Search results for ""Pantheon""

For the Gods are the opening words or incipit of the first inscribed votive artefacts dedicated to the principal deities of the Sumerian pantheon. They commemorate the construction or renovation of cities, temples, rural sanctuaries, border steles, in sum all the symbolically charged features of archaic states belonging thus metaphorically to supernatural tutelary overlords. Girsu (present-day Tello) is one of the earliest known cities of the world together with Uruk, Eridu, and Ur, and was considered to be in the 3rd Millennium the sanctuary of the Sumerian heroic god Ningirsu who fought with the demons of the Kur (Mountain) and thus made possible the introduction of irrigation and agriculture in Sumer. Girsu was the sacred metropolis and central pole of a city-state that lay in the Southeasternmost part of the Mesopotamian floodplain. The pioneering explorations carried out between 1877 and 1933 at Tello and the early decipherment of the Girsu cuneiform tablets were ground-breaking because they revealed the principal catalytic elements of the Sumerian takeoff – that is, a multiplicity and coalescence of major innovations, such as the appearance of a city– countryside continuum, the emergence of literacy, of bronze manufacture, and the development of monumental art and architecture. Because of the richness of information related in particular to the city’s spatial organization and geographical setting, and thanks to the availability of recently declassified Cold War space imagery and especially the possibility to launch new explorations in Southern Iraq, Girsu stands out as a primary locale for re-analyzing through an interdisciplinary approach combining archaeological and textual evidence the origins of the Sumerian city-state.

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The making of a New Zealand coaching great Between the years 2012 and 2019, Sir Steve Hansen oversaw an era of such remarkable success that it would be almost impossible to repeat. His 15-year career in the All Blacks coaching team is the heaviest footprint in rugby history. Of the 210 tests he was involved with, his team lost just 25 times. Of the 107 tests he served as head coach, Sir Steve accumulated a record 4 World Rugby Coach of the Year awards and orchestrated 93 victories - a winning percentage of 87 per cent, the highest of any All Blacks coach.Steve Hansen: The Legacy delves into the highs and the lows that earned the New Zealand rugby knight a place in the pantheon of world rugby coaching greats. Revealing and perceptive, the book uncovers how Hansen dealt with the immeasurable pressure of leading the world's most famous rugby team; the tension created by being re-appointed specifically to win the Rugby World Cup; how he dealt with high-profile athletes and an exodus of New Zealand's all-time greats; the endless tug-of-war between commercialism and high performance; the increasing influence of referees on the game; the power battle between the northern and southern hemispheres; the Achilles heel that contributed to the All Blacks' 2019 Rugby World Cup loss; and how, during his career, he learnt to understand his weaknesses and use them to his advantage.Much more than a biography, in Steve Hansen: The Legacy, award-winning writer Gregor Paul tells the compelling story of the former policeman from Mosgiel, his quest for world rugby dominance and his journey to coaching greatness.

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'Making Darkness Light is an illumination' Adam Phillips'His sympathetic yet challenging account will undoubtedly win Milton new readers - and for that a chorus of Hallelujahs' SpectatorFor most of us John Milton has been consigned to the dusty pantheon of English literature, a grim puritan, sightlessly dictating his great work to an amanuensis, removed from the real world in his contemplation of higher things. But dig a little deeper and you find an extraordinary and complicated human being.Revolutionary and apologist for regicide, writer of propaganda for Cromwell's regime, defender of the English people and passionate European, scholar and lover of music and the arts - Milton was all of these things and more.Making Darkness Light shows how these complexities and contradictions played out in Milton's fascination with oppositions - Heaven and Hell, light and dark, self and other - most famously in his epic poem Paradise Lost. It explores the way such brutal contrasts define us and obscure who we really are, as the author grapples with his own sense of identity and complex relationship with Milton. Retracing Milton's footsteps through seventeenth century London, Tuscany and the Marches, he vividly brings Milton's world to life and takes a fresh look at his key works and ideas around the nature of creativity, time and freedom of expression. He also illustrates the profound influence of Milton's work on writers from William Blake to Virginia Woolf, James Joyce to Jorge Luis Borges.This is a book about Milton, that also speaks to why we read and what happens when we choose over time to let another's life and words enter our own. It will change the way you think about Milton forever.

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Different Times? Archaeological and environmental data from intra-site and off-site sequences brings together seven papers from Session II-8 of the XVIII UISPP Congress (Paris, 4-9 June 2018). The session questioned temporal correlations between intra-site and off-site data in archaeology-related contexts. The word ‘site’ describes here archaeological sites or groups of sites – usually settlements – that have undergone research in recent years and produced information on the duration and timing of human presence. Comparison with evidence from geomorphological and paleoenvironmental research conducted at various distances from settlements gives some interesting results, such as ‘missing’ occupation periods, distortions in human presence intensity through space as well as time, variability in explanations concerning the abandonment of settlements, etc. Examples presented here highlight: first, discrepancies between time records within built areas used for living and the surrounding lands used for other activities (cultivation, herding, travelling, etc); second, discrepancies produced by the use of different ‘time markers’ (ie. chronostratigraphy of archaeological layers or pottery evolution on the one hand, sedimentary or pollen sequences on the other hand). Although improving the resolution of individual data is essential, the authors argue that the joint and detailed examination of evidence produced together by human and natural scientists is more important for reaching a reliable reconstruction of past people’s activities. Both the session and the volume stem from the Working Group ‘Environmental and Social Changes in the Past’ (Changements environnementaux et sociétés dans le passé) in the research framework of the Cluster of Excellence ‘Dynamite’ (Territorial and Spatial Dynamics) of the University Paris 1-Panthéon-Sorbonne (ANR-11-LABX-0046, Investissements d’Avenir).

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This book by dynamic scholars James Whisker and John Coe examines the short life of the Nazi ideologist Alfred Rosenberg, one of the most overlooked individuals in the pantheon of leaders in the Third Reich. Born to German mercantile parents in the Baltic region of the Russian Empire, he was a student in Russia during the Bolshevik Revolution. Deeply influenced by the anti-Semitic forgery The Protocols of the Elders of Zion, a propaganda pamphlet distributed by the tsar’s secret police, he carried it to Germany, where he introduced it to Adolf Hitler.Rosenberg leaned heavily on heterodox Christian writings that challenged mainstream Christian thought. He revived interest in a variety of philosophies and individuals long forgotten, such as the cosmic dualistic Cathars and the mystic Master Eckart von Hochheim. Rosenberg came to view history from a perspective often called “Scientific Racism,” which held that the history of humankind had been marked by a struggle between the Aryan race and their supposed inferiors. Race was the newest subject for the application of cosmic dualism, which is the spiritual belief that two fundamental concepts exist. Rosenberg identified the Nazis’ task as creating a bulwark against Semitic influences from Europe generally and Germany in particular, and to do so by any means necessary. Rosenberg figured in a long anti-Jewish tradition in Germany, a tortured legacy that began with Martin Luther and continued through many of the prominent German figures of the nineteenth century. Indeed, Rosenberg considered his magnum opus, The Myth of the 20th Century, to be the logical successor work to Foundations of the 19th Century by the composer Richard Wagner’s son-in-law Houston Stewart Chamberlain.

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The Investment Trusts Handbook 2024 is the seventh edition of the highly regarded annual handbook for anyone interested in investment trusts – often referred to as the City’s best-kept secret, or the connoisseur’s choice among investment funds. It is expertly edited by well-known author and professional investor Jonathan Davis, founder and editor of the Money Makers newsletter and podcast. The Investment Trusts Handbook 2024 is an editorially independent educational publication, available through bookshops and extensively online. Described in the media as “truly the definitive guide to the sector”, more than 45,000 copies of the Handbook have been sold or downloaded since launch. With fascinating articles by more than 20 different authors, including analysts, fund managers and investment writers, plus more than 80 pages of detailed data and analysis, including performance figures, trust comings and goings and fund manager histories, the latest edition of the handbook is an indispensable companion for anyone looking to invest in the investment trust sector. Contributors this year include: John Baron, Alan Brierley, James Carthew, Richard Curling, Alex Davies, Simon Edelsten, Simon Elliott, Nick Greenwood, Peter Hewitt, Matt Hose, Max King, Ewan Lovett-Turner, Colette Ord, Peter Spiller, Richard Stone, Stuart Watson and many more. Topics in this year’s 280-page edition include: the impact of rising interest rates, tackling discounts, industry consolidation, the hunt for bargains, the role of boards, alternatives, VCTs, fundraising news, and the editor’s notes and model portfolios. The Investment Trusts Handbook 202 is supported by a number of organisations including abrdn, Asset Value Investors, Baillie Gifford, Columbia Threadneedle Investments, Fidelity International, Invesco, Ocean Dial Asset Management Ltd, Pantheon, Polar Capital, and Schroders.

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"Jeet Heer more thoroughly and widely understands comics history and the perplexing binomial life of the cartoonist better than anyone who's not one. As well-versed in literature as he is in comics, he always gets at the peculiar, poetical texture of his subject not only by what he writes, but how he writes it--clearly, mellifluously, and beautifully. Our humble discipline is singularly lucky to have him telling its story."--Chris Ware In a partnership spanning four decades, Francoise Mouly and Art Spiegelman have become the pre-eminent power couple of cutting-edge graphic art. Their landmark magazine Raw, which first published artists such as Ben Katchor, Chris Ware, and Charles Burns, brought an avant-garde sensibility to comics and, along with Spiegelman's legendary graphic novel Maus, completely revolutionized the form. As art editor of the New Yorker since 1993, Mouly has remade the face of that venerable magazine with covers that capture the political and social upheavals of the last two decades, such as the black-on-black cover after 9/11 and the infamous Barack Obama fist-bump cartoon. Based on exclusive interviews with Mouly, Spiegelman, and a pantheon of comics artists--including Dan Clowes, Barry Blitt, Anita Kunz, and Adrian Tomine--In Love with Art is both an intimate portrait of Mouly and a rare, behind-the-scenes look at some of today's most iconic images. Through the prism of an uncommonly successful relationship, the book tells the story of one of the most remarkable artistic transformations of our time. Jeet Heer's writing has appeared in the Guardian, Slate, Boston Globe, the American Prospect, and the Virginia Quarterly Review.

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A visual treasury of the iconic Street & Smith pulp novel covers of the 1930s and 1940sPulp Power: The Shadow, Doc Savage, and the Street & Smith Universe gives fans a rare glimpse into the pre-war pulp novel decade of the 1930s, a period of bold action and adventure storytelling that ultimately led to the creation of the comic book and the superheroes we know and love today. This period, a pre-Batman, pre-Superman, golden era of American creativity and artistic excellence starred two main characters in leading roles: The Shadow and Doc Savage. In more than 500 novels written between 1930 and 1940, The Shadow, Doc Savage, and the Street & Smith universe of characters captivated a generation of Americans with their heroic exploits and inspired a new generation of writers to create a pantheon of comic book superheroes in their mold.Street & Smith, the renowned publisher of these novels, commissioned leading artists to provide bold and original cover artwork for their publications, and in Pulp Power, all 506 of these eye-catching covers are reproduced as a collection for the first time. Comics legend Dan DiDio provides narration and context for the cover illustrations alongside photographs and interviews with some of today’s leading entertainment figures discussing the influence of the Street & Smith superhero universe on their work, including George Lucas, Ryan Reynolds, Robert Downey Jr., Dwayne Johnson, Frank Miller, Howard Chaykin, Alex Ross, Jim Lee, and many more. The book also includes original line art illustrations from the volumes along with unique reproductions of Shadow ephemera. Pulp Power is the ultimate coffee table collectible book for all who love the world of superheroes.

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The first biography of a visionary biologist whose groundbreaking ideas regarding wildlife and science revolutionized national parks. When twenty-three-year-old George Meléndez Wright arrived in Yosemite National Park in 1927 to work as a ranger naturalist—the first Hispanic person to occupy any professional position in the National Park Service (NPS)—he had already visited every national park in the western United States, including McKinley (now Denali) in Alaska. Two years later, he would organize the first science-based wildlife survey of the western parks, forever changing how the NPS would manage wildlife and natural resources. At a time when national parks routinely fed bears garbage as part of “shows” and killed “bad” predators like wolves, mountain lions, and coyotes, Wright’s new ideas for conservation set the stage for the modern scientific management of parks and other public lands. Tragically, Wright died in a 1936 car accident while working to establish parks and wildlife refuges on the US-Mexico border. To this day, he remains a celebrated figure among conservationists, wildlife experts, and park managers. In this book, Jerry Emory, a conservationist and writer connected to Wright’s family, draws on hundreds of letters, field notes, archival research, interviews, and more to offer both a biography of Wright and a historical account of a crucial period in the evolution of US parks and the wilderness movement. With a foreword by former NPS director Jonathan B. Jarvis, George Meléndez Wright is a celebration of Wright’s unique upbringing, dynamism, and enduring vision that places him at last in the pantheon of the great American conservationists.

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Mbeki was a complex figure, full of contradictions and paradoxes: a rural child who became an urban sophisticate; a prophet of Africa's Renaissance who was also an anglophile; a committed young Marxist who, while in power, embraced conservative economic policies and protected white corporate interests; a rational and dispassionate thinker who was particularly sensitive to criticism and dissent; a champion of African self-reliance who relied excessively on foreign capital and promoted a continental economic plan - NEPAD - that was disproportionately dependent on foreign aid; and a thoughtful intellectual who supported policies on HIV/AIDS that withheld antiretroviral drugs from infected people, resulting in hundreds of thousands of preventable deaths. Thabo Mbeki is the most important African political figure of his generation and a dominant figure in South African politics for 14 years. A pan-African philosopher-king who spent two decades in exile, as president of Africa's most industrialised state, he set out a sweeping vision of an African Renaissance. As a key liberation leader in exile, Mbeki was instrumental in his party's anti-apartheid struggle. During the South African transition, he helped build one of the world's most respected constitutional democracies. As president, despite some successes, he was unable to overcome South Africa's inherited socioeconomic challenges, and his disastrous AIDS policies will remain a major blotch in his legacy. He will, however, be remembered more as a foreign policy president for his peacemaking efforts in Africa and in the building of continental institutions such as the African Union and NEPAD. This book seeks to rescue Mbeki from South African parochialism and to restore him to a pan-African pantheon.

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With this beautifully designed and accessible guide, learn the basics of Wicca and how to use it to manifest positive opportunities and events that enrich your life—includes a frameable poster. Connecting intimately with the cycles of nature, Wicca calls on a rich pantheon of ancient and modern deities, including the transcendent Triple Goddess, and its powerful rituals and spells allow you to channel their energy into your own. This book will show you, by working with the elements and focusing inward, how to create a more magical, powerful way of life, increasing your chances of discovering peace, creating abundance, making friends, and even finding love. Along the way, you’ll discover: the history of witchcraft different kinds of witches, their symbols, and tools how to work with the elements and observe the vital turning points of the year the power of candles and the moon how oils, incense, and herbs harness intentions the basics of spellcasting Included is an 18 × 24–inch wall poster covering the basics of wiccan magic such as altar arrangement, using candles, and the Wiccan Rede. Combining elegance and expertise, this is your essential modern guide to an ancient tradition. The In Focus series applies a modern approach to teaching the classic body, mind, and spirit subjects. Authored by experts in their respective fields, these beginner’s guides feature smartly designed visual material that clearly illustrates key topics within each subject. As a bonus, each book includes reference cards or a poster, held in an envelope inside the back cover, that give you a quick, go-to guide containing the most important information on the subject.

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The edge-of-your-seat, heart-in-mouth new Jack Reacher thriller for 2021 - his 25th adventure. No one's bigger than Jack Reacher.Jack Reacher hitches a ride to a sleepy no-name town outside Nashville, Tennessee. He plans to grab a cup of coffee and move right along.Not going to happen.The town has been shut down by a cyber attack. At the centre of it all, whetherhe likes it or not, is Rusty Rutherford. He's an average IT guy, but he knows more than he thinks.As the bad guys move in on Rusty, Reacher moves in on them . . .And now Rusty knows he's protected, he's never going to leave the big man's side.Reacher might just have to stick around and find out what the hell's gone wrong . . . and then put it right, like only he can.***'Jack Reacher is today's James Bond, a thriller hero we can't get enough of.' Ken Follett'If you haven't read any Jack Reacher, you have a treat in store . . . a hitchhiker without a phone, a one-man force for good.' - The Times'A contemporary version of the knight in shining armour . . . Reacher is a mythic figure.' Literary Review'Jack Reacher is a wonderfully epic hero; tough, taciturn, yet vulnerable... Irresistible.' People'Jack Reacher has long since earned his prominent place in the pantheon of cool, smart-talking American heroes.' New York Times_________Although the Jack Reacher novels can be read in any order, The Sentinel is the 25th in the series.And be sure not to miss Reacher's newest adventure, no.27, No Plan B! ***OUT NOW***

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A battle - charged and epic heroic fantasy by the Sunday Times bestselling author David Gemmell, perfect for fans of Joe Abercrombie, Duncan M. Hamilton and Conn Iggulden."In my pantheon of literary greats, David Gemmell stands alone . . . he put me on the path I still walk today" - Conn Iggulden"In the realm of people-driven fantasy fiction, Gemmell sets the standard" -- TIME OUT"Impressive story-telling...Compelling and pacey action...The best fantasy inspires genuine involvement. David Gemmell's novels do just that." -- INTERZONE"I have now read this book at least 10 times and every time I get lost in the intrigue..." -- ***** Reader review"Fast moving and emotionally charged, you just won't be able to put this down..." -- ***** Reader review**********************************************For centuries the tribes of the Nadir have suffered under the despotic tyranny of their Gothir overlords. Disunited and distrustful of one another they await the coming of a Messianic warlord, who will unite them against the oppressors.Into this swirling, chaotic landscape come three men who will change the fate of the continent: Talisman the Mysterious, enigmatic Nadir warrior, haunted by his past and filled with dreams of finding the Uniter; Sieben the Poet, searching for the mysteries of life and love; and Druss the Axeman, determined to find two mystic gems to heal a mortally wounded friend.Together they will journey across a war-torn land, and descend beyond the gates of Hell, where a long-dead king holds the key to a secret that will change the world.The Legend of Deathwalker continues the extraordinary tale of Druss among the Nadir started in Legend

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FULLY UPDATED AND REVISED, INCLUDING TWO NEW CHAPTERS TO BRING THE STORY UP TO DATE ‘Someone called and said Kurt died. I just f*****g lost it.’ He has sold over 50 million albums. He’s been in bands that have changed popular music forever. He saw his best friend commit suicide. He starts supergroups. He’s the nicest guy in rock. From Nirvana to Foo Fighters, from brotherhood to bitter rivalry, from breathless highs to lifeless lows, Paul Brannigan gives an unparalleled, intimate and extraordinary account of the life and times of Dave Grohl. In 1990, little-known punk-metal upstarts Nirvana added a new drummer to the band. They were soon to become a global phenomenon – but as we all know, things went wrong. Dave's friend Kurt, frontman of Nirvana, took his own life, plunging the band and their future into chaos. His friends’ grief was mirrored by worldwide sorrow to an unprecedented degree. Defying expectations, a knack that was soon to become his trademark, Grohl refused to see it as the end. In 1995 his new band, the Foo Fighters, rose to join the pantheon of rock deities. The 'wonder years' were by no means calm. The spotlit existence imposed by his celebrity status, the bellowed vilification by his critics and his high-speed lifestyle proved a dangerous cocktail. With an account of Grohl’s life that is more personal than anything written before, more startling, more thrilling, more heart-rending and more inspiring, Paul Brannigan reveals Dave fully for the first time. This is the story of the man who changed music forever. And he’s not finished yet.

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When Elf was first released in 2003 it was an instant hit, and has become one of the few films of the new millennium to earn its place in the pantheon of classic Christmas cinema. Now fans can enjoy the hilarious and heartwarming story in a whole new way. Buddy the Elf has more Christmas spirit than anyone, but he s never quite fit in with the other North Pole elves. It all makes sense when he learns he s actually a human and his father is on the naughty list! Determined to bring his father some Christmas cheer, Buddy sets out on an epic journey to New York City, where he discovers the joy of revolving doors, unmasks a fake department store Santa, and works in a shiny mailroom. But Buddy s dad only cares about money and work! When Santa encounters disaster on Christmas Eve, can Buddy count on his new family to help him save Christmas? Kim Smith s adorable illustrations give a classic feel to this modern holiday tale. Featuring all of the iconic moments and laugh-out-loud lines from the film, this story of infectious Christmas spirit in the face of cynicism is a must-have for Elf fans of all ages. Series Overview: The films and TV shows that families love are reimagined as lively, colorful picture books featuring the iconic moments and characters of the original. Simple words are paired with a kid-friendly storybook format that s perfect for bedtime or storytime, plus all-new illustrations done in classic picture book style to make this series a great way for parents to share their pop culture favorites with a new generation. Though the movie and TV versions came first, you ll wonder if they weren t adaptations of these books, instead of the other way around!

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Contested Histories in Public Space brings multiple perspectives to bear on historical narratives presented to the public in museums, monuments, texts, and festivals around the world, from Paris to Kathmandu, from the Mexican state of Oaxaca to the waterfront of Wellington, New Zealand. Paying particular attention to how race and empire are implicated in the creation and display of national narratives, the contributing historians, anthropologists, and other scholars delve into representations of contested histories at such “sites” as a British Library exhibition on the East India Company, a Rio de Janeiro shantytown known as “the cradle of samba,” the Ellis Island immigration museum, and high-school history textbooks in Ecuador.Several contributors examine how the experiences of indigenous groups and the imperial past are incorporated into public histories in British Commonwealth nations: in Te Papa, New Zealand’s national museum; in the First Peoples’ Hall at the Canadian Museum of Civilization; and, more broadly, in late-twentieth-century Australian culture. Still others focus on the role of governments in mediating contested racialized histories: for example, the post-apartheid history of South Africa’s Voortrekker Monument, originally designed as a tribute to the Voortrekkers who colonized the country’s interior. Among several essays describing how national narratives have been challenged are pieces on a dispute over how to represent Nepali history and identity, on representations of Afrocuban religions in contemporary Cuba, and on the installation in the French Pantheon in Paris of a plaque honoring Louis Delgrès, a leader of Guadeloupean resistance to French colonialism.Contributors. Paul Amar, Paul Ashton, O. Hugo Benavides, Laurent Dubois, Richard Flores, Durba Ghosh, Albert Grundlingh, Paula Hamilton, Lisa Maya Knauer, Charlotte Macdonald, Mark Salber Phillips, Ruth B. Phillips, Deborah Poole, Anne M. Rademacher, Daniel J. Walkowitz

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Warner Mifflin—energetic, uncompromising, and reviled—was the key figure connecting the abolitionist movements before and after the American Revolution. A descendant of one of the pioneering families of William Penn's "Holy Experiment," Mifflin upheld the Quaker pacifist doctrine, carrying the peace testimony to Generals Howe and Washington across the blood-soaked Germantown battlefield and traveling several thousand miles by horse up and down the Atlantic seaboard to stiffen the spines of the beleaguered Quakers, harried and exiled for their neutrality during the war for independence. Mifflin was also a pioneer of slave reparations, championing the radical idea that after their liberation, Africans in America were entitled to cash payments and land or shared crop arrangements. Preaching "restitution," Mifflin led the way in making Kent County, Delaware, a center of reparationist doctrine. After the war, Mifflin became the premier legislative lobbyist of his generation, introducing methods of reaching state and national legislators to promote antislavery action. Detesting his repeated exercise of the right of petition and hating his argument that an all-seeing and affronted God would punish Americans for "national sins," many Southerners believed Mifflin was the most dangerous man in America—"a meddling fanatic" who stirred the embers of sectionalism after the ratification of the Constitution of 1787. Yet he inspired those who believed that the United States had betrayed its founding principles of natural and inalienable rights by allowing the cancer of slavery and the dispossession of Indian lands to continue in the 1790s. Writing in beautiful prose and marshaling fascinating evidence, Gary B. Nash constructs a convincing case that Mifflin belongs in the Quaker antislavery pantheon with William Southeby, Benjamin Lay, John Woolman, and Anthony Benezet.

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An assessment of how important the sea was in the middle ages. How important has the sea been in the development of human history? Very important indeed is the conclusion of this ground-breaking four volume work. The books bring together the world's leading maritime historians, who address the question of what difference the sea has made in relation to around 250 situations ranging from the earliest times to the present. They consider, across the entire world, subjects related to human migration, trade, economic development, warfare, the building of political units including states and empires, the dissemination of ideas, culture and religion, and much more, showing how the sea was crucial to all these aspects of human development. The Sea in History - The Medieval World covers the period from the end of the Roman Empire in the West up to around the year 1500. It demonstrates that for many peoples and states in this period the sea was central to theirexistence - the Vikings, the Hanse, Venice, Genoa, the Normans - and it shows also how important the sea was for states which are not normally thought of as maritime powers, such as Byzantium, the Crusader states and the Mongol Empire. The book is global in its coverage, including material on East and Southeast Asia, Latin America and the Caribbean and Africa, with particularly interesting material on China's extensive voyages of exploration in the fifteenth century, the role of the Vikings in the early formation of Russia, and on the building of ships, appropriate to local conditions, in different parts of the world. 40 of the contributions are in English; 34 are inFrench. MICHEL BALARD is Emeritus Professor at the University Paris 1 - Panthéon Sorbonne. CHRISTIAN BUCHET is Professor of Maritime History, Catholic University of Paris, Scientific Director of Océanides and a member of l'Académie de marine.

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The legend of Jean-Michel Basquiat is as strong as ever. Synonymous with New York in the 1980s, the artist first appeared in the late 1970s under the tag SAMO, spraying caustic comments and fragmented poems on the walls of the city. He appeared as part of a thriving underground scene of visual arts and graffiti, hip hop, post-punk, and DIY filmmaking, which met in a booming art world. As a painter with a strong personal voice, Basquiat soon broke into the established milieu, exhibiting in galleries around the world. Basquiat’s expressive style was based on raw figures and integrated words and phrases. His work is inspired by a pantheon of luminaries from jazz, boxing, and basketball, with references to arcane history and the politics of street life—so when asked about his subject matter, Basquiat answered “royalty, heroism and the streets.” In 1983 he started collaborating with the most famous of art stars, Andy Warhol, and in 1985 was on the cover of The New York Times Magazine. When Basquiat died at the age of 27, he had become one of the most successful artists of his time. This book allows an unprecedented insight into Basquiat’s art, with pristine reproductions of his most seminal paintings, drawings, and notebook sketches. In large-scale format, the book offers vivid proximity to Basquiat’s intricate marks and scribbled words, further illuminated by an introduction to the artist from editor Hans Werner Holzwarth, as well as an essay on his themes and artistic development from curator and art historian Eleanor Nairne. Richly illustrated year-by-year chapter breaks follow the artist’s life and quote from his own statements and contemporary reviews to provide both personal background and historical context.

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Wild Tales by Graham Nash - a classic rock memoir of the legendary Hollies front man and member of Crosby, Stills, Nash & YoungIn this candid and riveting autobiography Graham Nash tells it all: the love, the sex, the jealousy, the drugs, and the magical music-making.This is one of the great rock and roll stories: growing up in poverty in postwar Manchester, where Nash founded the Hollies with schoolfriend Allan Clarke and the incredible success that followed, friendships with all the great British bands of the 60s including the Beatles, the Stones and the Kinks, decamping to America and becoming the lover of Joni Mitchell (for whom he wrote 'Our House') and achieving superstardom with David Crosby, Stephen Stills and Neil Young.This book will be adored by Graham Nash fans and takes its rightful place in the pantheon of classic music memoirs alongside Book Dylan's Chronicles, Keith Richards' Life and Neil Young's Waging Heavy Peace.Graham Nash was born in Blackpool in 1942 and brought up in Salford. He was cofounder with his schoolfriend Allan Clarke of the Hollies - one of the most successful British pop groups of the 1960s for whom he was lead-singer and one of the principal songwriters. In 1968 he left the UK to live in California, where he became part of the supergroup Crosby, Stills & Nash (later, after Neil Young joined, Crosby, Stills, Nash & Young). Unusually he has been inducted twice into the Rock and Roll Hall of Fame, for the Hollies and for CSNY, and in 2010 he received the OBE. He is noted for his political and charity work (he played Occupy Wall Street in 2011), is a serious photographer, and has homes in California and Hawaii.

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Jane Austen’s Emma is now available in an exclusive collector’s edition featuring a delicate laser-cut jacket on a textured book with foil stamping and ribbon marker, ideal for fiction lovers and book collectors alike.The Emma Jane Austen Collection Edition: Presents Austen’s final novel published during her lifetime, viewed by literary scholars as both revolutionary and reflective of Austen’s maturity as a novelist; its 1815 publication helped established Austen’s iconic place in literature’s pantheon of great writers Explores such important themes as the courtship and marriage in the Regency era; manners and etiquette; gender limitations; pride and vanity; and the power of imagination Is ideal for special-edition book collectors, Jane Austen aficionados, fans of literary fiction and classic literature, and people who love both the book and the movies it inspires Whether you’re buying this as a gift or for yourself, this remarkable limited edition features: Beautiful hardcover with a distinctive one-of-a-kind, high-end/high-treatment laser-cut jacket, perfect for standing out on any book lover’s shelf Decorative interior pages featuring pull quotes distributed throughout Part of a 6-volume Jane Austen series including Northanger Abbey, Pride and Prejudice, Sense and Sensibility, Mansfield Park, and Persuasion Beautiful, clever, and rich, Emma Woodhouse is perfectly content with her single life and sees no need for either love or marriage. However, nothing delights her more than interfering in the romantic lives of others. But when she ignores the warnings of her good friend, Mr. Knightley, and attempts to arrange a suitable match for her protégée, Harriet Smith, her carefully laid plans soon unravel and have consequences that she never expected.Emma by Jane Austen is one of six titles completing the Jane Austen collection, which includes Persuasion, Sense and Sensibility, Pride and Prejudice, Mansfield Park, and Northanger Abbey.

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Reacher never backs down from a problem.And he's about to find a big one, on a deserted Arizona road, where a Jeep has crashed into the only tree for miles around. Under the merciless desert sun, nothing is as it seems.Minutes later Reacher is heading into the nearby border town, a backwater that has seen better days. Next to him is Michaela Fenton, an army veteran turned FBI agent, who is trying to find her twin brother. He might have got mixed up with some dangerous people.And Reacher might just need to pay them a visit.Their leader has burrowed his influence deep into the town. Just to get in and meet the mysterious Dendoncker, Reacher is going to have to achieve the impossible.To get answers will be even harder. There are people in this hostile, empty place who would rather die than reveal their secrets.But then, if Reacher is coming after you, you might be better off dead.Although the Jack Reacher novels can be read in any order, Better Off Dead is the 26th book in the internationally popular series.And be sure not to miss Reacher's newest adventure, no.27, No Plan B! ***OUT NOW***____Jack Reacher is today's James Bond, a thriller hero we can't get enough of.' Ken Follett'If you haven't read any Jack Reacher, you have a treat in store . . . a hitchhiker without a phone, a one-man force for good.' The Times'A contemporary version of the knight in shining armour . . . Reacher is a mythic figure.' Literary Review'Jack Reacher is a wonderfully epic hero; tough, taciturn, yet vulnerable... Irresistible.' People'Jack Reacher has long since earned his prominent place in the pantheon of cool, smart-talking American heroes.' New York Times

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In this bracing collection of provocative essays, Michael Knox Beran examines the false benevolence that characterizes the power classes in contemporary America. Their enlightened pity for their fellow citizens, he charges, conceals an instinct for power rather than compassion. Mr. Beran argues that today's elites have come to rely on a social philosophy that reduces people to a mass of social groups and types, obscures their individual humanity, and makes them easier to manipulate. While they tragically conceive their desire for authority as a form of virtue, the elite classes have set about remaking schools, rewriting the U.S. Constitution, dehumanizing charity, and making war on tradition in the name of a crude form of Social Darwinism. Through readings of such inspired critics of the social imagination as Hannah Arendt, Isaiah Berlin, Ralph Waldo Emerson, and Abraham Lincoln, Mr. Beran exposes the romance of dominion that underlies the philosophy of social benevolence, a philosophy that has steadily undermined the older and more valuable tradition that Edmund Burke associated with the moral imagination. In seeking to depose this moral impulse in the pantheon of culture, and enshrine the social imagination in its place, today's elites have weakened not only liberalism but also conservatism-indeed society as a whole. Where the moral imagination is not regularly and habitually cultivated, Mr. Beran observes, where it ceases to have a place in education and art, in schools and in the town square, it becomes more difficult even for the best-intentioned among us to resist the allure of a narrow and obtuse self-righteousness. Pathology of the Elites features a fresh voice of social criticism that is likely to raise hackles on both sides of the aisle.

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As befits a game traditionally passed from one generation to the next, baseball has always had a special reverence for origins. Claims of being first with any element of the game are disputed with fervor and passion. When the octogenarian Fred Goldsmith died in 1939, a headline proclaimed, 'Goldsmith Dies Insisting He Invented Curve Ball'; Fred Goldsmith understood the secret of immortality. Yet while countless thousands of words have been spilled on the subject of baseball “firsts,” there has been no definitive source for the settlement of disputes. Peter Morris's endlessly fascinating A Game of Inches has now arrived to fill the void. Impeccably researched and engagingly written, this treasure trove will surprise, delight, and educate even the most knowledgeable fan by dispelling cherished myths and revealing the source of many of baseball's features that we now take for granted. The scope of A Game of Inches is encyclopedic, with nearly a thousand entries that illuminate the origins of items ranging from catchers' masks to hook slides to intentional walks to cork-center baseballs. But this is much more than just a reference guide. Award-winning author Peter Morris explains the context that led each new item to emerge when it did, and chronicles the often surprising responses to these innovations. Of few books can it genuinely be said that once you start reading, it's hard to put it down—but A Game of Inches is one of them. It belongs in the pantheon of great baseball books, and will give any reader a deeper appreciation of why baseball matters so much to Americans. (A companion volume, A Game of Inches: The Game Behind the Scenes, was published in the fall of 2006.)

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This beautiful book brings you the very best of art throughout history – using a truly innovative timeline-led approach. Savour iconic paintings such as Leonardo da Vinci's Last Supper and Monet's Waterlilies, and discover less well-known artists, styles, and movements the world over – from Indigenous Australian art to the works of Ming-era China. And explore recurring themes, such as love and religion, and important genres from Romanesque to Conceptual art, along the way. Timelines of Art provides detailed analysis of the works of key artists, showing details of their technique – such as Leonardo's use of light and shade. It tells the story of avant-garde works like Manet's Le Déjeuner sur l'herbe (Lunch on the Grass), which scandalized society, and it traces how certain artists, genres or movements informed the works of others – showing how the Impressionists were inspired by Gustave Courbet, for example, or how Van Gogh was influenced by Japanese prints.Comprehensive, accessible, and lavishly illustrated throughout, Timelines of Art is an essential guide to the pantheon of world art, so dive straight into discover: - An overview of each movement, including the social and cultural background of the period, grounds the works of art in the spirit of their times.- Turning-point paintings that triggered or epitomized each artistic movement are identified and explained, against a backdrop of influences – the technical advances, admired techniques of an earlier artist, and changes in society that enabled new directions in art.- Glossary of technical terms and comprehensive index help make this an indispensable work of reference for any art-lover.Timelines of Art is the perfect art history book for students of art and/or history, proving ideal for families, schools and libraries and doubling up as a great gift for the art lover in your life.

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The history of Soul music has been defined, first and foremost, by a succession of exceptional vocalists. It is impossible to conceive of the genre without them. This does not mean, however, that those who back singers, those who play instruments - bassists; drummers; guitarists; keyboardists; saxophonists - were reduced to nothing other than walk on parts. If Aretha Franklin and Otis Redding were able to move audiences, then their band members and arrangers, the likes of King Curtis and Booker T. Jones, played a key role in creating tracks that had commensurate emotional depth and technical ingenuity. These lesser known figures have heightened our listening pleasure. In Soul Unsung Kevin Le Gendre celebrates the contribution of players of instruments to soul. He analyses, in forensic detail, the inspiring creativity and imagination that several generations of musicians have brought to black pop, and highlights how they have broadened its sound canvas by adopting unusual stylistic approaches and embracing the latest available technology. Furthermore, the book offers insights into the state of contemporary soul and its relationship with jazz, rock and hip-hop. It is precisely because soul has not evolved in a vacuum that it has a canon that is enviably rich in variety. Soul Unsung shines a light on the plethora of mesmerising sounds that constitute this heritage and explains why they affect the listener as much as a great singer. Placing the focus squarely on the band, Le Gendre sets out to change perceptions of one of the great forms of expression to have marked popular culture in the 20th century, so that those who play are given, alongside those who sing, their rightful place in the pantheon of contemporary music.

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Proverbial wisdom might seem to be about the obvious, but not when your guides are the Orisha of the Yoruba pantheon. It’s not just that the Orisha don’t always agree – and the answer is often another question – but that gods like Esu face both ways and value ambivalence as a truth beyond any simple certainty, know that the world is built on contraries. There are false mentors, too, only too ready to deceive you; “Science” becomes a byword for the naively empirical, where the truth is always more complex, where things never just are or were, but becoming. It’s a world as ancient as the gods and as contemporary as Google maps, where there are always darker forces at work that have to be surmounted. It’s a world of contemporary hazard from, for instance, Islamist terror that makes relevant the ancient wisdom of not sparing baby pythons.Long based in Trinidad and Tobago, Funso Aiyejina might seem to be mostly writing about Nigeria – except that the sharp observations in these poems frequently acknowledge the visible and invisible links between Africa and the Caribbean. This dual resonance comments richly and ambiguously on the question of where home may be.It’s a collection in dialogue with literary ancestors such as Fagunwa, Tutuola, Okigbo, Soyinka and Achebe that takes the form of a journey through the day and the passages of a life, with the consciousness of legs losing “some of their youthful bounce”. There’s a serious and cryptically reflective mind behind these poems, but one that concludes that a mixture of laughter and ceremonious respect is the way to respond to life, that its goal is to write stories as “luminous white canes/ with which our children may tap-tap their ways out of any future darkness.”

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Reacher never backs down from a problem.And he's about to find a big one, on a deserted Arizona road, where a Jeep has crashed into the only tree for miles around. Under the merciless desert sun, nothing is as it seems.Minutes later Reacher is heading into the nearby border town, a backwater that has seen better days. Next to him is Michaela Fenton, an army veteran turned FBI agent, who is trying to find her twin brother. He might have got mixed up with some dangerous people.And Reacher might just need to pay them a visit.Their leader has burrowed his influence deep into the town. Just to get in and meet the mysterious Dendoncker, Reacher is going to have to achieve the impossible.To get answers will be even harder. There are people in this hostile, empty place who would rather die than reveal their secrets.But then, if Reacher is coming after you, you might be better off dead.Although the Jack Reacher novels can be read in any order, Better Off Dead is the 26th book in the internationally popular series.And be sure not to miss Reacher's newest adventure, no.27, No Plan B! ***OUT NOW***____Jack Reacher is today's James Bond, a thriller hero we can't get enough of.' Ken Follett'If you haven't read any Jack Reacher, you have a treat in store . . . a hitchhiker without a phone, a one-man force for good.' The Times'A contemporary version of the knight in shining armour . . . Reacher is a mythic figure.' Literary Review'Jack Reacher is a wonderfully epic hero; tough, taciturn, yet vulnerable... Irresistible.' People'Jack Reacher has long since earned his prominent place in the pantheon of cool, smart-talking American heroes.' New York Times

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A wide-ranging exploration of the relationship between history and literatureThis issue of Alif explores the relationship between literature and history. What do history and literature have to say to each other? What can literature say that history cannot, and vice versa? Do they work with or against each other? How does the literary dimension of history affect its status, and how does the historicity of literature, in turn, shape its being? What would it mean to speak of a “literariness of history” today? The terms “literature” and “history” in our title are intended to be construed in the broadest possible sense and to cover the widest possible range of genres and modalities of literary and historical writing. The recent proliferation of epithets and sub-disciplines in the study of both literature and history has fundamentally changed both fields while raising further questions about the possibility of scholarly debates that traverse them.Contributors- Balthazar I. Beckett, American University in Cairo, Cairo, Egypt- Mohamed Birairi, Beni-Suef University, Beni-Suef, Egypt, and the American University in Cairo, Cairo, Egypt- Ziad Dallal, Bard College, Annandale-on-Hudson, New York, USA- Karim Elsaiad, Cairo University, Cairo, Egypt- Itzea Goikolea-Amiano, SOAS, University of London, London, UK- Rebecca Ruth Gould, University of Birmingham, Birmingham, UK- Magdi Guirguis, Kafrelsheikh University, Kafr al-Sheikh, Egypt- Isabelle Hesse, University of Sydney, Sydney, Australia- Abdullah Ibrahim, literary critic- Madonna Kalousian, independent scholar- Céza Kassem, independent scholar- Ahmed F. Khaleel, University of York, York, UK- Tarif Khalidi, American University of Beirut, Beirut, Lebanon- Peter Kornicki, University of Cambridge, Cambridge, UK- Wen-chi Li, University of Zurich, Zurich, Switzerland- Azza Madian, Cairo Conservatoire and American University in Cairo, Cairo, Egypt- Francesca Orsini, SOAS, University of London, London, UK- Daniel Rivet, Université Paris 1 Panthéon-Sorbonne, Paris, France- Anne C. Vila, University of Wisconsin-Madison, Madison, Wisconsin, USA

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Superb Yokai images from the world's leading museums and private collections!Japan's vast pantheon of supernatural creatures includes demons (yokai), monsters, ogres (oni), ghosts (yurei) and magicians—mythical beings from folklore and popular culture which continue to thrill readers of traditional stories and manga today.This richly illustrated book by Andreas Marks, the leading authority on Japanese woodblock prints, presents authentic illustrations and descriptions of 100 different creatures, including: Bakeneko: Monster cats in human form who lick lamp oil and prey on humans born in the year of the Rat Han'nya: Female demons with sharp and pointed horns, metallic eyes and a smirking smile Hihi: Large ape-like monsters who live in the mountains and have superhuman strength, enabling them to kidnap and kill humans Mikoshi-nyudo: Yokai with an enormously extended necks who appear only at night And many more! The striking visual examples in this book are drawn from the rich canon of early Japanese prints, books, and paintings—sourced from leading museums, libraries and private collections worldwide. They show the "original" forms and appearances of the creatures which form the basis for all subsequent depictions.Also included are two long handscrolls from the Minneapolis Institute of Art (A Collection of Monsters and Night Parade of One Hundred Demons) which are reproduced here for the very first time.Prints and Paintings sourced from the following list of museums, libraries and private collections:Art Institute of ChicagoChristie's, London & New YorkThe Cleveland Museum of ArtHarold B. Lee Library, Brigham Young UniversityKyoto University, Main LibraryLibrary of CongressLos Angeles County Museum of ArtThe Metropolitan Museum of ArtMinneapolis Institute of ArtNational Museum of Japanese HistoryPrinceton University LibraryRijksmuseum, AmsterdamSmithsonian Libraries

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The legend of Jean-Michel Basquiat is as strong as ever. Synonymous with 1980s New York, the artist first appeared in the late 1970s under the tag SAMO, spraying caustic comments and fragmented poems on the walls of the city. He appeared as part of a thriving underground scene of visual arts and graffiti, hip hop, post-punk, and DIY filmmaking, which met in a booming art world. As a painter with a strong personal voice, Basquiat soon broke into the established milieu, exhibiting in galleries around the world. Basquiat’s expressive style was based on raw figures and integrated words and phrases. His work is inspired by a pantheon of luminaries from jazz, boxing, and basketball, with references to arcane history and the politics of street life—so when asked about his subject matter, Basquiat answered “royalty, heroism and the streets.” In 1983 he started collaborating with the most famous of art stars, Andy Warhol, and in 1985 was on the cover of The New York Times Magazine. When Basquiat died at the age of 27, he had become one of the most successful artists of his time. First published in an XXL edition, this unprecedented insight into Basquiat’s art is now available in a compact, accessible volume in celebration of TASCHEN’s 40th anniversary. With pristine reproductions of his most seminal paintings, drawings, and notebook sketches, it offers vivid proximity to Basquiat’s intricate marks and scribbled words, further illuminated by an introduction to the artist from editor Hans Werner Holzwarth, as well as an essay on his themes and artistic development from curator and art historian Eleanor Nairne. Richly illustrated year-by-year chapter breaks follow the artist’s life and quote from his own statements and contemporary reviews to provide both personal background and historical context.

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A gripping, funny, joyful account of how the books you read shape your own life in surprising and profound ways. Bookworms know what scholars of literature are trained to forget: that when they devour a work of literary fiction, whatever else they may be doing, they are reading about themselves. Read Shakespeare, and you become Cleopatra, Hamlet, or Bottom. Or at the very least, you experience the plays as if you are in a small room alone with them, and they are speaking to your life, your sensibility. Drawing on fifty years as a Shakespearean, Leonard Barkan has produced a captivating book that asks us to reconsider what it means to read. Barkan violates the rule of distance he was taught and has always taught his students. He asks: Where does this brilliantly contrived fiction actually touch me? Where is Shakespeare in effect telling the story of my life? King Lear, for Barkan, raises unanswerable questions about what exactly a father does after planting the seed. Mothers from Gertrude to Lady Macbeth are reconsidered in the light of the author’s experience as a son of a former flapper. The sonnets and comedies are seen through the eyes of a gay man who nevertheless weeps with joy when all the heterosexual couples are united at the end. A Midsummer Night’s Dream is interpreted through the author’s joyous experience of performing the role of Bottom and finding his aesthetic faith in the pantheon of antiquity. And the exquisitely poetical history play Richard II intersects with, of all things, Ru Paul’s Drag Race. Full of engrossing stories, from family secrets to the world of the theater, and written with humor and genuine excitement about literary experiences worthy of our attention and our love, Reading Shakespeare Reading Me makes Shakespeare’s plays come alive in new ways.

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More commonly known as The Hunchback of Notre-Dame, Victor Hugo's Romantic novel of dark passions and unrequited love, Notre-Dame de Paris, is translated with an introduction by John Sturrock in Penguin Classics.In the vaulted Gothic towers of Notre-Dame Cathedral lives Quasimodo, the hunchbacked bellringer. Mocked and shunned for his appearance, he is pitied only by Esmerelda, a beautiful gypsy dancer to whom he becomes completely devoted. Esmerelda, however, has also attracted the attention of the sinister archdeacon Claude Frollo, and when she rejects his lecherous approaches, Frollo hatches a plot to destroy her, that only Quasimodo can prevent. Victor Hugo's sensational, evocative novel brings life to the medieval Paris he loved, and mourns its passing in one of the greatest historical romances of the nineteenth century.John Sturrock's clear, contemporary translation is accompanied by an introduction discussing it as a passionate novel of ideas, written in defence of Gothic architecture and of a burgeoning democracy, and demonstrating that an ugly exterior can conceal moral beauty. This revised edition also includes further reading and a chronology of Hugo's life.Victor Hugo (1802-85) was a forceful and prolific writer. He wrote volumes of criticism, Romantic costume dramas, lyrical and satirical verse and political journalism but is best remembered for his novels, especially Notre-Dame de Paris (1831) and Les Miserables (1862) which was adapted into one of the most successful musicals of all time. Though exiled to the Channel Islands by Napoleon III, Hugo returned to Paris in 1870 and remained a great public figure until his death: his body lay in state under the Arc de Triomphe, and he was later buried in the Panthéon.If you enjoyed Notre-Dame de Paris, you might like Gaston Leroux's The Phantom of the Opera.'A great writer - inventive, witty, sly, innovatory'A. S. Byatt, author of Possession

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The 20th anniversary edition of the first novel in William Kent Krueger’s beloved and bestselling Cork O’Connor mystery series—includes an exclusive bonus short story! “A brilliant achievement, and one every crime reader and writer needs to celebrate.” —Louise Penny, #1 New York Times bestselling author of Glass Houses “A master craftsman [and] a series of books written with a grace and precision so stunning that you’d swear the stories were your own.” —Craig Johnson, author of the Walt Longmire series “Among thoughtful readers, William Kent Krueger holds a very special place in the pantheon.” —C.J. Box, #1 New York Times bestselling author of The DisappearedIn eighteen novels over twenty years, William Kent Krueger has enthralled readers with the adventures of P.I. Cork O’Connor, former sheriff of Aurora, Minnesota—selling more than 1.5 million copies of his books and winning the Edgar Award, Minnesota Book Award, Northeastern Minnesota Book Award, Dilys Award, Lovey Award, and Anthony Award along the way. Now, in this special anniversary edition, longtime fans and new readers alike can read the novel that first introduced Corcoran “Cork” O’Connor to the world. Part Irish, part Anishinaabe Indian, Cork is having difficulty dealing with the marital meltdown that has separated him from his children, getting by on heavy doses of caffeine, nicotine, and guilt. Once a cop on Chicago’s South Side, there’s not much that can shock him. But when the town’s judge is brutally murdered, and a young Eagle Scout is reported missing, Cork takes on this complicated and perplexing case of conspiracy, corruption, and a small-town secret that hits painfully close to home.

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For the Gods are the opening words or incipit of the first inscribed votive artefacts dedicated to the principal deities of the Sumerian pantheon. They commemorate the construction or renovation of cities, temples, rural sanctuaries, border steles, in sum all the symbolically charged features of archaic states belonging thus metaphorically to supernatural tutelary overlords. Girsu (present-day Tello) is one of the earliest known cities of the world together with Uruk, Eridu, and Ur, and was considered to be in the 3rd Millennium the sanctuary of the Sumerian heroic god Ningirsu who fought with the demons of the Kur (Mountain) and thus made possible the introduction of irrigation and agriculture in Sumer. Girsu was the sacred metropolis and central pole of a city-state that lay in the Southeasternmost part of the Mesopotamian floodplain. The pioneering explorations carried out between 1877 and 1933 at Tello and the early decipherment of the Girsu cuneiform tablets were ground-breaking because they revealed the principal catalytic elements of the Sumerian takeoff – that is, a multiplicity and coalescence of major innovations, such as the appearance of a city– countryside continuum, the emergence of literacy, of bronze manufacture, and the development of monumental art and architecture. Because of the richness of information related in particular to the city’s spatial organization and geographical setting, and thanks to the availability of recently declassified Cold War space imagery and especially the possibility to launch new explorations in Southern Iraq, Girsu stands out as a primary locale for re-analyzing through an interdisciplinary approach combining archaeological and textual evidence the origins of the Sumerian city-state.

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Breaking the mold of existing calculus textbooks, Calculus in Context draws students into the subject in two new ways. Part I develops the mathematical preliminaries (including geometry, trigonometry, algebra, and coordinate geometry) within the historical frame of the ancient Greeks and the heliocentric revolution in astronomy. Part II starts with comprehensive and modern treatments of the fundamentals of both differential and integral calculus, then turns to a wide-ranging discussion of applications. Students will learn that core ideas of calculus are central to concepts such as acceleration, force, momentum, torque, inertia, and the properties of lenses. Classroom-tested at Notre Dame University, this textbook is suitable for students of wide-ranging backgrounds because it engages its subject at several levels and offers ample and flexible problem set options for instructors. Parts I and II are both supplemented by expansive Problems and Projects segments. Topics covered in the book include: * the basics of geometry, trigonometry, algebra, and coordinate geometry and the historical, scientific agenda that drove their development* a brief, introductory calculus from the works of Newton and Leibniz* a modern development of the essentials of differential and integral calculus* the analysis of specific, relatable applications, such as the arc of the George Washington Bridge; the dome of the Pantheon; the optics of a telescope; the dynamics of a bullet; the geometry of the pseudosphere; the motion of a planet in orbit; and the momentum of an object in free fall. Calculus in Context is a compelling exploration-for students and instructors alike-of a discipline that is both rich in conceptual beauty and broad in its applied relevance.

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The first major career-spanning collection of the poems of Adonis, widely acknowledged as the most important poet working in Arabic today “Poetry for [Adonis] is not merely a genre or an art form but a way of thinking, something almost like mystical revelation.”—Charles McGrath, New York Times Born in Syria in 1930, Adonis is one of the most celebrated poets of the Arabic-speaking world. His poems have earned international acclaim, and his influence on Arabic literature has been likened to that of T. S. Eliot’s on English-language verse. This volume serves as the first comprehensive survey of Adonis’s work, allowing English readers to admire the arc of a remarkable literary career through the labors of the poet’s own handpicked translator, Khaled Mattawa. Daring in form and prophetic in tone, Adonis’s poetry sings of both the sweet promise of eros and the problems of the self. He writes of childhood (“Your childhood is a village. / You will never cross its boundaries / no matter how far you go”); of blood, bombs, and mutilation (“Murder has changed the city’s shape”); and of the anguish of exile (“‘I write poetry in the language of the country that sheltered me,’ said a young man who looked old”). Adonis demonstrates the poet’s affection for Arabic and European lyrical traditions even as his poems work to destabilize those sensibilities. This collection positions the work of Adonis within the pantheon of the great poets of exile, including César Vallejo, Joseph Brodsky, and Paul Celan, providing for English readers the most complete vision yet of the work of the man whom the cultural critic Edward Said called “today’s most daring and provocative Arab poet.”

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Although his activity as a recording artist spanned a period of just three years, from 1967, the year of his arrival in England from America to 1970, the year of his death, Jimi Hendrix created a body of work that has exerted a significant influence on a number of artists in the 20th century and beyond. A headline-grabbing, explosive performer, he is widely recognized as an innovative guitarist who broadened the vocabulary of his instrument through both his technique and daring use of technology. For several generations of critics and audiences, he remains the archetypal rock star who framed his immeasurable talent with lifestyle excesses inherent to his profession. Hear My Train A Comin' seeks to appraise Hendrix's legacy in different terms. His ability as a soloist is undeniable, but it is not necessarily the defining aspect of his genius. This book focuses on Hendrix the songwriter, a superlative storyteller who was able to combine melody, lyric and arrangement in order to create pieces that take pride of place in the pantheon of post-war popular music. Why do anthems such as Crosstown Traffic, The Wind Cries Mary, Little Wing, Voodoo Child [Slight Return] Purple Haze or Foxy Lady still affect us today? They alchemize word and sound. These are just a few examples of Hendrix crafting a composition in the most complete sense of the term, making judicious decisions with regard to mood, texture, contrast and overall orchestral richness, looking at his basic resource, the guitar-bass-drums set up as a unit to be enhanced by a range of other instruments and studio production. This book investigates the artist's immense creativity, and the intriguing relationship he had with the art of song, a platform for a multitude of ideas and improvisation.

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Disenchanted Wanderer is the first comprehensive English-language study in over half a century of the life and ideas of Konstantin Nikolaevich Leontiev (1831–1891), one of the most important thinkers in nineteenth-century Russia on political, social, and religious matters. Glenn Cronin gives the reader a broad overview of Leontiev's life and varied career as novelist, army doctor, diplomat, journalist, censor, and, late in life, ordained monk. Reviewing Leontiev's creative work and his writing on aesthetics and literary criticism—notable figures such as Belinsky, Turgenev, Gogol, Dostoevsky, and Tolstoy appear—Cronin goes on to examine Leontiev's sociopolitical writing and his theory of the rise and fall of cultures and civilizations, placing his thought in the context of his contemporaries and predecessors including Hegel, Herzen, and Nietzsche, as well as Danilevsky, Pobedonostsev, and other major figures in Slavophile and Russian nationalist circles. Cronin also examines Leontiev's religious views, including his ascetic brand of Orthodoxy, informed by his experiences of the monastic communities of Mount Athos and OptinaPustyn, and his late attraction to Roman Catholicism under the influence of the theologian Vladimir Solovyev. Disenchanted Wanderer concludes with a review of Leontiev's prophetic vision for the twentieth century and his conviction that, after a period of wars, socialism would triumph under the banner of a new Constantine the Great. Cronin considers how far this vision foretold the rise to power of Joseph Stalin, an aspect of Leontiev's legacy that previously had not received the attention it merits. Elevating Leontiev to his proper place in the Russian literary pantheon, Cronin demonstrates that the man was not, as is often maintained, an amoralist and a political reactionary but rather a deeply moral thinker and a radical conservative.

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In the pantheon of freedom fighters, Mohandas Karamchand Gandhi has pride of place. His fame and influence extend far beyond India and are nowhere more significant than in South Africa. "India gave us a Mohandas, we gave them a Mahatma," goes a popular South African refrain. Contemporary South African leaders, including Mandela, have consistently lauded him as being part of the epic battle to defeat the racist white regime. The South African Gandhi focuses on Gandhi's first leadership experiences and the complicated man they reveal—a man who actually supported the British Empire. Ashwin Desai and Goolam Vahed unveil a man who, throughout his stay on African soil, stayed true to Empire while showing a disdain for Africans. For Gandhi, whites and Indians were bonded by an Aryan bloodline that had no place for the African. Gandhi's racism was matched by his class prejudice towards the Indian indentured. He persistently claimed that they were ignorant and needed his leadership, and he wrote their resistances and compromises in surviving a brutal labor regime out of history. The South African Gandhi writes the indentured and working class back into history. The authors show that Gandhi never missed an opportunity to show his loyalty to Empire, with a particular penchant for war as a means to do so. He served as an Empire stretcher-bearer in the Boer War while the British occupied South Africa, he demanded guns in the aftermath of the Bhambatha Rebellion, and he toured the villages of India during the First World War as recruiter for the Imperial army. This meticulously researched book punctures the dominant narrative of Gandhi and uncovers an ambiguous figure whose time on African soil was marked by a desire to seek the integration of Indians, minus many basic rights, into the white body politic while simultaneously excluding Africans from his moral compass and political ideals.

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In this absorbing, suspenseful novel Julia Kristeva combines social satire, medieval history, philosophy, psychoanalytic theory, and autobiography within a gruesome murder mystery. Murder in Byzantium deftly moves from eleventh-century Europe, wracked by the turbulence of the First Crusade, to the sun-dappled, cultural wasteland of present-day Santa Varvara, threatened by religious cults, gangs, and a serial killer on the loose. This killer is murdering members of a dubious religious sect, the New Pantheon, and leaving a mysterious figure eight drawn on their corpses. Meanwhile, Sebastian Chrest-Jones, a noted professor of human migrations, clandestinely writing a novel about the Byzantine princess-historian Anna Comnena, disappears on a quest to learn more about an ancestor who roamed across Europe to Byzantium during the First Crusade. Kristeva's recurring characters, detective Northrop Rilsky and the French journalist Stephanie Delacour, step in and desperately try to piece together the two-part mystery in the midst of their unexpected love affair. In the tradition of Umberto Eco, Susan Sontag, and Ian McEwan, Kristeva skillfully weaves philosophical and critical ideas into her fiction. Peering into the mores, obsessions, and excesses of contemporary society, Kristeva offers an engrossing portrait of Santa Varvara, a paradoxical place of sunshine and pollution where skeletons lurk in the closets of politicians and oil company executives. Her descriptions of the First Crusade and the Byzantine Empire vividly evoke a distant past while speaking to such contemporary concerns as immigration, fundamentalism, terrorism, and the East-West divide. Murder in Byzantium is also the only work in which Kristeva explores her Bulgarian roots. In the midst of this rich, multilayered historical novel, Kristeva also presents three stunning, closely observed, and interlocking portraits of characters struggling with loss and emptiness in their personal histories and day-to-day lives.

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Myths and legendary tales from around the world are packed with gigantic rivalries; gods, monsters and giants compete for supremacy over the land, the creatures within and the universe beyond. Zeus clashes with the all-powerful Typhon, Odin is destined to face the great wolf Fenrir during Ragnarok. And yet monsters such as the Minotaur, and giants of all kinds, dragons even, are monsters only to those too fearful to understand them, while others such as the Sirens, or the weird sisters, are malevolent without remorse. Such mythical gods and their foes, make great adventures for the modern reader tracing the roots of The Game of Thrones, Lord of the Rings and The Witcher, where good and evil are morphed into real avatars and creatures of vivid imagination. In these pages you'll find the gods of the heavens and mountains, and the spirits and demons of the deep sea, the dark woods and the burning sands. From the gods of Babylon and Ancient Egypt to the Norse Aesir, from the pantheon of mighty Greek deities to the gods of the earth and the sky in Pacific legends, most of the great traditions are featured here, with monsters galore: Anansi the trickster spider, the chaos serpent Apep, the Wendigo (or Windegoo spirits), the Greek Sphinx, the drought demon dragon Vritra and the Chimera to name a few. The Flame Tree Gothic Fantasy, Classic Stories and Epic Tales collections bring together the entire range of myth, folklore and modern short fiction. Highlighting the roots of suspense, supernatural, science fiction and mystery stories the books in Flame Tree Collections series are beautifully presented, perfect as a gift and offer a lifetime of reading pleasure.

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Like the ever-widening universe, Standard candles expands on Alice Major’s earlier themes of family, mythology, and cosmology, teasing out subtle wonders in form and subject. Her voice resonates through experiments with old and new poetic forms as she imbues observed and imagined phenomena—from the centres of galaxies to the mysteries of her own backyard—with the most grounded and grounding moments of human experience. In Standard candles, readers will find an emotional dimension that seamlessly intersects with the dimensions of space and time. Fans of Alice Major will enjoy seeing her work through familiar themes, while readers new to her poetry will discover unexplored universes. Alice Major emigrated from Scotland at the age of eight, and grew up in Toronto before coming west to work as a weekly newspaper reporter. She served as Edmonton’s first poet laureate and has been inducted into the city’s cultural hall of fame. A widely-published author, she has won many distinctions. Her most recent book is Intersecting Sets: A Poet Looks at Science, which received the Wilfrid Eggleston Award for Nonfiction as well as a National Magazine Award gold medal. Her website is www.alicemajor.com. Let us compare cosmologies There is a beginning and a middle. There is an arc of narrative. There is a word, a large engraved initial. There is imperative— a cause, a god. Or not. There is an end. A purpose. Or maybe none. There is a plot with reasons, reason. There is a circus, a theatre stage of space and time. There are equations at the bottom or the top. There is a pantheon of matter, motion, scattered photons. And the questions every universe expects: what came before? What happens next?

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Revolutionary Melodrama explores intersections between cinema and politics during the Nasser era, a period in which a military regime embarked upon the construction of a new civic identity for an independent Egypt. The way in which filmmakers participated in this venture provides the focal point, with their cultural production as the central texts which both shaped and were shaped by an emerging sense of a new Egypt. With the blessing of a "revolutionary" regime, filmmakers began to explore issues of social inequity, colonial and feudal exploitation, changing gender roles, religious and cultural traditions and, finally, the disappointments of the revolutionary project itself. No realm of cultural production holds greater import for the Nasser era than the cinema. Even those who are active in deconstructing the last vestiges of the Nasserist state trumpet the Nasser era as a "golden age" of the arts and media. The faces and voices on big and little screens, many still alive, some still working, constitute a pantheon who many Egyptians, young and old alike, feel will never be replaced. The author approaches his subject as a scholar of the early Nasser years who has turned his attention to questions of civic identity and its relationship to art and political symbology. The work is enriched and informed by extensive interviews with a large circle of people engaged in the production or analysis of Egyptian cinema and broadcast, then and now: directors, actors, critics, historians, scenarists, censors, musicians, writers, politicians, and government ministers. Egyptian film remains a largely ignored topic in an ever-growing literature on film and culture. This book sheds new light on what many consider to be the greatest era of Egyptian filmmaking, one that remains formative for many engaged in creating Egyptian films today.

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The first book to cover Krishna’s entire life, from his childhood pranks to his final powerful acts in the Mahabharata war • Draws from the Bhagavad Purana, the Bhagavad Gita, the Mahabharata, and India’s sacred oral tradition • Shows how the stories of Krishna’s life are expressed with such simplicity and humor that they enable anyone--man, woman, or child--to see the wisdom of his teachings • Provides a valuable meditative tool that allows the lessons of these stories to illuminate from within Krishna, one of the most beloved characters of the Hindu pantheon, has been portrayed in many lights: a god-child, a prankster, a model lover, a divine hero, an exemplary ruler, and the Supreme Being. In The Complete Life of Krishna, Vanamali, a leading Krishna expert from a long line of prominent Krishna devotees, provides the first book in English or Sanskrit to cover the complete range of the avatar’s life. Drawing from the Bhagavad Purana, the Bhagavad Gita, the Mahabharata, and India’s sacred oral tradition, Vanamali shares stories from Krishna’s birth in a dungeon and early days as a merry trickster in Vrindavana, through his time as divine ruler at Dwaraka, to his final powerful acts as the hero Arjuna’s charioteer and guru in the Kurukshetra war. She explains how Krishna became a mahayogi, the greatest of all yogis, and attained complete mastery over himself and nature. By integrating the hero-child with the mahayogi, the playful lover with the divine ruler, Vanamali shows how the stories of Krishna’s life are expressed with such simplicity and humor that they enable anyone--man, woman, or child--to see the wisdom of his teachings. This complete biography of the man who was also a god provides a valuable meditative tool allowing Krishna’s lessons to illuminate from within.

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Winner of The PEN Hessell-Tiltman Prize 2022Shortlisted for The Wolfson History Prize 2022A The Times Books of the Year 2022Three thousand years ago, in the Southwest Asian lands we now call Israel and Palestine, a group of people worshipped a complex pantheon of deities, led by a father god called El. El had seventy children, who were gods in their own right. One of them was a minor storm deity, known as Yahweh. Yahweh had a body, a wife, offspring and colleagues. He fought monsters and mortals. He gorged on food and wine, wrote books, and took walks and naps. But he would become something far larger and far more abstract: the God of the great monotheistic religions.But as Professor Francesca Stavrakopoulou reveals, God’s cultural DNA stretches back centuries before the Bible was written, and persists in the tics and twitches of our own society, whether we are believers or not. The Bible has shaped our ideas about God and religion, but also our cultural preferences about human existence and experience; our concept of life and death; our attitude to sex and gender; our habits of eating and drinking; our understanding of history. Examining God’s body, from his head to his hands, feet and genitals, she shows how the Western idea of God developed. She explores the places and artefacts that shaped our view of this singular God and the ancient religions and societies of the biblical world. And in doing so she analyses not only the origins of our oldest monotheistic religions, but also the origins of Western culture.Beautifully written, passionately argued and frequently controversial, God: An Anatomy is cultural history on a grand scale.'Rivetingly fresh and stunning' – Sunday Times'One of the most remarkable historians and communicators working today' – Dan Snow

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Witness what the gods do after dark in the fourth volume of a stylish and contemporary reimagining of one of the best-known stories in Greek mythology from creator Rachel Smythe."I don't always get to do as I please."The rumor mill of Olympus is constantly churning, but Persephone and Hades are all anyone can talk about. With the constant gossip creating intense pressure on the pair, they decide to slow down their budding romance and focus on sorting out their own issues first.But that's easier said than done.Hades struggles to find support in his personal life, with Zeus trivializing his feelings and Minthe resorting to abusive patterns in their relationship. And while Hades tries to create healthier boundaries where he can-like finally putting a stop to his sporadic, revenge-fueled hookups with Hera-he still feels lonely and adrift.Persephone feels equally ostracized as her classmates shun her for her connection to Hades, and she can find no refuge at home, with Apollo constantly dropping by unannounced and pushing his unwelcome advances. And on top of it all, the wrathful god of war, Ares, has returned to Olympus to dredge up his sordid history with the goddess of spring, threatening to surface Persephone's dark and mysterious past and ruin her tenuous position in the land of the gods.Despite agreeing to take it slow, Persephone and Hades find themselves inextricably drawn toward each other once more amid the chaos. The pull of fate cannot be denied.This edition of Rachel Smythe's original Eisner-winning webcomic Lore Olympus features exclusive behind-the-scenes content and brings the Greek pantheon into the modern age in a sharply perceptive and romantic graphic novel.This volume collects episodes 76-102 of the #1 WEBTOON comic Lore Olympus.

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This beautiful book brings you the very best of art throughout history - using a truly innovative timeline-led approach. Savour iconic paintings such as Leonardo da Vinci's Last Supper and Monet's Waterlilies, and discover less well-known artists, styles, and movements the world over - from Indigenous Australian art to the works of Ming-era China. And explore recurring themes, such as love and religion, and important genres from Romanesque to Conceptual art, along the way. Timelines of Art provides detailed analysis of the works of key artists, showing details of their technique - such as Leonardo's use of light and shade. It tells the story of avant-garde works like Manet's Le Déjeuner sur l'herbe (Lunch on the Grass), which scandalised society, and it traces how certain artists, genres or movements informed the works of others - showing how the Impressionists were inspired by Gustave Courbet, for example, or how Van Gogh was influenced by Japanese prints.Comprehensive, accessible, and lavishly illustrated throughout, Timelines of Art is an essential guide to the pantheon of world art, so dive straight into discover: - An overview of each movement, including the social and cultural background of the period, grounds the works of art in the spirit of their times.- Turning-point paintings that triggered or epitomised each artistic movement are identified and explained, against a backdrop of influences - the technical advances, admired techniques of an earlier artist, and changes in society that enabled new directions in art.- Glossary of technical terms and comprehensive index help make this an indispensable work of reference for any art-lover.Timelines of Art is the perfect art history book for students of art and/or history, proving ideal for families, schools and libraries and doubling up as a great gift for the art lover in your life.

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