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This fascinating volume reveals the real men – and women – behind some of the most infamous London villains ever to appear in fiction. Fagin, Professor Moriarty, Moll Cutpurse and the notorious 'cracksman' A.J. Raffles were all rooted in the lives and deaths of a litany of real-life criminals, agitators and activists. With a special emphasis on the city that spawned them, this book brings together their stories for the first time, and shows how they were woven into fiction by some of Britain’s greatest writers, including Charles Dickens and Arthur Conan Doyle. Containing prison escapes, sensational trials, daring art thefts, vicious attacks, roaring boys, black magicians and private detectives, Masters of Crime explores both the real underworld of British crime history, and its fictional counter-parts. It will delight fans of true crime and crime fiction alike.

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Jan Ullrich: The Best There Never Was is the first biography of Jan Ullrich, arguably the most naturally talented cyclist of his generation, and also one of the most controversial champions of the Tour de France.'Magnificent' – Matt Dickinson, The Times'A superlative biography as well as social and sporting history' – ObserverIn 1997, Jan Ullrich announced himself to the world by obliterating his rivals at the Tour de France and becoming Germany’s first ever winner. Everyone agreed: Jan Ullrich would dominate the future of cycling. But he never quite managed it.This is a gripping account of how unbearable expectation, mental and physical fragility, the effects of a complicated childhood, a morally corrupt sport and one individual – Lance Armstrong – can conspire to reroute destiny.Acclaimed journalist Daniel Friebe takes us from the legacy of East Germany’s drugs programme to the pinnacle of pro cycling and asks: what price are you willing to pay for immortality?

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Six colourful, comic characters inhabit A Backward Place. All but one are Westerners who have come to Delhi to experience an alternative way of life. But, far from being hippies, their ability to adapt to this exotic culture often leaves something to be desired. Etta, an aristocratic, faded beauty maintains her Parisian chic while Clarissa talks enthusiastically about the simple life but stops short of ever roughing it herself. On the other hand Bal, the one Indian protagonist, holds quite Western aspirations to Hollywood glamour.A Backward Place humorously explores contradictions in attitudes and lifestyles and the interplay between culture and individuality. But it is also a Dickensian drama, charting the highs and lows of everyday life against the enchanting backdrop of a bustling Indian city.

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The midwife: medical professional, friend in a woman’s hour of greatest need, potent social and cultural symbol. Though the role of midwife has existed since time immemorial, it is only since the Victorian era that it has been a recognised and regulated profession. This book, from social history expert Susan Cohen, looks at midwifery in Britain from ancient times up to the present, paying particular attention to its incredible medical and social advances of the last 150 years. It is a fully illustrated tour that takes in fictional midwives such as Dickens’ Sarey Gamp, the founding of the Royal College of Midwives in 1881, the Second World War, the forming of the NHS and the Central Midwives Board, and looks at the increasing medicalisation of childbirth and the countervailing trend for giving birth at home.

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This book presents vintage, often whimsical, and one-of-a-kind wooden figurine carvings by ANRI, the world-renowned company founded in 1912 in the Dolomite Mountains of northern Italy. Among the more than 2,500 carvings featured are bottle stoppers, bottle openers and corkscrews, bar sets, calendars, letter openers, bookends, humidors, ashtrays, lighters, cigarette boxes, pipe rests, salt and pepper sets, pepper mills, napkin rings, timers, toothpick holders, brushes, salt and serving spoons, spoon and key racks, door knockers, and figurines, including monks and characters from novels by Charles Dickens. Collectors with a wide range of interests will be delighted with the amazing number of woodcarvings shown. This book will amuse and inspire today’s woodcarvers and collectors, novices and experienced devotees alike.

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A celebration of the drama and intensity of the mother-child relationship, published as a Penguin Essential for the first time.It is the Swinging Sixties, and Rosamund Stacey is young and inexperienced at a time when sexual liberation is well on its way. She conceals her ignorance beneath a show of independence, and becomes pregnant as a result of a one night stand. Although single parenthood is still not socially acceptable, she chooses to have the baby rather than to seek an illegal abortion, and finds her life transformed by motherhood. 'Rosamund is marvellous, a true Drabble heroine . . . what spirit is here' Sunday Times'One of our foremost women writers' Guardian'The novelist who will have done for late twentieth-century London what Dickens did for Victorian London' The New York Times

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Since its inception in 2012, the hugely successful online introduction to modern poetry known as ModPo has engaged some 415,000 readers, listeners, teachers, and poets with its focus on a modern and contemporary American tradition that runs from Walt Whitman and Emily Dickinson up to some of today's freshest and most experimental written and spoken verse. In The Difference Is Spreading, ModPo's Al Filreis and Anna Strong Safford have handed the microphone over to the poets themselves, by inviting fifty of them to select and comment upon a poem by another writer. The approaches taken are various, confirming that there are as many ways for a poet to write about someone else's poem as there are poet-poem matches in this volume. Yet a straight-through reading of the fifty poems anthologized here, along with the fifty responses to them, emphatically demonstrates the importance to poetry of community, of socioaesthetic networks and lines of connection, and of expressions of affection and honor due to one's innovative colleagues and predecessors. Through the curation of these selections, Filreis and Safford express their belief that the poems that are most challenging and most dynamic are those that are open—the writings, that is, that ask their readers to participate in making their meaning. Poetry happens when a reader and a poet come in contact with one another, when the reader, whether celebrated poet or novice, is invited to do interpretive work—for without that convergence, poetry is inert.

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From all over the world, picture book illustrators sent original images and personal messages, in postcard form, for Migrations, an exhibition at the Biennial of Illustration, Bratislava, in 2017, curated by the University of Worcester's International Centre for the Picture Book in Society. Over fifty of the cards are reproduced in this very special book. The book is divided into themes of Departures, Long Journeys, Arrivals and Hope for the Future. The facsimile postcard text includes personal messages of hope from the illustrators, as well as quotes from writers including Emily Dickinson, WB Yeats, John Clare, and Anita Desai. Robert Macfarlane has written a poem specially for the postcard drawn by Jackie Morris. Illustrators include Christopher Corr, Marie-Louise Gay, Piet Grobler, Petr Horacek, Isol, Jon Klassen, Neal Layton, PJ Lynch, Roger Mello, Jackie Morris, Jane Ray, Chris Riddell, Axel Scheffler and Shaun Tan. In total, illustrators from 28 countries have contributed. Migrations carries a powerful message about human migration, showing how cultures, ideas and aspirations flow despite borders, barriers and bans.

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A beautifully illustrated collection of over 100 well-loved classic songs and nursery rhymes for every part of your child's day.Every time we share these songs and rhymes with children, we create a bond. We make a bit of trust, a bit of care, a bit of love between us. Children need this in order to thrive and grow. Michael Rosen.Ladybird Songs and Rhymes for Every Day will show parents and carers how they can add songs into their everyday routine. These well-known songs are arranged into different times of the day from morning and mealtimes to play time, bath and bed time so you can use this book to fill your child's day with lots of musical moments!Daniela Sosa's beautiful artwork bring each song to life and makes this the perfect gift for babies and toddlers.Featuring beloved classics including Humpty Dumpty, Little Miss Muffet, Hickory Dickory Dock, Jack and Jill, Doctor Foster, Old MacDonald Had A Farm, Hot Cross Buns, I Can

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La intriga parte de un extraño asesinato y se alimenta de una sociedad corrupta e hipócrita.Cuando en una respetable mansión de Bedford Square se encuentra el cadáver de un hombre asesinado, el más experto y conflictivo policía victoriano de Londres, Thomas Pitt, acude inmediatamente al lugar de los hechos. Tanto la casa como una cajita de rapé encontrada en el cuerpo pertenecen al muy respetado general Balantyne, amigo de Charlotte, la esposa de Pitt, y ampliamente conocido en los mejores círculos sociales. A medida que se va involucrando en la investigación de este asesinato y en un caso de chantaje, Pitt se verá inmerso en medio de una terrible lucha para salvar lo que siempre ha intentado preservar: la integridad de la policía de Bow Street. Con un extraño asesinato y una corrupta e hipócrita sociedad victoriana, Anne Perry construye una novela de intriga que impresionaría al propio Charles Dickens. New York Times Books Review

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Que no haga falta reivindicar el Tirant lo Blanchcomo una de las grandes obras de la literaturauniversal es hoy debido, como afirma Martínde Riquer en el propósito a este volumen, aMiguel de Cervantes, Dámaso Alonso y MarioVargas Llosa. El primero lo calificó de el mejorlibro del mundo; el segundo de novelamoderna o la mejor novela que se escribiódurante el siglo xv en Europa y, además, totalmenteactual; y Vargas Llosa afirmó por suparte que Martorell fue el primero de aquellaestirpe de suplantadores de Dios?Fielding, Balzac,Dickens, Flaubert, Tolstói, Joyce, Faulkner?que pretenden crear en sus novelas una ?realidadtotal?, añadiendo además que como todogran creador, Joanot Martorell edificó su novelaa imagen y semejanza de la realidad de suépoca. Pero si fuera sólo esto, sería apenas uninvalorable documento, no una gran novela.En efecto, Martorell tuvo la enorme osadía yoriginalidad de hacer la peripecia de

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Those not learned in the economic arts believe that economics is either solely or essentially concerned with commercial relations. And, so it was, originally. Then, in the second half of the 20th century, economists began applying their minimalist but sturdy tools to other human activities such as marriage, child-bearing, crime, religion and social groups. In this spirit, the Research Handbook on the Economics of Family Law gives us a series of original essays by distinguished scholars in economics, law or both. The essays represent a variety of approaches to the field. Many contain extensive surveys of the literature with respect to the particular question they address. Some employ empirical economics, others are more narrowly legal. They have in common one thing: each scholar employs a core economic tool or insight to shed light on some aspect of family law and social institutions broadly understood. Topics covered include: divorce, child support, infant feeding, abortion access, prostitution, the decline in marriage, birth control and incentives for partnering. This comprehensive and enlightening volume will be a valuable reference for those interested in law and economics generally and family law in particular.Contributors: D.W. Allen, L.R. Cohen, S. Cunningham, K. Dickinson, A.W. Dnes, T. Green, M. Guldi, M. Hanlon, T.D. Kendall, J. Klick, R.I. Lerman, J. Price, B. Stevenson, T. Stratmann, A.L. Wax, J. Wolfers, J.D. Wright

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This book is based on the unpublished journals of William Schaw Lindsay (1815-1877) housed in the National Maritime Museum, Greenwich. From rags to riches. Born in Scotland and orphaned by the age of 10, Lindsay ran away to sea at the age of 16. The book highlights his life at sea from cabin boy to captain, a sometimes shocking insight into what life was like sailing across oceans in the 1830s. He then became an agent selling coal for steam ships. He would eventually own one of the largest shipping companies in the world, with 22 ships, some of which were employed as troop transporters in the Crimean War. He entered Parliament in 1854 where he focussed on shipping matters. He was vocal in his criticism of the Admiralty during the Crimean War. He visited the Northern states just prior to the American Civil War to discuss shipping laws and met Abraham Lincoln. In fact, his story includes meetings with an astonishing array of luminaries: Livingstone, Buchanan, Garibaldi, Gladstone, Disraeli, Brunel, Nightingale, Dickens, Paxton, Emperor Napoleon III and Queen Victoria. Lindsay strove to improve the shipping laws, not only in England but abroad, and he persistently advocated the removal of restrictions on free trade. His magnum opus, entitled History of Merchant Shipping and Ancient Commerce, became a standard reference on the subject.

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We have always valued the short story as a way to make sense of the world, and our place in it. This anthology by leading Black and Asian British writers is filled with stories, which, like life, rarely end in the way we might expect... JACOB ROSS, KADIJA SESAY, SENI SENEVIRATNE, LEONE ROSS, DESIREE REYNOLDS, SAI MURRAY, RAMAN MUNDAIR, BERNARDINE EVARISTO, MONICA ALI, DINESH ALLIRAJAH, MULI AMAYE, LYNNE E. BLACKWOOD, JUDITH BRYAN, JACQUELINE CLARKE, JACQUELINE CROOKS, FRED D'AGUIAR, SYLVIA DICKINSON, GAYLENE GOULD, MICHELLE INNISS, VALDA JACKSON, PETE KALU, PATRICE LAWRENCE, JENNIFER NANSUBUGA MAKUMBI, TARIQ MEHMOOD, CHANTAL OAKES, KAREN ONOJAIFE, KOYE OYEDEJI, LOUISA ADJOA PARKER, HANA RIAZ, AKILA RICHARDS, AYESHA SIDDIQI, MAHSUDA SNAITH

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NOW A NETFLIX ORIGINAL SERIESViolet, Klaus, and Sunny Baudelaire are intelligent children. They are charming, and resourceful, and have pleasant facial features. Unfortunately, they are exceptionally unlucky.In the first two books alone, the three youngsters encounter a greedy and repulsive villain, itchy clothing, a disastrous fire, a plot to steal their fortune, a lumpy bed, a deadly serpent, a large brass reading lamp, a long knife, and a terrible odor. In the tradition of great storytellers, from Dickens to Dahl, comes an exquisitely dark comedy that is both literary and irreverent, hilarious and deftly crafted. Never before has a tale of three likeable and unfortunate children been quite so enchanting, or quite so uproariously unhappy.

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When was smoking banned on trains? Which actor restored kippers to the menu of the Brighton Belle? What regular lineside event did Dickens describe as 'a shave in the air'? Perfect for a trivia night or a long trip, Train Teasers will both test your knowledge of this country's rail system and enlighten you on the most colourful aspects of its long history. Meet trunk murderers, trainspotters, haters of railways, railway writers, Ministers for Transport good and bad, railway cats, dogs and a railway penguin. This is NOT a book for number-crunching nerds. Many of the answers are guessable by the intelligent reader. It is a quiz, yes, but also a cavalcade of historical incident and colour relating to a system that was the making of modern Britain.

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"The Ideas in Things" explores apparently inconsequential objects in popular Victorian texts to make contact with their fugitive meanings. Developing an innovative approach to analyzing nineteenth-century fiction, Elaine Freedgood reconnects the things readers unwittingly ignore to the stories they tell. Building her case around objects from three well-known Victorian novels - Charlotte Bronte's Jane Eyre, Elizabeth Gaskell's Mary Barton, and Charles Dickens' Great Expectations - Freedgood argues that these things are connected to histories that the novels barely acknowledge, generating darker meanings outside the novels' symbolic systems. A valuable contribution to the field of object studies, "The Ideas in Things" pushes readers' thinking about things beyond established concepts of commodity and fetish.

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Dip into this inspired assortment of concise masterpieces, and draw out - a fragment of Sappho from ancient Greece, a perfect haiku from Japan; a brief nature poem by John Clare, Robert Frost, Ted Hughes or Boris Pasternak; a compact love poem by Alexander Pushkin or Anne Bradstreet, Robert Herrick or Carol Ann Duffy; a miniature story by Hardy, Rumi or Roethke; a pithy meditation by Wang Wei, Emily Dickinson, Tennyson or Lorca. Dip again, and discover the compressed wit of Dorothy Parker and Ogden Nash; contemporary poets Simon Armitage and Moniza Alvi at their most succinct; short poems in very odd shapes from Apollinaire and Vaclav Havel ... So few lines, so much variety: epitaphs and epigrams; couplets and quatrains; lyrics, limericks and lullabies - go on, dip again.

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This Devil’s Advocate explores the cinematic wonders of Brian Desmond Hurst’s much loved 1951 adaptation of A Christmas Carol, Scrooge, through the prism of horror cinema, arguing that the film has less in common with cosy festive tradition than it does with terror cinema like James Whale’s Bride of Frankenstein, Robert Weine’s The Cabinet of Dr. Caligari, and F.W. Murnau’s Faust. Beginning with Charles Dickens himself, a prolific writer of ghost stories, with A Christmas Carol being but one of many, Colin Fleming then considers earlier cinematic adaptations including 1935’s folk-horror-like Scrooge, before offering a full account of the Hurst/Sim version, stressing what must always be kept at the forefront of our minds: this is a ghost story.

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This is an amiable tour of wine's history, detailing the profound effect it has had on society and culture through the ages. From its origins in ancient Egypt and Mesopotamia to the New World wine industry today, John Varriano examines how wine is made, and how it has been used in rituals and revelries throughout history. He investigates wine's transformative effects on body and mind in art, literature and science around the world, from the mosaics of ancient Rome to the poetry of Emily Dickinson and the paintings of Caravaggio, Bosch and Manet. A fascinating, companiable exploration, Wine: A Cultural History will delight all those who favour a glass or two of an evening, as well as those who are interested in the rich history of human creativity and consumption.

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In this follow-up to her acclaimed debut The Met Office Advises Caution, Rebecca Watts observes and tests the limits of humanity's engagement with the non-human. By turns lyrical and narrative, the poems examine familiar subjects - environmental crisis, hawks, hospitals, the sea, barbecues, flowers, Emily Dickinson - only to find their subjects staring, sometimes fighting, back. Nature and nurture, equally red in tooth and claw, power a book-long sparring match between the overthinking poet and the ever-thoughtless universe, between the craft's isolation and the world's irrepressible variety. Gloves on and gloves off, the poet's hands destroy and build, gather and scatter, caress and strike.

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Dear Reader,There is nothing to be found in A Series of Unfortunate Events' but misery and despair. You still have time to choose another international best-selling series to read. But if you insist on discovering the unpleasant adventures of the Baudelaire orphans, then proceed with cautionViolet, Klaus, and Sunny Baudelaire are intelligent children. They are charming, and resourceful, and have pleasant facial features. Unfortunately, they are exceptionally unlucky.In The Penultimate Peril, the siblings face a harpoon gun, a rooftop sunbathing salon, two mysterious initials, three unidentified triplets, a notorious villain, and an unsavoury curryIn the tradition of great storytellers, from Dickens to Dahl, comes an exquisitely dark comedy that is both literary and irreverent, hilarious and deftly crafted.Despite their wretched contents, A Series of Unfortunate Events' has sold 60 million copies worldwide and been made into a Hollywood film starring Jim Carrey and a Netflix series star

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''A kaleidoscopically detailed novel of twenty-first century life, full of human comedy, which finds richness in the quotidian, ephemeral, and overlooked'' LUCIE ELVEN''By turns witty, compassionate, and toe-curling. An incredibly astute and propulsive writing of modern relationships, familial, platonic and romantic'' SUSANNAH DICKEY''Exquisite, forensic and tender . . . This book gently brûléed my heart'' DOREEN CUNNINGHAMMuskan has a great life: a creative job in the big city, supportive friends, and no trouble finding first dates. So what if her colleagues don''t know she exists, or her friends won''t stop lecturing her about the three-year ''situationship'' she''s in? It''s not like she''s starving.But something is wrong, and while the people around her seem to have all the right words, nobody can articulate what they want from each other. As obstacles mount and the easy-going persona Muskan has built starts to crumble,

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This warmly encouraging collection of daily readings offers immediate inspiration for readers seeking a more spiritually grounded lifestyle. Each reading is based on a quotation from one of the world's great philosophers, poets, saints, and sages. Augustine and Einstein, Emily Dickinson and Jalaladdin Rumi, Biblical verses, Buddhist sutras, Hasidic proverbs, and Hindu Upanishads can all be found here. Each quote is accompanied by a commentary from Easwaran, explaining how the wisdom of the ages can help us here and now. Some days offer gentle reminders to slow down and be mindful. Other days give advice for changing an unwanted habit, mending a relationship, staying strong in hard times, or striving toward the peaks of spirituality described in all religions. This is a book to read in the morning to start the day right, or at night to prepare for peaceful rest. Each day, each year, brings fresh insights and inspiration.

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'A simultaneously hilarious and heart-breaking portrait of a poor white family life in the twilight of apartheid' Richard E. Grant'Funny, never self-pitying and a pleasure to read' Guardian'Both haunting and funny. [Ecott] writes with compassion and honesty to give us a truly memorable account of an extraordinary upbringing' Fergal KeaneTim Ecott's family swapped Northern Ireland for apartheid Johannesburg in the 1970s. But just six months after arriving the family was bankrupt and evicted from their home, and most of their possessions had been confiscated by the bailiffs. Whilst friends and relatives imagined they were living enviable lives in the sun, the reality was that the family was cast adrift. Forced to survive on their wits, they entered a twilight world where their true friends were prostitutes, thieves and renegades. 'Unputdownable - never sentimental, extremely honest and with a positively Dickensian cast of characters' Emma Thompson

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The probing essays collected in American Originality scrutinise the terms we use to think about recent American poetry, its antecedents (not just Whitman and Dickinson but Ovid, Rilke, Thomas Mann, Keats) and its future, questioning how we distinguish between work that is unique and work that is original, carefully delineating the allure of both 'shared traditions' and 'the cult of illogic'. Attentive always to risk and danger, Louise Glück illuminates how the poet at work moves between panic and gratitude, agony and resolution. Essays on specific writers and on the larger themes of American literature introduce the terms by which she reads and celebrates ten younger poets whose work she has advocated. Studded with brilliant insights into her own practice and the work of her contemporaries, this is an essential book for any interested reader of new poetry.

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This poetry anthology includes both jolly and thought-provoking poems old and new to take the reader on a journey through the Christmas season, from the advent of winter to the dawn of the new year. Poems cover much-loved themes including the Nativity and the love and peace of God at Christmas time; the busyness and joy of family life and Christmas preparations; and hope for the new year. Poems are from names including Charles Causley, Steve Turner, Clare Bevan, Edward Lear, Emily Dickinson and many more modern and traditional poets. The anthology is enlivened with pictures and photographs to showcase a whole range of jolly Christmas styles. The giftable hardback format makes this a special book to share at home, whilst the wide scope of the poems makes this equally valuable for teachers looking for assembly and classroom resources .

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Few actors are more eloquent, honest or entertaining about their life and their profession than Simon Callow. Being an Actor traces his stage journey from the letter he wrote to Laurence Olivier that led him to his first job, to his triumph as Mozart in the original production of Amadeus. This new edition continues to tell the story of his past two decades onstage. Callow discusses his occasionally ambivalent yet always passionate feelings about both film and theatre, conflicting sentiments partially resolved by his acclaimed return to the stage with his solo performances in The Importance of Being Oscar and The Mystery of Charles Dickens, seen in the West End and on Broadway in 2002. Being an Actor is a guide not only to the profession but also to the intricacies of the art, told with wit, candour, and irrepressible verve by one if the great figures of the stage.

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Short and oddly built, with a head too big for his body, extremely short-sighted, unable to stay still, dressed in colourful clothes, Wilkie Collins looked distinctly strange. But he was none the less a charmer, befriended by the great, loved by children, irresistibly attractive to women – and avidly read by generations of readers. Peter Ackroyd follows his hero, ‘the sweetest-tempered of all the Victorian novelists’, from his childhood as the son of a well-known artist to his struggling beginnings as a writer, his years of fame and his life-long friendship with the other great London chronicler, Charles Dickens. As well as his enduring masterpieces, The Moonstone – often called the first true detective novel – and the sensational The Woman in White, he produced an intriguing array of lesser-known works. Told with Ackroyd’s inimitable verve, this is a ravishingly entertaining life of a great storyteller, full of surprises, rich in humour and sympathetic understanding.

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Primera traducción íntegra de la poesía de Marianne Moore.En la poesía del siglo XX, el nombre de Marianne Moore ocupa un lugar esencial. Quizá sea, después de Emily Dickinson, la poeta más radical que han dado las letras norteamericanas.Compañera de generación de Wallace Stevens o de William Carlos Williams, Moore logró crear un universo poético, tanto en el fondo como en la forma, muy distinto a lo que hasta entonces se había hecho. Poeta del mundo natural, muy poco dada al tono confesional, su poesía nace en el imaginismo de su generación y desemboca en el alumbramiento de una poesía construida con imágenes y símbolos de una belleza pura.Ahora publicamos, por primera vez en castellano, su poesía completa, al cuidado de Olivia de Miguel, experta en la obra de Moore. Un texto de T. S. Eliot sobre la poeta y la entrevista que le hizo Donald Hall completan la edición.

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A Marriage Below Zero is the first novel in English to explicitly explore the subject of male homosexuality. Written by a British émigré to America, the New York theater critic Alfred J. Cohen, under the pseudonym of “Alan Dale,” this first-person narrative is told by a young Englishwoman, Elsie Bouverie, who gradually discovers that her new husband, Arthur Ravener, is romantically involved with another man. Denounced on publication (“a saturnalia in which the most monstrous forms of human vice exhibit themselves shamelessly” wrote one reviewer), the novel was published during the public exposure of a London homosexual brothel frequented by upper-class men and telegraph boys. A Marriage Below Zero reflected late-nineteenth-century fears and anxieties about homosexuality, women’s position in marriage, and the threat that seemingly new, illicit forms of desire posed to marriageable women and to the Victorian family.This Broadview edition includes excerpts from the era’s pro-homosexual tracts, scientific and legal documents, contemporary feminist commentary on the new “dandyism,” and newspaper accounts of late-Victorian same-sex scandals. Highlights of the volume include excerpts from Charles Dickens’s 1836 account of his visit to Newgate Prison, where he witnessed the last two men in Britain executed for sodomy, George Bernard Shaw’s 1889 unpublished letter attacking the social purity movement’s legislation against homosexual men, and a never-before reprinted 1898 article from Reynolds Magazine, “Sex Mania,” that warned of an increasing number of homosexual men choosing to enter marriages as a cover for an illicit life.

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New perspectives on Christopher Isherwood as a searching and transnational writer “Perhaps I had traveled too much, left my heart in too many places,” muses the narrator of Christopher Isherwood’s novel Prater Violet (1945), which he wrote in his adopted home of Los Angeles after years of dislocation and desperation. In Isherwood in Transit, James J.Berg and Chris Freeman bring together diverse Isherwood scholars to understand the challenges this writer faced as a consequence of his travel. Based on a conference at the Huntington Library, where Isherwood’s recently opened papers are held, Isherwood in Transit considers the writer not as an English, continental, or American writer but as a transnational one, whose identity, politics, and beliefs were constantly transformed by global connections and engagements arising from journeys to Germany, Japan, China, and Argentina; his migration to the United States; and his conversion to Vedanta Hinduism in the 1940s.Approaching Isherwood’s rootlessness and restlessness from various perspectives, these essays show that long after he made a new home in California and became an American citizen, Christopher Isherwood remained unsettled, although his wanderings became spiritual and personal rather than geographic.Contributors: Barrie Jean Borich, DePaul U; Jamie Carr, Niagara U; Robert L. Caserio, Penn State U, University Park; Lisa Colletta, American U of Rome; Lois Cucullu, U of Minnesota; Jaime Harker, U of Mississippi; Carola M. Kaplan, California State U, Pomona; Calvin W. Keogh, Central European U, Budapest; Victor Marsh; Wendy Moffat, Dickinson College; Xenobe Purvis; Bidhan Roy, California State U, Los Angeles; Katharine Stevenson, U of Texas at Austin; Edmund White.

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Considers how people have confronted, challenged, and resisted remote warfare Drone warfare is now a routine, if not predominant, aspect of military engagement. Although this method of delivering violence at a distance has been a part of military arsenals for two decades, scholarly debate on remote warfare writ large has remained stuck in tired debates about practicality, efficacy, and ethics. Remote Warfare broadens the conversation, interrogating the cultural and political dimensions of distant warfare and examining how various stakeholders have responded to the reality of state-sponsored remote violence.The essays here represent a panoply of viewpoints, revealing overlooked histories of remoteness, novel methodologies, and new intellectual challenges. From the story arc of Homeland to redefining the idea of a “warrior,” these thirteen pieces consider the new nature of surveillance, similarities between killing with drones and gaming, literature written by veterans, and much more. Timely and provocative, Remote Warfare makes significant and lasting contributions to our understanding of drones and the cultural forces that shape and sustain them.Contributors: Syed Irfan Ashraf, U of Peshawar, Pakistan; Jens Borrebye Bjering, U of Southern Denmark; Annika Brunck, U of Tübingen; David A. Buchanan, U.S. Air Force Academy; Owen Coggins, Open U; Andreas Immanuel Graae, U of Southern Denmark; Brittany Hirth, Dickinson State U; Tim Jelfs, U of Groningen; Ann-Katrine S. Nielsen, Aarhus U; Nike Nivar Ortiz, U of Southern California; Michael Richardson, U of New South Wales; Kristin Shamas, U of Oklahoma; Sajdeep Soomal; Michael Zeitlin, U of British Columbia.

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Considers how people have confronted, challenged, and resisted remote warfare Drone warfare is now a routine, if not predominant, aspect of military engagement. Although this method of delivering violence at a distance has been a part of military arsenals for two decades, scholarly debate on remote warfare writ large has remained stuck in tired debates about practicality, efficacy, and ethics. Remote Warfare broadens the conversation, interrogating the cultural and political dimensions of distant warfare and examining how various stakeholders have responded to the reality of state-sponsored remote violence.The essays here represent a panoply of viewpoints, revealing overlooked histories of remoteness, novel methodologies, and new intellectual challenges. From the story arc of Homeland to redefining the idea of a “warrior,” these thirteen pieces consider the new nature of surveillance, similarities between killing with drones and gaming, literature written by veterans, and much more. Timely and provocative, Remote Warfare makes significant and lasting contributions to our understanding of drones and the cultural forces that shape and sustain them.Contributors: Syed Irfan Ashraf, U of Peshawar, Pakistan; Jens Borrebye Bjering, U of Southern Denmark; Annika Brunck, U of Tübingen; David A. Buchanan, U.S. Air Force Academy; Owen Coggins, Open U; Andreas Immanuel Graae, U of Southern Denmark; Brittany Hirth, Dickinson State U; Tim Jelfs, U of Groningen; Ann-Katrine S. Nielsen, Aarhus U; Nike Nivar Ortiz, U of Southern California; Michael Richardson, U of New South Wales; Kristin Shamas, U of Oklahoma; Sajdeep Soomal; Michael Zeitlin, U of British Columbia.

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Since its inception in 2012, the hugely successful online introduction to modern poetry known as ModPo has engaged some 415,000 readers, listeners, teachers, and poets with its focus on a modern and contemporary American tradition that runs from Walt Whitman and Emily Dickinson up to some of today's freshest and most experimental written and spoken verse. In The Difference Is Spreading, ModPo's Al Filreis and Anna Strong Safford have handed the microphone over to the poets themselves, by inviting fifty of them to select and comment upon a poem by another writer. The approaches taken are various, confirming that there are as many ways for a poet to write about someone else's poem as there are poet-poem matches in this volume. Yet a straight-through reading of the fifty poems anthologized here, along with the fifty responses to them, emphatically demonstrates the importance to poetry of community, of socioaesthetic networks and lines of connection, and of expressions of affection and honor due to one's innovative colleagues and predecessors. Through the curation of these selections, Filreis and Safford express their belief that the poems that are most challenging and most dynamic are those that are open—the writings, that is, that ask their readers to participate in making their meaning. Poetry happens when a reader and a poet come in contact with one another, when the reader, whether celebrated poet or novice, is invited to do interpretive work—for without that convergence, poetry is inert.

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A gripping tale of violent jealousy, sexual passion and treachery, Honoré de Balzac's Cousin Bette is translated from the French with an introduction by Marion Ayton Crawford in Penguin Classics.Poor, plain spinster Bette is compelled to survive on the condescending patronage of her socially superior relatives in Paris: her beautiful, saintly cousin Adeline, the philandering Baron Hulot and their daughter Hortense. Already deeply resentful of their wealth, when Bette learns that the man she is in love with plans to marry Hortense, she becomes consumed by the desire to exact her revenge and dedicates herself to the destruction of the Hulot family, plotting their ruin with patient, silent malice. The culmination of the Comédie humaine, and a brilliant portrayal of the grasping, bourgeois society of 1840s Paris, Cousin Bette is one of Balzac's greatest triumphs as a novelist.Marion Ayton Crawford's lively translation is accompanied by an introduction discussing the novel's portrayal of rapidly changing times, as the new, ambitious middle classes replaced France's old imperial ways.Honoré De Balzac (1799-1850) failed at being a lawyer, publisher, printer, businessman, critic and politician before, at the age of thirty, turning his hand to writing. His life's work, La Comédie humaine, is a series of ninety novels and short stories which offer a magnificent panorama of nineteenth-century life after the French Revolution. Balzac was an influence on innumerable writers who followed him, including Marcel Proust, Émile Zola, Charles Dickens, and Edgar Allan Poe.If you enjoyed Cousin Bette, you might like Balzac's Old Goriot, also available in Penguin Classics.

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This unprecedented anthology asks thirty-six leading literary and cultural critics to elaborate on the nature of their profession. With the humanities feeling the pinch of financial and political pressures, and its disciplines resting on increasingly uncertain conceptual ground, there couldn't be a better time for critics to reassert their widespread relevance and purpose. These credos boldly defend the function of criticism in contemporary society and showcase its vitality in the era after theory. Essays address literature and politics, with some focusing on the sorry state of higher education and others concentrating on teaching and the fate of the humanities. All reflect the critics' personal, particular experiences. Deeply personal and engaging, these stories move, amuse, and inspire, ultimately encouraging the reader to develop his or her own critical credo with which to approach the world. Reflecting on the past, looking forward to the future, and committed to the power of productive critical thought, this volume proves the value of criticism for today's skeptical audiences. Contributors: Andrew Ross, Amitava Kumar, Lisa Lowe, Vincent B. Leitch, Craig Womack, Jeffrey J. Williams, Marc Bousquet, Katie Hogan, Michelle A. Masse, John Conley, Heather Steffen, Paul Lauter, Cary Nelson, David B. Downing, Barbara Foley, Michael Berube, Victor Cohen, Gerald Graff, William Germano, Ann Pellegrini, Bruce Robbins, Kenneth Warren, Diana Fuss, Lauren Berlant, Toril Moi, Morris Dickstein, Rita Felski, David R. Shumway, Mark Bauerlein, Devoney Looser, Stephen Burt, Mark Greif, Kathleen Fitzpatrick, Mark McGurl, Frances Negron-Muntaner, Judith Jack Halberstam

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Throughout history, potters, sculptors, painters, poets, novelists, cartoonists, song-writers, photographers, and filmmakers have recorded and tried to make sense of boxing. From Daniel Mendoza to Mike Tyson, boxers have embodied and enacted our anxieties about race, ethnicity, gender, and sexuality. In her encyclopedic investigation of the shifting social, political, and cultural resonances of this most visceral of sports, Kasia Boddy throws new light on an elemental struggle for dominance whose weapons are nothing more than fists. Looking afresh at everything from neoclassical sculpture to hip-hop lyrics, Boddy explores the ways in which the history of boxing has intersected with the history of mass media. Boddy pulls no punches, looking to the work of such diverse figures as Henry Fielding and Spike Lee, Charlie Chaplin and Philip Roth, James Joyce and Mae West, Bertolt Brecht and Charles Dickens in an all-encompassing study that tells us just how and why boxing has mattered so much to so many.

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Evangelical Gothic explores the bitter antagonism that prevailed between two defining institutions of nineteenth-century Britain: Evangelicalism and the popular novel. Christopher Herbert begins by retrieving from near oblivion a rich anti-Evangelical polemical literature in which the great religious revival, often lauded in later scholarship as a "moral revolution," is depicted as an evil conspiracy centered on the attempted dismantling of the humanitarian moral culture of the nation. Examining foundational Evangelical writings by John Wesley and William Wilberforce alongside novels by Charles Dickens, George Eliot, Bram Stoker, and others, Herbert contends that the realistic popular novel of the time was constitutionally alien to Evangelical ideology and even, to some Extent, took its opposition to that ideology as its core function. This provocative argument illuminates the frequent linkage of Evangelicalism in nineteenth-century fiction with the characteristic imagery of the Gothic–with black magic, with themes of demonic visitation and vampirism, and with a distinctive mood of hysteria and panic.

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Who has not suffered grief? In Mourning Songs, the brilliant poet and editor Grace Schulman has gathered together the most moving poems about sorrow by the likes of Elizabeth Bishop, William Carlos Williams, Gwendolyn Brooks, Neruda, Catullus, Dylan Thomas, W. H. Auden, Shakespeare, Emily Dickinson, W. S. Merwin, Lorca, Denise Levertov, Keats, Hart Crane, Michael Palmer, Robert Frost, Hopkins, Hardy, Bei Dao, and Czeslaw Milosz—to name only some of the masters in this slim volume. “The poems in this collection,” as Schulman notes in her introduction, “sing of grief as they praise life.” She notes, “As any bereaved survivor knows, there is no consolation. ‘Time doesn’t heal grief; it emphasizes it,’ wrote Marianne Moore. The loss of a loved one never leaves us. We don’t want it to. In grief, one remembers the beloved. But running beside it, parallel to it, is the joy of existence, the love that causes pain of loss, the loss that enlarges us with the wonder of existence.”

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A high octane, high drama romp, following the adventures of Victorian laundry maid Minnie O'Sullivan and her unforgettable band of friends.After a series of misfortunes, Minnie O’Sullivan is whisked away to Haddington Hall: a nightmarish home for wayward girls. Bad becomes worse when the hall’s ruthless founder, Mrs Haddington, takes an instant dislike to brave, determined Minnie, and she’s in danger of losing everything… But Minnie has never backed down from a fight in her life, and she’s not about to start now! Irresistible characters and a compulsive plot with twists aplenty; Vivian French conjures up the very spirit of Dickensian England in a wonderful new novel for middle-grade readers.“Vivian French is a writer of tremendous charm.” Literary Review “Delightful … with its edge-of-your-seat pace, it deserves applause.” Sunday Times (Children's Book of the Week) on The Steam Whistle Theatre Company“Storytelling at its best … a classic in the making.” The Scotsman on The Steam Whistle Theatre Company

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One must-have reversible cover. Worn four different ways. You decide.A poetry book like no other, with beautiful endpapers and a reversible cover jacket that allows you to choose your preferred pronoun from HE, SHE, THEY and US and four different colours: yellow, blue, green and pink. The perfect gift book or statement piece for any shelf.He, She, They, Us pulls together poems from queer poets both old and new – from Oscar Wilde, Emily Dickinson and Langston Hughes to the likes of Jay Hulme, Dean Atta, Harry Josephine Giles, Nikita Gill, Theo Parish and Travis Alabanza. This anthology celebrates queerness in all its forms and takes us through the experiences that make us who we are today.Collected and introduced by editor, writer and anthologist Charlie Castelletti, He, She, They, Us: Queer Poems contains an inclusive array of voices, from modern and contemporary poets to those who came before.

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Great American writers—William Carlos Williams, Jonathan Edwards, Emily Dickinson, Noah Webster, Hart Crane, Wallace Stevens, Henry James—all in the physicality of their archival manuscripts (reproduced in beautiful facsimiles here)—are the presiding spirits of Spontaneous Particulars: Telepathy of Archives. Also woven into Susan Howe’s long essay are beautiful photographs of embroideries and textiles from anonymous craftspeople. All the archived materials are links, discoveries, chance encounters, the visual and acoustic shocks of rooting around amid physical archives. These are the telepathies the bibliomaniacal poet relishes. Rummaging in the archives she finds “a deposit of a future yet to come, gathered and guarded...a literal and mythical sense of life hereafter—you permit yourself liberties—in the first place—happiness.” Digital scholarship may offer much for scholars, but Susan Howe loves the materiality of research in real archives and Spontaneous Particulars “is a collaged swan song to the old ways.”

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In late-1940s Long Branch, an historic but run-down Jersey Shore resort town, in a neighbourhood of Italian, Black and Jewish families, Robert Pinsky began his unlikely journey to becoming a poet. Descended from a bootlegger grandfather, an athletic father and a rebellious tomboy mother, Pinsky was an unruly but articulate high-school C-student whose obsession with the rhythms and melodies of speech inspired him to write. Pinsky traces the roots of his poetry, with its wide and fearless range, back to the voices of his neighbourhood, to music and a distinctly American tradition of improvisation, with influences including Mark Twain and Ray Charles, Marianne Moore and Mel Brooks, Emily Dickinson and Sid Caesar, Dante Alighieri and the Orthodox Jewish liturgy. Jersey Breaks offers a candid self-portrait and, underlying Pinsky’s notable public presence and unprecedented three terms as poet laureate of the United States, a unique poetic understanding of American culture.

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Eating and drinking and the rituals that go with them are at least as important as loving in most people’s lives, yet for every hundred anthologies of poems about love, hardly one is devoted to the pleasures of the table. Poems of Food and Drink abundantly fills the gap. All kinds of foods and beverages are laid out in these pages, along with picnics and banquets, intimate suppers and quiet dinners, noisy parties and public celebrations – in poems by Horace, Catullus, Hafiz, Rumi, Rilke, Moore, Nabokov, Updike, Mandelstam, Stevens, and many others. From Sylvia Plath’s ecstatic vision of juice-laden berries in ‘Blackberrying’ to D. H. Lawrence’s lush celebration of ‘Figs’, from the civilized comfort of Noël Coward’s ‘Something on a Tray’ to the salacious provocation of Swift’s ‘Oysters’, from Li Po on ‘Drinking Alone’ to Baudelaire on ‘The Soul of the Wine’, and from Emily Dickinson’s ‘Forbidden Fruit’ to Elizabeth Bishop’s ‘A Miracle for Breakfast’, Poems of Food and Drink serves up a tantalizing and variegated literary feast.

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"Enthralling; it is well worth the trip.” --New York Journal of Books Conceived as the most modern, humane incarceration facility the world had ever seen, New York’s Blackwell’s Island, site of a lunatic asylum, two prisons, an almshouse, and a number of hospitals, quickly became, in the words of a visiting Charles Dickens, "a lounging, listless madhouse." Digging through city records, newspaper articles, and archival reports, Stacy Horn tells a gripping narrative through the voices of the island’s inhabitants. We also hear from the era’s officials, reformers, and journalists, including the celebrated undercover reporter Nellie Bly. And we follow the extraordinary Reverend William Glenney French as he ministers to Blackwell’s residents, battles the bureaucratic mazes of the Department of Correction and a corrupt City Hall, testifies at salacious trials, and in his diary wonders about man’s inhumanity to his fellow man. Damnation Island shows how far we’ve come in caring for the least fortunate among us—and reminds us how much work still remains.

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Ghosts and spectres, the eerie and the occult. Why is contemporary culture so preoccupied by the supernatural, so captivated by the revenants of an earlier age, so haunted? The concept of Hauntology has evolved since first emerging in the 1990s, and has now entered the cultural mainstream as a shorthand for our new-found obsession with the recent past. But where does this term come from and what exactly does it mean? This book seeks to answer these questions by examining the history of our fascination with the uncanny from the golden age of the Victorian ghost story to the present day. From Dickens to Derrida, MR James to Mark Fisher; from the rise of Spiritualism to the folk horror revival, Hauntology traces our continuing engagement with these esoteric ideas. Moving between the literary and the theoretical, the visual and the political, Hauntology explores our nostalgia for the cultural artefacts of a past from which we seem unable to break free.

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The 2nd issue of Prototype’s annual anthology: a space for new work, open to all and free from formal guidelines or restrictions. Poetry, prose, visual work and experiments in between.With contributions by Astrid Alben, Caroline Bergvall, Linda Black, Lochlan Bloom, Iain Britton, Sam Buchan-Watts, Hisham Bustani, Theodoros Chiotis, Cathleen Allyn Conway, Emily Critchley, Claire Crowther, Susannah Dickey, Tim Dooley, Olivia Douglass, Michael Egan, Gareth Evans, Aisha Farr, Miruna Fulgeanu, Mark Goodwin, Philip Hancock, Oli Hazzard, Hoagy Houghton, Dominic Jaeckle, Aaron Kent, Caleb Klaces, Lotte L.S., Ali Lewis, Jazmine Linklater, Rupert Loydell, Alex MacDonald, Helen Marten, Mira Mattar, Otis Mensah, Lucy Mercer, Vanessa Onwuemezi, Sinae Park, Molly Ellen Pearson, Meryl Pugh, Elizabeth Reeder, Leonie Rushforth, Lavinia Singer, Maria Sledmere, Maria Stadnicka, Maia Tabet, Amanda Thomson, Donya Todd, David & Lizzy Turner, Sarah Tweed, Anne Vegter, Ahren Warner and Oliver Zarandi.

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