Search results for ""Blume""

In this poignant middle grade novel, a struggling student joins her school's celebrated quiz team in a bid to avoid failing eighth grade. Marianne Blume knows she's one of the stupid kids. After years of trying and trying and feeling like she's always failing, she has mastered the art of turning off her brain whenever questions or lectures arise. She gets by in school on a combination of luck, deflection, and charisma-that is, until she lands in the classroom of Mr. Garcia. To avoid flunking Mr. Garcia's class, Marianne joins her school's Quiz Quest team, hoping the move will ingratiate her to him, the team's coach. Can Marianne learn to be smart if she puts her mind to it? And what does it really mean to be 'bright,' anyway? Brigit Young's Bright is a readable and empowering story about bucking labels, overcoming preconceptions, and learning to find-and uphold-your own self-worth. Praise: "A winning story about persevering and being enough. I fell in love with Marianne - my heart broke for her even as I was cheering her on. I wanted to wrap her in a hug and tell her to believe in herself. Friendship and heart make Bright a touching and joyful read." -Debbi Michiko Florence

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It''s the summer of 1982 and fourteen-year-old Swanna Swain is the only one left at camp. The place is a ghost town by the time her mother Val finally shows up six hours late-stoned and radiant-in a Ford pickup driven by Borislav, her new young Russian lover. Assuming she is headed home to her air-conditioned Upper West Side apartment, Swanna and her lovable younger brother Madding are instead dragged to Vermont-to an artist colony where kids are not welcome and they are forced to sleep in the back of the truck, while Val is cosy inside the house with the Russian. Then Swanna meets Dennis, a handsome married father of two, at a bowling alley, and, knowing a thing or two about seduction from Judy Blume, her best friend at camp, and her own parents'' many affairs-she sets out to convince Dennis to help her. But love seldom obeys rules, and even a tough, smart, city girl like Swanna might not be able to handle falling in love. Best-selling novelist Jennifer Belle returns with a kind of in

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Bath, 1852. As a girl, Nancy Blume would go to Bath's Theatre Royal, sit on the hard wooden benches and stare in awe at the actresses playing men as much as the women dressed in finery. She longed to be a part of it all and when a man promised her parents he could find a role for Nancy in the theatre, they believed him. His lie and betrayal led to her ruin. Francis Carlyle is a theatre manager, an ambitious man always looking for the next big thing to take the country by storm. A self-made man, Francis has finally shed the skin of his painful past and is now rich, successful and in need of a new female star. Never in a million years did he think he'd find her standing on a table in one of Bath's bawdiest pubs. Nancy vowed never to trust a man again. Francis will do anything to make her his star. As they engage in a battle of wits and wills, can either survive with their hearts intact? The second in Rachel Brimble's thrilling new Victorian saga series, Trouble for the Leading Lady will whisk you away to the riotous, thriving underbelly of Victorian Bath.

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Earning critical acclaim and commercial success upon its 1998 release, Rushmore—the sophomore film of American auteur Wes Anderson—quickly gained the status of a cult classic. A melancholic coming-of-age story wrapped in comedy drama, Rushmore focuses on the efforts of Max Fischer (Jason Schwartzman)—a brazen and precocious fifteen-year-old—to find his way. Restless, energetic, struggling, and overcompensating for his insecurities, Max pursues a dizzying range of possible futures, leading him into the orbit of local steel magnate Herman Blume (Bill Murray), elementary school teacher Rosemary Cross (Olivia Williams), and a host of cooperative schoolmates who help him to stage lavish film-derivative plays. Kristi McKim’s compelling study of the film argues that despite the film’s titular call for haste and excess (rush/more), it challenges a drive toward perfectionism and celebrates the quiet connections that defy such passion and speed. After establishing Rushmore’s history and reception, McKim closely reads Rushmore’s energetic musical montages relative to slower moments that introduce tenderness and ambiguity, in a form subtler than Max’s desire-built drive or genre-based plays. Her analysis offers an urgent corrective to what might be perceived as an endearing portrait of privilege that perpetuates a status quo power. Drawing out Rushmore’s subtleties that soften, temper, ease, expand, and equalize the film’s zeal, she reads the film with a generosity learned from the film itself.

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A love letter to the joys of childhood reading from Wonderland to Narnia.When Lucy Mangan was little, stories were everything. They opened up new worlds and cast light on all the complexities she encountered in this one.She was whisked away to Narnia - and Kirrin Island - and Wonderland. She ventured down rabbit holes and womble burrows into midnight gardens and chocolate factories. She wandered the countryside with Milly-Molly-Mandy, and played by the tracks with the Railway Children. With Charlotte's Web she discovered Death and with Judy Blume it was Boys. No wonder she only left the house for her weekly trip to the library or to spend her pocket money on amassing her own at home.In Bookworm, Lucy revisits her childhood reading with wit, love and gratitude. She relives our best-beloved books, their extraordinary creators, and looks at the thousand subtle ways they shape our lives. She also disinters a few forgotten treasures to inspire the next generation of bookworms and set them on their way.Lucy brings the favourite characters of our collective childhoods back to life - prompting endless re-readings, rediscoveries, and, inevitably, fierce debate - and brilliantly uses them to tell her own story, that of a born, and unrepentant, bookworm.'Passionate, witty, informed, and gloriously opinionated' Jacqueline Wilson author of The Story of Tracy Beaker

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THE SUNDAY TIMES BESTSELLER ‘This is Pride and Prejudice 2.0 and I must confess, I liked it more than the original’ STYLIST ‘Bold and brilliant’ GLAMOUR 'Sheer joy… Giddy and glam and a hearty update of Pride and Prejudice’ JESSIE BURTON, author of The Miniaturist Liz and Jane Bennet are good daughters. They’ve come home to suburban Cincinnati to get their mother to stop feeding their father steak as he recovers from heart surgery, to tidy up the crumbling Tudor-style family home, and to wrench their three sisters from their various states of arrested development. Once they are under the same roof, old patterns return fast. Soon they are being berated for their single status – and for two successful women in their late thirties, it really is too much to bear. That is, until the Lucas family’s BBQ throws them in the way of some eligible single men . . . In this dazzling, heart-warming read, the much-loved classic Pride and Prejudice is catapulted into our modern world, singing out with hilarity and truth.__________________________________________________ Praise for ELIGIBLE: ‘If there exists a more perfect pairing than Curtis Sittenfeld and Jane Austen, we dare you to find it’Elle ‘These days, if Curtis Sittenfeld writes it, I read it’ Judy Blume ‘Eligible has all the charm, wit and romance of Pride & Prejudice…an absolute delight’ Red ‘Dazzling’Woman and Home ‘Such a feast of a book’ Nigella Lawson ‘Not since “Clueless,” has Austen been so delightedly interpreted’ New York Times

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The ultimate and most comprehensive collection of Slim Aarons photography ever released, featuring more than 100 previously unpublished images This luxe edition provides a deep and comprehensive look at the groundbreaking career of Slim Aarons, spanning five decades. The book begins with Slim’s field work as an Army photographer and continues through his fledgling days in Hollywood, opening the LIFE bureau in Rome, fashion and travel shoots for Holiday, and finally traveling the world for Harper’s Bazaar. With a new and definitive biographical essay, spotlights on key moments in his career, and exclusive insight from former associates, Slim Aarons: The Essential Collection gives readers an unprecedented look into Slim’s private world. Author Shawn Waldron’s text digs into Slim’s biography in unprecedented detail and reveals new information, while award-winning journalist, historian, and New York Times bestselling author Lesley Blume provides historical context to Slim’s career. Additionally, Slim’s former assistant and author Laura Hawk reveals the intricacies of her and Slim’s friendship, and historian, author, and Vanity Fair contributing editor Nick Foulkes explores Slim’s influence on our current cultural moment. After five previous books, Slim Aarons: The Essential Collection presents the best of the previous image collections, including hundreds of iconic photos, along with more than 100 rare and previously unpublished works. This beautifully produced book, a tribute to Slim Aarons’s incredible contribution to modern photography, is the result of intensive scholarship and research, making it a must-have for any Slim fan and photography lover.

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Originally published in 1970. For Sigurd Burckhardt, literary interpretation began with the discovery of an "inconsistency" in a text. Minimizing the possibility that the writer has "unconsciously" fallen into an inconsistency in the use of material, the true interpreter, Burckhardt believes, abandons a tendency to "correct" the writer and seeks instead a new formulation by which the inconsistency can be seen as a part of a work's essential unity. "Whether I search for the meaning of a word or for the meaning of my life," he wrote, "I am looking for something under which I can subsume the otherwise unrelated and meaningless particular so as to place it in a larger order." That method, so characteristic of Burckhardt's criticism, underlies his studies of Goethe and Kleist and unifies the essays of this volume. Prior to his death in December 1966, Professor Burckhardt had considered the possibility of collecting his writings on Goethe and Kleist. One essay had never been published; others had appeared only in German or were available in scattered sources. The preparation of the essays for publication, a service of professors Bernhard Blume and Roy Harvey Pearce, makes possible this impressive demonstration of their late colleague's interest in German literature. The seven critical studies are introduced by an essay that makes explicit the concern for language implicit throughout the volume. Burckhardt proceeds by close adherence to the text and by analysis of its writer's use of language and structure. He interprets Goethe's Prometheus, Pandora, Iphigenie, Tasso, Die natürliche Tochter, and Egmont and Kleist's Prinz Friedrich von Homburg and Die Hermannsschlacht. He provides original and challenging interpretations, shaping each into a self-contained entity.

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'The gay summer camp romp of my dreams' - Cale Dietrich, author of The Love Interest Sixteen-year-old Randy Kapplehoff loves spending the summer at Camp Outland, a camp for queer teens. It's where he met his best friends. It's where he takes to the stage in the big musical. And it's where he fell for Hudson Aaronson-Lim - who's only into straight-acting guys and barely knows not-at-all-straight-acting Randy even exists.This year, though, it's going to be different. Randy has reinvented himself as 'Del' - buff, masculine and on the market. Even if it means giving up show tunes, nail polish and his unicorn bedsheets, he's determined to get Hudson to fall for him.But as he and Hudson grow closer, Randy has to ask himself how much is he willing to change for love. And is it really love anyway, if Hudson doesn't know who he truly is?'A bang up-to-date Judy Blume teenage rom-com for the inclusive, switched-on generation' - Justin Myer, aka The Guyliner'Super sweet' - Gscene MagazinePraise for Jack of Hearts (And Other Parts) 'Jack of Hearts might be the most important queer novel of the decade' Gay Times 'Jack of Hearts won my heart' Courtney Act 'This book is filth' Julian Clary 'The affirming, sex-positive, brilliant new book that puts the "adult" into young adult literature' Attitude 'Humane, sex-positive writing of the funniest, filthiest and most heartening kind' The Guardian

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THE NEW YORK TIMES BESTSELLER 'Busy is a legit writer with a voice as clear as a bell' Tina Fey 'Funny, refreshingly candid memoir about Hollywood, motherhood and BFFhood' Cosmopolitan'Judy Blume meets Karl Ove Knausgaard meets one brave woman from Arizona' Miranda JulyA memoir by the beloved comedic actress known for her roles on Freaks and Geeks, Dawson's Creek, and Cougartown who has become 'the breakout star on Instagram stories . . . imagine I Love Lucy mixed with a modern lifestyle guru' (New Yorker).Busy Philipps's autobiographical book offers the same unfiltered and candid storytelling that her Instagram followers have come to know and love, from growing up in Scottsdale, Arizona and her painful and painfully funny teen years, to her life as a working actress, mother, and famous best friend.Busy is the rare entertainer whose impressive arsenal of talents as an actress is equally matched by her storytelling ability, sense of humor, and sharp observations about life, love, and motherhood. Her conversational writing reminds us what we love about her on screens large and small. From film to television to Instagram, Busy delightfully showcases her wry humor and her willingness to bare it all.'I've been waiting my whole life to write this book. I'm just so grateful someone asked. Otherwise, what was the point of any of it??''Candid, painful and extremely wryly funny' Stylist'Like most women, famous or not, bad things have happened to Busy Philipps - as well as weird stuff, jawdropping stuff and heartwarming stuff' Refinery29'This Will Only Hurt a Little has stopped me in my tracks completely' Sophie Heawood, Observer

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Because every wife deserves a happy ending. Three best friends decide they’re finally done with their ex-husbands taking their work as wives and moms for granted. They’re ready to monetize the mental load, stick it to their exes, and have a wild ride in the process in this novel that is “fresh, funny, empowering, and totally satisfying” (Judy Blume).Lauren, mother of twins, wakes up one morning to her Wife Alarm Bells sounding. She sleuths on her husband’s phone and stumbles on a dirty secret that explodes her marriage. Madeline has it all—a penthouse apartment, a perfect daughter, and no-strings-attached romps with handsome men. But when she learns she might lose her child to her ex in England, it stirs up a decades-old personal tragedy. Sophie, with too much FOMO and never enough money, obsesses over her ex-husband’s Family 2.0—all while keeping her true desires hidden, even from herself. It starts as a joke during a tipsy night out, as Lauren, Madeline, and Sophie rail against everything wives do for free. Let’s build an app that monetizes the mental load. And maybe revenge on our exes in the process. Soon, the Wife App is born, and before long, it’s the fastest growing start-up in New York City. But then life intervenes. Love intervenes. Ex-husbands intervene. And the consequences are bigger than anything Lauren, Madeline, or Sophie could have expected. Carolyn Mackler marks her debut into adult fiction with a rollercoaster ride of revenge and redemption that is at once a send-up of modern marriage and a celebration of female friendship and love in all forms.

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"Nourishes the spirit and fills the soul." - Olugbemisola Rhuday-Perkovich, author of Operation Sisterhood"Touching and inspiring." - Lisa Moore Ramée, author of A Good Kind of Trouble"A taste of history with the thrills of mystery and brims with family secrets." - Alicia D. Williams, award-winning author of Genesis Begins Again Judy Blume meets Jacqueline Woodson in this powerful and sweetly emotional coming-of-age story about finding your place in the world, from the author of How High the Moon.This was supposed to be the best year ever for eleven-year-old Stevie Morrison. But instead, her life seems determined to turn itself upside down.First of all, her parents can't stop fighting - and they decide to move the family to a totally new apartment, in a totally new part of town, which means a totally new middle school for Stevie. On top of that, her best friend, Jennifer, is acting weird. She won't return Stevie's phone calls, and apparently her new best friends are a bunch of mean girls.The final straw comes with the arrival of Stevie's teenage cousin Naomi - sent down in disgrace from Boston (though no one will tell Stevie why). But with Naomi comes an exciting glimpse of a world Stevie hasn't paid much attention to before: one of Cleopatra Jones movies, women's liberation and an intriguing-sounding group called the Black Panthers.It might not be the year Stevie anticipated. But it will be the one that changes her life forever.Praise for How High the Moon:"Essential reading, full of voices that must be heard. One of the best stories I've read in a long while" - Emma Carroll, author of Letters from the Lighthouse "An impressive debut" - Mail on Sunday

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Can the death penalty be administered in a just way—without executing the innocent, without regard to race, and without arbitrariness? How does capital punishment in the United States fit with international human rights law? These are among the questions that leading legal scholars and journalists explore in Beyond Repair? All new, the essays in this collection focus on the period since 1976, when the Supreme Court held that capital punishment, in and of itself, does not violate the Constitution. In addition to reflecting on the most recent developments in the law, the contributors draw on empirical research to consider connections between newly available data and modern American death penalty procedures. A number of the essays scrutinize thinking about capital punishment. They examine why, following almost two decades of strong public support for the death penalty, public opinion in favor of it has recently begun to decline. Beyond Repair? presents some of the findings of the Capital Jury Project, a nationwide research initiative that has interviewed over one thousand people who served as jurors in capital trials. It looks at what goes through the minds of jurors asked to consider imposing the death penalty, how qualified they are to make such an important decision, and how well they understand the judge’s instructions. Contributors also investigate the risk of executing the innocent, the role that race plays in determining which defendants are sentenced to death, and the effect of expanded restrictions on access to federal appellate relief. The postscript contemplates the peculiarities of our contemporary system of capital punishment, including the alarming variance in execution rates from state to state.Filled with current insights and analysis, Beyond Repair? will provide valuable information to attorneys, political scientists, criminologists, and all those wanting to participate knowledgeably in the debates about the death penalty in America.Contributors. Ken Armstrong, John H. Blume, Theodore Eisenberg, Phoebe C. Ellsworth, Stephen P. Garvey, Samuel R. Gross, Sheri Lynn Johnson, Steve Mills, William A. Schabas, Larry W. Yackle, Franklin E. Zimring

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Two novels, two young women at the frontiers of sex. Like a series of Penthouse letters penned by Kathy Acker, Lie With Me recounts a woman's sexual escapades, picking up random men in bars for a series of increasingly extreme encounters, hoping to understand love from the far side of sluttiness. In The Way of the Whore, Mira, an introverted Jewish girl obsessed with Jean Genet, allows herself to be seduced by the sex industry, determined to find meaning in her tormented relationships with cruel men. Tamara Faith Berger's first two novels have been languishing out of print. They were scandalous when they were first published; substantially revised and returned to print, they're just as titillating and troubling now. "Treading a line between sublime experimentation and unsettling honesty, Little Cat rides a wave of female sexual energy...'Please, I want you to stay with me till it's over,' the narrator of 'Lie With Me' begs. With writing this good, it's hard not to.' - Quill & Quire "Berger's writing is significant, poignant and consciously uncomfortable. Her portrait of female sexuality is daring, original and troubling. Berger's language is crass; this isn't missionary-style 'love-making.' This is dirty, animalistic sex. This is pornography rubbing up against the literary establishment." - Telegraph-Journal Praise for Tamara Faith Berger's Maidenhead (winner of the 2012 Believer Book Award): "Myra's confusion, her passion, her need for possession and to be possessed, make this novel an incredible read, finding its place, as Sheila Heti (who should know) wrote, 'somewhere between the wilds of Judy Blume, Girls Gone Wild and Michel Foucault.'" -- Flavorwire "There are no easy moments, no comfort to be found in the searing prose...When writers get young female sexuality right, stories become a revelation and such is the case with Maidenhead. The writing pulls the reader desperately close." -- Roxane Gay, The Rumpus Tamara Faith Berger was born in Toronto. She wrote porn stories for a living and attempted to make dirty films before publishing her first book, Lie With Me, in 1999. It was made into a film in 2004. In 2001, A Woman Alone at Night was published. Her third book, Maidenhead, won the 2012 Believer Book Award.

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The first multidisciplinary analysis of one of the most impactful and popular contemporary artworks of recent years.In 1999, a short video of a solitary boy kicking an empty bottle up a hill in Mexico City became the first instalment of Children’s Games, a series of works by artist Francis Alÿs (b. Antwerp, 1959). The ongoing project, which now numbers around thirty-five works, has gradually given shape to an extensive collection of videos of children at play. For almost twenty-five years, Alÿs and his collaborators Félix Blume, Julien Devaux, and Rafael Ortega have been travelling around the world to document the distinctive ways in which children interact with each other and their physical environment. They have gone from remote villages in the Democratic Republic of the Congo, Afghanistan, Venezuela, and Nepal to the mountains of Switzerland and metropoles like Hong Kong and Paris, but have also visited the war-torn city of Mosul in Iraq, the border between Mexico and the United States, and the strait of Gibraltar that divides Africa and Europe. The resulting images are standing proof of the seriousness of play and of children’s stunning powers of resilience in the face of conflict.This volume provides a multidisciplinary perspective to the many layers of Children’s Games. It includes an interview with Francis Alÿs and Rafael Ortega, a series of essays by well-known scholars and art critics, curatorial statements, and a logbook related to the presentation of Children’s Games at the Venice Biennale of 2022.Contributors: Francis Alÿs (artist), Gerard-Jan Claes (filmmaker, artistic director of Sabzian), Tim Ingold (anthropologist, University of Aberdeen), Zeynep Kubat (art historian, curator and writer), Karen Lang (art historian, Royal Society of Arts), Rafael Ortega (artist), Rodrigo Perez de Arce (architect, Pontificia Universidad Católica de Chile), Juan Martín Pérez García (Network for the Rights of Children in Mexico (REDIM), Giulio Piovesan (journalist and photographer), John Potter (media education, University College London), Virginia Roy (curator at the University Museum of Contemporary Art of the National Autonomous University of Mexico), Stéphane Symons (professor of philosophy, KU Leuven), Hilde Teerlinck (Han Nefkens Foundation /curator of the Belgian Pavilion at the Venice Art Biennale 2022).Ebook available in Open Access.

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