelijkse leven van een bevolking ten prooi aan de gevolgen van diepgaande socio-culturele verandering. Deel drie handelt over het Garifuna sjamanisme, terwijl het laatste deel gewijd is aan de religieuze rituelen, in het bijzonder aan de bij de Garifuna zo belangrijke dodencultus met als hoogtepunt de "dugu". Het was bekend dat bij de Garifuna sjamanen bedrijvig zijn, maar in dit boek worden voor het eerst de roeping, de vorming, de activiteiten, de sociale positie en het sexueel statuut van deze religieuze experten, evenals hun verhouding tegenover het christendom, uitvoerig beschreven. Ook van het dagenlange complexe "dugu" ritueel vindt men hier de eerste uitgebreide beschrijving en dito interpretatie.De brede eruditie, de voortdurende aandacht voor de diachronische dimensie, de voorbeeldige gedetailleerde etnografie, de gedurfde maar evenwichtige interpretatie van de symbolische aspecten van de cultuur, de diepgang van de psychologische analyse en van de antropologische inzichten maken "Zwarte indianen en hun symbolen" tot een standaardwerk onder de Caribische studies en voor lange jaren de referentie voor alle verder onderzoek bij de Garifuna. Voor niet-specialisten vormt de lectuur van dit vlot geschreven boek bovendien een boeiende en verrassende ontdekkingstocht.

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Brian Wilson is a genius. Ever since British press agent Derek Taylor launched a publicity campaign with that theme to promote the landmark LP Pet Sounds in 1966, some variation of that claim has been obligatory when discussing the significance of the Beach Boys' founder and chief composer. Originally designed to liberate Wilson from his outmoded image as a purveyor of sun-and-surf teen pop so the symphonic sophistication of his music might be properly appreciated, the assertion has been repeated so often in the forty-plus years since as to render it virtually meaningless. Indeed, if anything, the label today seems an albatross around the man's neck, inasmuch as Wilson's slow-but-steady reemergence as a working musician since the mid-nineties after three decades of mental illness and drug abuse, has been freighted with expectations that he again produce something as epochal as "Good Vibrations" to justify the adoration he inspires in impassioned defenders. Brian Wilson interrogates this and other paradigms that stymie critical appreciation of Wilson's work both with the Beach Boys and as a solo artist.This is the first study of Wilson to eschew chronology for a topical organization that allows discussion of lyrical themes and musical motifs outside of any prejudicial presumptions about their place in the trajectory of his career. The chapter on lyrics explores questions of quality, asking why the words to Wilson's songs are often considered a detriment, before surveying such tendencies as melancholy and introspection, the conceit of childlike wisdom, his depiction of women, and Americana/nostalgia. The section on music focuses on his falsetto, the famous harmonies, the peculiar whiteness of the Beach Boys' sound, as well as song structure. A final chapter on iconicity asks how rock criticism's investment in auteurship both maintains and limits his reputation. Finally, Curnutt examines what Brian Wilson means to his most fervent fans. Together, these issues emphasize the often overlooked point that, despite his status as a "living legend," Brian Wilson does not always fit neatly into the paradigms of taste and value by which critics grant certain artists entry into the pantheon of pop and rock importance.

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It was an age of mighty heroes, misunderstood monsters, and complex villains. With the publication of Fantastic Four No. 1 in November 1961, comics giant Marvel inaugurated a transformative era in pop culture. Through the next two decades, the iconic Hulk, Spider-Man, Iron Man, and the X-Men leapt, darted, and towered through its pages. Captain America was resurrected from his 1940s deep-freeze and the Avengers became the World’s Greatest Super Heroes. Daredevil, Doctor Strange, and dozens more were added to the pantheon, each with their own rogues’ gallery of malevolent counterparts. Nearly 60 years later, these thrilling characters from the 1960s and ’70s are more popular than ever, fighting the good fight in comics, toy aisles, and blockbuster movies around the world. In The Marvel Age of Comics 1961–1978, legendary writer and editor Roy Thomas takes you to the heart of this seminal segment in comic history—an age of triumphant character and narrative innovation that reinvented the super hero genre. With more than 500 images and insider insights, the book traces the birth of champions who were both epic in their powers and grounded in a world that readers recognized as close to their own; relatable heroes with the same problems, struggles, and shortcomings as everyone else. By the ’70s, we see how the House of Ideas also elevated horror, sword and sorcery, and martial arts in its stable of titanic demigods, introducing iconic characters like Man-Thing, Conan, and Shang-Chi and proving that their brand of storytelling could succeed and flourish outside of the capes and tights. Behind it all, we get to know the extraordinary Marvel architects whose names are almost as familiar as the mortals (and immortals!) they brought to life—Stan “The Man” Lee, Jack “King” Kirby, and Steve Ditko, along with a roster of greats like John Romita, John Buscema, Marie Severin, Jim Steranko, and countless others. The result is a behind-the-scenes treasure trove and a jewel for any comic fan’s library, brimming with the innovation and energy of an invincible era for Marvel and its heroes alike. © 2020 MARVEL

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Vir in Via is a travel guidebook to the modern city of Rome - but with an ancient twist: it brings together a contemporary city walking guide with a traditional archaeological survey. Whether exploring Italy's vibrant capital or delving into its past is your thing, this rich book will prove both useful and fascinating. Detailed itineraries escort us around familiar tourist tracks and lesser-known areas of Rome while imagining that we are accompanied by Josephus Publicus, a fictional inhabitant of the ancient city. Sudbury keeps his - and our - eye on what remnants of the ancient and medieval past can be found in Rome, whether readily visible or buried underground, while our imaginary companion relates tales about his haunts and discovers what they have become. Peeling back layers of topography, Vir in Via reveals unexpected connections between past and present. Digging deep into history, it reveals how Rome has evolved into its modern guise. Walking tours encompass all the most famous landmarks: the Spanish Steps, Trevi Fountain, Pantheon, Piazza Navona, Campo de' Fiori, Colosseum, Roman Forum, Imperial Fora, Villa Borghese and the Seven Hills. But the suggested strolls also explore areas not usually included in guides aimed at casual tourists, such as Pinciano, the Parioli hills - haunts of ancient witches and soothsayers - and modern districts such as Prati, where early emperors had their pleasure gardens. In this unique city of history, culture and much more besides, even the most far-flung parts of the city have an absorbing story to tell. With Vir in Via in your hand, visit 500 churches (many with connections to the pagan past), 24 sets of Roman baths, 32 towers, all 13 original obelisks, 20 sets of catacombs, over 120 fountains. and 6 talking statues. Learn where to find the creepiest crypts, most ghoulish martyrdom frescoes and Roman carvings embedded in street walls, then celebrate by following hot tips on locating the city's very best ice-creams. Whether you are an amateur archaeologist, ancient-history buff or simply a visitor who looks beyond the obvious, let Vir in Via be your guide on an unusual, absorbing tour of Rome.

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In 1948 Watkins Glen staged the first official American race for sports cars since the Vanderbilt Cup races of the early years of the century. This book is about the transformation of post-World War II racing in America and how road racing became a leading sport in the US, beginning at Watkins Glen and followed by Sebring, Daytona, Laguna Seca and other circuits. These historic first five years are fundamental to road racing in America when the race was staged through the village streets and neighboring countryside until a permanent track was built in 1953. The races introduced famous international marques such as Ferrari, Jaguar, Porsche, Allard, Healey and Cunningham and encouraged a pantheon of great drivers to develop, among them, Briggs Cunningham, John Fitch, Phil Walters, Phil Hill, Jim Kimberly and Walt Hansgen. Later, from 1961 to 1980, Watkins Glen was the site of the Formula 1 United States Grand Prix Cameron Argetsinger, a lawyer and leader in upstate New York, was the man with the dream and the story of how he made it all happen against enormous odds is told in detail. It includes anecdotes and interviews contributed by many of the early participants, and has exclusive color photographs taken during years when color photography was practically unknown. In 2011, Watkins Glen celebrates the 50th anniversary of its first Formula 1 Grand Prix. Had the early Sports Car Grand Prix of 1948-52 not taken place and quickly become a huge popular success, Watkins Glen would long ago have disappeared in the annals of history. Instead, it remains to this day a challenging race track, with two nationally televised events each year, and it is the home of the world's first Motor Racing Research Library. Over 300 photographs provide vivid and fascinating illustrations of the men and machines who threaded together every part of this extraordinary story. Full race results and statistics for all entrants in the 13 races run between 1948 and 1952 are also provided in detail. A final chapter shows how many of the race cars from the early years are now highly valued and are prize-winners at concours events.

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The first edition of the present book was published in 2014 and was quickly acclaimed as the bible of the classic Jaguar racers. This greatly expanded new edition runs to more than 400 pages and contains 500 illustrations. It brings the individual stories of over 150 cars up to date, and includes additional useful information and appendices. Today the name of Jaguar still ranks high in the pantheon of British cars that have won the Le Mans 24-hour race. A mere 20 years since the birth of their first car, Jaguar had become the leading high-performance car in Britain thanks to the revolutionary XK engine, and the XK120 was in its day the fastest production car in the world. While the company had begun to earn its spurs in motor racing, it was a bold step to build a new car with the specific intention of entering Le Mans, at the time the most famous motor race in the world. Remarkably, the new Jaguar C-type succeeded in winning at Le Mans on the first attempt. A further four Le Mans victories followed: in 1953 for the C-type again, and then three wins for D-types from 1955 to 1957, by which time the Jaguar works team had been withdrawn from racing. Private entries of Jaguar C- and D-types in other races continued for many years. The E-type was never as successful in racing, since it was conceived as a GT road car rather than a racer, but the small run of lightweight cars and other competition versions added further lustre to Jaguar's reputation. C- and D-types were sold in some numbers to private owners on both sides of the Atlantic, many of whom obviously used them for racing, but unlike most later sports-racing cars they could still be used on the road. This was and remains one of their many attractions. Virtually all the cars have survived, and in recent times have seen a steady increase in value. This updated, enlarged and comprehensive new edition of the Register is a tribute to these glorious cars, to the people who were involved in their design and production, and to the drivers who campaigned them.

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Alexander Hamilton and the Persistence of Myth explores the shifting reputation of our most controversial founding father. Since the day Aaron Burr fired his fatal shot, Americans have tried to come to grips with Alexander Hamilton's legacy. Stephen Knott surveys the Hamilton image in the minds of American statesmen, scholars, literary figures, and the media, explaining why Americans are content to live in a Hamiltonian nation but reluctant to embrace the man himself.Knott observes that Thomas Jefferson and his followers, and, later, Andrew Jackson and his adherents, tended to view Hamilton and his principles as "un-American." While his policies generated mistrust in the South and the West, where he is still seen as the founding "plutocrat," Hamilton was revered in New England and parts of the Mid-Atlantic states. Hamilton's image as a champion of American nationalism caused his reputation to soar during the Civil War, at least in the North. However, in the wake of Gilded Age excesses, progressive and populist political leaders branded Hamilton as the patron saint of Wall Street, and his reputation began to disintegrate.Hamilton's status reached its nadir during the New Deal, Knott argues, when Franklin Roosevelt portrayed him as the personification of Dickensian cold-heartedness. When FDR erected the beautiful Tidal Basin monument to Thomas Jefferson and thereby elevated the Sage of Monticello into the American Pantheon, Hamilton, as Jefferson's nemesis, fell into disrepute. He came to epitomize the forces of reaction contemptuous of the "great beast"-the American people. In showing how the prevailing negative assessment misrepresents the man and his deeds, Knott argues for reconsideration of Hamiltonianism, which rightly understood has much to offer the American polity of the twenty-first century.Remarkably, at the dawn of the new millennium, the nation began to see Hamilton in a different light. Hamilton's story was now the embodiment of the American dream—an impoverished immigrant who came to the United States and laid the economic and political foundation that paved the way for America's superpower status. Here in Stephen Knott's insightful study, Hamilton finally gets his due as a highly contested but powerful and positive presence in American national life.

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...It is remarkable that one man should have been involved in so much action in so few years...I commend his biography to the reader: ...by any standard he was a hero, and he tells his life's story with modesty and humour. Extract from the Foreword by Admiral Lord Boyce Captain Mervyn Wingfield was one of the last of his generation of submariners who made their reputation in the Second World War. Pre-war he had served on the China station and lived the riotous life of a young officer; in the war he commanded three submarines, Umpire, Sturgeon and Taurus, survived a collision in the North Sea, spent a winter in the Arctic, penetrated the Norwegian fjords submerged through a minefield, surfaced off St Nazaire in view of German guns to act as a navigation marker for the raiding force, fought cavalry in the northern Aegean, and later, off Penang, was the first British submariner to sink a Japanese submarine - and barely survived the subsequent, vicious counterattack after Taurus was severely damaged and became stuck in the mud at the bottom. Any one of these incidents would have merited a place for Wingfield in the history of naval warfare and the pantheon of submarine heroes. The Royal Navy's most senior submariner, Admiral Lord Boyce, notes in his Foreword that the diesel-powered submarines in which both men served were not so different, but the risks which Wingfield took in wartime were greater and Lord Boyce admired the way in which Wingfield led his crew and was loved by them. Many men were burned-out by the war, but in the postwar years Wingfield enjoyed a successful peacetime career in the Royal Navy where, finally, his personal qualities and his diplomacy were put to the test as a naval attache. In retirement Wingfield was well-known for hosting lively beef and Stilton lunches at the London Boat Show! He was also one of the last of the generations of Anglo-Irish families who served the Crown and provided officers and men for the Army and the Navy, and his story additionally gives some insights into his early days, especially with regard to being a young officer in the Royal Navy in the 1930s.

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From antiquity, when the Great Pyramid was revered as a wonder of the ancient world, to the Cleopatra of Shakespeare’s stage, and from the medieval Arab scholars who sought hieroglyphs’ mystical wisdom, to the biblical stories still told today, Visions of Ancient Egypt explores how ongoing engagement with ancient Egypt has shaped centuries of art and design. Accompanying a ground-breaking exhibition, it unpicks the constructed fantasies of this ancient civilisation and charts how ancient Egypt’s iconic motifs and visual style have been re-imagined over time – revealing not just an enduring artistic fascination with Egypt, but a story of how Egypt’s own heritage has been reinvented and appropriated by different cultures over time, and a history closely entwined with imperial conquest and colonial politics.Beautifully illustrated throughout and with contributions by leading scholars, this book explores the imagined construction of ancient Egypt promoted through painting, sculpture, photography, architecture and film, as well as design, fashion and jewellery. It traces the journey across time, beginning with the ancient Romans who looted Egyptian monuments and adopted Egyptian gods into their Pantheon; to Napoleon Bonaparte’s invasion of Egypt, and the elite taste for all things Egyptian it prompted; as well as the Victorian creation of an Orientalist fantasy popularised at World Fairs. Presented in a nuanced way, the story is not Eurocentric. For the first time, it also places Egypt’s own story firmly into the narrative, exploring for example Egyptian artists’ responses to nationalist calls for independence spurred by the discovery of Tutankhamun’s tomb in 1922, while also addressing the popular impact of the ‘Tutmania’ craze in the West and its influence on Art Deco. The book also examines the enduring appeal of ancient Egypt in global contemporary art, across media from painting and sculpture, to film and multimedia installations. Artists both within and beyond Egypt continue to look to its ancient imagery to make statements about heritage, identity and race.The book invites readers to debate and to discuss this complex history of the construction of ancient Egypt in art and design, and to ask who these visions serve – both then and now.

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