Search results for ""Author Monroe"

"The greatest American dramatist of our age" - Evening Standard In this third volume of collected works, three of Arthur Miller’s stage plays from the early 1980s are brought together in a new edition. Expanding on the themes and explorations of his earlier work, this volume also contains an introduction from the playwright himself, as well as an afterword by acclaimed Miller scholar Christopher Bigsby. A sweeping, hard-hitting look at the Great Depression of the 1930s, The American Clock(1982) is a vaudevillian celebration of American resilience and optimism in the face of national crisis, and was later performed on Broadway. Set in an Eastern European capital, The Archbishop's Ceiling (1984), examines the relationship between four writers, and the erosion of personal integrity during the cold war: a thrilling study of the effects of surveillance and political pressure on an individual's actions Also included is a revised version of Two-Way Mirror (1984): a double bill for a man and a woman, consisting of two short plays - Elegy for a Lady and Some Kind of Love Story. These fantastic two-handers explore the nuances in relationships, and have come to be come to be recognised as some sort of coded epitaph to the tumult and tragedy of Miller’s marriage to Marilyn Monroe Freshly edited and featuring a bold new design, this updated edition of Arthur Miller Plays 3 is a must-have for theatre fans and students alike.

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Researchers faced with using documentary sources for the first time, such as correspondence, diaries, and literary manuscripts, are plunged into a world far different from the familiar library setting, with its card or computer catalogs, bibliographies, and other resource-finding tools. Over and over, studies of research methodology among scholars reveal that they learn by some sort of collegial osmosis and general fumbling about until they figure things out. There is an easier way. Burke explains the professional techniques employed by archivists and manuscript curators, describing what they do and why, so the beginning researcher has a foundation for understanding how to search and access personal papers. Burke surveys problems of organization, access, alternative sources, and legal issues with amusing anecdotes and examples. Research and the Manuscript Tradition is a reflection on using manuscripts for research, administering manuscript and archival collections and institutions, and the lessons learned from teaching a manuscripts administration course for more than twenty years. It provides a solid theoretical base as well as practical advice and a glimpse of the satisfaction that can come from working with personal papers. Contents: Yuan Shih-Kai, Harriet Monroe, and the Manuscript Tradition; The Recovery of Reality; Opening the Doors to Scholarship; Gathering the Evidence; Mapping the Roads to the Past; Tradition Confronts Technology; Organizing a Life; Good Deeds Do Not Go Unrewarded; The Cultural Crypt; Not by Vaults and Locks...; Law, Curatorial Ethics, and the Researcher; Personal Communication in the Electronic Age.

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Encuadernación: RústicaUna de las siguientes afirmaciones es verdadera:? Con cada inspiración, inhalamos un átomo espirado por Marilyn Monroe.? Hay un líquido que puede ir cuesta arriba.? Envejecemos más rápido en lo alto de un edificio que en la base.? Un átomo puede estar en muchos lugares diferentes a la vez, el equivalente de estar en Nueva York y en Londres al mismo tiempo.? Toda la raza humana cabría en el volumen de un terrón de azúcar.? El uno por ciento de la nieve que aparece al sintonizar una televisión entre los canales es un vestigio del Big Bang.? Viajar en el tiempo no está prohibido por las leyes de la física.? Una taza de café pesa más cuando está caliente que cuando está fría.? Cuanto más rápido viajas, más delgado te vuelves.Es broma. Son todas ciertas!Como escritor de ciencia, me sorprende observar constantemente el hecho de que ésta es mucho más extraña que la ciencia ficción y que el universo es mucho más increíble que

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How can we best understand the major debates and recent movements in contemporary empirical political theory? In this volume, the contributors, including four past presidents of the APSA and one past president of the IPSA, present their views of the central core, methodologies and development of empirical political science. Their disparate views of the unifying themes of the discipline reflect different theoretical orientations, from behavioralism to rational choice, cultural theory to postmodernism, and feminism to Marxism. Is there a human nature on which we can construct scientific theories of political life? What is the role of culture in shaping any such nature? How objective and value-free can political theories be? These are only a few of the issues the volume addresses. By assessing where we have traveled intellectually as a discipline and asking what remains of lasting significance in the various theoretical approaches that have engulfed the profession, Contemporary Empirical Political Theory provides an important evaluation of the current state of empirical political theory and a valuable guide to future developments in political science.CONTRIBUTORS: Gabriel Almond, David Easton, Murray Edelman, J. Peter Euben, Bernard Grofman, John Gunnell, Russell Hardin, Edward Harpham, Nancy Hartsock, Jean Laponce, Theodore Lowi, Kristen Monroe, William Riker, Ian Shapiro, Alexander Wendt, Catherine Zuckert, Michael Zuckert This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1997.

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From the Preface: Srinivasa Varadhan began his research career at the Indian Statistical Institute (ISI), Calcutta, where he started as a graduate student in 1959. His first paper appeared in Sankhyá, the Indian Journal of Statistics in 1962. Together with his fellow students V. S. Varadarajan, R. Ranga Rao and K. R. Parthasarathy, Varadhan began the study of probability on topological groups and on Hilbert spaces, and quickly gained an international reputation. At this time Varadhan realised that there are strong connections between Markov processes and differential equations, and in 1963 he came to the Courant Institute in New York, where he has stayed ever since. Here he began working with the probabilists Monroe Donsker and Marc Kac, and a graduate student named Daniel Stroock. He wrote a series of papers on the Martingale Problem and Diffusions together with Stroock, and another series of papers on Large Deviations together with Donsker. With this work Varadhan's reputation as one of the leading mathematicians of the time was firmly established. Since then he has contributed to several other areas of probability, analysis and physics, and collaborated with numerous distinguished mathematicians. Varadhan was awarded the Abel Prize in 2007. These Collected Works contain all his research papers over the half-century spanning 1962 to early 2012.Volume III includes the papers on large deviations. ​​

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From the Preface: Srinivasa Varadhan began his research career at the Indian Statistical Institute (ISI), Calcutta, where he started as a graduate student in 1959. His first paper appeared in Sankhyá, the Indian Journal of Statistics in 1962. Together with his fellow students V. S. Varadarajan, R. Ranga Rao and K. R. Parthasarathy, Varadhan began the study of probability on topological groups and on Hilbert spaces, and quickly gained an international reputation. At this time Varadhan realised that there are strong connections between Markov processes and differential equations, and in 1963 he came to the Courant Institute in New York, where he has stayed ever since. Here he began working with the probabilists Monroe Donsker and Marc Kac, and a graduate student named Daniel Stroock. He wrote a series of papers on the Martingale Problem and Diffusions together with Stroock, and another series of papers on Large Deviations together with Donsker. With this work Varadhan's reputation as one of the leading mathematicians of the time was firmly established. Since then he has contributed to several other areas of probability, analysis and physics, and collaborated with numerous distinguished mathematicians. Varadhan was awarded the Abel Prize in 2007. These Collected Works contain all his research papers over the half-century spanning 1962 to early 2012. Volume I includes the introductory material, the papers on limit theorems and review articles.

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Hefner, the Playboy of the Western World, was a visionary publisher, an empire-builder, an avatar of pleasure, and a pajama-clad pipe-smoker with a pre-coital grin. In 1953, he published his first edition of Playboy, with Marilyn Monroe on the cover and her nude calendar inside. He obtained the rights for $500 with money borrowed from his puritanical Nebraska-born mother. In addition to his role as a 'tasteful pornographer,' Hef became a cultural warrior, fighting government censorship all the way to the U.S. Supreme Court after the Post Office refused to deliver his magazine to its subscribers. As the years and his notoriety progressed, he became an advocate of abortion, LGBT equality, and the legalization of pot. Eventually, he engaged in 'pubic wars' with Bob Guccione, founder of Penthouse, which cut into Hef’s sales. During his heyday, some of the biggest male stars in Hollywood, including Warren Beatty, Sammy Davis, Jr., Mick Jagger, and Jack Nicholson, came to frolic behind Hef’s guarded walls, stripping nude in the hot tube grotto before sampling the rotating beds upstairs. This ground-breaking biography, the latest in Blood Moon’s string of outrageously unvarnished myth-busters, is the first published since Hefner’s death at the age of 91 in 2017. It is a provocative saga, rich in tantalizing, often shocking detail — definitely not for the sanctimonious or the faint of heart.

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Dark stories of failed dreams and contemporary desperation in Los Angeles. In a rundown Los Angeles apartment building—the titular Starlite Terrace—Patrick Roth unfurls the tragic linked stories of Rex, Moss, Gary, and June, four neighbors, in a sort of burlesque of the Hollywood modern. In each of their singular collisions with fame, Roth’s dark prose presages a universal and mythical fate of desperation. In “The Man at Noah’s Window,” Rex shares the story of his father, a supposed hand double for Gary Cooper in High Noon. In “Eclipse of the Sun,” Moss, who lives in fear of the next holocaust, awaits a visit from the long-lost daughter he has tracked down. In “Rider on the Storm,” Gary, a rock drummer and born-again Christian, who “almost played” on the Turtles’ 60s-hit “Happy Together,” strives to find an escape from his personal guilt. And in “The Woman in the Sea of Stars,” June, a former Hollywood studio secretary whose husband once cheated on her with Marilyn Monroe, makes the best of a disconnected life until she emerges reborn through ashes strewn in the illuminated swimming pool of the Starlite Terrace. In each of these four tales of wannabes and almost-weres, Roth's L.A. portraits unfold in rare style, and, in Krishna Winston’s masterful translation, the hopeless, loveless perversion of an Ed Ruscha-inspired California becomes a compelling pageant of all-American grotesques that is not to be missed.

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The cops of Hollywood Station are still over-worked, under-staffed, bound by red tape, hobbled by political correctness, and constantly amazed by what the boulevards can throw at them. Scratch the surface of the 'reel' Hollywood and you'll discover the 'real' Hollywood. Here, Mickey Mouse is a crack addict, Marilyn Monroe is a man and when the moon is full, the neighbourhood gets even weirder. When the legendary Oracle is replaced by Sgt. Jason 'Chickenlips' Treakle - a politically correct, paper shuffling putz with a shiny shoe fetish - Nate 'Hollywood' Weiss leaves the mid-watch to become a Crow, or Community Relations Officer (C.R.O.). These are the guys dealing with domestic disputes, busting stalkers, bouncing paparazzi and calming chronic complainers, wannabe cops and loons of all varieties. It should be easy duty - to the other cops it's 'the sissie beat' - but being Hollywood, the loons are not in short supply and not everything is at is seems. So when Hollywood Nate and fellow crow Bix Rumstead find themselves caught up with bombshell Margot Aziz, they think they're just having some fun. To them, Margot is a harmless hill bunny, stuck in the middle of an ugly divorce from a nefarious strip-club-owner. But Margot's no helpless victim: the femme fatale is setting them up so she can pull off the perfect murder and walk away with her ex-husband's ill-won fortune. But Margot isn't the only one with a deadly plan.

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From the Preface: Srinivasa Varadhan began his research career at the Indian Statistical Institute (ISI), Calcutta, where he started as a graduate student in 1959. His first paper appeared in Sankhyá, the Indian Journal of Statistics in 1962. Together with his fellow students V. S. Varadarajan, R. Ranga Rao and K. R. Parthasarathy, Varadhan began the study of probability on topological groups and on Hilbert spaces, and quickly gained an international reputation. At this time Varadhan realised that there are strong connections between Markov processes and differential equations, and in 1963 he came to the Courant Institute in New York, where he has stayed ever since. Here he began working with the probabilists Monroe Donsker and Marc Kac, and a graduate student named Daniel Stroock. He wrote a series of papers on the Martingale Problem and Diffusions together with Stroock, and another series of papers on Large Deviations together with Donsker. With this work Varadhan's reputation as one of the leading mathematicians of the time was firmly established. Since then he has contributed to several other areas of probability, analysis and physics, and collaborated with numerous distinguished mathematicians. Varadhan was awarded the Abel Prize in 2007. These Collected Works contain all his research papers over the half-century spanning 1962 to early 2012. Volume II includes the papers on PDE, SDE, diffusions, and random media.​​

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From the 1920s to the 1960s, René Hubert (1895–1976) belonged to the crème de la crème of costume designers. He designed costumes for stars such as Tallulah Bankhead, Ingrid Bergman, Marlon Brando, Yul Brynner, Marlene Dietrich, Vivien Leigh, Laurence Olivier, and Marilyn Monroe in one of her first roles. Shirley Temple danced the hula in the film Curly Top wearing a grass skirt ensemble designed by Hubert; he was especially closely associated with Gloria Swanson, who encouraged him to relocate to Los Angeles when she met him in Paris in 1924. Hubert consented, and soon found himself working with directors René Clair, Alfred Hitchcock and Otto Preminger, elevating their stars with his flair for opulent color and elegant lines. Hubert’s international reputation helped him to win commissions in his native Switzerland, most notably for the Swiss National Exhibition in 1939, for Swissair uniforms and aircraft interiors, and for various theaters and textile companies. This richly illustrated publication compiles sketches, costume photography, stage photos and film stills of Hubert’s work. Experts from both sides of the Atlantic reflect on his multifaceted oeuvre at his numerous workplaces in Switzerland, Europe and the US. Excerpts from his unpublished memoirs provide a personal view of his life and the glamor of the era.

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At the time of Elizabeth II’s accession, Winston Churchill was the Prime Minister of the United Kingdom, Harry S. Truman was President of the United States and Joseph Stalin still governed the Soviet Union. It has often been said that she never put a foot wrong during her seven decades as monarch, and even those ideologically opposed to Britain and its governments have lauded her. Remarkably, she retained her relevance as sovereign well into her nineties, remaining a reassuring constant in an ever-changing world.Royal biographer Ian Lloyd reveals the woman behind the legend over seventy themed chapters. Drawing on interviews with relatives, friends and courtiers, he explores her relationship with seven generations of the royal family, from the children of Queen Victoria to Elizabeth’s own great-grandchildren. He also sheds light on some lesser-known aspects of her character, such as her frugality and her gift for mimicry. In addition, we see her encounters with A-listers, from Marilyn Monroe to Madonna, and her adept handling of several of the twentieth century’s most difficult leaders.Above all, Lloyd examines how the Queen stayed true to the promise she made to the nation at the age of 21, ‘that my whole life, whether it be long or short, shall be devoted to your service’.

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In his distinguished career as a Hollywood photographer, Bob Willoughby captured Marilyn Monroe, Elizabeth Taylor and Jane Fonda, but remains unequivocal about his favorite subject: Audrey Kathleen Ruston, later Edda van Heemstra Hepburn-Ruston, best known as Audrey Hepburn. Willoughby was called in to shoot the new starlet one morning shortly after she arrived in Hollywood in 1953. It was a humdrum commission for the portraitist often credited with having perfected the photojournalistic movie still, but when he met the Belgian-born beauty, Willoughby was enraptured. “She took my hand like… well a princess, and dazzled me with that smile that God designed to melt mortal men’s hearts,” he recalled. As Hepburn’s career soared following her Oscar-winning US debut in Roman Holiday, Willoughby became a trusted friend, framing her working and home life. His historic, perfectionist, tender photographs seek out the many facets of Hepburn’s beauty and elegance, as she progresses from her debut to her career high of My Fair Lady in 1963. Willoughby’s studies, showing her on set, preparing for a scene, interacting with actors and directors, and returning to her private life, comprise one of photography’s great platonic love affairs and an unrivalled record of one of the 20th century’s touchstone beauties.

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"I have sometimes asked myself whether my country is the better for my having lived at all?" Jefferson muses in this volume. His answer: "I do not know that it is." Required by custom to be "entirely passive" during the presidential campaign, Jefferson, at Monticello during the summer of 1800, refrains from answering attacks on his character, responds privately to Benjamin Rush's queries about religion, and learns of rumors of his own death. Yet he is in good health, harvests a bountiful wheat crop, and maintains his belief that the American people will shake off the Federalist thrall. He counsels James Monroe, the governor of Virginia, on the mixture of leniency and firmness to be shown in the wake of the aborted revolt of slaves led by the blacksmith Gabriel. Arriving in Washington in November, Jefferson reports that the election "is the only thing of which any thing is said here." He is aware of Alexander Hamilton's efforts to undermine John Adams, and of desires by some Federalists to give interim executive powers to a president pro tem of the Senate. But the Republicans have made no provision to prevent the tie of electoral votes between Jefferson and Aaron Burr. Jefferson calls Burr's conduct "honorable & decisive" before prospects of intrigue arise as the nation awaits the decision of the House of Representatives. As the volume closes, the election is still unresolved after six long days of balloting by the House.

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As this volume opens, partisan politics in the United States are building to a crescendo with the approach of the presidential election. Working for a Republican victory, Jefferson consults frequently with Madison, Monroe, and others to achieve favorable results in state elections. He corresponds with controversial journalist James T. Callender. Sifting information from published rumors and private letters, he follows events in Europe, including Bonaparte's unexpected rise to power in France, and sees the value of his tobacco crop plummet as U.S. legislation cuts off the French market. Jefferson grows concerned at Federalist promotion of English common law in American jurisprudence and at proceedings in the Senate against William Duane, printer of the Philadelphia Aurora. Drawing heavily on British legislative practice, however, as well as advice from Virginia, he begins in earnest to compile a manual of parliamentary procedures for the Senate. As president of the American Philosophical Society, Jefferson calls for reform of the United States census. He publishes an appendix to Notes on the State of Virginia defending his account of the Mingo Indian Logan's legendary 1774 speech. And Jefferson consults Joseph Priestley and Pierre Samuel Du Pont de Nemours about the curriculum for a projected new university in Virginia. While continuing the reconstruction of Monticello, he mourns the death of the infant girl of his younger daughter, Mary Jefferson Eppes.

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The final volume in Methuen Drama's acclaimed series of work by Arthur Miller who, during his lifetime, was acknowledged as "the greatest American dramatist of our age" (Evening Standard). Featuring two plays from the 1990s and his final two plays (2002 and 2004), it offers the first ever publication of Miller's final play, Finishing the Picture. Inspired by his experience during the filming of The Misfits with his then wife Marilyn Monroe, the play was completed and produced at the Goodman Theatre, Chicago, just months before the playwright's death in February 2005. Broken Glass (1994) is set in Brooklyn in 1938 and intertwines a woman's obsession with the news from Germany that government thugs are smashing Jewish stores, with her strange relationship with her husband. "It balances private lives with public morality. . . it is also an amazingly full-blooded piece, bursting with pain and passion." (Daily Telegraph). Mr Peters' Connections (1998) is an unforgettable journey through one man's mind at a time of suspended consciousness, where the living and dead intermingle in his memory. Resurrection Blues (2002) is Miller's astonishing black comedy set in a South American banana republic, that satirises global politics and the predatory nature of a media saturated culture. The volume also features a chronology of the writer's work and an introduction by Enoch Brater, professor of English Literature at the University of Michigan.

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Arguably the most famous perfume in the world – most memorably endorsed by Marilyn Monroe – Chanel No 5 continues to fascinate and claims millions of devotees around the world. Created in 1921 by Coco Chanel, the perfume was one of the first to use synthetics. To complement her pioneering fashion, Chanel wanted to give the modern woman ‘a perfume, but an artificial perfume...not rose or lily of the valley...a perfume that is compound’, presented in a distinctively pared-back glass bottle that would become an icon in its own right (inspiring a series of works by Andy Warhol decades later). Presented in two volumes (one on the early years of Chanel No 5 from 1921 to 1945, the other on the period in which Chanel No. 5 went truly global, from the postwar years to today), Chanel No 5 explores the evolution of the perfume’s packaging, composition, manufacture and marketing, with unprecedented access to the Chanel archives and those tasked with creating the fragrance today. The world’s leading creatives have lent their talents to the perfume’s advertising campaigns, which are given pride of place in the book, from photographers such as Richard Avedon and Helmut Newton, to film directors including Ridley Scott and Baz Luhrmann, and stylish muses – Coco Chanel herself, of course, as well as Suzy Parker, Catherine Deneuve, Nicole Kidman, Gisele Bündchen and Lily-Rose Depp.With over 750 illustrations

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La obra de Ernesto Cardenal (Granada, 1925) se sitúa en las encrucijadas históricas y estéticas de una parte muy relevante de la poesía contemporánea. Desde que en los años cincuenta empezaron a circular copias mimeografiadas de algunos de sus epigramas, su capacidad para conectar con los lectores ha sido extraordinaria: así, Salmos, Oración por Marilyn Monroe y otros poemas, los poemas indios, Oráculo sobre Managua, Cántico cósmico o Telescopio en la noche oscura han modificado y ampliado las posibilidades de la dicción poética en el ámbito hispánico.Al compilar el conjunto de su obra, el autor nicaragüense ha optado por trazar un recorrido que se abre en Epigramas y se cierra en el muy reciente Hijos de las estrellas, en el que se incluyen los poemas inéditos Estamos en el firmamento y Con la puerta cerrada.La presente Poesía completa, editada en diálogo permanente con Cardenal, permite advertir así diversos acentos y tonalidades, que brindan de modo muy original y en riquísi

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How did a bar like P. J. Clarke’s saloon become the beloved watering hole for Frank Sinatra, Marilyn Monroe, Jacqueline Kennedy, Rocky Marciano, and Buddy Holly (not to mention the fictional Don Draper)? And what was it about their bacon cheeseburger that caused Nat King Cole to pronounce it “the Cadillac of burgers”? Established in 1884 and bought in l904 by Patrick “Paddy” Joseph Clarke, this Irish saloon in a beautiful Victorian building on the corner of Third Avenue and Fifty-Fifth Street has captivated generations of New Yorkers—from the working class to entertainers, athletes, business executives, and members of high society. Here, finally, is the story of this famed saloon. Learn more about the bar where: Ernest Borgnine and Ethel Merman announced their impending nuptials to an astonished crowd Johnny Mercer penned “One for My Baby (and One More for the Road)” on a napkin while sitting at the bar Frank Sinatra was the “owner” of table twenty Over P. J. Clarke’s Bar is at once a nostalgic look back at one of New York City’s most famous landmark saloons (in an age when they are quickly disappearing) and an eloquent memoir by the former owner’s grandniece, which details in sharp relief the excitement of days gone by—when as a young girl she entered through the “ladies” entrance and watched bartenders handing buckets of beer to thirsty customers on the sidewalk through the “to go” window.

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The story of the intrepid young women who volunteered to help and entertain American servicemen fighting overseas, from World War I through the wars in Afghanistan and Iraq.The emotional toll of war can be as debilitating to soldiers as hunger, disease, and injury. Beginning in World War I, in an effort to boost soldiers’ morale and remind them of the stakes of victory, the American military formalized a recreation program that sent respectable young women and famous entertainers overseas.Kara Dixon Vuic builds her narrative around the young women from across the United States, many of whom had never traveled far from home, who volunteered to serve in one of the nation’s most brutal work environments. From the “Lassies” in France and mini-skirted coeds in Vietnam to Marlene Dietrich and Marilyn Monroe, Vuic provides a fascinating glimpse into wartime gender roles and the tensions that continue to complicate American women’s involvement in the military arena. The recreation-program volunteers heightened the passions of troops but also domesticated everyday life on the bases. Their presence mobilized support for the war back home, while exporting American culture abroad. Carefully recruited and selected as symbols of conventional femininity, these adventurous young women saw in the theater of war a bridge between public service and private ambition.This story of the women who talked and listened, danced and sang, adds an intimate chapter to the history of war and its ties to life in peacetime.

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Told with humor and flair, this is the autobiography of one transsexual's wild ride from boyhood as Alfred Brevard ("Buddy") Crenshaw in rural Tennessee to voluptuous female entertainer in Hollywood. Aleshia Brevard, as she is now known, underwent transitional surgery in Los Angeles in 1962, one of the first such operations in the United States. (The famous sexual surgery pioneer Harry Benjamin himself broke the news to Brevard's parents.)Under the stage name Lee Shaw, Brevard worked as a drag queen at Finocchio's, a San Francisco club, doing Marilyn Monroe impersonations. (Like Marilyn, she sought romance all the time and had a string of entanglements with men.) Later, she worked as a stripper in Reno and as a Playboy Bunny at the Sunset Strip hutch.After playing opposite Don Knotts in the movie The Love God, Brevard appeared in other films and broke into TV as a regular on the Red Skelton Show. She created the role of Tex on the daytime soap opera One Life To Live. As a woman, Brevard returned to teach theater at East Tennessee State, the same university she had attended as a boy.This memoir is a rare pre-Women's Movement account of coming to terms with gender identity. Brevard writes frankly about the degree to which she organized her life around pleasing men, and how absurd it all seems to her now.

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"In Los Angeles, everyone is a star." - Denzel Washington For more than a century, seekers of sun and celebrity from around the world have flocked to this sprawling metropolis on the Pacific, which Dorothy Parker once described as "72 suburbs in search of a city." But beyond the red-carpet reputation and Tinseltown trappings is a west coast wonderland teeming with unexpected cultural experiences, iconic architecture, gorgeous open spaces, quirky museums, hidden vistas, unconventional art, and obscure stories about the starlets, moguls, personalities, and players who have made Los Angeles their playground. This unusual guidebook explores 111 of the city's most interesting and unknown places and experiences: wander a serpentine path in a spiritual quest of your own making; channel your inner cowboy at a tried and true honky tonk bar; pay homage to the Dude at the bungalow where the big Lebowski lived; turn your car tires into musical instruments on the country's only 'musical' road; sleep with the ghosts of Marilyn Monroe and Charlie Chaplin; view a constellation of stars more vivid than anything Hollywood has to offer. From the San Gabriel Mountains to the Pacific Ocean, Angelenos and visitors will fall in love with the real Los Angeles. Adventures beckon. Surprises await. Just imagine how much more scintillating your dinner-party storytelling will be.

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At the time of Elizabeth II’s accession, Winston Churchill was the Prime Minister of the United Kingdom, Harry S. Truman was President of the United States and Joseph Stalin still governed the Soviet Union. It has often been said that she never put a foot wrong during her seven decades as monarch, and even those ideologically opposed to Britain and its governments have lauded her. Remarkably, she retained her relevance as sovereign well into her nineties, remaining a reassuring constant in an ever-changing world.Royal biographer Ian Lloyd reveals the woman behind the legend over seventy themed chapters. Drawing on interviews with relatives, friends and courtiers, he explores her relationship with seven generations of the royal family, from the children of Queen Victoria to Elizabeth’s own great-grandchildren. He also sheds light on some lesser-known aspects of her character, such as her frugality and her gift for mimicry. In addition, we see her encounters with A-listers, from Marilyn Monroe to Madonna, and her adept handling of several of the twentieth century’s most difficult leaders.Above all, Lloyd examines how the Queen stayed true to the promise she made to the nation at the age of 21, ‘that my whole life, whether it be long or short, shall be devoted to your service’.

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'America will never be destroyed from the outside. If we falter and lose our freedoms, it will be because we destroyed ourselves.' – Abraham Lincoln Is the story of the United States that of George Washington, John Adams and Barack Obama? Or of slave rebel Nat Turner, of Rosa Parks and Martin Luther King? Or Sitting Bull and Al Capone? Or Marilyn Monroe, James Dean and OJ Simpson? Of course, it is the story of all these, of both civil war and world war, of gold rush and dust bowl, of the Pilgrim Fathers and religious cults, of Prohibition and the Mafia, of the Salem Witch Trials and the McCarthy-era witch-hunts. From the Iroquois and early European settlers to the Revolutionary War and Civil War, from slavery to segregation, from the frontier to the Reservations, The History of America is a chronological examination of the United States through politics, labour, big business, crime and culture. Featuring such varied characters as Thomas Jefferson and John Brown, Bugsy Siegel and J P Morgan, Calamity Jane, Chuck Berry and Bonnie & Clyde, it tells the story of the first ‘new nation’, the first major colony to revolt successfully against colonial rule, and how it became the world’s most powerful country. Extensively researched and illustrated with 180 black-&-white artworks and illustrations, The History of America is a lively and fascinating account of the darker side of the story of the United States.

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Prepare for practice with the book tailored specifically for physical therapist assistants! Physical Rehabilitation for the Physical Therapist Assistant provides a clear, easy-to-read, evidence-based guide to the PTA's role in patient management, covering the core concepts related to physical rehabilitation and emphasizing the PTA's role in intervention. A treatment-oriented focus addresses each of the four categories of the American Physical Therapy Association (APTA) Preferred Practice Patterns: musculoskeletal, neuromuscular, cardiopulmonary, and integumentary. The final section of the book addresses interventions which overlap many practice patterns. Written by rehabilitation experts Michelle Cameron, MD, PT and Linda Monroe, MPT, in consultation with Susan Schmidt, a practicing PTA, and Carla Gleaton, the director of a PTA education program, this text will be a valuable resource both in the classroom and in professional practice. Comprehensive, evidence-based coverage of rehabilitation includes sections on pathology; examination; evaluation, diagnosis, and prognosis; clinical signs, and intervention -- emphasizing the PTA's role in intervention. Unique! A consistent, organized approach covers physical therapy intervention by disorder, with full discussions of each condition found in a single chapter. Format follows the Guide to Physical Therapist Practice, 2nd Edition so you become familiar with the terminology used in therapy practice. Clinical Pearls highlight key information. Unique! Full-color illustrations clearly demonstrate pathologies and interventions. Case studies with discussion questions guide you through specific patient interactions to build your clinical reasoning skills. Glossaries in each chapter define key terms to build your clinical vocabulary. Unique! Student resources on the companion Evolve website enhance your learning with vocabulary-building exercises, boards-style practice test questions, examples of commonly used forms, and references from the book linked to Medline.

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The forthcoming spring issue of the Los Angeles Review of Books Quarterly Journal features work by emerging, established, and award winning writers, including creative non-fiction, and poetry. This issue also features an original translation of work by short fiction writer Hisham Bustani, who has won accolades for bringing "a new wave of surrealism to [Arabic] literary culture." Essays range over the following topics: How did oranges become California's iconic fruit? Tom Zoellner dives into the untold story of the Golden State's early citrus industry in his essay "The Orange Industrial Complex." "If you've had sex, you have stories to tell about the people you've had sex with." Starting from this truism, journalist Amanda Fortini draws connections between stories by (and feminist storytelling techniques of) Susan Minot, Louise Wareham Leonard, and Debra Monro. What was America's impact on famed South African novelist J.M. Coetzee's fiction? Martin Woessner follows in Coetzee's footsteps to UT Austin's special collections (where Coetzee himself once studied) and looks for answers in Coetzee's personal papers. Occasioned by the death of influential historian and political scientist Benedict Anderson, Goenawan Mohamad writes a tribute to his friend and former teacher. Mohamad is the founder and editor of Tempo magazine, Indonesia's most-respected newsmagazine.

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Recognized as a major Pop artist in his day, Allan D’Arcangelo (1930–1998) has yet to receive the critical reevaluation of painters like Roy Lichtenstein and James Rosenquist. His first monograph in nearly a decade introduces new audiences to his iconic paintings, particularly his celebrated visions of life on the road.Like Pop peers Andy Warhol and Ed Ruscha, Allan D’Arcangelo incorporated mass-manufactured images in works that elevate scenes of everyday American life. While his work often features imagery from more familiar 1960s art—Jacqueline Kennedy and Marilyn Monroe, smoking pin-up girls, Superman, Lucky Strike—it differs in the surreal elements he introduced to Pop tropes and romantic views of the American industrial landscape.D’Arcangelo once observed his “most profound experiences of landscape were looking through the windshield.” The artist brought a Pop sensibility to the tradition of landscape painting in a graphic style that touched on Minimalism, Precisionism, and Hard-edge painting. Often framed from the perspective of the driver’s seat, D’Arcangelo’s work captures the deeply American experience of flying down an endless road. D’Arcangelo’s signature scrolling landscape cut through with flashing signs is as familiar to road trippers as it is to video game racers.This comprehensive publication includes over 200 reproductions and three essays detailing what critic Dore Ashton describes as the “poetic awareness of the vastnesses both visible and invisible in American life [that] marked and distinguished [D’Arcangelo’s] work.” This book is edge stained.

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The focus of this book is two-fold. First it traces the expansive geographical spread of the language commonly referred to as Spanish. This has given rise to multiple hybrid formations over time emerging in the clash of multiple cultures, languages and religions within and between great empires (Roman, Islamic, Hispano-Catholic), each with expansionist policies leading to wars, huge territorial gains and population movements. This long history makes Hispanophone culture itself a supranational, trans-imperial one long before we witness its various national cultures being refashioned as a result of the transnational processes associated with globalization today. Indeed, the Spanish language we recognise today was ‘transnational’ long before it was ever the foundation of a single nation state. Secondly, it approaches the more recent post-national, translingual and inter-subjective ‘border-crossings’ that characterise the global world today with an eye to their unfolding within this long trans-imperial history of the Hispanophone world. In doing so, it maps out some of the contemporary post-colonial, decolonial and trans-Atlantic inflections of this trans-imperial history as manifest in literature, cinema, music and digital cultures. Contributors: Christopher J. Pountain, L.P. Harvey, James T. Monroe, Rosaleen Howard, Mark Thurner, Alexander Samson, Andrew Ginger, Samuel Llano, Philip Swanson, Claire Taylor, Emily Baker, Elzbieta Slodowska, Francisco-J. Hernández Adrián, Henriette Partzsch, Helen Melling, Conrad James and Benjamin Quarshie.

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In celebration of his one-hundredth birthday, a charming, irresistibly readable, and handsomely packaged look back at the life and times of the greatest entertainer in American history, Frank Sinatra. Sinatra's Century is an irresistible collection of one-hundred short reflections on the man, his music, and his larger-than-life story, by a lifetime fan who also happens to be one of the poetry world's most prominent voices. David Lehman uses each of these short pieces to look back on a single facet of the entertainer's story-from his childhood in Hoboken, to his emergence as "The Voice" in the 1940s, to the wild professional (and romantic) fluctuations that followed. Lehman offers new insights and revisits familiar stories-Sinatra's dramatic love affairs with some of the most beautiful stars in Hollywood, including Lauren Bacall, Marilyn Monroe, and Ava Gardner; his fall from grace in the late 1940s and resurrection during the "Capitol Years" of the 1950s; his bonds with the rest of the Rat Pack; and his long tenure as the Chairman of the Board, viewed as the eminence grise of popular music inspiring generations of artists, from Bobby Darin to Bono to Bob Dylan. Brimming with Lehman's own lifelong affection for Sinatra, the book includes lists of unforgettable performances; engaging insight on what made Sinatra the model of American machismo-and the epitome of romance; and clear-eyed assessments of the foibles that impacted his life and work. Warm and enlightening, Sinatra's Century is full-throated appreciation of Sinatra for every fan.

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How Black poets have charted the direction of American poetics for the past two centuriesBefore Modernism examines how Black poetics, in antagonism with White poetics in the late eighteenth and early nineteenth centuries, produced the conditions for the invention of modern American poetry. Through inspired readings of the poetry of Phillis Wheatley Peters, George Moses Horton, Ann Plato, James Monroe Whitfield, and Frances Ellen Watkins Harper—as well as the poetry of neglected but once popular White poets William Cullen Bryant and Henry Wadsworth Longfellow—Virginia Jackson demonstrates how Black poets inspired the direction that American poetics has taken for the past two centuries. As an idea of poetry based on genres of poems such as ballads, elegies, odes, hymns, drinking songs, and epistles gave way to an idea of poetry based on genres of people—Black, White, male, female, Indigenous—almost all poetry became lyric poetry. Jackson discusses the important role played by Frederick Douglass as an influential editor and publisher of Black poetry, and traces the twisted paths leading to our current understanding of lyric, along the way presenting not only a new history but a new theory of American poetry.A major reassessment of the origins and development of American poetics, Before Modernism argues against a literary critical narrative that links American modernism directly to British or European Romanticism, emphasizing instead the many ways in which early Black poets intervened by inventing what Wheatley called “the deep design” of American lyric.

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This is a gorgeous collection of fresh, Spring-themed sewing projects using the latest Tilda fabrics and embellishments. You can choose from a stunning variety of sewing and papercraft designs, including bags, soft toys, fabric boxes and unique decorations. The colour palette used includes shades of red, pink, white, pale green, azure blue and cyan. Inside Tilda’s Spring Ideas you will find two chapters filled with beautiful projects inspired by springtime. In the first chapter, Garden Party, you will find new angels sporting trouser suits, denim jackets and crochet summer hats, perfect for adorning any picnic table, plus gorgeous décor ideas; cute cupcake garlands, and beautiful dog table roses, and festive bags. You will also meet Bug, a funny guy who takes care of the party’s delicacies; too busy to worry about carbs and calories! If you have a passion for needlework, in the second chapter, Sewing Workshop, you will find ideas for sewing fanatics. You are introduced to a sewing angel inspired by Marilyn Monroe, with a cheeky bright red sewing machine. There are also lovely little storage boxes, cute sewing kits and Tone’s personal favourite; the pinwheels. The projects are accompanied by clear instructions, gorgeous photographs and colour illustrations; perfect for crafters of all abilities. So with Spring in the air, why not head to your sewing workroom and create these gorgeous Spring-inspired projects for your home, garden party or as gifts for friends.

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Author Chris Epting established a new genre in book publishing when a trio of titles in the early 2000s—James Dean Died Here: The Locations of America’s Pop Culture Landmarks, Elvis Presley Passed Here, and Marilyn Monroe Dyed Here—were released to critical acclaim and introduced readers to a groundbreaking travel concept: The pop culture road trip. Epting promptly followed these hugely popular and influential titles with two more legendary books: Led Zeppelin Crashed Here and Roadside Baseball. A Booksense 76 pick at the time, James Dean Died Here was covered by such major news outlets as NPR’s "All Things Considered," USA Today, Los Angeles Times, and Publishers Weekly. Everyone from Ken Burns to The Sporting News to the New York Post expressed their love for Roadside Baseball, while Led Zeppelin Crashed Here was recommended for all public libraries by Library Journal and outlets from the Associated Press to Newsday encouraged any fan of rock and roll history to buy the book. Now, in honor of the 20th anniversary of James Dean Died Here, Epting has produced It Happened Right Here: America’s Pop Culture Landmarks, which collects the best of the best from all of Epting’s prior books, and then adds dozens and dozens of new sites, many of them based on the pop culture of the 21st century.It Happened Right Here once again takes you on a journey across North America to the exact locations where the most significant events in American popular culture took place. It’s a road map for pop culture sites, from Patty Hearst’s bank to the garage where Apple Computer was born. Fully updated, the book includes such new entries as: • The locations featured in such television series as Stranger Things, Breaking Bad, and Curb Your Enthusiasm • Locations celebrating the legacy of legendary musician Prince • The dorm room where Facebook was created • The location of the opening freeway sequence from La La Land • The locations featured in the cult film Napoleon Dynamite • The Jay-Z, Beyonce, Solange elevator incident • The Jussie Smollett Subway sandwich shop location • Steve Bartman's seat location at Wrigley Field • and dozens and dozens of other new sites! Featuring hundreds of photographs, this fully illustrated, updated, and revised encyclopedic look at the locations of the most famous and infamous pop culture events includes the fascinating history of over a thousand landmarks—as well as their exact location. With up-to-date information for the sites included in Epting’s five original titles, plus dozens and dozens of new additions, It Happened Right Here is an amazing portrait of the bizarre, shocking, weird and wonderful moments that have come to define American popular culture.

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For Arthur Miller's centennial year, The Library of America and editor Tony Kushner present the final volume in the definitive collected edition of the essential American dramatist. Here are eleven masterful, haunting, funny, and provocative later plays, from the double-bill Danger: Memory (1987) to Finishing the Picture (2004), Miller’s final stage work, based loosely on events around the filming of The Misfits, in 1960, with Marilyn Monroe. In between, Miller revisits the perennially rich themes that define his work—the vagaries of fate and chance, the press of public events on private lives—with such plays as The Ride Down Mt. Morgan, The Last Yankee, Broken Glass, Mr. Peters’ Connections, and Resurrection Blues. Also presented in the volume are the early play The Golden Years, about the conquest of Mexico, which Miller revised for its first production in 1987; several shorter one-act plays and never-before-published early works and radio plays; and a selection of Miller’s incisive prose reflections on his art, among them “On Screenwriting and Language” and “About Theatre Language.”LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

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Located in the heart of Wall Street, Delmonico s has been shaping and shaking up New York City s restaurant scene for more than a century, weathering Prohibition, the stock market crash of 1929, and the whims and demands of a star-studded clientele that had included Marilyn Monroe, Jaqueline Kennedy Onassis, and Gypsy Rose Lee. Oscar Tucci, who purchased the restaurant from the Delmonico family in 1926, is an icon of restaurant dining, whose influence can still be seen in how we eat today: he introduced a la carte dining and white tablecloths in the dining room, created the phenomenon known as the Power Lunch, and developed a strict code of hospitality, etiquette, and operations known as the Delmonico Way. This book, told through the eyes of Oscar s grandson, Max, who grew up in the family business, pulls the velvet curtain back on the grand mix of business and pleasure that went on front of house and behind the scenes, and also provides entertaining tips and recipes so you can relive the epic Delmonico s glamour at home. Each chapter is organized a style of dining that Delmonico s pioneered or perfected, so that you can host an impressive power lunch (featuring the restaurant s signature wedge salad); a glamorous cocktail soiree before a night on the town with canapes such as oysters Rockefeller, Devils on Horseback, and shrimp cocktail; and the perfect romantic dinner with a showstopping seafood tower and Rib Eye Bordelaise for two.

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La historia de María Margarita, una niña con el extraño don de contar películas.Mientras tomaba mi taza de té y me preparaba a contar la película de pie contra la pared blanca, mi padre no se cansaba de repetir a sus invitados que aunque la película fuera en blanco y negro y a medida pantalla, esta niñita, compadres, parece que la contara en tecnicolor y cinemascope.Cuando al poblado llega una de Marilyn Monroe, Gary Cooper o Charlton Heston, o una mexicana con hartas canciones, en su casa se juntan las monedas exactas para un boleto y la mandan a ella a verla. Al llegar del cine tiene que contarle la película a su padre, postrado en un sillón de ruedas, y a sus cuatro hermanos. Luego, ya famosa, a todo un público que la espera impaciente.Junto a las peripecias de la niña, convertida de pronto en la mejor contadora de películas de la salitrera, Hernán Rivera Letelier va narrando la historia mágica de los cines en la pampa, en sus tiempos de esplendor y decadencia.

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How Black poets have charted the direction of American poetics for the past two centuriesBefore Modernism examines how Black poetics, in antagonism with White poetics in the late eighteenth and early nineteenth centuries, produced the conditions for the invention of modern American poetry. Through inspired readings of the poetry of Phillis Wheatley Peters, George Moses Horton, Ann Plato, James Monroe Whitfield, and Frances Ellen Watkins Harper—as well as the poetry of neglected but once popular White poets William Cullen Bryant and Henry Wadsworth Longfellow—Virginia Jackson demonstrates how Black poets inspired the direction that American poetics has taken for the past two centuries. As an idea of poetry based on genres of poems such as ballads, elegies, odes, hymns, drinking songs, and epistles gave way to an idea of poetry based on genres of people—Black, White, male, female, Indigenous—almost all poetry became lyric poetry. Jackson discusses the important role played by Frederick Douglass as an influential editor and publisher of Black poetry, and traces the twisted paths leading to our current understanding of lyric, along the way presenting not only a new history but a new theory of American poetry.A major reassessment of the origins and development of American poetics, Before Modernism argues against a literary critical narrative that links American modernism directly to British or European Romanticism, emphasizing instead the many ways in which early Black poets intervened by inventing what Wheatley called “the deep design” of American lyric.

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WWII was devastating to Europe, but the U.S. emerged with a robust economy. People who were encouraged to save every cent for the war effort now spent freely, including on magazines. The U.S. quickly came to dominate the men’s magazine market. Playboy, launched in December 1953, made a huge impact on publishing, but it was not the only American men’s magazine in the 1950s. The quirky burlesque titles Beauty Parade, Wink, Titter and Eyeful, featuring Bettie Page and covers by artist Peter Driben, inspired a spate of competing titles. Much loved WWII pin-ups, often of aspiring starlets, led to “news and nudes” titles with cover girls Marilyn Monroe and Jayne Mansfield, and to more lurid titles like Shock, blending burlesque and celebrity scandal. In New York City a clandestine fetishist magazine industry, bankrolled by the mob, emerged, first with John Willie’s Bizarre, then Lenny Burtman’s female dominant Exotique. Argentina, with a strong European influence, produced sophisticated Vea (Watch), while England, suffering paper shortages, produced little magazines with big buxom models, charting a path it would maintain through the 1960s. Then came Playboy. Eschewing the strippers, Hugh Hefner offered up “the girl next door,” eroticized innocence, and espoused consumerism as the route to sexual success. This combination made Playboy the most successful men’s magazine in history, shaping international publishing for decades. Volume 2 in this series contains over 650 magazine covers and photos from the U.S., Mexico, Argentina and England, plus informative essays.

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According to accepted historical wisdom, the goal of the African Colonization Society (ACS), founded in 1816 to return freed slaves to Africa, was borne of desperation and illustrated just how intractable the problems of race and slavery had become in the nineteenth-century United States. But for Brandon Mills, the ACS was part of a much wider pattern of national and international expansion. Similar efforts on the part of the young nation to create, in Thomas Jefferson's words, an "empire of liberty," spanned Native removal, the annexation of Texas and California, filibustering campaigns in Latin America, and American missionary efforts in Hawaii, as well as the founding of Liberia in 1821. Mills contends that these diverse currents of U.S. expansionism were ideologically linked and together comprised a capacious colonization movement that both reflected and shaped a wide range of debates over race, settlement, citizenship, and empire in the early republic. The World Colonization Made chronicles the rise and fall of the colonization movement as a political force within the United States—from its roots in the crises of the Revolutionary era, to its peak with the creation of the ACS, to its ultimate decline with emancipation and the Civil War. The book interrogates broader issues of U.S. expansion, including the progression of federal Indian policy, the foundations and effects of the Monroe Doctrine and Manifest Destiny, and the growth of U.S. commercial and military power throughout the Western hemisphere. By contextualizing the colonization movement in this way, Mills shows how it enabled Americans to envision a world of self-governing republics that harmonized with racial politics at home.

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From her idyllic childhood in the American midwest, to her Oscar-nominated performance in Sunset Boulevard (1950) and the social circles of New York and Los Angeles, actress Nancy Olson Livingston has lived abundantly. In her memoir, A Front Row Seat, Livingston treats readers to an intimate, charming chronicle of her life as an actress, wife, and mother, and her memories of many of the most notable figures and moments of her time.Livingston shares reminiscences of her marriages to lyricist and librettist Alan Jay Lerner, creator of award-winning musicals Paint Your Wagon, Gigi, and My Fair Lady (which was dedicated to her), and Alan Wendell Livingston, former president of Capitol Records, who created Bozo the Clown and signed legendary musical artists including Nat King Cole, Frank Sinatra, Judy Garland, The Beach Boys, The Beatles, The Band and Don McLean. One of the last living actors of the Golden Age of Hollywood, Livingston shares memorable encounters with countless celebrities face=Calibri>– William Holden, Billy Wilder, Bing Crosby, Marilyn Monroe, and John Wayne to name a few face=Calibri>– and less pleasant experiences with Howard Hughes and John F. Kennedy that act as reminders of women's long struggle for equality and dignity.Entertaining and engrossing, A Front Row Seat deftly interweaves Livingston's life with her observations of the artists, celebrities, and luminaries with whom she came in contact – a paean to the 20th century and a treasure for readers enamored with a bygone era.

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Beginning with The Jazz Singer (1927) and 42nd Street (1933), legendary Hollywood film producer Darryl F. Zanuck (1902–1979) revolutionized the movie musical, cementing its place in American popular culture. Zanuck, who got his start writing stories and scripts in the silent film era, worked his way to becoming a top production executive at Warner Bros. in the later 1920s and early 1930s. Leaving that studio in 1933, he and industry executive Joseph Schenck formed Twentieth Century Pictures, an independent Hollywood motion picture production company. In 1935, Zanuck merged his Twentieth Century Pictures with the ailing Fox Film Corporation, resulting in the combined Twentieth Century-Fox, which instantly became a new major Hollywood film entity.The Golden Age Musicals of Darryl F. Zanuck: The Gentleman Preferred Blondes is the first book devoted to the musicals that Zanuck produced at these three studios. The volume spotlights how he placed his personal imprint on the genre and how—especially at Twentieth Century-Fox—he nurtured and showcased several blonde female stars who headlined the studio’s musicals—including Shirley Temple, Alice Faye, Betty Grable, Vivian Blaine, June Haver, Marilyn Monroe, and Sheree North. Building upon Bernard F. Dick’s previous work in That Was Entertainment: The Golden Age of the MGM Musical, this volume illustrates the richness of the American movie musical, tracing how these song-and-dance films fit within the career of Darryl F. Zanuck and within the timeline of Hollywood history.

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The James Beard Award–winning, bestselling author of CookWise and KitchenWise delivers a lively and fascinating guide to better baking through food science.Follow kitchen sleuth Shirley Corriher as she solves everything about why the cookie crumbles. With her years of experience from big-pot cooking at a boarding school and her classic French culinary training to her work as a research biochemist at Vanderbilt University School of Medicine, Shirley looks at all aspects of baking in a unique and exciting way. She describes useful techniques, such as brushing your puff pastry with ice water—not just brushing off the flour—to make the pastry higher, lighter, and flakier. She can help you make moist cakes; shrink-proof perfect meringues; big, crisp cream puffs; amazing pastries; and crusty, incredibly flavorful, open-textured French breads, such as baguettes. Restaurant chefs and culinary students know Shirley from their grease-splattered copies of CookWise, an encyclopedic work that has saved them from many a cooking disaster. With numerous “At-a-Glance” charts, BakeWise gives busy people information for quick problem solving. BakeWise also includes Shirley's signature “What This Recipe Shows” in every recipe. This scientific and culinary information can apply to hundreds of recipes, not just the one in which it appears. BakeWise does not have just a single source of knowledge; Shirley loves reading the works of chefs and other good cooks and shares their tips with you, too. She applies not only her expertise but that of the many artisans she admires, such as famous French pastry chefs Gaston Lenôtre and Chef Roland Mesnier, the White House pastry chef for twenty-five years; and Bruce Healy, author of Mastering the Art of French Pastry. Shirley also retrieves "lost arts" from experts of the past such as Monroe Boston Strause, the pie master of 1930s America. For one dish, she may give you techniques from three or four different chefs plus her own touch of science—“better baking through chemistry.” She adds facts such as the right temperature, the right mixing speed, and the right mixing time for the absolutely most stable egg foam, so you can create a light-as-air génoise every time. Beginners can cook from BakeWise to learn exactly what they are doing and why. Experienced bakers find out why the techniques they use work and also uncover amazing pastries from the past, such as Pont Neuf (a creation of puff pastry, pâte à choux, and pastry cream) and Religieuses, adorable “little nuns” made of puff pastry filled with a satiny chocolate pastry cream and drizzled with mocha icing. Some will want it simply for the recipes—incredibly moist whipped cream pound cake made with heavy cream; flourless fruit soufflés; chocolate crinkle cookies with gooey, fudgy centers; huge popovers; famed biscuits. But this book belongs on every baker's shelf.

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Inspired by the Hank Williams and Leadbelly recordings he heard as a teenager growing up outside of Boston, Jim Rooney began a musical journey that intersected with some of the biggest names in American music including Bob Dylan, James Taylor, Bill Monroe, Muddy Waters, and Alison Krauss. In It for the Long Run: A Musical Odyssey is Rooney's kaleidoscopic first-hand account of more than five decades of success as a performer, concert promoter, songwriter, music publisher, engineer, and record producer.As witness to and participant in over a half century of music history, Rooney provides a sophisticated window into American vernacular music. Following his stint as a "Hayloft Jamboree" hillbilly singer in the mid-1950s, Rooney managed Cambridge's Club 47, a catalyst of the ‘60’s folk music boom. He soon moved to the Newport Folk Festival as talent coordinator and director where he had a front row seat to Dylan "going electric."In the 1970s Rooney's odyssey continued in Nashville where he began engineering and producing records. His work helped alternative country music gain a foothold in Music City and culminated in Grammy nominations for singer-songwriters John Prine, Iris Dement, and Nanci Griffith. Later in his career he was a key link connecting Nashville to Ireland's folk music scene.Writing songs or writing his memoir, Jim Rooney is the consummate storyteller. In It for the Long Run: A Musical Odyssey is his singular chronicle from the heart of Americana.

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During the early Hollywood sound era, studio director George Cukor produced nearly fifty films in as many years, famously winning theBest Director Oscar at the 1964 Academy Awards for My Fair Lady. His collaborations with so-called difficult actresses such as Katharine Hepburn, Judy Garland, and Marilyn Monroe unsettled producers even as his ticket sales lined their pockets. Fired from Gone with the Wind for giving Vivien Leigh more screen time than Clark Gable, Cukor quickly earned a doublesided reputation as a “woman’s director.” While the label celebrated his ability to help actresses deliver their best performances, the epithet also branded the gay director as suitable only for work on female-centered movies such as melodramas and romantic comedies. Desperate for success after a failed drag film nearly ended his career, Cukor swore to work within Hollywood’s constraints.Nevertheless, What Price Hollywood? Gender and Sex in the Films of George Cukor finds that Cukor continued to explore gender and sexuality on-screen. Drawing on a broad array of theoretical lenses, Elyce Rae Helford examines how Cukor’s award-winning and lesser-known films engage Hollywood masculinity and gender performativity through camp, drag, and mixed genres. Blending biography with critical analysis of more than twenty-five films, What Price Hollywood? tells the story of a once-ina- generation director who produced some of the best films in history.

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In the first collection of a Native American orator's speeches, Granville Ganter presents the complete speeches of Red Jacket or Sagoyewatha (Shay-go-ye-watha), a formidable diplomat and one of the most famous Native American orators of the nineteenth century. As a representative of the Seneca and the Six Nations, Red Jacket negotiated with American presidents from George Washington to Andrew Jackson, establishing a legacy that continues to influence discussions of native sovereignty and cultural identity. In speeches spanning over forty years, he eloquently voiced the rights of Native Americans, opposing the encroachment of white man's religion and culture and the sale of native lands. Presenting more than fifty speeches of Red Jacket, some previously unpublished and others revised using modern standards of textual editing, this volume encourages a wider readership of Red Jacket's work. Ganter's accompanying essays offer a detailed historical framework, presenting archival research about the interpreters and the circumstances of each speech. The great majority of Red Jacket's speeches were interpreted by reliable translators who were often chosen by the Senecas for their accuracy. This edition spans Red Jacket's political career from 1790 to 1830 and includes major addresses to Presidents Washington, Adams, and Monroe. Additionally, it contains original versions of his speeches to evangelical missionaries and land speculators, which circulated for nearly 150 years after Red Jacket's death. This book will stand as the definitive critical edition of Red Jacket's speeches and as a remarkable record of Native American political history. It will be of crucial interest to historians and literary scholars of Native American studies.

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In celebration of his one-hundredth birthday, a charming, irresistibly readable, and handsomely packaged look back at the life and times of the greatest entertainer in American history, Frank Sinatra. Sinatra's Century is an irresistible collection of one-hundred short reflections on the man, his music, and his larger-than-life story, by a lifetime fan who also happens to be one of the poetry world's most prominent voices. David Lehman uses each of these short pieces to look back on a single facet of the entertainer's story-from his childhood in Hoboken, to his emergence as "The Voice" in the 1940s, to the wild professional (and romantic) fluctuations that followed. Lehman offers new insights and revisits familiar stories-Sinatra's dramatic love affairs with some of the most beautiful stars in Hollywood, including Lauren Bacall, Marilyn Monroe, and Ava Gardner; his fall from grace in the late 1940s and resurrection during the "Capitol Years" of the 1950s; his bonds with the rest of the Rat Pack; and his long tenure as the Chairman of the Board, viewed as the eminence grise of popular music inspiring generations of artists, from Bobby Darin to Bono to Bob Dylan. Brimming with Lehman's own lifelong affection for Sinatra, the book includes lists of unforgettable performances; engaging insight on what made Sinatra the model of American machismo-and the epitome of romance; and clear-eyed assessments of the foibles that impacted his life and work. Warm and enlightening, Sinatra's Century is full-throated appreciation of Sinatra for every fan.

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"The greatest American dramatist of our age" - Evening Standard In this second volume of collected works, four of Arthur Miller’s stage plays from the sixties and seventies are brought together in a new edition. Taking up the theme of individual responsibility from his earlier work, this volume also contains an introduction from Miller himself, along with two of his screenplays. One of Miller’s most personal plays, After the Fall (1964) takes place almost entirely inside the mind of the play's protagonist, who is often read as a stand-in for the playwright himself, and touches on themes of the Holocaust, McCarthyism and inherited sin. This was followed by Miller's largely forgotten masterpiece, Incident at Vichy (1964): a prescient examination of the evil that exists in us all, inspired by a real-life incident in France in which a Gentile gave a Jew his identity pass during a check. The Price followed in 1968, a touching and farcical presentation of American life beyond the Vietnam War and Great Depression, which earned Miller a Tony Award nomination for Best Play. In The Creation of the World and Other Business (1972), Miller offers a comedic retelling of the Book of Genesis, constructing a parable around the theme of good-versus-evil. Also included are two of the playwright’s most beloved screenplays: The Misfits, written for and filmed with Marilyn Monroe, and Playing for Time, televised with Vanessa Redgrave. Freshly edited and featuring a bold new design, this updated edition of Arthur Miller Plays 2 is a must-have for theatre fans and students alike.

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The Reverend Howard Finster (1916 2001) was called the backwoods William Blake" and the Andy Warhol of the South," and he is considered the godfather of contemporary American folk and visionary art. This book is the first interpretive analysis of the intertwined artistic and religious significance of Finster's work within the context of the American outsider art" tradition. Finster began preaching as a teenager in the South in the 1930s. But it was not until he received a revelation from God at the age of sixty that he began to make sacred art. A modern-day Noah who saw his art as a religious crusade to save the world before it was too late, Finster worked around the clock, often subsisting on a diet of peanut butter and instant coffee. He spent the last years of his life feverishly creating his environmental artwork called Paradise Garden and what would ultimately number almost fifty thousand works of bad and nasty art." This was visionary work that obsessively combined images and text and featured apocalyptic biblical imagery, flying saucers from outer space, and popular cultural icons such as Elvis Presley, Marilyn Monroe, Henry Ford, Mona Lisa, and George Washington. In the 1980s and 90s, he developed cult celebrity status, and he appeared in the Venice Biennale and on the Tonight Show. His work graced the album covers of bands such as R.E.M. and Talking Heads. This book explores the life and religious-artistic significance of Finster and his work from the personal perspective of religion scholar Norman Girardot, friend to Finster and his family during the later years of the artist's life.

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Gianni Russo was a handsome twenty-five-year-old mobster with no acting experience when he walked onto the set of The Godfather and entered Hollywood history. He played Carlo Rizzi, the husband of Connie Corleone, who set up her brother Sonny, played by James Caan, for a hit. Russo didn't have to act - he knew the Mob inside and out, from his childhood in Little Italy, to Mafia legend Frank Costello who took him under his wing, to acting as a messenger to New Orleans Mob boss Carlos Marcello during the Kennedy assassination, to having to go on the lam after shooting and killing a member of the Colombian drug cartel in his Vegas club (he was acquitted of murder when the court ruled this as justifiable homicide). Along the way, Russo befriended Frank Sinatra, who became his son's godfather, and Marlon Brando, who mentored his career as an actor after trying to get Francis Ford Coppola to fire him from The Godfather. Russo had passionate affairs with Marilyn Monroe, Liza Minelli and scores of other celebrities. He went on to star in The Godfather: Parts I and II, Seabiscuit, Any Given Sunday and Rush Hour 2, among many other films in which he also acted as producer. Hollywood Godfather is his no-holds-barred account of a life lived on the edge. It is a story filled with violence, glamour, sex - and fun.

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