Search results for ""yale university press""

The first history of all the English cathedrals, from Birmingham and Bury St Edmunds to Worcester and York Minster England’s sixty-two Anglican and Catholic cathedrals are some of our most iconic buildings, attracting millions of worshippers and visitors every year. Yet although much has been written about their architecture, there is no complete history of their life and activities. This is the first such book to provide one, stretching from Roman times to the present day. The History of England’s Cathedrals explains where and why they were founded, who staffed them, and how their structures evolved. It describes their worship and how this changed over the centuries, their schools and libraries, and their links with the outside world. The history of these astonishing buildings is the history of England. Reading this book will bring you face to face with the Anglo-Saxons, Vikings, Normans, Reformation, Civil War, Victorian England, World War Two, and finally modern democracy.

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“Overflowing with surprises.”—William Dalrymple, The Spectator “Essential reading.”—Dan Jones, Times (UK) “Fascinating and authoritative.”—Jerry BrottonThe unlikely beginnings of the East India Company—from Tudor origins and rivalry with the superior Dutch—to laying the groundwork for future British expansion The East India Company was the largest commercial enterprise in British history, yet its roots in Tudor England are often overlooked. The Tudor revolution in commerce led ambitious merchants to search for new forms of investment, not least in risky overseas enterprises—and for these “adventurers” the most profitable bet of all would be on the Company. Through a host of stories and fascinating details, David Howarth brings to life the Company’s way of doing business—from the leaky ships and petty seafarers of its embattled early days to later sweeping commercial success. While the Company’s efforts met with disappointment in Japan, they sowed the seeds of success in India, setting the outline for what would later become the Raj. Drawing on an abundance of sources, Howarth shows how competition from European powers was vital to success—and considers whether the Company was truly “English” at all, or rather part of a Europe-wide movement.

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A richly crafted tribute to the avant-garde artist and designer Sonia Delaunay, whose boundary-breaking approach is echoed in the volume’s interdisciplinarity and its inspired design Described as “the most significant contribution to Sonia Delaunay studies in a decade,” this catalogue sets a new standard for the study of this pioneering avant-garde artist, designer, and entrepreneur (1885–1979). Eschewing traditional chronological structures to better showcase groundbreaking research unifying the artist’s timeless oeuvre across mediums, this publication demonstrates Delaunay’s innate versatility and willingness to create without material limitation using her unique language of light and color. Textiles, fashion, interiors, book art, and more are highlighted across 26 chapters by leading international scholars to give new insight into Delaunay’s strategies of self-promotion, entrepreneurial endeavors, legacy-building efforts, and vast network of collaborators. These in-depth analyses, including previously underinvestigated material such as film, mosaics, tapestries, and interior design, offer a comprehensive perspective on Delaunay’s lifelong effort to unite art with life by harnessing the energy of technological advancement and the beauty of artisanal craftsmanship. Finally, an appendix provides a unique personal note—an epilogue by Patrick Raynaud, the last living member of Delaunay’s atelier—is a touching firsthand account of the artist’s working practices toward the end of her life. The design, by award-winning book creator Irma Boom, embraces Sonia Delaunay’s own approach to layout and typography, rendering a book that unites past and present to become a work of art in its own right. Distributed for the Bard Graduate Center Exhibition Schedule: Bard Graduate Center, New York (February 23–July 7, 2024)

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The first account of Britain’s convoys during the Napoleonic Wars—showing how the protection of trade played a decisive role in victory During the Napoleonic Wars thousands of merchant ships crisscrossed narrow seas and wide oceans, protected by Britain’s warships. These were wars of attrition and raw materials had to reach their shores continuously: timber and hemp from the Baltic, sulfur from Sicily, and saltpeter from Bengal. Britain’s fate rested on the strength of its economy—and convoys played a vital role in securing victory. Leading naval historian Roger Knight examines how convoys ensured the protection of trade and transport of troops, allowing Britain to take the upper hand. Detailing the many hardships these ships faced, from the shortage of seaman to the vicissitudes of the weather, Knight sheds light on the innovation and seamanship skills that made convoys such an invaluable tool in Britain’s arsenal. The convoy system laid the foundation for Britain’s narrow victory over Napoleon and his allies in 1815 and, in doing so, established its naval and mercantile power at sea for a hundred years.

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The misguided forces driving conflict escalation between America and China, and the path to a new relationship“A timely, fluid, readable assessment of a testy and rapidly changing global relationship.”—Kirkus Reviews (starred review) A Financial Times Best Book of the Year: Economics In the short span of four years, America and China have entered a trade war, a tech war, and a new Cold War. This conflict between the world’s two most powerful nations wouldn’t have happened were it not for an unnecessary clash of false narratives. America falsely blames its trade and technology threats on China yet overlooks its shaky saving foundation. China falsely blames its growth challenges on America’s alleged containment of market-based socialism, ignoring its failed economic rebalancing. In a hard-hitting analysis of both nations’ economies, politics, and policies, Stephen Roach argues that much of the rhetoric on both sides is dangerously misguided, amplified by information distortion, and more a reflection of each nation’s fears and vulnerabilities than a credible assessment of the risks they face. Outlining the disastrous toll of conflict escalation between China and America, Roach offers a new road map to restoring a mutually advantageous relationship.

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This fresh look at artist Takashi Murakami takes on the “monstrous” themes of rampant consumerism, human fallibility, and the perils of life in the digital fast lane, in works from the past decade One of Japan’s leading contemporary artists, Takashi Murakami (b. 1962) is known for a wide-ranging practice that encompasses not only fine art but fashion, consumer products, curation, and entertainment. Founder of the Superflat movement, Murakami makes art that is larger than life, boldly colored, and buoyant, with a Pop sensibility that draws inspiration from anime and manga. But beyond the happy flowers and kawaii characters that have defined Murakami’s career lurk darker manifestations: the sharp-toothed, multi-eyed monsters that have increasingly become the artist’s vehicle for expressing the effects of rampant consumerism, human fallibility, and the perils of life in the digital fast lane. This book explores these themes in works from the last decade, presenting a disquieting vision of monsterized beings born in an era of unprecedented environmental, political, and social turmoil. Conversations with Murakami and essays by Laura W. Allen, Hiroko Ikegami, and Masako Shiba deconstruct what monsters mean to the artist and reflect on new directions in Murakami’s sculpture and the genesis of his recent NFT projects. The book features lavish color illustrations, a plastic jacket, dyed edges, and four gatefolds. Published in association with the Asian Art Museum of San Francisco Exhibition Schedule: Asian Art Museum of San Francisco (September 15, 2023–February 12, 2024)

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A vibrant, diverse history of Vesuvius and the Bay of Naples in the age of Romanticism “Momentous and spellbinding.”—Caroline Eden, Financial Times “Endlessly fascinating.”—Pratinav Anil, Times (UK) Vesuvius is best known for its disastrous eruption of 79CE. But only after 1738, in the age of Enlightenment, did the excavations of Herculaneum and Pompeii reveal its full extent. In an era of groundbreaking scientific endeavour and violent revolution, Vesuvius became a focal point of strong emotions and political aspirations, an object of geological enquiry, and a powerful symbol of the Romantic obsession with nature. John Brewer charts the changing seismic and social dynamics of the mountain, and the meanings attached by travellers to their sublime confrontation with nature. The pyrotechnics of revolution and global warfare made volcanic activity the perfect political metaphor, fuelling revolutionary enthusiasm and conservative trepidation. From Swiss mercenaries to English entrepreneurs, French geologists to local Neapolitan guides, German painters to Scottish doctors, Vesuvius bubbled and seethed not just with lava, but with people whose passions, interests, and aims were as disparate as their origins.

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An exhilarating, accessible chronicle of the ruling families of France and England, showing how two dynasties formed one extraordinary story The twelfth and thirteenth centuries were a time of personal monarchy, when the close friendship or petty feuding between kings and queens could determine the course of history. The Capetians of France and the Angevins of England waged war, made peace, and intermarried. The lands under the control of the English king once reached to within a few miles of Paris, and those ruled by the French house, at their apogee, crossed the Channel and encompassed London itself. In this lively, engaging history, Catherine Hanley traces the great clashes, and occasional friendships, of the two dynasties. Along the way, she emphasizes the fascinating and influential women of the houses—including Eleanor of Aquitaine and Blanche of Castille—and shows how personalities and familial bonds shaped the fate of two countries. This is a tale of two intertwined dynasties that shaped the present and the future of England and France, told through the stories of the people involved.

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A bold new account of the state of globalization today—and what its collapse might mean for the world economy After the Cold War, globalization accelerated at breakneck speed. Manufacturing, transport, and consumption defied national borders, companies made more money, and consumers had access to an ever-increasing range of goods. But in recent years, a profound shift has begun to take place. Business executives and politicians alike are realising that globalization is no longer working. Supply chains are imperilled, Russia has been expelled from the global economy after its invasion of Ukraine, and China is using these fissures to leverage a strategic advantage. Given these pressures, what will the future of our world economy look like? In this groundbreaking account, Elisabeth Braw explores the collapse of globalization and the profound challenges it will bring to the West. Drawing on interviews with prominent executives and policymakers from around the world, Braw poses the difficult questions all businesses and economies will face—and traces the intricate story of globalization from the exuberant ’90s to the embattled present.

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A sweeping account of the rise and evolution of liberal internationalism in the modern era, selected as a Best Book of 2021 by Foreign Affairs “A thoughtful and profound defence of liberal internationalism—both as a political philosophy and as a guide to future actions.”—Gideon Rachman, Financial Times “The crowning achievement of [Ikenberry’s] decades-long work explaining and defending the liberal international order.”—Michael Hirsch, Foreign Policy For two hundred years, the grand project of liberal internationalism has been to build a world order that is open, loosely rules-based, and oriented toward progressive ideas. Today this project is in crisis, threatened from the outside by illiberal challengers and from the inside by nationalist-populist movements. This timely book offers the first full account of liberal internationalism’s long journey from its nineteenth-century roots to today’s fractured political moment. Creating an international “space” for liberal democracy, preserving rights and protections within and between countries, and balancing conflicting values such as liberty and equality, openness and social solidarity, and sovereignty and interdependence—these are the guiding aims that have propelled liberal internationalism through the upheavals of the past two centuries. G. John Ikenberry argues that in a twenty-first century marked by rising economic and security interdependence, liberal internationalism—reformed and reimagined—remains the most viable project to protect liberal democracy.

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The first international history of the emergence of economic sanctions during the interwar period and the legacy of this development A Foreign Affairs Best Book of 2022 “Valuable . . . offers many lessons for Western policy makers today.”—Paul Kennedy, Wall Street Journal “The lessons are sobering.”—The Economist Economic sanctions dominate the landscape of world politics today. First developed in the early twentieth century as a way of exploiting the flows of globalization to defend liberal internationalism, their appeal is that they function as an alternative to war. This view, however, ignores the dark paradox at their core: designed to prevent war, economic sanctions are modeled on devastating techniques of warfare. Tracing the use of economic sanctions from the blockades of World War I to the policing of colonial empires and the interwar confrontation with fascism, Nicholas Mulder uses extensive archival research in a political, economic, legal, and military history that reveals how a coercive wartime tool was adopted as an instrument of peacekeeping by the League of Nations. This timely study casts an overdue light on why sanctions are widely considered a form of war, and why their unintended consequences are so tremendous.

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The first global history of the epic early days of the iron railway Railways, in simple wooden or stone form, have existed since prehistory. But from the 1750s onward the introduction of iron rails led to a dramatic technological evolution—one that would truly change the world. In this rich new history, David Gwyn tells the neglected story of the early iron railway from a global perspective. Driven by a combination of ruthless enterprise, brilliant experimenters, and international cooperation, railway construction began to expand across the world with astonishing rapidity. From Britain to Australia, Russia to America, railways would bind together cities, nations, and entire continents. Rail was a tool of industry and empire as well as, eventually, passenger transport, and developments in technology occurred at breakneck speed—even if the first locomotive in America could muster only 6 mph. The Coming of the Railway explores these fascinating developments, documenting the early railway’s outsize social, political, and economic impact—carving out the shape of the global economy as we know it today.

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The first account of the new Taliban—showing who they are, what they want, and how they differ from their predecessors A Newsweek Staffers’ Favorite Book of 2023 Since the fall of Kabul in 2021, the Taliban have effective control of Afghanistan—a scenario few Western commentators anticipated. But after a twenty-year-long bitter war against the Republic of Afghanistan, reestablishing control is a complex procedure. What is the Taliban’s strategy now that they’ve returned to power? In this groundbreaking new account, Hassan Abbas examines the resurgent Taliban as ruptures between moderates and the hardliners in power continue to widen. The group is now facing debilitating threats—from humanitarian crises to the Islamic State in Khorasan—but also engaging on the world stage, particularly with China and central Asian states. Making considered use of sources and contacts in the region, and offering profiles of major Taliban leaders, Return of the Taliban is the essential account of the movement as it develops and consolidates its grasp on Afghanistan.

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A revelatory exploration of Mark Rothko’s paintings on paper that transforms our understanding of a preeminent twentieth-century artist “[A] superb catalogue.”—Charles Giuliano, Berkshire Fine Arts Mark Rothko (1903–1970) is renowned for his towering abstract paintings on canvas; joy, despair, ecstasy, and tragedy are among the themes that he sought to express in his luminous works. Despite Rothko’s prominence, few people know that he also created more than 1,000 paintings on paper over the course of his career. The artist viewed these not as preliminary studies but as finished paintings in their own right. These remarkable paintings range from early figurative subjects and surrealist works to the soft-edged rectangular fields, often realized at monumental scale, for which Rothko is best known. These works challenge our expectations about how painting is defined, as well as popular ideas about Rothko and his career. In this beautifully illustrated volume, Adam Greenhalgh traces the role these works played in the artist’s reception, reputation, and success. This book accompanies the first major exhibition dedicated to Rothko’s works on paper in forty years and brings together nearly one hundred radiant, rarely displayed examples. Building on the important research conducted by Greenhalgh and his team for the catalogue raisonné of Rothko’s works on paper, this important catalogue offers a new appreciation of an underrecognized facet of the artist’s practice. Exhibition Schedule: National Gallery of Art, Washington (November 19, 2023–March 31, 2024) The National Museum of Art, Architecture, and Design, Oslo (May 16–September 22, 2024)

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From one of our most innovative singers, a vibrant history of song stretching from Hildegard von Bingen and Benjamin Britten to Björk “Songs can be intensely personal (whether you hear them or sing them) and none of us would choose the same twelve songs as anyone else. My choices are based on decades of performing experience in many different genres, but I hope they will reveal aspects of our common humanity as the story evolves from the Middle Ages to the present.” In this celebratory account, author and singer John Potter tells the European story of song. The form has captivated audiences and excited performers for centuries, from the music of the troubadours and the Christian liturgy through classical composers such as Bach and Schumann up to Britten, Berio, and the rise of popular music. Choosing twelve key works, Potter offers a personal tour through this vital tradition, from John Dowland’s “Flow My Tears” to George Gershwin’s “Summertime.” Throughout, he reveals who wrote and sang these joyful masterpieces—and what they mean to singers and audiences today.

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Charting Japan’s unique engagement with modernity during the Meiji era, through an extraordinary selection of objects in American collections This exhibition catalogue takes a fresh look at the art of Japan’s Meiji era (1868–1912), through a vivid selection of approximately 175 objects drawn from early public and private collections across the United States, including newly discovered prints, photographs, textiles, paintings, and craft objects. Featuring motifs such as the sea and nature, Buddhist deities, contemporary life, and mythical animals, Meiji Modern highlights these themes and their transformation with the introduction of newly imported techniques and materials at the intersection of art, industry, and society. The Meiji era was a complex period of unprecedented cultural and technological transition that played out in the context of intense global competition. The objects assembled in this stunning catalogue also document the history of American collections of nineteenth-century Japanese art. Highlighting the active role of art in the construction of the Japanese nation-state, the works in a variety of mediums capture the hopes and aspirations of Japanese modernization along with its challenges. Building upon this perspective, essays emphasize modern Japanese artists’ engagement with both European and Asian trends. With its focus on Japan’s often overlooked non-Western modernity, this publication also addresses the role of art in both constructing and reflecting identity. Distributed for the Japanese Art Society of America Exhibition Schedule: Asia Society, New York (October 3, 2023–January 7, 2024) Smart Museum of Art, University of Chicago (March 21–June 9, 2024) Museum of Fine Arts, Houston (July 7–September 15, 2024)

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Perennial wisdom from one of history’s most important but lesser-known Stoic teachers“He knew that all a philosopher could do was respond well—bravely, boldly, patiently—to what life threw at us. That's what we should be doing now.”—Ryan Holiday, Reading List email The Stoic philosopher Musonius Rufus was one of the most influential teachers of his era, imperial Rome, and his message still resonates with startling clarity today. Alongside Stoics like Seneca, Epictetus, and Marcus Aurelius, he emphasized ethics in action, displayed in all aspects of life. Merely learning philosophical doctrine and listening to lectures, they believed, will not do one any good unless one manages to interiorize the teachings and apply them to daily life. In Musonius Rufus’s words, “Philosophy is nothing else than to search out by reason what is right and proper and by deeds to put it into practice.” At a time of renewed interest in Stoicism, this collection of Musonius Rufus’s lectures and sayings, beautifully translated by Cora E. Lutz with an introduction by Gretchen Reydams-Schils, offers readers access to the thought of one of history’s most influential and remarkable Stoic thinkers.

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A noted conflict-resolution expert explores dignity, its role in human conflict, and its power to improve relationships “This book is a must read for those who want to experience peace in their everyday lives and peace in the world around them. . . . If you want peace, be sure everyone’s dignity is intact.”—Archbishop Emeritus Desmond Tutu “Anyone who understands the importance of personal feelings and their fuel for conflict should consider Dignity as a powerful advisory and motivational guide.”—Midwest Book Review Drawing on her extensive experience in international conflict resolution and on insights from evolutionary biology, psychology, and neuroscience, Donna Hicks explains what the elements of dignity are, how to recognize dignity violations, how to respond when we are not treated with dignity, how dignity can restore a broken relationship, why leaders must understand the concept of dignity, and more. By choosing dignity as a way of life, Hicks shows, we open the way to greater peace within ourselves and to a safer and more humane world for all. For the Tenth Anniversary Edition of Dignity, Hicks has written a new preface that reflects on her experience helping communities and individuals understand the power of dignity and how it can lead to a more peaceful world. Winner of the 2012 Educator’s Award, given by the Delta Kappa Gamma Society International.

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The story of the extraordinary relationship between Francis Barber, a former slave, and Samuel Johnson, England’s most distinguished man of letters“A remarkable work of detection, a biography of a black Briton from the eighteenth century that brings to life a rich and vital aspect of our shared history.”—David Olusoga Born into slavery in Jamaica about 1742, Francis Barber was brought to London as a young boy, becoming a servant in the household of the renowned Dr. Samuel Johnson. He joined the British navy for a time but returned to Johnson’s service, eventually becoming his friend and heir. Barber was one of thousands of black Britons in the period. This is the story of his life, the hostility and support he encountered, and his extraordinary friendship with England’s most distinguished man of letters.

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A compelling history of British imperial culture, showing how it was adopted and subverted by colonial subjects around the world As the British Empire expanded across the globe, it exported more than troops and goods. In every colony, imperial delegates dispersed British cultural forms. Facilitated by the rapid growth of print, photography, film, and radio, imperialists imagined this new global culture would cement the unity of the empire. But this remarkably wide-ranging spread of ideas had unintended and surprising results. In this groundbreaking history, John M. MacKenzie examines the importance of culture in British imperialism. MacKenzie describes how colonized peoples were quick to observe British culture—and adapted elements to their own ends, subverting British expectations and eventually beating them at their own game. As indigenous communities integrated their own cultures with the British imports, the empire itself was increasingly undermined. From the extraordinary spread of cricket and horse racing to statues and ceremonies, MacKenzie presents an engaging imperial history—one with profound implications for global culture in the present day.

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The wartime adventures of the legendary SOE agent Harry Rée, told in his own words“A beautiful collection of writings by schoolmaster-turned-secret agent Harry Rée. . . . Memoirs, postwar broadcasts and letters from French comrades combine to paint a picture of everyday heroism, treachery and tragedy.”—Robert Gildea, author of Fighters in the Shadows: A New History of the French Resistance“In a book devoted to heroism in its true, self-effacing form, that modesty seems entirely appropriate, and is a tribute both to Ree and to the son who put it together.”—Andrew Holgate, The Sunday Times A pacifist school teacher at the start of the war, Harry Rée changed his mind with the fall of France in 1940. He was deployed into a secret branch of the British army and parachuted into central France in April 1943. He soon won the confidence of local resisters and directed a series of dramatic sabotage operations. Rée’s memoirs, superbly edited by his son, the philosopher Jonathan Rée, offer unique insights into life in the French Resistance, and into the anxiety, folly and pity of war.

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One of the world’s most celebrated theologians argues for a Protestant anti-work ethic In his classic The Protestant Ethic and the Spirit of Capitalism, Max Weber famously showed how Christian beliefs and practices could shape persons in line with capitalism. In this significant reimagining of Weber’s work, Kathryn Tanner provocatively reverses this thesis, arguing that Christianity can offer a direct challenge to the largely uncontested growth of capitalism. Exploring the cultural forms typical of the current finance‑dominated system of capitalism, Tanner shows how they can be countered by Christian beliefs and practices with a comparable person‑shaping capacity. Addressing head‑on the issues of economic inequality, structural under- and unemployment, and capitalism’s unstable boom/bust cycles, she draws deeply on the theological resources within Christianity to imagine anew a world of human flourishing. This book promises to be one of the most important theological books in recent years.

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A “brilliant and sobering” (Paul Kennedy, Wall Street Journal) look at the history and human costs of pandemic outbreaksAs seen on “60 Minutes” The World Economic Forum #1 book to read for context on the coronavirus outbreak This sweeping exploration of the impact of epidemic diseases looks at how mass infectious outbreaks have shaped society, from the Black Death to today, and in a new preface addresses the global threat of COVID-19. In a clear and accessible style, Frank M. Snowden reveals the ways that diseases have not only influenced medical science and public health, but also transformed the arts, religion, intellectual history, and warfare. A multidisciplinary and comparative investigation of the medical and social history of the major epidemics, this volume touches on themes such as the evolution of medical therapy, plague literature, poverty, the environment, and mass hysteria. In addition to providing historical perspective on diseases such as smallpox, cholera, and tuberculosis, Snowden examines the fallout from recent epidemics such as HIV/AIDS, SARS, and Ebola and the question of the world’s preparedness for the next generation of diseases.

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This "bold new English translation” (Adam Kirsch, Wall Street Journal) of Job by one of the world’s leading biblical scholars will reshape the way we read this canonical text “A work of erudition with . . . a revolutionary twist.”—James Parker, Atlantic The book of Job has often been called the greatest poem ever written. The book, in Edward Greenstein’s characterization, is “a Wunderkind, a genius emerging out of the confluence of two literary streams” which “dazzles like Shakespeare with unrivaled vocabulary and a penchant for linguistic innovation.” Despite the text’s literary prestige and cultural prominence, no English translation has come close to conveying the proper sense of the original. The book has consequently been misunderstood in innumerable details and in its main themes. Edward Greenstein’s new translation of Job is the culmination of decades of intensive research and painstaking philological and literary analysis, offering a major reinterpretation of this canonical text. Through his beautifully rendered translation and insightful introduction and commentary, Greenstein presents a new perspective: Job, he shows, was defiant of God until the end. The book is more about speaking truth to power than the problem of unjust suffering.

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A New York Times best art book of 2021 “[A] gold mine of a book . . . Funny, biting, morbid, it’s a page-turner for sure.”—Holland Cotter, New York Times Ray Johnson (1927–1995) was a renowned maker of meticulous collages whose works influenced movements including Pop Art, Fluxus, and Conceptual Art. Emerging from the interdisciplinary community of artists and poets at Black Mountain College, Johnson was extraordinarily adept at using social interaction as an artistic endeavor and founded a mail art network known as the New York Correspondence School. Drawing on the vast collection of Johnson’s work at the Art Institute of Chicago, this volume gives new shape to our understanding of his artistic practice and features hundreds of pieces that include artist’s books, collages, drawings, mail art, and performance documentation. In keeping with Johnson’s democratic, rhizomatic, and antihierarchical ethos, this indispensable resource on the artist’s oeuvre contains 700 illustrations, many of them never before published, and twenty-one short essays by various contributors that allow readers to dip into and out of the book in a nonlinear manner. Distributed for the Art Institute of ChicagoExhibition Schedule:Art Institute of Chicago (November 26, 2021–March 21, 2022)

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An illustrated biography of the celebrated artist James Ensor The Belgian artist James Ensor (1860–1949) was a major figure in the Belgian avant-garde of the late 19th century and an important precursor to the development of Expressionism in the early 20th century. Daring and socially engaged, Ensor included political, religious, historical, and autobiographical themes in his works. He is known for brightly colored depictions of masked skeletons, seascapes, and carnivals, which frequently tend toward the macabre or grotesque. Structured like a biography, this book explores Ensor’s life and art year by year. Chapters are illustrated with Ensor’s masterpieces as well as archival photographs and previously unpublished letters.Distributed for Mercatorfonds

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An innovative retrospective look at the work of one of America’s most iconic artists, utilizing the concepts of mirroring and doubling, which have long preoccupied Johns Jasper Johns (b. 1930) is arguably the most influential artist living today. Over the past 65 years, he has produced a radical and varied body of work marked by constant reinvention. Inspired by the artist’s long-standing fascination with mirroring and doubles, this book provides an original and exciting perspective on Johns’s work and its continued relevance. A diverse group of curators, academics, artists, and writers offer a series of essays—including many paired texts—that consider aspects of the artist’s work, such as recurring motifs, explorations of place, and use of a wide array of media. These include Carroll Dunham on nightmares, Ruth Fine on monotypes and working proofs, Michio Hayashi on Japan, Terrance Hayes on flags, and Colm Toíbín on dreams, among many others. The various themes are further explored in a series of in-depth plate sections that combine prints, drawings, paintings, and sculptures to draw new connections in Johns’s vast output. Accompanying “mirroring” exhibitions held simultaneously at the Whitney Museum of American Art and the Philadelphia Museum of Art, this lavishly illustrated volume features a selection of rarely published works along with never-before-published archival content and is full of revelations that allow us to engage with and understand the artist’s rich and varied body of work in new and meaningful ways.Distributed for the Whitney Museum of American Art and the Philadelphia Museum of ArtExhibition Schedule:Philadelphia Museum of Art (September 29, 2021–February 13, 2022)Whitney Museum of American Art, New York (September 29, 2021–February 13, 2022)

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One of the twentieth century’s greatest philosophers presents the results of his lifetime study of man’s cultural achievementsAn Essay on Man is an original synthesis of contemporary knowledge, a unique interpretation of the intellectual crisis of our time, and a brilliant vindication of man’s ability to resolve human problems by the courageous use of his mind. In a new introduction Peter E. Gordon situates the book among Cassirer’s greater body of work, and looks at why his “hymn to humanity in an inhuman age” still resonates with readers today. “The best-balanced and most mature expression of [Cassirer’s] thought.”—Journal of Philosophy “No reader of this book can fail to be struck by the grandeur of its program or by the sensitive humanism of the author.”—Ernest Nagel, The Humanist “A rare work of philosophy and a rare work of art.”—Tomorrow

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A New York Times Best Art Book of 2019“A riveting book . . . few stones are left unturned.”—Roberta Smith’s “Top Art Books of 2019,” The New York Times This fascinating and enlightening study of the tie-on pocket combines materiality and gender to provide new insight into the social history of women’s everyday lives—from duchesses and country gentry to prostitutes and washerwomen—and to explore their consumption practices, sociability, mobility, privacy, and identity. A wealth of evidence reveals unexpected facets of the past, bringing women’s stories into intimate focus. “What particularly interests Burman and Fennetaux is the way in which women of all classes have historically used these tie-on pockets as a supplementary body part to help them negotiate their way through a world that was not built to suit them.”—Kathryn Hughes, The Guardian “A brilliant book.”—Ulinka Rublack, Times Literary Supplement

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This epic history compares the empires built by Spain and Britain in the Americas, from Columbus’s arrival in the New World to the end of Spanish colonial rule in the early nineteenth century. J. H. Elliott, one of the most distinguished and versatile historians working today, offers us history on a grand scale, contrasting the worlds built by Britain and by Spain on the ruins of the civilizations they encountered and destroyed in North and South America.Elliott identifies and explains both the similarities and differences in the two empires’ processes of colonization, the character of their colonial societies, their distinctive styles of imperial government, and the independence movements mounted against them. Based on wide reading in the history of the two great Atlantic civilizations, the book sets the Spanish and British colonial empires in the context of their own times and offers us insights into aspects of this dual history that still influence the Americas.

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A major new history of the Crusades that illuminates the strength and sophistication of the Western and Muslim armies During the Crusades, the Western and Muslim armies developed various highly sophisticated strategies of both attack and defense, which evolved during the course of the battles. In this ambitious new work, Steve Tibble draws on a wide range of Muslim texts and archaeological evidence as well as more commonly cited Western sources to analyze the respective armies’ strategy, adaptation, evolution, and cultural diversity and show just how sophisticated the Crusader armies were even by today’s standards. In the first comprehensive account of the subject in sixty years, Tibble takes a fresh approach to Templars, Hospitallers, and other key Orders and makes the controversial proposition that the Crusades were driven as much by sedentary versus nomadic tribal concerns as by religious conflict. This fluently written, broad-ranging narrative provides a crucial missing piece in the study of the West’s attempts to colonize the Middle East during the Middle Ages.

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“Engagingly written.”—Andrew D Buck, BBC History Magazine “[A] compelling book.”—Ian Garrick-Mason, Spectator Shortlisted for the 2020 Duke of Wellington Medal for Military HistoryA new look at the crusaders, which shows how they pursued long-term plans and clear strategic goals Medieval states, and particularly crusader societies, often have been considered brutish and culturally isolated. It seems unlikely that they could develop “strategy” in any meaningful sense. However, the crusaders were actually highly organized in their thinking and their decision making was rarely random. In this lively account, Steve Tibble draws on a rich array of primary sources to reassess events on the ground and patterns of behavior over time. He shows how, from aggressive castle building to implementing a series of invasions of Egypt, crusader leaders tenaciously pursued long-term plans and devoted single-minded attention to clear strategic goals. Crusader states were permanently on the brink of destruction; resources were scarce and the penalties for failure severe. Intuitive strategic thinking, Tibble argues, was a necessity, not a luxury.

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An unprecedented portrait of Moses's inner world and perplexing character, by a distinguished biblical scholar No figure looms larger in Jewish culture than Moses, and few have stories more enigmatic. Avivah Gottlieb Zornberg, acclaimed for her many books on Jewish thought, turns her attention to Moses in this remarkably rich, evocative book. Drawing on a broad range of sources—literary as well as psychoanalytic, a wealth of classical Jewish texts alongside George Eliot, W. G. Sebald, and Werner Herzog—Zornberg offers a vivid and original portrait of the biblical Moses. Moses's vexing personality, his uncertain origins, and his turbulent relations with his own people are acutely explored by Zornberg, who sees this story, told and retold, as crucial not only to the biblical past but also to the future of Jewish history.

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One of the most eminent historians of our age investigates the extraordinary success of five small maritime states “A superb survey of the perennial opportunities and risks in what Herman Melville called ‘the watery part of the world.’”—William Anthony Hay, Wall Street Journal Andrew Lambert, author of The Challenge: Britain Against America in the Naval War of 1812—winner of the prestigious Anderson Medal—turns his attention to Athens, Carthage, Venice, the Dutch Republic, and Britain, examining how their identities as “seapowers” informed their actions and enabled them to achieve success disproportionate to their size. Lambert demonstrates how creating maritime identities made these states more dynamic, open, and inclusive than their lumbering continental rivals. Only when they forgot this aspect of their identity did these nations begin to decline. Recognizing that the United States and China are modern naval powers—rather than seapowers—is essential to understanding current affairs, as well as the long-term trends in world history. This volume is a highly original “big think” analysis of five states whose success—and eventual failure—is a subject of enduring interest, by a scholar at the top of his game.

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An accessible, contemporary introduction to the methods for determining cause and effect in the social sciences “Causation versus correlation has been the basis of arguments—economic and otherwise—since the beginning of time. Causal Inference: The Mixtape uses legit real-world examples that I found genuinely thought-provoking. It’s rare that a book prompts readers to expand their outlook; this one did for me.”—Marvin Young (Young MC) Causal inference encompasses the tools that allow social scientists to determine what causes what. In a messy world, causal inference is what helps establish the causes and effects of the actions being studied—for example, the impact (or lack thereof) of increases in the minimum wage on employment, the effects of early childhood education on incarceration later in life, or the influence on economic growth of introducing malaria nets in developing regions. Scott Cunningham introduces students and practitioners to the methods necessary to arrive at meaningful answers to the questions of causation, using a range of modeling techniques and coding instructions for both the R and the Stata programming languages.

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The indispensable guide to the architectural heritage of Wiltshire With hundreds of buildings added to the new gazetteer, this volume offers a fully revised and updated guide to Wiltshire. From prehistoric Stonehenge and thirteenth-century Salisbury Cathedral, to Elizabethan Longleat, Palladian Wilton and landscaped gardens of Stourhead, the buildings of Wiltshire represent the best of every period of English architecture. Towns range from Marlborough with its sweeping High Street to Bradford-on-Avon, rich in the architectural legacy of clothiers’ houses. Villages include the exceptional Lacock in the shadow of its abbey’s remains as well as Avebury, where the houses sit within the famous stone circle. This volume, covering structures as diverse as garden follies and railway workers’ housing is an essential reference for visitors and residents alike.

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A groundbreaking account of Napoleon Bonaparte, Pope Pius VII, and the kidnapping that would forever divide church and state “In gripping, vivid prose, Caiani brings to life the struggle for power that would shape modern Europe. It all makes for a historical read which is both original and enjoyable.”—Antonia Fraser, author of Marie Antoinette “The story of the struggle, fought with cunning, not force, between the forgotten Roman nobleman Barnaba Chiaramonti, who became Pope Pius VII, and the all-too-well-remembered Napoleon.”—Jonathan Sumption, The Spectator, “Books of the Year” In the wake of the French Revolution, Napoleon Bonaparte, First Consul of France, and Pope Pius VII shared a common goal: to reconcile the church with the state. But while they were able to work together initially, formalizing an agreement in 1801, relations between them rapidly deteriorated. In 1809, Napoleon ordered the Pope’s arrest. Ambrogio Caiani provides a pioneering account of the tempestuous relationship between the emperor and his most unyielding opponent. Drawing on original findings in the Vatican and other European archives, Caiani uncovers the nature of Catholic resistance against Napoleon’s empire; charts Napoleon’s approach to Papal power; and reveals how the Emperor attempted to subjugate the church to his vision of modernity. Gripping and vivid, this book shows the struggle for supremacy between two great individuals—and sheds new light on the conflict that would shape relations between the Catholic church and the modern state for centuries to come.

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Exploring an unjustly overlooked figure in 20th-century British visual culture This book offers a comprehensive overview to the work and legacy of David King (1943–2016), whose fascinating career bridged journalism, graphic design, photography, and collecting. King launched his career at Britain’s Sunday Times Magazine in the 1960s, starting as a designer and later branching out into image-led journalism. He developed a particular interest in revolutionary Russia and began amassing a collection of graphic art and photographs—ultimately accumulating around 250,000 images that he shared with news outlets. Throughout his life, King blended political activism with his graphic design work, creating anti-Apartheid and anti-Nazi posters, covers for books on Communist history, album artwork for The Who and Jimi Hendrix, catalogues on Russian art and society for the Museum of Modern Art in Oxford, and typographic covers for the left-wing magazine City Limits. This well-researched and finely illustrated publication ties together King’s accomplishments as a visual historian, artist, journalist, and activist.

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This stunning collection showcases the love poetry and mystical teachings at the heart of the Islamic tradition in accurate and poetic original translations At a time when the association of Islam with violence dominates headlines, this beautiful collection offers us a chance to see a radically different face of the Islamic tradition. It traces a soaring, poetic, popular tradition that celebrates love for both humanity and the Divine as the ultimate path leading humanity back to God. Safi brings together for the first time the passages of the Qur’an sought by the Muslim sages, the mystical sayings of the Prophet, and the teachings of the path of “Divine love.” Accurately and sensitively translated by leading scholar of Islam Omid Safi, the writings of Jalal al‑Din Rumi can now be read alongside passages by Kharaqani, ‘Attar, Hafez of Shiraz, Abu Sa‘id‑e Abi ’l‑Khayr, and other key Muslim mystics. For the millions of readers whose lives have been touched by Rumi’s poetry, here is a chance to see the Arabic and Persian traditions that produced him.

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A literary master’s entertaining guide to reading with deeper insight, better understanding, and greater pleasure​ What makes a work of literature good or bad? How freely can the reader interpret it? Could a nursery rhyme like Baa Baa Black Sheep be full of concealed loathing, resentment, and aggression? In this accessible, delightfully entertaining book, Terry Eagleton addresses these intriguing questions and a host of others. How to Read Literature is the book of choice for students new to the study of literature and for all other readers interested in deepening their understanding and enriching their reading experience.In a series of brilliant analyses, Eagleton shows how to read with due attention to tone, rhythm, texture, syntax, allusion, ambiguity, and other formal aspects of literary works. He also examines broader questions of character, plot, narrative, the creative imagination, the meaning of fictionality, and the tension between what works of literature say and what they show. Unfailingly authoritative and cheerfully opinionated, the author provides useful commentaries on classicism, Romanticism, modernism, and postmodernism along with spellbinding insights into a huge range of authors, from Shakespeare and J. K. Rowling to Jane Austen and Samuel Beckett.

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An irresistible collection of favorite writings from an author celebrated for his bravura style and sheer unpredictability Francis Spufford’s welcome first volume of collected essays gathers an array of his compelling writings from the 1990s to the present. He makes use of a variety of encounters with particular places, writers, or books to address deeper questions relating to the complicated relationship between story-telling and truth-telling. How must a nonfiction writer imagine facts, vivifying them to bring them to life? How must a novelist create a dependable world of story, within which facts are, in fact, imaginary? And how does a religious faith felt strongly to be true, but not provably so, draw on both kinds of writerly imagination? Ranging freely across topics as diverse as the medieval legends of Cockaigne, the Christian apologetics of C. S. Lewis, and the tomb of Ayatollah Khomeini, Spufford provides both fresh observations and thought-provoking insights. No less does he inspire an irresistible urge to turn the page and read on.

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The first full history of the Nazi Stormtroopers whose muscle brought Hitler to power, with revelations concerning their longevity and their contributions to the Holocaust Germany’s Stormtroopers engaged in a vicious siege of violence that propelled the National Socialists to power in the 1930s. Known also as the SA or Brownshirts, these “ordinary” men waged a loosely structured campaign of intimidation and savagery across the nation from the 1920s to the “Night of the Long Knives” in 1934, when Chief of Staff Ernst Röhm and many other SA leaders were assassinated on Hitler’s orders. In this deeply researched history, Daniel Siemens explores not only the roots of the SA and its swift decapitation but also its previously unrecognized transformation into a million-member Nazi organization, its activities in German-occupied territories during World War II, and its particular contributions to the Holocaust. The author provides portraits of individual members and their victims and examines their milieu, culture, and ideology. His book tells the long-overdue story of the SA and its devastating impact on German citizens and the fate of their country.

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Finalist for the 2005 National Book Critics Circle Award in Poetry—an erotic, powerful collection “One of the best books of contemporary poetry.”—Victoria Chang, Huffington Post “Vital, immediate, and cinematic in scope.”—Library Journal (Best Poetry of 2005) Selected by Nobel Prize laureate and competition judge Louise Glück as the 2004 winner of the Yale Younger Poets prize, Richard Siken’s Crush is a powerful collection of poems driven by obsession and love. Siken writes with ferocity, and his reader hurtles unstoppably with him. His poetry is confessional, gay, savage, and charged with violent eroticism. In the world of American poetry, Siken's voice is striking. In her introduction to the book, Glück hails the “cumulative, driving, apocalyptic power, [and] purgatorial recklessness” of Siken’s poems. She notes, “Books of this kind dream big. . . . They restore to poetry that sense of crucial moment and crucial utterance which may indeed be the great genius of the form.”

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