Search results for ""Thames Hudson Ltd""

‘A fascinating and deeply rewarding book’ Adam Zamoyski, Daily Telegraph Napoleon’s Plunder chronicles one of the most spectacular art appropriation campaigns in history and, in doing so, sheds new light on the complex origins of what was once called the Musée Napoléon, now known as the Louvre. It centres on the story of Napoleon’s theft of Paolo Veronese’s Wedding Feast at Cana, a vast, sublime canvas that in 1797 the French army tore from a wall of the monastery of San Giorgio Maggiore in Venice. Feast was just one of Napoleon’s spoils of war, which he claimed for the French nation and displayed in a public museum – the Louvre. He filled the former palace of the French kings with his acquisitions, and Europe flocked to Paris and hailed the Louvre as the greatest museum in the world. Did he take it for himself? Or for France? Or for the world at large? Saltzman interweaves the stories of Napoleon’s military campaigns, uncovering the treaties through which he obtained his loot, with the histories of the plundered works themselves, exploring how these masterpieces came into being. As much as a story of military might, this is an account of one of the most ambitious cultural projects ever conducted.

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A thought-provoking reflection on pilgrimage past and present, and a compelling exploration of its relevance today. The enormous rise in popularity in recent decades of the Camino, the ancient pilgrim path that stretches from France, across northern Spain to Santiago de Compostela, is part of a wider phenomenon being witnessed on other time-honoured pilgrim routes around the globe and across the faiths. But this is happening in a world that in many places is self-avowedly ever more sceptical, secular and scientific, with formal religious affiliation in steep decline. Why? Some argue that tourism is the new religion, and that those who today walk in the footsteps of countless past generations of believers do so to enjoy the holiday experience, the escape from their everyday world, the health benefits of so much exercise, and the companionship, without seeking any sort of spiritual enlightenment. Yet by looking at a diverse range of pilgrimage sites that includes Rome, Jerusalem, Lalibela in Ethiopia, the Buddha Trail in northern India, Shikoku in Japan and the self-styled ‘power place’ of Machu Picchu in Peru, Peter Stanford draws on his own experience as a pilgrim to argue that something more complex and challenging is going on. Financial crises, increasing inequality, climate change and worldwide pandemics are causing people to question the very foundations on which their post religion, twenty-first-century lives are built. This book considers how pilgrimage, with its long history, essential intertwining of arduous journey and openness to personal transformation, is providing the modern age with a means to take a longer, slower and hence more profound look at life, stretching all the way back to when the first pilgrim put one foot in front of another.

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A substantial retrospective on one of the world’s most remarkable and critically acclaimed art photographers. Separated into four parts, Ballenesque takes readers on a visual, chronological journey through Roger Ballen’s entire oeuvre, including both iconic images and previously unpublished photographs. Part I explores his formative artistic influences and his later rediscovery of boyhood through photography, culminating in his first published monograph, Boyhood, in 1979. Part II then charts the period between 1980 and 2000, during which time his deeper search for the elemental self found its way into the ‘Dorps’, or small towns, of South Africa and concluding with the release of his seminal monograph Outland. Part III covers the years 2000–2013, when Ballen achieved global recogition with Shadow Chamber and Boarding House and his work began to veer away from portraiture altogether. Finally, in Part IV, Ballen reflects upon his career in its entirety. With over 300 photographs and an introduction by eminent academic Robert J. C. Young, this book provides both an entirely new way of seeing Ballen’s work for those who already follow his career and a comprehensive introduction for those encountering his photographs for the first time.

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An award-winning study of England’s unique and peculiarly insular variant of modernism. While the battles for modern art and society were being fought in France and Spain, it has seemed a betrayal that John Betjeman and John Piper were in love with a provincial world of old churches and tea-shops. In this multi-award-winning book, Alexandra Harris tells a different story. In the 1930s and 1940s, artists and writers explored what it meant to be alive in England. Eclectically, passionately, wittily, they showed that ‘the modern’ need not be at war with the past. Constructivists and conservatives could work together, and even the Bauhaus émigré, László Moholy-Nagy, was beguiled into taking photographs for Betjeman’s nostalgic Oxford University Chest. This modern English renaissance was shared by writers, painters, gardeners, architects, critics, tourists and composers. John Piper, Virginia Woolf, Florence White, Christopher Tunnard, Evelyn Waugh, E. M. Forster and the Sitwells are part of the story, along with Bill Brandt, Graham Sutherland, Eric Ravilious and Cecil Beaton.

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Written by an expert whose fashion knowledge extends around the globe, The Fashion Design Directory presents an enticing panorama of around 150 of the most influential players in the world of fashion from the beginning of the 20th century to the present day – the people and companies who have shaped contemporary fashion and defined the modern perception of style. Engaging, informative text sets the scene for each designer – their origins, their ethos and their pathway to success – while striking runway images showcase statement looks and pieces from each designer’s career. Together, they give a compelling overview of their defining collections and labels.

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The Big Idea shortlisted for series design in the British Design and Production AwardsThe effects of global warming are being felt around the world through climate change, and images of our rivers and oceans choking with plastic have provoked an instinctive horrified reaction. In response, governments, corporations and individuals are beginning to change their policies and behaviour – but is it too little, too late? Is it possible to reverse the damage we have done to the planet, or have we reached the point where we are only able to manage the problems and devastation caused? This engaging and incisive volume offers insightful analysis of a range of key issues including deforestation, global warming and single use plastics, while evaluating whether – and how – it may just be possible to mend our planet.

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Cinema: The Whole Story takes a close look at the key time periods, genres and key works in world cinema. It places the burgeoning world of cinema in the context of social and cultural developments that have taken place since its beginnings. Organized chronologically, the book traces the evolution of cinematic development, from the earliest days of film projection to the multiscreen cinemas and super-technology of today. Illustrated, in-depth text charts every genre of cinema, from the first silent films to epic blockbusters, CGI graphics and groundbreaking effects of the 21st century. Cinema: The Whole Story is an indispensable book for all those who love watching and reading about films and who want to understand more about the world of cinema.

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In this clear and evocative account, John Gaskin unfolds the thinking about nature, life, death and other worlds that informed the culture and society of the Classical world, drawing out its interest for modern readers. Witty sketches and diagrams enliven the story, which runs from Homeric Greece to the banning of pagan religions in ad 391. The book concludes with a gazetteer describing notable sites and the people and ideas connected with them, making it an ideal companion for visitors to Classical ruins and for all armchair travellers curious to explore life’s big questions.

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Surrealism was launched as a literary and artistic movement by French poet André Breton in 1924, and by the time of his death in 1966 had become one of the most popular art movements of the 20th century. Its very name has entered everyday usage as a synonym for bizarre. Taking the reader on a narrative journey through the history of Surrealism, this book is a digestible introduction to the movement’s key figures, their works and where to find them. Complete with a glossary of key terms and chronology, this new addition to the Art Essentials series provides an indispensable resource for anyone interested in learning about this most influential of art phenomena.

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The Book of Kells, dating from about 800, is a brilliantly decorated manuscript of the four Gospels. This new official guide (Spanish language edition), by the former Keeper of Manuscripts at Trinity College Library, Dublin, provides fascinating insights into the Book of Kells, revealing the astounding detail and richness of one of the greatest works of medieval art. The illustrations in the guide include reproductions of complete pages, and details that allow one to marvel at the intricacy of the decoration. The Book of Kells is explored through its historical background; its structure; its decorative elements, including the richness of its symbols and themes; the scribes and artists who worked on the manuscript; and the tools and pigments used in its creation.

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When and how did the brains of our hominin ancestors become human minds? When and why did our capacity for language or art, music and dance evolve? It is the contention of this pathbreaking and provocative book that it was the need for early humans to live in ever-larger social groups, and to maintain social relations over ever-greater distances – the ability to ‘think big’ – that drove the enlargement of the human brain and the development of the human mind. This ‘social brain hypothesis’, put forward by evolutionary psychologists such as Robin Dunbar, one of the authors of this book, can be tested against archaeological and fossil evidence, as archaeologists Clive Gamble and John Gowlett show in the second part of Thinking Big. Along the way, the three authors touch on subjects as diverse and diverting as the switch from finger-tip grooming to vocal grooming or the crucial importance of making fire for the lengthening of the social day. As this remarkable book shows, it seems we still inhabit social worlds that originated deep in our evolutionary past – by the fireside, in the hunt and on the grasslands of Africa.

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Like every era, the Renaissance brims with stories. In this book, Robert Davis and Beth Lindsmith highlight dozens of notable lives from between 1400 and 1600. They bring to life wily politicians, eccentric scientists, fiery rebels and stolid reactionaries, as well as a pornographer, an acrobat, an actress, a poetic prostitute, a star comedian and a least one very fretful mother. Some names – Leonardo, Luther, Medici and Machiavelli – are famous, but many others will be new to general readers. Their stories, ninety-four in all, remind us that history is more than dates and abstract concepts: it also arises from the lives of countless individual men and women.

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Richard Tames, the well-known popularizer of English history, offers an entertaining exploration of the bits of English history that have been sidelined, lost or somehow overlooked. Written in an engaging, easy-to-read and often humorous style, Tames brings to life the various colourful characters, famous in their day, who have now sunk into obscurity, from St Cuthbert and Nicholas Breakspear (the only English pope) to Octavia Hill and the Marquis of Granby. Tames also covers such diverse areas as sports, lost villages, forgotten war heroes and inventors. Did you know, for example, that Barking was once home to the largest fishing fleet in the world? Or that coffee houses were once known as ‘penny universities’? Peppered with quotes and anecdotes, and arranged into concise sections, this book is ideal for dipping into or reading from cover to cover.

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The Big Idea shortlisted for series design in the British Design and Production AwardsOnly four countries around the world do not currently define themselves as democracies. But many more do not fulfil the four basic requirements of democracy: free and fair elections, active participation of citizens in politics, protection of human rights, and the rule of law. Since 2015, far-right and populist politicians have been on the rise throughout the West. Is populism the new face of democracy? Is democracy simply the will of the people? Can any existing government claim to be truly democratic? This captivating, articulate volume explores and interrogates each form of democracy and questions whether they remain fit for purpose today.

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Principles of Archaeology provides the building blocks for students to learn how archaeologists think. Retaining its focus on teaching the major methods of thought and analysis and the importance of scientific techniques, this new edition has been thoroughly redesigned and revised to include the most recent technologies and ethical issues involved in studying the past. A new co-author specializing in archaeological chemistry means the book leads the way with coverage of the most pioneering scientific approaches in archaeology, while up-to-date examples show students the complexity of practising archaeology, and how archaeological sites and finds impact how we understand our present and future. Principles of Archaeology remains the most accessible and engaging entry point for those wanting to learn more about this fascinating field of study.

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Today’s discerning traveller is looking not merely for luxury but for a unique experience. But in this age of low-cost flights and easy travel, how do you avoid the crowds and find the hidden gems? Not via sponsored search results or thousands of indistinguishable reviews, that’s for sure. What you need is on-the-ground, in-person, tried-and-trusted knowledge. In this new guide to Italy, Herbert Ypma surprises and delights with his unequalled eye for detail and his unerring ability to judge what makes the difference between a good experience and a truly memorable one. The eighty-five experiences and tips that he maps out across the length and breadth of Italy fall into four key categories. ‘Staying in Character’ features thirty-five places to stay, from the grand to the eccentric, all embodying the soul and character of their setting – whether it’s sleeping next to a sloshing canal in Venice, dozing under the plume of Etna’s active volcano or experiencing monastic silence over dinner in Umbria. ‘Eclectic Experiences’ surveys twenty stand-out experiences, from jumping off the cliffs near Otranto to swimming the walls of Dionysius in Ortigia, and from exploring the forgotten farmland of Sicily’s interior to finding the best gelati in Rome. ‘Legend for Lunch’ points you in the direction of the most authentic places to eat, and ‘Convincing Context’ surveys twenty experiences enhanced by nuggets of history. Together they amount to a new map of authentic Italian experiences, making this the must-have 21st-century guide for the world’s most exacting traveller.

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Using carefully drawn line illustrations of famous masterpieces, Art Studio takes the colourist on an inspiring world tour. Along the way you can try your hand at replicating the originals or applying slightly – or perhaps even entirely – different palettes. In the process you will also learn to appreciate the complexity and composition of these great works. Avid colourists will relish not only the bold, bright lines of works such as Van Gogh’s Starry Night, but also the artistic problems posed by some of the world’s most intricate paintings – among the 46 masterpieces featured here are such celebrated Western works as Michelangelo’s Creation of Adam and Marcel Duchamp’s Nude Descending A Staircase, No. 2 as well as a Mughal hunting scene of the 16th century and some stunningly complex Aboriginal art. Each entry explains how the artist achieved his or her effects, and offers suggestions on how the colourist might try to reproduce them. Art Studio is simultaneously relaxing, challenging and informative: an exquisite combination that will appeal to everyone who’s got the colouring bug, and to anyone on the verge of catching it.

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Global in perspective and covering over four million years of history, this accessible volume provides a chronological account of both the development of the human race and the order in which modern societies have made discoveries about their ancient past. Beginning deep in prehistory, it takes in all the great archaeological sites of the world as it advances to the present day. A masterful combination of succinct analysis and driving narrative, Archaeology: The Whole Story also addresses the questions that inevitably arise as we gradually learn more about the history of our species: what are we? Where did we come from? What inspired us to start building, writing and all the other activities that we traditionally regard as exclusively human? A concluding section explains how we know what we know: for example, how seventeen prehistoric shrines were discovered around Stonehenge using magnetometers, ground-penetrating radars, and 3D laser scanners; and how DNA analysis enabled us to identify some bones discovered beneath a car park in Leicester as the remains of a fifteenth-century king of England. Written by an international team of archaeological experts and richly illustrated throughout, Archaeology: The Whole Story offers an unparalleled insight into the origins of humankind.

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This beautiful and engaging volume charts the evolution of manga from its roots in late 19th-century Japan through the many and varied forms of comics, cartoons and animation created throughout Asia for more than 100 years. World authority on comic art Paul Gravett details the evolving meanings of the myths and legends told and retold by manga artists of every decade and reveals the development and cross pollination of cultural and aesthetic ideas between manga artists throughout Asia. He explores the explosion of creativity in manga after the Second World War with the emergence of such artists as Osamu Tezuka, whose pioneering Astro Boy spawned a new and much imitated visual dynamic. He highlights how creators have responded to political events since 1950 in the form of propaganda, criticism and commentary in manga magazines, comics and books. There have been many remarkably powerful and sophisticated graphic novels, although some sexually explicit and emotionally dark adult manga has also attracted criticism, raising questions about taste and acceptability. Gravett discusses the influence of censorship on manga and concludes with a survey of current multi- platform offerings of manga in Asia and the transition from cut-price rental libraries to the booming specialist emporia and comic conventions that champion the kaleidoscope of creativity apparent in the digital age.

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Who are the Europeans? Where did they come from? In recent years scientific advances have yielded a mass of new data, turning cherished ideas upside down. The idea of migration in prehistory, so long out of favour, is back on the agenda. Visions of continuity now have to give way to a more dynamic view of Europe’s past, with one wave of migration followed by another, from the first human arrivals to the Vikings. This pioneering book brings together for the first time the latest genetic evidence and combines it with archaeology and linguistics to produce a new history of Europe.

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The third volume in this series is on packaging design and features carefully selected products that showcase the innovative use of a particular material. The book focuses on specific categories of packaging – sustainable packaging, functional forms, dispensing systems, advanced protection, interactive and mass craft. Seven specially commissioned ‘visual narratives’ are included. The extensive illustrated materials directory contains detailed information on over 100 materials.

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In Why You Can Build It Like That, John Zukowsky examines buildings from the past half century or so that pushed the boundaries of what was architecturally acceptable when they were built. 100 striking international examples of modern architecture are categorized into thematic chapters that reflect form as well as society. Zukowsky explores the history of these buildings and their makers, presenting relevant biographical factors and socio-cultural influences that impacted on the distinctive designs. The book includes the works of heroic early modernist architects such as Ludwig Mies van der Rohe and Frank Lloyd Wright, alongside long-established architectural firms such as Skidmore, Owings & Merrill. It also features mavericks of the past and present – Bruce Goff, Shin Takamatsu and Shigeru Ban – and singular architectural wonders that reflect their own times. Readers will find out why all the featured buildings look the way they do, and why they were created when and where they were. Zukowsky’s original text unravels the rich and complex stories that exist behind the design of some of the world’s more unconventional monuments, revealing exactly why each building is one of a kind.

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Typeface combinations don’t always work together naturally. For an experienced designer, the process becomes largely intuitive after years of practice, but even seasoned professionals sometimes struggle to come up with the perfect typeface pairing. It’s often obvious what not to use, but it’s less obvious what you should use when a range of good typefaces can differ in very subtle ways. Developed with typographers, graphic designers and font geeks in mind, Type Team is the ultimate guide for anyone wishing to get to grips with the best techniques for combining individual typefaces from all classifications and styles for any category of creative project. It explores 150 typeface combinations grouped into 25 contrasting categories, ranging from Classical and Scholarly to Edgy and Vibrant, and with a full page devoted to each entry. In addition, 50 typographic principles are paired with selected combinations and illustrated using the typefaces from the spread. Within the pages of this unique reference for font spotters, designers, and users, the perfect typeface combination for any creative project can be found.

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This new and completely redesigned edition surveys the myriad holy men, mystics and ascetics of India: their prehistoric origins; beliefs, gods and sects; initiation, training and daily lives; appearance, practices and belongings; sacred places and festivals; austerities, the inner fire and the quest for a higher plane of being. It is a vibrant, arresting and carefully curated gallery, taking in long-haired sages, devotees of Shiva, Vishnu and Brahman, naked wanderers, silent hermits, holy warriors, painted showmen, mantra-chanting yogis, ash-clad madmen, and seekers after and pathways to Enlightenment. Dolf Hartsuiker’s expert explanations, wry comments and striking, revealing photos bring to life the mysterious and varied lives of the Sadhus.

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Why take a self-portrait but obscure your face with a lightbulb (Lee Friedlander, Provincetown, Cape Cod, Massachusetts (1968)? Or deliberately underexpose an image (Vera Lutter, Battersea Power Station, XI: July 13 , 2004)? And why photograph a ceiling (William Eggleston, Red Ceiling , 1973)? In Why It Does Not Have To Be In Focus , Jackie Higgins offers a lively, informed defence of modern photography. Choosing 100 key photographs – with particular emphasis on the last twenty years – she examines what inspired each photographer in the first place, and traces how the piece was executed. In doing so, she brings to light the layers of meaning and artifice behind these singular works, some of which were initially dismissed out of hand for being blurred, overexposed or ‘badly’ composed. The often controversial works discussed in this book play with our expectations of a photograph, our ingrained tendency to believe that it is telling us the unadorned truth. Jackie Higgins’s book proves once and for all that there’s much more to the art of photography than just pointing and clicking.

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The definitive photography textbook for the digital age, The New Basics is packed with technical tips, practical exercises, contemporary images and step-by-step guidance for all aspiring photographers. Introducing technical and creative aspects of commercial as well as fine art photography, it is the first book to assume from the outset that students are most interested in digital imaging - not just digital capture, but also postproduction and screen-based output. It includes step-by-step guidance on the use of image-manipulation software to improve digital imagery, including colour correction and the use of Photoshop as a tool in experimental photography. Reflecting contemporary teaching techniques in further education, it compels the reader to dive in to develop practical skills from the outset. Equal weight is given to creative as well as technical matters, with chapters on genres (portraiture, landscape etc) introducing skills needed to compose exciting photos and develop a personal style of image-making. Full of practical and money-saving tips on how to use your camera in challenging conditions, how to persuade people to pose for street photographs and how to secure sponsorship and exhibition spaces, this book is sure to supplant other basic photography books. ‘Clearly structured and very accessible’ – Paul Winch-Furness, University of Westminster

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The Incas built one of the largest empires of the ancient world. The sheer scale makes their achievement truly remarkable. At its zenith it extended northwards from the Inca capital Cusco along the Andes to embrace parts of modern Peru and Ecuador, and southwards into Bolivia, Chile and Argentina. Uniquely, the authors look in detail at Cusco and at the four parts of the empire, following the vast road system to explore not just famous sites such as Machu Picchu, but all the major regional settlements. This vivid portrait shows how the Incas ruled some peoples directly but allowed others to maintain their traditional leaders with little interference. The concluding chapter is devoted to the end of the empire: the arrival of the Spaniards, the assassination of the Inca ruler Atawallpa, and the final years of the rebellious, neo-Inca state in the tropical forest of Vilcabamba.

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The latest instalment in the Manufacturing Guides series, this book is targeted at students and professionals who create graphics or packaging for mass production. With some 400 specially commissioned photographs and technical illustrations, it describes more than 35 manufacturing processes, from the traditional and long-established to cutting-edge technologies.

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At just over forty, David Adjaye is one of the world’s most exciting and accomplished architects, and has built many highly acclaimed houses and public buildings in the UK and USA. Over a ten-year period, the Tanzanian born, London-based architect has visited 53 major African cities and photographed thousands of buildings, sites and places that few of us will ever be able to visit. This 7-volume slipcased edition documents Adjaye’s tribute to African metropolitan architecture. The individual volumes present cities according to the terrain in which they are situated – the Maghreb, Desert, The Sahel, Savannah and Grassland, Mountain and Highveld, and Forest. Each city is shown in a concise urban history, fact file, maps and satellite imagery, along with Adjaye’s personal travel notes and dozens of photographs of the city’s civic, commercial and residential architecture. All six ‘terrain’ volumes feature an introductory essay by Adjaye, and a separate volume is dedicated to essays by leading academics and commentators on Africa.

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Published to accompany the exhibition at the Museum of Fine Arts, Boston, and the Metropolitan Museum of Art, this catalogue examines the impact of Futurism and Cubism on British modernist printmaking from the beginning of World War I to the beginning of World War II. Imagery ranges from powerful artistic impressions of the first fully mechanized war, to radical geometric abstractions, to the colourful, streamlined jazz age images of speed, sport and diversion which the Grosvenor School artists created in order to introduce a broader public to modern art and design. Interest in this era is peaking among collectors, curators and art historians and this is an ideal moment to introduce these innovative British printmakers to a wider public.

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From ‘cabinets of curiosities’ to assemblages of found objects and imitations of museum displays, artists have often turned their attention to the ideas and systems traditionally embodied in the museum – display, archiving, classification, storage, curatorship – which they have then appropriated, mimicked and reinterpreted in their own work. Citing a huge range of examples, James Putnam shows not only the ways in which artists have been influenced by museum systems and made their works into simulations of the museum, but also how they have questioned the role of museums, observed their practices, intervened in them and helped to redefine them.

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From the startingly distinctive achievements of the internationally renowned twin-brother painters Os Gemeos to the visual powers of the ubiquitous daredevil pichadores, Brazil's graffiti captivates with entirely fresh ideas, techniques and messages. Whether one’s taste is for the extraordinary creative extremes generated amid urban deprivation or for crafted murals at their most elaborate, Graffiti Brasil offers both stunning photography and in-depth history and insight. With graffiti worldwide becoming more homogenized, this book is a reminder of the strengths of creative independence and the rich fruits of cultural diversity.

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No period has been more discussed, dissected and argued over than the Renaissance, and every age has reconstructed it in its own image. Today’s emphasis is on its complexity – the way ideas, politics, religion, society, art and science depended upon and affected one another. The Renaissance Complete does away with watertight divisions by means of a lucid, innovatory system of cross-references and brings the image to centre stage. The fascinating range of topics covered includes the revival of classical learning, the printing press, the rise of the nation-state, philosophy and the role of women. The scope is all-embracing: Italy, France, Spain, Britain, Germany and the northern countries; courts and patrons, painters and sculptors, churchmen and traders, men, women and children. Over 1,000 illustrations are carefully focused on over 100 key topics, subject-matter taking precedence over art history. An impressive information resource provides biographies, timelines, bibliography, a gazetteer of museums and galleries and an illustrated glossary.

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'The Medieval World Complete' re-creates one of the great ages of European civilization through a sequence of spectacular images accompanied by a lively, informed commentary. Ingeniously organized by topic and thoroughly cross-referenced, this all-embracing book enables the reader to explore and understand every facet of the Middle Ages, an era of breathtaking artistic achievement and of religious faith in a world where life was often coarse and cruel, cut short by war, famine and disease. Framed by chapters that outline the way the Middle Ages began and ended, the book consists of six sections encompassing religion and the Church, nations and law, daily life, art and architecture, scholarship and philosophy, and the world beyond Christendom. The book is completed by biographies of key personalities, from Charlemagne to Wycliffe, and timelines, maps, a glossary, gazetteer and bibliography.

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The book presents 170 images, mainly shop window displays, shot by artist David Hlynsky during the final years of the collapsing Soviet empire in Poland, Czechoslovakia, Hungary, Yugoslavia, Bulgaria, East Germany and Moscow, using a Hasselblad camera to capture the slow, undramatic moments of daily life on the streets. The photographs are accompanied by essays by art historian Martha Langford and cultural studies specialist Jody Berland, as well as Hlynsky’s own account of his time as a flâneur in the shopping plazas behind the Iron Curtain.

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Giorgio Vasari’s Lives of the Most Famous Painters, Sculptors and Architects (1550 and 1569) is a classic of cultural history. A monumental assembly of artists’ lives from Giotto to Michelangelo, it paints a vivid picture of the progress of art in the hands of individual masters. No Life is more vivid than that of Leonardo, a near-contemporary of Vasari – not even Vasari’s account of Michelangelo, whom he knew and idolized. This beautiful edition offers a literary translation that respects the 16th-century Italian, transposing Vasari’s vocabulary into its modern equivalent. Martin Kemp is an eminent scholar, who has written on the vocabulary of Renaissance writings on art, and has co-translated Leonardo on Painting and Leonardo’s Codex Leicester. Translated in partnership with Lucy Russell, the text will be the first to cover both the 1550 edition and the expanded version of 1568, and the first to integrate the texts of the two editions on the page. Discreet endnotes will provide succinct comments in the light of modern knowledge of Leonardo’s career. Illustrated with all the works of art discussed by Vasari and a selection of Leonardo’s studies of science and technology, this will be the perfect accompaniment to Leonardo’s 500th anniversary celebrations.

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In the winter of 1886–87, during his stay in Paris, Vincent van Gogh bought 660 Japanese prints at the art gallery of Siegfried Bing. His aim was to start dealing in them, but the exhibition he organized in the café-restaurant Le Tambourin was a total failure. However, he was now able to study his collection at ease and in close-up, and he gradually became captivated by their colourful, cheerful and unusual imagery. When he left for Arles, he took some prints with him, but the core remained in Paris with his brother Theo. Although some prints were later given away, the collection did not disperse. This book reveals new analyses of the collection, now held in the Van Gogh Museum, given as a long-term loan from the Vincent van Gogh Foundation. The authors delve into its history, and the role the prints played in Van Gogh’s creative output. The book is illustrated with over 100 striking highlights from the collection.

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This book showcases and puts into historical context a host of sculpted works created in the 1920s and 1930s in the decorative vernacular defined loosely today as ‘Art Deco’. Whether designed as free-standing statuary for the domestic market or commissioned for some form of architectural placement, as a frieze on a building’s façade or as a public monument or pool fountain, the works shown demonstrate a sometimes bewilderingly broad range of styles and stylistic influences: from the chevrons, sunbursts, maidens, fountains, floral abstractions and ubiquitous biche (doe) of the Parisian geometric style to the crisp, angular patterns of the zig-zag, jazz-age, streamlined aesthetic of the 1930s. Alastair Duncan organizes his subject into three main categories: the first features work by avant-garde sculptors (Csaky, Janniot, Pompon, etc), often as pièces uniques or small editions; the second shows commercial sculpture, comprising mainly large-edition statuary, commissioned as decorative works for the burgeoning 1920s domestic market; while a final, third category covers architectural and monumental sculpture from West and Eastern Europe, Scandinavia, North America, Brazil and beyond. With artists’ biographies and details of manufacturers, a full glossary and a thematic index, this volume is the essential and authoritative guide for all those interested in the Art Deco style, from the amateur collector of animalier sculpture to professional historians of the period.

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A revised edition of this classic survey that presents a thorough overview of Georgia O’Keeffe’s life and work. Georgia O’Keeffe (1887–1986) was a major figure in American art for seven decades. Throughout that long and prolific career she remained true to her unique artistic vision, creating a highly individual style that synthesized the formal language of modern European abstraction and the themes of traditional American pictorialism. The main subjects to which she returned again and again were the flowers, animal bones and the landscapes around her studios in Lake George, New York, and finally New Mexico, with which she has been ultimately identified. This comprehensive and illuminating book by a noted scholar on O’Keeffe and her work, surveys the complete oeuvre – drawings, watercolours and paintings from all periods – and explains her life in the context of her artistic output. Now revised with updated bibliography, this edition features colour reproductions of artworks throughout.

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An updated edition of this classic survey, a thorough overview of Paul Cézanne’s life and work. For Picasso he was ‘like our father’; for Matisse, ‘a god of painting’. Paul Cézanne (1839–1906) is widely regarded as the father of modern art. In this authoritative and accessible study, Richard Verdi traces the evolution of Cézanne’s landscape, still-life and figure compositions, from the turbulently romantic creations of his youth to the visionary masterpieces of his final years. The painter’s biography – his fluctuating reputation and strained relations with his parents, wife and close friend Emile Zola – is vividly evoked using excerpts from his own letters and from contemporary accounts of the artist. Cézanne was torn between the desires to create art and to seek inspiration – to master the themes of the past, through his copying sessions in the Louvre, and to explore the eternal qualities of nature in the countryside of his native Provence. In this way the artist sought ‘to make of Impressionism something solid and durable, like the art of the museums’. In this richly illustrated overview Verdi explores the strength, vitality and magnitude of Cézanne’s achievement.

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Claude Monet (1840–1926) is one of the most admired and famous painters of all time, and the architect of Impressionism: a revolution that gave birth to modern art. His technique – painting out of doors, at the seashore or in the city streets – was as radically new as his subject matter, the landscapes and middle-class pastimes of a newly industrialized Paris. Painting with an unprecedented immediacy and authenticity, Monet claimed that his work was something new: both natural and true. In this new introductory study, James H. Rubin – one of the world’s foremost specialists in 19th-century French art – traces the development of Monet’s practice, from his early work as a caricaturist to the late paintings of waterlilies and his garden at Giverny. Rubin explores the cultural currents that helped to shape Monet’s work: the utopian thought that gave rise to his politics; his interest in Japanese prints, gardening, and trends in the decorative arts; and his relationship with earlier French landscape painters as well as such contemporaries as Manet and Renoir.

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Judy Chicago is America’s most dynamic living artist. Her works comprise a dizzying array of media from performance and installation to the glittering table laid for thirty- nine iconic women in The Dinner Party (now permanently housed at the Brooklyn Museum), the groundbreaking Birth Project, and the meticulously researched Holocaust Project. She designed the monumental installation for Dior’s 2020 Paris couture show and, in 2019, established the Judy Chicago Portal, which will help to accomplish her lifelong goal of overcoming the erasure that has eclipsed the achievements of so many women. The Flowering is her vivid and revealing autobiography, fully illustrated with photographs of her work, as well as never-before-published personal images and a foreword by Gloria Steinem. Chicago has revised and updated her earlier, classic works with previously untold stories, fresh insights, and an extensive afterword covering the last twenty years. This powerful narrative weaves together the stories behind some of Chicago’s most significant artworks and her journey as a woman artist with the chronicles of her personal relationships and her understanding, from decades of experience and extensive research, of how misogyny, racism and other prejudices intersect to erase the legacies of artists who are not white and male while dismissing the suffering of millions of creatures who share the planet. With the first career retrospective of her work forthcoming at the de Young Museum in 2021, Chicago reinforces her message of resilience for a new generation of artists and activists. The Flowering is an essential read for anyone interested in making change.With 90 illustrations in colour

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A unique insight into the life and art of Sean Scully, an internationally celebrated artist and creative practitioner at the height of his powers. Sean Scully’s paintings of brushy stripes and blocks of sumptuous colour are critically acclaimed and widely admired. Less well known is what a gifted storyteller and profound commentator on the history of art he is. In this fascinating book, the record of countless hours of conversations with Scully’s friend, the art critic Kelly Grovier, the painter reflects on his extraordinary journey – from homelessness on the streets of Dublin in the mid-1940s to his current position as one of the most important abstract artists working today. In these revealing conversations, Scully recalls with poignancy and wit his rough-and-tumble childhood in London (where his family moved when he was a toddler), his tenacity in the face of rejection from nearly every art school in England, and his rise to prominence in New York in the 1980s. Illustrated throughout with images that capture both the artist and his work, this volume explores Scully’s relationship with past masters, from Rembrandt to Rothko, and delves deep into his eventual rejection in the late 1970s of minimalism – the dominant force in abstract art at the time. Punctuated throughout by passionately recounted stories of struggle and loss, perseverance and triumph, the portrait that emerges from these pages is at once intimate and surprising. The book reflects the scope of Scully’s broad interests and opinions, with segments devoted not only to his attitudes towards the art world and his most significant works, but also culture, politics and philosophy. Scully communicates with a raw pugnacity that is every bit as hard-hitting as his big brushstrokes.With 146 illustrations in colour

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The first substantial book on the French Neo-Romantics, a cosmopolitan group working in 1920s Paris who turned against modernist abstraction in favour of a new form of figurative painting. In 1926, the Galerie Druet in Paris made waves presenting a group of young painters who had spurned modernist abstraction and returned to a form of figurative painting. For most of them this was the first time they had exhibited, but their impact was considerable. Art critic Waldemar George baptized them the ‘Neo-Romantics’ or the ‘Neo-Humanists’. They were influenced by Picasso, in particular his Blue and Rose periods, but went beyond him to forge new ways of painting. These were artists who liked to play with forgotten references and obsolete visual devices such as trompe l’oeil. They produced work for secondary art forms including the theatre, set design and ballet. In some ways they were the first post-modernists in the history of art, yet until now there has only ever been one book about them, After Picasso, published ten years after their exhibition. Only more recently has their influence on contemporary artists and thinkers including Max Jacob, George Hugnet and Gertrude Stein been recognized. Though friends, these painters never formed a formal group or movement. The Second World War sent them on different paths, with the Berman brothers and Tchelitchev moving to the United States. Before their departure, however, their activities attracted the attention and admiration of a cosmopolitan group of characters, including Gertrude Stein, Alfred Barr, Lincoln Kirstein, George Balanchine and many others including leading fashion figures of the day, Christian Dior and Elsa Schiaparelli.

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A groundbreaking, award-winning analysis of colour in Western culture, from the ancient Greeks to the late twentieth century by one of the most foremost authors on the subject. What does the language of colour tell us? Where does one colour begin and another end? Is it a radiant visual stimulus, an intangible function of light, or a material substance to be moulded and arrayed? Colour is fundamental to art, yet so diverse that it has hardly ever been studied in a comprehensive way. Art historian John Gage considers every conceivable aspect of the subject in this groundbreaking analysis of colour in Western culture, from the ancient Greeks to the late twentieth century. Gage describes the first theories of colour, articulated by Greek philosophers, and subsequent attempts by the Romans and their Renaissance disciples to organize it systematically or endow it with symbolic power. He unfolds its religious significance and its use in heraldry, as well as how Renaissance artists app

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Immerse yourself in the wit and wisdom of Coco and Karl: two elegant collections of the legendary designers’ maxims on style, creativity and life. Chic, sharp and always on point, Coco Chanel and Karl Lagerfeld continue to captivate young generations of fashion fans. Chanel was fierce and uncompromising in her opinions on fashion, women and life, while Lagerfeld’s famously controversial pronouncements were seized upon by fashionistas, acolytes and sages around the world. Cultivated, surprising and sometimes shocking, their ‘bons mots’ are always impossible to ignore. This elegant box set contains two slim volumes of their pithiest, wittiest and most provocative quotations, and will be required reading for us all today as we negotiate the trickiest curves of modern life. ‘Fashion changes, but style endures’ Coco Chanel ‘People who tell all appal me’ Karl Lagerfeld ‘The best things in life are free. The second-best are very expensive’ Coco Chanel ‘You must never be afraid of progress. Otherwise you are damned’ Karl Lagerfeld

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An interpretation of the history of mural painting from ancient Egypt to the twentieth century by one of most eminent art historians of all time, who wielded huge influence over both his professional peers and a vast popular readership. Surprising, questioning, challenging, enriching: the Pocket Perspectives series celebrates writers and thinkers who have helped shape the conversation across the arts. Mixing classic and contemporary texts, reissues and abridgements, these are bite-sized, fully illustrated reads in an attractive, affordable and highly collectable package.

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Excerpts from art critic, historian, lecturer and broadcaster James Hall's lively and comprehensive cultural history of self-portraiture, including such artists as Dürer, Gentileschi, Van Gogh and Kahlo. Surprising, questioning, challenging, enriching: the Pocket Perspectives series celebrates writers and thinkers who have helped shape the conversation across the arts. Mixing classic and contemporary texts, reissues and abridgements, these are bite-sized, fully illustrated reads in an attractive, affordable and highly collectable package.

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