Search results for ""Thames Hudson Ltd""

The first major monograph on sculptor Ronald Moody, exploring his legacy and impact through his key artistic relationships, networks and influences, and his relationship with nature, humanity and spirituality. Ronald Moody (19001984) was a leading modernist sculptor and yet, until now, there has been no comprehensive overview of his work. This biography explores the development of his sculpture, re-establishing his place within the story of 20th-century art. Contributions by those who knew him Paul Dash, David A. Bailey, Cynthia Moody, Errol Lloyd and Val Wilmer punctuate Ego Ahaiwe Sowinski's biographical account. Their personal reflections and photographs, and transcripts of Moody's BBC radio broadcasts, offer insights into his cultural influences and studio life, with his brother Harold, a campaigner for racial equality, and the Caribbean Artist Movement, at the core. Born in Jamaica, Moody arrived in Britain in 1923 and initially trained as a dentist, before switching p

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A chronicle of post-9/11 America, at war and at home, as seen through the lens of one of Magnum Photos' leading photographers: a compelling and ground-shaking meditation on war and society. Through reportage and memoir, in photographs and words, Look at the U.S.A. documents the major fault lines that have defined post-9/11 America at home and abroad, beginning with the war in Iraq and ending with the Taliban takeover of Afghanistan. Fuelled by ideology, insecurity, ambition and a deep fascination with war, Peter van Agtmael began documenting America's war in Iraq in 2006. So began a photographic odyssey that would span nearly two decades, generating work that grew from a deep need to understand and peel back the layers of his troubled society. Confronting the mythologizing of war and seductive nature of conflict on the American psyche, Look at the U.S.A. explores the disconnect between the intergenerational wars and the home front, juxtaposing American troops in combat with

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A lush visual celebration of Pulp’s sixth album, This Is Hardcore, featuring unseen photography, behind-the-scenes interviews and revealing visuals. From the mid- to late 1990s, Paul Burgess was invited by Jarvis Cocker to document the British band Pulp, taking photographs during video shoots, live gigs and other events for what has become one of the landmark albums of the period, This Is Hardcore. Written and designed by Burgess and Louise Colbourne, Hardcore contains a candid selection of previously unseen images of the band, behind the scenes and on set, of the four main video shoots made to promote the album. Twenty-five years have passed since Pulp released this extraordinary album, and this book holds up a mirror to the ingenious creative processes and characters behind the seminal record. With carefully curated images from Burgess’s archive, Hardcore also includes quotations and interviews from then and now by the video directors, band members and other artists involved with the album. The book contains contributions from Doug Nichol, John Currin, Stephen Mallinder, Sergei Sviatchenko, John Stezaker and Florian Habicht, all of whom have a connection to the album, the band or the era. There are also visual responses from a selection of younger artists and designers, such as Alexa Vieira, who have been inspired by Burgess’s photographs and the band’s legacy.

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'A global guide to the myths, legends and science of twins ... spans sacred west African sculptures, mythology and 1920s flappers to present a community defined by both similarity and uniqueness' Financial Times 'Beautiful and definitive' Chris van Tulleken The first illustrated global exploration of the cultural significance of twins. The birth of twins is unusual. Throughout history they have been revered as gods and reviled as monsters; they have been adored as amusing music hall double acts and feared as duplicitous criminals; and they have been studied by anthropologists and scientists engaged in the nature vs nurture debate and genetic experiments. Their existence challenges the norm; they are seen by singletons as ‘other’ and regarded with an equal measure of wonder and distrust. Do twins have special powers? Does a twin birth present a good or bad omen? Are they telepathic? Should we fear the appearance of the ghostly doppelganger? From the Aztec creation twins Quetzalcoatl and Tezcatlipoca to the divine opposites of Greek myth, Apollo and Artemis, and from criminal gang leaders the Kray twins to the disconcerting Grady twins in The Shining, this visually arresting and often disturbing book explores and interrogates twindom in all its facets in a wide range of cultures and media from ancient times to today. The visual presentation of twins, cultural attitudes to twins and scientific uses of twins are examined within three broad themes: twins of myth and legend and the instruction their stories provide; the anatomical, sociological and scientific studies of twins from Galton to genetic engineering; and twins as entertainers, sources of spectacle and community. Punctuating the cabinets of thematic imagery are nine thought-provoking essays that provide considered analysis and intriguing investigation of the myriad meanings, responses to and uses of twinkind.

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A major new study of Black figurative art from Africa and the African diaspora, covering 100 years from the early 20th century to now. Published to accompany a major exhibition at Zeitz MOCAA, Cape Town, this book presents a comprehensive exploration of Black self representation through portraiture and figuration, celebrating Black subjectivity and Black consciousness from Pan-African and Pan-Diasporic perspectives. With a primary focus on representational painting, When We See Us celebrates how artists from Africa and the African diaspora have imagined, positioned, memorialized and asserted African and African diasporic experiences during a 100-year period spanning from the early 20th century to the present. The publication demonstrates how generations of artists throughout the 20th century and at the beginning of the 21st have critically engaged with multiple notions of Blackness and Africanity. Figurative painting by Black artists has risen to a new prominence in the field of contemporary art over the last decade. This timely and revelatory publication and exhibition will highlight the many ways in which artists have contributed to the critical discourse on topics such as Pan-Africanism, the Civil Rights Movement, African Liberation and Independence movements, the Anti-Apartheid and Black Consciousness mobilisations, Decoloniality and Black Lives Matter.

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A major career survey of Yayoi Kusama, one of the most widely admired and popular artists of our time, published in collaboration with M+, Hong Kong, to accompany M+’s first Special Exhibition, Yayoi Kusama: 1945 to Now, from 12 November 2022 to 14 May 2023. Yayoi Kusama is that rare thing: an artist who has achieved truly global acclaim. In a wide-ranging career spanning seven decades and multiple media, she has established profound connections with audiences around the world. Emerging at the forefront of artistic experimentation in Asia in the mid-20th century, Kusama soon became a central figure in the New York art scene of the 1960s. Today, Kusama continues to communicate her highly personal and spiritual world view through her art. Yayoi Kusama: 1945 to Now is the most comprehensive survey of her work to date. Structured around six thematic sections, ‘Infinity’, ‘Accumulation’, ‘The Biocosmic’, ‘Radical Connectivity’, ‘Death’ and ‘Force of Life’, the volume elucidates the aesthetic and philosophical concerns at the heart of the artist’s oeuvre. In addition to a selection of Kusama’s writings, some of which have never been published before, the book features correspondence with Georgia O’Keeffe, an interview with critic and curator Yoshie Yoshida, and a roundtable discussion among leading authorities in the field. Also included are curatorial essays exploring different aspects of Kusama’s practice, and a detailed visual chronology of her life. Appealing not only to those already familiar with Kusama and her work, but also to anyone discovering it for the first time, this monograph reveals an artist who, while shaped by international artistic currents, remains deeply connected to the traditions and culture of her native Japan.

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A fascinating tour of cities that have been lost to history, from the Neolithic period up to the late Roman Empire, that offers a fresh new perspective on the roots of urban life. The ruins of ancient Athens, Luxor and Rome are familiar cornerstones of world history, visited by travellers from across the globe. But what about the cities that have dropped off the map – that have been submerged under water, or swallowed up by the sands of time? Where are they, and what can they tell us about our past? In this compendium of forgotten cities, Philip Matyszak explores the trials, tribulations and triumphs they faced, revealing how people have embarked on the shared endeavour of living together since we first settled down 12,000 years ago. Illustrated throughout with important artefacts, ruins and maps, Lost Cities of the Ancient World brings to life the sites and settlements across Europe, the Middle East and beyond that time forgot, from the sunken city of Ropotamo in the Black Sea to the deep cave dwellings of Derinkuyu in Turkey. Some have survived only in ancient literature, such as the lost city of Zoar by the Dead Sea, known from the Bible but not yet found. Others have been located, allowing archaeologists to trace their changing fortunes through centuries of occupation. Matyszak reveals a dynamic network of peoples and cultures who fought and traded between themselves, exchanging inventions, ideas and philosophies, with the result that peoples as far apart as Çatalhöyük in Turkey and Skara Brae in the Orkney islands in Scotland shared much of a common heritage. By examining the motivations that first drew people to gather and settle together, as well as the challenges that led to their cities’ abandonment, this visually striking and often surprising book offers us a fresh perspective on our urban origins.

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The Year That Changed Our World is the definitive, visual history of the Covid-19 Pandemic. With more than 400 photographs, this ambitious publication traces the arc of the Pandemic from China in early 2020 through to the vaccine breakthroughs of Spring 2021. Behind the relentless nature of the daily news since the events on Wuhan in early 2020 first broke, and the sense of fear and trepidation that the rapidly developing events provoked, what have we seen of the real stories of the world during the Pandemic? What can be told of how we lived through the pandemic and of the resilience, resourcefulness and sense of purpose with which we coped and adapted to the challenges we faced? How can we make sense of what we went through? The photographers of Agence France Presse are uniquely placed to be able to document the deeper, human stories of the Pandemic. Active in more than 150 countries, they have been able to capture all angles of the Covid-19 story. Organized into six chronological parts interleaved with thematic sections, including sport, animals and leisure, The Year That Changed Our World presents a comprehensive view, showing the extraordinary efforts to understand, control and cope with a previously unknown virus alongside the human stories of our lives at home: playing, caring, watching and sharing, both together and at a distance. Edited by Marielle Eudes, Director of Photography at Agence France Presse, and with an introduction by Eudes and further texts, quotes and insights from a range of contributors and public figures, The Year That Changed Our World is the definitive visual document of humankind's resilience in the face of the pandemic and the perfect way of understanding and showing to future generations the world during the time of Covid-19.With 500 illustrations in colour

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The first and only comprehensive overview of Givenchy’s collections, presented through catwalk photography and published in collaboration with the celebrated fashion house. Founded by the dashing Hubert de Givenchy in 1952, the house would go on to symbolize the height of effortless elegance, as embodied by Givenchy’s muse (and close friend) Audrey Hepburn. After its founder’s retirement in 1995, John Galliano first took the reins of the house, before being succeeded by a young Alexander McQueen, who created his first (and only) haute couture collections for Givenchy. More recently, Italian designer Riccardo Tisci took the brand into a resolutely contemporary direction following his appointment in 2005 (dressing icons such as Beyoncé), followed by Clare Waight Keller and American designer Matthew M. Williams. This definitive publication – the only monograph in print on the house of Givenchy – opens with a concise history of the fashion house before exploring the collections themselves, which are organized chronologically. Each new era in Givenchy’s history opens with a brief overview and biography of the new designer, while individual collections are introduced by a short text unveiling their influences and highlights, illustrated with carefully curated catwalk images. A rich reference section, including an extensive index, concludes the book. After Chanel, Dior, Louis Vuitton, Yves Saint Laurent, Prada, Vivienne Westwood, Versace and Chloé, Givenchy is the ninth in a series of high-end, clothbound books that offer an unrivalled overview of the collections of the world’s top fashion houses through original catwalk photography.

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A journey through M+’s collection and Hong Kong’s cultural spaces, telling the story of the city’s past and present through its works of art and key landmarks. Key to the M+ collections are objects made in or associated with Hong Kong, from neon signs and advertising ephemera to architectural plans, photographs and artworks, all of which offer new perspectives on contemporary life in the city. Hong Kong Visual Culture: The M+ Guide takes the reader on a journey through the city’s modern and contemporary visual culture. The book is arranged into three main sections, with the first focusing on artworks and objects that reflect daily life in Hong Kong; the second documenting the urban environment; and the final section concentrating on artistic perspectives and approaches that demonstrate the city’s unique outlook. Also included is a fold-out map by artist Don Mak and a specially commissioned cover. From Cantopop and Zaha Hadid’s man-made polished granite mountain to masterpieces of vernacular culture by the calligraphic artist the ‘King of Kowloon’ and the photographs of Michael Wolf, this richly illustrated book celebrates Hong Kong’s significant contribution to global material culture.With 245 illustrations

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The first survey in nearly two decades of the work of John McAslan + Partners. Making Architecture both provides an up-to-date account of the work of John McAslan + Partners, one of Britain’s most respected and dynamic architectural practices, and analyses the culture of a studio that has made a remarkable contribution to architecture, place-making and the lives of individuals for four decades. A series of thematic chapters includes detailed, fully illustrated descriptions of many recent and ongoing international projects, from Central and Waterloo stations in Sydney and ten new stations for Delhi Metro to the transformation of King’s Cross station in London; from the sensitive restoration of the De La Warr Pavilion in Bexhill-on-Sea, East Sussex, to the new Doha Mosque and nearby Msheireb Museums in Qatar. It also includes the pioneering initiatives for which the McAslan studio has become well known and that underline the practice’s humanity and sense of social responsibility: the urgent restoration of the Iron Market in Port-au-Prince, Haiti, after the devastating earthquake in 2010; the Hidden Homelessness initiative, begun in 2017; the N17 project that provided a pop-up design studio in Tottenham, London, after the riots of 2011, with the aim of inspiring young people to become engaged in the regeneration of their own community; and many others. Edited by Chris Foges, with a foreword by Kenneth Frampton and an introduction by Alan Powers, and with contributions by architectural specialists, this beautifully designed book offers the key to understanding the development and philosophy of one of the world’s most socially engaged architectural practices.

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Why do we pick up pebbles on the beach? What is it we see in them, and why do we take them home to display on our shelves? Is it their inherent beauty, their infinite variation, or simply their associations with a happy time and place? In this book – part social history and part practical guide – writer and pebble collector Christopher Stocks unearths the sometimes surprising story of our love-affair with pebbles, and considers how the way we see them today has been influenced over the years by artists, authors and even archaeologists. Printmaker Angie Lewin is widely admired for her alluringly stylish images of the natural world. She celebrates the experience of walking and sketching along the British coastline, often incorporating pebbles in her limited edition prints and paintings. Many of these feature in the book alongside a series of new images.

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French couturière Coco Chanel has achieved legendary status across the world and continues to captivate young generations of fashion fans who eagerly collect and share her quotes, creations and insights. A close friend of some of the leading wits and writers of her days (from Jean Cocteau to poet Pierre Reverdy), Coco Chanel was fierce and uncompromising in her pronouncements on fashion (‘Some people think luxury is the opposite of poverty. It is not. It is the opposite of vulgarity’; ‘Elegance is refusal’; ‘Fashion changes, but style endures’), women (‘A woman who doesn’t wear perfume has no future’; ‘Dress shabbily and they remember the dress; dress impeccably and they remember the woman’) and life (‘The best things in life are free. The second-best are very expensive’). Much like her successor, Karl Lagerfeld, she never shied away from controversy, declaring one day of her detractors: ‘I don’t care what you think about me. I don’t think about you at all’. Presented in a beautiful package and accessible format, The World According to Coco is the perfect gift for fans of fashion in general and Chanel in particular.

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Described by Lennon as ‘the best thing I’ve ever done’, and widely regarded by critics as his best solo album, John Lennon/Plastic Ono Band was released alongside the remarkable Yoko Ono/Plastic Ono Band on 11 December 1970. With first-hand commentary by John & Yoko, members of the Plastic Ono Band and other key figures in their lives, and packed with evocative and revealing letters, artworks and photographs, this incisive volume offers new insights into the raw emotions and open mindset of Lennon after marriage to Ono and the break-up of the Beatles. Following their wedding in March 1969, Lennon and Ono decided that their future musical endeavours should be credited to a conceptual vehicle, the Plastic Ono Band. The band featured an ever-changing line-up of musicians, including Eric Clapton, Klaus Voormann, Ringo Starr, Alan White, George Harrison, Billy Preston and Jim Keltner, all of whom played live with Lennon and Ono, and contributed to their recordings. The fearless honesty that John & Yoko inspired in one another in their search for truth, meaning and peace had a huge impact on Lennon’s song writing, resulting in the creation of tracks that are intensely personal and unlike anything previously heard in popular music, including ‘Mother’, ‘Working Class Hero’ and ‘God’. This book takes those lyrics as a starting point and explores Lennon’s life, relationships and world view during this transformative period.

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This compact volume features over 100 of the most spectacular interiors from across the world, spanning the entire 20th century to the present day. It includes interiors assembled by artists and fashion designers, architects, interior and set-designers, bringing together diverse design talents from Piero Fornasetti to Alvar Aalto, Marc Newson and Matthew Williamson. Twenty short profiles are presented in the introduction, with a single iconic photograph and a concise, informative text; the interiors are arranged by chronological order, with superb colour photography and texts recounting the stories of these remarkable designs. Representing every style from minimalism and Art Nouveau to Gesamtkunstwerk creations that defy definition, these interiors are elegant compositions that will endure.

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An in-depth visual guide presenting the captivating creative journeys behind the world’s leading videogames. Making Videogames is an unprecedented snapshot of modern interactive entertainment, with insight from true pioneers about the most important games in the world. Illustrated with some of the most arresting in-game images ever seen in print, the book explores the unique alchemy of technical and artistic endeavour that constitutes the magic of videogames, striking a captivating balance between insight and accessibility. Across eleven chapters, each focusing on a specific game from AAA blockbusters such as Control and Half-Life: Alyx to cult breakthrough games including No Man’s Sky and Return of the Obra Dinn, the book will document the incredible craft of videogame worldbuilding and visual storytelling via the world’s most popular, but seldom fully understood, entertainment medium. The book’s text orbits breathtaking, specially created imagery ‘photographed’ in-engine by the author, demonstrating the magic and method behind each studio’s work. A book not only for die-hard videogame fanatics, but also for designer-creatives and the visually curious, Making Videogames is a thrilling showcase of the boundless creativity of this amazing industry.

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The 1970s was a time of deep division and newfound freedoms. Galvanized by The Second Sex and The Feminine Mystique, the civil rights movement and the March on Washington, a new generation put their bodies on the line to protest injustice. Still, even in the heart of certain resistance movements, sexual violence against women had reached epidemic levels. Initially, it went largely unacknowledged. But some bold women artists and activists, including Yoko Ono, Ana Mendieta, Marina Abramovic, Adrian Piper, Suzanne Lacy, Nancy Spero and Jenny Holzer, fired up by women’s experiences and the climate of revolution, started a conversation about sexual violence that continues today. Some worked unannounced and unheralded, using the street as their theatre. Others managed to draw support from the highest levels of municipal power. Along the way, they changed the course of art, pioneering a form that came to be called simply performance. Award-winning author Nancy Princenthal takes on these enduring issues and weaves together a new history of performance, challenging us to re-examine the relationship between art and activism, and how we can apply the lessons of that turbulent era to today

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Some of the world’s greatest architects, including Walter Gropius, Frank Lloyd Wright and Ludwig Mies van der Rohe, have used their talents to create groundbreaking innovations in American residential architecture over the past 120 years. Though wide-ranging in style, these houses share a remarkable sensitivity to site and context; appreciation of local materials; experimentation with form, materials, and technology; and understanding of clients’ needs. Spanning the length and breadth of the United States, The Iconic American House features fifty of the most important, timeless, and recognizable houses designed since 1900. With pithy text and fresh, vibrant illustrations, this book presents a lavish array of architectural masterpieces designed by architects such as Philip Johnson, Richard Neutra, Peter Eisenman and Thomas Gluck. Specially commissioned and stunning photographs, floor plans, drawings and architect biographies ensure that it is perfect for students, professionals, design aficionados and anyone who dreams of building a house of their own.

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Raymond Briggs has changed the face of children’s picture books, with his innovations of both form and subject. Stylistically versatile, he has illustrated some sixty books, twenty of them with his own text, and first became a household name in the late 1970s and early 1980s with a handful of books – Father Christmas, Fungus the Bogeyman, The Snowman, When the Wind Blows – that were entertaining and subversive and appealed to both children and adults. The refrains of his work are class, family, love and loss. Nevertheless, his default mode of expression is humour. Briggs is always funny, and the balance between this and melancholy is his defining characteristic, though his style ranges from the romantic to the grotesque, from the fanciful to the direct. Encompassing sixty years of Raymond Briggs’s work, from political picturebooks to children’s classics, this study explores his themes of class, family and loss, and how he demonstrates both emotional power and great technical skill.

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Engaging encounters, personal anecdotes and jargon-free critical insights into some of the liveliest creative minds in modern art, by an international art world insider. Praised by the Art Newspaper as ‘the best art writer of his generation’, Michael Peppiatt has encountered many European modern artists over more than fifty years. This selection of some of his best biographical writing covers a wide spectrum of modern art, from Van Gogh and Pierre Bonnard, to personal conversations with painter Sonia Delaunay, artist Dora Maar, who was Picasso’s lover in the 1930s and 1940s, and Francis Bacon, perhaps the most famous of the many artists with whom Peppiatt has formed personal friendships. Michael Peppiatt’s lively, engaging writing takes us into the company of many notable art-world personalities, such as the Catalan painter Antoni Tàpies, whom he visits in his studio, and moments of disillusion, such as his meeting with the self-mythologizing artist Balthus. Art criticism blends with anecdote: riding with Lucian Freud in his Bentley, drinking with Bacon in Soho, discussing Picasso’s trousers with David Hockney... This collection of Peppiatt’s most perceptive texts includes under-recognized artists, such as Dachau survivor Zoran Music, or Montenegrin artist Dado, whose retrospective Peppiatt curated at the 2009 Venice Biennale. Remarkably varied in their scope and lucidly written for a general reader, these selected essays not only provide us with perceptive commentary and acute critical judgment, they also give a unique personal insight into some of the greatest creative minds of the modern era.

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Bauhaus Imaginista is a major international project marking the centenary of this fascinating and popular school, which championed the idea of artists working together as a community. The Bauhaus reconnected art with everyday life, and was active in the fields of architecture, performance, design and visual art. Its original teachers included such renowned figures as Paul Klee, Wassily Kandinsky, László Moholy-Nagy and Josef Albers. Placing a rare emphasis on the international dissemination and reception of the Bauhaus, this book accompanies a touring exhibition, and presents four chapters that extend from Bauhaus education to the school’s diverse history beyond Europe. Rethinking the Bauhaus school from a global perspective, it sets the school’s entanglements against a century of geopolitical change. The reader is taken to art and design museums, campus galleries and art institutes in India, Japan, China, Russia, Brazil and the United States, as well as Berlin.

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This is the third book in a series devoted to the splendid jewelry collection of the Musée des Arts Décoratifs in Paris. Following on from Flora and Fauna, the theme this time is the human figure, perhaps the most intimate and involving of subjects. Jewelry has always been a vehicle for the deepest of human emotions: remembrance, faith, devotion, love, belonging and mourning. The museum’s collection begins in the Byzantine era and ranges through the medieval and Renaissance periods and beyond, with mythological figures and biblical scenes represented on pendants and rings. In the 19th century, René Lalique, Alphonse Fouquet and the Maison Vever produced brooches and necklaces that were the very embodiment of elegant sophistication and technical brilliance, while in the 20th century, artists such as Pablo Picasso and Alberto Giacometti joined jewelers like Jean Lurçat, Line Vautrin and Claude Lalanne in creating works that interpret the body in a deeply personal way. Wonderfully photographed by Jean-Marie del Moral, Figures is packed with striking and witty works of art that will charm all lovers of jewelry.

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This essential travel guide distils a decade of style expert Simon Crompton’s experiences travelling the world to meet and advise the finest menswear producers and artisans, providing everything the modern man needs to know to travel in style, explaining what to buy and where to buy it. Offering the lowdown on ten of the world’s most stylish cities, including Florence, New York, Stockholm and Hong Kong – with a further ten cities full of emerging talents presented more briefly in a reference section at the end of the book – each chapter includes listings of the finest local shops and producers. In-depth profiles of standout tailors, clothiers and shoemakers offer insights into the craftsmanship behind the trademark style of each city, from a traditional kimono maker in Japan to a bespoke opticians in Paris. A central section offers travel advice from leading style aficionados, including Mark Cho of The Armoury and Mats Klingberg of Trunk Clothiers, providing travel tips from those in the know. With locator maps to assist the planning of your trip and practical advice on how and what to pack, you will be prepared for any occasion. Whether you are on a luxurious city break or looking to fill a few spare hours on a business trip, this is the ideal vade mecum for any sartorial adventure.

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As a little boy of seven or eight, Jacques Henri Lartigue was given his first camera, and soon was developing his own photographs. Born into a prosperous family, from childhood Lartigue acutely observed the social rituals of the upper echelons of society through his photography. The hand-held Kodak camera, first introduced in 1888, granted the young photographer flexibility to capture the fine details of eccentric family members at home, the elaborate social parade in the Bois de Boulogne, on the beach in Normandy and beyond. Classic images of motor cars and high fashion sit alongside previously unpublished photographs from the Lartigue archive. These images of family beau-monde and demi-monde life are not only evidence of a prodigious talent, but also offer an intimate, adolescent perspective of Belle-Époque Paris, the world of Proust, Debussy and the Nabis, before the outbreak of the First World War. At a young age Lartigue mastered the medium of photography: this exploration of his extraordinary childhood is interwoven with a social and cultural portrait of the Belle Époque. Bonnard and Vuillard used the camera as a reference point for painting, Eugène Atget documented the architecture of the old Paris ahead of its developers, but Lartigue was the first to harness the immediacy of the snapshot, often capturing his subjects mid-gesture as in real life, creating a new visual language for the 20th century.

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Noma Bar is one of the world’s most inventive and provocative illustrators. He has developed his own silent language using a limited palette, familiar symbols and pictograms that take on new meanings. He is a master of inscribing double and triple readings into every image, often using negative space to conceal alternative stories, just waiting to be revealed. Bar’s innovative, incisive approach has won him global acclaim and a broad range of commissions, from magazines and newspapers to large-scale commercial and artistic projects. Whether a portrait of a divisive public figure or a representation of an emotive social or political issue, Bar meets complex and sensitive subjects head-on, with gentle humour and deftness. This ambitious edition of collected works, selected by and commented on by the illustrator himself, offers a multifaceted and illuminating insight into his inspirations and working practices – which are always full of surprises. It is destined to become a must-have reference source for any student or follower of visual and popular culture.

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Manet, Pissarro, Morisot, Cézanne, Seurat, Gauguin, Van Gogh and their colleagues made some of the most beautiful drawings in the history of art. This book sets drawings by the Impressionists and Post-Impressionists in the context of late nineteenth-century France and explains why these particular works are as important as their paintings in the representation of modernity. A new approach to materials and a wholly inclusive attitude to exhibitions gave drawings a more elevated status in this period than ever before, which avant-garde artists welcomed in their preference for scenes from contemporary life. For the first time also, painting and drawing shared the same stylistic principles of spontaneity, freer handling and lack of finish. Pastels by Degas, watercolors by Cézanne, pen-and-ink drawings by Van Gogh and mixed media works by Toulouse-Lautrec have an autonomy of their own, which proved instrumental in the development of modern art. The distinguished art historian Christopher Lloyd examines the drawings of twenty of the leading Impressionist and Post-Impressionist artists, highlighting an aspect of French avant-garde art that remains relatively unexplored and was of immense importance for the art movements that followed

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There is a little Neanderthal in all of us. Although they have been extinct for 40,000 years, our genetic inheritance means that they are not entirely gone. Since the publication of the first Neanderthal genome in 2010, our understanding of the Neanderthals – and our connection to them – has changed dramatically. Once stereotyped as simple and brutish, recent discoveries by archaeologists and geneticists have painted a different picture of Neanderthals, and one more familiar to us: they buried their dead, cared for the sick, and even painted cave walls. We can now delve into their DNA to trace their evolution in Europe and movements across Asia, and piece together how they lived and died in amazing detail. This fully updated edition presents cutting-edge research on our fascinating hominin relatives: their interbreeding with humans and other species including the recently discovered Denisovans, their social behaviours such as smiling to indicate friendliness, and the genes they have passed down to us that could be affecting our health. By confronting our differences and similarities to the Neanderthals, this book addresses the biggest question of all: what it means to be human.

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Painting is a continually expanding and evolving form of creative expression whose ongoing relevance is here convincingly asserted by renowned critic and art historian Suzanne Hudson. Her book offers an original survey of contemporary work – a critical snapshot that brings together more than 200 artists from around the world who are defining the painterly ideas and aesthetics of our time. The introduction maps out the history of painting in the modern and postmodern eras, followed by six chapters that offer a wideranging thematic analysis of the field, addressing such ideas as appropriation, attitude, production and distribution, the body, painting about painting, and painters who introduce performance, installation and textiles into their work to critique painting itself.

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A charming and imaginative story in the bestselling 'If I had a...' series, which imagines life with a crocodile as a pet. There’s more to a crocodile than its scaly skin and scary teeth – they stay cool under pressure (in part because they can’t sweat) and on a rainy day, they love nothing more than a fast game of Snap! This latest addition to the 'If I Had a...' series is packed with humour and rollicking rhymes that young children readily catch on to. Its bold, graphic illustrations are stylish and packed with quirky details for children to spot. The book winds down to a satisfying end where the little girl drifts off to sleep, making it perfect for bedtime routines.

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Out to Sea follows the journey of a young girl named Lara who is so sad after the death of her grandmother that she is carried out to sea on a flood of her own tears. When it seems like sadness has overwhelmed her entirely, she discovers a pearl at the bottom of the ocean that triggers memories of the many happy times Lara shared with her grandmother. With the pearl safely at her side, Lara realises that she is not alone and finds the strength to pick up her oars and row herself back home. Illustrated in Helen Kellock’s inimitable style of pencil, gouache and watercolour artworks, Out to Sea expresses the experience of anxiety and grief with unprecedented sensitivity. Unlike other books for children about loss or grief that usher their readers towards a conclusion, Out to Sea shows readers how they might ride the wave of emotions without losing perspective.

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Why do horses wear shoes? How do horses 'speak'? And why can't horses burp? Answering twenty curious questions about the equine species, this book is a charming blend of zoology, history and popular culture that celebrates why horses have been such beloved companions for centuries. Featuring a myriad of different horse breeds, readers will discover what’s so unique about a horse’s body and its behaviour, and why they deserve to be well cared for.

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A vibrant survey of the trends and talents across the globe fuelling street photography today and a fresh take of what street photography is and can be. A world tour of the very best street photography today, Reclaim the Street showcases work by more than 100 contemporary photographers, from the established to the emerging, from all corners of the globe: here is work by Indian practitioner Swarat Ghosh, Thai photographer Jutharat Pinyodoonyachet (aka Poupay), and the Brazilian photographer Gustavo Minas. Truly diverse in scope, it pays long overdue attention to flourishing scenes throughout the world, interweaving thirty-four photographer portfolios, in-depth case studies, and surveys of the geographical hotspots where communities of street photographers are thriving today. Great photographic minds don’t think alike, nor are two streets identical: follow these photographers as they capture snapshots of people and places perpetually in flux. The global, and ultimately optimistic and humanistic edge of Reclaim the Street will deepen its readers’ love of photography, as well as leave them inspired by the places and people captured through today’s sharpest lenses.

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Published to coincide with the opening of the V&A Museum of Design, Dundee, this is the first major survey of Scottish design history from 1500 to present day. This inspiring and hugely varied volume explores, chronologically, over 60 themes, from early manuscripts and vernacular furniture to urban planning, textile design, the emergence of videogame development in Dundee, and Scotland’s role as a world leader in renewable technology development. Figures such as architect Robert Adam, engineer Thomas Telford, artist Eduardo Paolozzi, fashion designer Holly Fulton, designer Christopher Dresser, and designer and architect Charles Rennie Mackintosh are testament to Scotland’s role as a major player in design. Scotland has consistently punched above its weight in the field of design. Throughout the modern age, Scotland’s highly original and pioneering designers have showcased the country’s significance on the international stage.

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Peter Conrad’s exhilarating book exposes the absurdity and occasional insanity of our godforsaken, demon-haunted contemporary culture. Conrad casts his brilliant beam upon subjects from the Queen to the Kardashians, via Banksy, Nando’s, vaping, the vogue of the cronut, the mushroom-like rise of Dubai, the launch of the Large Hadron Collider, the growth of the Pacific garbage patch... In Judge Judy, he shows us a matronly Roman goddess dispensing justice with a fly swatter. In the metamorphosis of Caitlyn Jenner from Olympic athlete and paterfamilias into idealized female form, he sees parallels to the deeds of the residents of Mount Olympus themselves. Finally, after surveying advances in biomedical engineering and artificial intelligence, he asks whether we might be on the brink of a post-human world.

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Les Fauves (the wild beasts) was the nickname given in 1905 to a group of painters led by Henri Matisse. Today, their paintings are among the most popular of all twentieth-century art. Yet when Matisse and his friends - Derain, Vlaminck, Marquet, Dufy and Braque among them - first exhibited their work, the reaction of public and critics was astonishment and often hostility. Using strong, even strident, colours, applied in a manner deriving from Cézanne, Gauguin and Van Gogh, the Fauves took painting back to its basic principles, inspired by primitive art, popular prints and children's paintings, and paved the way to Cubism. The artists, their work, their relationship, their achievements and the critical and commercial response to their work are all discussed in this absorbing book.

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An authoritative new publication that revisits Munch’s work in its entirety. Edvard Munch occupies a pivotal place in artistic modernity. His work is permeated by a singular vision of the world, with a powerful symbolist dimension that goes beyond the masterpieces he created in the 1890s, and which gives his art a great coherence. For Munch, humanity and nature were united in the cycle of life, death and rebirth, which is reflected in the unending recurrence of certain motifs and colour combinations in his work. He wrote: ‘These paintings, which are, admittedly, relatively difficult to understand, will be […] easier to grasp if they are integrated into a whole.’ Published to accompany the major exhibition at the Musée d’Orsay, Edvard Munch: A Poem of Life, Love and Death presents about a hundred works – paintings, drawings, prints and engraved blocks – reflecting the diversity of Munch’s practice. Seven essays explore the artist in his philosophical and scientific milieu and the places that shaped the man and his art, as well as offering a rare glimpse of Munch’s attempts at creative writing. They also examine the historical evolution of his monumental Frieze of Life series and the world-famous Scream. This publication invites readers to revisit the painter’s work in its entirety by following the thread of an ever-inventive pictorial thinking: a vision that is both fundamentally coherent, even obsessive, and at the same time constantly renewed.

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As artists push further and further beyond their, and our, comfort zones, this book aims to help decipher the bizarre and often intimidating aspects of modern and contemporary art by exploring twenty works of art in terms of seven ‘keys’. History, biography, aesthetics, experience, theory, criticism and the market represent conventional ‘modes of existence’ for every artwork discussed, but in a fascinating variety of ways. Simon Morley shows how twenty well-known but little-understood works of art can serve as useful springboards not only for understanding each other, but also for appreciating works by the same artists, and from the wider world of art in general. Rather than proceeding on the basis of familiar art ‘movements’ or ‘-isms’, Morley focuses on just twenty individual works of art, from Matisse’s The Red Studio to Doris Salcedo’s Untitled. Representing a variety of media, styles, subjects and intentions, being the creations of men and women of different periods and places, coming from disparate social and ethnic backgrounds, these works show a rich diversity in modern and contemporary art.

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Brings together the tales of thirteen inspirational female characters from ancient myths and legends. Told afresh for a contemporary readership, Goddesses & Heroines brings alive stories from a variety of cultures with palpable energy. We meet the youthful Aphrodite; Hecate, the maths whizz; the heroic Mulan; Oshun, the Nigerian goddess whose foresight sparked a rebellion that freed slaves; and the not-so-fair-y godmother Baba Yaga, whose bone-crunching approach to life will be an inspiration to any power-hungry young thing. A section on the symbols commonly associated with each goddess provides context for each story and familiarizes readers with the symbols to spot her by. The endmatter includes information on how goddesses and heroines achieved their mythic status, how myths are passed on and evolve, and a map of goddesses from around the globe and how they are inter-connected.

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This illustrated introduction to the history of China offers a fresh understanding of China’s progress from the Neolithic age to the present. Told in six chapters arranged chronologically, through art, artefacts, people and places, and richly illustrated with expertly selected objects and artworks, it firmly connects today’s China with its internationally engaged past. From the earliest archaeological relics and rituals, through the development of writing and state, to the advent of empire, the author charts China’s transformation from ancient civilization into the world’s most populous nation and influential economy, offering the reader a myriad historical insights and cultural treasures along the way. This accessible book presents an eclectic mix of materials including Chinese theatre, the decorative arts, costume, jewelry and furniture-making, running through to the most recent diffusion of Chinese culture. Published to coincide with the reopening of the British Museum’s Sir Joseph Hotung Gallery of China and South Asia, this book will stimulate, fascinate and inform anyone interested in one of the greatest and most influential nations of the modern world.

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Lets readers vent their emotions in a unique way, be those feelings happy, sad, lovestruck or frustrated. Each page of this book tells a different story, whether the lengthy process of trying to work out what to wear to college every day, or trying to beat yourself at noughts and crosses.

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Contains illustrations of over 300 colourful costumes and accessories from through the ages and around the world. This book is organized by theme from kings and queens, princesses and knights to clothes for work and play and for various kinds of weather and various images appear with a caption detailing the name and country of origin.

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An introduction to the rich and diverse art of California, this book highlights its distinctive role in the history of American art, from early-20th-century photography to Chicanx mural painting, the Fiber Art Movement and beyond. Shaped by a compelling network of geopolitical influences including waves of migration and exchange from the Pacific Rim and Mexico, the influx of African Americans immediately after World War II, and global immigration after quotas were lifted in the 1960s, California is a centre of artistic activity whose influence extends far beyond its physical boundaries. Furthermore, California was at the forefront of radical developments in artistic culture, most notably conceptual art and feminism, and its education system continues to nurture and encourage avant-garde creativity. Organized chronologically and thematically with illustrations throughout, this attractive study stands as an important reassessment of California’s contribution to modern and contemporary art in the United States and globally.With 168 illustrations in colour

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An unforgettable journey through art history with Yves Saint Laurent as a guide. January 1962 saw the launch of the very first collection by Yves Saint Laurent. To celebrate the 60th anniversary of the founding of his couture house, the Musée Yves Saint Laurent Paris is organizing a unique retrospective of the couturier’s work that juxtaposes his creations with art works from the collections of four major Paris institutions: the Musée d’Orsay, the Centre Pompidou, the Musée d’Art Moderne de la Ville de Paris and the Musée Picasso, as well as presenting a behind-the-scenes glimpse into the secrets of couture at the Musée Yves Saint Laurent. From the ancient world to pop art, Yves Saint Laurent regularly took inspiration from art history as he combined colours, carved out new forms and rethought the structure of garments in order to create his own masterpieces. Here, androgynous silhouettes and Proustian gowns stand alongside Manet’s Le Déjeuner sur l’herbe, feather patterns respond to Jackson Pollock’s drip paintings, flowing silhouettes merge with a mural by Raoul Dufy, Lucio Fontana’s neon lights make metallic fabrics sparkle and the motifs on a coat echo The Dance by Henri Matisse. Exploring the couturier’s deliberate homages to the masters of art and his never-ending quest for new means of aesthetic expression, this book takes readers on an unforgettable journey through art history with Yves Saint Laurent as a guide.

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Works of art in enamel are among the most attractive, colourful and revealing objects of the Middle Ages and Renaissance. Enamel was employed to embellish a broad array of objects, including reliquary caskets, crosses, book-covers, croziers, censers and pyxes for the church and a wide range of tableware for the secular market. The Wyvern Collection comprises many pieces of prime importance from the twelfth to the sixteenth centuries. Among the highlights in this volume are two extremely rare Romanesque enamels of c. 1160-70 from the Meuse Valley: the celebrated reliquary triptych probably originally belonging to the Bishop of Liège, and a beautiful phylactery (a reliquary designed to be suspended) with scenes from the story of the True Cross, said to have come from the famous abbey of Lobbes. Limoges enamels of the twelfth and thirteenth centuries are particularly well represented, the 65 pieces making up what is undoubtedly now the finest and most comprehensive collection in private hands. The later painted enamels of Limoges, from the fifteenth and sixteenth centuries, include remarkable examples of the work of the principal enamellers, most notably Pierre Reymond, and the spectacular horn of St Hubert, dated 1538 and signed by Léonard Limosin, which once belonged to Horace Walpole at Strawberry Hill. The catalogue additionally includes other outstanding works of art such as an important Anglo-Carolingian chrismatory of the ninth century, a small group of enigmatic twelfth-century drinking-cups and sumptuous examples of German late medieval goldsmiths' work. Stained and painted glass roundels, Italian Renaissance ceramics, luxurious textiles and tapestries, and German and Italian armour are also catalogued. An appendix presents several important pieces, recently acquired, which supplement those published in the first two volumes. With more than 250 objects, all specially photographed, this is more than a handbook to an especially rich part of one of the greatest private collections. It is a detailed and authoritative guide to medieval and Renaissance enamels and other works of art, a stimulus to further research and a feast for the eyes.With 400 illustrations in colour

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Everyone wants to find their own place in the world. But where is it and what is it? How do we recognize place as being significant and not just merely space? And what is it that makes one place special and another not? These are questions that have taxed philosophers as far back as ancient Greece. But they are also much more than philosophical investigations. In a world where neighbours fight over a stretch of land, or where some groups can feel safe only in certain locations, place is a living reality that can be either the cause for violent conflict or the glue that binds communities together. This exhibition in a book presents some of the most challenging art to address the function of place in the contemporary world. Arranged into themed 'rooms', it reflects a wide variety of artistic attitudes and practices. Some artists find inspiration in the heterogeneity of the crowded city street, while others celebrate the wilds of nature as a counter to urban life. Some present imagined or fantastic worlds of their own invention, or explore the way place is often a creation of the mind. Others investigate the deep marks that myth and history can leave on the land, or consider how place can be used as a form of political control.Territorial divisions demarcating one place from another, often with terrible consequences, are the chosen subjectmatter of many artists; others prefer to look at itinerant wanderers with no claims on the earth, or to focus on anonymous non-places that lack any real identity of their own. All of the artists in this book – among them Thomas Demand, Allan Sekula, Luc Tuymans, Steve McQueen, Roni Horn and Susan Hiller – use art to puzzle out the complicated ways in which place can shape and affect us. All of them help us to understand the world in which we live.

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A 20th-century children's classic, the second in a long line of collaborations between John Yeoman and Quentin Blake.

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This book is jam-packed with more stickers than there are warts on a warthog. You’ll discover beasts that growl, prowl, claw and roar and have all sorts of fun sticking them throughout the book. But wait, there’s more! You can also: - Design your own beaver dam - Stick ants on the armadillos’ tongues - Play a game of Guess Whose Paw Prints?

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