Search results for ""Author becker"

Jeremy Bentham and Gary Becker established the tradition of analyzing criminal law in utilitarian and economic terms. This seminal book continues that tradition with specially commissioned, original papers that span the philosophical foundations of the use of economics in criminal law, both traditional economic perspectives and behavioral and experimental approaches to the discipline. The contributors examine and evaluate the optimal design of criminal law norms as well as the ideal structure of law enforcement institutions. They delineate what wrongs ought to be criminalized, identify the boundaries between criminal law and tort, and determine the optimal size of sanctions given the differential vulnerability of victims. They also analyze the special considerations that apply to the regulation of corporate crime, the effects of technology on crime, and the effects of the distribution of wealth on sentencing. This essential Handbook provides students and scholars of criminal law and law and economics the opportunity to explore the diversity of contemporary approaches to the economics of crime. Criminologists, sociologists and policy makers will also find it a valuable addition to their collections. Contributors: J. Arlen, N. Garoupa, M.D. Guttentag, A. Harel, K.N. Hylton, J. Klick, J. MacDonald, T.J. Miceli, R.A. Mikos, M.C. Mungan, T. Stratmann, A.D. Tabbach

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Scott Becker spent over 12 years working for the TSA at Chicago’s O’Hare airport and served it in numerous capacities, from baggage screener to manager. He brings to TSA Baggage a wealth of experience and stories that have something for everyone:•Candid Cameos: Several stories in TSA Baggage feature appearances from celebrities, including Madeleine Albright, Patch Adams, and the Kardashians•Behind-the-Scenes Look: For anyone who’s ever wondered what happens in the parts of airports hidden from a view or during a shift at a security check, this book provides first-hand accounts of the inner workings of airports and the people who keep them humming•Laugh Track: Airports seem to attract the misguided, confused, and weird, and this provides for plenty of laughs, whether its passengers attempting to bring grenades in their luggage or trying to skip through security in a drunken tizzy•Travel Warning: This book can also be a great guide to do’s and don’ts for all future travelers, with tips from someone who’s seen everything that can go right and wrong at an airportTravel brings out the good, bad, and ugly in everyone, and TSA Baggage captures all of it for readers from a first-hand witness to the whole circus. Strap in and get ready for a great read.

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The law and economics movement came of age in the second half of the 20th century and had a profound effect on both the scholarship and practice of law. The specially commissioned essays in this book honor the pioneering contributions of those who created the foundation of the modern law and economics enterprise. The editors of the volume embrace a view of the field that is inclusive not only of a broad range of issues, but also of economic methods. Celebrated here as the founding pioneers of law and economics is a remarkably varied collection of scholars: applied and theoretical micro-economists, founders of public choice economics, and legal scholars and judges. They include: Ronald Coase, Aaron Director, George Stigler, Armen Alchian, Harold Demsetz, Benjamin Klein, James Buchanan, Gordon Tullock, Henry Manne, Richard Posner, Gary Becker, William Landes, Richard Epstein, Guido Calabresi, Frank Easterbrook, Daniel Fischel, Steven Shavell and A. Mitchell Polinsky. Contributors to the volume include other pioneers, former students and clerks, colleagues, and influential scholars in the field.Scholars and students working in the tradition of law and economics, as well as those in the fields of economics, law and public policy will find the book an essential reference for this important area of scholarship.

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Karen Horn's remarkable interviews with ten Nobel Laureates explore the conditions required for scientific progress by navigating the 'roads to wisdom' in economic science.How does progress in economic theory come about? Where do path-breaking ideas come from? What is it that has enabled these outstanding scholars to make their substantial contributions? How deep are the footprints of a particular historical situation, how strong the political tide or the state-of-the-art in economics, and how influential is personal history on their individual roads to wisdom? Analytical answers to these fundamental questions are presented in this insightful collection of deep and highly inspiring conversations with Nobel Laureates Paul A. Samuelson, Kenneth J. Arrow, James M. Buchanan, Robert M. Solow, Gary S. Becker, Douglass C. North, Reinhard Selten, George A. Akerlof, Vernon L. Smith and Edmund S. Phelps. Superbly supplemented with concise overviews of the Nobel Laureates' lives and works, these fascinating discussions culminate with a comprehensive inquiry into progress in economic theory. As such, this eloquent and highly accessible book will prove to be a compelling read for scholars and students of the discipline, and all those with an interest in economics and the history of economic thought.

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This groundbreaking collection from scholars and artists on the legacy of Beckett in contemporary art provides readers with a unique view of this important writer for page, stage, and screen. The volume argues that Beckett is more than an influence on contemporary art-he is, in fact, a contemporary artist, working alongside artists across disciplines in the 1960s, 1970s, and beyond. The volume explores Beckett's formal experiments in drama, prose, and other media as contemporary, parallel revisions of modernism's theoretical presuppositions congruent with trends like minimalism and conceptual art. Containing interviews with and pieces by working artists, alongside contributions of scholars of literature and the visual arts, this collection offers an essential reassessment of Beckett's work. Perceiving Beckett's ongoing importance from the perspective of contemporary art practices, dominated by installation and conceptual strategies, it offers a completely new frame through which to read perennial Beckettian themes of impotence, failure, and penury. From Beckett's remains, as it were, contemporary artists find endless inspiration.

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The long buried story of three extraordinary female journalists who permanently shattered the official and cultural barriers to women covering war. Kate Webb, an Australian iconoclast, Catherine Leroy, a French dare devil photographer, and Frances FitzGerald, a blue-blood American intellectual, arrived in Vietnam with starkly different life experiences but one shared purpose: to report on the most consequential story of the decade. At a time when women were considered unfit to be foreign reporters, Frankie, Catherine and Kate paid their own way to war, arrived without jobs, challenged the rules imposed on them by the military, ignored the belittlement and resentment of their male peers and found new ways to explain the war through the people who lived through it. In You Don't Belong Here, Elizabeth Becker uses these women's work and lives to illuminate the Vietnam War from the 1965 American buildup, through the Tet Offensive, the expansion into Cambodia, the American defeat and its aftermath. Arriving herself in the last years of the war, Elizabeth writes as an historian and a witness to what these women accomplished.What emerges is an unforgettable story of three journalists forging their place in a land of men, often at great personal sacrifice, and forever altering the craft of war reportage for generations. Deeply reported and filled with personal letters, interviews, and profound insight, You Don't Belong Here fills a void in the history of women and of war.

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Critical Praise for Houtman's Commentary on Exodus: "This is an immensely informative and illuminating commentary which no one working on Exodus can afford to overlook" - J.W. Rogerson in Book List 1990, 56. "This commentary is to my mind one of the best available on Exodus to modern scholars." - John Wevers in Bibliotheca Orientalis 48 (1991) 885. "It will be clear that the commentary has a great deal to offer both scholar and layman, and ... provides the fullest modern treatment ... of Exodus that is available in any language" - G.L. Davies in Vetus Testamentum 43 (1993) 428. "Die Kommentierung enthält ... eine Rubrik mit dem Titel "Hauptlinien und Perspektiven". Sie Bietet ... eine Auslegung, die für jeden Leser nicht nur ein Gewinn, sondern auch ein Genuß ist." - J. Becker in Biblische Zeitschrift 36 (1992) 115. "C'est parce que je tiens à insister sur son importance ... elle (l'information de C.H.) est incontestablement plus complète que celle des grands commentaires de l'Exode..." - J. Loza in Revue Biblique 98 (1991) 462.

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''Creative Involution: Bergson, Beckett Deleuze' focuses on a philosophical trajectory that not only had a profound impact on critical thought of the 20th and now 21st centuries, but on cosmopolitan, contemporary culture more broadly and on artistic experiment and expression in particular.

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It was as a poet that Samuel Beckett launched himself in the little reviews of 1930s Paris, and as a poet that he ended his career.The Collected Poems is the most complete edition of Beckett's poetry and verse translations ever to be published, as well as the first critical edition. It establishes a significant new canon, and the commentary draws on a wide range of published sources, manuscripts and Beckett's extensive correspondence. The notes place each poem in context, detailing the history and circumstances of its composition; they indicate significant variants and help explain obscure turns of phrase and allusions (frequently sourced to Beckett's notebooks); they also identify resonances between poems and across Beckett's work as a whole. The commentary is written in a lively and engaging style and is intended equally for the general reader, the student of modernism and the Beckett specialist.

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Do you want to know why Beckett has become a figure of such continuing influence and importance in the theatre? Are you studying his plays and looking for help with interpretation? Do you teach Beckett and need a reliable guide to his plays? A Faber Critical Guide to Samuel Beckett's major work gives all this and more:An introduction to the distinctive features of the playwright's workThe significance of the playwright in the context of modern theatreA detailed analysis of each of the classic plays: language, structure and characterfeatures of performanceselect bibliographyCompiled by experts in their field, for use in classroom, college or at home, Faber Critical Guides are the essential companions to the work of all leading dramatists.Also in this series: Faber Critical Guides to the major works of Sean O'Casey, Brian Friel, Harold Pinter and Tom Stoppard.

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Forming a pair with the voice, the gaze is a central structuring element of Samuel Becketts creation. And yet it takes the form of a strangely impersonal visual dimension testifying to the absence of an original exchange of gazes capable of founding personal identity and opening up the world to desire. The collapse of conventional reality and the highlighting of seeing devices -- eyes, mirrors, windows -- point to the absence of a unified representation. While masks and closed spaces show the visible to be opaque and devoid of any beyond, light and darkness, spectres -- manifestations without origin -- reveal a realm beyond the confines of identity, where nothing provides a mediation with the seen, or sets it within perspective. Finally, Becketts use of the audio-visual media deepens his exploration of the irreducibly real part of existence that escapes seeing. This study systematically examines these essential aspects of the visual in Becketts creation. The theoretical elaborations of Jacques Lacan -- in relation with corresponding developments in the history and philosophy of the visual arts -- offer an indispensible framework to understand the imaginary not as representation, but as rooted in the fundamental opacity of existence.

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The present volume gathers all of Beckett's texts for theatre, from 1955 to 1984. It includes both the major dramatic works and the short and more compressed texts for the stage and for radio.'He believes in the cadence, the comma, the bite of word on reality, whatever else he believes; and his devotion to them, he makes clear, is a sufficient focus for the reader's attention. In the modern history of literature he is a unique moral figure, not a dreamer of rose-gardens but a cultivator of what will grow in the waste land, who can make us see the exhilarating design that thorns and yucca share with whatever will grow anywhere.' - Hugh KennerContents: Waiting for Godot, Endgame, Happy Days, All That Fall, Acts Without Words, Krapp's Last Tape, Roughs for the Theatre, Embers, Roughs for the Radio, Words and Music, Cascando, Play, Film, The Old Tune, Come and Go, Eh Joe, Breath, Not I, That Time, Footfalls, Ghost Trio,...but the clouds..., A Piece of Monologue, Rockaby, Ohio Impromptu, Quad, Catastrophe, Nacht und Traume, What Where.

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This authoritative two-volume collection presents a comprehensive set of key articles that address the economics of leisure, arranged in a manner that facilitates the understanding of the subject. The editor's perceptive introduction highlights the contribution of each article, provides an assessment of the current state of the available literature and draws attention to those areas that are worthy of more research effort.Volume I comprises perspectives on leisure and work as typified by Weber's protestant ethic, Veblen's theory of the leisure class, psychological economics, neoclassical economics and Becker's theory of time allocation. Extensions and applications of the neoclassical theory of demand for leisure-time versus work and contributions on welfare attributes of leisure and the consequences of leisure for human well-being are also included. In Volume II the impact of taxation on work-leisure choices is discussed, together with the demand for particular leisure commodities. Varied, and sometimes controversial, perspectives on the relationship between economic development and trends in leisure-time are explored, and miscellaneous topics such as voluntary labour, applications of characteristics theory, leisure and international trade, and changing technologies and leisure are also covered.This book will be of immense interest to economists, sociologists, psychologists, and those involved in social and leisure studies.

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Designed to showcase current issues of interest, Pennsylvania Politics and Policy, Volume 2 isthe second reader consisting of updated chapters from recent issues of Commonwealth: A Journal of Pennsylvania Politics and Policy. The editors and contributors to this volume focus on government institutions, election laws, the judiciary, government finance and budgeting, the opioid crisis, childcare, property taxes, environmental policy, demographics, and more. Each chapter is supplemented by discussion questions, suggestions for further reading, and forums with arguments in support of or opposed to contested elements of state policy.In addition, Pennsylvania Politics and Policy, Volume 2 includes a detailed guide to researching state government and policy online, as well as a comprehensive chapter on the structure of Pennsylvania government. It is designed as a text or supplement for college or advanced high school classes in American government, state and local politics, public policy, and public administration. Contributors include: John Arway, Jenna Becker Kane, Jeffrey Carroll, Bob Dick, Ashley Harden, Stefanie I. Kasparek, Vera Krekanova, Maureen W. McClure, John F. McDonald, Josh Shapiro, Marc Stier, Jennie Sweet-Cushman, James Vike, and the editors.

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Following her acclaimed history of the Situationist International up until the late sixties, The Beach Beneath the Street, McKenzie Wark returns with a companion volume which puts the late work of the Situationists in a broader and deeper context, charting their contemporary relevance and their deep critique of modernity. Wark builds on their work to map the historical stages of the society of the spectacle, from the diffuse to the integrated to what he calls the disintegrating spectacle. The Spectacle of Disintegration takes the reader through the critique of political aesthetics of former Situationist T.J. Clark, the Fourierist utopia of Raoul Vaneigem, René Vienet's earthy situationist cinema, Gianfranco Sangunetti's pranking of the Italian ruling class, Alice-Becker Ho's account of the anonymous language of the Romany, Guy Debord's late films and his surprising work as a game designer.At once an extraordinary counter history of radical praxis and a call to arms in the age of financial crisis and the resurgence of the streets, The Spectacle of Disintegration recalls the hidden journeys taken in the attempt to leave the twentieth century, and plots an exit from the twenty first.The dustjacket unfolds to reveal a fold-out poster of the collaborative graphic essay combining text selected by McKenzie Wark with composition and drawings by Kevin C. Pyle.

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Karen Horn's remarkable interviews with ten Nobel Laureates explore the conditions required for scientific progress by navigating the 'roads to wisdom' in economic science.How does progress in economic theory come about? Where do path-breaking ideas come from? What is it that has enabled these outstanding scholars to make their substantial contributions? How deep are the footprints of a particular historical situation, how strong the political tide or the state-of-the-art in economics, and how influential is personal history on their individual roads to wisdom? Analytical answers to these fundamental questions are presented in this insightful collection of deep and highly inspiring conversations with Nobel Laureates Paul A. Samuelson, Kenneth J. Arrow, James M. Buchanan, Robert M. Solow, Gary S. Becker, Douglass C. North, Reinhard Selten, George A. Akerlof, Vernon L. Smith and Edmund S. Phelps. Superbly supplemented with concise overviews of the Nobel Laureates' lives and works, these fascinating discussions culminate with a comprehensive inquiry into progress in economic theory. As such, this eloquent and highly accessible book will prove to be a compelling read for scholars and students of the discipline, and all those with an interest in economics and the history of economic thought.

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This is an essential resource for managers and scholars interested in services marketing. It covers the topic comprehensively and in novel ways. All the luminaries in the field are represented. Buy this book and you will be up to date on the field.'- Valarie Zeithaml, UNC Kenan-Flagler Business School, USThe Handbook of Service Marketing Research brings together an all-star team of leading researchers in service marketing to explore many of the hottest topics in service marketing today.Cutting-edge topics include: customer relationships and loyalty, customer-centered metrics, managing customer contacts, product and pricing, digital service marketing, rethinking the marketing function, and service for society. This book, which includes authors from both academia and industry, will provide academics with an invaluable current view of the field and practitioners with a window into the latest academic thinking.With chapters from internationally renowned contributors, this comprehensive yet concise Handbook will appeal to service marketing academics, researchers and service practitioners.Contributors: M. Archpru Akaka, L. Aksoy, L. Anderson, T.W. Andreassen, S.F.M. Beckers, M.J. Bitner, R.N. Bolton, A. Buoye, J.W. Choi, R.M. Christopher, T.S. Chung, T.S. Dagger, P.S. Danaher, A. De Keyser, C. Dev, B. Edvardsson, S. Fay, R.P. Fisk, C. Frennea, A. Gustafsson, M.-H. Huang, C. Ishida, P.K. Kannan, T.L. Keiningham, P. Kristensson, V. Kumar, S.K. Kwan, T. van Laer, B. Larivière, R.F. Lusch, D. Mathras, H. Melton, V. Mittal, R.L. Oliver, A.L. Ostrom, P. Patterson, W. Reinartz, H. Risselada, R.T. Rust, K. de Ruyter, C. Schulze, S.M. Shugan, B. Skiera, J. Spohrer, S. Streukens, S.A. Taylor, B. Tronvoll, W. Ulaga, N. Umashankar, S.L. Vargo, P.C. Verhoef, H.S. Wang, M. Wedel, R.A. Westbrook, L. Williams, L. Witell, J. Xie, T. Yu

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This book maps out the novel's complex network of intertexts, sources and echoes, interprets its highly experimental writing and explains the work's great significance for twentieth-century literature.

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Dualistische Weltdeutungen und dämonische oder diabolische Figuren begegnen in frühjüdischen und urchristlichen Texten in großer Zahl und Vielfalt. Der vorliegende Band untersucht den Hintergrund und die Entstehung dieser Vorstellungen im antiken Judentum und erläutert neutestamentliche Überlieferungen im Horizont ihrer frühjüdischen Kontexte. Besondere Beachtung findet dabei die Frage nach den Ursprüngen des Bösen und seiner Überwindung, nach der Stellung eschatologischer Gegenspieler und der Funktion von Dämonen. Textliche Schwerpunkte sind die Schriftrollen von Qumran und andere frühjüdische Texte sowie die Jesusüberlieferung. Abschließend reflektieren vier Beiträge den Stellenwert dämonologischer Vorstellungen in der heutigen theologischen Reflexion und die Möglichkeiten eines praktisch-theologischen Umgangs mit ihnen. Mit Beiträgen von:Michael Becker, Stefan Beyerle, John J. Collins, Craig A. Evans, Philipp David, Jan Dochhorn, Jörg Frey, Monika E. Götte, Christian Grappe, Theresa Heilig, Albert Hogeterp, Esther Marie Joas, Jutta Leonhardt-Balzer, Enno Edzard Popkes, Hartmut Rosenau, Maike Schult, Eibert Tigchelaar

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Bioluminescent algae, symbiotic aquariums, self-healing concrete, clavicle wind instruments and structures made from living trees – biology applied outside the lab has never been so intriguing, or so beautiful. Bio Design examines the thrilling advances in the field, showcasing some seventy projects (concepts, prototypes and completed designs) that cover a range of fields – from architecture and industrial design to fashion and medicine. The revised and expanded edition features twelve new projects (replacing ten existing projects): Hy-Fi (by David Benjamin); One Central Park, Sydney (Jean Nouvel); Guard from Above (Sjoerd Hoogendoorn); Cell-laden Hydrogels for Biocatalysis (Alshakim Nelson); Zoa (Modern Meadow); Amino Labs (Julie Legault); Algae and Mycelium Projects (Eric Klarenbeek); Interwoven and Harvest (Diane Scherer); Concrete Honey (John Becker); Bistro In Vitro (Koert van Mensvoort); Circumventive Organs (Agi Haines); Quantworm Mine (Liv Bargman and Nina Cutler). It also includes a new ‘how-to’ section at the end (Tips for Collaboration/FAQs/Further Resources), as well as a fully revised introduction.

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James Richards (born 1983 in Cardiff, UK) is renowned for his provocative and intense moving-image works that collage together a wide range of materials sourced from home movies, private and public archives, as well as TV clips, combined with rich musical soundtracks. Richards’ art draws on the relentless flood of images that has become a hallmark of the 21st century. His works filter, sort, and condense collected materials into a space where personal interiority and digital materiality meet. Alongside his films, Richards has created exhibition projects based on archival research and ongoing dialogues with other artists. Published to accompany the eponymous exhibition at Haus Mödrath, this title brings together sound and video installations as well as sculptural works, while outlining the relationships and influences that have informed Richards’ practice, including collaborative projects with long-standing partners, works created by close friends, and artists that have inspired him. With work and contributions by Tolia Astakhishvili, Albrecht, Becker, Christian Friedrich, Bastien Gachet, Isa Genzken, Margarethe Held, Adrian Hermanides, Anne McGuire, Steve Reinke, Rachel Reupke, JX Williams; Texts: Chris McCormack, Joseph Henry, James Richards. Text in English and German.

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In Case of Loss gathers the best of Lutz Seiler's non-fiction from last twenty-five years, revealing his essays to be different to, but on a par with, his fiction and poetry. Seiler's beautifully anecdotal and associative pieces throw fascinating light on literature and his background, not least the environmental and human catastrophe of the Soviet-era mining in the community he grew up in, ‘the tired villages . . . beneath which lay the ore, uranium.’ Other essays focus on poetry, including his discovery of poetry during his military service and pieces on German poets, including Ernst Meister, Jürgen Becker and Peter Huchel, whose former house, outside Berlin, is now home to Lutz Seiler, after he broke and entered it with Huchel's widow's blessing. Meanwhile, the title essay – a fascinating insight into creative process – describes Huchel's notebook, a kind of dictionary of poetic images organised by mood and location. Providing a perfect welcome in to his work as a whole, In Case of Loss sees one of Europe's most original writers speak with openness and clarity in essays full of insight, humanity and a poet's attention to the importance of often overlooked objects and lives.

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Pursuing Justice in Africa focuses on the many actors pursuing many visions of justice across the African continent—their aspirations, divergent practices, and articulations of international and vernacular idioms of justice. The essays selected by editors Jessica Johnson and George Hamandishe Karekwaivanane engage with topics at the cutting edge of contemporary scholarship across a wide range of disciplines. These include activism, land tenure, international legal institutions, and postconflict reconciliation. Building on recent work in sociolegal studies that foregrounds justice over and above concepts such as human rights and legal pluralism, the contributors grapple with alternative approaches to the concept of justice and its relationships with law, morality, and rights. While the chapters are grounded in local experiences, they also attend to the ways in which national and international actors and processes influence, for better or worse, local experiences and understandings of justice. The result is a timely and original addition to scholarship on a topic of major scholarly and pragmatic interest. Contributors: Felicitas Becker, Jonathon L. Earle, Patrick Hoenig, Stacey Hynd, Fred Nyongesa Ikanda, Ngeyi Ruth Kanyongolo, Anna Macdonald, Bernadette Malunga, Alan Msosa, Benson A. Mulemi, Holly Porter, Duncan Scott, Olaf Zenker.

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Samuel Beckett’s work has entranced generations of readers with its portrayal of the end times. Beckett’s characters are preoccupied with death, and the specters of cataclysm and extinction overshadow their barren, bleak worlds. Yet somehow, they endure, experiencing surreal and often comic repetitions that seem at once to confront finitude and the infinite, up to the limits of existence.Gabriele Schwab draws on decades of close engagement with Beckett to explore how his work speaks to our current existential anxieties and fears. Interweaving critical analysis with personal reflections, she shows how Beckett’s writing provides unexpected resources for making sense of personal and planetary catastrophes. Moments for Nothing examines the ways Beckett’s works have taken on new meaning in an era of crises—climate change, environmental devastation, and the COVID-19 pandemic—that are defined by both paralyzing stasis and pervasive uncertainty. They also offer a bracing depiction of aging and the end of life, exploring loneliness, vulnerability, and decay. Beckett’s particular vision of the apocalypse and his sense of persistence, Schwab argues, help us understand our times and even, perhaps, provide sanctuary and solace.Moments for Nothing features insightful close readings of iconic works such as Endgame, Happy Days, and the trilogy, as well as lesser-known writings including the thirty-five-second play Breath, which Schwab reconsiders in light of the pandemic.

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This is the first monograph to analyse Beckett's use of the visual arts, music, and broadcasting media through a transdisciplinary approach. It considers how Beckett's complex and varied use of art, music, and media in a selection of his novels, radio plays, teleplays, and later short prose informs his creative process. Investigating specific instances where Beckett's writing adopts musical or visual structures, Lucy Jeffery identifies instances of Beckett's transdisciplinarity and considers how this approach to writing facilitates ways of expressing familiar Beckettian themes of abstraction, ambiguity, longing, and endlessness. With case studies spanning forty years, she evaluates Beckett's stylistic shifts in relation to the cultural context, particularly the technological advancements and artistic movements, during which they were written. With new examples from Beckett's notebooks, critical essays, and letters, Transdisciplinary Beckett evidences how the drastic changes that took place in the visual arts and in musical composition influenced Beckett and, in turn, were influenced by him. Transdisciplinary Beckett situates Beckett as a key figure not just in the literary marketplace but also in the fields of music, art, and broadcasting.

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This book examines Samuel Beckett’s unique lesson in courage in the wake of humanism’s postwar crisis—the courage to go on living even after experiencing life as a series of catastrophes. Rabaté, a former president of the Samuel Beckett Society and a leading scholar of modernism, explores the whole range of Beckett’s plays, novels, and essays. He places Beckett in a vital philosophical conversation that runs from Bataille to Adorno, from Kant and Sade to Badiou. At the same time, he stresses Beckett’s inimitable sense of metaphysical comedy. Foregrounding Beckett’s decision to write in French, Rabaté inscribes him in a continental context marked by a “writing degree zero” while showing the prescience and ethical import of Beckett’s tendency to subvert the “human” through the theme of the animal. Beckett’s “declaration of inhuman rights,” he argues, offers the funniest mode of expression available to us today.

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Prayer is a word we take for granted. Ought we to do so? What do we mean by prayer? What does the word mean in the Christian context? Almost always when we talk about prayer we refer to something we do. From that standpoint, questions problems, confusion, discouragement and illusions multiply. For Burrows it is essential to correct this view. Our Christian knowledge assures us that prayer is essentially what God does, how God addresses us, looks at us. And what God is doing for us is giving us the Divine Self in love. What then is the core of the central message of the revelation of Jesus? It is the unconditional love of God for us, for each one of us. God the unutterable, incomprehensible Mystery, the Reality of all reality, the Life of all Life. And this means that divine Love desires to communicate its Holy Self to us. This is the richness of the vision of a contemplative nun who contradicts the heresy of so much modern writing about the spiritual like- namely that we reach God by running faster. The growing fascination for the public of the contemplative and monastic life is evidence of the profound appeal of this approach. For this there is a real hunger. At its simplest we do no look for success so as to be assured that we do believe. We give ourselves over completely to divine love. Ultimately, we live for God and not for ourselves.

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‘If you love the idea of living in a relaxed environment filled with vintage finds, texture, industrial touches, old meets new and natural earthy colors you will adore The Natural Home. It's stunning and a current fave of mine!’ Holly Becker, Decor8 blog The Natural Home is a place where natural materials and motifs are the key elements of a decorating style that is a joy to live with and a joy to behold. Influential art director and stylist Hans Blomquist starts off by exploring the essence of his style. Firstly, Plants and Flowers celebrates the beauty of nature, botanical prints and pictures, and the cycles of the natural world. Display reveals Hans’ passion for creating vignettes that showcase treasured pieces, while Colour presents his favourite earthy palette, which provides the perfect muted backdrop for hits of brighter natural hues. In Texture, he revels in the textures and patinas of natural materials – scuffed wood, frayed rope, beaten metal and bare stone. Finally, Hans shows how to use Fabrics to bring warmth and softness to any interior. In the second part of the book, The Natural Homes, through a series of case studies, Hans explores houses and apartments that showcase the beautiful simplicity and elegance of the natural look.

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Clem Beckett was fourteen when he first rode a homemade motorcycle over the cobbled streets of his hometown. It was the start of a lifelong love affair with speed and machines. For Beckett, the motorbike was a means of escape from the uncertain future of Oldham's stricken industries in the aftermath of the First World War. Beckett's zest for life, his natural exuberance and determination to be a winner, overcame the disadvantages of a poor home bereft of a father. As a pioneering Dirt Track (speedway) rider he broke records galore, and as a volunteer in the Spanish Civil War he broke down class barriers. Whether as a tearaway teenager, an outspoken sportsman, or a member of the Communist Party, his life was characterized by broadsides of irreverence towards authority. To Beckett, the appeal of revolutionary politics was youthful rejection of old fogey' values and the dominating role of of tweedy gentility in motorcycle sport. Reviving faded memories and anecdotes of his career as a pioneer speedway rider, this book traces Beckett's extraordinary rise from blacksmith's apprentice to superstar, in a new sport which typified the energy of the Roaring Twenties, and was characterised by risk-taking and serial injury. Ever the showman, and banned from the Dirt Track for trying to protect his fellow riders from exploitation, Beckett took to riding the Wall of Death. Observing the rise of fascism on his travels in Europe, Beckett's increasing involvement with politics led to marriage to the mysterious Lida Henriksen, and inexorably to volunteer service in the British Battalion of the International Brigades in Spain. A narrative spiced with anecdotes and new revelations about Beckett shows why from boyhood to the poignant circumstances of his death in battle, Clem Beckett inspired love and loyalty.

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Quieres controlar el balón como Kylian Mbappé, regatear como Lionel Messi o hacer paradones como Alisson Becker?Escuela de Fútbol. Las técnicas de las superestrellas, te ayudará a emular las proezas de los grandes iconos del fútbol mundial:* Instrucciones claras, paso a paso, para aprender y practicar técnicas clave. Desde lo más básico, como controlar y pasar el balón, hasta técnicas más complejas como el desmarque y el efecto en los saques de faltas.* Contiene perfiles dinámicos de 20 emblemáticos futbolistas, desde jóvenes figuras que acaparan titulares hasta famosos de leyenda, y proporciona datos de sus técnicas personales y lo que se necesita para ser un gran futbolista.* Y un apasionante resumen para que conozcas mejor a los mejores jugadores y entrenadores de todos los tiempos, tipos de tácticas y sistemas de juego e incluso podrás revivir los mejores goles de la historia de los mundiales.

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This collection of essays is the first comprehensive discussion of the role technology plays in shaping Beckett's trademark aesthetics. Samuel Beckett and Technology assembles an innovative and diverse range of scholarly approaches to the topic, which collectively renegotiate our understanding of his work in prose, theatre, film, radio and television. What emerges from these discussions is the centrality of technology for Beckett's creative imagination, a factor that is equally enabling as it is limiting. At the same time, the book reveals how theories of technology can yield new readings of the way Beckett responds to the conditions of technological modernity. As such, Beckett's work is examined in its relation to historical and contemporary technologies, discourses of technicity and techn?, post-humanism and the digital age.

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"This collection of essays, most of which return to or renew something of an empirical or archival approach to the issues, represents the most comprehensive analysis of Beckett's relationship to philosophy in print, how philosophical issues, conundrums, and themes play out amid narrative intricacies. The volume is thus both an astonishingly comprehensive overview and a series of detailed readings of the intersection between philosophical texts and Samuel Beckett's oeuvre, offered by a plurality of voices and bookended by an historical introduction and a thematic conclusion." - S.E.Gontarski, Journal of Beckett Studies. "This is an important contribution to ongoing attempts to understand the relationship of Beckett's work to philosophy. It breaks some new ground, and helps us to consider not only how Beckett made use of philosophy but how his own thought might be understood philosophical." - Anthony Uhlmann, University of Western Sydney.

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As chief of staff, Jean Becker had a ringside seat to the never-boring story of George Herbert Walker Bush's life post-presidency, including being at his side when he died and subsequently facing the challenge-and great honor-of being in charge of his state funeral. Full of heart and wisdom, THE MAN I KNEW is a vibrant behind-the-scenes look into the ups and downs of heading up the office of a former president by one of the people who knew him best.This book tells the story of how, after his devastating loss to Bill Clinton in 1992, President George H.W. Bush rebuilt his life, found a way to make a difference, and how, by the time he died in November 2018, was revered by his country and the world.Bush's post-presidency journey was filled with determination, courage, love, hope, humor, fun, and big ideas. He became best friends with the man who defeated him; developed the odd habit of jumping out of airplanes; and learned how to adjust to life in a wheelchair, after having lived most of his life as a high-energy athlete. He joyously saw two sons become governors of their states, one of whom would go one to become President of the United States.What happens when you go almost overnight from being the most important and powerful person in the world to a private citizen? THE MAN I KNEW tells just such a story, of one man's humble journey from president to man of the people.

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