Search results for ""Author Arne"

Whether they are riding the range under a blazing Texas sun or a cool Montana moon, or working on a hollywood sound stage, cowboys and cowgirls can work up a hearty appetite. Real cowboys can ride, shoot, rope…and cook!The All-American Cowboy Cookbook is filled to the brim with favorite recipes from the country's most famous western stars from the Silver Screen and television to rodeo heroes and cooks on real working ranches. The collection also features recipes from some of the best cowboy balladeers ever to lasso a microphone.In The All-American Cowboy Cookbook, you’ll find delicious recipes including: John Wayne’s Famous Grits James Arness’ Gunsmokin’ Chili Clint Eastwood’s Western Spaghetti Roy Rogers’ Chicken and Dumplings James Garner’s Chilies Rellenos Walter Brennan’s Clam Chowder Gene Autry’s Peanut Butter Pie Inside, you will find a variety of cowboy traditional dishes as well as cherished family recipes from Annie Oakley star Gail Davis and a breakfast delight from Gregory Peck.Singers George Strait, Johnny Cash, Waylon Jennings, and Michael Martin Murphey are among those who have shared their mouth-watering recipes. Your taste buds will giddy up for recipes from Brooks & Dunn, Patsy Montana, Randolph Scott, the Sons of the Pioneers and a corral full of more than 150 other cowboy stars.Loaded with nearly 200 classic photographs and saddlebags full of Old West memories and fun trivia teasers, The All-American Cowboy Cookbook is sure to cause a stampede to the dinner table when you holler, "Come and git it!"

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When is clinical research in developing countries exploitation? Exploitation is a concept in ordinary moral thought that has not often been analyzed outside the Marxist tradition. Yet it is commonly used to describe interactions that seem morally suspect in some way. A case in point is clinical research sponsored by developed countries and carried out in developing countries, with participants who are poor and sick, and lack education. Such individuals seem vulnerable to abuse. But does this, by itself, make such research exploitative? Exploitation and Developing Countries is an attempt by philosophers and bioethicists to reflect on the meaning of exploitation, to ask whether and when clinical research in developing countries counts as exploitative, and to consider what can be done to minimize the possibility of exploitation in such circumstances. These reflections should interest clinical researchers, since locating the line between appropriate and inappropriate use of subjects--the line between exploitation and fair use--is the central question at the heart of research ethics. Reflection on this rich and important moral concept should also interest normative moral philosophers of a non-Marxist bent. In addition to the editors, the contributors are Richard J. Arneson, Alisa L. Carse, Margaret Olivia Little, Thomas Pogge, Andrew W. Siegel, and Alan Wertheimer.

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Ronald Lockett (1965-1998) stands out among southern artists in the late twentieth century. Raised in the African American industrial city of Bessemer, Alabama, Lockett explored a range of recurring themes through his art: faith, the endless cycle of life, environmental degradation, historical events, the sweetness of idealized love, mourning, human emotion, and personal struggle. By the time Lockett died at age thirty-two, he had created an estimated four hundred works that document an extraordinary artistic evolution. This book offers the first in-depth critical treatment of Lockett's art, alongside sixty full-color plates of the artist's paintings and assemblages, shedding light on Lockett's career and work. By placing Lockett at its center, contributors contextualize what might be best understood as the Birmingham-Bessemer School of art, which includes Thornton Dial, Joe Minter, and Lonnie Holley, and its turbulent social, economic, and personal contexts. While broadening our understanding of southern contemporary art, Fever Within uncovers how one artist's work has become emblematic of the frustrated, yearning, unredeemed promises, and family and community resilience expressed by a generation of African American artists at the close of the twentieth century.Contributors include Paul Arnett, Sharon Patricia Holland, Katherine L. Jentleson, Thomas J. Lax, and Colin Rhodes.

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One of Jamaica''s biggest drug lords finds himself at a crossroads between getting revenge on his enemies and the offer of God''s salvation...Raymond Brown, popularly known as Smooth Suave, is one of Jamaica''s biggest drug lords. With eight children by six baby mommas and counting, he''s a player for life. A true baller, he luxuriates in his wealth. He''s a shot caller with soldiers wheeling and dealing all over Jamaica. It''s Suave''s world, and everyone else just lives in it...or so he thinks. His nemesis, King Kong, sees it differently. They''ve been rivals since childhood, and King Kong is hell-bent on destroying Suave at any cost. As the war over power, drugs, and money intensifies, bodies are dropping like flies from Wilton Gardens to Arnett Gardens, washing the island of paradise in blood. It is the murder and kidnapping of two of Suave''s loved ones that brings him to his knees. Being framed for murder, hunted by the cops, pursued by his enemies,

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A Sunday Times Book of the Year'Rahaman has, at last, written the definitive biography on his late brother, which tells the real Ali story' - Mike Tyson'The real life of the Great One' - George ForemanMore words have been written about Muhammad Ali than almost anyone else. He was, without doubt, the world's most-loved sportsman. At the height of his celebrity he was the most famous person in the world. And yet, until now, the one voice missing belonged to the man who knew him best - his only sibling, and best friend, Rahaman Ali.No one was closer to Ali than Rahaman. Born Cassius and Rudolph Arnett Clay, the two brothers grew up together, lived together, trained together, travelled together, and fought together in the street and in the ring.A constant fixture in his sibling's company, Rahaman saw Ali at both his best and his worst: the relentless prankster and the jealous older brother, the outspoken advocate, the husband and father. In My Brother, Muhammad Ali, he is able to offer a surprising insider's perspective on the well-known stories, as well as never-before-told tales, painting a rich portrait of a proud, relentlessly polarizing, yet often vulnerable man. In this extraordinary, poignant memoir, Rahaman tells a much bigger and more personal story than in any other book on the great man - that of two brothers, almost inseparable from birth to death. It is the final and most important perspective on one of the most iconic figures of the last century.

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The world is at war, and women are working, often behind the scenes, in areas from nursing to espionage. And despite their many successes, these are the women the men don't see. Unimaginable danger creeps ever closer to Miss Lily and her loved ones . . .Amid the decadence and instability of Berlin in the 1920s, a band of women must unite to save all that is precious to them.With her dangerous past behind her, Australian heiress Sophie Higgs lives in quiet comfort as the Countess of Shillings, until Hannelore, Princess of Arneburg, charms the Prince of Wales. He orders Sophie, Nigel - and Miss Lily - to investigate the mysterious politician Hannelore believes is the only man who can save Europe from another devastating war.His name is Adolf Hitler.As unimaginable peril threatens to destroy countries and tear families apart, Sophie must face Goering's Brownshirt Nazi thugs, blackmail, and the many possible faces of love.And then the man she once adored and thought was lost reappears, and Sophie will be confronted by the girl intent on killing the mother who betrayed her family in the war: Miss Lily.The third book in the Miss Lily series, The Lily in the Snow is a story filled with secrets that also explores the strength of friendship and the changing face of women in this new Europe.

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A state-of-the-art meditation on relations, theoretical and practical, among a familiar triad of themes: comunitarianism, liberalism, and democracy. --American Political Science Review A collection of distinguished contributors, from a wide range of disciplines, examine the implications of the resurgence of interest in community. The chapters in Democratic Community consider the fundamental issues that divide liberals and communitarians, as well as the structure of communities, the roles of freedom and democratic institutions in sustaining one another, the place of a democratic civil society in a democratic polity, and the contributions of feminist thinking. This thirty-fifth volume in the American Society of Political and Legal Philosophy series is devoted, as is each volume in the series, to a single topic-- in this case, the implications for human nature and democratic theory of the resurgence of interest in community. Democratic Community deals not only with fundamental issues that divide liberals and communitarians, but is also concerned with the structure of communities, the roles of freedom and democratic institutions in sustaining one another, the place of a democratic civil society in a democratic polity, and the contributions of feminist thinking to the great debate. The collection of distinguished contributors, from a wide range of disciplines, includes: Richard J. Arneson (University of California, San Diego), Jean Baechler (University of Paris, Sorbonne), Christopher J. Berry (University of Glasgow), Robert A. Dahl (Yale University), Martin P. Golding (Duke University), Carol C. Gould (Stevens Institute of Technology), Amy Gutmann (Princeton University), Jane Mansbridge (Northwestern University), Kenneth Minogue (London School of Economics), Robert C. Post (University of California, Berkeley), David A. J. Richards (New York University), Gerald N. Rosenberg (University of Chicago), Bruce K. Rutherford (Yale University), Alan Ryan (Princeton University), and Carmen Sirianni (Brandeis University).

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'Rahaman has, at last, written the definitive biography on his late brother, which tells the real Ali story' - Mike Tyson'The real life of the Great One' - George Foreman'A must for fight fans' - Sunday Sport'A welcome and insightful addition to Ali literature' - Sunday Times'Heart-warming, multi-faceted and hard-hitting [...] Unlike any other biography on Muhammad Ali' - Fox SportsMore words have been written about Muhammad Ali than almost anyone else. He was, without doubt, the world's most-loved sportsman. At the height of his celebrity he was the most famous person in the world. And yet, until now, the one voice missing belonged to the man who knew him best - his only sibling, and best friend, Rahaman Ali.No one was closer to Ali than Rahaman. Born Cassius and Rudolph Arnett Clay, the two brothers grew up together, lived together, trained together, travelled together, and fought together in the street and in the ring.A near-constant fixture in his sibling's company, Rahaman saw Ali at both his best and his worst: the relentless prankster and the jealous older brother, the outspoken advocate, the husband and father. In My Brother, Muhammad Ali, he is able to offer a surprising insider's perspective on the well-known stories, as well as never-before-told tales, painting a rich and intimate portrait of a proud, relentlessly polarizing, yet often vulnerable man. In this extraordinary, poignant memoir, Rahaman tells a much bigger and more personal story than in any other book on the great man - that of two brothers, almost inseparable from birth to death. It is the final and most important perspective on one of the most iconic figures of the last century.

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This book looks back on 25 years of pioneering EU trade mark practice, as viewed by various experts from all over Europe. EU trade mark law - and by extension, trade mark law of the EU Member States - has substantially evolved during these past 25 years. The success of the EU trade mark resulted in a shift from a 'bottom-up' harmonization of national trade mark systems to a 'top-down' approach, based on the EU trade mark system. The first two contributions focus on the EUIPO's convergence efforts with the national trade mark offices and the impact of EU case law on national trade mark practice, respectively. Further on the evolution of the EU trade mark system is addressed through a wide variety of subjects of substantive law. The last chapter offers and analysis of the impact of Brexit on EU trade marks. Flip Petillion (editor) is a leading domestic and international dispute resolution counsel and arbitrator and regularly publishes on various topics related to intellectual property and arbitration (PETILLION, Belgium). With contributions by Ana-Maria Baciu and Andreea Bende (Simion & Baciu, Rumania), Alexander Schnider (GEISTWERT, Austria), Claus Barrett Christiansen and Maria Rose Kristensen (Bech-Bruun Law Firm, Denmark), Diego Noesen (PETILLION, Belgium), Gerard Kelly and Jane Bourke (Mason Hayes & Curran LLP, Ireland), Jan Peter Heidenreich (Preu Bohlig, Germany), Eva Lachmannova (Sindelka & Lachmannova, Czech Republic), Matthew Harris (Waterfront Solicitors LLP, UK), Paul Micallef Grimaud and Nikolai Lubrano (Ganado Advocates, Malta), Richard Wessman, Stojan Arnerstal and Sofia Bergenstrahle (Vinge, Sweden)

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Beginning with responses to fascism in the 1930s and ending with protests against the Iraq wars, David McCarthy shows how American artists - including Philip Evergood, David Smith, H. C. Westermann, Ed Kienholz, Nancy Spero, Leon Golub, Chris Burden, Robert Arneson, Joyce Kozloff, Martha Rosler, and Coco Fusco-have borne witness, registered dissent, and asserted the enduring ability of imagination to uncover truths about individuals and nations. During what has been called the American Century, the United States engaged in frequent combat overseas while developing technologies of unprecedented lethality. Many artists, working collectively or individually, produced antiwar art to protest the use or threat of military violence in the service of an expansionist state. In so doing, they understood themselves to be fighting on behalf of two liberal beliefs: that their country was the guarantor of liberty against empire, and that modern art was a viable means of addressing the most compelling events and issues of the moment. For many artists, creative work was a way to participate in democratic exchange by challenging and clarifying government and media perspectives on armed conflict. Charting a seventy-five-year history of antiwar art and activism, American Artists against War, 1935-2010 lucidly tracks the continuities, preoccupations, and strategies of several generations.

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Since it first emerged from Britain’s punk-rock scene in the late 1970s, goth subculture has haunted postmodern culture and society, reinventing itself inside and against the mainstream. Goth: Undead Subculture is the first collection of scholarly essays devoted to this enduring yet little examined cultural phenomenon. Twenty-three essays from various disciplines explore the music, cinema, television, fashion, literature, aesthetics, and fandoms associated with the subculture. They examine goth’s many dimensions—including its melancholy, androgyny, spirituality, and perversity—and take readers inside locations in Los Angeles, Austin, Leeds, London, Buffalo, New York City, and Sydney. A number of the contributors are or have been participants in the subculture, and several draw on their own experiences.The volume’s editors provide a rich history of goth, describing its play of resistance and consumerism; its impact on class, race, and gender; and its distinctive features as an “undead” subculture in light of post-subculture studies and other critical approaches. The essays include an interview with the distinguished fashion historian Valerie Steele; analyses of novels by Anne Rice, Poppy Z. Brite, and Nick Cave; discussions of goths on the Internet; and readings of iconic goth texts from Bram Stoker’s Dracula to James O’Barr’s graphic novel The Crow. Other essays focus on gothic music, including seminal precursors such as Joy Division and David Bowie, and goth-influenced performers such as the Cure, Nine Inch Nails, and Marilyn Manson. Gothic sexuality is explored in multiple ways, the subjects ranging from the San Francisco queercore scene of the 1980s to the increasing influence of fetishism and fetish play. Together these essays demonstrate that while its participants are often middle-class suburbanites, goth blurs normalizing boundaries even as it appears as an everlasting shadow of late capitalism.Contributors: Heather Arnet, Michael Bibby, Jessica Burstein, Angel M. Butts, Michael du Plessis, Jason Friedman, Nancy Gagnier, Ken Gelder, Lauren M. E. Goodlad, Joshua Gunn, Trevor Holmes, Paul Hodkinson, David Lenson, Robert Markley, Mark Nowak, Anna Powell, Kristen Schilt, Rebecca Schraffenberger, David Shumway, Carol Siegel, Catherine Spooner, Lauren Stasiak, Jeffrey Andrew Weinstock

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First published for the twenty-fifth anniversary of the fall of Saigon, this unique two-volume anthology from the Library of America evokes a turbulent and controversial period in American history and journalism. Reporting Vietnam Part Two: American Journalism 1969–1975, along with its companion volume, captures the bravery, fear, cruelty, suffering, anger, and sorrow of a tragic conflict. This second volume traces events from the revelation of the My Lai massacre in 1969 through the fall of Saigon in 1975. Here are Peter Kann on the ambiguities of pacification; Gloria Emerson on the South Vietnamese debacle in Laos; Donald Kirk on declining American morale; Sydney Schanberg on the fall of Phnom Penh and the victory of the Khmer Rouge; Philip Caputo, Keyes Beech, Peter Arnett, and Malcolm Browne on the last days of South Vietnam.Writers who observed the turmoil in the United States are included as well: Francine du Plessis Gray on factions within the protest movement; Michael Kinsley recounting a confrontation between Henry Kissinger and his Harvard colleagues; James Michener meticulously reconstructing the Kent State shootings; Doris Kearns listening to Lyndon Johnson’s anguished recollections; Hunter S. Thompson watching veterans protest Richard Nixon’s renomination.Included in full is Dispatches, journalist Michael Herr’s acclaimed impressionistic memoir of his immersion in the exhilaration, dread, and sorrow of the Vietnam War.This volume contains a detailed chronology of the war, historical maps, biographical profiles of the journalists, explanatory notes, a glossary of military terms, an index, and a 32-page insert of photographs of the correspondents, many from private collections and never before seen.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

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'A delightful and engaging treasure trove of a book that brings the chemical elements to life and gives them personalities of their own. A wonderful read for young and old alike to get you inspired by chemistry.' Jim Al-Khalili 'The perfect book to escape our human-sized existence and take a tour of the atomic world instead.' Helen Arney, science comedian and broadcasterWhen we think of the periodic table we picture orderly rows of elements that conform to type and never break the rules. In this book Kathryn Harkup reveals that there are personalities, passions, quirks and historical oddities behind those ordered rows, and shows us that the periodic table is a sprawling family tree with its own black sheep, wayward cousins and odd uncles. The elements in the periodic table, like us, are an extended family - some old, some newborn, some shy and reticent, some exuberant or unreliable. Dr Harkup tells the weird and wonderful stories of just fifty two members of this family - remarkable tales of discovery, inspiration and revolution, from the everyday to the extraordinary. Some elements are relatively anonymous; others, already familiar, are seen in a new light; and old friends have surprising secrets to share. From our green-fingered friend magnesium to the devil incarnate polonium, this eclectic collection of engaging and informative stories will change the way you see the periodic table for ever.

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'So much fun!' Lilly Wachowski'Horrifying and delightful' Kristen ArnettRenee has made it: she's in the final four. But is she dying to win?Renee should be thrilled to have been chosen as one of the final four contestants in The Catch, the world's biggest reality show. But now she, the other contestants, and Jeremy 'the Catch' have arrived on the remote, wooded island for the final show, Renee begins to wonder if there's something wrong. Is she taking a bigger risk than she realised?And as she and the other contestants begin their final challenges, they slowly start to realise that the island they've been taken to is hiding a terrifying secret - one that could make the final Elimination Event all too real.'Not one to miss . . . a funny, eccentric page-turner that you will absolutely love.' Daily Mail'A really fun read that's ultimately about finding a place in the world where you can be accepted for who you are.' Stylist'Good fun.' The Times'Fun, gruesome, and queer!' BookriotWhat readers are saying'THIS WAS INSANE IN THE BEST WAY I AM OBSESSED''A gloriously bonkers book''This book sucked me in and I couldn't put it down!''One of my favorite books this year!!''A wild ride from start to finish!''If you love the Bachelor and/or you love slasher films, you CANNOT miss this book. It is so, so fun.''I am so glad this book is in my life.'

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WINNER OF THE BRITISH ARMY BOOK OF THE YEAR 2021 'A riveting account of T. E. Lawrence’s battles on and off the battlefield… Using scrupulous research and succinct prose, Johnson provides a gold mine of stratagems… a must-read for military leaders to come!' Arnel P. David, Lt Col, US Army Special Advisor to the Chief of the General Staff (UK) 'An innovative study of Lawrence that carefully and intelligently examines his campaigns and thinking on irregular warfare, and in doing so produces an accessible and intellectually stimulating work of military history.' James Kitchen, Royal Military Academy Sandhurst 'This is a major contribution to the literature on the Middle East in the Great War, and the history of military ideas - and it is highly relevant to contemporary armed force.' Professor Gary Sheffield, University of Wolverhampton Lawrence of Arabia is one of the most iconic figures of the First World War, seen by many as a heroic and romantic guerrilla leader in a period of savage and deeply impersonal industrial warfare. While Lawrence himself has been the subject of many biographies, and an award-winning film, the context of his war in the desert, and his ideas on war itself, are less well known. Lawrence of Arabia on War is a study of those ideas and of his campaign of irregular warfare which has informed tactical theory and decision-making down to the present day, juxtaposed alongside the operations conducted by the Ottoman Empire and those of the Allied army in Palestine. It explores the challenges he faced in a complex environment against a more numerous and better armed adversary, and the manner in which he assessed what was changing, what was distinctive, and what was unique to guerrilla warfare in the desert. Setting Lawrence in his historical context, it examines the peace settlement process he participated in during 1919–20, analyses how other military writers made use of his ideas, and describes the ways in which his legacy has informed and inspired those partnering and mentoring local forces today.

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Rise of the Dungeon Master tells, in graphic form, the story of Gary Gygax, co-creator of Dungeons & Dragons, one of the most influential games ever made. Like the game itself, the narrative casts the reader into the adventure from a first person point of view, taking on the roles of the different characters in the story.Gygax was the son of immigrants who grew up in Lake Geneva, WI, in the 1950s. An imaginative misfit, he escaped into a virtual world based on science fiction novels, military history and strategic games like chess. In the mid-1970s, he co-created the wildly popular Dungeons & Dragons game, determining the rules and inventing the signature 20-sided dice. Starting out in the basement of his home, he was soon struggling to keep up with the demand. Gygax was a purist, in the sense that he was adamant that players use their imaginations and that the rules of the game remain flexible. A creative mind with no real knowledge of business, he made some strategic errors and had a falling out with the game's co-creator, his close friend and partner, David Arneson. By the late 1970s the game had become so popular among kids that parents started to worry -- so much so that a mom's group was formed to alert parents to the dangers of role play and fantasy. The backlash only fueled the fires of the young fans who continued to play the game, escaping into imaginary worlds. Before long, D&D conventions were set up around the country and the game inspired everything from movies to the first video games. With D&D, Gygax created the kind of role playing fantasy that would fuel the multibillion dollar video game industry, and become a foundation of contemporary geek culture.

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Creation Story explores parallels and intersections in the works of Dial and his fellow Alabamians, the remarkable quilters of Gee's Bend. In the tradition of African American cemetery constructions and yard art, these artists harness the tactile properties and symbolic associations of cast-off materials in creating an art of profound beauty and evocative power. Produced against a backdrop of poverty and racism, these artworks have an appeal that crosses aesthetic, social, and geographical boundaries, earning them wide recognition as being among the most compelling art of our time.The quilters of Gee's Bend, a small rural community near Selma, Alabama, use salvaged fabric in orchestrations of strong colours, dynamic patterns, and eccentric geometric shapes. While drawing from classic traditions of American quilt making, their sensitivity to the evocative power of materials and fine balance of optical tension and harmony marks their quilts as truly original. The New York Times has called them ""some of the most miraculous works of modern art America has produced."" Going beyond the beauty and tactile richness of the Gee's Bend quilts, the densely layered assemblages of Thornton Dial are, in his words, ""about ideas, and about life, and the experiences of the world."" A keen observer and interpreter of his times, Dial uses the technique of bricolage--the aesthetic reconfiguring of found objects--to reflect on personal memories, insights into root causes of racism and poverty, and news events and programs he sees on television. The Wall Street Journal has called Dial's works ""tough, beautiful, disturbing, seductive, improvisatory, unignorable, fierce, exhilarating, ambiguous--and much more."" While Dial's social symbolism contrasts with the inherent abstraction of the Gee's Bend quilts, the two are linked by an appreciation for the poetic and evidentiary power of raw materials, which they transform into expressions of beauty and truth. The artworks reproduced in this exhibition catalogue are drawn from the extensive collection of the Souls Grown Deep Foundation in Atlanta, Georgia. The 43 colour plates are accompanied by illustrated essays by curators Paul Arnett and Joanne Cubbs.

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