Search results for ""author dick"

Many people wonder if an item stored in the attic or found at a tag sale could be a lost treasure. Joe Nickell's latest book, Real or Fake, offers a general introduction to the principles of authentication. Illustrating methods used by the pros and recognized by hit shows such as Antiques Roadshow, Nickell educates readers with the specific information necessary to begin forgery detection. Real or Fake focuses on three categories of potential treasures: documents, photographs, and other artifacts. Nickell critiques famous examples from each group to explain how his suggested techniques can be used to unmask fakes. The objects examined and tested for authenticity in the book include Jack the Ripper's diary, a draft of the Gettysburg Address, notes by Charles Dickens, a film of an alien autopsy, and debris from the Titanic. Nickell's extensive knowledge of the field is accessible to everyone -- from the general reader to the aspiring scientist -- who wants a better understanding of how the experts determine if a suspicious heirloom is real or fake.

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This lively, abundant book is distinguished by its focus on hearing poetry read aloud. Robert Pinsky, beloved for his ability to bring poetry to life as spoken language, has collected poems that sound marvelous in a reader’s actual or imagined voice. Pinsky has organized the book into sections with brief introductions that emphasize the attentive, intuitive, and reflective process of listening to poetry. This structure provides an implicit, generous definition-by-example of poetry itself: beginning with “Short Lines, Frequent Rhymes” and “Long Lines” and proceeding through fundamental themes such as “Love Poems,” “Odes, Complaints, and Celebrations,” and “Jokes, Ripostes, Parodies, and Insults.”Essential Pleasures gives a fresh setting to traditional favorites, including poems by William Shakespeare, Emily Dickinson, and Robert Frost, placed among contemporary poems by John Ashbery, Louise Glu¨ck, Yusef Komunyakaa, and many others. This is an inviting and distinguished collection and an essential book for every home.

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Train travel is having a renaissance. Grand old routes that had been cancelled, or were moldering in neglect, have been refurbished as destinations in themselves. The Rocky Mountaineer, the Orient Express, and the Trans-Siberian Railroad run again in all their glory. Pamela Mulloy has always loved train travel. Whether returning to the Maritimes every year with her daughter on the Ocean, or taking her family across Europe to Poland, trains have been a linchpin of her life. As COVID locked us down, Mulloy began an imaginary journey that recalled the trips she has taken, as well as those of others. Whether it was Mary Wollstonecraft traveling alone to Sweden in the late 1700s, or the incident that had Charles Dickens forever fearful of trains, or the famous actress Sarah Bernhardt trapped in her carriage in a midwestern blizzard in the 1890s, or Sir John A. Macdonald''s wife daring to cross the Rockies tied to the cowcatcher at the front of the train, the stories explore the odd mix of a

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If we’re talking agoraphobia, we’re talking books. I slip between their covers, lose myself in the turn of one page, re-discover myself on the next. Reading is a game of hide-and-seek. Narrative and neurosis, uneasy bedfellows sleeping top to toe.When Graham Caveney was in his early twenties he began to suffer from what was eventually diagnosed as agoraphobia. What followed were decades of managing his condition and learning to live within the narrow limits it imposed on his life: no motorways, no dual carriageways, no shopping centres, limited time outdoors.Graham’s quest to understand his illness brought him back to his first love: books. From Harper Lee’s Boo Radley, Ford Madox Ford, Emily Dickinson, and Shirley Jackson: the literary world is replete with examples of agoraphobics – once you go looking for them.On Agoraphobia is a fascinating, entertaining and sometimes painfully acute look at what it means to go through life with an anxiety disorder that evades easy definition.

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'Devastatingly good - wonderfully warm, heartbreakingly real and completely uplifting' - Miranda DickinsonA gorgeous and emotional novel, perfect for fans of Jojo Moyes and Jodi Picoult. On the day Hannah is finally going to tell her husband she's leaving him, he has a stroke . . . and life changes in an instant.Tom's only 32. Now he can't walk or cut up his own food, let alone use his phone or take her in his arms. And Hannah's trapped. She knows she has to care for her husband, the very same man she was ready to walk away from.But with the time and fresh perspective he's been given, Tom re-evaluates his life, and becomes determined to save his marriage. Can he once again become the man his wife fell in love with, or has he left it too late?My Everything is an unputdownable debut novel. It will make you cry, laugh, and stop to think about what's really important in life.

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Early one morning, for no earthly reason, Sara Miles, raised an atheist, wandered into a church, received communion, and found herself transformed-embracing a faith she’d once scorned. A lesbian left-wing journalist who’d covered revolutions around the world, Miles didn’t discover a religion that was about angels or good behavior or piety; her faith centered on real hunger, real food, and real bodies. Before long, she turned the bread she ate at communion into tons of groceries, piled on the church’s altar to be given away. Within a few years, she and the people she served had started nearly a dozen food pantries in the poorest parts of their city. Take This Bread is rich with real-life Dickensian characters-church ladies, millionaires, schizophrenics, bishops, and thieves-all blown into Miles’s life by the relentless force of her newfound calling. Here, in this achingly beautiful, passionate book, is the living communion of Christ.

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How can literature, which consists of nothing more than the description of imaginary events and situations, offer any insight into the workings of "human reality" or "the human condition"? Can mere words illuminate something that we call "reality"? Bernard Harrison answers these questions in this profoundly original work that seeks to re-enfranchise reality in the realms of art and discourse. In an ambitious account of the relationship between literature and cognition, he seeks to show how literary fiction, by deploying words against a background of imagined circumstances, allows us to focus on the roots, in social practice, of the meanings by which we represent our world and ourselves. Engaging with philosophers and theorists as diverse as Wittgenstein, Sartre, Merleau-Ponty, Foucault, Derrida, F. R. Leavis, Cleanth Brooks, and Stanley Fish, and illustrating his ideas through readings of works by Swift, Woolf, Appelfeld, and Dickens, among others, this book presents a systematic defense of humanism in literary studies, and of the study of the Humanities more generally, by a distinguished scholar.

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Once the Oversight, the secret society that polices the lines between the mundane and the magic, counted hundreds of brave souls among its members. Now their number can be tallied on a single hand. When a drunkard brings a screaming girl to the Oversight's London headquarters, it seems their hopes for a new recruit will be fulfilled - but the girl is a trap, her appearance a puzzle the five remaining guardians must solve or lose each other, and their society, for good. As the borders between the natural and the supernatural begin to break down, brutal murders erupt across the city, the Oversight are torn viciously apart and their enemies close in for the final blow. This dark Dickensian fantasy spins a tale of witch-hunters, magicians, mirror-walkers and the unlikeliest of heroes drawn from the depths of British folklore. Meet the Oversight, and remember: when they fall, so do we all.

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'Like my father before me, I believe that both the playing and watching of sport can teach us important lessons about ourselves by providing practical instruction in co-operation, tests of resolve and temper'Michael Parkinson was destined to spend his life in sport. Introduced at a young age to cricket and football by his father, he rose through the ranks of Barnsley cricket alongside Dickie Bird and Geoffrey Boycott. But while they went on to find fame on the field, he found a career watching, writing and talking about sport.My Sporting Life is Sir Michael's love letter to sport, to the heroes and legends of his Yorkshire youth, to the characters of the international games he watched and wrote about, and to the very idea of sport itself. With warm, humorous anecdotes about many icons of sport, from Shane Warne to George Best and Muhammad Ali to Fred Trueman, Sir Michael Parkinson reflects on his life writing about his one great passion.

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Those not learned in the economic arts believe that economics is either solely or essentially concerned with commercial relations. And, so it was, originally. Then, in the second half of the 20th century, economists began applying their minimalist but sturdy tools to other human activities such as marriage, child-bearing, crime, religion and social groups. In this spirit, the Research Handbook on the Economics of Family Law gives us a series of original essays by distinguished scholars in economics, law or both. The essays represent a variety of approaches to the field. Many contain extensive surveys of the literature with respect to the particular question they address. Some employ empirical economics, others are more narrowly legal. They have in common one thing: each scholar employs a core economic tool or insight to shed light on some aspect of family law and social institutions broadly understood. Topics covered include: divorce, child support, infant feeding, abortion access, prostitution, the decline in marriage, birth control and incentives for partnering. This comprehensive and enlightening volume will be a valuable reference for those interested in law and economics generally and family law in particular.Contributors: D.W. Allen, L.R. Cohen, S. Cunningham, K. Dickinson, A.W. Dnes, T. Green, M. Guldi, M. Hanlon, T.D. Kendall, J. Klick, R.I. Lerman, J. Price, B. Stevenson, T. Stratmann, A.L. Wax, J. Wolfers, J.D. Wright

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Distinguido escritor victoriano, amigo y colaborador de Dickens, Wilkie Collins (1824-1889) alcanzó gran fama por sus novelas, con las que contribuyó a la creación del género detectivesco y logró altísimas cotas de calidad en la urdimbre de las tramas novelescas. En La Piedra Lunar (novela llena de intriga e ironía) Rachel Verinder recibe en el día de su decimoctavo cumpleaños el diamante sagrado hindú conocido por este nombre, que su difunto tío le ha legado en su testamento y que se supone que él robó en la India. Esa misma noche la valiosa joya desaparece de la mansión. En torno al misterio del robo se va urdiendo un fascinante relato que van narrando varios de los personajes, entre los que destacan el sardónico mayordomo Gabriel Betteredge, y la señorita Clack, puritana solterona. Otras obras de Wilkie Collins en Alianza Editorial: " La mujer de blanco " .

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An emotional story of ordinary people and their far-from-ordinary lives.A small Welsh town hosts a lively and varied community – and none more so than Nelly Luke, the cheerful Cockney widow who made a ramshackle cottage her cosy, if unconventional, home.Nelly’s generosity and wisdom win her many friends: Fay, the young newly-wed; Amy, the glamorous shopkeeper whose private life is colourful indeed; and her dignified sister Prue, whose family cupboard contains more than a few skeletons.Against the mounting excitement of the Coronation summer, Nelly steers her friends and family through storms and sunshine alike…A Welcome in the Valley will enchant readers of Rosie Clarke and Margaret Dickinson.

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When was smoking banned on trains? Which actor restored kippers to the menu of the Brighton Belle? What regular lineside event did Dickens describe as 'a shave in the air'? Perfect for a trivia night or a long trip, Train Teasers will both test your knowledge of this country's rail system and enlighten you on the most colourful aspects of its long history. Meet trunk murderers, trainspotters, haters of railways, railway writers, Ministers for Transport good and bad, railway cats, dogs and a railway penguin. This is NOT a book for number-crunching nerds. Many of the answers are guessable by the intelligent reader. It is a quiz, yes, but also a cavalcade of historical incident and colour relating to a system that was the making of modern Britain.

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In this inventive and lucid essay, Lerner takes the hatred of poetry as the starting point of his defence of the art. He examines poetry's greatest haters (beginning with Plato's famous claim that an ideal city had no place for poets, who would only corrupt and mislead the young) and both its greatest and worst practitioners, providing inspired close readings of Keats, Dickinson, McGonagall, Whitman, and others. Throughout, he attempts to explain the noble failure at the heart of every truly great and truly horrible poem: the impulse to launch the experience of an individual into a timeless communal existence. In The Hatred of Poetry, Lerner has crafted an entertaining, personal, and entirely original examination of a vocation no less essential for being impossible.

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This volume brings together seventeen of the most important pamphlets produced by the American colonies as they opposed British measures and policies after 1763, and as they disputed the issue of independence with one another between 1774 and 1776. The most famous pamphleteers--James Otis, John Dickinson, John Adams, Thomas Jefferson, and Thomas Paine--are here; so too are lesser-known ones.Students of American history and political thought will find in these tracts rich evidence of the colonists' grievances against Britain, their methods of persuasion, and the development of political thought that led to the Declaration of Independence. A student-oriented introduction presents a capsule history of the events of the period and an analysis of the context of each tract.

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From humble beginnings as the daughter of a Clerkenwell milliner, Emily Soldene rose to become a leading lady of the London stage and a formidable impresario with her own opera company. The darling of London's theatreland, she later reinvented herself as a journalist and writer who scandalised the capital with her backstage revelations. Weaving through the spurious glamour of Victorian music halls and theatres, taking encounters with the Pre-Raphaelites and legal disputes involving Charles Dickens in her stride, Emily became the toast of New York and ventured far off the beaten track to tour in Australia and New Zealand. In The Improbable Adventures of Miss Emily Soldene, a life filled with performance, travel and incident returns to centre stage.

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_______________ 'What a joy of a book this is' - Irish Times 'A delightful collection' - Scotsman _______________ Sometimes it's hard to find the right words. This poetry anthology provides the antidote, offering calm, hope and peace to all. Focusing on positivity, this is the perfect collection to dip into whenever you need a boost. Containing a selection of classic poems from Langston Hughes, Walt Whitman, Emily Dickinson and Christina Rossetti, as well as contemporary poems chosen by Sarah Crossan – the go-to verse novelist in the UK – this beautiful book will lift your spirits time and time again. An essential read and the perfect gift for anyone in need of comfort, joy and hope. For fans of The Poetry Pharmacy and Poems to Live Your Life By

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A journey along one of Britain's oldest roads, from Dover to Anglesey, in search of the hidden history that makes us who we are today.'A bravura piece of writing - Bill Bryson on acid' Tom HollandWinding its way from the White Cliffs of Dover to the Druid groves of Anglesey, the ancient road of Watling Street has gone by many different names. It is a road of witches and ghosts, of queens and highwaymen, of history and myth, of Bletchley Park codebreakers, Chaucer, Boudicca, Dickens and James Bond. But Watling Street is not just the story of a route across our island. It is an acutely observed exploration of Britain and who we are today, told with wit and an unerring eye for the curious and surprising.

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La poeta Lorine Niedecker (Wisconsin, EE.UU., 1903-1970), autora de libros como New Goose (1942), My Friend Tree (1961), North Central (1968) y T & G: The Collected Poems (1969), vivió durante la mayor parte de su vida en una cabaña sobre los terrenos inundables del río Rock en Fort Atkinson, Wisconsin, mientras se ganaba la vida con trabajos poco cualificados. Al mismo tiempo, y sin que sus vecinos lo supieran, dedicó toda su existencia a la poesía. Tras su muerte, acaecida en pleno fervor creativo, se suceden varias antologías, hasta la publicación de su obra completa en 2002.En su poesía, deudora de las vanguardias norteamericanas de entreguerras no menos que de los sonidos y las imágenes de su entorno, Niedecker abordó temas de género, sexualidad e ideología mucho antes que el feminismo moderno. Hoy día es considerada la Emily Dickinson del siglo XX.Alejada durante la mayor parte de su vida de los círculos literarios urbanos, Lorine Niedecker (E.E.U.U., 1903-1970) fundó, des

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Back in print, Carr’s powerful poems seek out and face violence and its counterforces. Julie Carr obsessively researches instances of intimate terrorism, looking everywhere from Walt Whitman and Emily Dickinson to lists of phobias and weapon-store catalogs. She searches for what can be learned from the statistics, the statements by and about rapists and killers, the websites of hate groups, and the capacity for cruelty that lies within all of us. 100 Notes on Violence is a diary, a document, and a dream log of the violence that grips America and devastates so many. But Carr also offers a layered and lyric tribute to violence’s counterforces: love, commonality, and care. Her unflinching “notes” provoke our minds and burrow into our emotions, leading us to confront our fears and our own complicity.

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In this gloriously exuberant anthology, Wendy Cope sets out to prove that misery doesn't have all the best lines. Here is a collection of poems which are unashamedly happy: poems about love, places, the beauty of the natural world, about company and solitude, music, food and drink, books, and the unadulterated pleasure of taking a shower.Among the more surprising items are the Chinese Po Chu-I on the advantages of baldness, the eighteenth-century John Dyer on the kindly behaviour of his ox, and an unusually cheerful Thomas Hardy enjoying the sight of seven women laughing as they stagger, arm in arm, down an icy hill. Catullus, Chaucer, Clare, Dickinson, Betjeman and Larkin are among the contributors who help to demonstrate that people who believe that 'happiness writes white' have got it wrong.

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While Bloomsbury is now associated with Virginia Woolf and her early-twentieth-century circle of writers and artists, the neighborhood was originally the undisputed intellectual quarter of nineteenth-century London. Drawing on a wealth of untapped archival resources, Rosemary Ashton brings to life the educational, medical, and social reformists who lived and worked in Victorian Bloomsbury and who led crusades for education, emancipation, and health for all. Ashton explores the secular impetus behind these reforms and the humanitarian and egalitarian character of nineteenth-century Bloomsbury. Thackeray and Dickens jostle with less famous characters like Henry Brougham and Mary Ward. Embracing the high life of the squares, the nonconformity of churches, the parades of shops, schools, hospitals and poor homes, this is a major contribution to the history of nineteenth-century London.

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Be warned to commiserate 25 years of misfortune and gloom unleashed upon generations of children, Lemony Snicket's publishers have taken the untold risk of creating brand new collectors' editions of A Series of Unfortunate Events, illustrated by the obscenely talented Emily Gravett. The temptation to buy a copy is severe indeedDear reader,You still have time to choose another international best-selling series to read. But if you insist on discovering the unpleasant adventures of the Baudelaire orphans, then proceed with cautionViolet, Klaus, and Sunny Baudelaire are intelligent children. They are charming, and resourceful, and have pleasant facial features. Unfortunately, they are exceptionally unlucky.InThe Ersatz Elevatorthe siblings face a darkened staircase, a red herring, friends in a dire situation, three mysterious initials, a liar with an evil scheme, a secret passageway and parsley soda.In the tradition of great storytellers, from Dickens to Dahl, comes an exquisitely dark co

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August Strindberg (1849–1912) is best known outside Sweden as a dramatist, but he was also a prolific writer of novels, short stories, essays, journalism and poetry – as well as a notable artist and photographer. Although he spent many years abroad, Strindberg was born, grew up and died in Stockholm and The Red Room is perhaps the quintessential Stockholm novel. A satire of the rapidly changing society of the 1870s, it was Strindberg's first novel and marked his literary breakthrough: it offers, he said, 'a panorama of a society I don't love and which has never loved me'. It contains some of the great set-piece scenes in Swedish literature, a gallery of unforgettable caricatures in the spirit of Dickens, humour, pathos and satirical targets as apt now as they were then. The Red Room is often called Sweden's first modern novel, and it remains modern almost a century and a half later.

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Among the eleven articles in this volume, dedicated to Mason Hammond, are “The Emergence of Mediaeval Towns: Independence or Continuity?” by Professor Hammond; “Existimatio, Fama, and the Ides of March,” by Zvi Yavetz; “Sophocles: Ajax 815–824,” by Cedric H. Whitman; “The Myth of Pindar’s First Nemean: Sportsmen, Poetry, and Paideia,” by Peter W. Rose; “Aristophanes’ Ranae 862: A Note on the Anatomy of Euripidean Tragedy,” by Gregory W. Dickerson; “Speech and Narrative in the Aeneid,” by Gilbert Highet; and “The ‘Lighthouse’ of Abusir in Egypt,” by Fawzi el Fakharani.

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My Life in Heaven, the 2012 FIELD Poetry Prize winner, is "striking in its subtlety, complexity, and utterly distinctive voice," according to the prize judges David Young and David Walker. These moment-to-moment explorations of intimacy's intricacies use the power of the poetic line to illuminate the relationship of self to the beloved, nature, and the divine. This is a book of love poems, romancing the line between self and other. My Life in Heaven will stun readers who admire the best of contemporary American poetry in the vein of Donald Revell, Brenda Hillman, Charles Wright, and Jean Valentine. Samyn's poems sing with the elusive fire of Emily Dickinson.

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After The Great War, will life ever be the same?The Great War is over, and the Harvey family of Ford Farm are slowly picking up the pieces. But Alec and Emilia's newly-wedded bliss is shattered when their third child is born with a life-threatening disease, a fate which Alec finds particularly hard to accept. Alec's relationships with his two brothers, Ben and Tristram, are strained by their differing loyalties and ambitions for the farm, and Emilia is torn reluctantly between them… The second of the gripping Harvey family sagas from the masterful Gloria Cook, this is perfect for fans of Kitty Neale, Margaret Dickinson and Mary Gibson.

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Few terms have garnered more attention recently in the sciences, humanities, and public sphere than the Anthropocene, the proposed epoch in which a human “signature” appears in the lithostratigraphic record. Anthropocene Reading considers the implications of this concept for literary history and critical method.Entering into conversation with geologists and geographers, this volume reinterprets the cultural past in relation to the anthropogenic transformation of the Earth system while showcasing how literary analysis may help us conceptualize this geohistorical event. The contributors examine how a range of literary texts, from The Tempest to contemporary dystopian novels to the poetry of Emily Dickinson, mediate the convergence of the social institutions, energy regimes, and planetary systems that support the reproduction of life. They explore the long-standing dialogue between imaginative literature and the earth sciences and show how scientists, novelists, and poets represent intersections of geological and human timescales, the deep past and a posthuman future, political exigency and the carbon cycle.Accessibly written and representing a range of methodological perspectives, the essays in this volume consider what it means to read literary history in the Anthropocene.Contributors include Juliana Chow, Jeffrey Jerome Cohen, Thomas H. Ford, Anne-Lise François, Noah Heringman, Matt Hooley, Stephanie LeMenager, Dana Luciano, Steve Mentz, Benjamin Morgan, Justin Neuman, Jennifer Wenzel, and Derek Woods.

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Winner of the Waterstones Children's Gift of the Year 2018, this lavish poetry collection is a perfect present for any age. I Am the Seed That Grew the Tree: A Nature Poem For Every Day Of The Year, named after the first line of Judith Nicholls' poem 'Windsong', is a beautifully illustrated gift book treasury of 366 animal poems - one for every day of the year, including leap years. Filled with familiar favourites and new discoveries, written by a wide variety of poets, including John Agard, William Blake, Emily Brontë, Charles Causley, Walter de la Mare, Emily Dickinson, Carol Ann Duffy, Eleanor Farjeon, Robert Frost, Thomas Hardy, Roger McGough, Christina Rossetti, William Shakespeare, John Updike, William Wordsworth and many more, this collection of daily poems is the perfect poetry anthology for children (and grown-ups!). Whether you are 8 or 88, you'll find poems to share at the beginning of the day, or at bedtime, or just to dip into whenever you might like. "An absolutely beautiful book." Julia Donaldson Red Magazine Big Book Award Children's Illustrated Book of the Year 2019 Winner of the British Book Design and Production Award's Children's Trade 0 to 8 Years Award 2019 With sumptuous details including cloth binding, full colour illustrations throughout, textured paper jacket, ribbon marker and head and tail bands. Published in partnership with The National Trust, this is the perfect present for any child or adult to treasure.

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This edited collection explores the topic of constitutionalism across borders in the struggle against terrorism, analyzing how constitutional rules and principles relevant in the field of counter-terrorism move across borders. Various chapters underline how constitution-like norms consolidate at the level of international and supranational organizations as a limit to the exercise of public power in the field of counter-terrorism policy, especially counter-terrorism financing. Other chapters examine the extraterritorial application of constitutional rights and the migration of constitutional norms - or anti-constitutional practices - from one state to another. Still others consider how transnational cooperation between states in areas such as intelligence gathering and data sharing may call for updating domestic constitutional law rules or for new international law compacts entrenching rights across borders. What emerges is a picture of the complex interplay of constitutional law, international law, criminal law and the law of war, creating webs of norms and regulations that apply in the struggle against terrorism conducted across increasingly porous borders.The book will be of particular interest to academics and graduate or post-graduate students working in the fields of constitutional law, international law, human rights, comparative law and national security law. It may also be of interest to practitioners concerned with national security, counterterrorism, and related questions of individual rights.Contributors: O. Bassok, D. Cole, K. Cooper, J. Daskal, E. de Wet, B. Dickson, A. Ejima, S. Ellmann, F. Fabbrini, L. Garlicki, J. Hafetz, V.J. Jackson, C.C. Murphy, M. Scheinin, K.L. Scheppele, A. Su, C. Walker

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A hilarious whodunnit about two kids trying to save the UK’s top TV talent show from a mysterious saboteur! “Annoyingly good.” – David Baddiel "Ivor is a funny, clever and brilliant writer, so it's no surprise that he's written such a funny, clever and brilliant book, which is also heartwarming and full of joy. The man's a marvel." – Dermot O’Leary “Kids are going to go crazy for this brilliant book!” “Ivor Baddiel tells a rip-roaring good story - pesky, gleeful and very funny”– Mel Giedroyc "This is a terrifically funny "whodunnit" children's book" – Peter Dickson (voice of the X Factor) Someone is threatening to destroy Britain’s Biggest New Star, the country’s favourite TV talent show. The secret service decides to send in two young spies, twins Harry and Abby, to investigate. Their ticket backstage is their father, washed up comedian Gus, who believes the contest is his chance to revive his career. The list of suspects is long, and the twins don’t know whom to trust. But they better track down the culprit soon, before disaster strikes the show – and its royal guest! A fast-paced spy caper packed with laughs and surprising twists, from comedy writer Ivor Baddiel – someone who really knows backstage life on Britain’s favourite talent shows! Perfect for fans of books by David Walliams and Tom Fletcher, and Maz Evans’s Vi Spy. The cover and spine feature shiny gold lettering, and the book includes black and white illustrations throughout by James Lancett.

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Para la filósofa, escritora y poetisa Virginia Moratiel, los poetas son los perfectos compañeros de viaje: sea por el enorme deleite interior que nos ofrecen sus poemas, sea por la peculiar manera como abordan los grandes temas universales o el sentimiento que destilan ante las encrucijadas del camino. En medio de ese constante deambular, quién puede resistirse a dejarse poseer por la belleza, quién no desea volverse inmortal gracias al canto de un poeta. Así, Moratiel nos ofrece una personal cartografía poética, jalonada por la vida y la obra de tantos artistas fascinantes ?de Safo y Emily Dickinson a Wis?awa Szymborska y Alejandra Pizarnik; de Matsuo Bash? y Giacomo Leopardi a Rainer Maria Rilke y Paul Celan?, seres atractivos y enigmáticos, que en pleno dolor son capaces de abrazarse con denuedo a la belleza, consolarnos e infundirnos ganas de seguir viviendo.

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QUIÉN MATÓ A SARAH BROOKS? La nueva revelación del thriller que conquistará a los nostálgicos de Twin Peaks y los lectores de Joël Dicker y Mikel Santiago. En la profundidad húmeda y espesa del bosque de Stoneheaven, descansa el cascarón de carne y huesos en el que se ha convertido el cuerpo adolescente de Sarah Brooks. Con solo diecisiete años y muchos secretos en su poder, la joven ha aparecido colgada de un árbol, bocabajo y completamente desnuda. Quién puede haberla asesinado de este modo? Qué sabía Sarah? Quién le tenía miedo? Este thriller es un viaje al corazón de uno de esos pueblos estadounidenses donde, aparentemente, nunca pasa nada. Sin embargo, bajo la aparente calma, bullen odios y mentiras a punto de estallar. A través de la investigación del reportero de sucesos local, Declan Jacobson, el lector irá reconstruyendo las últimas horas de vida de la joven, al tiempo que el número de sospechosos va creciendo entre sus familiares y amigos.

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Oliver Twist is one of the most well-known stories ever told, about a young orphan who has to survive the mean streets of London before ultimately being rescued by a kindly benefactor. But it is his friend, the Artful Dodger, who has the far more intriguing tale, filled with more adventure and excitement than anything boring Oliver could possibly get up to. Throw in some vampires and a plot to overthrow the British monarchy, and what you have is the thrilling account that Charles Dickens was too scared to share with the world. From the brilliant mind of novelist and comic book veteran Peter David, Artful is the dark, funny, and action-packed story of one of the most fascinating characters in literary history. With vampires.

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You have heard, no doubt, the tale of Master Oliver Twist - that rags-to-riches boy; the parish orphan who became heir to the Brownlow fortune. But what few know is that was a second Twist - a girl, brought into this world moments ahead of her brother.This is the story of Twill Twist - and her journey through the gambling dens and workhouses of London, as she attempts to make a life for herself, rescue her friends, and uncover the mystery of her past - while meeting some familiar faces along the way...Re-discover the Artful Dodger, Fagin, and Oliver Twist himself, along with a host of fantastic new heroes and villains, in this brilliantly-imagined, rip-roaring sequel to Dickens' much-loved classic.

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‘Facts alone are wanted in life,’ exclaims Mr Gradgrind at the beginning of Dickens’ Hard Times. Literature is not about facts alone, and – despite two and a half thousand years of arguments – no one can agree on what it is, or how to study it. But, argues Robert Eaglestone, it is precisely the open-ended nature of literature that makes it such a rewarding and useful subject. Eaglestone shows that studying literature can change who you are, turning you from a ‘reader’ into a ‘critic’: someone attuned to the ways we make meaning in our world. Literature is a living conversation which provides endless opportunities to rethink and reinterpret our societies and ourselves. With examples ranging from Sappho to Skyrim, this book shows how literature offers freer and deeper ways of thinking and being.

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Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. Hope, as Emily Dickinson famously wrote, is the thing with feathers. Erik Anderson, on the other hand, regards our obsession with birds as too sentimental, too precious. Birds don’t express hope. They express themselves. But this tension between the versions of nature that lodge in our minds and the realities that surround us is the central theme of Bird. This is no field guide. It’s something far more unusual and idiosyncratic, balancing science with story, anatomy with metaphor, habitat with history. Anderson illuminates the dark underbelly of our bird fetish and offers a fresh, alternative vision of one of nature’s most beloved objects. Object Lessons is published in partnership with an essay series in The Atlantic.

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Sam and Lizzie are freezing and hungry on the streets of Victorian London. When Sam asks a wealthy man for some coins, he is rudely turned away. Months of struggle suddenly find their focus, and Sam resolves to kill the man. Huddling in a graveyard for warmth, Sam and Lizzie are horrified to see the earth around one of the tombs begin to shift, shortly followed by the wraithlike figure of a ghostly man. He warns Sam about the future which awaits such a bitter heart, and so begins Sam’s journey led by terrifying spirits through the past, present and future, after which Sam must decide whether to take the man, Scrooge’s, life or not. A perfectly layered, tense and supremely satisfying twist on one of Dickens' most popular books, cleverly reinvented to entice a younger readership.

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Summer is a season of richness: gold against blue; sun dazzle on water; sweet fragrance, and the sound of insects, filling the air. We feel the sand between our toes, or the grass beneath our feet. In these long, warm days, languid and sensual, we reconnect with the natural world, revelling in light and scent and colour once more.Capturing the high point of the year's progress, Summer presents prose and poetry spanning eight hundred years. Featuring new contributions by Simon Barnes, Michael McCarthy and Esther Woolfson, classic extracts from the work of Charles Dickens, Mary Webb and Philip Larkin, and diverse new nature writing from across the UK, this vibrant and evocative collection will inspire you to go out and enjoy the pleasures of summer.

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A refreshed cover edition of Gaby Morgan's Read Me: A Poem for Every Day of the Year, the bestselling poetry anthology with over a quarter of a million copies sold. This anthology is perfect for sharing with the all the family – it contains a poem for every day of the year from the very best modern and classic poets, so you're sure to find familiar favourites along with exciting new discoveries. 365 rhymes, verses and poems from the likes of Brian Patten, William Wordsworth, A. A. Milne, Emily Dickinson, Wes Magee, William Blake, Seamus Heaney, Ian McMillan, Gareth Owen and Walter de la Mare.This inspiring and heart-warming collection is the perfect gift that will last the whole year, with a little bit of magic to read every day.

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A pesar de la enorme importancia de la obra poética de Percy Bysshe Shelley (1792-1822), a quien Lord Byron definió como el mejor y el menos egoísta de los hombres, no hay una gran antología de su obra traducida al español. El poeta, ensayista y traductor José Luis Rey, que ya se ha encargado de trasladar al español las poesías completas de Emily Dickinson y T. S. Eliot, así como Harmoiun, una de las grandes obras de Wallace Stevens, ha traducido la antología más completa de Shelley hasta el momento en español, titulada "Donde están los eternos". En ella se puede rastrear al Shelley idealista y plenamente convenbcido de la capacidad visionaria y liberadora de la Poesía. Suya es la frase célebre: Los poetas son los legisladores no reconocidos del mundo.

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Why is the idea of conflict between science and religion so popular in the public imagination?The “conflict thesis”—the idea that an inevitable and irreconcilable conflict exists between science and religion—has long been part of the popular imagination. In The Warfare between Science and Religion, Jeff Hardin, Ronald L. Numbers, and Ronald A. Binzley have assembled a group of distinguished historians who explore the origin of the thesis, its reception, the responses it drew from various faith traditions, and its continued prominence in public discourse. Several essays in the book examine the personal circumstances and theological idiosyncrasies of important intellectuals, including John William Draper and Andrew Dickson White, who through their polemical writings championed the conflict thesis relentlessly. Other essays consider what the thesis meant to different religious communities, including evangelicals, liberal Protestants, Roman Catholics, Eastern Orthodox Christians, Jews, and Muslims. Finally, essays both historical and sociological explore the place of the conflict thesis in popular culture and intellectual discourse today. Based on original research and written in an accessible style, the essays in The Warfare between Science and Religion take an interdisciplinary approach to question the historical relationship between science and religion. This volume, which brings much-needed perspective to an often bitter controversy, will appeal to scholars and students of the histories of science and religion, sociology, and philosophy.Contributors: Thomas H. Aechtner, Ronald A. Binzley, John Hedley Brooke, Elaine Howard Ecklund, Noah Efron, John H. Evans, Maurice A. Finocchiaro, Frederick Gregory, Bradley J. Gundlach, Monte Harrell Hampton, Jeff Hardin, Peter Harrison, Bernard Lightman, David N. Livingstone, David Mislin, Efthymios Nicolaidis, Mark A. Noll, Ronald L. Numbers, Lawrence M. Principe, Jon H. Roberts, Christopher P. Scheitle, M. Alper Yalçinkaya

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Offering a wealth of thought-provoking insights, this topical Research Handbook analyses the interplay between the law and politics of the EU and examines the role of law and legal actors in European integration. Expert contributors from international and interdisciplinary backgrounds set the politics of EU law in both a historical and contemporary context, exploring the relations between different EU institutions across a variety of substantive policy areas. Identifying the main sites of interaction between law and politics, chapters highlight key theoretical insights providing an in-depth understanding of the field. With up-to-date coverage of the latest developments, this Research Handbook analyses the impact of Brexit, economic and financial crises, migration crises and important trends for law and governance. Discerning and forward-thinking, this Research Handbook will be key reading for students and scholars of European law, European politics, and those with an interest in exploring the interface between the two. Its accessible approach will also engage practitioners in EU law and politics, including lawyers and national government and EU institution officials. Contributors include: A.S. Aldrich, K. Alexandris Polomarkakis, S. Bekker, M. Blauberger, J. Borg-Barthet, P.J. Cardwell, W.T. Daniel, R. Dickson, M. Everson, E. Fahey, A. Frese, M. Gaglia Bareli, M. Geelhoed, M.-P. Granger, A. Heindlmaier, E. Herlin-Karnell, F. Mendez, M. Mendez, E. Morgera, L. Parks, N. Pérez-Solórzano Borragán, M. Sánchez Barrueco, S. Saurugger, S. Smismans, F. Terpan, A. Tryfonidou, E. Tsioumani, R. Zahn

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From one of our finest poets comes a collection about time—about memory, remembrance, and how the past makes itself manifest in the world. Called “the poet of things” by Richard Howard, Don Bogen understands the ways objects hold history, even if they’ve grown obsolescent, even when they’ve been forgotten. So objects—rendered in cinematic detail—fill these poems. A desk, a mailbox, a house delivering its own autobiography. Hospitals: the patients who have passed through, the buildings that have crumbled. And, in a longer view, the people who survive in what they left behind: Thom Gunn, Charles Dickens, and the pre-Columbian architects who designed the great earthworks of Ohio two thousand years ago. Songs, ephemeral by nature but infinitely repeatable, run throughout the collection. “What did they tell me, all those years?” Bogen writes. Immediate Song offers us a retrospective glance that is at once contemplative and joyous, carefully shaped but flush with sensuous observation: a paean to what is both universal and fleeting.

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London’s best pub tour guide and host of the celebrated Liquid History Tours leads readers off the beaten path and through the doors of some of the least celebrated but most wonderfully authentic pubs England’s capital city has to offerIt’s not hard to locate London’s iconic pubs, where Chaucer wrote, Shakespeare performed, or Dickens penned a novel. What’s more difficult and, argues John Warland, ultimately more rewarding, is finding that special pub that has just the right vibe; the pub that’s tucked away far from the maddening crowds of tourists and noisy out-of-towners; that almost mythical pub that you’ll want to return to on a rainy evening, or show off to your friends. These are the hidden gems that Warland introduces you to in his newest pub guide. Spanning every corner of London from the city center to its outer limits and beyond, these watering holes are permeated by personality and a passion for traditional hospitality

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Why is liberalism so often dismissed by thinkers from both the left and the right? To those calling for wholesale transformation or claiming a monopoly on "realistic" conceptions of humanity, liberalism's assured progressivism can seem hard to swallow. Bleak Liberalism makes the case for a renewed understanding of the liberal tradition, showing that it is much more attuned to the complexity of political life than conventional accounts have acknowledged. Anderson examines canonical works of high realism, political novels from England and the United States, and modernist works to argue that liberalism has engaged sober and even stark views of historical development, political dynamics, and human and social psychology. From Charles Dickens's Bleak House and Hard Times to E. M. Forster's Howards End to Doris Lessing's The Golden Notebook, this literature demonstrates that liberalism has inventive ways of balancing sociological critique and moral aspiration. A deft blend of intellectual history and literary analysis, Bleak Liberalism reveals a richer understanding of one of the most important political ideologies of the modern era.

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The feline has inspired poetic adoration since the days of the pharaohs, and the poems collected here cover an astonishing range of periods, cultures, and styles. Poets across the continents and centuries have described the feline family-from kittens to old toms, pussycats to panthers-doing what they do best: sleeping, prowling, prancing, purring, sleeping some more, and gazing disdainfully at lesser beings like ourselves. Here are Yeats's Minnaloushe, Christopher Smart's Jeoffry, Lewis Carroll's Cheshire Cat, T. S. Eliot's Rum Tum Tugger, William Blake's tyger and Rilke's panther. Here are tributes from Sufi mystics, medieval Chinese poets, and haiku masters of imperial Japan, from Chaucer, Shelley, Borges, Neruda, Dickinson, and Shakespeare. Here are the cats of Mother Goose, and the one who wore the hat for Dr. Seuss.The Great Cat will delight cat lovers everywhere, celebrating as it does the beauty, the mystery, the gravity, the grace, and, of course, the unassailable superiority of the cat.

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This book is the second of a series documenting a thousand years of selected London streets and their respective histories. Some of the streets have their roots and foundations in places of worship, locations for trading or because of their geographical location or particular topography. With St Paul's at its western end and St Mary-le-Bow as its centrepiece, Cheapside goes back further than a thousand years, all the way to the Romans and beyond. Its colourful history includes kings, queens, poets, playwrights, murderers, criminals, broadcasters, inventors, politicians, pioneers, philanthropists, religious fanatics, revolutionaries, diarists and architects who all played their part in making Cheapside what Charles Dickens Jnr called the greatest thoroughfare in the City of London. With London's streets harbouring a multitude of long lost stories ripe for the recounting, Mike Read's A Thousand Years of a London Street series is one with endless potential. The only question that remains is which street will pique the interest of this broadcaster turned historical supersleuth next?

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