Search results for ""Author Bernd"

For fans of Bradley Cooper’s film Maestro, an appreciation that gives Bernstein his due as composer as well as conductor Leonard Bernstein stood at the epicenter of twentieth-century American musical life. His creative gifts knew no boundaries as he moved easily from the podium to the piano to television with his nationally celebrated Young People’s Concerts, which introduced an entire generation to the joy of classical music. In this fascinating biography, the breadth of Bernstein’s musical composition is explored, through the spectacular range of music he composed—from West Side Story to Kaddish to A Quiet Place and beyond—and through his intensely public role as an internationally celebrated conductor. For the first time, the composer’s life and work receive a fully integrated analysis, offering a comprehensive appreciation of a multi-faceted musician who continued to grow as an artist well into his final days.

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Bernard's got a problem: he's found a monster in the back garden but his mum and dad are just too busy to notice. So Bernard tries to befriend the monster… and that doesn't go quite to plan. David McKee's iconic picture book is loved by children, monsters and adults for forty years. ‘...even more relevant in an era of parents glued to their mobile phones’ DAILY MAIL, Best Reads Ever 'Arguably the finest children’s book ever written, McKee’s clever fable is both a warning to neglectful parents and a very funny story about being ignored.' THE i NEWSPAPER 'My favourite books for very young children are Where the Wild Things Are by Maurice Sendak and Not Now Bernard by David McKee.' Michael Rosen 'Not Now Bernard is THE book of our times' Frank Cottrell-Boyce 'It's so good!' Adam Buxton 'Funny to a four year old and meaningful to a 36 year old' Ben Bailey Smith aka Doc Brown

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Sensational news in the United States: the great actress Sarah Bernhardt is coming from France for a grand tour across the continent. The world of show business is in effervescence but some, such as the League of Virtue, are opposed to the tragedian's coming, because of her sulphurous reputation. President Rutherford B. Hayes, a theatre-lover, asks Lucky Luke to look after the lady, ambassador of French culture and charm...

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Franz Kafka's 1915 novella of unexplained horror and nightmarish transformation became a worldwide classic and remains a century later one of the most widely read works of fiction in the world. It is the story of traveling salesman Gregor Samsa, who wakes one morning to find himself transformed into a monstrous insect. This hugely influential work inspired George Orwell, Albert Camus, Jorge Louis Borges, and Ray Bradbury, while continuing to unsettle millions of readers. In her new translation of Kafka's masterpiece, Susan Bernofsky strives to capture both the humor and the humanity in this macabre tale, underscoring the ways in which Gregor Samsa's grotesque metamorphosis is just the physical manifestation of his longstanding spiritual impoverishment.

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The buildings compiled in this volume by the Augsburg architects Titus Bernhard are committed to classical modernism. They are extremely sculptural and highly experimental in terms of their choice of materials. Based on those principles, an extensive, superior body of work has been developed since 1995.

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The formative early ballets of West Side Story creators Leonard Bernstein and Jerome Robbins explored in detail for the very first time. 2022 CHOICE Outstanding Academic Title Winner. Leonard Bernstein and choreographer Jerome Robbins stand as giants of the musical-theatre world, but it was ballet that launched their stage careers and established their relationship. With Fancy Free (1944), their triumphant debut collaboration produced by Ballet Theatre, Bernstein, Robbins, and set designer Oliver Smith-all in their mid-twenties- captured the spirit of wartime New York, created a defining ballet of the period still widely performed today, and became overnight sensations. The hit musical On the Town (1944) and a now largely forgotten ballet, Facsimile (1946), followed over the next two years. Drawing extensively on previously unpublished archival documents, Bernstein and Robbins: The Early Ballets provides a richly detailed and original historical account of the creation, premiere, and reception of Fancy Free and Facsimile. It reveals the vital and sometimes conflicting role of Ballet Theatre, explores how Bernstein composed the scores, sheds light on the central importance of Oliver Smith, and considers the legacy of these works for all involved. The result is a new understanding of Bernstein, Robbins, and this formative period in their lives.

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In December 1937, the Chinese capital, Nanjing, falls and the Japanese army unleash an orgy of torture, murder, and rape. Over the course of six weeks, hundreds of thousands of civilians and prisoners of war are killed. At the very onset of the atrocities, the Danish supervisor at a cement plant just outside the city, 26-year-old Bernhard Arp Sindberg, opens the factory gates and welcomes in 10,000 Chinese civilians to safety, beyond the reach of the blood-thirsty Japanese. He becomes an Asian equivalent of Oskar Schindler, the savior of Jews in the European Holocaust.This biography follows Sindberg from his childhood in the old Viking city of Aarhus and on his first adventures as a sailor and a Foreign Legionnaire to the dramatic 104 days as a rescuer of thousands of helpless men, women, and children in the darkest hour of the Sino-Japanese War. It describes how after his remarkable achievement, he receded back into obscurity, spending decades more at sea and becoming a naturalized American citizen, before dying of old age in Los Angeles in 1983, completely unrecognized. In this respect, too, there is an obvious parallel with Schindler, who only attained posthumous fame.The book sets the record straight by providing the first complete account of Sindberg’s life in English, based on archival sources hitherto unutilized by any historian as well as interviews with surviving relatives. What emerges is the surprising tale of a person who was average in every respect but rose to the occasion when faced with unimaginable brutality, discovering an inner strength and courage that transformed him into one of the great humanitarian figures of the 20th century and an inspiration for our modern age, demonstrating that the determined actions of one person—any person—can make a huge difference.

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Through a decade of friendship, sharing the same environs and being active collectors, Sonja Graber and Christian Graber are inextricably connected to the photographer Annelies Strba, the jewellery and object artist Bernhard Schobinger and the painter Adrian Schiess. A far cry from thoughts of prestige and conjecture, one of the most extensive collections from all genres of the three Swiss artists has now emerged out of artistic and personal esteem. In the collectors, the artists and the Kunsthaus Zug, like-minded people have come together in the most indiscriminate appreciation of fine and applied art. To mark the occasion of the donation of the Graber collections to the museum, the three internationally renowned artists along with hitherto largely unpublished works are now united in one publication. Contents: Art is an Experiment for Us by Matthias Haldemann; Supporting the Artists: Building the Graber Collection by Marco Obrist; Things, Art ... Art Things by Felix Philipp Ingold; Undine's Song by Ildegarda Scheidegger; The Year's Production from 1981, the Start of Painting by Ulrich Loock; The Graber Collection at Kunsthaus Zug; artists' biographies. Text in English and German.

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Collecting Italian Renaissance paintings during America's Gilded Age was fraught with risk because of the uncertain identities of the artists and the conflicting interests of the dealers. Stanley Mazaroff's fascinating account of the close relationship between Henry Walters, founder of the legendary Walters Art Museum in Baltimore, and Bernard Berenson, the era's preeminent connoisseur of Italian paintings, richly illustrates this important chapter of America's cultural history. When Walters opened his Italianate museum in 1909, it was labeled as America's "Great Temple of Art." With more than 500 Italian paintings, including self-portraits purportedly by Raphael and Michelangelo, Walters's collection was compared favorably with the great collections in London, Paris, and Berlin. In the midst of this fanfare, Berenson contacted Walters and offered to analyze his collection, sell him additional paintings, and write a scholarly catalogue that would trumpet the collection on both sides of the Atlantic. What Berenson offered was what Walters desperately needed-a badge of scholarship that Berenson's invaluable imprimatur would undoubtedly bring. By 1912, Walters had become Berenson's most active client, their business alliance wrapped in a warm and personal friendship. But this relationship soon became strained and was finally severed by a confluence of broken promises, inattention, deceit, and ethical conflict. To Walters's chagrin, Berenson swept away the self-portraits allegedly by Raphael and Michelangelo and publicly scorned paintings that he was supposed to praise. Though painful to Walters, Berenson's guidance ultimately led to a panoramic collection that beautifully told the great history of Italian Renaissance painting. Based primarily on correspondence and other archival documents recently discovered at the Walters Art Museum and the Villa I Tatti in Florence, the intriguing story of Walters and Berenson offers unusual insight into the pleasures and perils of collecting Italian Renaissance paintings, the ethics in the marketplace, and the founding of American art museums.

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When Chet the dog, "the most lovable narrator in all of crime fiction" (Boston Globe), and his human partner, PI Bernie Little, are approached by down-and-out older man with a cardboard sign at an exit ramp, Bernie is shocked to discover the man is a former teammate from his high school baseball team. Chet and Bernie take Rocket out for a good meal, and later, Bernie investigates Rocket's past, trying to figure out what exactly went wrong. Then, Rocket goes suspiciously missing. With his former teammate likely in danger, Bernie goes back to his old high school for answers, where much that he remembers turns out not to be true-and there are powerful and dangerous people not happy with the questions Bernie is asking. Bernie soon learns that he misunderstood much about his high school years - and now, Chet and Bernie are plunged into a dangerous case where the past isn't dead and the future could be fatal.

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The Player From 'Ponty' is the biography of Glamorgan cricketer Bernard Hedges, the talented sportsman from the valleys of south Wales who played rugby for Pontypridd and Swansea, represented a Great Britain side at football and became a widely respected cricketer with Glamorgan between 1950 and 1967, who: Scored 17, 773 first-class runs - Glamorgan's 7th all-time top run scorer. Hit Glamorgan's first one-day century, v Somerset in the Gillette Cup in 1963. Was one of only six Glamorgan players to score 2,000 runs in a season (2,026 in 1961). Bernard's journey from his early days in Rhydyfelin - the eldest of eight children raised in a small council house - to the local grammar school, his National Service days, and to his professional career with Glamorgan is lovingly revealed by his son Stephen, who tells the story of the sporting life of a man who epitomised the 'unsung hero' by showing great grit and determination to make the most of the sporting talent he had.

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'One of the greatest anti-heroes ever written' LEE CHILD'A man doesn't work for his enemies unless he has little choice in the matter.' So says Bernie Gunther. It is 1954 and Bernie is in Cuba. Tiring of his increasingly dangerous work spying on Meyer Lansky, Bernie acquires a boat and a beautiful companion and quits the island. But the US Navy has other ideas, and soon he finds himself in a place with which he is all too familiar - a prison cell. After exhaustive questioning, he is flown back to Berlin and yet another prison cell with a proposition: work for French intelligence or hang for murder. The job is simple: he is to meet and greet POWs returning to Germany and to look out for one in particular, a French war criminal and member of the French SS who has been posing as a German Wehrmacht officer. The French are anxious to catch up with this man and deal with him in their own ruthless way. But Bernie's past as a German POW in Russia is about to catch up with him - in a way he could never have foreseen. Bernie Gunther's seventh outing delivers more of the fast-paced and quick-witted action that we have come to expect from Philip Kerr. Set in Cuba, a Soviet POW camp, Paris and Berlin, and ranging over a period of twenty years from the Thirties to the Fifties, Field Grey is an outstanding thriller by a writer at the top of his game.

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The most famous stage actress of the nineteenth century, Sarah Bernhardt enjoyed a surprising renaissance when the 1912 multi-reel film Queen Elizabeth vaulted her to international acclaim. The triumph capped her already lengthy involvement with cinema while enabling the indefatigable actress to reinvent herself in an era of technological and generational change. Placing Bernhardt at the center of the industry's first two decades, Victoria Duckett challenges the perception of her as an anachronism unable to appreciate film's qualities. Instead, cinema's substitution of translated title cards for her melodic French deciphered Bernhardt for Anglo-American audiences. It also allowed the aging actress to appear in the kinds of longer dramas she could no longer physically sustain onstage. As Duckett shows, Bernhardt contributed far more than star quality. Her theatrical practice on film influenced how the young medium changed the visual and performing arts. Her promoting of experimentation, meanwhile, shaped the ways audiences looked at and understood early cinema. A leading-edge reappraisal of a watershed era, Seeing Sarah Bernhardt tells the story of an icon who bridged two centuries--and changed the very act of watching film.

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In 1878, the first complete dinosaur skeleton was discovered in a coal mine in Bernissart, Belgium. Iguanodon, first described by Gideon Mantell on the basis of fragments discovered in England in 1824, was initially reconstructed as an iguana-like reptile or a heavily built, horned quadruped. However, the Bernissart skeleton changed all that. The animal was displayed in an upright posture similar to a kangaroo, and later with its tail off the ground like the dinosaur we know of today. Focusing on the Bernissant discoveries, this book presents the latest research on Iguanodon and other denizens of the Cretaceous ecosystems of Europe, Asia, and Africa. Pascal Godefroit and contributors consider the Bernissart locality itself and the new research programs that are underway there. The book also presents a systematic revision of Iguanodon; new material from Spain, Romania, China, and Kazakhstan; studies of other Early Cretaceous terrestrial ecosystems; and examinations of Cretaceous vertebrate faunas.

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Pedro de Mena y Medrano (1628-1688) is the most highly regarded master of Spanish Baroque sculpture, on a par with his contemporaries, the great seventeenth-century painters Velázquez, Zurbarán and Murillo. Mena's contributions to Spanish Baroque sculpture are unsurpassed in both technical skill and expressiveness of his religious subjects. His ability to sculpt the human body was remarkable, and he excelled in creating figures and scenes for contemplation. This first monograph of Pedro de Mena shows incredible details and remarkable images of his hyper-realistic sculptures, full of passion. In addition to text by curator Xavier Bray, Pedro de Mena also features important contributions by José Luis Romeo Torres, curator of the exhibition Pedro de Mena, to be held in Málaga in 2019.

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This book examines the monetary integration of the group of countries which constitute the Economic and Monetary Union (EMU), signalling the emergence of a truly European economy. The authors devote their considerable expertise to the analysis of macroeconomic policies within EMU and the economic analysis underlying the conduct of these policies.The authors first analyse the development of the euro area from a historical perspective. They then examine the criteria for the first eleven countries to qualify for EMU and speculate whether the same countries would have joined if the qualification date had been a year later. The authors go on to examine purely macroeconomic aspects of the euro area including: the degree of real convergence in the euro area the short-run and long-run determinants of the euro area's current account the euro area's financial markets and implications for the international role of the euro the organizational structure and internal procedures of the European System of Central Banks the Eurosystem's single monetary policy strategy fiscal policy and the Stability and Growth Pact exchange rate policy issues. This book will become required reading for scholars and policymakers in the area's of European studies, macroeconomic policy and financial economics.

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En esta obra, el gran conocedor de san Bernardo, que fue D. Jean Leclercq, nos hace una síntesis admirable sobre la figura del santo pasando revista a los diversos aspectos de su vida y de su obra. Dios le prodigó extraordinariamente, por lo que brilló en las áreas más diversas (teólogo y literato, artista y músico, hombre de biblia y filósofo, poeta en la Iglesia y liturgo). Pero uno de los dones más insignes que recibió fue su cualidad de escritor en la que resplandece su verdadera grandeza por la que fue maestro espiritual y doctor de la Iglesia.

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