Search results for ""pennsylvania state university press""

Forgetting is usually juxtaposed with memory as its opposite in a negative way: it is seen as the loss of the ability to remember, or, ironically, as the inevitable process of distortion or dissolution that accompanies attempts to commemorate the past. The civic emphasis on the crucial importance of preserving lessons from the past to prevent us from repeating mistakes that led to violence and injustice, invoked most poignantly in the call of “Never again” from Holocaust survivors, tends to promote a view of forgetting as verging on sin or irresponsibility. In this book, Bradford Vivian hopes to put a much more positive spin on forgetting by elucidating its constitutive role in the formation and transformation of public memory. Using examples ranging from classical rhetoric to contemporary crises like 9/11, Public Forgetting demonstrates how, contrary to conventional wisdom, communities may adopt idioms of forgetting in order to create new and beneficial standards of public judgment concerning the lessons and responsibilities of their shared past.

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In this provocative study of poor women's organizations in Peru in the 1990s, Jelke Boesten raises most of the fundamental issues of transnational feminism and development facing the world today. Focusing on reproductive rights, domestic violence, and poverty relief, Intersecting Inequalities examines some of the ways in which women's local organizations in the global South, particularly in Peru, have wrestled with authoritarian and violent governments, tangled with women's national and international nongovernmental organizations (NGOs), and faced down mates and other family members who wanted to maintain existing social relations. Avoiding easy answers, Boesten points to some of the successes and pitfalls in seeking health care, freedom from violence, and adequate food supplies to show how women's groups can promote either progressive or right-wing political policies. This gripping book is a must-read for historians of transnational feminism, policy makers, leaders of NGOs, and others hoping to create new institutions to solidify social citizenship and justice for women around the world. --Temma Kaplan, Rutgers University, author of Crazy for Democracy: Women in Grassroots Movements and Taking Back the Streets: Women, Youth, and Direct Democracy. ""Intersecting Inequalities is an innovative, nuanced exploration of women's organizations and state policy frameworks in contemporary Peru. By using the lens of intersectionality to frame her study, Boesten provides us with a remarkable account of how gender, race, ethnicity, and class intersect to (re)produce marginality in the lives of indigenous and mestiza women as they interact with public institutions, NGOs, and even feminists. Her interdisciplinary approach challenges the very foundations of traditional social science fields and begs us to ask pressing questions about how neocolonial societal institutions and neoliberal policy processes continue to stratify Latin American societies and create irreconcilable differences among women--the supposed beneficiaries of modern feminism."" --Amy Lind, University of Cincinnati. As the only male head of state to address the Fourth World Conference on Women in Beijing in 1995, Alberto Fujimori projected an image as a promoter of progressive policies to improve the condition of women, especially the poor, in society. And indeed the Peruvian government did pursue such policies during his tenure in such areas as poverty relief, population control, and domestic violence. These policies are used as case studies in this book to examine the relationship between gender/race/class/ethnic divisions and the state in its project of nation-building. This investigation reveals that policy meant to further womens development and emancipation often reproduced the marginality it was supposed to fight and depicts the strategies women developed to negotiate with and challenge the state.

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In this book, David McNeill illuminates Plato’s distinctive approach to philosophy by examining how his literary portrayal of Socrates manifests an essential interdependence between philosophic and ethical inquiry. In particular, McNeill demonstrates how Socrates’s confrontation with profound ethical questions about his public philosophic activity is the key to understanding the distinctively mimetic, dialogic, and reflexive character of Socratic philosophy. Taking a cue from Nietzsche’s account of “the problem of Socrates,” McNeill shows how the questions Nietzsche raises are questions that, in Plato's depiction, Socrates was aware of and responded to. McNeill also shows how the Republic provides a view of Socratic moral psychology that resembles Nietzsche’s account of human psychology: it deals with the internalized ethical narratives and justificatory schemes through which human beings orient themselves to their world. McNeill argues that this moral psychology not only determines Socrates’s explicit account of different character types and political regimes but also crucially informs his dialectical engagements with his various interlocutors in the dialogues.In addition to contributing a unique perspective to current debates about Socrates’s philosophic methods and the significance of the literary character of Plato’s dialogues, the book offers a far-reaching interpretation of Plato’s presentation of the theoretical and practical activities of the fifth-century Sophists. And in showing how Plato responds to “modern” theoretical challenges, McNeill provides new evidence to question standard views of the differences between ancient and modern conceptions of the self, society, and nature.

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Today we take the word “icon” to mean “a sign,” or we equate it with portraits of Christ and the saints. In The Sensual Icon, Bissera Pentcheva demonstrates how icons originally manifested the presence of the Holy Spirit in matter. Christ was the ideal icon, emerging through the Incarnation; so, too, were the bodies of the stylites (column-saints) penetrated by the divine pneuma (breath or spirit), or the Eucharist, or the Justinianic space of Hagia Sophia filled with the reverberations of chants and the smoke of incense. Iconoclasm (726–843) challenged these Spirit-centered definitions of the icon, eventually restricting the word to mean only the lifeless imprint (typos) of Christ’s visual characteristics on matter. By the tenth century, mixed-media relief icons in gold, repoussé, enamel, and filigree offered a new paradigm. The sun’s rays or flickering candlelight, stirred by drafts of air and human breath, animated the rich surfaces of these objects; changing shadows endowed their eyes with life. The Byzantines called this spectacle of polymorphous appearance poikilia, that is, presence effects sensually experienced. These icons enabled viewers in Constantinople to detect animation in phenomenal changes rather than in pictorial or sculptural naturalism. “Liveliness,” as the goal of the Byzantine mixed-media relief icon, thus challenges the Renaissance ideal of “lifelikeness,” which dominated the Western artistic tradition before the arrival of the modern. Through a close examination of works of art and primary texts and language associated with these objects, and through her new photographs and film capturing their changing appearances, Pentcheva uncovers the icons’ power to transform the viewer from observer to participant, communing with the divine.

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Few tasks are as crucial for the future of democracy in Latin America—and, indeed, in other underdeveloped areas of the world—as strengthening the rule of law and reforming the system of taxation.In this book, Marcelo Bergman shows how success in getting citizens to pay their taxes is related intimately to the social norms that undergird the rule of law. The threat of legal sanctions is itself insufficient to motivate compliance, he argues. That kind of deterrence works best when citizens already have other reasons to want to comply, based on their beliefs about what is fair and about how their fellow citizens are behaving. The problem of "free riding," which arises when cheaters can count on enough suckers to pay their taxes so they can avoid doing so and still benefit from the government’s supply of public goods, cannot be reversed just by stringent law, because the success of governmental enforcement ultimately depends on the social equilibrium that predominates in each country. Culture and state effectiveness are inherently linked.Using a wealth of new data drawn from his own multidimensional research involving game theory, statistical models, surveys, and simulations, Bergman compares Argentina and Chile to show how, in two societies that otherwise share much in common, the differing traditions of rule of law explain why so many citizens evade paying taxes in Argentina—and why, in Chile, most citizens comply with the law. In the concluding chapter, he draws implications for public policy from the empirical findings and generalizes his argument to other societies in Africa, Asia, and Eastern Europe.

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Ideal painting in the Renaissance was an art of illusionism that eliminated for the viewer any overt sense of its making. Titian’s paintings, in contrast, with their roughly worked and “open” surfaces, unexpected glazes, and thick impasto brushstrokes, made the fact of the paint increasingly visible. Previous scholars have read these paintings as unfinished or the product of lesser studio hands, but in The Muddied Mirror, Jodi Cranston argues that this approach to paint is integral to Titian’s later work. Rather than presenting in paint a precise reflection of the visible world, the artist imparted an intrinsic corporeality to his subjects through the varying mass and thickness of the paint. It is precisely the materiality and “disfiguration” of these paintings that offer us the key to understanding their meanings. More important, the subjects of Titian’s late paintings are directly related to the materiality of the body—they represent physical changes wrought through violence, metamorphosis, and desire.

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Much has been written about how civil society challenges authoritarian governments and helps lead the way to democratization. These studies show that neoliberal economic policies have harmed many sectors of society, weakening the state and undermining clientelistic relationships that previously provided material benefits to middle- and low-income citizens, who are then motivated to organize coalitions to work for greater social justice and equality. Recognizing this important role played by civil society organizations, Jon Shefner goes further and analyzes the variegated nature of the interests represented in these coalitions, arguing that the differences among civil society actors are at least as important as their similarities in explaining how they function and what success, or lack thereof, they have experienced. Through an ethnographic examination extending over a decade, Shefner tells the story of how a poor community on the urban fringe of Guadalajara mobilized through an organization called the Unión de Colonos Independientes (UCI) to work for economic improvement with the support of Jesuits inspired by liberation theology. Yet Mexico’s successful formal democratic transition, won with the elections in 2000, was followed by the dissolution of the coalition. Neither political access for the urban poor, nor their material well-being, has increased with democratization. The unity and even the concept of civil society has thus turned out to be an illusion.

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For nearly four decades, the writings of Carole Pateman have been regarded as major contributions to debates within political philosophy and feminist theory. She is the recipient of the 2012 Johan Skytte Prize in political science for “in a thought-provoking way challenging established ideas about participation, sex and equality.” By critiquing conventional notions of consent at the heart of much modern political thought—hence the title for this volume—Pateman has been a central voice in discussions of such important topics as political participation and democracy, contract theory and sexual equality, liberalism and the problem of political obligation, and most recently social citizenship, welfare, and basic income. These essays, all prepared especially for this volume, deal with issues that have been central to Pateman’s work. The authors critically engage with her work while making their own original contributions and advancing ongoing debates.

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Moral philosophy, like much of philosophy generally, has been bedeviled by an obsession with seeking secure epistemological foundations and with dichotomies between mind and body, fact and value, subjectivity and objectivity, nature and normativity. These are still alive today in the realism-versus-antirealism debates in ethics. Peg O'Connor draws inspiration from the later Wittgenstein's philosophy to sidestep these pitfalls and develop a new approach to the grounding of ethics (i.e., metaethics) that looks to the interconnected nature of social practices, most especially those that Wittgenstein called “language games.” These language games provide structure and stability to our moral lives while they permit the flexibility to accommodate change in moral understandings and attitudes. To this end, O'Connor deploys new metaphors from architecture and knitting to describe her approach as “felted stabilism,” which locates morality in a large set of overlapping and crisscrossing language games such as engaging in moral inquiry, seeking justifications for our beliefs and actions, formulating reasons for actions, making judgments, disagreeing with other people or dissenting from dominant norms, manifesting moral understandings, and taking and assigning responsibility.

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“One problem with the food system is that price is the bottom line rather than having the bottom line be land stewardship, an appreciation for the environmental and social value of small-scale family farms, or for organically grown produce.” —Interview with farmer in Skagit County, WashingtonFor much of the later twentieth century, food has been abundant and convenient for most residents of advanced industrial societies. The luxury of taking the safety and dependability of food for granted pushed it to the back burner in the consciousness of many. Increasingly, however, this once taken-for-granted food system is coming under question on issues such as the humane treatment of animals, genetically engineered foods, and social and environmental justice. Many consumers are no longer content with buying into the mainstream, commodity-driven food market on which they once depended. Resistance has emerged in diverse forms, from protests at the opening of McDonald’s restaurants worldwide to ever-greater interest in alternatives, such as CSAs (community-supported agriculture), fair trade, and organic foods. The food system is increasingly becoming an arena of struggle that reflects larger changes in societal values and norms, as expectations are moving beyond the desire for affordable, convenient foods to a need for healthy and environmentally sound alternatives. In this book, leading scholars and scholar-activists provide case studies that illuminate the complexities and contradictions that surround the emergence of a “new day” in agriculture.The essays found in The Fight Over Food analyze and evaluate both the theoretical and historical contexts of the agrifood system and the ways in which trends of individual action and collective activity have led to an “accumulation of resistance” that greatly affects the mainstream market of food production. The overarching theme that integrates the case studies is the idea of human agency and the ways in which people purposefully and creatively generate new forms of action or resistance to facilitate social changes within the structure of predominant cultural norms. Together these studies examine whether these combined efforts will have the strength to create significant and enduring transformations in the food system.

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Since the establishment of Christianity in the West as a major religious tradition, Augustine (354–430 CE) has been considered a principal architect of the ways philosophy can be used for reasoning about faith. In particular, Augustine effected the joining of Platonism with Christian belief for the Middle Ages and beyond. The results of his enterprise continue to be felt, especially with regard to the contested topics of human embodiment, sexuality, and the nature and roles of women. As a result, few thinkers have been as problematic for feminists as he has been. He is the thinker that a number of feminists love to hate. What do feminist thinkers make of this problematic legacy? These lively essays address that question and provide thoughtful arguments for the value of engaging Augustine’s ideas and texts anew by using the well-established methodologies that feminists have developed over the last thirty years. Augustine and his legacy have much to answer for, but these essays show that the body of his work also has much to offer as feminists explore, challenge, and reframe his thinking while forging new paradigms for construing gender, power, and notions of divinity.

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In Dosso Dossi: Paintings of Myth, Magic, and the Antique, Giancarlo Fiorenza draws on a wealth of rarely studied primary source material to present the work of the Ferrarese court artist Dosso Dossi in a new light. The artist, who worked mainly for Duke Alfonso I d’Este of Ferrara, is celebrated for his mythological paintings that spoke to the courtly imagination. Fiorenza focuses on Dosso’s highly allusive and eloquent portrayal of ancient and vernacular subjects found in such well-known works as Jupiter Painting Butterflies, Myth of Pan, Enchantress, and his frescoes of Aesop’s fables. Dosso’s art challenges conventional iconographic analysis, and Fiorenza considers how the poetics governing his imagery recasts literary sources, including Ludovico Ariosto’s Orlando Furioso, by magnifying their most pictorial components. Perhaps more compellingly than any of his contemporaries, Dosso’s paintings transformed courtly ideals and princely identity into a new sensual spirit.

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Within the popular consciousness, Emma Goldman has become something of an icon, a symbol for rebellion and women’s rights. But there has been surprisingly little substantive analysis of her influence on social, political, and feminist theory. In Feminist Interpretations of Emma Goldman, Weiss and Kensinger present essays that resist a simplistic understanding of Goldman and instead attempt to examine her thinking in its proper social, historical, and philosophical context. Only by considering the sources, influences, and specific significance of Goldman’s ideas can her proper place in feminist theory be truly understood.In addition to the editors, the contributors are Martha A. Ackelsberg, Kathryn Pyne Addelson, Lynne M. Adrian, Berenice A. Carroll, Voltairine de Cleyre, Janet E. Day, Candace Falk, Kathy E. Ferguson, Marsha Aileen Hewitt, Lori Jo Marso, Jonathan McKenzie, Alix Kates Shulman, Craig Stalbaum, Jason Wehling, and Alice Wexler.

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From Pablo to Osama is a comparative study of Colombian drug-smuggling enterprises, terrorist networks (including al Qaeda), and the law enforcement agencies that seek to dismantle them. Drawing on a wealth of research materials, including interviews with former drug traffickers and other hard-to-reach informants, Michael Kenney explores how drug traffickers, terrorists, and government officials gather, analyze, and apply knowledge and experience. The analysis reveals that the resilience of the Colombian drug trade and Islamist extremism in wars on drugs and terrorism stems partly from the ability of illicit enterprises to change their activities in response to practical experience and technical information, store this knowledge in practices and procedures, and select and retain routines that produce satisfactory results. Traffickers and terrorists “learn,” building skills, improving practices, and becoming increasingly difficult for state authorities to eliminate. The book concludes by exploring theoretical and policy implications, suggesting that success in wars on drugs and terrorism depends less on fighting illicit networks with government intelligence and more on conquering competency traps—traps that compel policy makers to exploit militarized enforcement strategies repeatedly without questioning whether these programs are capable of producing the intended results.

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After invading highland Guatemala in 1524, Spaniards claimed to have smashed the Kaqchikel and K’iche’ Maya kingdoms and to have forged a new colony—with their leader, Pedro de Alvarado, as Guatemala’s conquistador. This volume shows that the real story of the Spanish invasion was very different. Designed to be an accessible introduction to the topic as well as a significant contribution to conquest scholarship, the volume presents for the first time English translations of firsthand accounts by Spaniards, Nahuas, and Mayas.Alvarado’s letters to Cortés, published here in English for the first time in almost a century, are supplemented with accounts by one of his cousins, by his brother Jorge, and by Bernal Díaz and Bartolomé de Las Casas. Nahua perspectives are presented in the form of pictorial evidence, along with written testimony by Tlaxcalan and Aztec veterans who fought as invading allies of the Spaniards; their claim to have done most of the fighting emerges as a powerful argument. The views of the invaded are represented by Kaqchikel and Tz’utujil accounts. Together, these sources reveal a fascinating multiplicity of perspectives and show how the conquest wars of the 1520s were a profoundly brutal moment in the history of the Americas.

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Emerging in Spain after 1250, Jewish narrative figurative painting became a central feature in a group of illuminated Passover Haggadot in the early decades of the fourteenth century. Illuminated Haggadot from Medieval Spain describes how the Sephardic Haggadot reflect different visualizations of scripture under various conditions and aimed at a variety of audiences. Though the specifics of the creation of these works remain a mystery, this book delves into the cultural struggles that existed during this period in history and shows how those conflicts influenced the work.The culture surrounding the creators of the Sephardic Haggadot was saturated in conflict revolving around acculturation, polemics with Christianity, and struggles within Sephardic Jewry itself. Kogman-Appel presents the Sephardic Haggadot as visual manifestations of a minority struggling for cultural identity both in relation to the dominant culture and within its own realm.

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“Style” has been one of the cornerstones not only of the modern discipline of art history but also of social and cultural history. In this volume, the writers consider the inadequacy of the concept of style as essential to a person, people, place, or period. While the subject matter of this book is specific to religious practices and artifacts from New Mexico between the eighteenth and twentieth centuries, the implications of these investigations are far reaching historically, methodologically, and theoretically.The essays collected here explore the Catholic instruments of religious devotion produced in New Mexico from around 1760 until the radical transformation of the tradition in the twentieth century. The writers in this volume make three key arguments. First, they make a case for bringing new theoretical perspectives and research strategies to bear on the New Mexican materials and other colonial contexts. Second, they demonstrate that the New Mexican materials provide an excellent case study for rethinking many of the most fundamental questions in art-historical and anthropological study. Third, the authors collectively argue that the New Mexican images had, and still have, importance to diverse audiences and makers. The distinctiveness of New Mexican santos consists not only in their subjects (which conformed to Catholic Reformation tastes) but also in elements that may appear to have been “merely decorative”: graphically striking and frequently elaborate abstract design motifs and landscape references. Despite their anonymity, the images are, as a group, readily distinguished from local products anywhere else in the Spanish colonial world. This distinctiveness suggests that we should inquire not so much about the individual identities of their makers as about the collective identity of the society and place that produced and used them.

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The book moves in a nonreductive way between literary and theological criticism to show how drama and religious thought discern the experience of evil. "Tragic method" refers to how tragic art functions as inquiry; "tragic theology" refers to how drama and theology render in thematic or symbolic form certain irreducible dimensions of evil and negativity. Bouchard defines no single tragic method or any single view of evil but searches for the distinctive interplay of tragic method of theology in each dramatist.The work opens by scrutinizing certain important interpretations of Greek tragedy. Paul Ricoeur's interpretation of "the Wicked God and the Tragic Vision" receives major focus, as does Sophocles, who as a tragedian dramatized the action of inquiry and interpretation.Bouchard then examines Augustine's views of evil and sin, Reinhold Niebuhr's critique of the ironies of history, and Tillich's conceptions of the demonic. By interpreting tragedy in terms of sin or the effects of sin, each theologian resists implications in his own thought pointing to a less resolvable tragic theology. And yet these theologians also contribute very creative understandings of the irreducible character of evil and tragic experience. Substantive and original readings of three playwrights are offered: Rolf Hochhuth's tragedy of vocation, The Deputy, Robert Lowell's trilogy of American historical blindness, The Old Glory, and Peter Shaffer's dreams of tragic awareness and accountability in Equus and Amadeus, revealing new permutations of the irreducibility of evil in contemporary Christian and Jewish religious thinkers who may be helpful in this task, and concludes with a description of the experience of perplexed thought, self-critical in view of tragedy's witness to irreducibility of evil.

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This new reading of Jean-Jacques Rousseau challenges traditional views of the eighteenth-century political philosopher's attitudes toward women and his perceived pessimism about human experience. Mira Morgenstern finds in Rousseau an appreciation of the complexities and multidimensionality of life that allowed him to criticize various easy dualisms promoted by his fellow liberal thinkers and point to the crucial mediating role that women fulfill between the private and public spheres.Morgenstern sees Rousseau as an important contributor to the feminist thoughts and concerns that animate so much of our public and private discourse today. While Rousseau is commonly seen as a patriarchal misogynist, Morgenstern finds evidence in his writing that belies much of this claim. Rousseau was very much a man of his time, but he also believed that women were the key to transmitting his ideals of personal and political authenticity, thereby transforming his theory from ephemeral ideas into practical reality.A careful evaluation of Rousseau's writings on women reveals his highly complex sense of reality, especially his awareness that the solutions to life's complex problems are often temporary and must be renegotiated over time. Rousseau is more persistent than most in highlighting the weaknesses and pitfalls of liberal political thought, whose fundamental characteristic is its categorization of life on the basis of dualistic categories: public and private, outside and inside, male and female.Ultimately, what makes Rousseau worth reading today, argues Morgenstern, is his ability to illuminate critical weaknesses in the dualisms of liberal political theory and his pointing out, if only by implication, alternative ways of reaching the full measure of our individual and communal humanity. In honoring the traditional liberal emphasis on individual liberty and self-development, Rousseau’s meditations on the proper aim of political life are especially helpful to those today who seek ways to expand liberalism's promise of freedom and authenticity, while not losing sight of the common threads of meaning and community that continue to bind us together.

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Some fifty thousand Soviets visited the United States under various exchange programs between 1958 and 1988. They came as scholars and students, scientists and engineers, writers and journalists, government and party officials, musicians, dancers, and athletes—and among them were more than a few KGB officers. They came, they saw, they were conquered, and the Soviet Union would never again be the same. Cultural Exchange and the Cold War describes how these exchange programs (which brought an even larger number of Americans to the Soviet Union) raised the Iron Curtain and fostered changes that prepared the way for Gorbachev's glasnost, perestroika, and the end of the Cold War.This study is based upon interviews with Russian and American participants as well as the personal experiences of the author and others who were involved in or administered such exchanges. Cultural Exchange and the Cold War demonstrates that the best policy to pursue with countries we disagree with is not isolation but engagement.

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To whom should we ascribe the great flowering of the arts in Renaissance Italy? Artists like Botticelli and Michelangelo? Or wealthy, discerning patrons like Cosimo de' Medici? In recent years, scholars have attributed great importance to the role played by patrons, arguing that some should even be regarded as artists in their own right. This approach receives sharp challenge in Jill Burke's Changing Patrons, a book that draws heavily upon the author's discoveries in Florentine archives, tracing the many profound transformations in patrons' relations to the visual world of fifteenth-century Florence. Looking closely at two of the city's upwardly mobile families, Burke demonstrates that they approached the visual arts from within a grid of social, political, and religious concerns. Art for them often served as a mediator of social difference and a potent means of signifying status and identity.Changing Patrons combines visual analysis with history and anthropology to propose new interpretations of the art created by, among others, Botticelli, Filippino Lippi, and Raphael. Genuinely interdisciplinary, the book also casts light on broad issues of identity, power relations, and the visual arts in Florence, the cradle of the Renaissance.

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In recent years, Sufism has become all but synonymous with the mystic poetry of Jalāl al-Dīn Rūmī (d. 1273) and the ritual "whirling" of dervishes from Turkey. This branch of Islam does, however, have a long, complex history, and spiritual retreat was only one aspect of its significance. In medieval Anatolia, Cities and Saints contends, Sufis made alliances that gave dervish lodges powers so vast that they were able to alter the layout of cities and serve as the means of forging new social bonds. Through close examination of the design and function of medieval Sufi buildings in several Anatolian cities, Ethel Sara Wolper shows that dervish lodges became sites where a new ruling elite promoted the cult of Sufi saints. Wolper's discussion, enriched by the use of a wide range of primary sources, goes on to chart the role Sufis and their patrons played in the establishment of a new urban order anchored in dervish lodges built near city gates, markets, and along major thoroughfares.Highly original, Cities and Saints unites architectural history with the study of urban space and the spread of Islam. It will be an important reference for students of community formation in the Middle East as well as historians of art, architecture, and religion.

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Images of and references to women are so rare in the vast corpus of his published work that there seems to be no "woman question" for Hans-Georg Gadamer. Yet the authors of the fifteen essays included in this volume show that it is possible to read past Gadamer's silences about women and other Others to find rich resources for feminist theory and practice in his views of science, language, history, knowledge, medicine, and literature. While the essayists find much of value in Gadamer's work, he emerges from their discussion as a controversial figure. Some contributors see him as promoting genuine respect for and engagement with Otherness: others claim that in a Gadamerian conversation the Other has no voice. For some, Gadamer's immersion in tradition is an impediment to feminist inquiry; for others, cognizant of the need to understand tradition well in order to contest its intransigence or benefit from its insights, his way of engaging tradition is especially productive. Some contributors take issue with the separation he maintains between philosophy and politics; others find problems in his relative silence on matters of embodiment; still others maintain that a "fusion of horizons" amounts to a colonizing of difference. But a common aim of each of these controversies is to discern what feminists can learn from Gadamer as well as what limitations feminist reinterpretations of his work must inevitably encounter.Contributors are Linda Martín Alcoff, William Cowling, Gemma Corradi Fiumara, Marie Fleming, Silja Freudenberger, Susan Hekman, Susan-Judith Hoffmann, Grace M. Jantzen, Patricia Altenbernd Johnson, Laura Kaplan, Robin Pappas, Robin May Schott, Meili Steele, Veronica Vasterling, Georgia Warnke, and Kathleen Roberts Wright.

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Although many people know Williamsport, Pennsylvania, as the "birthplace of Little League Baseball," it is a city with a rich professional baseball tradition. Since the earliest days of the Pennsylvania State Association in the nineteenth century, professional minor league baseball has flourished in Williamsport, and over the years hundreds of players and managers have passed through historic Bowman Field on their way to the major leagues, including Jim Bunning, Ferguson Jenkins, and Nolan Ryan. Gateway to the Majors is a comprehensive history of professional minor league baseball in Williamsport from the earliest days up until the present.This book breaks new ground by weaving in social history and collective biography to capture the essence of the minor league experience in one city. Drawing upon local Williamsport newspapers, extensive oral histories of former players, baseball administrators, boosters and fans, rare photograph collections, and primary source material from the Baseball Hall of Fame Library and Archives, Gateway to the Majors reconstructs the totality of the professional baseball experience.Beyond chronicling the seasons, this book sheds light on the contributions of Williamsport native Tommy Richardson as a pioneering minor league administrator and promoter of the game. The accompanying appendix of former Williamsport players who played in the Major Leagues is a valuable reference tool for baseball historians. This book also illustrates how the city’s relationship with baseball forged a distinct civic identity and national reputation as "Baseball Town, USA."

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Every epoch produces its own notions of social change, and the post-Communist societies of Eastern Europe are no exception. Imagining the Nation explores the fate of contemporary Latvia, a small country with a big story that is relevant for anyone wishing to better understand the nature of post-Communist transitions. As Latvia and other former Soviet-bloc countries seek to rebuild and transform their societies, what is the central dynamic at work? In Imagining the Nation, Daina Stukuls Eglitis finds that in virtually all aspects of life the guiding sentiment among Latvians has been a desire for normality in the wake of the "deformations" that marked the half-century of Soviet rule. In seeking to return to normality, many people look to the West for models; others look back in time to the period of Latvian independence from 1918 to 1940 before the years of Soviet domination. Ultimately, the changes in Latvia and other Eastern European countries are closely tied to a vital reimagining of the past, as the logic of progress long associated with "revolution" is amalgamated with nostalgia for what is gone. The radiant utopias of revolution give way to widely shared aspirations for a return to the normal in politics, place names, private property, and even gender relations. Eglitis draws upon published and unpublished documents, campaign posters, maps, and monuments, as well as interviews with Latvians from all walks of life. The resulting picture of life in contemporary Latvia offers fresh perspective on a dilemma facing millions throughout the post-Communist world.

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This volume of essays, all but one previously unpublished, investigates the question of Levinas’s relationship to feminist thought. Levinas, known as the philosopher of the Other, was famously portrayed by Simone de Beauvoir as a patriarchal thinker who denigrated women by viewing them as the paradigmatic Other. Reconsideration of the validity of this interpretation of Levinas and exploration of what more positively can be derived from his thought for feminism are two of this volume’s primary aims.Levinas breaks with Heidegger’s phenomenology by understanding the ethical relation to the Other, the face-to-face, as exceeding the language of ontology. The ethical orientation of Levinas’s philosophy assumes a subject who lives in a world of enjoyment, a world that is made accessible through the dwelling. The feminine presence presides over this dwelling, and the feminine face represents the first welcome. How is this feminine face to be understood? Does it provide a model for the infinite obligation to the Other, or is it a proto-ethical relation? The essays in this volume investigate this dilemma.Contributors are Alison Ainley, Diane Brody, Catherine Chalier, Luce Irigaray, Claire Katz, Kelly Oliver, Diane Perpich, Stella Sandford, Sonya Sikka, and Ewa Ziarek.

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Koriak have been described as a nomadic people, migrating with the reindeer through rugged terrain. Their autonomy and mobility are salient cultural features that ethnographers and state administrators have found equally fascinating and menacing. Tundra Passages describes how this indigenous people in the Russian Far East have experienced, interpreted, and struggled with the changing conditions of life on the periphery of post-Soviet Russia. Rethmann portrays the lives of Koriak women in the locales of Tymlat and Ossora in northern Kamchatka, within a wider framework of sexuality, state power, and marginalization, which she sees as central to the Koriak experience of everyday life. Using gender as a lens through which to examine wider issues of history, disempowerment, and marginalization, she explores the interpretations and strategies employed by Koriak women and men to ameliorate the austere effects of political and socioeconomic disorder. Rethmann’s innovative work combines historical and ethnographic descriptions of Koriak life, narration, and practices of gender and history.With the demise of the Soviet Union, scholars have begun an active discussion of the political processes that affect marginalized and indigenous peoples in Russia. This work contributes to this discussion by revealing the tensions and potentially contradictory strategies of indigenous people within a world shaken by change, uncertainty, and disorder.

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Using data from local surveys, interviews, and national statistics, this comparative study of two Central American cities similarly positioned in the world economy looks at how people make a living outside the mainstream of economic life, in the "informal economy," what opportunities they have for social mobility, and how state policies affect their life chances.

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This book is the first collection of feminist essays on one of the central figures in the history of English-speaking philosophy. Besides providing a rich variety of feminist viewpoints on a wide range of Hume’s writings, the contributors introduce new themes into the scholarship on Hume, including gendered metaphors in his metaphysical texts, the role of society in the conception of the human mind, and his conception of human nature in relation to recent rejections of essentialism.Hume scholarship as a whole still reflects the relative neglect in mainstream analytic philosophy of alternative—and so feminist—perspectives on philosophy. The essays in this volume show that the standard, narrow view of philosophy excludes valuable perspectives.These essays cover a great diversity of subjects in Hume’s work. They discuss his theory of knowledge; his conception of human inquiry and the human mind; his views on our knowledge of the external world and the future; his treatments of the passions, emotions and virtue; his conception of moral education; his views on aesthetics and religion; and his historical work.The contributors, members of philosophy, political science, theology, and English departments, employ a variety of critical techniques. The result is a volume that stands in enlightening contrast to the standard collections on David Hume.Contributors are Annette C. Baier, Jennifer A. Herdt, Nancy J. Hirschmann, Sheridan Hough, Anne Jaap Jacobson, Joyce Jenkins, Genevieve Lloyd, Susan A. Martinelli-Fernandez, Robert Shaver, Aaron Smuts, Christine Swanton, Jacqueline Taylor, Kathryn Temple, and Christopher Williams.

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Publisher to the Decadents chronicles the experiences of Leonard Smithers (1861–1907), a key figure in the literary culture of late Victorian England. In his day he was known primarily for publishing books of upscale pornography. He became the publisher of choice for the Decadents, including most notably Oscar Wilde and Audrey Beardsley.While a young solicitor in his native Sheffield, Smithers established a correspondence with the famed explorer and translator of exotic texts, Captain Sir Richard Burton. Burton translated The Thousand Nights and a Night (popularly known as The Arabian Nights), which was published by Smithers in 1885. Smithers collaborated with Burton in the publication of two Latin texts, the Priapeia and the Carmina of Catullus, both of erotic cast. After the death of Burton in 1890, Smithers continued a significant involvement with his work, serving as an adviser to Lady Isabel Burton. During this time Smithers formed a partnership with Harry Sidney Nichols, and together they produced a series of pornographic books under the imprint of the Erotika Biblion Society.The years between 1895 and 1900 were Smithers’s glory years when he managed to publish a number of books illustrated by Beardsley, a magazine known as the Savoy, and books of verse by Ernest Dowson and Arthur Symons that have proved to be the finest expression of the Decadent Movement. Throughout his career Smithers sought to produce attractive, well-made books that were tastefully designed and printed.This book provides expansive insight into the prizes and pitfalls of an early English publisher of the decadent Nineties.

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Starting from Søren Kierkegaard's insight that fully accepting the human condition requires one to live with the persistent temptation to escape from it, Ronald Hall finds similar concerns reflected in the work of two modern-day philosophers, Stanley Cavell and Martha Nussbaum, who equally find in a philosophy of love and marriage the key to understanding how humans may achieve happiness in the acceptance of their humanity.All three thinkers follow a "logic of paradox" in showing how success in the human quest to be human depends crucially on the struggle humans experience with the ever-present opportunities to pursue alternative paths. What Kierkegaard called "living existentially" can be achieved only after confronting and refusing the possibilities of living in "aesthetic," "ethical," or even "religious" denial of one's true humanity.By creating this dialogue between the nineteenth-century Danish thinker and two eminent twentieth-century philosophers, Hall reveals the continuing relevance of Kierkegaard's thought to our own age and its cogency as an interpretation of the human predicament.

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The success of political efforts to create a more open economy in Brazil over the past decade has depended crucially on support from the industrial sector, which long enjoyed the benefits of protection by the state from economic competition. Why businesses previously so sheltered would back neoliberal reform, and why opposition arose at times from sectors least threatened by free trade, are the puzzles this book seeks to answer.Drawing on more than one hundred interviews with industrialists and business association representatives, as well as a wide range of other sources, Peter Kingstone argues that the key to understanding the behavior of industrialists lies in the impact of four factors on their preferences for reform: the effect of economic crisis on industrialists' perception of the viability of the earlier development model; the sectoral location of their firms in the economy and the advantages historically accruing therefrom; the adjustment options available to them given their position in the market; and the credibility of the government's promises about reform and its tactical choices for getting them implemented through the political system.The mix of these four factors, Kingstone shows, left business preferences relatively malleable and thus available for support of reform, even in the face of potentially high costs. Whether such support was forthcoming depended on industrialists' perceptions of the ability of government leaders to deliver on their promises. Widespread resistance to reform occurred when leaders lost their credibility. Under Fernando Collor's leadership, that credibility was never recovered; under Fernando Henrique Cardoso's, it was recovered through increasing concessions to industrialists on the character of the reform program.

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Panorama of Paris offers English-language readers an introduction to one of the forgotten masterpieces of French literature, Louis-Sébastien Mercier's twelve-volume Le Tableau de Paris (published from 1781 to 1788), an important and original work that helped shape many kinds of French writing. Colorfully written, the text provides a fascinating portrait of everyday life in Paris on the eve of the French Revolution, describing the interactions of workers, street peddlers, prostitutes, police spies, actresses, noblemen, parish priests, servants, and criminals. Based on Helen Simpson's lively 1933 abridged translation, this edition includes seven newly translated chapters and an introduction by Jeremy D. Popkin.Earlier authors had described Paris's monuments and the lives of its wealthy elites, but Mercier was the first to try to capture in words the texture of its everyday life. His text, contemporary with Rousseau's Confessions, is the first attempt to write the autobiography of a unique urban community. His writing deeply influenced Balzac and other nineteenth-century French novelists and continues to serve as a major source of social and cultural history for French historians.Panorama of Paris will fascinate all lovers of Paris and its history. It should be of special interest to students of French literature and history, and to anyone interested in the origins of modern attitudes toward city life.

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Retrieving Political Emotion engages the reader in an excursion through our ancient Greek heritage to recover a concept of emotion useful for enriching political philosophy today. Focusing on thumos (typically translated as "spiritedness," "heart," or "anger"), Barbara Koziak reveals misinterpretations of the concept that have hampered recognition of its possibilities for normative theory. Then, drawing especially on Aristotle's construal of it as a general capacity for emotion and relating this to contemporary multidisciplinary work on emotion, she reformulates thumos to provide a more adequate theory of political emotion, as an antidote to the modern fixation on rational self-interest as the key to explaining political behavior.The book proceeds by recounting the way thumos is used in Homer's Iliad and Plato's Republic and then showing how, while borrowing from both, Aristotle went substantially beyond them. From the Nicomachean Ethics and Politics we can see the activity of thumos—how a person with good thumos acts and through which institutions. Through the Poetics we observe the characteristic disposition of thumos—what patterns and objects typify a person's emotional capacity in the best regime.Her reconstructed Aristotelian theory of political emotion allows Koziak in the concluding chapter to show how it can help us better understand political behavior today, as manifested in recent congressional debates on welfare reform, and through constructive engagement with feminist thinking on the "ethics of care" lead political theory to pay more attention to the importance of passions in political life.

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It is unexpected in any era to find a woman writing a book on the art of warfare, but in the fifteenth century it was unbelievable. Not surprisingly, therefore, Christine de Pizan's The Book of Deeds of Arms and of Chivalry, written around 1410, has often been regarded with disdain. Many have assumed that Christine was simply copying or pilfering earlier military manuals. But, as Sumner Willard and Charity Cannon Willard show in this faithful English translation, The Book of Deeds of Arms and of Chivalry contains much that is original to Christine. As a military manual it tells us a great deal about the strategy, tactics, and technology of medieval warfare and is one of our most important sources for early gunpowder weapon technology. It also includes a fascinating discussion of Just War.Since the end of the fifteenth century, The Book of Deeds of Arms and of Chivalry has been available primarily through Antoine Vérard's imprint of 1488 or William Caxton's 1489 translation, The Book of the Order of Chivalry. Vérard even suggested that the work was his own translation of the Roman writer Vegetius, making no mention of Christine 's name. Caxton attributed the work to Christine, but it is impossible to identify the manuscript he used for his translation. Moreoever, both translations are inaccurate. The Willards correct these inaccuracies in a clear and easy-to-read translation, which they supplement with notes and an introduction that will greatly benefit students, scholars, and enthusiasts alike. Publication of this work should change our perception both of medieval warfare and of Christine de Pizan.

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Contributors are Susan Bordo, Stanley Clarke, Erica Harth, Leslie Heywood, Luce Irigaray, Genevieve Lloyd, Mario Moussa, Eileen O'Neill, Adrianna Paliyenko, Ruth Perry, Mario Sáenz, Karl Stern, Thomas Wartenberg, and James Winders.

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Preserved in the Bavarian State Library in Munich is a manuscript that few scholars have noticed and that no one in modern times has treated with the seriousness it deserves. Forbidden Rites consists of an edition of this medieval Latin text with a full commentary, including detailed analysis of the text and its contents, discussion of the historical context, translation of representative sections of the text, and comparison with other necromantic texts of the late Middle Ages. The result is the most vivid and readable introduction to medieval magic now available. Like many medieval texts for the use of magicians, this handbook is a miscellany rather than a systematic treatise. It is exceptional, however, in the scope and variety of its contents—prayers and conjurations, rituals of sympathetic magic, procedures involving astral magic, a catalogue of spirits, lengthy ceremonies for consecrating a book of magic, and other materials. With more detail on particular experiments than the famous thirteenth-century Picatrix and more variety than the Thesaurus Necromantiae ascribed to Roger Bacon, the manual is one of the most interesting and important manuscripts of medieval magic that has yet come to light.

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This easily accessible volume, which grew out of a series of lectures presented at the Smithsonian Institution in 1991, aims to provide a coherent introduction to Byzantine culture with a focus on the interconnected realms of art and religion. The eight participants have revised their lectures into chapters on Byzantine history, theology, icons and icon theory, church architecture, monumental painting, silver church furnishings, illustrated liturgical books, and pilgrimage. In addition to presenting current research on this range of topics, the chapters each contribute original scholarship from authors who are recognized experts in their respective fields. The Introduction, by Linda Safran, deals with views and definitions of Byzantium over the course of its long history and considers why that civilization deserves our attention today. It underscores the essential unifying role of the Orthodox religion in a vast and fluid empire and clarifies how the experiential aspects of that religion—churches, liturgy, church arts and imagery, religious travel—open a window into Byzantine culture. Throughout the book, the past is made vivid by considering what Byzantine believers heard and said and did, as well as what they saw. The book's chapters are cross-referenced and are complemented both by endnotes that cite primary and secondary sources and by "Suggestions for Further Reading" that include English and foreign-language references. There is no comparable art history text that combines this high-caliber range of current scholarship with more than 250 illustrations, including 16 pages of color plates, to introduce Byzantine culture to a broad readership.Contributors are Joseph Alchermes, Susan A. Boyd, Anna Kartsonis, Henry Maguire, Robert Ousterhout, Eric D. Perl, Nancy Patterson Ševčenko, and Gary Vikan.

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The great poet Charles Baudelaire (1821–1867) was also an extremely influential art critic. High Art relates the philosophical issues posed by Baudelaire's art writing to the theory and practice of modernist and postmodernist painting. Baudelaire wrote in an age of transition, David Carrier argues, an era divided by the Revolution of 1848, the historical break that played for him a role now taken within modernism by the political revolts of 1968. Moving from the grand tradition of Delacroix to the images of modern life made by Constantin Guys, this movement from "high" to "low," from the unified world of correspondences to the fragmented images of contemporary city life, motivates Baudelaire's equivalent to the post-1968 turn away from formalist art criticism. Viewed from the perspective of the 1990s, Carrier argues, the issues raised by Baudelaire's criticism and creative writing provide a way of understanding the situation of art writing in our own time.

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A Monk's Confession is the first completely new English translation of Guibert of Nogent's remarkable memoirs in over seventy years. Written around the year 1115, they offer an unparalleled look at the life of a monk in the Middle Ages. Guibert, who lived his entire life in northern France, called these memoirs his book of monodiae, or solitary songs. Many scholars consider them the first Latin autobiography in the West after Augustine's Confessions. Readers will be stirred and surprised by Guibert's intense preoccupation with the sinfulness of his soul, his visions of demons and necromancy, and his frank struggle to come to terms with his sexuality. But Guibert is also a valuable witness to his age. In addition to his personal history, his memoirs give a brief chronicle of the abbey of Nogent—where he served as abbot for some twenty years—and a vivid account of the bloody uprising of the Laon Commune in 1112. His observations give precious insight into education, monastic life, and the beginnings of the great medieval towns.Paul J. Archambault's translation successfully renders Guibert's Latin—at times stylish, at times rustic—into lively, modern English. He consulted Edmond-René Labande's authoritative 1981 Latin edition with French translation. He provides a complete introduction and annotation that help situate Guibert within the history and literature of the Middle Ages while permitting readers to judge for themselves how to interpret this fascinating voice from the past.

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More than four million people a year visit Valley Forge, one of America's most celebrated historic sites. Here, amid the rolling hills of southeastern Pennsylvania, visitors can pass through the house which served as Washington's Headquarters during the famous winter encampment of 1777–1778. Others picnic and jog in the huge park, complete with monuments, recreated log huts, and modern visitor center, all built to pay tribute to the Valley Forge story. In this lively book, Lorett Treese shows how Valley Forge evolved into the tourist mecca that it is today. In the process, she uses Valley Forge as a means for understanding how Americans view their own past. Treese explores the origins of popular images associated with Valley Forge, such as George Washington kneeling in the snow to seek divine assistance. She places Valley Forge in the context of the historic preservation movement as the site became Pennsylvania's first state park in 1893. She studies its "Era of Monuments" and the movement to "restore" Valley Forge in the spirit of Rockefeller's enormously popular colonial Williamsburg. Treese describes a Valley Forge fraught with controversy over the appropriate appearance and use of a place so revered. One such controversy, the "hot dog war," a brief but intense battle over concession stands, was spawned by Americans' changing perceptions of how a national park was to be used. The volatile Vietnam era prompted the state park commission to establish its "Subcommittee on Sex, Hippies, and Whiskey Swillers" to investigate park regulation infractions. Even today, people differ over exactly what happened at Valley Forge during the winter of 1777–1778. The modern visitor sees the remains of over a century of commemoration, competition, and contention. The result, Treese shows, is a historic site that may reveal more about succeeding history than about Washington's army. This book will give its readers a new way to look at Valley Forge—and all historic sites.

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This biography brings the song of "the" Joseph Pulitzer out from behind his colorful father's shadow and shows him to have been one of American's most important newspapermen, ranking with Adolph Ochs, William Allen White, and Robert R. McCormick.Based on hitherto untapped archival sources, including a wealth of personal correspondence, this first biography of Joseph Pulitzer II tells the story of his drive and dedication to make the St. Louis Post-Dispatch one of the most effective liberal newspapers in the United States. Daniel Pfaff covers the seventy-year lifetime of the bearer of a famous name who succeeded in advancing the highest ideals of mainstream liberal journalism in his forty-three-year career as editor-publisher of the Post-Dispatch and head of the Pulitzer Publishing Company. Unlike his colorful father (1847–1911), who is now chiefly remembered for establishing the Pulitzer Prizes at Columbia University and for creating a so-called new journalism that combined attention-getting sensationalism with public-service investigatory crusading at the turn of the century, the second Joseph Pulitzer (1885–1955) was a man of more even temperament and measured administrative style. Throughout his career he was unswervingly dedicated to his father's highest ideals. But he and his staff had new waters to navigate: two world wars, the Great Depression, the beginning of the civil rights movement, and involvement in what became the Vietnam War as well as the challenges of combating malfeasance in state and local political and business circles. Operated by one of the ablest staffs in the country, the Post-Dispatch under Joseph Pulitzer II achieved national and international distinction by the late 1920s and maintained that stature throughout his career. In contrast, the New York World, which the first Joseph Pulitzer had intended to be his lasting monument had left in the care of his other two sons, foundered and, in 1931, failed. Had it not been for the journalistic acumen of Pulitzer's namesake son, in whom he had the least confidence, the Pulitzer presence in American journalism would have ended then. Instead, it is still thriving today. While Joseph Pulitzer II's professional life and his newspaper's involvement in events of this era form the major part of this biography, Pfaff also chronicles his personal life—his sometimes stormy relationship with is father, his two marriages, and his social and recreational life. Thus the book succeeds in giving a well-rounded picture of the man and his times.

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In this extensively revised and updated edition of The Flowering of Old Testament Theology, Professor Ollenburger provides help for beginning theological students, who are frequently overwhelmed by the proliferation of volumes dealing with Old Testament theology, to say nothing of the variety of approaches used in these works. This textbook has been re-issued with a new title, Old Testament Theology: Flowering and Future, and is now divided into five convenient sections—Part 1: The Background, Part 2: Old Testament Theology’s Renaissance: Walther Eichrodt through Gerhard von Rad, Part 3: Expansion and Variety: Between Gerhard von Rad and Brevard Childs, Part 4: From Brevard Childs to a New Pluralism, and Part 5: Contexts, Perspectives, and Proposals.Selected essays include key theological statements of Otto Eissfeldt, Walther Eichrodt, Theodorus C. Vriezen, George E. Wright, Gerhard von Rad, Walther Zimmerli, John L. McKenzie, Ronald E. Clements, Walter C. Kaiser Jr., Samuel L. Terrien, Claus Westermann, Brevard S. Childs, Rolf Knierim, Horst D. Preuss, Walter Brueggemann, Paul R. House, Bernhard W. Anderson, Erhard S. Gerstenberger, Hartmut Gese, Phyllis Trible, Jon D. Levenson, John H. Sailhamer, Gunther H. Wittenberg, James Barr, R. W. L. Moberly, and Mark G. Brett.An appendix contains Johann P. Gabler’s 1787 seminal essay on biblical theology. An extensive bibliography and indexes of authorities and Scripture references conclude the volume.

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Contesting Conquest presents an important set of indigenous and Spanish accounts that document Spain’s efforts to establish control over western Mexico during the first half of the sixteenth century.Though the 1521 defeat of the Mexica of Tenochtitlan signaled the downfall of the Aztec empire, large areas outside of central Mexico still remained beyond the Spaniards’ control. Home to groups such as the Maya of present-day Yucatan and Guatemala and the diverse peoples of western Mexico, these regions were remarkably resilient in the face of Spanish conquest. Ida Altman provides the first English translations of a set of accounts that directly reflect the perspectives of these indigenous peoples. These include a chronicle of Mendoza’s campaign during the Mixton War, a letter from the exiled rebel leader Tenamaztle, and an account written by or on behalf of the rulers of the indigenous community of Xalisco. The narratives are supplemented by translations from Spanish sources that shed light on indigenous-Spanish interaction and conflict. Together these accounts provide insights into indigenous struggles and illuminate the resistance met by their would-be conquerors.Providing multiple perspectives on Spanish campaigns to conquer modern-day Mexico and giving indigenous voices equal weight to that of the conquistadores, this book is an essential counterpoint to standard narratives of the Spanish conquest. It will be especially useful to students and scholars of Latin American colonial history.

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Since the 1830s, Holiness and Pentecostal movements have had a significant influence on many Christian churches, and they have been a central force in producing what is known today as World Christianity. This book demonstrates the advantages of analyzing them in relation to one another.The Salvation Army, the Church of the Nazarene, the Wesleyan Church, and the Free Methodist Church identify strongly with the Holiness Movement. The Assemblies of God and the Pentecostal Assemblies of the World identify just as strongly with the Pentecostal Movement. Complicating matters, denominations such as the Church of God (Cleveland), the International Holiness Pentecostal Church, and the Church of God in Christ have harmonized Holiness and Pentecostalism. This book, the first in the new series Studies in the Holiness and Pentecostal Movements, examines these complex relationships in a multidisciplinary fashion. Building on previous scholarship, the contributors provide new ways of understanding the relationships, influences, and circulation of ideas among these movements in the United States, the United Kingdom, India, and Southeast and East Asia.In addition to the editors, the contributors are Kimberly Ervin Alexander, Insik Choi, Robert A. Danielson, Chris E. W. Green, Henry H. Knight III, Frank D. Macchia, Luther Oconer, Cheryl J. Sanders, and Daniel Woods.

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The end of a journey, the beginning of a new life.—I’m Syrian, and I got here from Turkey.—Whoaaa! That’s a hell of a trip!—You could say that . . . I left home almost three years ago.After being rescued from the Mediterranean, Hakim and his son reach European soil, full of hope. But before they can get to France, they face a new series of challenges: overcrowded detention centers, run-ins with border police, and a persistent xenophobia that seems to follow them almost everywhere they go. Will Hakim’s determination and the kindness of strangers be enough to carry him to the end of his journey and reunite his family?By turns heart-warming and heart-wrenching, this final installment in the Hakim’s Odyssey trilogy follows Hakim and his son as they make their way from Macedonia to the south of France. Based on true events, it lays bare the tremendous effects that the policies of wealthy countries and the attitudes of their people have on the lives of the displaced and dispossessed.

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Achieving the right balance of amount of information, style of presentation, and depth of instruction in first-year grammars is no easy task. But Mark Futato has produced a grammar that, after years of testing in a number of institutions, will please many, with its concise, clear, and well-thought-out presentation of Biblical Hebrew. Because the teaching of biblical languages is in decline in many seminaries and universities, Futato takes pains to measure the amount of information presented in each chapter in a way that makes the quantity digestible, without sacrificing information that is important to retain. The book includes exercises that are drawn largely from the Hebrew Bible itself.Fourth printing, 2012.

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In Show Me Where It Hurts, Monica Chiu argues that graphic pathography—long-form comics by and about subjects who suffer from disease or are impaired—re-vitalizes and re-visions various negatively affected corporeal states through hand-drawn images. By the body and for the body, the medium is subversive and reparative, and it stands in contradistinction to clinical accounts of illness that tend to disembody or objectify the subject.Employing affect theory, spatial theory, vital materialism, and approaches from race and ethnic studies, women and gender studies, disability studies, and comics studies, Chiu provides readings of recently published graphic pathography. Chiu argues that these kinds of subjective graphic stories, by virtue of their narrative and descriptive strengths, provide a form of resistance to the authoritative voice of biomedicine and serve as a tool to foster important change in the face of social and economic inequities when it comes to questions of health and healthcare. Show Me Where It Hurts reads what already has been manifested on the comics page and invites more of what demands expression.Pathbreaking and provocative, this book will appeal to scholars and students of the medical humanities, comics studies, race and ethnic studies, disability studies, and women and gender studies.

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