Search results for ""pennsylvania state university press""

Villanova University is one of the nation's oldest and largest Catholic universities. Founded in 1842 by the Augustinian order, which continues to support the institution today, Villanova has seen great change and great continuity over its 150-year history. In Villanova University, 1842–1992, historian David Contosta presents a rich combination of text and photographs to recount the history of the school and the forces that shaped its growth.Unlike a traditional commissioned history, Contosta's account shows Villanova in the wider context of American society. He closely examines the American culture, Catholic attitudes and beliefs, and Augustinian order that he finds were most influential in forming Villanova as we know it today.

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For almost twenty years, feminist readings of Simone de Beauvoir’s feminist classic The Second Sex have been dominated by dismissive interpretation of Beauvoir’s philosophy as Sartrean and phallocentric. Beauvoir’s angry refusal to acknowledge either her philosophical originality or her lesbian relationships led to an interpretive impasse on two issues: her relationship to existentialism and her relationship to feminism. It was not until Beauvoir’s death in 1986 that this interpretive impasse would be broken. Feminist scholars reacted to news of Beauvoir’s death in 1986 by initiating a reevaluation of her life’s work, a task encouraged by Sylvie Le Bon de Beauvoir, her adopted daughter, who edited for posthumous publication many of Beauvoir’s personal notebooks and letters to Sartre. Some of the most exciting new interpretations of Beauvoir’s philosophy that have resulted are brought together here for the first time; many of them, indeed, were written expressly for this first volume of essays on Beauvoir’s philosophy written since her death.From phenomenology and literary criticism to analytic philosophy and postmodern deconstruction, this collection presents a unique variety of methodological approaches to reading Beauvoir: placing her within the phenomenological tradition and identifying the Husserlean influence on her work; using the posthumously published letters and notebooks to shed light on Beauvoir’s own experience of oppression and to deconstruct the philosophical movement that exploited her; analyzing the themes and structure of Beauvoir’s novel The Mandarins to study her philosophy of the erotic; examining the structure of her argument about women’s biology and sexual difference to challenge the criticism of Beauvoir’s phallocentricism; locating her writings on decolonization as a historical antecedent of the postmodern philosophy of destruction. Of particular interest may be the scholarly reading of little-known texts, such as Beauvoir’s essay on the Marquis de Sade, or her essay “Literature and Metaphysics,” in the context of her better-known texts, such as Ethics of Ambiguity, to trace Beauvoir’s philosophical development and challenge the view that Beauvoir was either Sartrean or phallocentric.

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Since 1970, when Charles Hamblin issued a challenge for philosophers, logicians, and educators in general to begin work anew in fallacies, a serious literature on fallacies has indeed developed. Part of this literature deals with the theory of what fallacies are; another part of it contains rigorous analyses of particular fallacies. However, most is still not readily accessible to the researcher, teacher, or student of the field. As a result, the best work on fallacies is not finding its way into the classroom, nor is it informing the educational and intellectual experiences available to most college and university students. A major purpose of this book is to make the post-Hamblin work on fallacies available to a wider audience in a single, convenient volume. The editors have brought together for the first time the most important historical writings on fallacy theory, from Aristotle to John Stuart Mill, and the most recent and most important theoretical and pedagogical developments in the field since Hamblin's landmark 1970 book. All but a few of the essays included are new contributions for this anthology, and an extensive annotated bibliography is included for researchers and students of fallacies and fallacy theory.

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The works covered in college art history classes frequently depict violence against women. Traditional survey textbooks highlight the impressive formal qualities of artworks depicting rape, murder, and other violence but often fail to address the violent content and context. Gender Violence, Art, and the Viewer investigates the role that the art history field has played in the past and can play in the future in education around gender violence in the arts. It asks art historians, museum educators, curators, and students to consider how, in the time of #MeToo, a public reckoning with gender violence in art can revitalize the field of art history. Contributors to this timely volume amplify the voices and experiences of victims and survivors depicted throughout history, critically engage with sexually violent images, open meaningful and empowering discussions about visual assaults against women, reevaluate how we have viewed and narrated such works, and assess how we approach and teach

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Fernando Balius was a perfectly ordinary, if misunderstood, young adultuntil he started hearing voices. In Traces of Madness, Fernando describes what it feels like, both mentally and physically, to lose your grip on reality. His life spins out of control when the voices he hears inside his head, depicted in the narrative as a monster, work to destroy his self-esteem and, worse, urge him to hurt himself. Various psychiatric diagnoses and prescribed medications do more harm than good, prompting Fernando to question whether stifling his voices is truly the right path for him. Throughout his experiences, he finds that his connections with others lend him the strength to survive. Mario Pellejer's moving illustrations bring Nando's remarkable story to life. This raw and uniquely hopeful graphic memoir shows the power of community and understanding and encourages us all to push back in solidarity against the pervasive stigma surrounding mental illness.

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The Western media largely glossed over the immense human suffering that occurred in Iraq during the embargo of the 1990s and the Iraq War. With this innovative and award-winning graphic novel, French-Iraqi journalist Feurat Alani sets that record straight. The Flavors of Iraq unfolds as a series of one thousand tweets. In them, Alani describes his experiences in Iraq from 1989, when he traveled from France to meet his extended family in Iraq for the first time, to 2011, when the last Americans pulled out of the country. Alani recounts the vivid impressions this place made on him as a childits wondrous colors, tastes, and smells. And he documents the sounds, silences, and smells of a war in which hundreds of thousands of Iraqi civilians lost their lives. Illustrated by the striking art of Léonard Cohen and with a foreword by Ross Caputi, a former US Marine who served in Iraq from 2003 to 2006, The Flavors of Iraq tells a poetic and powerful story of an oppressed population, an illegal

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These are some of the most fundamental and enduring questions we have about the mysteries of religion, and they may well hold the key to humankind's future on this earth. In this adaptation of Pascal Boyer's classic work exploring these concepts, Religion Explained, artist Joseph Béhé harnesses the power of comics to provide clear answers to the basic questions about why religion exists and why people believe. A distinguished scholar, Boyer drew from research in cognitive science, anthropology, psychology, and evolutionary biology to explore why religion exists and why the strength of human beliefs can drive us to be selfless sometimes and, at other times, to be fanatical and intolerant. His erudite book is rich with insight into the endless jumble of ideas that inform religious beliefs and practices across cultures. With detailed, illustrative drawings and carefully adapted prose, Béhé's graphic novel brings a new perspective to Boyer's work. An eminently accessible approach to

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Smell loomed large in cultural discourse in the late nineteenth century, thanks to the midcentury fear of miasma, the drive for sanitation reform, and the rise in artificial perfumery. Meanwhile, the science of olfaction remained largely mysterious, prompting an impulse to “see smell” and inspiring some artists to picture scent in order to better know and control it. This book recovers the substantive role of the olfactory in Pre-Raphaelite art and Aestheticism.Christina Bradstreet examines the iconography and symbolism of scent in nineteenth-century art and visual culture. Fragrant imagery in the work of John Everett Millais, Dante Gabriel Rossetti, Simeon Solomon, George Frederic Watts, Edward Burne-Jones, and others set the trend for the preoccupation with scent that informed swaths of British, European, and American art and design. Bradstreet’s rich analyses of paintings, perfume posters, and other works of visual culture demonstrate how artworks mirrored the “period nose” and intersected with the most clamorous debates of the day, including evolution, civilization, race, urban morality, mental health, faith, and the “woman question.”Beautifully illustrated and grounded in current practices in sensory history, Scented Visions presents both fresh readings of major works of art and a deeper understanding of the cultural history of nineteenth-century scent.

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Hua-yen is regarded as the highest form of Buddhism by most modern Japanese and Chinese scholars. This book is a description and analysis of the Chinese form of Buddhism called Hua-yen (or Hwa-yea), Flower Ornament, based largely on one of the more systematic treatises of its third patriarch. Hua-yen Buddhism strongly resembles Whitehead's process philosophy, and has strong implications for modern philosophy and religion. Hua-yen Buddhism explores the philosophical system of Hua-yen in greater detail than does Garma C.C. Chang's The Buddhist Teaching of Totality (Penn State, 1971). An additional value is the development of the questions of ethics and history. Thus, Professor Cook presents a valuable sequel to Professor Chang's pioneering work. The Flower Ornament School was developed in China in the late 7th and early 8th centuries as an innovative interpretation of Indian Buddhist doctrines in the light of indigenous Chinese presuppositions, chiefly Taoist. Hua-yen is a cosmic ecology, which views all existence as an organic unity, so it has an obvious appeal to the modern individual, both students and layman.

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The relationship between the City of Brotherly Love and its Black residents has been complicated from the city's founding through the present day. A Black Philadelphia Reader traces this complex history in the words of Black writers who were native to, lived in, or had significant connections to the city. Featuring the works of famous authorsincluding W.E.B. Du Bois, Harriet Jacobs, Sonia Sanchez and John Edgar Widemanalongside lesser-known voices, this reader is an immersive and enriching composite portrait of the Black experience in Philadelphia. Through fiction and nonfiction, poetry and prose, readers witness episodes of racial prejudice and gender inequality in areas like public health, housing, education, policing, criminal justice, and public transportation. And yet amid these myriad challenges, the writers convey an enduring faith, a love of family and community, and a hope that Philadelphia will fulfill its promises to its Black citizens. Thoughtfully introduced and accompa

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In 1256, the countess of Provence, Beatrice of Savoy, enlisted her personal physician to create a health handbook to share with her daughters. Written in French and known as the Régime du corps, this health guide would become popular and influential, with nearly seventy surviving copies made over the next two hundred years and translations in at least four other languages. In Visualizing Household Health, art historian Jennifer Borland uses the Régime to show how gender and health care converged within the medieval household. Visualizing Household Health explores the nature of the households portrayed in the Régime and how their members interacted with professionalized medicine. Borland focuses on several illustrated versions of the manuscript that contain historiated initials depicting simple scenes related to health care, such as patients' consultations with physicians, procedures like bloodletting, and foods and beverages recommended for good health. Borland argues that these imag

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At the turn of the twenty-first century, Xiamen’s pursuit of World Heritage Site designation from UNESCO stimulated considerable interest in the city’s Christian past. History enthusiasts, both Christian and non-Christian, devoted themselves to reinterpreting the legacy of missionaries and challenged official narratives of Christianity’s troubled associations with Western imperialism. In this book, Jifeng Liu documents the tension that has inevitably emerged between the established official history and these popular efforts.This volume elucidates the ways in which Christianity has become an integral part of Xiamen, a Chinese city profoundly influenced by Western missionaries. Drawing on extensive interviews, locally produced histories, and observations of historical celebrations, Liu provides an intimate portrait of the people who navigate ideological issues to reconstruct a Christian past, reproduce religious histories, and redefine local power structures in the shadow of the state. Liu makes a compelling argument that a Christian past is being constructed that combines official frameworks, unofficial practices, and nostalgia into social memory, a realm of dynamic negotiation that is neither dominated by the authoritarian state nor characterized by popular resistance. In this way, Negotiating the Christian Past in China illustrates the complexities of memory and missions in shaping the city’s cultural landscape, church-state dynamics, and global aspirations.This groundbreaking study assumes a perspective of globalization and localization, in both the past and the present, to better understand Chinese Christianity in a local, national, and global context. It will be welcomed by scholars of religious studies and world Christianity, and by those interested in the church-state relationship in China.

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Although Raphael has long been recognized as one of the great innovators of visionary painting (images of supernatural phenomena, including apparitions and prophetic visions), the full measure of his achievement in this area has never been taken. Vision and the Visionary in Raphael redresses this oversight by offering an expansive reading of these works within their contemporary artistic and religious contexts. At the center of the book is Raphael’s engagement with one of the critical conflicts in the Renaissance understanding of vision. Whereas artistic theory emphasized painting’s engagement with the physical world by way of the bodily eyes, religious images were generally intended to inspire their viewers to move from sensible appearances to the use of their “spiritual eyes” for contemplation of their god. For Raphael and his contemporaries, this double commitment to physical appearances and the spiritual dimensions of the image presented one of the greatest challenges of Renaissance religious art.

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In this book, Bob Becking provides a comprehensive and up-to-date overview of the origins, lives, and eventual fate of the Yehudites, or Judeans, at Elephantine, framed within the greater history of the rise and fall of the Persian Empire. The Yehudites were among those mercenaries recruited by the Persians to defend the southwestern border of the empire in the fifth century BCE. Becking argues that this group, whom some label as the first “Jews,” lived on the island of Elephantine in relative peace with other ethnic groups under the aegis of the pax persica. Drawing on Aramaic and Demotic texts discovered during excavations on the island and at Syene on the adjacent shore of the Nile, Becking finds evidence of intermarriage, trade cooperation, and even a limited acceptance of one another’s gods between the various ethnic groups at Elephantine. His analysis of the Elephantine Yehudites’ unorthodox form of Yahwism provides valuable insight into the group’s religious beliefs and practices. An important contribution to the study of Yehudite life in the diaspora, this accessibly written and sweeping history enhances our understanding of the varieties of early Jewish life and how these contributed to the construction of Judaism.

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Coptic is the final stage of the ancient Egyptian language, written in an alphabet derived primarily from Greek instead of hieroglyphs. It borrows some vocabulary from ancient Greek, and it was used primarily for writing Christian scriptures and treatises. There is no uniform Coptic language, but rather six major dialects.Unlike previous grammars that focus on just two of the Coptic dialects, this volume, written by senior Egyptologist James P. Allen, describes the grammar of the language in each of the six major dialects. It also includes exercises with an answer key, a chrestomathy, and an accompanying dictionary, making it suitable for teaching or self-guided learning as well as general reference.

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Theologians and Old Testament scholars have been at odds with respect to the best interpretation of the imago Dei. Theologians have preferred substantialistic (e.g., image as soul or mind) or relational interpretations (e.g., image as relational personhood) and Old Testament scholars have preferred functional interpretations (e.g., image as kingly dominion). The disagreements revolve around a number of exegetical questions. How do we best read Genesis 1 in its literary, historical, and cultural contexts? How should it be read theologically? How should we read Genesis 1 as a canonical text? This book charts a path through these disagreements by offering a dogmatically coherent and exegetically sound canonical interpretation of the image of God. Peterson argues that the fundamental claim of Genesis 1:26–28 is that humanity is created to image God actively in the world. “Made in the image of God” is an identity claim. As such, it tells us about humanity’s relationship with God and the rest of creation, what humanity does in the world, and what humanity is to become. Understanding the imago Dei as human identity has the further advantage of illuminating humanity’s ontology.Canonically, knowledge of the contours and purpose of human existence develops alongside God’s self-revelation. Tracing this development, Peterson demonstrates the coherence of the OT and NT texts that refer to the image of God. In the NT, Jesus Christ is understood as the realization of God’s image in the world and therefore the fulfillment of the description of humanity’s identity in Genesis 1. In addition to its specific focus on resolving interdisciplinary tensions for Christian interpretation of the imago Dei, the argument of the book has important implications for ethics, the doctrine of sin, and the doctrine of revelation.

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Surrealism is widely thought of as an artistic movement that flourished in Europe between the two world wars. However, during the 1960s, ’70s, and ’80s, diverse radical affinity groups, underground subcultures, and student protest movements proclaimed their connections to surrealism. Radical Dreams argues that surrealism was more than an avant-garde art movement; it was a living current of anti-authoritarian resistance.Featuring perspectives from scholars across the humanities and, distinctively, from contemporary surrealist practitioners, this volume examines surrealism’s role in postwar oppositional cultures. It demonstrates how surrealism’s committed engagement extends beyond the parameters of an artistic style or historical period, with chapters devoted to Afrosurrealism, Ted Joans, punk, the Situationist International, the student protests of May ’68, and other topics. Privileging interdisciplinary, transhistorical, and material culture approaches, contributors address surrealism’s interaction with New Left politics, protest movements, the sexual revolution, psychedelia, and other subcultural trends around the globe. A revelatory work, Radical Dreams definitively shows that the surrealist movement was synonymous with cultural and political radicalism. It will be especially valuable to those interested in the avant-garde, contemporary art, and radical social movements.In addition to the editors, the contributors to this volume include Mikkel Bolt Rasmussen, Jonathan P. Eburne, David Hopkins, Claire Howard, Michael Löwy, Alyce Mahon, Gavin Parkinson, Grégory Pierrot, Penelope Rosemont, Ron Sakolsky, Marie Arleth Skov, Ryan Standfest, and Sandra Zalman.

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“Alice was always beautiful—Armenian immigrant beautiful, with thick, curly black hair, olive skin, and big dark eyes,” writes Dana Walrath. Alice also has Alzheimer’s, and while she can remember all the songs from The Music Man, she can no longer attend to the basics of caring for herself. Alice moves to live with her daughter, Dana, in Vermont, and the story begins. Aliceheimer’s is a series of illustrated vignettes, daily glimpses into their world with Alzheimer’s. Walrath’s time with her mother was marked by humor and clarity: “With a community of help that included pirates, good neighbors, a cast of characters from space-time travel, and my dead father hovering in the branches of the maple trees that surround our Vermont farmhouse, Aliceheimer’s let us write our own story daily—a story that, in turn, helps rewrite the dominant medical narrative of aging.” In drawing Alice, Walrath literally enrobes her with cut-up pages from Alice’s Adventures in Wonderland. She weaves elements from Lewis Carroll’s classic throughout her text, using evocative phrases from the novel to introduce the vignettes, such as “Disappearing Alice,” “Missing Pieces,” “Falling Slowly,” “Curiouser and Curiouser,” and “A Mad Tea Party.” Walrath writes that creating this book allowed her not only to process her grief over her mother’s dementia, but also “to remember the magic laughter of that time.” Graphic medicine, she writes, “lets us better understand those who are hurting, feel their stories, and redraw and renegotiate those social boundaries. Most of all, it gives us a way to heal and to fly over the world as Alice does.” In the end, Aliceheimer’s is indeed strangely and utterly uplifting.

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In this volume, Elisabeth Fraser shows that artists and the works they created in the Mediterranean during the late eighteenth and early nineteenth centuries were informed by mutual dependence and reciprocity between European nations and the Ottoman Empire. Her rich exploration of this vibrant cross-cultural exchange challenges the dominant interpretation of European relations with the East during the period, revealing a shared world of fluid and long-sustained interactions.Voyagers to and from the Ottoman Empire documented their journeys in prints, paintings, and lavishly illustrated travelogues; many of these helped define Europe’s self-identified role as heir to Ottoman civilizations and bolstered its presence in the Islamic Mediterranean and beyond. Fraser finds that these works illuminate not only how travelers’ experiences abroad were more nuanced than the expansionist ideology with which they became associated, but also how these narratives depicted the vitality of Ottoman culture and served as extensions of Ottoman diplomacy. Ottomans were aware of and responded to European representations, using them to defend Ottoman culture and sovereignty. In embracing the art of both cultures and setting these works in a broader context, Fraser challenges the dominant historiographical tradition that sees Ottoman artists adopting European modes of art in a one-sided process of “Europeanization.”Theoretically informed and rigorously researched, this cross-cultural approach to European and Ottoman art sheds much-needed critical light on the widely disseminated travel images of the era—important cultural artifacts in their own right—and provides a fresh and inviting understanding of the relationships among cultures in the Mediterranean during an era of increasing European expansionism.

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A Touch of Blossom considers John Singer Sargent in the context of nineteenth-century botany, gynecology, literature, and visual culture and argues that the artist mobilized ideas of cross-fertilization and the hermaphroditic sexuality of flowers in his work to “naturalize” sexual inversion. In conceiving of his painting as an act of hand-pollination, Sargent was elaborating both a period poetics of homosexuality and a new sense of subjectivity, anticipating certain aspects of artistic modernism.Assembling evidence from diverse realms—visual culture (cartoons, greeting cards, costume design), medicine and botany (treatises and their illustrations), literature, letters, lexicography, and the visual arts—this book situates the metaphors that structure Sargent’s paintings in a broad cultural context. It offers in-depth readings of particular paintings and analyzes related projects undertaken by Sargent’s friends in the field of painting and in other disciplines, such as gynecology and literature.

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The title of this book refers to the classic time and place for magic, witchcraft, and divination in Russia. The Bathhouse at Midnight, by one of the world's foremost experts on the subject, surveys all forms of magic, both learned and popular, in Russia from the fifth to the eighteenth century. While no book on the subject could be exhaustive, The Bathhouse at Midnight does describe and assess all the literary sources of magic, witchcraft, astrology, alchemy, and divination from Kiev Rus and Imperial Russia, and to some extent Ukraine and Belorussia. Where possible, Ryan identifies the sources of the texts (usually Greek, Arabic, or West European) and makes parallels to other cultures, ranging from classical antiquity to Finnic. He finds that Russia shares most of its magic and divination with the rest of Europe.Subjects covered include the Evil Eye, the Number of the Beast, omens, dreams, talismans and amulets, plants, gemstones, and other materials thought to possess magic properties. The first chapter gives a historical overview, and the final chapter summarizes the political, religious, and legal aspects of the history of magic in Russia. The author also provides translations of some key texts.The Bathhouse at Midnight will be invaluable for anyone—student, teacher, or general reader—with an interest in Russia, magic, or the occult. It is unique in its field and is set to become the definitive study of Russian magic.

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During the third millennium BC, the huge geographical area stretching between the Mediterranean in the west and the Indus Valley in the east witnessed the rise of a commercial network of unmatched proportions and intensity, within which the Persian Gulf for long periods functioned as a central node. In this book, Laursen and Steinkeller examine the nature of cultural and commercial contacts between Babylonia, the Gulf region, and Indus Civilization. Focusing on the third and early second millennia BC, and using both archaeological data and the evidence of ancient written sources, their study offers an up-to-date synthetic picture of the history of interactions across this vast region. In addition to giving detailed characterizations and evaluations of contacts in various periods, the book also treats a number of important related issues, such as the presence of Amorites in the Gulf (in particular, their role in the rise of the Tilmun center on Bahrain Island); the alleged existence of Meluhhan commercial outposts in Babylonia; and the role that the seaport of Gu’abba played in Babylonia’s interactions with the Gulf region and southeastern Iran.

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The Hebrew Scriptures consider the exodus from Egypt to be Israel’s formative and foundational event. Indeed, the Bible offers no other explanation for Israel’s origin as a people. It is also true that no contemporary record regarding a man named Moses or the Israelites generally, either living in or leaving Egypt has been found. Hence, many biblical scholars and archaeologists take a skeptical attitude, dismissing the exodus from the realm of history. However, the contributors to this volume are convinced that there is an alternative, more positive approach. Using textual and archaeological materials from the ancient Near East in a comparative way, in conjunction with the Torah’s narratives and with other biblical texts, the contributors to this volume (specialists in ancient Egypt, ancient Near Eastern culture and history, and biblical studies) maintain that the reports in the Hebrew Bible should not be cavalierly dismissed for ideological reasons but, rather, should be deemed to contain authentic memories.

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The last thing Piedro remembers is diving into the lake on his day off from work. Now he lies in a hospital bed with a wheelchair at his side. Casting a shadow from the doorway, his caretaker remarks on “how quickly one gets used to this kind of thing,” as she goes on to empty his catheter bag and to help him into his wheelchair. Piedro must now deal with a growing mix of fear and powerlessness that surges within him as he realizes that he will be paralyzed forever; it bursts forth like a twister, “over and over again,” until he resigns himself to it. In time, Piedro’s feelings of hopelessness are offset by the realization that he can find both love and a degree of independence. With the support of his family and friends, he makes his way through rehab and finally gets back to the business of living. Based on his own experiences, Roland Burkart’s Twister is a realistic and uplifting narrative that will resonate with anyone who has ever experienced or borne witness to a life upended by calamity.

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The wide-ranging work of Rahel Jaeggi, a leading voice of the new generation of critical theorists, demonstrates how core concepts and methodological approaches in the tradition of the Frankfurt School can be updated, stripped of their dubious metaphysical baggage, and made fruitful for critical theory in the twenty-first century. In this thorough introduction to Jaeggi’s work for English-speaking audiences, scholars assess and critique her efforts to revitalize critical theory.Jaeggi’s innovative work reclaims key concepts of Hegelian-Marxist social philosophy and reads them through the lens of such thinkers as Adorno, Heidegger, and Dewey, while simultaneously putting them into dialogue with contemporary analytic philosophy. Structured for classroom use, this critical introduction to Rahel Jaeggi is an insightful and generative confrontation with the most recent transformation of Frankfurt School–inspired social and philosophical critical theory. This volume features an essay by Jaeggi on moral progress and social change, essays by leading scholars engaging with her conceptual analysis of alienation and the critique of forms of life, and a Q&A between Jaeggi and volume coeditor Amy Allen. For scholars and students wishing to engage in the debate with key contemporary thinkers over the past, present, and future(s) of critical theory, this volume will be transformative.

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Inspired by Heidegger’s concept of the clearing of being, and by Wittgenstein’s ideas on human practice, Theodore Schatzki offers a novel approach to understanding the constitution and transformation of social life. Key to the account he develops here is the context in which social life unfolds—the "site of the social"—as a contingent and constantly metamorphosing mesh of practices and material orders. Schatzki’s analysis reveals the advantages of this site ontology over the traditional individualist, holistic, and structuralist accounts that have dominated social theory since the mid-nineteenth century. A special feature of the book is its development of the theoretical argument by sustained reference to two historical examples: the medicinal herb business of a Shaker village in the 1850s and contemporary day trading on the Nasdaq market. First focusing on the relative simplicity of Shaker life to illuminate basic ontological characteristics of the social site, Schatzki then uses the sharp contrast with the complex and dynamic practice of day trading to reveal what makes this approach useful as a general account of social existence. Along the way he provides new insights into many major issues in social theory, including the nature of social order, the significance of agency, the distinction between society and nature, the forms of social change, and how the social present affects its future.

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Soulful jazz singer Billie Holiday is remembered today for her unique sound, troubled personal history, and a catalogue that includes such resonant songs as “Strange Fruit” and “God Bless the Child.” Holiday and her music were also strongly shaped by religion, often in surprising ways. Religion Around Billie Holiday examines the spiritual and religious forces that left their mark on the performer during her short but influential life.Mixing elements of biography with the history of race and American music, Tracy Fessenden explores the multiple religious influences on Holiday’s life and sound, including her time spent as a child in a Baltimore convent, the echoes of black Southern churches in the blues she encountered in brothels, the secular riffs on ancestral faith in the poetry of the Harlem Renaissance, and the Jewish songwriting culture of Tin Pan Alley. Fessenden looks at the vernacular devotions scholars call lived religion—the Catholicism of the streets, the Jewishness of the stage, the Pentecostalism of the roadhouse or the concert arena—alongside more formal religious articulations in institutions, doctrine, and ritual performance.Insightful and compelling, Fessenden’s study brings unexpected materials and archival voices to bear on the shaping of Billie Holiday’s exquisite craft and indelible persona. Religion Around Billie Holiday illuminates the power and durability of religion in the making of an American musical icon.

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This volume is the Tenth Anniversary Edition of a book that was honored in 1992 as an "Outstanding Book" by the Gustavus Myers Center for the Study of Human Rights in the United States. Reprinted many times since its first publication in 1991, Who Is Black? has become a staple in college classrooms throughout the United States, helping students understand this nation’s history of miscegenation and the role that the "one-drop rule" has played in it. In this special anniversary edition, the author brings the story up to date in an epilogue. There he highlights some revealing responses to Who Is Black? and examines recent challenges to the one-drop rule, including the multiracial identity movement and a significant change in the census classification of racial and ethnic groups.

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This is the final installment in a tripartite critical edition of the inscriptions of the last major Neo-Assyrian king, Ashurbanipal, and the members of his family.The Royal Inscriptions of the Neo-Assyrian Period 5/3 provides reliable, up-to-date editions and English translations of 106 historical inscriptions written in the Akkadian and Sumerian languages. These inscriptions account for all certainly identifiable and positively attributable inscriptions of Ashurbanipal discovered in Babylonia, in the East Tigris Region, and outside of the Assyrian Empire, together with inscriptions of some members of Ashurbanipal’s family—his wife Libbāli-šarrat, as well as his sons and successors Aššur-etel-ilāni and Sîn-šarra-iškun—and loyal officials. Each text edition is accompanied by an English translation, brief introduction, catalogue of exemplars, commentary, and bibliography. In addition to a critical introduction to the sources, RINAP 5/3 also includes relevant studies of various aspects of Ashurbanipal’s reign and the final years of the Assyrian Empire; translations of the “Chronicle Concerning the Early Years of Nabopolassar” and the “Fall of Nineveh Chronicle”; photographs of objects inscribed with texts of Ashurbanipal, Aššur-etel-ilāni, and Sîn-šarra-iškun; indexes of museum and excavation numbers and selected publications; and indexes of proper names.Expertly prepared by three leading philologists, this eagerly awaited work will be a key reference for Assyriologists, Near Eastern historians, biblical scholars, and scholars of ancient languages for decades to come.

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This study uses modern linguistic theory to analyze a frequently recurring syntactic phenomenon in the Hebrew Bible that has thus far resisted explanation: כי אם.The combination of the two particles כי and אם produces a construction that is notoriously difficult to describe, analyze syntactically, and translate. Dictionaries of Biblical Hebrew offer a dizzying variety of translations for this construction, including “that if,” “except,” “unless,” “but,” “but only,” and “surely,” among other possibilities. In this book, Grace J. Park provides a new approach that strives for greater precision and consistency in translation. Park argues that כי אם is used in three patterns: the “full focus” pattern, the “reduced focus” pattern, and the less common “non-focus” pattern. Her syntactic analysis of all 156 occurrences of the כי אם construction in the Bible lends greater clarity to the contested passages.Drawing on recent linguistic research into the typology of clausal nominalization as well as previous work on contrastive focus, this innovative project provides important new insight into the syntax of Biblical Hebrew. It will be especially valuable for scholars seeking to translate כי אם more consistently and accurately.

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This book explores the relationship between the so-called ventive morpheme in Akkadian (-am) and the related suffixes -n and -a in other Semitic languages, including Amarna Canaanite, Ugaritic, Hebrew, and Arabic. Using formal reconstructions of the various morphemes and a functional analysis of their different usages, Ambjörn Sjörs convincingly argues that these endings are cognate morphemes that were formally and functionally related to the ventive morpheme in Akkadian.Sjörs provides a systematic description of non-allative ventive verbs in Old Babylonian, the energic and volitive in Amarna Canaanite, the energic and lengthened prefix conjugation in Ugaritic, the lengthened imperfect consecutive in Biblical Hebrew, and the subjunctive and energic in Classical Arabic. Sjörs explains how these verb forms were used within the framework of grammaticalization theory and demonstrates how the suffixes are historically related.Clearly and persuasively argued, Motion, Voice, and Mood in the Semitic Verb sheds valuable light on the Akkadian ventive and its relationship to the other related morphemes. It will be welcomed by linguists specializing in Akkadian, Amarna Canaanite, Ugaritic, Hebrew, and Arabic.

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This book presents the final report of the excavations at Yotvata, the largest oasis in the Arabah Valley, conducted by the Sonia and Marco Nadler Institute of Archaeology of Tel Aviv University in 1974–1980 under the direction of Dr. Zeʾev Meshel. The report covers two central sites: a fortified Iron I site and an Early Islamic settlement. The Iron I remains consist of an irregular casemate wall surrounding a courtyard. The location of this site suggests that the settlement was established in order to protect the water sources and to overlook and supervise the nearby crossroads. Based on the relative proximity of the site to Timna, it may be concluded that the oasis formed the main source of water and wood for the population involved in copper production in that region.The rich finds uncovered at the Early Islamic settlement—including a large courtyard building and a nearby bathhouse, among other structures—point to habitation from the end of the seventh to the early ninth century CE. The proximity of the settlement to a sophisticated irrigation system (qanat) and the administrative/economic ostraca discovered at the site suggest that it served as the center of an agricultural estate owned by an elite Muslim family. Among the unique finds is a large assemblage of locally produced, handmade pottery, which is thoroughly studied here.The findings from the excavations at the Yotvata oasis have made a major contribution to the study of Early Islamic settlement and material culture in the greater Arabah region and beyond.

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Theban Tomb 188 is the sole archaeological site in the ancient Theban necropolis securely dated to the reign of the “heretic pharaoh” Akhenaten (1353–1336 BCE). The result of several years of clearance and recording by Dr. Susan Redford, director of the Akhenaten Temple Project’s Theban Tomb Survey, this richly illustrated book provides a detailed description of the remaining wall scenes and texts of this historically important ancient monument. In the fourteenth century BCE, Pharaoh Akhenaten attempted to institute a radical religious reform and moved his capital city to Amarna. This book publishes important evidence related to the Amarna period in ancient Egypt, specifically the plans, reliefs, and inscriptions of Theban Tomb 188, belonging to Parennefer, the tutor and butler of the king. Dr. Redford’s detailed archaeological study traces the rapid evolution of ideology, iconography, and iconoclasm, as revealed in Parennefer’s tomb. The decoration kept pace with the momentous changes in the king’s thinking, so that, when dovetailed with the pictorial evidence from the excavations of the great Gem-pa-aten temple at Karnak, it becomes possible to chronicle these rapid changes.This definitive study of the tomb of Parennefer will appeal to archaeologists, Egyptologists, historians of religion, and art historians working on the ancient Near East.

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The City of David, more specifically the southeastern hill of first- and second-millennium BCE Jerusalem, has long captivated the imagination of the world. Archaeologists and historians, biblical scholars and clergy, Christians, Muslims, and Jews, and tourists and armchair travelers from every corner of the globe, to say nothing of politicians of all stripes, look to this small stretch of land in awe, amazement, and anticipation.In the City of David, in the ridge leading down from the Temple Mount, hardly a stone has remained unturned. Archaeologists have worked at a dizzying pace digging and analyzing. But while preliminary articles abound, there is a grievous lack of final publications of the excavations—a regrettable limitation on the ability to fully integrate vital and critical results into the archaeological reconstruction of ancient Jerusalem.Excavations of the City of David are conducted under the auspices of the Israel Antiquities Authority. The Authority has now partnered with the Center for the Study of Ancient Jerusalem and its publication arm, the Ancient Jerusalem Publication Series, for the publication of reports that are written and designed for the scholar as well as for the general reader. Excavations in the City of David (APJ 1), is the first volume in this series.

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In this volume, Alhena Gadotti and Alexandra Kleinerman investigate how Akkadian speakers learned Sumerian during the Old Babylonian period in areas outside major cities. Despite the fact that it was a dead language at the time, Sumerian was considered a crucial part of scribal training due to its cultural importance. This book provides transliterations and translations of 715 cuneiform scribal school exercise texts from the Jonathan and Jeanette Rosen Ancient Near Eastern Studies Collection at Cornell University. These tablets, consisting mainly of lexical texts, illustrate the process of elementary foreign-language training at scribal schools during the Old Babylonian period. Although the tablets are all without provenance, discrepancies between these texts and those from other sites, such as Nippur and Ur, strongly suggest that the texts published here do not come from a previously studied location. Comparing these tablets with previously published documents, Gadotti and Kleinerman argue that elementary education in Mesopotamia was relatively standardized and that knowledge of cuneiform writing was more widespread than previously assumed.By refining our understanding of education in southern Mesopotamia, this volume elucidates more fully the pedagogical underpinnings of the world’s first curriculum devised to teach a dead language. As a text edition, it will make these important documents accessible to Assyriologists and Sumerologists for future study.

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Akkadian, a Semitic language attested in writing from 2600 BCE until the first century CE, was the language of Mesopotamia for nearly three millennia. This volume examines the language from a comparative and historical linguistic perspective. Inspired by the work of renowned linguist John Huehnergard and featuring contributions from top scholars in the field, Bēl Lišāni showcases the latest research on Akkadian linguistics. Chapters focus on a wide range of topics, including lexicon, morphology, word order, syntax, verbal semantics, and subgrouping. Building upon Huehnergard’s pioneering studies focused on the identification of Proto-Akkadian features, the contributors explore linguistic innovations in the language from historical and comparative perspectives. In doing so, they open the way for further etymological, dialectical, and lexical research into Akkadian. An important update on and synthesis of the research in Akkadian linguistics, this volume will be welcomed by Semitists, Akkadian language specialists, and scholars and students interested in historical linguistics. In addition to the editors, the contributors to this volume include Paul-Alain Beaulieu, Øyvind Bjøru, Maksim Kalinin, N. J. C. Kouwenberg, Sergey Loesov, Jacob J. de Ridder, Ambjörn Sjörs, Michael P. Streck, and Juan-Pablo Vita.

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In this book, Philip Zhakevich examines the technology of writing as it existed in the southern Levant during the Iron Age II period, after the alphabetic writing system had fully taken root in the region. Using the Hebrew Bible as its corpus and focusing on a set of Hebrew terms that designated writing surfaces and instruments, this study synthesizes the semantic data of the Bible with the archeological and art-historical evidence for writing in ancient Israel. The bulk of this work comprises an in-depth lexicographical analysis of Biblical Hebrew terms related to Israel’s writing technology. Employing comparative Semitics, lexical semantics, and archaeology, Zhakevich provides a thorough analysis of the origins of the relevant terms; their use in the biblical text, Ben Sira, the Dead Sea Scrolls, and ancient Hebrew inscriptions; and their translation in the Septuagint and other ancient versions. The final chapter evaluates Israel’s writing practices in light of those of the ancient world, concluding that Israel’s most common form of writing (i.e., writing with ink on ostraca and papyrus) is Egyptian in origin and was introduced into Canaan during the New Kingdom.Comprehensive and original in its scope, Scribal Tools in Ancient Israel is a landmark contribution to our knowledge of scribes and scribal practices in ancient Israel. Students and scholars interested in language and literacy in the first-millennium Levant in particular will profit from this volume.

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Two boys. One war-torn country. A world away, freedom.Twelve-year-old Adel and his cousin Shafi try to lead a normal childhood in war-torn Afghanistan. But when Adel’s father dies, everything changes. His uncle, a religious fundamentalist, sends Adel to study at a madrasa run by militants, where he is trained as an insurgent and chosen to carry out a suicide bombing. When his moment of martyrdom arrives, Adel’s detonator fails, and he is forced to flee the country or risk being killed by the Afghan police or the Taliban themselves.Together, Adel and Shafi set out to seek refuge in England, where Shafi’s brother now lives and where a new life awaits. With that hope, the two boys begin the perilous journey of 6,000 miles to freedom, crossing mountains on foot and squeezing into crowded trucks with other refugees. The two become separated only to find each other again in the Calais Jungle encampment, their last, hellish stop.Based on numerous testimonies from refugee youth, this poignant, timely, and well-documented story brings to life the traumatic experiences faced by Afghani children fleeing war and poverty, as well as the isolation they often feel as refugees in the West.

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For Cris and Miguel, creating a family will take a little luck and lots of determination. A Chance is the engrossing, heartwarming story of their struggles and triumphs. The narrative follows Cristina Durán and Miguel Giner Bou as they rebuild and reinvent themselves after their daughter Laia is born with cerebral palsy. Hospitals, rehabilitation centers, and doctors become part of their daily routine. There is one chance in a thousand that Laia will pull through—and they hold on to that chance with tremendous strength and indomitable joy.Years later, with the same courage and determination, Cristina and Miguel embark on the arduous process of adopting their second daughter, Selam, from Ethiopia. This time, they face a long period of training, psychological tests, interviews, and formalities before they can even pack their bags. And when they return with Selam, the challenge of reinvention awaits them yet again.

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James Hoffmeier is a giant in the field of Egyptology. Among his many publications are two volumes of archaeological reports from Tell el-Borg, where he led excavations from 1999 to 2008. He is also well known for his interest in how ancient Egypt and the biblical world intersected, having edited and written several books on the subject, including the recent “Did I Not Bring Israel Out of Egypt?” Biblical, Archaeological, and Egyptological Perspectives on the Exodus Narratives, published by Eisenbrauns.Dedicated to Hoffmeier, this volume features essays written by more than thirty of his colleagues, former students, and friends. The contributions cover the second and first millennia BCE—from the Egyptian Old Kingdom through the Persian period—as well as New Testament times. The subjects covered include archaeology, biblical studies, Egyptology, and, of course, how these fields intersect with one another.Among the many contributors are Aaron A. Burke, Deirdre Fulton, Rick Hess, Edmund Meltzer, Alan Millard, Steven Ortiz, Donald B. Redford, Gary A. Rendsburg, and Nili Shupak. This volume will be of interest to scholars and students who, following in the footsteps of Hoffmeier, are interested in how the biblical world interacted with ancient Egypt and the ancient Near East.

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This seventh volume of final reports of the Lahav Research Project’s efforts at Tell Halif in Southern Israel focuses on the team’s excavations and related regional ethnographic research at adjacent Khirbet Khuweilifeh, an early twentieth-century settlement of Bedouin and Arab fellahin clients. These efforts illustrate the symbiosis between the itinerant Bedouin and their seasonal sharecropper neighbors along the northern flanks of the Negev desert during and following the First World War in southern Palestine.The stratigraphic excavation and recovery of material culture from Cave Complex A revealed a pattern of occupation dating from the late nineteenth century C.E. up to the mid-1940s and produced hundreds of artifacts and samples, giving testimony to the lifeways of the fellahin who had inhabited the complex. The associated ethnographic research with Bedouin sheikhs and Hebron-area merchant informants established that the Complex’s most recent occupants were the family of a plow maker named Khalil al-Kaayke. The studies elucidated in this volume articulate in more detail the family’s patterns of subsistence, showing the interdependence of the Bedouin and fellahin partners. Examination of the pottery remains provides a profile of the site’s Stratum I, early twentieth-century ceramic forms and also reveals earlier Islamic-period and pre-Islamic traces.Over the past century the lifeways of these early twentieth-century Bedouin and their fellahin village neighbors in southern Palestine have been rapidly disappearing. This volume serves to chronicle and preserve data on their waning history and culture.

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For more than a century, scholars have debated whether Paul the apostle was a faithful follower of Jesus or a corruptor of Jesus’s message and the true founder of Christianity. Signs of Continuity intervenes in this debate by exploring a largely overlooked element of similarity between the two men: the place of miracles in their ministries.In his close analysis of the miracles performed by Jesus and Paul, Greg Rhodea points to signs of continuity between these two historical figures of Christianity. He argues that both Jesus and Paul understood their miracles as accompanying and actualizing a message of gracious inclusion of the marginalized, resisted proving their ability to work miracles to those who asked for a sign despite the importance of miracle-working to their personal authentication, and interpreted miracles as proof of the presence of the eschatological kingdom. Based on these similarities, Rhodea concludes that Paul the apostle knew of Jesus’s miracles and that he imitated Jesus in his own ministry of miracle-working.In highlighting this previously unexplored area of continuity, Rhodea makes a significant contribution to the debate over the relationship between Jesus and Paul. Biblical scholars and students interested in this debate will find Signs of Continuity enlightening and informative.

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Following the work of scholars who have attempted to rehabilitate the notion of “chosenness” in the Hebrew Bible and others who have focused more narrowly on the fate of non-Israelites in the Old Testament, The Unfavored centers on the role of two “unfavored” characters within Israel—Judah and Saul.Josef Sykora examines two narratives with seemingly opposite trajectories: the Joseph cycle in Genesis 37–50 and the Saul episode in 1 Samuel 13–15. Both contain passages that feel intrusive—Genesis 38 and 49 and 1 Samuel 13:7b–15a—and that coincide with Judah’s and Saul’s rise or fall in God’s favor. Taking seriously the redaction-critical proposals suggesting that these puzzling segments may stem from a later editorial hand, Sykora reorients them for theological purposes. He reads the two narratives first without and then with these intrusive parts in order to indicate what their message and content might mean for the idea of election in the Old Testament in general and for the fate of unfavored characters in particular.A freshly insightful exploration of chosenness in the Old Testament, The Unfavored guides us to new and deeper interpretations of these biblical texts.

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Tel Miqne-Ekron Field IV Lower—The Elite Zone, The Iron Age I and IIC, The Early and Late Philistine Cities, Parts 9/1-9/3B present the evidence of two large Philistines cites, one in Iron I, the period of its initial development, and the other in Iron IIC, its final stage when it achieved its zenith of physical growth and prosperity. They also offer a unique opportunity to check and evaluate the excavators' observations and conclusions based on their comprehensive database. Published under the auspices of the Harvard Museum of the Ancient Near East, they comprise the final reports of the nine seasons of excavations during the years 1985-1995, directed by Trude Dothan and Seymour Gitin and sponsored by the W. F. Albright Institute of Archaeological Research and the Hebrew University.Volume 9/1, The Iron Age I Early Philistine City covers Strata VII-IV, the 12th-early 10th centuries BCE. It includes a detailed discussion of the occupational history of the period with a comprehensive analysis of the ceramic assemblages and a selection of ceramic, lithic, clay, and metal objects with detailed discussions of jewelry, scarabs and ivory objects, as well as the faunal evidence. Volume 9/2, The Iron Age IIC Late Philistine City, which presents the evidence from Stratum I of the 7th and early 6th century BCE, is in press.Volume 9/3B The Iron Age I and IIC Late and Early Philistine Cities Plans and Sections includes every plan and section of each excavated Area in Field IV Lower.

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This volume is intended to introduce university and seminary students and scholars to the neglected field of ritual studies, particularly within the larger context of biblical and theological studies. At the same time, the author hopes to further the discussion by interacting with numerous scholars in the field, providing an extensive bibliography of relevant works. Klingbeil defines the basic terms used in ritual studies and explains the concepts involved in interpreting biblical ritual. He offers a broad history of the study of biblical ritual, beginning with the critiques of ritual found in the Old Testament prophetic books and surveying attitudes toward ritual down to modern times. Drawing on the fields of anthropology and sociology, as well as his decade of work in the field, Klingbeil presents a comprehensive reading strategy for biblical ritual texts. In addition, he explores connections between ritual studies and theological research. This ground-breaking study promises to generate discussion about biblical ritual and provides an excellent introduction to this growing field of study for students and scholars.

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