Search results for ""Author Monroe"

Eager to turn the congressional election of 1918 into a confirmation of his foreign policy, President Woodrow Wilson was criticized for abandoning the spirit of the popular slogan “Politics adjourned!” His predecessor, William Howard Taft, found Wilson difficult to deal with and took issue with his version of the League of Nations, which Taft felt was inferior to the model proposed by the League to Enforce Peace. Rather than join the massive Republican opposition to the Treaty of Versailles, however, Taft instead supported Wilson’s controversial decision to travel to Paris as the head of the American peace delegation, and he defended the critical tenth article in the covenant, which detractors saw as a surrender of American sovereignty. He also counseled Wilson to insert a clause concerning the Monroe Doctrine that would pacify the Senate’s group of “reservationists,” whose votes were essential to approval of the treaty. Volume VII in The Collected Works of William Howard Taft consists of the Taft Papers on League of Nations originally published in 1920. This is a collection ofTaft’s speeches, newspaper articles, and complementary documents that reflect his consistent support for a league of nations and, eventually, for the Covenant of the League of Nations emanating from the Paris Peace Conference. Although the failure of the treaty and its League of Nations can probably be laid at the feet of an obstinate Wilson and a wily Henry Cabot Lodge, William Howard Taft can be credited with rising above partisanship to emerge as the League’s most consistent supporter. As in the rest of the Collected Works, Taft Papers on League of Nations provides a window on the machinations surrounding some of the most significant decisions of the era.

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Winner of Red Magazine's Book of the Year 2019 'Raw, poetic and breathtaking' Fearne Cotton 'It is rare to find an author who writes with such authenticity, empathy and humour. I couldn't recommend this read enough. It will enrich your life' Will Young 'Poorna's beautiful, thoughtful writing is a gift of calm, laughter and stoic contemplation in an increasingly anxious world. Simultaneously earthed and sometimes ephemeral, this book is absolutely delightsome, compassionate, tender and a lesson to us all in self-love and nurture. I read it in a matter of days and started over again' Jack Monroe Poorna Bell was sold the fairytale of life. That love wins the day. That marriage is the rescue to an otherwise unhappy existence. That children are the natural progression of any relationship. But really, is it? Are we actually being honest with ourselves about the expectations we have set for ourselves? Are we able to distinguish between what we really need from life, from everything that we have been conditioned to want? Because the current rhetoric doesn’t prepare you for the reality. In 2015 Poorna Bell became a widow after her husband Rob took his own life on a winter’s night, having battled depression and addiction. Her situation was unusual when compared to a lot of people, but she was left figuring out exactly the same things. Will she ever be happy? Will she find love again? Who will rescue her from her sadness? Two years on and Poorna is rebuilding her life. And it is from this place – as she works towards choosing what she does and doesn’t want from society, that she will explore a different conversation around fulfillment and self-worth.Cutting across the landscapes in India, New Zealand and Britain, Poorna Bell explores the things endemic in our society such as sadness and loneliness, to unpick why we seek other people to fix what’s inside of us.In Search of Silence is the recognition of the echo chamber we find ourselves in, in terms of what constitutes a successful, fulfilling life. This is a heartfelt, deeply personal journey which asks us all to define what 'happiness' truly means. 'Rich with achingly beautiful language that transports the reader to the streets of Bangalore, the mountain-topped peaks of Nepal and the long and winding roads of New Zealand, I adored absolutely everything about In Search of Silence. A book that will speak to anyone who has grown tired of London, who has lost, who has loved, who has lamented the loss of a loved one, it is a beautiful, life-affirming read that explores solitude, silence and sadness and is underpinned with hope and happiness for the future' The Literary Edit

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'Twisty, atmospheric and haunting... I devoured this thriller in one tense sitting' ERIN KELLY. It is the week before Christmas and the cathedral city of St Albans is blanketed by snow. But beneath the festive lights, darkness is stirring. The frozen body of a young girl is discovered by the ice-covered lake. The police scramble for clues. A local woman, Jenny, has had visions of what happened the night of the murder. But Jenny is an exhausted new mother, whose midnight wanderings pull her ever closer to the lake. Can Jenny be trusted? What does she really know? Then another girl goes missing, and the community unravels. Neighbour turns against neighbour, and Jenny has no idea who to believe. As Christmas Eve approaches, Jenny discovers a secret about her past – and why she could be key to everything... PRAISE FOR UNDER THE ICE: 'Twisty, atmospheric and haunting... I devoured this thriller in one tense sitting' Erin Kelly. 'An outstanding debut, so atmospheric it made me literally shiver' Angela Clarke. 'A fantastically evocative book that twists you expertly up in the world of its vivid characters, making you feel the unfolding plot blow by blow' Gytha Lodge. 'Packed with atmosphere, suspense and a cold that chills the heart. Under the Ice announces Rachael Blok as an exciting new voice in crime fiction' Lesley Thomson. 'A lyrical, haunting thriller that's impossible to put down... Under the Ice will get under your skin' J.S. Monroe.

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Titanic. The Marilyn Monroe of ocean liners. A sleek, sultry beauty, taken out way before her time. A kind of 21st century Flying Dutchman, with interiors by Cesar Ritz, still striving to achieve the waters of a port she can never reach. Fuelled by a subtle mixture of horror, fascination and sheer, fatal glamour, she surges heedlessly across the still, starlit calm of our collective subconscious, hell bent on achieving her chilling, near midnight rendezvous with her killer. Titanic is a brilliantly lit stage, carrying her cast of exotic, terminally endangered extras toward an abyss at once both unfathomable and inconceivable. Here's where any similarity with any other tome about the Titanic ends. For the first time ever, a succession of key characters and groups of individuals come to the fore. Centre stage, over seventeen chapters, we meet the men whose decisions, actions and omissions combined like some slow burning powder trail to trigger a final, cataclysmic conclusion; the foundering, in mid Atlantic, of the biggest moving object ever seen on the face of the planet. One by one, a series of individuals take a bow. Seemingly omnipotent owners and hugely experienced ship's officers. Engineers and designers. Would be rescuers and embattled wireless operators. We meet them as individuals, not supermen. Their histories, backgrounds and life experiences are assessed for the first time ever, putting their actions on the night that Titanic sank into a context, a light as stark as that of the distress rockets, arcing into the sky

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The #1 New York Times bestseller, and the inspiration for the hit Broadway musical Hamilton!Pulitzer Prize-winning author Ron Chernow presents a landmark biography of Alexander Hamilton, the Founding Father who galvanized, inspired, scandalized, and shaped the newborn nation."Grand-scale biography at its best—thorough, insightful, consistently fair, and superbly written . . . A genuinely great book." —David McCullough“A robust full-length portrait, in my view the best ever written, of the most brilliant, charismatic and dangerous founder of them all." —Joseph EllisFew figures in American history have been more hotly debated or more grossly misunderstood than Alexander Hamilton. Chernow’s biography gives Hamilton his due and sets the record straight, deftly illustrating that the political and economic greatness of today’s America is the result of Hamilton’s countless sacrifices to champion ideas that were often wildly disputed during his time. “To repudiate his legacy,” Chernow writes, “is, in many ways, to repudiate the modern world.” Chernow here recounts Hamilton’s turbulent life: an illegitimate, largely self-taught orphan from the Caribbean, he came out of nowhere to take America by storm, rising to become George Washington’s aide-de-camp in the Continental Army, coauthoring The Federalist Papers, founding the Bank of New York, leading the Federalist Party, and becoming the first Treasury Secretary of the United States.Historians have long told the story of America’s birth as the triumph of Jefferson’s democratic ideals over the aristocratic intentions of Hamilton. Chernow presents an entirely different man, whose legendary ambitions were motivated not merely by self-interest but by passionate patriotism and a stubborn will to build the foundations of American prosperity and power. His is a Hamilton far more human than we’ve encountered before—from his shame about his birth to his fiery aspirations, from his intimate relationships with childhood friends to his titanic feuds with Jefferson, Madison, Adams, Monroe, and Burr, and from his highly public affair with Maria Reynolds to his loving marriage to his loyal wife Eliza. And never before has there been a more vivid account of Hamilton’s famous and mysterious death in a duel with Aaron Burr in July of 1804.Chernow’s biography is not just a portrait of Hamilton, but the story of America’s birth seen through its most central figure. At a critical time to look back to our roots, Alexander Hamilton will remind readers of the purpose of our institutions and our heritage as Americans.9780143034759

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Painting expressive portraits of iconic faces has never been easier with this unique approach to watercolor painting. In this fresh and super-accessible approach to modern portraiture, artist Nelli Andrejew removes any barriers to painting instantly recognizable faces. In just a few simple brushstrokes you can capture the essence and likeness of 15 international icons and create modern watercolor portraits you will be proud to hang on the wall. The 15 famous personalities included have all made a valuable contribution to the world in some way - be it science, art or human rights. The subtle style of the portraits you'll learn how to paint in this book bring these heroes to life in watercolor, with step-by-step instructions and practical templates for tracing, removing the need for any real skill ; just trace, paint, have fun, and paint portraits that will surprise and delight all who see them. With this book you will learn how to paint: Leonardo DiCaprio , Virginia Woolf , James Dean , Lana Del Rey , Bob Dylan , Michelle Obama , Albert Einstein , Marilyn Monroe , Girl with a Pearl Earring , Martin Luther King Jr. , Audrey Hepburn , Mona Lisa , Coco Chanel , Emma Watson , Vincent Van Gogh In addition to the step-by-step tutorials, Nelli shares her tips and experience in the basic techniques you will need, from how to transfer the templates to your watercolour paper, to different ways to work with watercolors to successful portraits. This beautiful guide will inspire you to try all the faces included and then go on to paint your own original portraits with the same techniques. The perfect way to spend a creative afternoon!

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The esteemed film critic Jonathan Rosenbaum has brought global cinema to American audiences for the last four decades. His incisive writings on individual filmmakers define film culture as a diverse and ever-evolving practice, unpredictable yet subject to analyses just as diversified as his own discriminating tastes. For Rosenbaum, there is no high or low cinema, only more interesting or less interesting films, and the pieces collected here, from an appreciation of Marilyn Monroe's intelligence to a classic discussion on and with Jean-Luc Godard, amply testify to his broad intellect and multifaceted talent. "Goodbye Cinema, Hello Cinephilia" gathers together over fifty examples of Rosenbaum's criticism from the past four decades, each of which demonstrates his passion for the way we view movies, as well as how we write about them. Charting our changing concerns with the interconnected issues that surround video, DVDs, the Internet, and new media, the writings collected here also highlight Rosenbaum's polemics concerning the digital age. From the rediscovery and recirculation of classic films, to the social and aesthetic impact of technological changes, Rosenbaum doesn't disappoint in assembling a magisterial cast of little-known filmmakers as well as the familiar faces and iconic names that have helped to define our era. As we move into this new decade of moviegoing - one in which Hollywood will continue to feel the shockwaves of the digital age - Jonathan Rosenbaum remains a valuable guide. "Goodbye Cinema, Hello Cinephilia" is a consummate collection of his work, not simply for fans of this seminal critic, but for all those open to the wide variety of films he embraces and helps us understand.

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The esteemed film critic Jonathan Rosenbaum has brought global cinema to American audiences for the last four decades. His incisive writings on individual filmmakers define film culture as a diverse and ever-evolving practice, unpredictable yet subject to analyses just as diversified as his own discriminating tastes. For Rosenbaum, there is no high or low cinema, only more interesting or less interesting films, and the pieces collected here, from an appreciation of Marilyn Monroe's intelligence to a classic discussion on and with Jean-Luc Godard, amply testify to his broad intellect and multifaceted talent. "Goodbye Cinema, Hello Cinephilia" gathers together over fifty examples of Rosenbaum's criticism from the past four decades, each of which demonstrates his passion for the way we view movies, as well as how we write about them. Charting our changing concerns with the interconnected issues that surround video, DVDs, the Internet, and new media, the writings collected here also highlight Rosenbaum's polemics concerning the digital age. From the rediscovery and recirculation of classic films, to the social and aesthetic impact of technological changes, Rosenbaum doesn't disappoint in assembling a magisterial cast of little-known filmmakers as well as the familiar faces and iconic names that have helped to define our era. As we move into this new decade of moviegoing - one in which Hollywood will continue to feel the shockwaves of the digital age - Jonathan Rosenbaum remains a valuable guide. "Goodbye Cinema, Hello Cinephilia" is a consummate collection of his work, not simply for fans of this seminal critic, but for all those open to the wide variety of films he embraces and helps us understand.

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The first definitive biography of tragicomic sex symbol Jayne Mansfield, one of the most colorful and eccentric movie stars of the 1950s-60s. The book examines both her life and her career, detailing her movie, TV and stage work, as well as her drive to become an old-fashioned movie star at the end of the big-studio era.Jayne Mansfield: The Girl Couldn't Help It follows Jayne from her birth in 1933 through her early days as a starlet, her sudden fame as a Broadway star, and her too-brief years as 20th Century-Fox's threat to Marilyn Monroe. After three hit films, showing what a talented actress she was, Jayne found herself cut loose and floundering, in ever-cheaper and worse films.Jayne's private life will be examined as well: her expertise as a publicity magnet, her relationship with the press and her fans; her three marriages and many affairs, and her well-meaning but ill-equipped parenting skills. The rumors around her death will be addressed, via nearly 100 pages of police reports.Among the people interviewed for this book are her third husband, her lover shortly before Mariska Hargitay was born (the only interview he has ever given about Jayne), the man who published her 1963 memoirs, the inventor of the Jayne Mansfield Hot Water Bottle, and Loni Anderson, who portrayed Jayne in a 1980 TV-movie.Including 70 photos, The Girl Couldn't Help It will finally set straight many misconceptions about Jayne Mansfield, and will provide a fair and balanced, sympathetic but clear-eyed portrait of one of show business's most bizarre and endearing icons.

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In Speed, Safety, and Comfort: The Origins of Delta Air Lines, former Delta Boeing 767 captain and aviation historian James John Hoogerwerf traces the evolution and growth of one of America's most successful airlines. Delta's story began during the early twentieth century with the fight against the cotton-devouring boll weevil, which devastated the southern economy and compelled scientists to formulate calcium arsenate powder to eradicate the invasive pest. To aid in the elimination effort, Huff Daland Company, a military aircraft manufacturer, constructed the first plane specifically designed to dispense the poison from the air. Crop dusting proved so effective, Huff Daland Dusters, the world's first crop-dusting company, rebranded as Delta Air Service in 1928 to focus more on providing commercial services, including the transport of passengers and air mail. The following year Delta began flying its first passengers from Monroe, Louisiana, eventually establishing routes across the southeastern United States. By the eve of World War II, the firm had assumed the familiar Delta Air Lines name and boasted forward-thinking management, a modern fleet of aircraft, and increased revenue from passenger ticket sales.Now headquartered in Atlanta, Delta counts itself among the oldest and largest airlines in the world, with nearly 90,000 employees and more than 5,400 flights per day. Delta's expansion and survival are anomalies in an industry historically dominated by government and special interests. Hoogerwerf's masterful history of Delta's beginnings underscores the company's contribution to agriculture, southern industrialization, and the development of commercial aviation in the United States.

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Contributions by Simone A. Alexander, José Felipe Alvergue, Valerie Babb, Pamela Bordelon, Taylor Hagood, Joyce Marie Jackson, Delia Malia Konzett, Jane Landers, John Wharton Lowe, Gary Monroe, Noelle Morrissette, Paul Ortiz, Lyrae Van Clef-Stefanon, Genevieve West, and Belinda Wheeler The state of Florida has a rich literary and cultural history, which has been greatly shaped by many different ethnicities, races, and cultures that call the Sunshine State home. Little attention has been paid, however, to the key role of African Americans in Floridian history and culture. The state’s early population boom came from immigrants from the US South, and many of them were African Americans. Interaction between the state’s ethnic communities has created a unique and vibrant culture, which has had, and continues to have, a significant impact on southern, national, and hemispheric life and history. Black Hibiscus: African Americans and the Florida Imaginary begins by exploring Florida’s colonial past, focusing particularly on interactions between maroons who escaped enslavement, and on Albery Whitman’s The Rape of Florida, which also links Black people and Native Americans. Contributors consider film, folklore, and music, as well as such key Black writers as Zora Neale Hurston, James Weldon Johnson, Gwendolyn Bennett, Colson Whitehead, and Edwidge Danticat. The volume features Black Floridians’ role in the civil rights movement and Black contributions to the celebrated Florida Writers’ Project. Contributors include literary scholars, historians, film critics, art historians, anthropologists, musicologists, political scientists, artists, and poets.

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Original catalogue to the Paris exhibition and a core part of the blockbuster retrospective at the V&A. It was in 1947 that Christian Dior presented his first collection and heralded the birth of a new fashion silhouette for women. After the austerity of the war years, the cinched waistlines, full skirts and soft shoulders of the New Look came to embody a revival of Parisian luxury. Paris regained its place as the global capital of fashion and the name of Dior became a synonym for haute couture. For this book, published to mark the 70th anniversary of the House of Dior, seventy of the most memorable looks created Christian Dior and his successors – Yves Saint Laurent, Marc Bohan, Gianfranco Ferré, John Galliano, Raf Simons and Maria Grazia Chiuri – have been specially selected and photographed in fascinating detail. These wonderful designs are also featured in sketches, runway shots and fashion shoots by the world’s greatest fashion photographers, including Irving Penn, Richard Avedon, Cecil Beaton, William Klein, Helmut Newton, Patrick Demarchelier, Paolo Roversi, Peter Lindbergh, Mario Testino and Nick Knight. The seventy 'looks' are prefaced by essays from Olivier Gabet, Jérôme Gautier, Patrick Mauriès and Florence Müller. Recurring themes from the history of Dior are discussed in depth: the concept of line and architecture in fashion; the influence of history and art (the Palace of Versailles, the Empire style, Impressionism, the Belle Époque, the Ballets Russes, Picasso, Dalí, Pollock); the use of colour; the influence of gardens and landscapes as sources of inspiration; and, of course, the brand’s muses and famous clients: the Duchess of Windsor, Marlene Dietrich, Princess Grace of Monaco, Marilyn Monroe, Elizabeth Taylor, Isabelle Adjani, Princess Diana, Marion Cotillard, Charlize Theron, Natalie Portman, Jennifer Lawrence and more.

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The editor has corrected printers’ errors and annotated unfamiliar terms and allusions. Three illustrations by George Cruikshank and a map of Oliver's London accompany the text. "Backgrounds and Sources" focuses on The Poor Law Amendment Act of 1834, central both to Dickens and to the characters in Oliver Twist. The act’s far-reaching implications are considered in source materials that include parlimentary debates on The Poor Laws, a harrowing account of an 1835 Bedfordshire riot, and "An Appeal to Fallen Women," Dickens’ 1847 open letter to London’s prostitutes urging them to turn their backs on "debauchery and neglect." Ten letters on Oliver Twist, written between 1837 and 1864, are reprinted, including those to the novel’s publisher, the novel’s illustrator, and John Forster, Dickens’ close friend and future biographer. In addition, readers can trace the evolution of the novel by examining Dickens’ installment and chapter-division plans and enjoy "Sikes and Nancy," the text of a public reading Dickens composed and performed often to large audiences. "Early Reviews" provides eight witty, insightful, and at times impassioned responses to the novel and to Oliver’s plight by William Makepeace Thackeray and John Forster (anonymously), among others. "Criticism" includes twenty of the most significant interpretations of Oliver Twist published in this century. Included are essays by Henry James, George Gissing, Graham Greene, J. Hillis Miller, Harry Stone, Philip Collins, John Bayley, Keith Hollingsworth, Steven Marcus, Monroe Engel, James R. Kincaid, Michael Slater, Dennis Walder, Burton M. Wheeler, Janet Larson, Fred Kaplan, Robert Tracy, David Miller, John O. Jordan, and Gary Wills. A Chronology and Selected Bibliography are also included.

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Of all the male stars of Golden Age Hollywood, Kirk Douglas became the final survivor, the last icon of a fabled era that the world will never see again. When he celebrated his birthday in 2016, a headline read — 'Legendary Hollywood horndog turns 100.' He was both a charismatic actor and a man of uncommon force and vigour. His restless and volcanic spirit is reflected both in his films and through his many sexual conquests. Douglas was the son of Russian-Jewish immigrants, his father a ragman. Conquering Tinseltown, he became the personification of the American dream, moving from obscurity and (literally) rags to riches and major-league fame. The Who’s Who cast of characters roaring through his life featured not only a daunting list of Hollywood goddesses, but the town’s most colossal male talents and egos, too. They included his kindred hellraiser and best buddy Burt Lancaster, John Wayne, Henry Fonda, Billy Wilder, Laurence Olivier, Rock Hudson, and a future U.S. President, Ronald Reagan. Douglas began his conquests in New York, stealing the virginity of model Betty Bacall before she moved to Hollywood, changed her name to Lauren, and married Humphrey Bogart. Later, both Marilyn Monroe and Lana Turner pursued him for boudoir duty. 'I had them all…well, almost,' he boasted. All of this is brought out, with photos, in this remarkable testimonial to the last hero of Hollywood’s cinematic and swashbuckling Golden Age, an inspiring testimonial to the values and core beliefs of an America that’s Gone with the Wind, yet lovingly remembered as a time when it, in many ways, was truly great.

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Originally published in 1989. In this companion volume to the acclaimed Pure Lives, Reed Whittemore probes the often-complex motives behind the relationships of modern biographers to their subjects. Whittemore's description of biography's uneven path toward comprehensive character study begins with Thomas Carlyle, whose biography of Frederick the Great broke with tradition by tracing the roots of its subject's character to childhood trauma. (A strict disciplinarian, Frederick's father once considered having his rebellious teenage son executed.) Whittemore examines the work of Leslie Stephen, the Dictionary of National Biography's first editor, who admired Carlyle but disliked his style—and was convinced that Carlyle disliked him. And in a chapter on Sigmund Freud, Whittemore traces the revolution in writing biography that began with Freud's speculations on the nature and origin of Leonardo da Vinci's homosexuality. Few have escaped Freud's influence. While Leon Edel argues that biographers should not psychoanalyze their subjects, his biography of Henry James does precisely that. Richard Ellman tempers his impulse for Freudian probing of Joyce, Yeats, and Oscar Wilde with the explication of their often difficult works. Kenneth Lynn's recent biography of Hemingway takes the opposite approach. "The Hemingway industry," Whittemore explains, "is like Marilyn Monroe's in having much of the sensational in it, including suicide, so that the problems of having to deal with Hemingway as a writer, good or bad, can always be put on the back burner for a few chapters while Hemingway the braggart and liar performs." Thomas Parton and Benjamin Franklin, Virginia Woolf and Elizabeth Barrett Browning, Erik Erikson and Martin Luther, biographers and their subjects continue to engage our attention. Whole Lives offers an informative—and refreshingly informal—look at one of the most enduringly popular genres.

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In The Americas Revealed, distinguished art historian and curator Edward J. Sullivan brings together a vibrant group of essays that explore the formation, in the United States, of public and private collections of art from the Spanish- and Portuguese-speaking Americas.The contributors to this volume trace the major milestones and emerging approaches to collecting and presenting Spanish Colonial and modern Latin American art by museums, galleries, private collections, and corporations from the late nineteenth to the twenty-first century. In chronicling the roles played by determined collectors from New York to San Francisco, the essays examine a range of subjects from MoMA’s mid-twentieth-century acquisition strategies to the growing taste on the West Coast for the work of Diego Rivera. They consider the impact of various political shifts on art collecting, from reactions against the “American exceptionalism” of the Monroe Doctrine to the aesthetic biases of government-sponsored art academies in Mexico, Rio de Janeiro, and Havana. The final three chapters focus on living collectors such as Roberta and Richard Huber, Patricia Phelps de Cisneros, and Estrellita B. Brodsky.A thorough and definitive account of the changing course of private and public collections and their important connection to underlying political and cultural relations between the United States and Latin American countries, this volume gives a rare glimpse into the practice of collecting from the collectors’ own point of view.In addition to the editor, contributors to this volume are Miriam Margarita Basilio, Estrellita B. Brodsky, Vanessa K. Davidson, Anna Indych-López, Ronda Kasl, Gabriel Pérez-Barreiro, Berit Potter, Mari Carmen Ramírez, Joseph Rishel, Delia Solomons, and Suzanne Stratton-Pruitt.

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Otto Preminger (1905–1986), whose Hollywood career spanned the 1930s through the 1970s, is popularly remembered for the acclaimed films he directed, among which are the classic film noir Laura, the social-realist melodrama The Man with the Golden Arm, the CinemaScope musical Carmen Jones, and the riveting courtroom drama Anatomy of a Murder. As a screen actor, he forged an indelible impression as a sadistic Nazi in Billy Wilder’s Stalag 17 and as the diabolical Mr. Freeze in television’s Batman. He is remembered, too, for drastically transforming Hollywood’s industrial practices. With Exodus, Preminger broke the Hollywood blacklist, controversially granting screen credit to Dalton Trumbo, one of the exiled "Hollywood Ten." Preminger, a committed liberal, consistently shattered Hollywood’s conventions. He routinely tackled socially progressive yet risqué subject matter, pressing the Production Code’s limits of permissibility. He mounted Black-cast musicals at a period of intense racial unrest. And he embraced a string of other taboo topics—heroin addiction, rape, incest, homosexuality—that established his reputation as a trailblazer of adult-centered storytelling, an enemy of Hollywood puritanism, and a crusader against censorship. Otto Preminger: Interviews compiles nineteen interviews from across Preminger’s career, providing fascinating insights into the methods and mindset of a wildly polarizing filmmaker. With remarkable candor, Preminger discusses his filmmaking practices, his distinctive film style, his battles against censorship and the Hollywood blacklist, his clashes with film critics, and his turbulent relationships with a host of well-known stars, from Marilyn Monroe and Frank Sinatra to Jane Fonda and John Wayne.

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A revealing account of the great Baseball Hall of Famer Joe DiMaggio from the man who knew him best in the last ten years of his life—“a rare, intimate portrait…that pries open Joltin’ Joe’s perpetually buttoned-up privacy” (The New York Times) with stories about the Yankees, Ted Williams, Lou Gehrig, Marilyn Monroe, Frank Sinatra, and other celebrities.In 1990, Dr. Rock Positano, a thirty-two-year-old foot and ankle specialist, met Joe DiMaggio. Despite the forty years between them, an unlikely friendship developed after the doctor successfully treated the baseball champ’s heel spur injury. Joe mentored Rock but came to rely on his young friend to show him a good time in New York, the town that made him a legend. In time, the famously reserved DiMaggio opened up to Dr. Positano and talked about his joys, his disappointments, and his sorrows as he reflected on his extraordinary life. The stories and experiences he shared with Dr. Positano comprise an intimate portrait of one of the great stars of baseball and icon of the twentieth century. “Readers do not have to be baseball fans to be captivated by this memoir, which explores such universal themes as friendship, celebrity, aging, and mortality” (Library Journal, starred review). DiMaggio was a complicated figure—sometimes demanding, sometimes big-hearted, always impeccable, loyal, and a true stand-up guy. This memoir of a decade-long friendship reveals the very private DiMaggio as “a wholly human portrait of an American icon navigating his way through an adoring yet relentlessly demanding public” (Booklist, starred review), while serving up illuminating stories and rare insights about the people in his life, including his teammates, Muhammad Ali, Sandy Koufax, Woody Allen, and many more.

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For four decades film historian Ira M. Resnick has been amassing a superb collection of 2,000 vintage movie posters and 1,500 stills, which has never before been published. Starstruck: Vintage Movie Posters from Classic Hollywood features the best of Resnick’s collection, with vivid reproductions of 250 posters and forty stills from the golden age of Hollywood, 1912 to 1962. In a moving introduction, Resnick relates how his love of vintage movie art translated into a career as a collector and the founder of the Motion Picture Arts Gallery, the first gallery devoted exclusively to the art of the movies. Resnick’s firsthand account offers entertaining anecdotes about how he managed to acquire such stellar film artwork, as well as historical information about the stars and films shown on the pieces he collected. Guiding the reader through the best posters and stills of his collection, Resnick provides a tour of cinematic history, starting in the silent film era and continuing up to Breakfast at Tiffany’s (1961). By showcasing several posters for each performer—such as Lillian Gish, the Marx Brothers, Marilyn Monroe, John Barrymore, and Audrey Hepburn—Resnick offers a unique method of charting the evolution of each movie star’s career. Organizing his account both chronologically and thematically, in later chapters Resnick discusses some of Hollywood’s legendary directors and films, and critiques fantastic graphic art from little-known films. Bonus material includes a list of Resnick’s fifty favorite one-sheets, helpful tips for the collector, and a glossary of terms and poster sizes. A must-have book for every collector and film buff, Starstruck offers a beautifully illustrated, personal tour of a bygone age of the motion picture advertising industry.

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Writings on people and places, theater and film, in a portfolio of essays and photographs informing Wes Anderson's film Asteroid City. Featuring 8 newly commissioned pieces alongside more than 20 classic essays from the likes of François Truffaut and Jonas Mekas, DO NOT DETONATE explores key influences on celebrated director Wes Anderson's new film Asteroid City. Together they form a detailed, captivating portrait of the mid-century film world and the enduring myths of the American West. Contents: A Conversation Between Wes Anderson and Jake Perlin A Life excerpt - Elia Kazan The Celluloid Brassière - Andy Logan Rainy Day - Lillian Ross The Outskirts: Other Men's Women - Gina Telaroli The Petrified Forest - Jorge Luis Borges Ace in the Hole: Noir in Broad Daylight - Molly Haskell What Makes a Sad Heart Sing: Some Came Running - Michael Koresky One False Start, Never Wear the Same Dress Twice - Durga Chew-Bose Maigret at the Coroner's excerpt - Georges Simenon Sunbelt Noir: Desert Fury - Imogen Sara Smith The Voyage Down and Out: Inferno - Kent Jones Bad Day Near The River's Edge - Nicolas Saada Watching Fail Safe at the End of the World - K. Austin Collins Black Desert, White Desert - Serge Toubiana Marilyn Monroe and the Loveless World - Jonas Mekas Beyond the Stars - Jeremy Bernstein Coming: Nashville - Pauline Kael Coming Around the Mountain: Close Encounters of the Third Kind - Matt Zoller Seitz Selections from Close Encounters of the Third Kind Diary - Bob Balaban Introduction to Small Change: A Film Novel - François Truffaut By The Time I Get to Phoenix - Thora Siemsen My Guy - Hilton Als Wild to the Wild - Sam Shepard

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Take a visit to the South Carolina's Cavanaugh Island in these two novels filled with small-town secrets, coastal charm, and heartwarming romance.Sanctuary CoveStill reeling from her husband's untimely death, Deborah Robinson needs a fresh start. So she decides to pack up her family, box up her bookstore, and return to her grandmother's ancestral home on Cavanaugh Island. The charming town of Sanctuary Cove holds happy memories for Deborah. And, after she meets a gorgeous Dr. Asa Monroe in the local bakery, it promises the possibility for a bright, new future. As friendship blossoms into romance, Deborah and Asa discover they may have a second chance at love. But small towns have big secrets. Before they can begin their new life together, the couple must confront a challenge they never expected . . .Angels LandingKara Newell has a big-city life that needs a major shake-up. Her dedication as a social worker is unwavering, yet her heart tells her that there is more to life than just work. Kara gets the push she needs when she shockingly inherits a large estate on an island off the South Carolina coast. Now the charming town of Angels Landing awaits her . . . along with a secret family that she never knew she had. But when she steps into the crosshairs of angry local residents after arriving in town, ex-marine turned sherrif Jeffrey Hamilton is the perfect person for the job of watching over her. But as Kara becomes more than just a responsibility to Jeffrey and they confront the town gossips together, they'll learn to face their fears and forgive their pasts in order to find a future filled with happiness in Angels Landing.

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'Elegant and multi-focal. Glorious!' Simon GarfieldThe humble pair of glasses might just be one the world's greatest inventions, allowing millions to see a world that might otherwise appear a blur. And yet how much do many of us even really think about these things perched on the ends of our noses? In this eye-opening history Travis Elborough traces the fascinating true story of spectacles: from their inception as primitive visual aids to monkish scribes right through to today's designer eyewear and the augmented reality of Google Glass. And taking in along the way such delights as lorgnettes, monocles, pince-nez, tortoise-shell 'Windsors' and Ray Ban aviator shades. Peering into early theories about how the eye worked, he considers the theological and philosophical arguments about the limits of perception by Greek thinkers, Roman statesmen and Arab scholars. There are encounters with ingenious medieval Italian glassmakers, myopic Renaissance rulers and spectacle-makers and opticians, brilliant, mad, bad and dangerous to know, in the Londons of Samuel Pepys, Dr Johnson and Sherlock Holmes.We learn how eyeglasses were the making of the silent movie star Harold Lloyd and the rock n roller Buddy Holly and helped liberate an exasperated John Lennon from Beatlemania. Get hip to horn-rims with Dizzy Gillespie and Michael Caine And see girls in glasses through the lenses of the crime fiction by Dorothy L Sayers and Raymond Chandler and the full-screen figure of Marilyn Monroe. Through the Looking Glasses is about vision and the need for humanity to see clearly, and where the impulse to improve our eyesight has led us. The society of the spectacle may finally be upon us . . . but how much of it do we really see?

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The 2022 issue explores North Carolina writers who teach (and teachers who write). The issue opens with Georgann Eubanks's essay on North Carolina playwright, civil rights activist, and UNC Chapel Hill Professor Paul Green, followed by letters from Peter Taylor from his Greensboro home where he taught at North Carolina Women's College (now UNC Greensboro) and Marian Janssen's John Ehle Prize essay on Carolyn Kizer's UNC Chapel Hill years. The featured interviews includes one conducted students in the Veteran to Scholar program at ECU interviewing Ben Fountain, as well as Senior Associate Editor Christy Alexander Hallberg's interview with Leah Hampton, Indiana University Kokomo Professor Jim Coby interviewing Wiley Cash, and UNC Wilmington Professor Malia Butler interviewing Khalisa Rae Thompson. The creative writing in this section includes poetry by Catherine Carter and the winner and honorees of the 2021 James Applewhite Poetry Prize, including the winning poem by Michael Loderstedt; creative nonfiction by Barbara Bennett; and fiction by Settle Monroe. The Flashbacks and North Carolina Miscellany sections of this issue feature more creative writing: Steve Mitchell's Alex Albright Creative Nonfiction Prize essay, Heather Bell Adams's Doris Betts Fiction Prize short story by Heather Bell Adams, more honorees from the James Applewhite Poetry Prize contest; and a poem by Frank Borden Hanes, Sr., introduced by James W. Clark, Jr. and shared with permission of the writer's family.NCLR 31 (2022) is the 25th annual print issue under the editorship of Margaret D. Bauer, Rives Chair of Southern Literature and Distinguished Professor of Harriot College of Arts and Sciences at East Carolina University, where NCLR is produced, serving as an excellent opportunity for students to attain significant experience in editing and publishing.

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Unfinished at the time of his death, F. Scott Fitzgerald's The Last Tycoon is a story of doomed love set against the extravagance of America's booming film industry. This Penguin Modern Classics edition is edited with an introduction by Edmund Wilson.The studio lot looks like 'thirty acres of fairyland' the night that a mysterious woman stands and smiles at Monroe Stahr, the last of the great Hollywood princes. Enchanted by one another, they begin a passionate but hopeless love affair, starting with a fast-moving seduction as slick as a scene from one of Stahr's pictures. The romance unfolds, frame by frame, watched by Cecilia, a thoroughly modern girl who has taken her lessons in sentiment and cynicism from all the movies she has seen. Her buoyant humour and satirical eye perfectly complement Fitzgerald's panorama of Hollywood at its most lavish and bewitching.F. Scott Fitzgerald (1896-1940) has acquired a mythical status in American literary history, and his masterwork The Great Gatsby is considered by many to be the 'great American novel'. In 1920 he married Zelda Sayre, dubbed 'the first American Flapper', and their traumatic marriage and Zelda's gradual descent into insanity became the leading influence on his writing. As well as many short stories, Fitzgerald wrote five novels This Side of Paradise, The Great Gatsby, The Beautiful and the Damned, Tender is the Night and, incomplete at the time of his death, The Last Tycoon. After his death The New York Times said of him that 'in fact and in the literary sense he created a "generation" '.If you enjoyed The Last Tycoon, you might enjoy Fitzgerald's The Beautiful and the Damned, also available in Penguin Classics.'Wonderful ... a novel about Hollywood, written from the inside'Helen Dunmore, Sunday Times

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At 1:27 on the morning of August 4, 2005, Herbert Manes fatally stabbed Robert Monroe, known as Shorty, in a dispute over five dollars. It was a horrific yet mundane incident for the poor, heavily African American neighborhood of North Philadelphia—one of seven homicides to occur in the city that day and yet not make the major newspapers. For Michael B. Katz, an urban historian and a juror on the murder trial, the story of Manes and Shorty exemplified the marginalization, social isolation, and indifference that plague American cities. Introduced by the gripping narrative of this murder and its circumstances, Why Don't American Cities Burn? charts the emergence of the urban forms that underlie such events. Katz traces the collision of urban transformation with the rightward-moving social politics of late twentieth- and early twenty-first-century America. He shows how the bifurcation of black social structures produced a new African American inequality and traces the shift from images of a pathological black "underclass" to praise of the entrepreneurial poor who take advantage of new technologies of poverty work to find the beginning of the path to the middle class. He explores the reasons American cities since the early 1970s have remained relatively free of collective violence while black men in bleak inner-city neighborhoods have turned their rage inward on one another rather than on the agents and symbols of a culture and political economy that exclude them. The book ends with a meditation on how the political left and right have come to believe that urban transformation is inevitably one of failure and decline abetted by the response of government to deindustrialization, poverty, and race. How, Katz asks, can we construct a new narrative that acknowledges the dark side of urban history even as it demonstrates the capacity of government to address the problems of cities and their residents? How can we create a politics of modest hope?

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Since the 1920s, fashion has played a central role in Hollywood. As the movie-going population consisted largely of women, studios made a concerted effort to attract a female audience by foregrounding fashion. Magazines featured actresses like Jean Harlow and Joan Crawford bedecked in luxurious gowns, selling their glamour as enthusiastically as the film itself. Whereas actors and actresses previously wore their own clothing, major studios hired costume designers and wardrobe staff to fabricate bespoke costumes for their film stars. Designers from a variety of backgrounds, including haute couture and art design, were offered long-term contracts to work on multiple movies. Though their work typically went uncredited, they were charged with creating an image for each star that would help define an actor both on- and off-screen. The practice of working long-term with a single studio disappeared when the studio system began unravelling in the 1950s. By the 1970s, studios had disbanded their wardrobe departments and auctioned off their costumes and props. In Designing Hollywood: Studio Wardrobe in the Golden Age, Christian Esquevin showcases the designers who dressed Hollywood's stars from the late 1910s through the 1960s and the unique symbiosis they developed with their studios in creating iconic looks. Studio by studio, Esquevin details the careers of designers like Vera West, who worked on Universal productions such as Phantom of the Opera (1925), Dracula (1931), and Bride of Frankenstein (1931); William Travilla, the talent behind Marilyn Monroe's dresses in Gentleman Prefer Blondes (1953) and The Seven Year Itch (1955); and Walter Plunkett, the Oscar-winning designer for film classics like Gone with the Wind (1939) and An American in Paris (1951). Featuring black and white photographs of leading ladies in their iconic looks as well as captivating original color sketches, Designing Hollywood takes the reader on a journey from drawing board to silver screen.

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The history of blacks at Harvard mirrors, for better or for worse, the history of blacks in the United States. Harvard, too, has been indelibly scarred by slavery, exclusion, segregation, and other forms of racist oppression. At the same time, the nation's oldest university has also, at various times, stimulated, supported, or allowed itself to be influenced by the various reform movements that have dramatically changed the nature of race relations across the nation. The story of blacks at Harvard is thus inspiring but painful, instructive but ambiguous—a paradoxical episode in the most vexing controversy of American life: the "race question." The first and only book on its subject, Blacks at Harvard is distinguished by the rich variety of its sources. Included in this documentary history are scholarly overviews, poems, short stories, speeches, well-known memoirs by the famous, previously unpublished memoirs by the lesser known, newspaper accounts, letters, official papers of the university, and transcripts of debates. Among Harvard's black alumni and alumnae are such illustrious figures as W.E.B. Du Bois, Monroe Trotter, and Alain Locke; Countee Cullen and Sterling Brown both received graduate degrees. The editors have collected here writings as diverse as those of Booker T. Washington, William Hastie, Malcolm X, and Muriel Snowden to convey the complex ways in which Harvard has affected the thinking of African Americans and the ways, in turn, in which African Americans have influenced the traditions of Harvard and Radcliffe. Notable among the contributors are significant figures in African American letters: Phyllis Wheatley, William Melvin Kelley, Marita Bonner, James Alan McPherson and Andrea Lee. Equally prominent in the book are some of the nation's leading historians: Carter Woodson, Rayford Logan, John Hope Franklin, and Nathan I. Huggins. A vital sourcebook, Blacks at Harvard is certain to nourish scholarly inquiry into the social and intellectual history of African Americans at elite national institutions and serves as a telling metaphor of this nation's past.

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Funny and Feminist TriviaWomen of Interest is a humorous compendium of little known facts about the history, fame, fortunes, fashions, and fictions of the female species–enough to impress your mother and your boss, win arguments with your boyfriends and husbands, and generally know more about your fabulous female self.One of the most fascinating trivia books for women. Did you know that women outnumber men by five to one in shoplifting convictions? Or that researchers at Northwestern University found that men change their minds two to three times more than women? Women of Interest spans history, crosses cultures, ranges from the silly to the salacious to the truly useful and back again. Designed to delight the feminist in you, this outrageously funny book is organized into ten trivia-filled chapters covering all sorts of humorous histories and fun facts. Ideal for trivia games for adults or feminist gifts, now women really can know everything.Feminist, funny gifts for women. It’s time to challenge that know-it-all girlfriend, or grab the ultimate bathroom reader for your feminist BFF. Whether you’re searching for feminist books or trivia books, Women of Interest makes a wonderful addition to trivia games and bookshelves alike. Inside, you’ll learn that: Diamonds didn’t become a girl’s best friend until the thirteenth century. Before that, they were for men only. Zazel, a woman, was the first human cannonball. She launched into the air through a giant spring inside a cannon. Marilyn Monroe was the very first Artichoke Queen in the artichoke capital of the world. If you enjoy comedy books, trivia books for adults, or funny gifts for her─and enjoyed titles such as What If, 399 Games Puzzles & Trivia Challenges, Uncle John's Truth Trivia and the Pursuit of Factiness, The Woman's Encyclopedia of Myths and Secrets, or Thank You for Being a Friend: A Golden Girls Trivia Book─then you’ll love Women of Interest.

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America's most enduring and legendary symbol of young rebellion, James Dean continues into the 21st Century to capture the imagination of the world. In recognition of his enduring appeal as Hollywood's most visible symbol of unrequited male rage, bars from California to Nigeria and Patagonia are named in his honor. Dean, a strikingly handsome heart-throb, is a study in contrasts: Tough but tender; brutal at times but remarkably sensitive; a reckless hellraiser badass who could revert to a little boy in bed. From his climb from the dusty backroads of Indiana to the most formidable boudoirs of Hollywood, his saga is electrifying. He claimed that sexually, he didn't want to go through life with one hand tied behind his back. He corroborated his identity as a rampant bisexual through sexual interludes with Marilyn Monroe, Rock Hudson, Elizabeth Taylor, Paul Newman, Natalie Wood, Shelley Winters, Marlon Brando, Steve McQueen, Ursula Andress, Montgomery Clift, Pier Angeli, Tennessee Williams, Susan Strasberg, and (are you sitting down?) both Tallulah Bankhead and (as a male prostitute) FBI director J. Edgar Hoover. Woolworth heiress Barbara Hutton wanted to make him her toy boy. Tomorrow Never Comes, the newest in Blood Moon's critically acclaimed Babylon Series, is the most penetrating look at James Dean to have emerged from the wreckage of his Porsche Spyder in 1955. He flirted with Death until it caught him. Ironically, he said, "If a man can live after he dies, then maybe he's a great man." Before setting out on his last ride, he also said, "I feel life too intensely to bear living it." Tomorrow Never Comes is published in recognition of the 60th anniversary of his early death. It presents a damaged but beautiful soul, and the embarrassing and sometimes lurid compromises James Dean made on his road to "success" before his demons grabbed him.

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This selection of Times obituaries from 1872 to 2014 revisits the lives of 125 women who have all, in their own way, played an important part in women’s educational, professional, social, cultural and emotional journey over the best part of two centuries. The anthology starts with the obituary of 91-year-old pioneering mathematician and scientist Mary Somerville (d. 1872) and concludes with that of 110-year-old concert pianist and Holocaust survivor Alice Herz-Sommer (d. 2014). In between come a formidable trio of later scientists: the discoverer of radium Marie Curie; the unsung heroine of DNA, Rosalind Franklin; and the only British woman to win a Nobel Prize for science, Dorothy Hodgkin. Plus a further quintet of great pianists: Clara Schumann, Myra Hess, Eileen Joyce, Tatiana Nikolayeva and Moura Lympany. Among campaigners, there is nursing reformer Florence Nightingale (d. 1910), along with suffragists Emmeline, Christabel and Sylvia Pankhurst (d. 1928, 1958 and 1960), the 20th century’s best-known promoter of contraception (Marie Stopes, d. 1958), civil rights worker Rosa Parks (d. 2005), founder of the hospice movement Cicely Saunders (d. 2005), anti-apartheid campaigner Helen Suzman (d. 2009) and Nobel Prize-winning environmentalist Wangari Maathai (d. 2011). Interspersed are women prime ministers from Golda Meir of Israel (d. 1978) to Margaret Thatcher (d. 2013); actresses from Sarah Bernhardt (d. 1923) to Marilyn Monroe (d. 1962) and Elizabeth Taylor (d. 2011); novelists from George Eliot (d. 1880) to Doris Lessing (d. 2013); singers from Jenny Lind (d. 1887) to Joan Sutherland (d. 2010); plus aviators, a mountaineer, a Channel swimmer, war correspondents, ballerinas, sportswomen, botanists, US first ladies, iconic members of the British royal family, and more.

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The Many Lives of Andy Warhol is more than a biography: it’s a look into Warhol’s greatest creation: himself.Warhol was known as the king of pop art, but the famous artist was secretly never satisfied with a single style and his journey took him from graphic designs of shoes, women’s fashions and glamour magazines to owning and publishing his own film and gossip magazine, Interview. Stuart Lenig takes us behind the scenes to explore Warhol’s many innovations in the art world. Warhol was a titanic technician, making art from new techniques. His designs for Glamour and Vogue used a innovative blotted line technique for drawing and blotting the illustrations to make them appear printed. He turned common shoe designs into whimsical graphics. Warhol liked to shock people with images of death. Warhol caused a stir by making prints of a recently deceased Marilyn Monroe. He startled spectators with a paintings of a headline: “129 die in Jet.” Works that span Warhol’s entire career are discussed here alongside the continuing influence of diverse styles and forms that inspired them. He bought and collected antiques, classic Americana, camp and kitsch, primitive objects, and Native textiles. He was highly eclectic and saw nothing wrong with mixing and merging different historical styles. He blended Dada, Minimalism, Rococo, and Surrealism with abandon and finess. An introduction and ten chapters take readers through studies of the many lives of the artist as a performer, director, writer, technologist, printmaker, caricaturist, and critic of the art scene. In Warhol’s work we learn that the importance of the ancient and the contemporary form guided his renderings of the human form and his insights into contemporary society. He constantly reinvented and transformed his own language of signs. With lush descriptions and images,.The Many Lives of Andy Warhol reveals Warhol's life and art in new ways provides exceptional insights into the artist at work.

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Ronnie Wood is one of the foremost rock guitarists in the world, but his artistic talents extend beyond music. Throughout his stellar musical career from The Birds to the Faces and the Rolling Stones, Ronnie has never lost his passion for painting, drawing and sculpture. Exuding the same irrepressible energy as Ronnie himself, Ronnie Wood: Artist is the first ever comprehensive collection of his paintings and other artworks, created to mark the occasion of his seventieth birthday. The bright, bold volume brings together the fruits of a lifetime in the arts, brimming with six decades of memorable and diverse work, from his art college portfolio (he studied alongside Pete Townshend) to the intimate work of his personal life today. Inside, a generous selection of his Stones work, including rare watercolours of Mick, Keith and Charlie backstage, meets acrylics of contemporaries Rod Stewart, Jeff Beck and Keith Moon. Portraits of formative jazz innovators Count Basie, Miles Davis and Billie Holiday sit alongside blues heroes Howlin’ Wolf, Muddy Waters and Big Bill Broonzy. Paintings of Hollywood’s elite – Paul Newman, James Dean and Marilyn Monroe – juxtapose real-time fashion sketches of Kate Moss and Naomi Campbell and deft pastel compositions from his residency at the Royal Ballet. The artist himself provides the captions and insights into the thought and motivation behind each piece. With an introduction by Emmanuel Guigon (director of the Museu Picasso, Barcelona, where Ronnie will be beginning a residency in 2018) and an afterword by none other than Keith Richards, Ronnie Wood: Artist exists where fine art and rock ’n’ roll collide. This extensive and eclectic collection offers unique insights into the entire world of Ronnie Wood, and, with close to 400 works, is a fitting testament to the artistic range and ambition of rock ’n’ roll’s most successful artist

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John Malkovich is an award-winng actor who has appeared in over 70 motion pictures and is instantly recognisable; Sandro Miller is an award-winning photographer with a wide folllowing. Over the course of 17 years, award-winning photographer Sandro Miller and inimitable actor John Malkovich combined their larger-than-life personas and talents to produce a series of portraits and films, most notably those that reconstruct the most iconic images in photographic history, in their Homage series. Others in the collection here capture the genius and range of Malkovich's acting ability in distinctive portraits as well as in film works. For lovers of the arts, photography, and John Malkovich, this book is indispensable. The first section of the book, Portraits, includes Malkovich in a variety of costumes and characters, ranging from playful to serious; while the second section, Homage, is devoted to recreating some of the most iconic portraits of all time. Here are representations of the likes of Annie Leibowitz's image of Yoko Ono and John Lennon; Bert Stern's photographs of Marilyn Monroe, and Dorothea Lange's "Migrant Mother." At first glance, it is difficult to tell that the subject in the photograph is in fact Malkovich, emphasising the unique nature of Malkovich's formidable acting ability and Sandro's talent for perfectly creating the lighting, environment and demeanour of the original photographs. Finally, the third section of the book, Motion, contains photographs from experimental films created by the artists in tandem. As one of pop culture's most cultish personalities, Malkovich's fluid ability as an actor perfectly complements Sandro's talents as a photographer and director. Rarely is an art book published that exhibits so gorgeously and extravagantly the talents of two extraordinary individuals working in collaboration over such a long period of time, one that also provides so much delight to those who are not cognoscenti, but merely aficionados of great and distinctive work. The book is complete with essays by Sandro Miller and Jon Siskel that describe all the details of the photographs including behind-the-scenes details.

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And the Ass Saw the Angel - Nick Cave's classic Gothic novel, in its full and original formOutcast, mute, a lone twin cut from a drunk mother in a shack full of junk, Euchrid Eucrow of Ukulore inhabits a nightmarish Southern valley of preachers and prophets, incest and ignorance. When the God-fearing folk of the town declare a foundling child to be chosen by the Almighty, Euchrid is disturbed. He sees her very differently, and his conviction, and increasing isolation and insanity, may have terrible consequences for them both...In 2009 Cave released a cut-down version of his novel but this reissue restores the full uncut text, as first published in 1989.Compelling and astonishing in its baroque richness, Nick Cave's acclaimed first novel is a fantastic journey into the twisted world of Deep Southern Gothic tragedy. This book will be adored by readers of Will Self, William Faulkner and Falnnery O'Connor, as well as fans of the cult rock star everywhere.An explosion of linguistic brio and Gothic grotesquery, horrifying, funny and tragic' Michel Faber, Guardian'As if a Faulkner novel had been crossed with Whistle down the Wind and then narrated by a stoned blues musician ... heady' Daily TelegraphNick Cave was born in Australia in 1957. He moved to London with his band The Birthday Party in 1990 and four years later he formed The Bad Seeds, with whom he has made 15 studio albums. In recent years he has made two albums with his other band, Grinderman. In 1999 he curated and directed the Meltdown Festival at London's South Bank Centre. He has also written the soundtrack for a number of successful films including The Assassination of Jesse James, Lawless and The Proposition. His novel And the Ass Saw the Angel was an international bestseller, Time Out's Book of the Year, and was reissued in the Penguin Essential series. His second novel The Death of Bunny Monroe was published in 2009. He lives in Brighton with his family.

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Constance Lindsay Skinner made a living as a writer at a time when few men, and fewer women, managed the feat. Born in 1877 on the British Columbia frontier, she worked as a journalist in Vancouver, Los Angeles, and Chicago, before moving to New York City in 1912, where she supported herself by her pen until her death in 1939. Despite a prolific output - poetry, plays, short stories, histories, reviews, adult and children's novels - and in contrast to her reputation in the United States, she remains virtually unknown in the country of her birth. Reconstructing Constance Lindsay Skinner's writing life from her papers in the New York Public Library and from her publications, Jean Barman argues for three bases to her success. As well as a capacity to respond to market forces by moving between genres, she possessed an aura of authenticity by virtue of her Canadian frontier heritage. As a literary device, the frontier gave a freedom to tackle contentious issues of Aboriginal and hybrid identities, gender and sexuality, that might otherwise have been far more difficult to get into print. Third, and very important, was her willingness to subordinate a private self to the life of the imagination. Barman ponders Constance Lindsay Skinner's absence from the Canadian literary canon. She mixed with such twentieth-century personalities as Jack London, Harriet Monroe, Frederick Jackson Turner, Vilhjalmur Stefansson, Cornelia Meigs, Long Lance, and Margaret Mitchell, yet was unrecognized in her own country. Her sex mattered, just as it did for fellow Canadian women writers. So did her facility at multiple genres, a talent that, even as it made possible a writing life, prevented her from achieving a major breakthrough in any one of them. Perhaps most responsible was her identification with the frontier of a nation whose centre long shaped literary matters in its own image. Constance Lindsay Skinner makes a significant contribution to Canadian and American history and to literary and gender studies.

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Although known primarily as a country music star, Marty Stuart has been taking photographs of the people and places surrounding him since he first went on tour with bluegrass performer Lester Flatt at age twelve. His inspirations to do this include his own mother, Hilda Stuart, whom he watched document their family's everyday life in Mississippi, bassist Milt Hinton's photographs of fellow jazz artists, and Edward Curtis's well-known images of Native Americans at the turn of the twentieth century. Stuart's work ranges from intimate and often candid behind-the-scenes depictions of legendary musicians, to images that capture the eccentricities of characters from the back roads of America, to dignified portraits of members of the impoverished Lakota tribe in South Dakota, a people he was introduced to through his former father-in-law, Johnny Cash. Whatever the subject, Stuart is able to sensitively tease out something unexpected or hidden beneath the surface through a skillful awareness of timing and composition as well as a unique relationship with many of the subjects based on years of friendship and trust.This book will present images from these three bodies of work: "Badlands," on his time with the Lakota; "The Masters," from his work with musicians like Bill Monroe, Johnny Cash, Ray Charles, Dolly Parton, George Jones, Kitty Wells, Willie Nelson, and Waylon Jennings; and "Blue Line Hot Shots." As Stuart explains, "The newly built Interstate Highway System was at one time represented on our maps by the color red, while the two-lane highways and back roads of the nation were represented in blue. The back roads are where you'll find some of the people that I admire, respect, and always keep an eye out for. ... They are renegades … As Roger Miller once said, 'These people flush to the beat of a different plumber.' "The photographs are framed by an introduction by Stuart and a context-setting essay by photography historian Susan Edwards, executive director of the First Center for the Visual Arts. The book and accompanying exhibition at the First Center demonstrate that Marty Stuart is a master storyteller not only through his songs but also through his revealing and compelling photographs.

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Dive deeper into the world of Little People, BIG DREAMS with this beautifully packaged and highly giftable keepsake treasury featuring 40 great American dreamers from the critically acclaimed, multimillion-copy bestselling series. Learn more about each of your favourite dreamers with new in-depth stories, facts, and figures in this beautifully-crafted compendium. With an emphasis on heroes of the USA, each story is rewritten to be appropriate for an older audience. Revisit best-loved figures from the series and some new ones, too, including Prince, Maya Angelou, Dolly Parton, Martin Luther King Jr., Marilyn Monroe, Michael Jordan, Amanda Gorman, Gloria Steinem, Elvis, Neil Armstrong and Dwayne Johnson. Discover how these incredible people shaped America into the country it is today. From inspiring artists and passionate activists to intrepid explorers and groundbreaking musicians, this collection goes further than the original series into the lives of these iconic figures – perfect for curious minds who always want to know more! This luxury keepsake treasury makes the perfect gift for holidays, birthdays and more. Each of the beautifully written biographies is accompanied by a timeline, featuring extra information, important dates and real photos. Little People, BIG DREAMS is a bestselling biography series for kids that explores the lives of outstanding people, from designers and artists to scientists and activists. All of them achieved incredible things, yet each began life as a child with a dream. This empowering series of books offers inspiring messages to children of all ages, in a range of formats. The board books are told in simple sentences, perfect for reading aloud to babies and toddlers. The hardback and paperback versions present expanded stories for beginning readers. With rewritten text for older children, the treasuries each bring together a multitude of dreamers in a single volume. You can also collect a selection of the books by theme in boxed gift sets. Activity books and a journal provide even more ways to make the lives of these role models accessible to children.Inspire the next generation of outstanding people who will change the world with Little People, BIG DREAMS!

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Governments around the world have been trying to find ways to reduce greenhouse gas emissions for decades. This detailed Handbook considers the spectrum of legal and market-based instruments as well as strategies and policies adopted around the world and suggests more effective, comprehensive and responsive ways of managing climate change mitigation.As well as taking stock of the current and proposed legal instruments, the book looks at the wider policy and economic aspects of coping with climate change. It provides a comparative overview of key issues across Europe, the United States, Asia-Pacific and the BRICS countries, and discusses domestic, regional and international law and governance. With perspectives from academia, government and private practice, the expert contributors analyse key sectors such as energy, transport, buildings, industry, land use and waste. Important issues such as carbon trading, financing and litigation are also addressed. The book demonstrates the variety of approaches taken and their challenges with a view of fostering more effective and pragmatic ways of managing climate change mitigation.This timely book will be an authoritative resource for scholars of climate change law and policy, whilst also providing a rigorous overview for upper-level students. Policymakers will gain insights from the comparative perspectives, and practitioners will appreciate the broad range of practical issues addressed.Contributors: M. Alessi, J. Allmon, H. Van Asselt, D. Belis, L. Berzanskis, S. Bogojevic, D. Conway, C. Egenhofer, J.B. Eisen, B. Evans, N. Fujiwara, M.B. Gerrard, K. Hussey, M. Iguchi, S. Kakade, C.K. Siebert, E. Knight, A. Korppoo, J. Li, J. Lin, H. Masondo, M. Mehling, K. Hannon Michel, A. Monroe, H. Nakamura, J. Núñez Ferrer, A.S. Olesen, U. Outka, S.-L. Penttinen, F. Rambau, L. Reins, L. Ristino, A. Rohatgi, R. Seroa da Motta, I. Skinner, N. Srivastava, K. Talus, T.S.A. Loi, C.Tung, K. Upston-Hooper, G. Van Calster, W. Vandenberghe, S. Wattiaux, P. Wehrheim, J. Wettestad, A. Yamamoto, E. Yliheljo, N. Bin Zahur

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Restored to its original splendor, Montpelier is now a national shrine, but before Montpelier became a place of study and tribute, it was a home. Often kept from it by the business of the young nation, James and Dolley Madison could finally take up permanent residence when they retired from Washington in 1817. Their lifelong friend Thomas Jefferson predicted that, at Montpelier, the retiring Madison could return to his ""books and farm, to tranquility, and independence,"" that he would be released ""from incessant labors, corroding anxieties, active enemies, and interested friends.""As the celebrated historian Ralph Ketcham shows, this would turn out to be only partly true. Although the Madisons were no longer in Washington, Dolley continued to take part in its social scene from afar, dominating it just as she had during Jefferson’s and her husband’s administrations, commenting on people and events there and advising the multitude of young people who thought of her as the creator of society life in the young republic. James maintained a steady correspondence about public questions ranging from Native American affairs, slavery, and utopian reform to religion and education. He also took an active role at the Virginia Constitutional Convention of 1829-30, in the defeat of nullification, and in the establishment of the University of Virginia, of which he was the rector for eight years after Jefferson’s death. Exploring Madison’s role in these post-presidential issues reveals a man of extraordinary intellectual vitality and helps us to better understand Madison’s political thought. His friendships with figures such as Jefferson, James Monroe, and the Marquis de Lafayette-as well as his assessment of them (he outlived them all)-shed valuable light on the nature of the republic they had all helped found.In their last years, James and Dolley Madison personified the republican institutions and culture of the new nation-James as the father of the Constitution and its chief propounder for nearly half a century, and Dolley as the creator of the role of ""First Lady."" Anything but uneventful, the retirement period at Montpelier should be seen as a crucial element in our understanding of this remarkable couple.

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Governments around the world have been trying to find ways to reduce greenhouse gas emissions for decades. This detailed Handbook considers the spectrum of legal and market-based instruments as well as strategies and policies adopted around the world and suggests more effective, comprehensive and responsive ways of managing climate change mitigation.As well as taking stock of the current and proposed legal instruments, the book looks at the wider policy and economic aspects of coping with climate change. It provides a comparative overview of key issues across Europe, the United States, Asia-Pacific and the BRICS countries, and discusses domestic, regional and international law and governance. With perspectives from academia, government and private practice, the expert contributors analyse key sectors such as energy, transport, buildings, industry, land use and waste. Important issues such as carbon trading, financing and litigation are also addressed. The book demonstrates the variety of approaches taken and their challenges with a view of fostering more effective and pragmatic ways of managing climate change mitigation.This timely book will be an authoritative resource for scholars of climate change law and policy, whilst also providing a rigorous overview for upper-level students. Policymakers will gain insights from the comparative perspectives, and practitioners will appreciate the broad range of practical issues addressed.Contributors: M. Alessi, J. Allmon, H. Van Asselt, D. Belis, L. Berzanskis, S. Bogojevic, D. Conway, C. Egenhofer, J.B. Eisen, B. Evans, N. Fujiwara, M.B. Gerrard, K. Hussey, M. Iguchi, S. Kakade, C.K. Siebert, E. Knight, A. Korppoo, J. Li, J. Lin, H. Masondo, M. Mehling, K. Hannon Michel, A. Monroe, H. Nakamura, J. Núñez Ferrer, A.S. Olesen, U. Outka, S.-L. Penttinen, F. Rambau, L. Reins, L. Ristino, A. Rohatgi, R. Seroa da Motta, I. Skinner, N. Srivastava, K. Talus, T.S.A. Loi, C.Tung, K. Upston-Hooper, G. Van Calster, W. Vandenberghe, S. Wattiaux, P. Wehrheim, J. Wettestad, A. Yamamoto, E. Yliheljo, N. Bin Zahur

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The relocation of the southern Indian tribes to Oklahoma engineered by Sam Houston following the War of 1812 also swept up many black inhabitants of North America. Many of the states in the USA—free as well as slaveholding—have passed laws ordering the expulsion of black freedmen. Having nowhere else to go, they joined the migration of the southern Indian tribes and settled in Arkansas. What results by 1824 is a hybrid nation of Indians, black people, and a number of white settlers as well. The situation is intolerable for the slaveholding states, which find a champion in Speaker of the House Henry Clay, whose longstanding ambition to become President of the United States looks to be coming to fruition. But Sam Houston and his friends and allies —the freedman Charles Ball, a former gunner for the US Navy and now a general in the Arkansas army, and the Irish revolutionary Patrick Driscol — are building a powerful army of their own in Arkansas. The crisis is brought to a head by the election of 1824. The war that follows will be a bloody crisis of conscience, politics, economics, and military action, drawing in players from as far away as England. And for such men as outgoing president James Monroe, Secretary of State John Quincy Adams, charismatic war hero Andrew Jackson, and the violent abolitionist John Brown, it is a time to change history itself. About 1635: A Parcel of Rogues: “The 20th volume in this popular, fast-paced alternative history series follows close on the heels of the events in The Baltic War, picking up with the protagonists in London, including sharpshooter Julie Sims. This time the 20th-century transplants are determined to prevent the rise of Oliver Cromwell and even have the support of King Charles.”—Library Journal About 1634: The Galileo Affair: “A rich, complex alternate history with great characters and vivid action. A great read and an excellent book.”—David Drake “Gripping . . . depicted with power!”—Publishers Weekly About Eric Flint's Ring of Fire series: “This alternate history series is . . . a landmark.”—Booklist “[Eric] Flint's 1632 universe seems to be inspiring a whole new crop of gifted alternate historians.”—Booklist “ . . . reads like a technothriller set in the age of the Medicis . . .”—Publishers Weekly

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The Monroe Doctrine, "dollar diplomacy," the policy of the Good Neighbor—these well-known terms indicate the spectrum of the United States's relationships with its neighbors of the Western Hemisphere. Hemisphere thinking in the "Yankee" nation, founded on economic, political, and strategic needs, has come to encompass an appreciation of social and intellectual aspects as a vital part of a unified international unit. In The Western Hemisphere: Its Influence on United States Policies to the End of World War II, Wilfrid Hardy Callcott traces the rise of this awareness of the essential unity of the Western Hemisphere in international affairs. Although Callcott concentrates on the United States, he discusses all hemisphere countries, and his inclusion of Canada adds an additional dimension to previous studies on the subject. From the early days of the Republic to the end of World War I, the relations of the United Stales with its neighbors gradually developed from mere curiosity and from on-the-spot decision-making into policy. During the eighteenth century the persons entrusted with United States foreign policy pressed forward with their own country's westward expansion, while they expressed only an academic interest in the affairs of other Western Hemisphere nations from Canada to Brazil. By the end of the nineteenth century the United States had enthusiastically joined the imperialist nations. Although it soon replaced the use of force with economic controls, its military and economic manipulations naturally generated more fear and antagonism in the neighboring nations than cooperation and sympathy. After World War I, attention to the hemisphere was fostered by the need for strategic raw materials that were to be found from Canada to South America, and by Old World rivalries and needs that endangered New World interests. Canadian and Latin American views of Europe and the League of Nations became much like those of the United States. The new conditions that arose called forth the Good Neighbor policy to combine economic and strategic values in a complex program that included intellectual, social, and cultural elements. World War II accentuated the new consciousness and compelled recognition of the significance of hemisphere relationships in all of the New World nations.

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Let Secret New York guide you around the unusual and unfamiliar. Step off the beaten track with this fascinating and unusual New York guide book and let our local experts show you the well-hidden treasures of this amazing city. Ideal for local inhabitants, curious visitors and armchair travellers alike. The places included in our guides are unusual and unfamiliar, allowing one to step off the beaten track. Now in it's third edition, Secret New York - An Unusual Guide features 200 secret and unusual locations. Inside Secret New York - An Unusual Guide : Admire an apocalyptic pillar in a church, relax in secret gardens, discover the New York version of the Sagrada Familia, visit a secret metro tunnel, contemplate an elephant electrocuted, find bullet impacts outside the Bank JP Morgan, observe the stars with a university telescope, find a statue of Lenin, fly your skirt in the same place as Marilyn Monroe, explore a room filled with earth, discover a gigantic Venetian palace above an old stable, visit an island whose independence was proclaimed from a canoe in 2004, discover the 'pig' of St. Patrick's Cathedral, play scrabble with the signs of Queens, find out where is the last tooth of Washington, find the house who hides a metro mouth, locate a plaque in memory of an event of another dimension, have your bike or elephant blessed , go get inspected any natural quirk at an annual professional identification session ... Away from the crowds and cliches, New York always has surprises for those who know how to think outside the box. An indispensable guide for those who know how to wander off the beaten track. Don't miss - Each chapter of this Secret New York An Unusual Guide travel guide book corresponds to a different neighbourhood of the city so that one can always find a hidden or secret place to discover. Perfectly planned walks - Make sure that you do not miss any Secret location, by discovering each one featured in this guide by planning a walking tour of each neighbourhood.

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This intimate, revealing portrait of Frank Sinatra—from the man closest to the famous singer during the last decade of his life—features never-before-seen photos and new revelations about some of the most famous people of the past fifty years, including Jackie Kennedy, Marilyn Monroe, Sam Giancana, Madonna, and Bono. “If you are a Frank fan, buy this book” (Jimmy Kimmel).More than a hundred books have been written about legendary crooner and actor Frank Sinatra. Every detail of his life seems to captivate: his career, his romantic relationships, his personality, his businesses, his style. But a hard-to-pin-down quality has always clung to him—a certain elusiveness that emerges again and again in retrospective depictions. Until now. From Sinatra’s closest confidant and an eventual member of his management team, Tony Oppedisano, comes an extraordinarily intimate look at the singing idol that offers “new information on almost every page” (The Wall Street Journal). Deep into the night, for more than two thousand nights, Frank and Tony would converse—about music, family, friends, great loves, achievements and successes, failures and disappointments, the lives they’d led, the lives they wished they’d led. In these full-disclosure conversations, Sinatra spoke of his close yet complex relationship with his father, his conflicts with record companies, his carousing in Vegas, his love affairs with some of the most beautiful women of his era, his triumphs on some of the world’s biggest stages, his complicated relationships with his talented children, and, most important, his dedication to his craft. Toward the end, no one was closer to the singer than Oppedisano, who kept his own rooms at the Sinatra residences for many years, often brokered difficult conversations between family members, and held the superstar entertainer’s hand when he drew his last breath. “Frank Sinatra fans, pull up a chair and let longtime confidante and road manager Tony Oppedisano regale you with tales from the entertainer’s inner circle” (Parade magazine)—Sinatra and Me pulls back the curtain on a man whom history has, in many ways, gotten wrong.

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GREEK COOKING FOR EVERYONE helps recreate the atmosphere and mood of a visit to Greece or a Greek festival.. The essence of Greek cooking ....the mood that goes along with the menu....is captured in the comments by authors of this Greek meal planner and cookbook. The crash course in "going Greek" makes the book a good gift for non-Greek cooks as well as those who collect Greek recipes. The book is organized by menus, outlining Greek dinners and presenting the recipes for the complete dinner together. The flair comes in the "accents" suggested by the authors. Highlighted by b/l photos from many parts of Greece, and the larger type makes it easy to refer to the recipes while cooking.

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David King Gleason provides a grand tour of Virginia's distinctive plantation homes. As the architectural historian Calder Loth states in his prefatory note, ""Gleason's elegant photographs provide a seductive image of life in 'Old Virginia.' He presents one inviting house after another, complete with handsome interiors, and spacious grounds dotted with boxwoods and venerable trees.""Unlike those in the Deep South, most of Virginia's plantation homes were built before the antebellum period and mainly reflect colonial, English Georgian, and Jeffersonian styles of architecture. Gleason has photographed the homes in all seasons, framing some in the pink blossoms of springtime dogwoods, showing others surrounded by the golden hues of autumn, and presenting still others blanketed in January snows. Many of the photographs provide aerial perspectives that encompass not only the homes themselves but outbuildings and dependencies, great lawns and terraced gardens.The book begins with homes in the Tidewater region, where Bacon's Castle, built in 1665 on the south bank of the James River, still stands. It is the oldest surviving house not only in Virginia but in all of English-settled North America. Other houses from the Tidewater region include Westover, considered one of the most beautiful Georgian residences in the United States; Brandon, at one time the home of Benjamin Harrison; Appomattox Manor, where Ulysses S. Grant headquartered for a period during the Civil War; and Carter's Grove, near Williamsburg. In northern Virginia and the Shenandoah valley are Gunston Hall, near Alexandria; Woodlawn, in Fairfax County; Washington's Mount Vernon; and Melrose, a castellated manor inspired by the romantic literature of Sir Walter Scott. In the Piedmont, Gleason photographed such houses as Ash Lawn, the home of James Monroe; Edgemont, an exquisitely proportioned house showing Thomas Jefferson's influence; and Estouteville, whose great center hall opens onto identical Tuscan porticos framing magnificent views of the Virginia countryside. Gleason's photographs of a mist-shrouded Monticello are among the most beautiful in the book. In all, Gleason has photographed more than eighty of Virginia's finest plantation homes. Extensive captions provide concise histories of each house, including its original builder and subsequent owners, and its occupants, either friendly or hostile, during the Revolutionary or Civil wars.

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CHOICE Outstanding Academic Title"They could write like angels and scheme like demons." So begins Pulitzer Prize-winner Edward Larson's masterful account of the wild ride that was the 1800 presidential election—an election so convulsive and so momentous to the future of American democracy that Thomas Jefferson would later dub it "America's second revolution." This was America's first true presidential campaign, giving birth to our two-party system and indelibly etching the lines of partisanship that have so profoundly shaped American politics ever since. The contest featured two of our most beloved Founding Fathers, once warm friends, facing off as the heads of their two still-forming parties—the hot-tempered but sharp-minded John Adams, and the eloquent yet enigmatic Thomas Jefferson—flanked by the brilliant tacticians Alexander Hamilton and Aaron Burr, who later settled their own differences in a duel. The country was descending into turmoil, reeling from the terrors of the French Revolution, and on the brink of war with France. Blistering accusations flew as our young nation was torn apart along party lines: Adams and his elitist Federalists would squelch liberty and impose a British-style monarchy; Jefferson and his radically democratizing Republicans would throw the country into chaos and debase the role of religion in American life. The stakes could not have been higher. As the competition heated up, other founders joined the fray—James Madison, John Jay, James Monroe, Gouverneur Morris, George Clinton, John Marshall, Horatio Gates, and even George Washington—some of them emerging from retirement to respond to the political crisis gripping the nation and threatening its future. Drawing on unprecedented, meticulous research of the day-to-day unfolding drama, from diaries and letters of the principal players as well as accounts in the fast-evolving partisan press, Larson vividly re-creates the mounting tension as one state after another voted and the press had the lead passing back and forth. The outcome remained shrouded in doubt long after the voting ended, and as Inauguration Day approached, Congress met in closed session to resolve the crisis. In its first great electoral challenge, our fragile experiment in constitutional democracy hung in the balance. A Magnificent Catastrophe is history writing at its evocative best: the riveting story of the last great contest of the founding period.

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Credit rating agencies play a critical role in capital markets, guiding the asset allocation of institutional investors as private capital moves freely around the world in search of the best trade-off between risk and return. However, they have also been strongly criticised for failing to spot the Asian crisis in the early 1990s, the Enron, WorldCom and Parmalat collapses in the early 2000s and finally for their ratings of subprime-related structured finance instruments and their role in the current financial crisis. This book is a guide to ratings, the ratings industry and the mechanics and economics of obtaining a rating. It sheds light on the role that the agencies play in the international financial markets. It avoids the sensationalist approach often associated with studies of rating scandals and the financial crisis, and instead provides an objective and critical analysis of the business of ratings. The book will be of practical use to any individual who has to deal with ratings and the ratings industry in their day-to-day job. Reviews "Rating agencies fulfil an important role in the capital markets, but given their power, they are frequently the object of criticism. Some of it is justified but most of it portrays a lack of understanding of their business. In their book The Rating Agencies and their Credit Ratings, Herwig and Patricia Langohr provide an excellent economic background to the role of rating agencies and also a thorough understanding of their business and the problems they face. I recommend this book to all those who have an interest in this somewhat arcane but extremely important area." -Robin Monro-Davies, Former CEO, Fitch Ratings. "At a time of unprecedented public and political scrutiny of the effectiveness and indeed the basic business model of the Credit Rating industry, and heightened concerns regarding the transparency and accountability of the leading agencies, this book provides a commendably comprehensive overview, and should provide invaluable assistance in the ongoing debate." -Rupert Atkinson, Managing Director, Head of Credit Advisory Group, Morgan Stanley and member of the SIFMA Rating Agency Task Force "The Langohrs have provided useful information in a field where one frequently finds only opinions or misconceptions. They supply a firm base from which to understand changes now underway. A well-read copy of this monograph should be close to the desk of every investor, issuer and financial regulator, legislator or commentator." -John Grout, Policy and Technical Director, The Association of Corporate Treasurers

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