Search results for ""Author Cro"

The CSB Study Bible is designed to help you know and be transformed by God's Word. Featuring the highly readable, highly reliable text of the Christian Standard Bible (CSB), this study Bible keeps Scripture primary on every page. To inspire you to grow in your understanding and love for God's Word, the CSB Study Bible includes an award-winning array of study resources including over 16,000 study notes, tools, and word studies—each tool presented on the same page as the verses it refers to. For both deep study and daily reading, the CSB Study Bible is the ideal resource for lifelong discipleship. Features include: 368 word studies to introduce you to the context and meaning behind key Greek and Hebrew words High-quality smyth-sewn binding that will lie open whether you are reading Genesis 1 or Revelation 22 Full-color visuals to help you see the structure and context of Scripture come alive, including 94 photographs, 55 maps, 44 paintings, 21 illustrations/reconstructions, 19 charts, and 61 timelines Introductions and outlines for each book, including background information, theological themes, and insights into the unique contribution of each book Easy-to-read layout with two columns of text, Jesus' words in red, center-column cross-references, and three columns of notes The CSB Study Bible features the highly readable, highly reliable text of the Christian Standard Bible® (CSB). The CSB stays as literal as possible to the Bible's original meaning without sacrificing clarity, making it easier to engage with Scripture's life-transforming message and to share it with others.

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"Surprisingly readable and studded with nuggets of insight." —The Daily Yomiuri "This insightful, well-written, fascinating book offers new understandings, not only of Japan, but also of American culture. It is essential for those in anthropology, psychology, sociology, and psychiatry who are interested in culture, as well as those in law and the business community who deal with Japan." —Paul Ekman, Ph.D.,Director, Human Interaction Laboratory, Langley Porter Institute, University of California, San Francisco "[A] thoughtful cross-cultural study of development...His work can only enhance the still evolving psychoanalytic theory of preoedipal development as it is being derived mostly from psychoanalytic research on child-parent interaction in American families." —Calvin F. Settlage, M.D. "Johnson's ambitious and exhaustive synthesis of anthropological and psychological treatments of dependency raises interesting questions. . . Johnson alerts the reader to issues of universalism and relativity and leads us to ask, 'What would psychoanalysis be like, if it had originated in Japan?'" —Merry I. White, Edwin O. Reischauer Institute of Japanese Studies, Harvard University ". . . Johnson's erudite and critical re-examination of human dependence succeeds to re-profile dependence meaningfully and revives our interest in this major aspect of human experience. Indeed, much food for thought for both psychoanalysts and anthropologists." —Henri Parens, M.D., Philadelphia Psychoanalytic Institute Western ideologies traditionally emphasize the concepts of individualism, privacy, freedom, and independence, while the prevailing ethos relegates dependency to a disparaged status. In Japanese society, the divergence from these western ideals can be found in the concept of amae (perhaps best translated as indulgent dependency) which is part of the Japanese social fiber and pervades their experience. For the Western reader, the concept of amae is somewhat alien and unfamiliar, but in order to understand the Japanese fully, it is essential to acquire a familiarity with the intensity that accompanies interdependent affiliations within their culture. To place amae in the proper context, Johnson critically examines the western attitudes toward dependency from the perspectives of psychoanalysis, psychiatry, developmental psychology, and anthropology. Johnson traces the development of the concept and uses of the term dependency in academic and developmental psychology in the West, including its recent eclipse by more operationally useful terms attachment and interdependency. This timely books makes use of the work of Japanese psychiatrist Takeo Doi, whose book The Anatomy of Dependence introduced the concept of amae to the West. Johnson goes on to illuminate the collective manner in which Japanese think and behave which is central to their socialization and educational practices, especially as seen in the stunning success of Japanese trading practices during the past twenty years. A major emphasis is placed upon the positive aspects of amae, which are compared and contrasted with attitudes toward dependency seen among other nationalities, cultures, and groups in both Western and Asian societies. Complete with a glossary of Japanese terms, Dependency and Japanese Socialization provides a comprehensive investigation into Japanese behavior.

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With Little Savage, Emily Fragos delivers a magnificent collection in the American tradition of Robert Lowell and Elizabeth Bishop. With clean, strongly wrought lines she builds poems that are elegant and powerful. Marie Ponsot calls the collection “remarkable. What separates Fragos from her contemporaries is her amazing ability to empathize with the characters she creates—the misfits, the artists, the children kept in a fifteenth century school, the composer going mad. She convincingly becomes a young girl in the Venetian conservatory for the abandoned: “Sofia del violino. Once I saw myself / in a clear puddle of rain / water. My teeth are very crooked, I / know. We are none of us / startled by the other. We are all / the same. To Heaven.” These moments ache with honesty, humility, and make us wish that every sentiment expressed by Fragos could be true. Deceptively simple poems written by an unostentatiously skilled poet, Little Savage is permeated with a reverence for nature, music, myth and dance—a veritable treasure trove of compassion and grace. Richard Howard's Foreword You are alone in the room, reading her poems. Nothing is happening, nothing wrong, but all at once, say around page 17 or 18, you hear – remember, no one is with you, no one else is there—a sigh. Or a whispered word: someone. You are not alarmed, but you had thought you were alone. Perhaps not. The sensation is what Freud used to call unheimlich, uncanny. That is the effect of the poems of Emily Fragos. Like their maker, her readers are accompanied, and not to their ulterior knowledge. It is not disagreeable to be thus escorted, attended, joined, but we had not expected it. And as Robert Frost used to tell us (“no surprise in the writer, no surprise in the reader”), Fragos too has not expected such visitations, as she will call them. This poet—these poems—endure otherness, they are haunted: “I remain, with one of everything.” Even as one is being saved…conjure the army of others” “What would happen to my life when all along there has been nothing but me?” “Did you not see how I was made to feel when you put me among others” “And my body—uninhabited—suffers and wonders: whose hands are these? whose hair?” The poems will reveal whose, though I do not think Emily Fragos herself ever finds out. Inevitably, we recall that old surrealist shibboleth, “Tell me by what you are haunted and I will tell you who you are;” it can be the password to indentity. But this poet has what she calls “luxurious mind” and her ghosts are legion: Alone in my odd-shaped room, I practice Blindness and the world floats close and away. I am uncertain of everything. I must walk slowly, carefully. She is acknowledging, with some uneasiness (“will you please tidy up?”), that it is not only the beloved dead, the proximate departed who are with her, who possess her, but others, any others. The remarkable thing about this poetic consciousness is that the woman’s body is inhabited—sometimes with mere habitude, sometimes joyously, more often with astonishing pain—by the prolixity of the real (and of the ‘unreal’); the poems are instinct with others: How dare you Care for me when all my life I have had this voltage to ignite me, this rhythm to drive me, when something inside your body dares me to touch my hands to yours… And quite as remarkable, of course, is the even tonality of such possession; there is nothing hysterical or even driven about the voice of the poems as it records, as it laments or exults in these unsought attendants. There is merely—merely!—a loving consistency of heedfulness; and one remembers Blake’s beautiful aphorism: unmixed attention is prayer. Of course such poetic staffage is not peculiar to Emily Fragos; like Maeterlinck, like Rilke, she exults in her discovered awareness: “I need the other/the way a virus/needs a host.” Rather, she imbues, she infects all of us with the consciousness that there are no single souls: we are not alone.

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An aspiring TV journalist faces a shattering moral dilemma and the prospect of losing her career and her life, when she joins an impetuous photographer in the Middle East. A shocking, searingly authentic thriller by award-winning ex-CNN news executive Sarah Sultoon.‘Shocking and visceral, this novel deals with the horrors of war … a brave, important and utterly compelling book’ S J Watson ‘Gritty, hard-hitting and often harrowing … a hugely exciting voice in crime fiction’ Victoria Selman‘A powerhouse writer’ Jo Spain––––––––––––––––––––––––––––––––––––––An act of mercyOr the ultimate betrayal…Who decides?Samira is an up-and-coming TV journalist, working the nightshift at a major news channel and yearning for greater things. So when she’s offered a trip to the Middle East, with Kris, the station’s brilliant but impetuous star photographer, she leaps at the chanceIn the field together, Sami and Kris feel invincible, shining a light into the darkest of corners … except the newsroom, and the rest of the world, doesn’t seem to care as much as they do. Until Kris takes the photograph.With a single image of young Sudanese mother, injured in a raid on her camp, Sami and the genocide in Darfur are catapulted into the limelight. But everything is not as it seems, and the shots taken by Kris reveal something deeper and much darker … something that puts not only their careers but their lives in mortal danger.Sarah Sultoon brings all her experience as a CNN news executive to bear on this shocking, searingly authentic thriller, which asks immense questions about the world we live in. You'll never look at a news report in the same way again... ‘A powerful story of the brutality of front-line journalism. Authentic, provocative and terrifyingly relevant’ Will Carver ‘A gritty, jarring page-turner’ Peter Hain ‘Passionate, disturbing storytelling at its best’ James Brabazon ‘You won't read another book like this in 2022! Raw, authentic, powerful ... you won't see the end coming!’ E C Scullion ‘Brilliantly conveys both the exhilaration and the unspeakable horror of life on the international news frontline’ Jo Turner ‘Astute and penetrating, evoking feelings that are long lasting and hard to shake off … Sarah Sultoon is a new and welcome voice in what can be a very crowded genre’ Random Things through My Letterbox ‘A masterclass in storytelling and cinematic in scope’ Live & Deadly ‘Brutally honest, extremely thought-provoking, stark and vivid … impossible to put down’ Jen Med’s Book ReviewsPraise for The Source**Winner: Crime Fiction Lover Best Debut Award**‘A brave and thought-provoking debut novel. Sarah Sultoon tackles a challenging and disturbing subject without sensation, and her sensitive handling, tight plotting and authentic storytelling make for a compelling read’ Adam Hamdy‘A taut and thought-provoking book that’s all the more unnerving for how much it echoes the headlines in real life’ CultureFly‘A tense thriller, a remarkable debut, heartbreaking, but ultimately this is a story of resilience and survival’ New Books Magazine‘A powerful, compelling read that doesn’t shy away from some upsetting truths … written with such energy’ Fanny Blake‘Tautly written and compelling, not afraid to shine a spotlight on the darker forces at work in society’ Rupert Wallis‘So authentic and exhilarating … breathtaking pace and relentless ingenuity’ Nick Paton Walsh, CNN‘A powerful, intense whammy of a debut that is both uncomfortable and exhilarating to read … Thought-provoking, tense, and expressive’ LoveReading‘A gripping, dark thriller’ Geoff Hill, ITV‘A cleverly constructed story that offers an authentic view behind the scenes in a British newsroom … an original and wholly engaging debut. Definitely a name to watch’ Crime Fiction Lover‘My heart was racing … fiction to thrill even the most hard-core adrenaline junkies’ Diana Magnay, Sky News ‘Unflinching and sharply observed. A hard-hitting, deftly woven debut’ Ruth Field‘With this gripping, fast-paced debut thriller, it’s easy to see what made Sultoon such a great journalist’ Clarissa Ward, CNN ‘A hard-hitting, myth-busting rollercoaster of a debut’ Eve Smith‘I could picture and feel each scene, all the fear, tension and hope’ Katie Allen For fans of Holly Watt, Sarah Vaughan, Laura Lippman and Karin Slaughter

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'Magisterial . . . [a] fine, balanced and superb account. It deserves to be read for many years to come.' TELEGRAPHMarch 1945. Allied troops are poised to cross the Rhine and sweep on into Germany. Victory is at last within their grasp. But if they believe this victory can be easily won, they face swift disillusionment. The final I00 days of the Second World War will prove to be bitterly and bloodily fought, village by village, town by town.This is the extraordinary and gripping story of those final I00 days._________________________________________________'Superbly written and full of wisdom and deep understanding, this will stand as a defining work on these darkest months of the conflict.' JAMES HOLLAND'This is the most vivid and detailed narrative of the subject that we are likely to see.' MILITARY HISTORY MAGAZINE'An impressive work. Lively, informative and comprehensively researched.' CAROLINE MOOREHEAD, SPECTATOR'An important contribution to military history. A great read and powerful reminder of how the Second World War in Europe was definitely not over until the final surrender.' BBC HISTORY MAGAZINE

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The award-winning architectural practice Hawkins\Brown, founded in 1988, is well-known for its thoughtful, innovative and sustainable new buildings and refurbishments of all types. The practice prides itself on bringing a fresh and collaborative approach, creating places that are well-made, well-used and well-loved. This new book examines 14 of its projects in detail, interspersed with essays on various themes by members of the practice. The book begins with an examination by the eminent architecture journalist Hugh Pearman of the founding, history and approach of Hawkins\Brown, based on personal interviews with the practice’s two founding principals, Roger Hawkins and Russell Brown. A full discussion of the projects follows, each comprehensively illustrated with photographs, plans and renderings. The Bartlett School of Architecture in London had been outgrown by the School; it has been stripped back and reconfigured to create a building that staff and students alike are delighted to use. The Corby Cube is a well-equipped, multi-purpose civic and cultural centre that is beloved of this East Midlands town’s inhabitants. Here East, the repurposing of the Olympic press and broadcast centres in east London into space for creative and digital industries, is an excellent example of collaboration between client, architect and stakeholders. At Hilden Grange Preparatory School in Kent, Hawkins\Brown slotted exemplary new teaching spaces into natural woodland in a sustainable and sympathetic way. The University of East Anglia’s Bob Champion Building is part of the Norwich Medical School’s vision to become a world leader in clinical research and teaching, and was completed in less than a year. Park Hill housing estate in Sheffield has been updated with a charismatic new facade treatment and revitalized flats, taking it from eyesore to icon. Another housing estate, Peabody Burridge Gardens in southwest London, has been rebuilt completely, and is now more pleasant and better integrated. Tottenham Court Road station in central London – part of the enormous Crossrail project – has been sympathetically but radically redesigned to provide for the extra people who will use it, and includes artworks by Daniel Buren, Richard Wright and Douglas Gordon. At Hackney Town Hall in east London, the refurbishment of an important art deco building required all numerous skills, from reuse and repair to conversion and conservation. A combined refurbishment and new building on Great Suffolk Street just south of the river in central London, meanwhile, has created an expanded commercial building that sits comfortably in its semi-industrial setting. For the City of London Freemen’s School in Surrey, Hawkins\Brown created a new swimming pool that is simultaneously functional, beautiful and sympathetic to its rural location. With the University of Oxford Beecroft Building – where environment is also deeply important – the practice produced a new Physics research facility that both satisfies the city’s stringent historical and conservation controls and is a genuinely groundbreaking scientific building. East Village Plot No. 6 is a `build-to-rent’ development in Stratford, east London, where architecture has been used to create community. Finally, the Thames Tideway Tunnel is a crucial yet little-known infrastructure project that will extend and modernize London’s sewerage system to cope with future demand. The visible architecture here involves various surface points along the river, including at Chelsea Embankment and at Blackfriars. The essays demonstrate Hawkins\Brown’s pride in the input of its staff. Seth Rutt explains the architect’s desire for creative autonomy and wish to follow the process of creating a new building all the way from designing it to supervising the construction. Darryl Chen explains the importance of taking time away from day-to-day work to focus on broader themes, and introduces the practice’s own think tank. Nicola Rutt discusses the importance of refurbishment in the output of the practice, emphasizing its importance to the urban fabric and to the people who inhabit our towns and cities. Morag Morrison writes about the integration of art with architecture, and Katie Tonkinson examines mixed-use architecture in the context of the architect’s approach rather than the client’s brief. Harbinder Birdi explains the importance of urban planning and considering the human context for all projects, and, finally, Oliver Milton and Jack Stewart celebrate the opportunities afforded by new technology.

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Introduced by newsreader, presenter, and Barnardo's president Natasha Kaplinsky, Letters From Lockdown features 100+ letters from celebrity names, COVID heroes, and a diverse range of members of the public, all answering the question - 'What was lockdown like for you?'Contributors include: Paul McCartney · Joe Wicks · Malala Yousafzai · Ed Sheeran · Helen Mirren · Cressida Cowell · Mary Berry · Richard Branson · Peppa Pig · Andy Murray · Helena Bonham Carter · Lenny Henry · Bruno Tonioli · Romesh Ranganathan · The family of Captain Tom · Bear Grylls · Charly Cox · Dr Alex George · Jacqueline Wilson · Matt Lucas · Monica Galetti · Kelly Holmes · Bill Gates· Sir Mo Farah and many more.The publisher will donate all profits, which will be a minimum of £1.50 for each copy of the book sold, to Barnardo's (registered charity in England and Wales no. 216250), who do important work to protect and support the UK's most vulnerable children, more in need now than ever.The letter writers include doctors and nurses, care home staff and vaccinators, train drivers and hairdressers, teachers and environmentalists - people who have been on the frontline in tackling the pandemic, or in trying to get the world back on its feet. Other letters document the unforgettable lighter moments of the past year: interviews crashed by children, TikTok triumphs and disasters, and Goats joining Zoom meetings. Each offers their unique perspective on the year everything changed.Other contributors include: Al Gore; Alexandra Shulman, Davina McCall, Toby Regbo, Trevor McDonald, Jo Malone, Keir Starmer, Boris Johnson, Mark Ronson, Maro Itoje, Nicola Adams, Raymond Blanc, Richard Curtis and Emma Freud, Chris Van Dusen, Sita Brahmachari, Sophie Gonzales, Hayden Kays, Tim Peake, Sean Fitzpatrick, and Joan Collins.The idea for the book came from Natasha Kaplinsky's children, Arlo and Kika. They wrote an open letter, wanting to understand other people's experiences of lockdown. Their question, 'What was lockdown like for you?' is the prompt; the collection of letters in response form the book. As we keep our fingers crossed that this summer will bring a safe end to restrictions, this mixture of funny, sad, heart-warming, surprising, heroic and honest experiences will mark the start of a period of reflection.Adrian Packer, Al Gore, Alex George, Alexandra Shulman, Ali Mercer, Alice M Greenwald, Ali Joy, Andy Murray, Antony Cauvin, Anushua Gupta, Bear Grylls, Benjie and Georgia Ingram-Moore, Bill Gates and Melinda French Gates, Bob Wilson, Boris Johnson, Bruno Tonioli, Buckingham Palace, Charly Cox, Chimwemwe Chiweza, Chris and Vicki Agar, Chris Van Dusen, Clare Wenham, Colette Moreira-Henocq, Cressida Cowell, Davey Glover, Davina McCall, Dawn Bilbrough, Dot McCarthy, Ed Balls, Ed Sheeran, Elliot Jacobs, Emma Freud and Richard Curtis, Fergus Llewellyn, George Alagiah, Gill Edwards, Hayden Kays, Helen Mirren, Helena Bonham Carter, Hollie Long, HRH The Duchess of Cornwall, Hugh Fearnley-Whittingstall, Jacqueline Wilson, Jacquie Jenkins, James Graham, Javed Khan, Jenny Messenger, Jo Malone, Joan Collins, Joe Wicks, John Vincent, Josie Naughton, Kathryn England, Karen Pollock, Karl Jones, Keir Starmer, Kelly Holmes, Laura Elliott, Lenny Henry, Lindsay Hoyle, Maff Potts, Maia Elliott, Malala Yousafzai, Margaret Keenan, Marie Benton, Mark Ronson, Maro Itoje, The Marsh Family, Mary Berry, Matt Lucas, Meggie Foster, Michele Walter, Mo Farah, Monica Galetti, Mr Men's Mr Happy, Neera Butt, Nicola Adams, Nina Raingold, Patricia Daley, Paul Atherton, Paul McCartney, Paul Morrison, Paula Talman, Peppa Pig, Philippa Craddock, Raymond Blanc, Rene Germain, Richard Branson, Roja Dove, Romesh Ranganathan, Rosie Jones, Rosie Mitchell, Sandi Procter, Scott Evans, Sean Fitzpatrick, Sharna Jackson, Sita Brahmachari, Sophie Gonzales, Tamara Rojo, Tanni Grey-Thompson, Tessa Mattholie Butunoi, Tim Peake, Tim Steiner, Toby Regbo, Trevor McDonald, Will Shu, Woody, Zoe Burke

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Known for its accuracy, consistency, and portability, Pediatric Physical Examination: An Illustrated Handbook, 3rd Edition teaches the unique range of skills needed to assess children of all ages. Spiral-bound for quick reference in clinical settings, this photo-rich, step-by-step guide to physical examination for advanced practice providers prepares you to expertly examine children from birth through adolescence. Body system chapters begin with fetal development and take you through the key developmental stages of childhood. For infants and young children, Duderstadt uses the quiet-to-active approach favored by pediatric experts and considered more effective for this age-group than the traditional head-to-toe approach used for adults. This edition features a new chapter on newborn physical examination, expanded coverage of skin conditions and new Red Flag highlights that help you recognize high-priority health issues. Expert guidance for the pediatric exam employs the quiet-to-active approach to the examination and assessment of infants - including preterm infants - and young children. This pediatric assessment approach, which starts with listening and moves on to touching, yields the best results in this age group. Richly illustrated in full color to help facilitate learning, with more than 300 photos and drawings that familiarize you with assessment techniques and common assessment findings. Easy-to-use two-column format provides quick access to concise guidance for the pediatric physical exam. Quick-reference special features, including: Information Gathering tables highlight questions and data needed from the patient/guardian, with questions conveniently separated by age group, to guide history-taking. Concise Conditions tables summarize common abnormal findings for each examination area. Pediatric Pearls highlight effective physical examination findings and techniques gleaned from years of expert practice. Family, Cultural, and Racial Considerations sections address the increasingly important areas of family and cultural assessment to prepare you for differences to anticipate when assessing children of various cultural or racial groups. Evidence-Based Practice Tips highlight useful research findings that guide clinical practice. Bulleted Summary of Examination lists at the end of each examination chapter highlight key assessment points associated with each body system and serve as a convenient learning aid and quick reference. End-of-chapter Charting examples demonstrate how to record physical examination findings in the health record and familiarize you with documentation language and format. Convenient spiral binding lets you lay the book flat or fold it back for easy visualization and quick reference in clinical settings. NEW! Completely new Newborn Assessment chapter equips you to provide comprehensive assessment of newborn patients. UPDATED! Expanded coverage of skin conditions equips you to effectively assess the common pediatric skin conditions that you will encounter in day-to-day practice. NEW and UNIQUE! Red Flag feature alerts you to recognize such issues as trauma, neglect, health issues related to conflict-related geographic displacement, and other high-priority health issues that practitioners encounter (e.g., croup, developmental delay). UNIQUE! Interprofessional Collaboration feature promotes engagement with other healthcare and non-healthcare professionals, such as Occupational Therapists, Physical Therapists, physicians, medical specialists, counselors, or other professional resources. NEW! Updated content throughout, including the latest coverage of gender considerations, autism spectrum disorder screening, and electronic documentation (charting via the EHR).

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Get in the Christmas spirit with this charming and funny festive rom-com perfect for fans of Elena Armas, Sophie Kinsella and Catherine Walsh! It's going to be a holly jolly Christmas... Toy Store owner Elodie Martin is not one to get into the festive spirit but nothing gets her fired up more than the chance to get one over on her nemesis, Callum Ashley – the frosty, infuriatingly handsome owner of the local department store. Christmas is the only time she can compete thanks to her grandad Jim, everyone's favourite Santa Claus. But when he has to unexpectedly hang up his red suit, Elodie is at risk of losing the business for good and has no choice but to rely on last-minute replacement out-of-work actor Nick Winter. Can a sprinkling of Christmas magic warm Callum's heart and help Elodie find her happily-ever-after? Or is it just possible that love is to be found a little bit closer to home? Readers love Santa Maybe!: 'Oh my heart!!! Mary Jayne Baker has straightened her crown and taken her seat back on the throne, fully deserving of a QUEEN title... I have literally been transported by this book... impossible to put down... It's a must read!!' littlemissbooklover87, 5* Review 'Santa Maybe is a great big love triangle with tinsel and flashing tree lights decked all over it... Impossibly, breathtakingly romantic... Invitingly sigh-worthy... reality wrapped in a shimmery sheen of hopes and hearts fulfilled.' SparklyPrettyBriiiight, 5* Review 'A five-star read that is worthy of any Santa list... So sweet and funny and had me so wrapped up that I sobbed buckets!!... I am well into the Christmas spirit now.' NetGalley 5* Review 'Aw, what a wonderful festive romance and with such a perfect ending!... This is such a brilliant story and the perfect festive romance to read this Christmas!... The ending is good and so perfect... I can't believe how much I have enjoyed reading this and how I couldn't stop turning the pages! Just want to re-read it again already!' thestrawberrypost 'A gorgeous story that takes all the ingredients of a perfect romantic comedy, and adds that extra sprinkle of Christmas magic to the mix... There is so much here to laugh out loud about, but Baker also knows how to reduce you to a weeping mess – and I loved every extra sparkly magical festive moment.' @brownflopsy, 5* Review 'I loved this so much... Think Miracle on 34th Street vibes, I could see this as a movie, it really was so good!!!!' @reemareads, 5* Review 'It had a You've Got Mail vibe to it and I loved that... Super festive and uplifting... If you're looking for a super festive and speedy read then I'd definitely recommend Santa Maybe.' @youngcreativepress 'Loved this christmassy read. Lovely story very enjoyable will be rereading come December.' @SarahOates10, 5* Review 'Fun festive rom com in book form, that made me smile... Enjoyable quick read, savour with a mug of hot chocolate and marshmallows.' @librarianwithattitude1 'This is a sweet and lovely story; it will make you laugh and believe in love... Because, let's be honest, love is a little bit magic, it happens the moment you least expect it and it transforms your life... You'll have to read the book to know all the answers! And believe me when I say that this is a book that will make you smile!' Varietats2010 'Wonderful Christmas book... filled with so much love, warmth and Christmas spirit. Wonderful.' NetGalley 5* Review 'I have never read a Mary Jayne Baker book I didn't love. This one was no exception... A fun book which I enjoyed reading, whatever the season.' Goodreads 5* Review 'Another smash. This book is funny and clever, with a resolution to a potential love triangle that was done in a careful and believable manner... Add this to your Christmas reads.' Sikonat, 5* Review 'An absolute joy to read – it was gorgeously festive and I was so invested in the characters, even the ones I didn't want to like.' christmaslover1985, 5* Review

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These objects do not have a single purpose. This is the central premise that guides the research within this book. Throughout the volume the reader will follow a representation of a marine hunter-gatherer society, a projection deriving from one of its iconic and most important material assets, the harpoon. This very technical object will be studied not only for its most evident function - hunting at sea – and the work delves into the structural, symbolic, technological and world-building aspects of the human societies that used them. To achieve this goal the text begins with a judgment about the role of marine hunting, its prey, and the agents involved in different coastal societies on the American continent, in order to create a comprehensive framework of reference for the subject. It continues by focussing on clarifying, defining and discussing the concept of harponage from technology compared with other historical and ethnographic cases of marine hunters across the globe. A typology of harpoon points from the Atacama Desert is presented, with classification based on their technical attributes, constituent units, composition features and articulation mechanisms, in order to evaluate the chronological scope and geographical distribution of each one of the types of harpoon heads from the last 7000 years of coastal history. The text then explores the multiple values and meanings of the harpoons of the Atacama Desert. The book finally examines the social reasons that influenced the development of an incredibly sophisticated and complex technology of marine hunting. Inferences that take it out of the sea and away from hunting, towards hypotheses that seek answers in the cultural determinism stemming from technical decisions, to utilise technology as another mechanism to establish and strengthen social bonds in the construction of worlds between different agents and collectives, and no longer as a simple tool to satisfy subsistence needs. | Les objets n’ont pas un seul objectif. Prémisse centrale qui guide le dénouement de ce livre. Dans les pages suivantes le lecteur trouvera une réflexion sur une société des chasseurs-collecteurs marins à partir d’un de ces biens matériaux iconiques et un des plus importantes, le harpon. Cet objet technique sera étudié hors de sa fonction la plus évidente, au-delà de la chasse marine, pour pénétrer les aspects structurels, symboliques, technologiques et de construction du monde de ces collectifs humains. Pour entreprendre ce défi, le texte nous submerge dans un premier temps dans une révision critique sur le rôle de la chasse marine, leurs proies et les agents impliqués dans ces activités et dans différentes sociétés côtières du continent américain, afin de pourvoir un cadre de référence adéquate sur cette thématique. Dans un deuxième moment, nous nous centrons dans l’éclaircissement, la définition et la concrétisation du concept de harponnage depuis la technologie comparée avec d’autres cas historiques et ethnographiques de chasseurs-cueilleurs du monde. Une typologie de têtes de harpon pour le désert d’Atacama est ensuite présentée, fondée sur leurs solutions techniques, leurs unités constitutives, leurs normes de composition et leurs mécanismes d’articulation, pour évaluer ensuite la portée chronologique et la distribution géographique de chaque type au cours des dernières 7000 années d’histoire littorale. Par la suite, le texte tente d’explorer les multiples valeurs et significations des harpons du désert d’Atacama. Dans sa partie finale, notre récit aborde les raisons sociales qui ont permis le développement d’une technologie de chasse marine aussi sophistiquée et complexe. Interprétations qui nous emmènent hors de la mer et loin de la chasse, vers des hypothèses qui cherchent des réponses sur les contraintes culturelles qui se trouvent derrière les décisions techniques, pour concevoir à la technologie comme un mécanisme employé afin d’établir les liens sociaux dans la construction des mondes et rapprocher différents agents sociaux et collectifs, plus que comme un simple outil destiné à satisfaire des besoins de subsistance. | Los objetos no tienen un solo objetivo. Esta es la premisa central que guía el desenlace de este libro. A lo largo de sus páginas el lector conocerá una reflexión acerca de una sociedad cazadora-recolectora marina a partir de uno de sus bienes materiales icónicos y más importantes, el arpón. Este objeto técnico será estudiado fuera de su función más evidente, más allá de la caza en el mar, para adentrarse en aspectos estructurales, simbólicos, tecnológicos y de construcción de mundo de estos colectivos humanos. Para llevar a cabo este programa, el texto se sumerge en una primera instancia en un juicio acerca del rol de la caza marina, sus presas y los agentes involucrados en diferentes sociedades costeras del continente americano, con tal de crear un marco de referencia comprensivo y adecuado sobre el tema. En segundo lugar, se aboca a clarificar, definir y concretizar el concepto de arponaje desde la tecnología comparada con otros casos históricos y etnográficos de cazadores marinos del planeta. Se presenta una tipología de cabezales para el desierto de Atacama fundada en sus soluciones técnicas, unidades constitutivas, normas de composición y mecanismos de articulación, para luego evaluar el alcance cronológico y la distribución geográfica de cada uno de los tipos de cabezales de arpón definidos para los últimos 7000 años de historia litoral. Posteriormente, el texto intenta explorar en torno a los múltiples valores y significados de los arpones del desierto de Atacama. El libro indaga en su desenlace final acerca de las razones sociales que dieron cabida al desarrollo de una tecnología de caza marina tan sofisticada y compleja. Inferencias que lo llevan fuera del mar y lejos de la caza, hacia hipótesis que buscan respuestas en las condicionantes culturales tras las decisiones técnicas, para concebir a la tecnología como un mecanismo más para entablar y estrechar lazos sociales en la construcción de mundos entre distintos agentes y colectivos, y ya no como una simple herramienta para satisfacer necesidades de subsistencia.

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"Unapologetic about the cross-over of cultures, it’s bright, vibrant and dynamic." — Vivek Singh"Packed full of approachable and inspiring recipes . . . thoroughly modern and highly rewarding." — Ravinder Bhogal"Every recipe is packed with flavour." — Dan LepardSanjana Feasts is a collection of dazzling recipes of modern Indian diaspora vegetarian and vegan food.Sanjana Modha’s flavourful and vibrant recipes are rooted in her Indian heritage, East African family background, and Yorkshire childhood. This book showcases the varied ingredients and unique combinations that are authentic to Sanjana’s upbringing, and includes signature dishes such as Ruffled Biryani, Madras Mac and Cheese with Naan Crumbs, Desi-inspired French Bread Pizza and Sticky Toffee Gulab Jamun, as well as delicious Indian classics.Over the last few years Sanjana has s

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Fully revised and updated, the RIBA Domestic Building Contract is specifically designed to be a simple, clear and easy to understand and use contract between a client and a contractor. Endorsed and supported by the HomeOwners Alliance, the RIBA Domestic Building Contract can be used on all domestic (non-commercial) projects, including renovations extensions, maintenance and new buildings. Key benefits Written in plain English that is simple to understand Guidance notes to help complete the contract Provides an effective way of managing payments to the contractor Gives you control over the timely completion of the project Provisions for collaborating with the contractor over events that may delay completion or add costs to the project Other features Collaboration provisions: advance warnings, joint resolution of delay, proposals for improvements and cost savings Flexible payment options Provision for contractor design, with ‘fit for purpose’ liability option Optional provisions for a contractor programme Optional provisions for client-selected suppliers and sub-contractors Mechanisms for dealing with changes to the project which allow for agreement and include specified timescales Option for commencement and completion in stages Terms compliant with the Unfair Terms in Consumer Contracts Regulations 1999 Guidance notes on use and completion are included. Key changes in the 2018 edition: The contract has been fully updated to comply with the CDM Regulations 2015. The Guidance Notes include detailed advice for clients with regards to their particular duties under the Regulations. The guidance on Insurance and Insuring the Works has been expanded and is clearer and easier to understand. Further explanation is given on the process for ensuring that adequate insurance is obtained and the importance of notifying the property’s building and contents insurer if the work is to an existing building. Emphasis is given to the need for whoever takes out the insurance to provide written confirmation of the extent of cover provided in respect of the works. The Consents, Fees and Charges item has been expanded so that it now clearly states what regulatory and statutory consents, fees and charges need to be obtained and who is taking on the ether the responsibility for obtaining and paying for them, either the client or the contractor. The guidance on Dispute Resolution has been expanded but also simplified. Mediation and adjudication are now highlighted as the initial/preferred forms of settling any dispute in the contract, but the client retains the right to refer any dispute to the courts, as the courts will often make it a precondition to hearing a case that the parties have attempted an alternative dispute resolution method. The Programme optional item has been simplified. The contract have retained the requirement for a contractor to indicate the activities they will carry out to complete the works, including the start and finish times of each activity and the relationship of each activity to the others. However, the obligation on the contractor to submit a Programme prior to the commencement of the works, and any financial penalties for not doing so (perceived as too confrontational), have been removed. The Contractor Design optional item has been retained, so that, if it is agreed that the contractor is to design part of the Works, a detailed and accurate description can be provided of the parts that the contractor will design. However, this optional item now also allows a level of professional indemnity insurance to be specified. The Required Specialists optional item has been amended so that while clients can still request that specific subcontractors and suppliers be used for parts of the Works, details of those parts of the works are now to be identified at the tender stage and listed in the Contract Documents. The contract now includes a Contract Checklist which both parties should review and answer ‘yes’ to the questions provided before signing the contract. This is to ensure that the client is fully aware of what they are agreeing to, that all of the appropriate documents and information has been provided and that all of the provisions – such as: scope of the works; start and completion dates of the works; contract price; payment of fees; access to the site and working hours; insurance; and the process for dispute resolution – have been adequately completed. Easy to understand The RIBA Domestic Building Contract is written in plain English, which provides three key benefits: the language used in the contract is simple and easy to understand, compared to other standard forms of contracts; the clause structure used in the contract avoids the use of large numbers of sub-sub clauses and too much cross-referencing between provisions; and Where common construction terminology is used, it has been simplified so that less-experienced users can understand it. Copies required for each Party It is legally advisable that both parties to the contract each have an original signed version. Therefore you should purchase two copies of the contract, so that both the client and contractor has an original signed copy. Alternatively prepare your contract online enabling you to issue final copies of the contract to each party at no extra cost. Integration with other RIBA documents The RIBA Building Contracts have been specifically written to integrate with the RIBA suite of professional services contracts (RIBA Agreements) and the RIBA Plan of Work 2013. Create your RIBA Building Contract online – it is quick, simple and straightforward Generating your building contract online allows you to create, alter, manage and view all of your contracts in one secure location before printing the final contract. For further details, go to: www.ribacontracts.com.

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Students learn best when they can relate what they are studying to familiar issues, problems, and experiences, and Introduction to Human Anatomy and Physiology, 4th Edition does just that. With a clear and concise focus on anatomy and physiology, this new edition explains the normal structure of the human body and how it functions to maintain a state of balance and health - and covers need-to-know principles in an easy-to-understand manner. It focuses on how tissues, organs, and body systems work together to carry out activities such as maintaining body temperature, regulating blood pressure, learning, and responding to stress. Completely updated with a brand new art program, this engaging, user-friendly text clarifies concepts that are often difficult for various career-level health professions students to grasp through reading only. UNIQUE! Tools for Learning pedagogical approach ties together learning objectives, Quiz Yourself boxes, and chapter summaries to help summarize key material, identify important topics, and seamlessly test your comprehension as you work through the text. UNIQUE! Concept-statement headings and subheadings, clearly visible throughout the text, transform simple descriptions into key ideas that you should learn in each section of content. Need-to-know information includes only basic anatomy and physiology content to avoid causing confusion. Chapter outlines at the beginning of each chapter provide a brief synopsis of the chapter and act as a guide for you to prioritize topics. Learning objectives appear after main headings to help you concentrate on important information. Chapter summaries illustrate how the topics covered in each chapter support the learning objectives. Quiz Yourself boxes at the end of each major section reinforce information as it is learned, measure mastery of learning objectives, and test your knowledge and comprehension of key topics within the chapter. Glossary, including key terms, pronunciations, definitions, and chapter references, emphasizes and defines essential terminology. Key terms, presented with pronunciations in bold throughout the text, show you what terminology is critical to gaining a solid understanding of anatomy and physiology. Illustrated tables, with illustrations integrated into the rows and columns, bring tables to life and combine the functionality of succinct tabular material with the added visual benefit of illustrated concepts. A conversational style facilitates learning and ensures you are not intimidated. End-of-chapter quizzes consist of fill-in-the-blank, multiple choice, and new vocabulary matching exercises that let you evaluate your understanding of chapter content. You can find the answers on Evolve. Review questions, including labeling exercises, at the end of each chapter focus on important concepts and applications and allow you to relate structure to function. Study Guide, for sale separately, mirrors the text's Table of Contents and includes study questions, labeling exercises, and crossword puzzles that provide you with a fun way to reinforce concepts learned in the text. Evolve site provides support and guidance for new instructors with minimal teaching experience - and facilitates student learning through a variety of interactive and supplemental resources. NEW! Audio chapter summaries on Evolve can be downloaded to your MP3 player, providing you with an easy, portable way to reinforce chapter concepts. NEW! Completely updated illustration program reinforces content and keeps the text fresh. NEW! Thoroughly updated content ensures material is accurate, current, and reflective of the latest research and topics related to anatomy and physiology. NEW! Key words with definitions and pronunciations, listed at the beginning of each chapter and in the Glossary, help reinforce your terminology comprehension. NEW! Matching vocabulary exercises added to chapter quizzes to help you identify important words and definitions. NEW! Answers to in-book questions on Evolve for instructors, instead of in the book, so instructors have the flexibility to provide or not provide answers to chapter quizzes and review questions from the book - and decide whether or not to use them for homework assignments.

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Selected as a 2012 Outstanding Title by AAUP University Press Books for Public and Secondary School Libraries The history of how six Latin American countries acknowledge—or deny—their African past 12.5 million Africans were shipped to the New World during the Middle Passage. While just over 11.0 million survived the arduous journey, only about 450,000 of them arrived in the United States. The rest—over ten and a half million—were taken to the Caribbean and Latin America. This astonishing fact changes our entire picture of the history of slavery in the Western hemisphere, and of its lasting cultural impact. These millions of Africans created new and vibrant cultures, magnificently compelling syntheses of various African, English, French, Portuguese, and Spanish influences. Despite their great numbers, the cultural and social worlds that they created remain largely unknown to most Americans, except for certain popular, cross-over musical forms. So Henry Louis Gates, Jr. set out on a quest to discover how Latin Americans of African descent live now, and how the countries acknowledge—or deny—their African past; how the fact of race and African ancestry play themselves out in the multicultural worlds of the Caribbean and Latin America. Starting with the slave experience and extending to the present, Gates unveils the history of the African presence in six Latin American countries—Brazil, Cuba, the Dominican Republic, Haiti, Mexico, and Peru—through art, music, cuisine, dance, politics, and religion, but also the very palpable presence of anti-black racism that has sometimes sought to keep the black cultural presence from view. In Brazil, he delves behind the façade of Carnaval to discover how this ‘rainbow nation’ is waking up to its legacy as the world’s largest slave economy. In Cuba, he finds out how the culture, religion, politics and music of this island is inextricably linked to the huge amount of slave labor imported to produce its enormously profitable 19th century sugar industry, and how race and racism have fared since Fidel Castro’s Communist revolution in 1959. In Haiti, he tells the story of the birth of the first-ever black republic, and finds out how the slaves’s hard fought liberation over Napoleon Bonaparte’s French Empire became a double-edged sword. In Mexico and Peru, he explores the almost unknown history of the significant numbers of black people—far greater than the number brought to the United States—brought to these countries as early as the sixteenth and seventeenth centuries, and the worlds of culture that their descendants have created in Vera Cruz on the Gulf of Mexico, the Costa Chica region on the Pacific, and in and around Lima, Peru. Professor Gates’ journey becomes ours as we are introduced to the faces and voices of the descendants of the Africans who created these worlds. He shows both the similarities and distinctions between these cultures, and how the New World manifestations are rooted in, but distinct from, their African antecedents. “Black in Latin America” is the third instalment of Gates’s documentary trilogy on the Black Experience in Africa, the United States, and in Latin America. In America Behind the Color Line, Professor Gates examined the fortunes of the black population of modern-day America. In Wonders of the African World, he embarked upon a series of journeys to reveal the history of African culture. Now, he brings that quest full-circle in an effort to discover how Africa and Europe combined to create the vibrant cultures of Latin America, with a rich legacy of thoughtful, articulate subjects whose stories are astonishingly moving and irresistibly compelling.

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Design a completely unique quilt using a library of over 6,000+ blocks with the Electric Quilt 8 Quilt Design Software. Electric Quilt 8 (EQ8) is the most user-friendly quilt design software on the market! It's redesigned from previous versions with a friendly new look that includes large interface elements for faster, more intuitive learning. EQ8 comes with more than 40 new and updated features, including thousands of new block designs and fabrics. With EQ8, you can design your own quilts using the 6,000+ included blocks and fabrics (or add your own!). Print your fabric yardage, rotary-cutting charts, templates, or foundation patterns and sew your unique masterpiece! In EQ8, you can Design quilts at any size – Start with a layout from the library, or choose a pre-designed Quick Quilt project for instant inspiration. For complete control, design your layout from scratch! Draw block patterns of all sizes and styles – EQ8 has full drawing capabilities to create any kind of block. Draft your block from scratch, use the built-in grids or import a photo or sketch to trace. The Block Library is full of over 6,000 pre-drawn designs ready for you to use in your quilt designs. Use these blocks as they are, or edit them to add your own touch. Scan and import fabric – Scan your fabric or take a picture of it, then import the image into EQ8. Use the scaling, straightening and cropping tools to make sure your fabric looks as accurate as possible. You can also add fabrics from the web! The EQ8 Fabric Library comes pre-loaded with 6,200 fabrics from top manufacturers! Calculate yardage – Get yardage estimates for your quilt, including borders! You choose the appropriate fabric width to get the most accurate requirements. Using fat quarters? No problem! If you make changes to your quilt, your yardage automatically updates. Print patterns – Print patterns for the blocks in your quilt. EQ8 uses the sizes you defined for the blocks and adds the seam allowance, where necessary. Choose to print templates, foundation patterns, rotary cutting charts and pictures of your blocks and quilts. Export images – Are you submitting your quilt design to a magazine? EQ8 exports high-resolution images perfect for print publications. Export web images to post on your blog, website or on social media. Link your Facebook account to EQ8 so you can easily share images of your designs with your friends and followers. The EQ8 package contains a software download licence. The licence is used to claim, download and install the software from ElectricQuilt.com. Users can choose the Mac or PC version during the claim process. Complete instructions are included. System Requirements: Minimum System Requirements DISCLAIMER: EQ8 will not run on Chromebooks or any devices running Android or iOS. EQ8 requires Windows or Mac operating systems, as listed below. Windows 11, Windows 10, Windows 8.1, or Windows 7 with Service Pack 1 macOS Monterey (12), Big Sur (11) Intel and M1 processors, Catalina (10.15), Mojave (10.14), High Sierra (10.13) If you want to run EQ8 on BOTH platforms, you must purchase the EQ8 Migration Kit to get the installation files for the second platform. Internet Access Required Internet access required for downloading, activating, periodic validation and accessing the support materials. You can be disconnected from the internet for general use of the software. Activation Unlimited installations. Two (2) computers may be simultaneously active. Activations can be easily transferred between computers. Activations are done through electricquilt.com Space Requirements 850 MB of available hard-disk space for installation; additional free space required during installation. Recommended Resolution Screen resolution of 1280 x 1024 or greater. (A Minimum of 1024 x 768 is required).

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Fully revised and updated, the RIBA Concise Building Contract is specifically designed to be a simple, clear and easy to understand and use contract between a client and a contractor, and can be used on all types of simple commercial building work. It can be used in both the private and public sectors, as it includes optional provisions dealing with official secrets, transparency, discrimination and bribery as normally required by public sector clients. Key benefits Written in plain English that is succinct and easy to understand Fair and equitable terms for all parties Facilitates good management of the project from start to completion Allows effective collaboration between the employer and contractor Gives control over the timely completion of the building project Allows the contractor to design parts of the building project Other features Collaboration provisions: advance warnings, joint resolution of delay, proposals for improvements and cost savings Management provisions: pre-start meeting and progress meetings Flexible payment options Provision for contractor design, with ‘fit for purpose’ liability option Optional provisions for a contractor programme Optional provisions for client-selected suppliers and sub-contractors Mechanisms for dealing with changes to the project which allow for agreement and include specified timescales Option for commencement and completion in stages Guidance notes on use and completion are included. Key changes in the 2018 edition: The contract has been fully updated to comply with the CDM Regulations 2015. The Guidance Notes include detailed advice for clients with regards to their particular duties under the Regulations. The guidance on Insurance and Insuring the Works has been expanded and is clearer and easier to understand. Further explanation is given on the process for ensuring that adequate insurance is obtained and the importance of notifying the property’s building and contents insurer if the work is to an existing building. Emphasis is given to the need for whoever takes out the insurance to provide written confirmation of the extent of cover provided in respect of the works. The Consents, Fees and Charges item has been expanded so that it now clearly states what regulatory and statutory consents, fees and charges need to be obtained and who is taking on the ether the responsibility for obtaining and paying for them, either the client or the contractor. The guidance on Dispute Resolution has been expanded but also simplified. Adjudication is still the default option, as the parties to the contract are legally obliged to have access to this method for resolving their dispute, however, the contract advocates that the parties to the contract choose mediation as an initial step in the process, as mediation can be less expensive than other methods, and is therefore encouraged by the courts. The Programme optional item has been simplified. The contract have retained the requirement for a contractor to indicate the activities they will carry out to complete the works, including the start and finish times of each activity and the relationship of each activity to the others. However, the obligation on the contractor to submit a Programme prior to the commencement of the works, and any financial penalties for not doing so (perceived as too confrontational), have been removed. The Contractor Design optional item has been retained, so that, if it is agreed that the contractor is to design part of the Works, a detailed and accurate description can be provided of the parts that the contractor will design. However, this optional item now also allows a level of professional indemnity insurance to be specified. The Required Specialists optional item has been amended so that while clients can still request that specific subcontractors and suppliers be used for parts of the Works, details of those parts of the works are now to be identified at the tender stage and listed in the Contract Documents. The contract now includes a Contract Checklist which both parties should review and answer ‘yes’ to the questions provided before signing the contract. This is to ensure that the client is fully aware of what they are agreeing to, that all of the appropriate documents and information has been provided and that all of the provisions – such as: scope of the works; start and completion dates of the works; contract price; payment of fees; access to the site and working hours; insurance; and the process for dispute resolution – have been adequately completed. Easy to understand The RIBA Concise Building Contract is written in plain English, which provides three key benefits: the language used in the contract is simple and easy to understand, compared to other standard forms of contracts; the clause structure used in the contract avoids the use of large numbers of sub-sub clauses and too much cross-referencing between provisions; and Where common construction terminology is used, it has been simplified so that less-experienced users can understand it. Copies required for each Party It is legally advisable that both parties to the contract each have an original signed version. Therefore you should purchase two copies of the contract, so that both the client and contractor has an original signed copy. Alternatively prepare your contract online enabling you to issue final copies of the contract to each party at no extra cost. Integration with other RIBA documents The RIBA Concise Building Contract have been specifically written to integrate with the RIBA suite of professional services contracts (RIBA Agreements) and the RIBA Plan of Work 2013. Create your RIBA Building Contract online – it is quick, simple and straightforward Generating your building contract online allows you to create, alter, manage and view all of your contracts in one secure location before printing the final contract. For further details, go to: www.ribacontracts.com.

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