Search results for ""Bosch""

Magic has enchanted humankind for millennia, evoking terror, laughter, shock, and amazement. Once persecuted as heretics and sorcerers, magicians have always been conduits to a parallel universe of limitless possibility—whether invoking spirits, reading minds, or inverting the laws of nature by sleight of hand. Long before science fiction, virtual realities, video games, and the Internet, the craft of magic was the most powerful fantasy world man had ever known. As the pioneers of special effects throughout history, magicians have never ceased to mystify us by making the impossible possible. This book celebrates more than 500 years of the stunning visual culture of the world’s greatest magicians. Featuring more than 750 rarely seen vintage posters, photographs, handbills, and engravings as well as paintings by Hieronymus Bosch and Bruegel among others, Magic traces the history of magic as a performing art from the 1400s to the 1950s. Combining sensational images with incisive text, the book explores the evolution of the magicians’ craft, from medieval street performers to the brilliant stage magicians who gave rise to cinematic special effects; from the 19th century’s golden age of magic to groundbreaking daredevils like Houdini and the early 20th century’s vaudevillians.

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Bienvenido a la encrucijada, te encuentras en ese momento definitivo que te hace cambiar, que altera el rumbo de tu existencia. No es necesario que se trate de un apocalipsis ni de algo grandilocuente, también existen las pequeñas catarsis de la vida cotidiana, ese momento de crisis en el que todo avanza en una nueva dirección.VISIONES DEL FIN es el libro que da respuestas a muchos de estos momentos cotidianos y al apocalipsis en todas sus formas. 25 relatos, 26 autores, cada uno con su estilo y su visión personal que nos llevan de vuelta a la mejor tradición de las antologías de cómic. Entra y disfruta del espectáculo, puede ser el último.Carles Esquembre ? Cesc F. Dalmases ? Dani Vendrell ? Esdras Cristóbal ? Fernando Casaus ? Fran J. Rojas ? Francisco Maldonado ? Irene Roga ? Jesús Bravo ? José Ángel Ares ? Josep Busquet ? Juan Luis Iglesias ? Juan Santacruz ? Judith Ballester ? Mariano De La Torre ? Meritxell Bosch ? Mike Bonales ? Mirian Bonastre ? Nil Vendrell Pam López ? P

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Discover the spark of innovation that will transform your leadership through Sparking Success. Studies show that 80% of us are increasingly pressured to be productive rather than creative at work. Sparking Success uncovers the importance of creativity as a tool for innovation and demonstrates how it can be a driving factor for success. In order to adapt to fast-moving trends and disruptions in the modern business landscape, you need to spark your creative outlook. In this book, Adam Kingl profiles the business leaders who are redefining themselves as creative pioneers. From media powerhouses such as Pixar and Disney to major manufacturers such as Bosch and Panasonic, this book shows the universal importance of creativity for business leaders across the world. Each of the chapters poses a challenge or opportunity that will help you tap into an innovative mindset, before offering fascinating insights from leaders across the creative industries. Discover how you can become a dynamic, creative and empathetic leader by Sparking Success.

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Després dels èxits d?Algú com tu i Nosaltres dos, Xavier Bosch es consolida com el gran constructor d?intimitats de la nostra literatura.Aquella tarda no van tenir pressa. No els empaitava ningú i les hores es negaven a avançar. Van tornar a la ciutat sense posar la música del cotxe, van esborrar la boira del camí i van retrobar la pau de saber que ja no els quedaven preguntes urgents per fer-se.La Mara Lincoln, aventurera incansable, organitza viatges exclusius per als seus clients. El Xavi Vera, arquitecte d?èxit, rep l?encàrrec de dissenyar la casa de la seva vida. La parella es disposa a brindar pel nou any en un hotel als Alps suïssos, amb els quatre amics de sempre. Tots sis riuen, juguen i són feliços, però res no és mai el que sembla. L?any que enceten pot canviar-ho tot. Paraules que tu entendràs és un retrat esmolat de la convivència. Una novella que explora les relacions de parella, els secrets de cadascú i l?ús que fem de la veritat.

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While many acknowledge that Friedrich Nietzsche and Michel Foucault have redefined our notions of time and history, few recognize the crucial role that "the infinite relation" between seeing and saying (as Foucault put it) plays in their work. Gary Shapiro reveals, for the first time, the full extent of Nietzsche and Foucault's concern with the visual. Shapiro explores the whole range of Foucault's writings on visual art, including the theory of visual resistance, the concept of the phantasm or simulacrum, and his interrogation of the relation of painting, language and power in artists from Bosch to Warhol. Shapiro also shows through an excavation of little-known writings that the visual is a major them in Nietzsche's thought. In addition to explaining the significance of Nietzsche's analysis of Raphael, Durer and Claude Lorrain, he examines the philosopher's understanding of the visual dimension of Greek theatre and Wagnerian opera and offers a powerful new reading of "Thus Spoke Zarathustra". "Archaeologies of Vision" should be a valuable work for all scholars of visual culture as well as for those engaged with continental philosophy.

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'Deeply layered, fiendishly clever and absorbing' Matt Hilton, author of the Joe Hunter seriesThe first gritty thriller in the Avison Fluke series by M. W. Craven, the acclaimed author of The Puppet Show.Detective Inspector Avison Fluke is a man on the edge. He has committed a crime to get back to work, concealed a debilitating illness and is about to be made homeless. Just as he thinks things can't get any worse, the body of a young woman is found buried on a Cumbrian building site.Shot once in the back of the head, it is a cold, calculated execution. When the post-mortem reveals she has gone to significant expense in disguising her appearance, Fluke knows this is no ordinary murder. With the help of a psychotic ex-Para, a gangland leader and a woman more interested in maggots than people, Fluke must find out who she was and why she was murdered before he can even think about finding her killer...Praise for M. W. Craven:'Dark, sharp and compelling' PETER JAMES'Fantastic' MARTINA COLE'Britain's answer to Harry Bosch' MATT HILTON'Thrilling' MICK HERRON'Brilliantly inventive' WILLIAM SHAW'A powerful thriller from an explosive new talent' DAVID MARK

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CRIME NEVER SLEEPS.'CRIME BOOK OF THE YEAR' Daily MailONE OF AMAZON'S BEST MYSTERY/THRILLERS OF THE YEAR* * * * *Detective Renée Ballard works 'The Late Show', the notorious graveyard shift at the LAPD. It's thankless work for a once-promising detective, keeping strange hours in a twilight world of crime.Some nights are worse than others. And tonight is the worst yet.Two shocking cases, hours apart: a brutal assault, and a multiple murder with no suspects.Ballard knows it is always darkest before dawn. But what she doesn't know - yet - is how deep her investigation will take her into the dark heart of her city, the police department and her own past...The Late Show will keep you up all night: it's time to meet Detective Renée Ballard.* * * * *'The new novel from America's greatest living crime writer is a gripping thrill ride that will entrance you and keep you reading until the small hours' Daily Express'It has been more than ten years since Connelly, one of the world's greatest crime writers, last launched a major new character. Superb storytelling - this cements Connelly's place at the very top of the crime-writing tree' Daily Mail'Classy and clever, with a tenacious heroine' Sunday Mirror'Connelly achieves an enormous amount in these pages: he creates a new character who immediately leaps into life; and controls a complex, fast-paced plot full of surprises' Evening Standard'The Late Show introduces a terrific female character: Detective Renée Ballard. The pacing is breathless ... Ballard has astonishing resourcefulness and bravery - she is complicated and driven' New York Times'Although the usual Connelly fingerprints are in evidence here - the real achievement is the creation of his tenacious heroine, Ballard' Guardian'Ballard is significantly more than a Bosch replacement or clone - an absorbing character on her own terms. Connelly has created yet another potentially iconic tarnished knight of those perennially mean streets' Irish Times'A characteristically complex tale of murder and police corruption' Mail on Sunday (Thriller of the Week)'First there was Detective Harry Bosch, then Lincoln lawyer Mickey Haller, and now comes Renee Ballard, ace thriller writer Michael Connelly's first new protagonist in 10 years. A nail-bitingly exciting investigation featuring a finely realised new character from one of America's finest contemporary novelists' Irish Independent

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Ramón Boldú cambia el foco, y de su habitual mirada autobiográfica pasa a centrarse en la historia de Alan, un chico transgénero fan de Batman ?era conocido como Bat Alan? que, con 17 años de edad y tras sufrir serios problemas de bullying en la escuela, acabó suicidándose. El autor catalán arroja luz sobre una tragedia con una nada disimulada vocación de concienciación: servir de ayuda para evitar que se les haga la vida imposible a las personas diferentes hasta tal punto que los agredidos tomen el desesperado camino de quitarse la vida.La escritora, periodista y activista Lolita Bosch, en un texto muy revelador realizado ex profeso para 'Bat Alan. Biografía de un asesinato social', incide en que, a la hora de dar una explicación a la tragedia, la respuesta mayoritaria de la prensa fue la de mantener que ?Alan murió porque era transexual. Nada más alejado y ruin. Alan murió por ser quien era y su intimidad no era asunto nuestro. De otro modo, si seguimos buscando explicaciones a la

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As barriers to international trade and investment have fallen worldwide, multinational enterprises have become the leading engines of economic integration and growth, deploying global strategies to expand their reach. To implement such strategies in an increasingly complex environment, corporations are adopting network forms of organization. This book examines in detail the structures, strategies and processes employed in a variety of global network corporations, offering insight into the demands placed on international managers at every level.Based on the findings of a research project sponsored by the Carnegie Bosch Institute, this is an in depth study of current topics most relevant to international management, with each chapter covering a specific set of issues that confront major corporation managers. Topics include:· Strategic integration and decision making · Structuring of joint ventures · Headquarters -subsidiary relationships and roles · International adaptation of Human Resource Management and Process Reengineering practices· New competences required of international managers and leaders.Featuring contributors from the USA, Europe and Asia, this is a truly international collection that provides detailed analysis of the contemporary multinational enterprise in its global context.

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Easy, thrifty, delicious food with a hefty glug of humour.If you're a young(ish) person who wants to expand their kitchen repertoire beyond pesto-pasta and beans on toast, then you're in luck. Do Yourself a Flavour is full of ways to take your cooking to the next level.Brimming with over 75 recipes, plus tips and tricks for turning leftovers into fabulous meals in their own right, you'll be covered for all situations, from those quick fridge-to-face moments, through to making a delicious dinner to feed your plant-based pals and raging carnivores alike.Including dishes such as Puff Pastry Pizza Florentine; Sweet Potato, Spinach & Chickpea Curry; Mushroom, Ale & Lentil Pie, and Sausage, Squatternut Bosch & Red Onion Traybake, you'll find din-spiration that doesn't require a riot of expensive or bizarre ingredients, utilises the culinary skills you already have, and won't ask you to go and buy more equipment for your (probably) shared, cramped kitchen.Fliss Freeborn is Fortnum and Mason's Cookery Writer of the Year 2023

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The Handbook of Organizational and Managerial Innovation places humans, their acts, practices, processes and fantasies at the core of innovation. Bringing together some of the world's leading thinkers, academics and professionals, both established and emerging, this multidisciplinary book provides a comprehensive picture of the vibrant and engaging field of organizational and managerial innovation.The contributors present organizational and managerial innovation as a complex concept underpinned by varied ontological and epistemological traditions and disciplines. They reveal that it is something that exists and occurs at multiple levels of analysis, and from multiple zones of experience - the experience of managers, workers, psychologists, philosophers and economists.This innovative and engaging book will be an essential resource for researchers, practitioners and students alike with an interest in the role of innovation in organizations.Contributors include: R. Agarwal, J. Bessant, J. Birkinshaw, K. Bjørkeng, C. Boedker, A. Carlsen, H.H. Chiu, S. Clegg, M.P. e Cunha, F. Damanpour, E. Dehlin, R. Green, R. Hall, K. Hydle, E. Josserand, M. Kerrin, R. Lamming, C. Magelssen, M. Mol, R. Northcote, F. Patterson, N. Rapport, A. Rego, J.M. Runnalls, L. Sandelands, G.M.P. Swann, S. Teerikangas, P. Thomas, I.G. Vaccaro, L. Välikangas, F.A.J. Van Den Bosch, F. Villesèche, H.W. Volberda, L. Zibarras

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Based on the eponymous viral Twitter account, Museum Bums, a celebration of classical art, history, and shapely derrieres, encourages readers to learn something new while still managing to have a chuckle. What do Hieronymus Bosch, the Roman cult of Antinous, and the peach emoji all have in common? But of course, butts, of course! Divided into six categories of keisters, this humorous history book takes you on a whirlwind tour of the finest rear ends in museums around the world - from the lusciously rendered bottoms of Renaissance painting to the abstract curves of contemporary art. Heritage scholars and art educators Mark Small and Jack Shoulder pair illuminating social commentary, historical context, and lively captions with captivating depictions of tasteful - and sometimes cheeky - bums in art. Including an angel slyly copping a feel in a sixteenth-century triptych, a twenty-five thousand-year-old bodacious Venus, and Cezanne's dreamy booty-ful bathers, this assortment of artistic behinds is both a celebration and study of the bounty of beautiful bums and their everlasting impressions. Museum Bums invites readers to admire, appreciate, and have a good laugh, all while learning a bit about art and history - a perfect gift for anyone who likes fine arts, museums, and butts.

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THE RIVETING FOLLOW-UP TO THE BESTSELLING FIREWATCHING 'Hard-hitting' SUNDAY TIMES, CRIME BOOK OF THE MONTH 'Comparable with the best of Michael Connelly’s Bosch books and James Lee Burke’s Robicheaux novels, and – naturally – Ian Rankin' AJ FINN_____________________________ NO SECRET CAN STAY BURIED FOREVER​ Sheffield’s Botanical Gardens is an oasis of peace – until one morning when the body of a young woman is found there, buried in a quiet corner. Police determine that she’s been there for months and would have gone undiscovered for years – except someone returned in the dead of night to dig her up. DS Adam Tyler and his team have many questions to answer – who is the victim? Who killed her and hid her body? And who dug her up? Tyler’s investigation draws him into the secretive world of nighthawkers: treasure-hunters who operate under cover of darkness, seeking the lost and valuable . . . and willing to kill to keep what they find.PRAISE FOR RUSS THOMAS 'I’ve got a new man in my life. His name is Adam Tyler. Yorkshireman. Enjoys cold drinks and colder cases. Hangs out in exceptional debut novels and exceptionaller sequels. Firewatching and Nighthawking are comparable with the best of Michael Connelly’s Bosch books and James Lee Burke’s Robicheaux novels, and – naturally – Ian Rankin; but there’s an elegiac quality here that reminds me of Kate Atkinson’s Jackson Brodie titles and the Dublin Murder Squad novels by Tana French' AJ FINN 'I loved it! Nighthawking turns Sheffield into a dark and terrifying underworld, and the plot is wonderfully fresh and original' KATE RHODES 'Superb. Every part of Nighthawking is so well woven together . . . the end dragged me around and spat me out a broken man. Highly recommended' JAMES DELARGY 'In the clever and compulsive Firewatching, DS Adam Tyler navigates a complex cast of villains and victims in a cold case that suddenly turns very, very hot' LOUISE CANDLISH 'A pitch-perfect blend of the best of the old and the best of the new . . . I loved it' LEE CHILD ‘Devoured in three days. A cracking read with a terrific new detective lead. Red hot debut for 2020’ SARAH HILARY 'A great read. Totally absorbed me’ CASS GREEN 'Intelligent, pacy and compelling, it's everything you could want from a crime novel' SARAH WARD, author of the DC Childs mysteries

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"Pack soup, cheese and a copy of How To See Nature by the Bard of Wenlock Edge and Guardian diarist."John Vidal With a title taken from the 1940 Batsford book, this is nature writing for the modern reader. Evans weaves historical, cultural and literary references into his writing, ranging from TS Eliot to Bridget Riley, from Hieronymus Bosch to Napoleon. It is a book both for those that live in the country and those that don't, but experience nature every day through brownfield edge lands, transport corridors, urban greenspace, industrialised agriculture and fragments of ancient countryside. The essays include the The Weedling Wild, on the wildlife of the wasteland: ragwort, rosebay willowherb, giant hogweed and the cinnabar moth; Gardens of Light, about the creatures to be found under moonlight: pipistrelle bats, lacewings and orb-weaver spider; The Flow, with tales from the riverbank, estuaries and seas, including kingfisher, minnow, otter and heron. The Commons looks at meadowland with a human footprint, with the Adonis blue butterfly, horseshoe vetch, skylark, black knapweed and the six-belted clearwing moth. The author also looks at the wildlife returned to Britain, such as wild boar and polecats, and finds nature in and around landscapes as varied as a domestic garden or a wild moor. The book ends with an alphabetical bestiary, an idiosyncratic selection of British wildlife based on the author's personal encounters.

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Shining Lights is the first critical anthology of Black women photographers active in the UK during the 1980s and 1990s, providing a richly illustrated overview of a significant and overlooked chapter of British photographic history. Seen through the lens of Britain's sociopolitical and cultural contexts, the publication tells a unique story from the dual perspectives of lived experience and historical investigation. Edited and researched by Joy Gregory, one of the period's most influential photographic artists, alongside art historian Taous Dahmani, who contributes a keynote essay.The pioneering and diverse work created by Black women practitioners in the UK over the course of these two decades marked an important juncture in both documentary and conceptual practices, including the experimental use of photomontage, self-portraiture, staged imagery, and photography in dialogue with other media. Shining Lights showcases the expertise and evolution of this work, illuminated by ephemera and archival material, new essays and roundtable conversations, foregrounding a variety of individual artistic developments as well as the communities fostered around them. Amongst the fifty-seven photographers included are Maxine Walker, Ingrid Pollard, Claudette Holmes, Roshini Kempadoo, Mohini Chandra, Carole Wright, Joy Gregory, Sutapa Biswas, Maud Sulter, Brenda Agard, Anita McKenzie, Mitra Tabrizian, Poulomi Desai, Virginia Nimarkoh, Jennie Baptiste, Nudrat Afza, Merle Van den Bosch, and Eileen Perrier. Co-published with Autograph, London

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Magic has enchanted humankind for millennia, evoking terror, laughter, shock, and amazement. Once persecuted as heretics and sorcerers, magicians have always been conduits to a parallel universe of limitless possibility—whether invoking spirits, reading minds, or inverting the laws of nature by sleight of hand. Long before science fiction, virtual realities, video games, and the Internet, the craft of magic was the most powerful fantasy world man had ever known. As the pioneers of special effects throughout history, magicians have never ceased to mystify us by making the impossible possible. This book celebrates more than 500 years of the stunning visual culture of the world’s greatest magicians. Featuring more than 750 rarely seen vintage posters, photographs, handbills, and engravings as well as paintings by Hieronymus Bosch and Bruegel among others, The Magic Book traces the history of magic as a performing art from the 1400s to the 1950s. Combining sensational images with incisive text, the book explores the evolution of the magicians’ craft, from medieval street performers to the brilliant stage magicians who gave rise to cinematic special effects; from the 19th century’s golden age of magic to groundbreaking daredevils like Houdini and the early 20th century’s vaudevillians.

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Effectively and ethically leveraging people data to deliver real business value is what sets the best HR leaders and teams apart. Excellence in People Analytics provides business and human resources leaders with everything they need to know about creating value from people analytics. Written by two leading experts in the field, this practical guide outlines how to create sustainable business value with people analytics and develop a data-driven culture in HR. Most importantly, it allows HR professionals and business executives to translate their data into tangible actions to improve business performance, whilst navigating the rapidly evolving world of work. Full of practical tools and advice assembled around the Insight222 Nine Dimensions in People Analytics® model, this book demonstrates how to use people data to increase profits, improve staff retention and workplace productivity as well as develop individual employee experience. Featuring case studies from leading companies including Microsoft, HSBC, Syngenta, Capital One, Novartis, Bosch, Uber, Santander Brasil and American Eagle Outfitters®, Excellence in People Analytics is essential reading for all HR professionals needing to unlock the potential in their people data and gain competitive advantage.

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Work Inequalities in the Crisis provides an in-depth overview of the effects of the crisis on inequalities in the world of work. It examines these inequalities multi-dimensionally, looking at employment, wages and incomes, working conditions and social dialogue. At the same time, it investigates whether the crisis may halt the progress made in Europe towards better quality jobs and working conditions. This book offers a unique combination of research, case studies and policy discussions. An assessment of national trends in 30 European countries precedes case studies of 14 of them, in which noted European specialists report on individual enterprises or sectors. The volume's survey of national- and local-level policy solutions contributes to identifying those responses that strengthen economic competitiveness, preserve social cohesion and do not deepen inequalities. This timely resource will be of particular interest to academics, students and researchers in labor economics, to policy makers, and to those involved in European studies more generally. Contributors include: D. Anxo, G. Bosch, S. Erdogdu, V. Franicevic, J. Gautie, D. Grimshaw, R. Munoz de Bustillo Llorente, J. Masso, K. Krillo, J. Kollo, N. O'Higgins, J. I.A. Perez, A. Rafferty, W. Salverda, V. Tsanov, D. Vaughan-Whitehead

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For many years, de Waal has observed chimpanzees soothe distressed neighbors and bonobos share their food. Now he delivers fascinating fresh evidence for the seeds of ethical behavior in primate societies that further cements the case for the biological origins of human fairness. Interweaving vivid tales from the animal kingdom with thoughtful philosophical analysis, de Waal seeks a bottom-up explanation of morality that emphasizes our connection with animals. In doing so, de Waal explores for the first time the implications of his work for our understanding of modern religion. Whatever the role of religious moral imperatives, he sees it as a “Johnny-come-lately” role that emerged only as an addition to our natural instincts for cooperation and empathy. But unlike the dogmatic neo-atheist of his book’s title, de Waal does not scorn religion per se. Instead, he draws on the long tradition of humanism exemplified by the painter Hieronymus Bosch and asks reflective readers to consider these issues from a positive perspective: What role, if any, does religion play for a well-functioning society today? And where can believers and nonbelievers alike find the inspiration to lead a good life? Rich with cultural references and anecdotes of primate behavior, The Bonobo and the Atheist engagingly builds a unique argument grounded in evolutionary biology and moral philosophy. Ever a pioneering thinker, de Waal delivers a heartening and inclusive new perspective on human nature and our struggle to find purpose in our lives.

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Opening Doors is the first book of its kind: a comprehensive study of the emergence and evolution of the Netherlandish triptych from the early fifteenth through the early seventeenth centuries. The modern term “triptych” did not exist during the period Lynn Jacobs discusses. Rather, contemporary French, Dutch, and Latin documents employ a very telling description—they call the triptych a “painting with doors.” Using this term as her springboard, Jacobs considers its implications for the structure and meaning of the triptych. The fundamental nature of the format created doors that established thresholds, boundaries, and interconnections between physical parts of the triptych—the center and wings, the interior and the exterior—and between types of meaning, the sacred and the earthly, different narrative moments, different spaces, different levels of status, and, ultimately, different worlds. Moving chronologically from early triptychs such as Campin’s Mérode Triptych and Van Eyck’s Dresden Triptych to sixteenth-century works by Bosch, and closing with a discussion of Rubens, Jacobs considers how artists negotiated the idea of the threshold. From her analysis of Campin’s ambiguous divisions between the space represented across the panels, to Van der Weyden’s invention of the “arch motif” that organized relations between the viewer and the painting, to Van der Goes’s complex hierarchical structures, to Bosch’s unprecedentedly unified spaces, Jacobs shows us how Netherlandish artists’ approach to the format changed and evolved, culminating in the early seventeenth century with Rubens’s great Antwerp altarpieces.

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The Handbook of Organizational and Managerial Innovation places humans, their acts, practices, processes and fantasies at the core of innovation. Bringing together some of the world's leading thinkers, academics and professionals, both established and emerging, this multidisciplinary book provides a comprehensive picture of the vibrant and engaging field of organizational and managerial innovation.The contributors present organizational and managerial innovation as a complex concept underpinned by varied ontological and epistemological traditions and disciplines. They reveal that it is something that exists and occurs at multiple levels of analysis, and from multiple zones of experience - the experience of managers, workers, psychologists, philosophers and economists.This innovative and engaging book will be an essential resource for researchers, practitioners and students alike with an interest in the role of innovation in organizations.Contributors include: R. Agarwal, J. Bessant, J. Birkinshaw, K. Bjørkeng, C. Boedker, A. Carlsen, H.H. Chiu, S. Clegg, M.P. e Cunha, F. Damanpour, E. Dehlin, R. Green, R. Hall, K. Hydle, E. Josserand, M. Kerrin, R. Lamming, C. Magelssen, M. Mol, R. Northcote, F. Patterson, N. Rapport, A. Rego, J.M. Runnalls, L. Sandelands, G.M.P. Swann, S. Teerikangas, P. Thomas, I.G. Vaccaro, L. Välikangas, F.A.J. Van Den Bosch, F. Villesèche, H.W. Volberda, L. Zibarras

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'Death is my beat.' Those words, spoken by the narrator and hero of The Poet, Jack McEvoy, could also apply to Michael Connelly. Time and time again in these riveting true crime, non-fiction pieces, we make the connection between Connelly the crime reporter and Connelly the novelist: 'On the day I arrived in Los Angeles I sat in the newspaper editor's office being interviewed for a job on the crime beat. The day before there had been a bank heist in which the thieves had gone into the city's labyrinthine storm water tunnel system to get beneath the bank before tunnelling upward.' Years later that story would become The Black Echo. 'Moments. They kept coming. One morning an editor called me and told me to swing by a murder scene on my way to the office. Just like that, like I was picking up a coffee on the way to work. The murder was on Woodrow Wilson Drive in the Hollywood Hills. I went as instructed and got the story. I also got the place where I would put the home of the fictional detective [Harry Bosch] I had secretly begun writing about . . .' The cops, the killers, the cases - it's all here in a collection that is a MUST for Connelly fans.

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LA Times best-selling author A gritty, atmospheric glimpse into Los Angeles’s noir underworld Ash Levine, the top detective in the LAPD’s elite Felony Special squad, is called out to solve the murder of two young black men found shot to death in a Venice alley. The case is a high priority because one of the victims is the son of City Councilman Isaac Pinkney, a frequent critic of the LAPD. Searching for the killer throws Levine into the world of Los Angeles’s Russian Mafia, Iraq and Afghanistan war veterans, and Middle Eastern archeologists. Ash’s history as a child of a Holocaust survivor gives him a unique perspective on murder, redemption, and justice. His background as a paratrooper in the Israel Defense Forces, and his relentless, single-minded focus on his investigations make him a thoroughly absorbing character. As Ash closes in on the killer, the investigation becomes increasingly complex – and personal. Ash soon discovers that he is not just an investigator, but a target. Corwin introduced Ash Levine in Kind of Blue, a Booklist Top 10 Crime Novel choice in 2011. In Midnight Alley Corwin again uses his hard-earned inside knowledge to provide the reader with a gritty, atmospheric glimpse into Los Angeles’s noir underworld.Perfect for fans of Michael Connelly’s Harry Bosch While the novels in the Ash Levine Crime Series stand on their own and can be read in any order, the publication sequence is:Kind of Blue Midnight Alley

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For many years, de Waal has observed chimpanzees soothe distressed neighbors and bonobos share their food. Now he delivers fascinating fresh evidence for the seeds of ethical behavior in primate societies that further cements the case for the biological origins of human fairness. Interweaving vivid tales from the animal kingdom with thoughtful philosophical analysis, de Waal seeks a bottom-up explanation of morality that emphasizes our connection with animals. In doing so, de Waal explores for the first time the implications of his work for our understanding of modern religion. Whatever the role of religious moral imperatives, he sees it as a “Johnny-come-lately” role that emerged only as an addition to our natural instincts for cooperation and empathy. But unlike the dogmatic neo-atheist of his book’s title, de Waal does not scorn religion per se. Instead, he draws on the long tradition of humanism exemplified by the painter Hieronymus Bosch and asks reflective readers to consider these issues from a positive perspective: What role, if any, does religion play for a well-functioning society today? And where can believers and nonbelievers alike find the inspiration to lead a good life? Rich with cultural references and anecdotes of primate behavior, The Bonobo and the Atheist engagingly builds a unique argument grounded in evolutionary biology and moral philosophy. Ever a pioneering thinker, de Waal delivers a heartening and inclusive new perspective on human nature and our struggle to find purpose in our lives.

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Within months of the start of the First World War, Germany began to run out of the raw materials it needed to make explosives. As Germany faced imminent defeat, chemists such as Fritz Haber and Carl Bosch came to the rescue with Nobel Prize winning discoveries that overcame the shortages and enabled the country to continue in the war. Similarly, Britain could not have sustained its war effort for four years had it not been for chemists like Chaim Weizmann who was later to become the first president of the State of Israel. Michael Freemantle tells the stories of these and many other chemists and explains how their work underpinned and shaped what became known as The Chemists’ War. He reveals: • how chemistry contributed to the care of the sick and wounded and to the health and safety of troops; • how coal not only powered the war but was also an important source of the chemicals needed for the manufacture of explosives, dyes, medicines and antiseptics; • how Britain’s production of propellants relied on the slaughter of tens of thousands of whales; • how a precious metal played a critical role in the war; • how poisonous chemicals were used as weapons of mass destruction for the first time in the history of warfare and how chemists developed gas masks for protection against these weapons; • how the British naval blockade of Germany imperilled agricultural production in the United States. The book will appeal to the general reader as well as the many scientists and historians interested in the Great War.

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Following on the explorations of culture and politics in his previous collection The Good European, the writings in Zest delve into less obvious but important aspects of social life—into manual work and 'dolce far niente', into ancient vernacular craft traditions and the data stockpiles of modernity. Early in the book we visit the Garden of Eden with Hieronymus Bosch, where we share with him the first fruit. It takes us by way of writers, artists, philosophers, travellers, photographers, musicians and flavours into the world of Zest—how we can find it and what its discovery does to us. Bamforth's sensuous, richly nuanced essays affect us as stories do, each one creating a world in which its arguments live and breathe, laugh and explore. He has written extensively about medicine. He is, more than just a widely travelled European, a world traveller: his work as a hospital doctor and general practitioner has taken him to every corner of the planet, working as a public health consultant in various developing countries, especially in Asia. 'Zest' itself occurs in the South of France, with Tobias Smollett, as picaresque a writer and character as Dr Bamforth himself. He is provoking, digressive and often droll. His diverse interests, from Bible studies to communication theory, from photography to the impact of globalisation, and his shifts from botanising in the Garden of Eden to 'botanising on the asphalt' (Walter Benjamin) always keep in sight the philosophical issue that provides Zest's subtitle—'the art of living'.

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A beautifully lyrical collection of essays on the natural world in Britain by the Guardian's country diary writer Paul Evans. With a title taken from the 1940 Batsford book, this is nature writing for the modern reader. It is a book both for those that live in the country and those that don't, but experience nature every day through brownfield edge lands, transport corridors, urban greenspace, industrialised agriculture and fragments of ancient countryside. Evans weaves historical, cultural and literary references into his writing, ranging from TS Eliot to Bridget Riley, from Hieronymus Bosch to Napoleon. The essays include the The Weedling Wild, on the wildlife of the wasteland: ragwort, rosebay willowherb, giant hogweed and the cinnabar moth; Gardens of Light, about the creatures to be found under moonlight: pipistrelle bats, lacewings and orb-weaver spider; The Flow, with tales from the riverbank, estuaries and seas, including kingfisher, minnow, otter and heron. The Commons looks at meadowland with a human footprint, with the Adonis blue butterfly, horseshoe vetch, skylark, black knapweed and the six-belted clearwing moth. Other chapters look at the wildlife returned to Britain, such as wild boar and polecats, and finds nature in and around landscapes as varied as a domestic garden or a wild moor. The book ends with an alphabetical bestiary, an idiosyncratic selection of British wildlife based on the author's personal encounters.

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'This is high quality crime writing' A A DhandThe second dark and twisted thriller in the Avison Fluke series by M. W. Craven, the acclaimed author of The Puppet Show.Investigating how a severed hand ends up on the third green of a Cumbrian golf course is not how Detective Inspector Avison Fluke has planned to spend his Saturday. So when a secret protection unit from London swoops in quoting national security, he's secretly pleased. But trouble is never far away. A young woman arrives at his lakeside cabin with a cryptic message: a code known to only a handful of people and it forces Fluke back into the investigation he's only just been barred from. In a case that will change his life forever, Fluke immerses himself in a world of New Age travellers, corrupt cops and domestic extremists. Before long he's alienated his entire team, has been arrested under the Terrorism Act - and has made a pact with the Devil himself. But a voice has called out to him from beyond the grave. And Fluke is only getting started...Praise for M. W. Craven:'Dark, sharp and compelling' PETER JAMES'Fantastic' MARTINA COLE'Britain's answer to Harry Bosch' MATT HILTON'Thrilling' MICK HERRON'Brilliantly inventive' WILLIAM SHAW'A powerful thriller from an explosive new talent' DAVID MARK

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In Hitting the Brakes, Ann Johnson illuminates the complex social, historical, and cultural dynamics of engineering design, in which knowledge communities come together to produce new products and knowledge. Using the development of antilock braking systems for passenger cars as a case study, Johnson shows that the path to invention is neither linear nor top-down, but highly complicated and unpredictable. Individuals, corporations, university research centers, and government organizations informally coalesce around a design problem that is continually refined and redefined as paths of development are proposed and discarded, participants come and go, and information circulates within the knowledge community. Detours, dead ends, and failures feed back into the developmental process, so that the end design represents the convergence of multiple, diverse streams of knowledge.The development of antilock braking systems (ABS) provides an ideal case study for examining the process of engineering design because it presented an array of common difficulties faced by engineers in research and development. ABS did not develop predictably. Research and development took place in both the public and private sectors and involved individuals working in different disciplines, languages, institutions, and corporations. Johnson traces ABS development from its first patents in the 1930s to the successful 1978 market introduction of integrated ABS by Daimler and Bosch. She examines how a knowledge community first formed around understanding the phenomenon of skidding, before it turned its attention to building instruments to measure, model, and prevent cars’ wheels from locking up. While corporations’ accounts of ABS development often present a simple linear story, Hitting the Brakes describes the full social and cognitive complexity and context of engineering design.

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Text in English and German. Peter Kulka is a major German architect. His buildings in recent years have been characteristically succinct and minimalist. This started with the Sächsischer Landtag in Dresden. Since then Kulka has produced numerous works of high creative ambition. His projects regularly feature in architecture magazines, and also on the arts pages in the daily press. Following a 1996 publication, this is the second monograph on his work. The book accompanies the show of his work in the Deutsches Architektur Museum in Frankfurt am Main from late 2005 to early 2006. The exhibition is based on Kulka's archives, which contain an extensive range of first-class architectural photographs as well as project designs and visual presentations. 22 projects are presented, centred around his work over the past 15 years and leading up to the most recent projects like the rebuilding of the Schloß in his home town of Dresden. Kulka studied under Selman Selmanagic' in Weißensee, Berlin. He then worked with Hermann Henselmann in East Berlin, later moving to Hans Scharoun in West Berlin. He had his first major success in the Herzog, Köpke, Kulka, Töpper and Siepmann partnership with the design for the University of Bielefeld. In 1979 he started his own practice in Cologne, followed by a Dresden branch in 1991. Alongside the Sächsischer Landtag in Dresden, Kulka's best-known designs include the "Haus der Stille" in the Abtei Königsmünster in Meschede, the Bosch Haus Heidehof in Stuttgart, and also the new chamber music hall and the new foyer in the Konzerthaus Berlin, Karl Friedrich Schinkel's former Deutsches Schauspielhaus.

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"An ambitious biography – in graphic-novel style – of an early Anabaptist martyr. Intriguing watercolors – evocative of both Hieronymus Bosch and 1970s pop art – precede the opening pages. … The chapters that follow use accessible language and abundant visual cues in softly colored, action-packed art." —Kirkus ReviewsIn a time of social upheaval, in a city astir with dangerous new ideas, the son of a Catholic priest becomes a leader of a nonviolent revolution.Five hundred years ago, in an age marked by war, plague, inequality, and religious coercion, there were people across Europe who dared to imagine a society of sharing, peace, and freedom of conscience. These radicals were ready to die for their vision. They were executed by the thousands—by water, by fire, and by sword—in both Catholic and Protestant states. Their stories come to life in this graphic novel series that dramatically recreates a little-known chapter in the history of the Reformation.By Water, is a true story of friendship and betrayal set in the Swiss city of Zurich. It chronicles the conflict between establishment reformer Ulrich Zwingli (1484–1531) and his student Felix Manz (1498–1527), who at first reveres Zwingli as a father figure but ends up drowned on Zwingli’s orders for insisting that only adult believers should be baptized. In this dramatic visualization of the birth of the Radical Reformation, water is both wonder and weapon, a symbol of new life and a death sentence.This action-packed, historically accurate account of young people standing up for their convictions against the corrupt political and religious leaders of their day will awaken courage and commitment in young readers today.

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From New York Times bestselling author, legendary Jeopardy! champion, and host Ken Jennings comes a hilarious travel guide to the afterlife, exploring destinations to die for from literature, mythology, and pop culture ranging from Dante’s Inferno to Hadestown to NBC’s The Good Place. Ever wonder which circles of Dante’s Inferno have the nicest accommodations? Where’s the best place to grab a bite to eat in the ancient Egyptian underworld? How does one dress like a local in the heavenly palace of Hinduism’s Lord Vishnu, or avoid the flesh-eating river serpents in the Klingon afterlife? What hidden treasures can be found off the beaten path in Hades, Valhalla, or NBC’s The Good Place? Find answers to all those questions and more about the world(s) to come in this eternally entertaining book from Ken Jennings.100 Places to See After You Die is written in the style of iconic bestselling travel guides—but instead of recommending must-see destinations in Mexico, Thailand, or Rome, Jennings outlines journeys through the afterlife, as dreamed up over 5,000 years of human history by our greatest prophets, poets, mystics, artists, and TV showrunners. This comprehensive index of 100 different afterlife destinations was meticulously researched from sources ranging from the Epic of Gilgamesh to modern-day pop songs, video games, and Simpsons episodes. Get ready for whatever post-mortal destiny awaits you, whether it’s an astral plane, a Hieronymus Bosch hellscape, or the baseball diamond from Field of Dreams. Fascinating, funny, and irreverent, this light-hearted memento mori will help you create your very own bucket list—for after you’ve kicked the bucket.

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The European Social Model has been an integral part of the construction of the European Community and has been effective in stimulating its economic growth. This social dimension represents the soul of the European Union, and has been envied and adopted by other regions and countries in the world.Under the pressure of the 2008 financial crisis and the subsequent introduction of austerity measures across Europe, many countries have reformed basic elements of the model including social protection, pensions, public services, workers' rights, quality of jobs, working conditions and social dialogue, often undermining social cohesion. These trends have raised questions: is Europe currently losing its legacy? If so, what are the social and economic implications, both in the short and longer term? The European Social Model in Crisis assesses social policy developments in each EU individual member state on the basis of detailed empirical evidence and concrete case studies.The volume is a timely warning about the weakening of the European Social Model and its possibly devastating future effects. The alternative options proposed here make the book essential reading for policy-makers, while scholars and researchers of European studies and social policy will find it an invaluable reference.Contributors include: J.I. Antón, D. Anxo, G. Bosch, R. Muñoz de Bustillo Llorente, K. Espenberg, A. Figueiredo, J. Gautié, P. González, D. Grimshaw, M. Karamessini, J. Masso, I. Mierina, Á. Scharle, A. Simonazzi, D. Szikra, D. Vaughan-Whitehead

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The study of Renaissance drawings allows for an intensive exploration of how artists constructed their works and how they thought, often by revealing the artists' ideas through the examination of private images that were deemed inappropriate for more public viewing. Rethinking Renaissance Drawings presents new and original research from art historians and curators from leading universities and museums across North America and Europe. Previous studies on drawings tend to focus on the work of one artist or a small regional group of artists. The essays in this collection address larger issues of the forms and functions of drawing in the Renaissance by exploring a variety of perspectives, including discussions of the process of drawing, the often unorthodox imagery of Renaissance drawings, the collecting and copying of Renaissance drawings, and the works of artists such as Michelangelo, Raphael, Bosch, Parmigianino, Annibale Carracci, Guercino, and Rembrandt. Some of the drawings discussed are exciting new discoveries, published here for the first time, whereas others are familiar works, but shown in a new light. Collectively, these studies offer alternate views of Renaissance art and show more intimate aspects of a period that is often remembered for its paintings and large-scale public monuments. Contributors include David de Witt (Rembrandt House Museum), Stephanie Dickey (Queen's University), Pierre du Prey (Queen's University), David Ekserdjian (University of Leicester), David Franklin (Archive of Modern Conflict), Catherine Monbeig Goguel (Musee du Louvre), Franziska Gottwald (Amsterdam), Sharon Gregory (St Francis Xavier University), Sally Hickson (University of Guelph), Michel Hochmann (Ecole Pratique des Hautes Etudes), Cathleen Hoeniger (Queen's University), Charles Hope (Warburg Institute), Paul Joannides (Cambridge University), Casey Lee (Queen's University), James Mundy (Frances Lehman Loeb Art Center), Aimee Ng (Frick Collection), Sebastian Schutze (University of Vienna), Allison Sherman (Queen's University), Ron Spronk (Queen's University), Steven Stowell (Concordia University), Nicholas Turner (J. Paul Getty Museum), and Catherine Whistler (The Ashmolean).

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With forewords by Jan Bosch, Nokia and Antero Taivalsaari, Sun Microsystems. Learn how to programme the mobile devices of the future! The importance of mobile systems programming has emerged over the recent years as a new domain in software development. The design of software that runs in a mobile device requires that developers combine the rules applicable in embedded environment; memory-awareness, limited performance, security, and limited resources with features that are needed in workstation environment; modifiability, run-time extensions, and rapid application development. Programming Mobile Devices is a comprehensive, practical introduction to programming mobile systems. The book is a platform independent approach to programming mobile devices: it does not focus on specific technologies, and devices, instead it evaluates the component areas and issues that are common to all mobile software platforms. This text will enable the designer to programme mobile devices by mastering both hardware-aware and application-level software, as well as the main principles that guide their design. Programming Mobile Devices: Provides a complete and authoritative overview of programming mobile systems. Discusses the major issues surrounding mobile systems programming; such as understanding of embedded systems and workstation programming. Covers memory management, the concepts of applications, dynamically linked libraries, concurrency, handling local resources, networking and mobile devices as well as security features. Uses generic examples from JavaTM and Symbian OS to illustrate the principles of mobile device programming. Programming Mobile Devices is essential reading for graduate and advanced undergraduate students, academic and industrial researchers in the field as well as software developers, and programmers.

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Sphinxes, hydras, chimeras, dragons, unicorns, griffins, sirens, and centaurs--fantastic animals can be found in works from Greek vases to paintings by Bosch, Goya, and Picasso, from folk art to comic strips, advertising, and Hollywood movies. Here Be Dragons is a lavishly illustrated compendium of the marvelous menagerie of imaginary animals that humans have conjured up over the ages. Ariane and Christian Delacampagne take us on a visually and intellectually riveting journey through five thousand years of art, examining the symbolic meanings of such creatures and what they say about the unconscious life of the human mind. In the Middle Ages, "bestiary" referred to an edifying poem, in Latin or French verse, in which the moral characteristics of real or imaginary animals were highlighted. With the passing of time, this once-flourishing genre disappeared. We have ceased to equate animals that can be observed with those we only dream of, but neither science nor mass culture has managed to chase away imaginary beasts. Such creatures continue to haunt us, just as they haunted our ancestors. In the first book to explore this subject with such cross-cultural and chronological range, the Delacampagnes identify five basic structures (unicorn, human-headed animal, animal-headed human, winged quadruped, and dragon) whose stories they relate from prehistory to the present day. They also provide fascinating sociological and psychoanalytical insight into the processes through which artists have created these astonishing animals and how they have been transmitted from culture to culture. Contrary to what people once believed, the fantastic exists only in the mind. And yet, as Here Be Dragons shows us, it is one of the mind's most sophisticated, mysterious, and inspiring creations.

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'Superbly realised. You'll go a long way before you find a better-written thriller this year' THE TIMESBreathtaking . . . filled with twists and turns' JEFFERY DEAVER *Featured on The Times' Best Summer Reading of 2022**Featured on Crimereads' Most Anticipated Crime Books of 2022!* ______________A small town. A deadly secret.A race against an invisible killer . . .Southern California, 1987. Rancho Santa Elena might look like paradise, but a series of violent hate crimes are disturbing the peace. When Detective Benjamin Wade starts investigating, it becomes clear that the locals are hiding a secret - one they'll die to protect.With forensic expert Natasha Betencourt at his side, Ben uncovers a mysterious gang of youths involved in the town's growing white power movement. What he doesn't know is that they are part of something much bigger - a silent organisation of terror who are luring young men in using new technology.Ben zeroes in on the gang's freshest young recruit, hoping he will lead him to the mastermind of the operation. But as he digs deeper, he is forced to confront uncomfortable truths about himself and his community. And as Ben comes closer to discovering the truth, the killer is drawing closer to Ben. . .* * *Praise for Alan Drew 'Everything a great thriller should be' LEE CHILD'A vivid portrait of a seedy world' GRAHAM MOORE'Revises the old detective story and turns it in several fascinating directions' COLUM MCCANN'A clarity and wisdom reminiscent of Michael Connelly's Harry Bosch' DAILY MAIL 'Smart, chilling, and impossible to put down' WILLIAM LANDAY'The sort of magically absorbing novel that keeps you turning the pages and checking the locks on the door' LAUREN GRODSTEIN

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'Superbly realised. You'll go a long way before you find a better-written thriller this year' THE TIMESBreathtaking . . . filled with twists and turns' JEFFERY DEAVER *Featured on The Times' Best Summer Reading of 2022**Featured on Crimereads' Most Anticipated Crime Books of 2022!* ______________A small town. A deadly secret.A race against an invisible killer . . .Southern California, 1987. Rancho Santa Elena might look like paradise, but a series of violent hate crimes are disturbing the peace. When Detective Benjamin Wade starts investigating, it becomes clear that the locals are hiding a secret - one they'll die to protect.With forensic expert Natasha Betencourt at his side, Ben uncovers a mysterious gang of youths involved in the town's growing white power movement. What he doesn't know is that they are part of something much bigger - a silent organisation of terror who are luring young men in using new technology.Ben zeroes in on the gang's freshest young recruit, hoping he will lead him to the mastermind of the operation. But as he digs deeper, he is forced to confront uncomfortable truths about himself and his community. And as Ben comes closer to discovering the truth, the killer is drawing closer to Ben. . .* * *Praise for Alan Drew 'Everything a great thriller should be' LEE CHILD'A vivid portrait of a seedy world' GRAHAM MOORE'Revises the old detective story and turns it in several fascinating directions' COLUM MCCANN'A clarity and wisdom reminiscent of Michael Connelly's Harry Bosch' DAILY MAIL 'Smart, chilling, and impossible to put down' WILLIAM LANDAY'The sort of magically absorbing novel that keeps you turning the pages and checking the locks on the door' LAUREN GRODSTEIN

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Text in German & English. The architect is at all times also an artist. How otherwise would he be able to tame the three-dimensionality of space and subdue the urges of physics and structural mechanics with the creations of his fantasy? This creativity is however mostly restricted purely to its own field. In this respect, Rob Krier, born in 1938 in Grevenmacher, Luxembourg, is indeed the proverbial exception that proves the rule. Besides his actual profession, which demands his daily attention, Krier has for years also made a vocation of his love of art, one which he nurtures parallel to his work. Fine art could stand in dialogue with architecture and it is Krier's ambition to have iconographic themes brought into the latter, so that they might speak equally to both the occupants of a building and to bystanders and move them to thoughtful reflection. In the works of Mies van der Rohe it is not rare that one finds naturalistic figures from, for example, Aristide Maillol or Wilhelm Lehmbruck -- as an anthropomorphic contrast to the strict geometry of the architecture, notes Rob Krier in the comments on his journal. If one is already aware of the realisation of his masterful architectural accomplishments through projects such as Potsdam-Kirchsteigfeld (1991 to 1997), De Resident in The Hague (1993-2001), Noorderhof in Amsterdam (1994-99), Veste Brandevoort near Helmond (since 1995), Citadel Broekpolder near Beverwijk (2000-04), or the Cité Judiciaire in Luxembourg (1992-2008) -- be assured, Krier's artistic skills are in no way inferior to his architectural work. Quite the contrary: as a sculptor and illustrator, too, Rob Krier brings together extraordinarily musical qualities and incorporates them into his work: his bronze The Jumper was erected in Montpellier in 2004, the Cowering Woman ten years earlier on Berlin's Friedrichstraße, the four metre-high duo Bosch i Alsina and Papasseit on Moll de la Fusta in Barcelona in 1992.

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Reprint of this bestselling title on contemporary jewelry. An introduction into art jewelry in light of current trends in contemporary fine art and society On Jewellery offers a comprehensive overview of the trends and role of contemporary international jewelry art from the 1960s to today, shown within the context of corresponding trends in art and society. This publication is dedicated to themes such as interdisciplinary collaboration, new means of presentation and contextualization. It also incorporates photography and the relationships between jewelry and the body, jewelry and ornament and new interpretations of traditional technical skills. Furthermore it considers aspects such as terminology and strategies, positioning, prejudices and the significance of content with regard to jewelry. On this basis this publication offers a synopsis of what jewelry art is and what it can be. Its aim is to reveal the characteristics, language and potential of jewelry. A bibliography of the most important works of jewelry art, a directory of jewelry galleries, museums and educational institutions make On Jewellery a compact handbook of contemporary jewelry art. Artists featured include Pia Aleborg, Gijs Bakker, Melanie Bielenker, Manfred Bischoff, Helen Britton, Paul Derrez, Iris Eichenberg, Warwick Freeman, Otto Kunzli, Daniel Kruger, Yuka Oyama, Robert Smit, Annamaria Zanella and Christoph Zellweger. Contents: Beyond the Showcase; Conceptual Jewellery; Jewellery and Photography; Reading Jewellery; Borderline Jewellery; Jewellery and the Body; Jewellery and Ornament; Jewellery and the Goldsmith's Skill; The Language of Jewellery; Documentation: Manifests. Since 1985, Liesbeth den Besten has worked free lance as a writer for newspapers, art and design magazines and exhibition catalogues. She is active as an advisor and jury member for Dutch and international governmental institutions, exhibitions and competitions, and lectures about contemporary jewelry and crafts at international conferences and art academies. She is chairwoman of the Francoise van den Bosch Foundation for contemporary jewelry and one of the founding members of Think Tank, a European Initiative for the Applied Arts.

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Thrilling, Wonder, Captain America, America's Best, Marvel, Exciting, Startling: Alex Schomburg produced the most dazzling array of high-quality comic-book covers in the Golden Age of American Comics. Spider-Man, Hulk, and X-Men co-creator Stan Lee said, "Alex Schomburg was to comic books what Norman Rockwell was to The Saturday Evening Post." Golden Age comic books with Schomburg covers are selling for record prices in America's leading auction houses. This book collects, for the first time, a host of tantalizing Schomburg treasures in one volume. Superheroes, jungle girls, robots, wild animals, and space travelers abound in these romantic and nostalgic Pop-Art icons of the bygone WWII era. Alex Schomburg has won every major award for both science fiction and comic book art, from the Hugo Lifetime Achievement Award to the Inkpot, the Doc Smith Lensman Award, and the Frank R. Paul Award. He was inducted posthumously into the Eisner Awards Hall of Fame. During WWII, Schomburg turned out a plethora of ornate, flamboyant, and outrageously pro-American comic book covers jammed with detail. Schomburg was Timely-Marvel's definitive 1940s cover artist. Ron Goulart, author of Comic Book Culture, called Schomburg the undisputed champ and Hieronymous Bosch of comics artists. After the war, Schomburg's comics subjects shifted toward adorable pin-up quality jungle girls and sci-fi (often signed "Xela") in the trademark airbrush style that made the artist famous as a book and magazine illustrator. About this book, Harlan Ellison said, "Finally and at last! The magnificent answer to the question, 'What do you buy for the Man Who Has Everything?' No matter what age he may be, this every-page-a-wonder assemblage of Schomburg paintings will thrill, charm and delight any guy on his anniversary, birthday, holiday or need for apology from you. It might please women, too, but for guys, for sure."

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Hans Memling’s altarpiece for the high altar of Santa María la Real in Nájera (1483-1494) must have been one of the most spectacular Flemish art works in the Iberian Peninsula. Only three panels survive in the Antwerp Royal Museum of Fine Arts : God surrounded by singing and music-making angels. The retable’s central theme was the mystery of the Assumption of the Blessed Virgin. The iconography of the whole has been described by Jovellanos at the end of the 18th century. From c. 1482 on, dozens of monumental altarpieces dedicated to the Assumption of the Virgin in conjunction with Christological themes have been created throughout Spain. They focus on the complex role of the Holy Virgin, her triumph and glorification. It was a common belief that she was the only human to have borne up bodily into heaven. Although ‘Maryam’ was held in very high esteem by Muslims too - and as such, she was a interreligious ‘bridge’ -, her role as Theotokos or Mother of God was a point of conflict. During the last phase of the Reconquista, to Iberian Christians, the Assumption served as an image of the Church/Faith Triumphant, not as a conciliatory belief. Paul Vandenbroeck has worked with the Collection Research Department of the Royal Museum of Fine Arts Antwerp from 1980 to 2018 and he has held a part-time professorship with the Anthropology Research Group IMMRC, Social Sciences Faculty of KU Leuven, since 2003. He is an art graduate from that same university and obtained his PhD in 1986. His main research interests are the oeuvre of Hieronymus Bosch, iconography of early modern art in the Low Countries, iconological questions regarding figurative and abstract art, North African domestic textile art, and topics on the interface between art and anthropology.

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What if you discovered a blueprint that could grow your brand’s reputation and loyalty, dramatically reduce customer service issues, produce content and technology, and cement a powerful, lasting relationship between you and your customers?Communities have been a popular topic since the rise of the Internet and social media, but few companies have consistently harnessed their power, driven tangible value, and effectively measured their return on investment (ROI) like Salesforce.com, Star Citizen via Kickstarter, and Red Hat. Companies such as PayPal, Facebook, Bosch, Microsoft, CapitalOne, and Google, have also built communities inside their organizations, which have fostered innovation, broken down silos, and helped their organizations to operate more efficiently and collaboratively.People Powered helps C-suite leaders, founders, marketers, customer advocates, and community leaders gain a competitive advantage by answering the following questions: What is the key value proposition of building a community? What kind of community do we need and how do we build and integrate it into our organization? How do we incentivize and encourage people to get involved, build reliable growth, and keep community members engaged? How do we develop authentic, productive relationships with community members both online and in person? How do we get departmental buy-in, hire effectively, and create consistent, reliable community engagement skills in our organization? What are the strategic and tactical pitfalls and roadblocks we need to avoid? How do we make sure that our community continues to grow with us—and more importantly, how do we make sure that we continue to grow with them? People Powered pulls together over 20 years of pragmatic experience into a clear, simple methodology and blueprint to not just answer these questions, but deliver results.Don’t get left behind—become an industry trailblazer and ensure your company’s longevity by tapping into the most dynamic force both outside and inside your organization: the people.

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Corporate Explorers Transform Disruption Into Opportunity With This Proven Framework Innovation used to be seen as a game best left to entrepreneurs, but now a new breed of corporate managers is flipping this logic on its head. These Corporate Explorers have the insight, resilience, and discipline to overcome the obstacles and build new ventures from inside even the largest organizations. Corporate Explorers are part entrepreneurs, using innovation disciplines to jump start cutting-edge ideas, and part change leaders, capable of creating support for investment. They see that corporations already own the ideas, resources, and—critically—the talent to build new ventures. Companies like Amazon, Microsoft, Bosch, LexisNexis, and Analog Devices enable managers to put these assets to use and gain an upper hand over startups that threaten to disrupt them. Corporate Explorer is a guidebook to the practices that enable these managers to go from idea into action. It demonstrates how success is not only possible but may offer entrenched companies better odds than venture-capital backed startups. This actionable and proven framework explains how managers can become successful corporate innovators; it includes tools to: Learn how to apply innovation practices with greater discipline Turn great ideas into a full-time job as an innovation leader Experiment with and scale original business models Transform innovation programs into a thriving source of new business Attract, retain, and motivate entrepreneurial talent Energize employees by creating a realistic way to innovate These lessons come from the trailblazers of corporate innovation—Andrew Binns (Change Logic), Charles O'Reilly (Stanford Graduate School of Business), and Michael Tushman (Harvard Business School)—who have decades of experience helping entrepreneurial-minded executives activate employees to become Corporate Explorers. Entrepreneurs take notice—it's time for Corporate Explorers to set the pace and chart the course for disruption.

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In this volume Christina Di Cerbo and Richard Jasnow publish 92 Demotic graffiti, along with several ostraca and mummy bandages, from Theban Tombs 11, 12, Tomb -399-, and environs recorded and studied under the aegis of the Spanish Mission at Dra Abu el-Naga directed by Jose Galan. These texts from the mid-second century BCE were inscribed on the tomb walls by workers of the Ibis and Falcon cult, who used the New Kingdom tombs as burial places for mummified birds dedicated to the gods Thoth and Horus. This varied corpus of texts includes not only votive formulae and lists of names, but, most unusually, labels for chambers and halls to guide the men depositing the mummies through the labyrinthine catacombs. The cult workers also recorded important burials and memorialized events of special significance, as when a massive conflagration broke out that consumed several mummies and damaged the tomb walls. The Mission's conservators recovered many hitherto virtually invisible graffiti. Numerous inscriptions posed daunting epigraphic challenges; the text editors employed computer applications, especially DStretch, in order to enhance the digital images forming the basis for decipherment. In an introductory chapter Galan discusses the work of the Spanish Mission at Dra Abu Naga and recounts the complicated history of this important area of the Theban Necropolis down to the Roman period. The graffiti illustrate how New Kingdom tombs were reused for the sacred animal cult in the Ptolemaic period. Francisco Bosch-Puche and Salima Ikram contribute a detailed chapter analysing the archaeological context of the graffiti and the material evidence for the animal cult in the site. The volume, a holistic study of this area at the twilight of Pharaonic history, represents a true collaboration between archaeologists and philologists.

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Encompassing a broad range of innovative studies on planning support science, this timely Handbook examines how the consequences of pressing societal challenges can be addressed using computer-based systems. Chapters explore the use of new streams of big and open data as well as data from traditional sources, offering significant critical insights into the field. Contributions from key scholars from around the world demonstrate how mature the field of planning support science has become in providing support for practitioners to confront diverse problems. The Handbook analyses a carefully selected range of case studies looking at digitization, big data, geodesign, applied modelling, smart city instruments and planning support systems. It addresses key urban challenges including traffic congestion, neighbourhood gentrification and urban heat-island formation, providing examples of how planning practitioners can improve modern urban conditions. Scholars of urban and regional studies as well as human geographers will find this to be a critical reference on the topic. With examples of planning applications from across the world, this will also be a key resource for urban and regional planners and policy-makers. Contributors include: J. Barton, R. Behrens, C. Biderman, M. Birkin, S. Blanchard, P. Boden, M. Campagna, Y. Chen, H. Chou, J. Claassens, C. Daniel, C. de Boer, B. Deal, Z. Deng, S. Eagleson, F. Fernandez, F. Figari, J. Flacke, Q.-L. Gao, S. Geertman, X. Goldie, R. Goodspeed, P. Greenwood, Y. Gu, S. Guhathakurta, J.D. Hamerlinck, N. Hood, R. Hughes, W. James, E. Janowicz, R. Janssen, M. Kahila-Tani, R. Kingston, B.W. Koo, E. Koomen, P. Krause, H.R. Kwon, M. Kyttä, S.Z. Leao, J. Li, S. Li, X. Li, S. Lieske, J. Liu, L. Liu, Z. Liu, O. Lock, N. Lomax, Y. Long, R. Lovelace, I. Luque-Martín, J. Martinez, S. Maurer, T. Moyo, W. Musakwa, A. Newing, H. Niu, P. Pelzer, C. Pettit, K. Pfeffer, S. Pinnegar, E. Punt, B. Rijken, R. Sieber, E.A. Silva, A.P. Smith, A. Staffans, I. Sterland, J. Stillwell, B. Stimson, T. Su, D.C. Swiatek, Z. Tomor, F. van den Bosch, V. Vlastaras, P. Waddell, S. Wang, M. Wegener, C. Whitcomb, P. Witte, A.G.O. Yeh, Y. Yue, G. Zhang, X. Zhang, N. Zhao, Z. Zheng, X. Zhou, M. Zuidgeest

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Modern viewers take for granted the pictorial conventions present in easel paintings and engraved prints of such subjects as landscapes or peasants. These generic subjects and their representational conventions, however, have their own origins and early histories. In sixteenth-century Antwerp, painting and the emerging new medium of engraving began to depart from traditional visual culture, which had been defined primarily by wall paintings, altarpieces, and portraits of the elite. New genres and new media arose simultaneously in this volatile commercial and financial capital of Europe, home to the first open art market near the city Bourse. The new pictorial subjects emerged first as hybrid images, dominated by religious themes but also including elements that later became pictorial categories in their own right: landscapes, food markets, peasants at work and play, and still-life compositions. In addition to being the place of the origin and evolution of these genres, the Antwerp art market gave rise to the concept of artistic identity, in which favorite forms and favorite themes by an individual artist gained consumer recognition. In Peasant Scenes and Landscapes, Larry Silver examines the emergence of pictorial kinds—scenes of taverns and markets, landscapes and peasants—and charts their evolution as genres from initial hybrids to more conventionalized artistic formulas. The relationship of these new genres and their favorite themes reflect a burgeoning urbanism and capitalism in Antwerp, and Silver analyzes how pictorial genres and the Antwerp marketplace fostered the development of what has come to be known as "signature" artistic style. By examining Bosch and Bruegel, together with their imitators, he focuses on pictorial innovation as well as the marketing of individual styles, attending particularly to the growing practice of artists signing their works. In addition, he argues that consumer interest in the style of individual artists reinforced another phenomenon of the later sixteenth century: art collecting. While today we take such typical artistic formulas as commonplace, along with their frequent use of identifying signatures (a Rothko, a Pollock), Peasant Scenes and Landscapes shows how these developed simultaneously in the commercial world of early modern Antwerp.

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The Art of Darkness is a visually rich sourcebook featuring eclectic artworks that have been inspired and informed by the morbid, melancholic and macabre. Throughout history, artists have been obsessed with darkness – creating works that haunt and horrify, mesmerise and delight and play on our innermost fears. Gentileschi took revenge with paint in Judith Slaying Holofernes while Bosch depicted fearful visions of Hell that still beguile. Victorian Britain became strangely obsessed with the dead and in Norway Munch explored anxiety and fear in one of the most famous paintings in the world (The Scream, 1893). Today, the Chapman Brothers, Damien Hirst and Louise Bourgeois, as well as many lesser known artists working in the margins, are still drawn to all that is macabre. From Dreams & Nightmares to Matters of Mortality, Depravity & Destruction to Gods & Monsters – this book introduces sometimes disturbing and often beautiful artworks that indulge our greatest fears, uniting us as humans from century to century. But, while these themes might scare us – can’t they also be heartening and beautiful? Exploring and examining the artworks with thoughtful and evocative text, S. Elizabeth offers insight into each artist’s influences and inspirations, asking what comfort can be found in facing our demons? Why are we tempted by fear and the grotesque? And what does this tell us about the human mind? Of course, sometimes there is no good that can come from the sensibilities of darkness and the sickly shivers and sensations they evoke. These are uncomfortable feelings, and we must sit for a while with these shadows – from the safety of our armchairs. Artists covered include Pablo Picasso, Georgia O'Keeffe, Francisco de Goya, Leonora Carrington, John Everett Millais, Tracey Emin, Vincent van Gogh, Barbara Hepworth, Paul Cezanne and Salvador Dalí, as well as scores more. With over 200 carefully curated artworks from across the centuries, The Art of Darkness examines all that is dark in a bid to haunt and hearten. This book is part of the Art in the Margins series, following up on The Art of the Occult, which investigates representations of the mystical, esoteric and occult in art from across different times and cultures.

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