Search results for ""Author Owen""

Reenchanting Humanity is a work of systematic theology that focuses on the doctrine of humanity. Engaging the major anthropological questions of the age, like transgenderism, homosexuality, technology, and more, author Owen Strachan establishes a Christian anthropology rooted in Biblical truth, in stark contrast to the popular opinions of the modern age.

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After 'How David Cameron Saved Scotland', satirical author Owen Dudley Edwards comes back with a new book, 'Nations and Nationalisms'. This is a collection of defining moments, some rather peculiar, in the history of multiple nations. A wide and interesting assemblage of events that have never been gathered in a single book before. An insight on what it means to become a nation and what a defining moment might actually be. The book covers the defining moments in which nations such as Ireland, Brazil, Belgium, Haiti achieved independence.

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The artist and author, Owen Grant Innes, began life in Nova Scotia, ''the most British of the Canadian provinces.'' As a young boy in the 1960s, Innes felt an enormous sense of not belonging and found that through history, culture, and Queen Elizabeth II, he was connected to a wider world and, in that, found a sense of belonging. This book is a product of the unique relationship between sovereign and subject, acting as a ''love letter'' to the Queen. Including 24 beautiful artworks dedicated to the Queen''s life, from her birth to coronation, to the recent passing of her husband, Prince Philip. Alongside each painting is a quotation from Her Majesty or a reflection from the author. This book is a wonderful ode to the monarch and a tribute to the impact of her long reign.

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Running technique is often an afterthought for many runners, one that's not thought about until an injury or plateau stops them achieving their goals. Running Form highlights how important proper technique can be to elevating performance. Author Owen Anderson has coached several elite runners from around the world. In his new book, he identifies the components of good form, including foot strike, stance time and posture. These help runners understand where to make small changes that improve performance. Readers are then able to analyse their form and apply specific drills and exercises using a basic video equipment or a smartphone. The guide features numerous photographs that help readers clearly identify the correct angles and movements need for sound technique. Running Form gives readers all they need to perfect their running technique and train consistently.

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Half fairy tale and half historical account of a revolution that never was, Owen King''s The Curator is full of sly humor, sensuality, and strangeness - Holly BlackFrom Sunday Times bestselling author Owen King comes a Dickensian fantasy of illusion and charm where cats are revered as religious figures, thieves are noble, scholars are revolutionaries, and conjurers the most wonderful criminals.At first glance, the world has not changed: the trams on the boulevards, the grand hotels, the cafes abuzz with conversation. The street kids still play on the two great bridges that divide the city, and the smart set still venture down to the Morgue Ship for an evening''s entertainment.Yet it only takes a spark to ignite a revolution.For young Dora, a maid at the university, the moment brings liberation. She finds herself walking out with one of the student radicals, Robert, free to investigate what her brother Ambrose may have seen at the

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'One of those books that straddles fantastic and modernist literature in that it seems to be set in our world, seems to be set maybe 100 years ago . . . And it's as magical as it is political and beautifully crafted' - Neil GaimanHalf fairy tale and half historical account of a revolution that never was, Owen King's The Curator is full of sly humor, sensuality, and strangeness - Holly BlackFrom Sunday Times bestselling author Owen King comes a Dickensian fantasy of illusion and charm where cats are revered as religious figures, thieves are noble, scholars are revolutionaries, and conjurers the most wonderful criminals.At first glance, the world has not changed: the trams on the boulevards, the grand hotels, the cafes abuzz with conversation. The street kids still play on the two great bridges that divide the city, and the smart set still venture down to the Morgue Ship for an evening's entertainment.Yet it only takes a spark to ignite a revolution.For young Dora, a maid at the university, the moment brings liberation. She finds herself walking out with one of the student radicals, Robert, free to investigate what her brother Ambrose may have seen at the Institute for Psykical Research before he died.But it is another establishment that Dora is given to look after, The Museum of the Worker. This strange, forgotten edifice is occupied by waxwork tableaux of miners, nurses, shopkeepers and other disturbingly lifelike figures.As the revolution and counter-revolution outside unleash forces of love, betrayal, magic and terrifying darkness, Dora's search for the truth behind a mystery that she has long concealed will unravel a monstrous conspiracy and bring her to the very edge of worlds.In The Curator, Owen King has created an extraordinary time and place - historical, fantastical, yet compellingly real, and a heroine who is courageous, curious and utterly memorable.'The Curator feels a little like Owen King somehow brought a curiosity cabinet to life. There are terrors here, but also marvels and delights, and a set of the most interesting characters I've met in some time. Put The Curator on the same shelf as other classics of the uncanny and uncategorisable, like Susanna Clarke's Piranesi and Mervyn Peake's Gormenghast. I loved it' - Kelly Link'Owen King's The Curator is a rich read. Language, characters, and a fascinating world combine to create an intensely satisfying experience' - Charlaine Harris

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'One of those books that straddles fantastic and modernist literature in that it seems to be set in our world, seems to be set maybe 100 years ago . . . And it's as magical as it is political and beautifully crafted' - Neil GaimanHalf fairy tale and half historical account of a revolution that never was, Owen King's The Curator is full of sly humor, sensuality, and strangeness - Holly BlackFrom Sunday Times bestselling author Owen King comes a Dickensian fantasy of illusion and charm where cats are revered as religious figures, thieves are noble, scholars are revolutionaries, and conjurers the most wonderful criminals.At first glance, the world has not changed: the trams on the boulevards, the grand hotels, the cafes abuzz with conversation. The street kids still play on the two great bridges that divide the city, and the smart set still venture down to the Morgue Ship for an evening's entertainment.Yet it only takes a spark to ignite a revolution.For young Dora, a maid at the university, the moment brings liberation. She finds herself walking out with one of the student radicals, Robert, free to investigate what her brother Ambrose may have seen at the Institute for Psykical Research before he died.But it is another establishment that Dora is given to look after, The Museum of the Worker. This strange, forgotten edifice is occupied by waxwork tableaux of miners, nurses, shopkeepers and other disturbingly lifelike figures.As the revolution and counter-revolution outside unleash forces of love, betrayal, magic and terrifying darkness, Dora's search for the truth behind a mystery that she has long concealed will unravel a monstrous conspiracy and bring her to the very edge of worlds.In The Curator, Owen King has created an extraordinary time and place - historical, fantastical, yet compellingly real, and a heroine who is courageous, curious and utterly memorable.'The Curator feels a little like Owen King somehow brought a curiosity cabinet to life. There are terrors here, but also marvels and delights, and a set of the most interesting characters I've met in some time. Put The Curator on the same shelf as other classics of the uncanny and uncategorisable, like Susanna Clarke's Piranesi and Mervyn Peake's Gormenghast. I loved it' - Kelly Link'Owen King's The Curator is a rich read. Language, characters, and a fascinating world combine to create an intensely satisfying experience' - Charlaine Harris

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Ever wondered what monkeys are and what makes them so special?

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Elgar Advanced Introductions are stimulating and thoughtful introductions to major fields in the social sciences, business and law, expertly written by the world’s leading scholars. Designed to be accessible yet rigorous, they offer concise and lucid surveys of the substantive policy issues associated with discrete subject areas.This Advanced Introduction to International Water Law provides an overview of the key international rules, principles and institutions involved in the use and protection of shared international freshwater resources.Incisive and comprehensive, this book explores the core principles and key developments in international water law. Chapters examine the emergence of the ecosystem approach to transboundary water management; the phenomenon of convergence, by which international water law borrows from (and contributes to) other fields of international law; and the emergence of the UN Sustainable Development Goals as a global driver for implementation of a universally accepted sustainable development framework for shared international water resources.Key Features: Summarises established practices in the field of transboundary water cooperation Deftly explores the evolving objectives of international water law and the key drivers affecting these changes Highlights procedural engagement and institutional cooperation as an integral requirement of international water law Examines the necessity of related fields of international law when managing shared international water resources This authoritative Advanced Introduction will be a crucial read for legal scholars and students working in the fields of international water; environmental, climate and natural resources law; environmental politics; international relations; water resources management and development studies. It will also benefit governmental and intergovernmental officials employed by relevant national ministries and international organisations.

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In Saint Paul, Minnesota state investigator Kirk Stevens and his sometime colleague FBI special agent Carla Windermere witness the assassination of a local billionaire. The shooter flees the scene, but not before the pair see his face - and the blank expression in his eyes. Stevens and Windermere investigate and are led across the country, down dead ends and into long-forgotten cold cases, until they finally discover a chilling clue: a high tech murder-for-hire website. It's a break in the case but only the beginning. Who is the dead-eyed shooter? Who recruits the assassins? And who profits from the fee? It is a race against the clock, and the killer has his next target in sight...

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In November 1999 the first protests associated with the 'anti-globalisation movement' took place in Seattle, and came to be seen as the starting point for globalised resistance to neoliberal capitalism. Despite initial optimism, the following years have seen little progress in formulating a coherent alternative to neoliberalism, a failure that has become particularly poignant in the aftermath of the recent credit crisis. Now, the neoliberal mandate that appeared to be in 'crisis' in just 2008 has reinvented itself through the guise of a new 'era of austerity'. In this timely book, Worth assesses the growing diversity of resistance to neoliberalism - progressive, nationalist and religious - and argues that, troublingly, the more reactionary alternatives to globalisation currently provide just as coherent a base for building opposition as those associated with the traditional 'left-wing' anti-globalisation movements. From the shortcomings of the Occupy movement to the rise of Radical Islam, the re-emergence of the far-right in Western Europe to the startling impact of the Tea Party in the US - Worth shows that while a progressive alternative is possible, it cannot be taken for granted.

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When President Biden announced Janet Yellen as his choice for secretary of the treasury, it was the peak moment of a remarkable life. Not only the first woman in the more than two-century history of the office, Yellen is the first person to hold all three top economic policy jobs in the United States: chair of both the Federal Reserve and the President's Council of Economic Advisors as well as treasury secretary.Through Owen Ullmann's intimate portrait, we glean two remarkable aspects of Yellen's approach to economics: first, her commitment to putting those on the bottom half of the economic ladder at the center of economic policy, and employing forward-looking ideas to use the power of government to create a more prosperous, productive life for everyone. And second, her ability to maintain humanity in a Washington policy world where fierce political combat casts others as either friend or enemy, never more so than in our current age of polarization.As Ullmann takes us through Yellen's life and work, we clearly see her brilliance and meticulous preparation. What stands out, though, is Yellen as an icon of progress-the "Ruth Bader Ginsburg of economics"-a superb-yet-different kind of player in a cold, male-dominated profession that all too often devises policies to benefit the already well-to-do. With humility and compassion as her trademarks, we see the influence of Yellen's father, a physician whose pay-what-you-can philosophy meant never turning anyone away. That compassion, rooted in her family life in Brooklyn, now extends across our entire country.

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Owen Nicholls' Love, Unscripted follows film projectionist Nick as he tries to understand why love isn't always like the movies. Perfect for fans of romcoms, David Nicholls and Nick Hornby.'Sometimes a book comes along and it feels dusted with magic - Love, Unscripted is one of those books.' Josie Silver, author of One Day in December IT ISN'T ALWAYS LIKE THE MOVIES . . .For the last four years, Nick's life has been picture-perfect.He's been working his dream job as a film projectionist and he's been dating Ellie, the love of his life and the coolest woman he's ever met. It took a while, but this hopeless romantic finally found a love story to rival the big screen.Until, one day, Ellie moves out. Stunned by the end of their cinematic romance, Nick rewinds to the first night they met. Maybe if he can freeze-frame their happiest moments, he can work out why Ellie had to leave him behind. Before the credits roll, will Nick become the hero of his own romantic comedy, or is it finally time for him to step out of the frame? **Owen Nicholls' new novel PERFECT TIMING is available to pre-order now!**PRAISE FOR LOVE, UNSCRIPTED. . .'An unmissable, multi-layered read' WOMAN & HOME'Bursting with some very cute cultural references'SUNDAY MIRROR'A refreshing take on the typical boy-meets-girl romance'WOMAN'S WEEKLY'A complete delight for film lovers (and lovers of love)' HOLLY BOURNE 'The book equivalent of a classic rom-com'CULTUREFLY'A nostalgic read for fans of Nick Hornby and David Nicholls'HEAT MAGAZINE 'A gorgeous rom-com' KATE DAVIES, AUTHOR OF IN AT THE DEEP END 'An astutely observed romantic comedy . . . Pure pleasure' EMPIRE MAGAZINE 'If When Harry Met Sally and High Fidelity had a book baby, this would be it'EMMA COOPER, AUTHOR OF THE SONGS OF US 'Charming read'WOMAN'S WAY'This will tug at your heartstrings'BEST MAGAZINE'The perfect read for film enthusiasts'WOMAN MAGAZINE

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Architects are facing a crisis of agency. For decades, they have seen their traditional role diminish in scope as more and more of their responsibilities have been taken over by other disciplines within the building construction industry. Once upon a time, we might have seen the architect as the conductor of the orchestra; now he or she is but one cog in a vast and increasingly complex machine. In an attempt to find a way out of this crisis, there is growing debate about how architects might reassert the importance of their role and influence. On one side of this argument are those who believe that architects must refocus their attention on the internal demands of the discipline. On the other are those who argue that architects must, instead, reacquaint themselves with what many still believe to be the discipline’s core mission of advancing social progress and promoting the public good, and at the same time the scope of their traditional disciplinary remit. At root, this question is fundamentally about freedom, about whether architects still possess it – if they have ever done – and whether it is possible to find the professional, disciplinary and individual autonomy to be able to define the spheres of their own practice. Presenting a variety of views and perspectives, this issue of AD takes us to the heart of what freedom means for architecture as it adapts and evolves in response to the changing contexts in which it is practised in the 21st century. Contributors include: Phillip Bernstein, Peggy Deamer, Adam Nathaniel Furman, Kate Goodwin, Charles Holland, Anna Minton, Patrik Schumacher, Alex Scott-Whitby, Ines Weizman, and Sarah Wigglesworth. Featured architects: Atelier Kite, ScottWhitbyStudio, C+S Architects, Anupama Kundoo, Noero Architects, Umbrellium, and Zaha Hadid Architects.

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This is the catalogue of an exhibition, held in conjunction with the 50th Anniversary of the Class of 1933, featuring items given by Harrison Horblit ’33, one of Houghton Library’s most distinguished donors. The exhibition includes materials covering Manuscripts and the Cradle of Printing, Early Arithmetics, Early English Printing, the Scientific Renaissance, Printing and Bibliography, Interesting Bindings, and Early Photography.

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Investigation of unjustly neglected opera. Hans Pfitzner's `musical legend' Palestrina is considered in the German-speaking countries to be one of the supreme masterpieces of music, and yet it is all but unknown elsewhere. The opera, first performed in 1917, tells the story of the composer Palestrina, his struggle to compose following the death of his wife and in the face of anti-musical decrees from the Church, and his eventual composition of the Missa Papae Marcelli, which, it is said, wasdictated to him by angles and reconciled the Church to contrapuntal music. The story, set against the historical background of the Council of Trent, is an allegory of the individual artist in society, as well as a statement of Pfitzner's own beliefs about the musical climate of his time. Toller discusses the music and the dramatic structure, and presents a comprehensive introduction to the background material in the many diverse fields encompassed by the opera. OWEN TOLLER is Head of Mathematics at Merchant Taylor's School; he is a member of the London Symphony Chorus and sings with a number of other groups. His interest in Pfitzner began when he sang in the first British performance of Palestrina, a semi-professional production by Abbey Opera in London in 1979.

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An expansive look at how culture shapes our emotions—and how we can benefit, as individuals and a society, from less anger and more shameThe world today is full of anger. Everywhere we look, we see values clashing and tempers rising, in ways that seem frenzied, aimless, and cruel. At the same time, we witness political leaders and others who lack any sense of shame, even as they display carelessness with the truth and the common good. In How to Do Things with Emotions, Owen Flanagan explains that emotions are things we do, and he reminds us that those like anger and shame involve cultural norms and scripts. The ways we do these emotions offer no guarantee of emotionally or ethically balanced lives—but still we can control and change how such emotions are done. Flanagan makes a passionate case for tuning down anger and tuning up shame, and he observes how cultures around the world can show us how to perform these emotions better.Through comparative insights from anthropology, psychology, and cross-cultural philosophy, Flanagan reveals an incredible range in the expression of anger and shame across societies. He establishes that certain types of anger—such as those that lead to revenge or passing hurt on to others—are more destructive than we imagine. Certain forms of shame, on the other hand, can protect positive values, including courage, kindness, and honesty. Flanagan proposes that we should embrace shame as a uniquely socializing emotion, one that can promote moral progress where undisciplined anger cannot.How to Do Things with Emotions celebrates the plasticity of our emotional responses—and our freedom to recalibrate them in the pursuit of more fulfilling lives.

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An expansive look at how culture shapes our emotions—and how we can benefit, as individuals and a society, from less anger and more shameThe world today is full of anger. Everywhere we look, we see values clashing and tempers rising, in ways that seem frenzied, aimless, and cruel. At the same time, we witness political leaders and others who lack any sense of shame, even as they display carelessness with the truth and the common good. In How to Do Things with Emotions, Owen Flanagan explains that emotions are things we do, and he reminds us that those like anger and shame involve cultural norms and scripts. The ways we do these emotions offer no guarantee of emotionally or ethically balanced lives—but still we can control and change how such emotions are done. Flanagan makes a passionate case for tuning down anger and tuning up shame, and he observes how cultures around the world can show us how to perform these emotions better.Through comparative insights from anthropology, psychology, and cross-cultural philosophy, Flanagan reveals an incredible range in the expression of anger and shame across societies. He establishes that certain types of anger—such as those that lead to revenge or passing hurt on to others—are more destructive than we imagine. Certain forms of shame, on the other hand, can protect positive values, including courage, kindness, and honesty. Flanagan proposes that we should embrace shame as a uniquely socializing emotion, one that can promote moral progress where undisciplined anger cannot.How to Do Things with Emotions celebrates the plasticity of our emotional responses—and our freedom to recalibrate them in the pursuit of more fulfilling lives.

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Pillars of Justice explores the purpose and possibilities of life in the law through moving accounts of thirteen lawyers who shaped the legal world during the past half century.Some, such as Thurgood Marshall, were Supreme Court Justices. Others, like John Doar and Burke Marshall, set the civil rights policies of the federal government during the 1960s. Some, including Harry Kalven and Catharine MacKinnon, have taught at the greatest law schools of the nation and nourished the liberalism rooted in the civil rights era. Jurists from abroad—Aharon Barak, for example—were responsible for the rise of the human rights movement that today carries the burden of advancing liberal values. These lawyers came from diverse backgrounds and held various political views. What unites them is a deep, abiding commitment to Brown v. Board of Education as an exceptional moment in the life of the law—a willingness to move mountains, if need be, to ensure that we are living up to our best selves. In tracing how these lawyers over a period of fifty years used the Brown ruling and its spirit as a beacon to guide their endeavors, this history tells the epic story of the liberal tradition in the law.For Owen Fiss, one of the country’s leading constitutional theorists, the people described were mentors, colleagues, friends. In his portraits, Fiss tries to identify the unique qualities of mind and character that made these individuals so important to the institutions and legal principles they served.

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SHORTLISTED FOR THE 2024 CHRISTOPHER EWART-BIGGS MEMORIAL PRIZE'An outstanding evening, a landmark play, a thoroughly deserved five stars . . . Owen McCafferty's searing dramatisation is a political thriller with echoes of Greek drama.' Irish TimesOwen McCafferty examines the negotiations leading up to the Good Friday Agreement and weaves potent drama out of this complex, momentous event.what takes courage is to compete in the arena of democracyThe clock is ticking. It's April 1998 and representatives of the British Government, the Irish Government and the main political parties in Northern Ireland try to hammer out a deal that could pave the way for peace. Every word, every movement, every stare means something. This is the last chance saloon and no one is leaving until agreement is reached, one way or another.Agreement opened at the Lyric Theatre, Belfast, in March 2023, and was revived there in March 2024.

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Could your closest friend be a killer?When a body washes up outside Deception Cove, Washington, Jess Winslow-once a US Marine, now a trainee sheriff's deputy-is assigned to investigate. But when she realizes it's "Bad" Brock Boyd, a hometown celebrity lately fallen from grace, things become complicated. The last person seen with Boyd was her own boyfriend, Mason Burke.An ex-convict and newcomer in town, Mason is one of the only people who can understand Jess's haunting memories of her time in Afghanistan-and her love for Lucy, her devoted service dog. Finding one another in Deception Cove has been the best thing to happen to either of them in years. So Jess knows Mason could never be guilty of murder-doesn't she?As the facts of the case point ever more squarely at Mason, Jess must face that everything she thinks she knows about him might be wrong. A thrilling sequel to Deception Cove, and a heart-pounding adventure all its own, Lone Jack Trail pushes Jess and Mason to a shocking confrontation and will test everything they've come to love and trust in Deception Cove.

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From a personal obsession with film, to an unorthodox mentorship with the legendary Pauline Kael, to establishing himself with the upstart Entertainment Weekly, Movie Freak is the critically-acclaimed memoir by veteran film critic Owen Gleiberman that will speak to anyone whose life has been changed by a great film. What molds a critic? Perhaps it takes parents willing to buy nine-year-old Gleiberman drive-in tickets for Rosemary's Baby. Like millions of us, Gleiberman loves movies, and in this frank and funny memoir he not only reveals the details of how he became a critic but attempts to show why we find cinema so defining as a society. As one of the premiere tastemakers for more than three decades, Gleiberman, a self-confessed movie freak, explains why he, and so many others, equate film with life. Readers will revel in the juicy details of the behind-the-scenes life of a critic, and cheer as he lifts the curtain on life along the red carpet.

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A gloriously moving and entertaining, picaresque debut novel, about a young man’s sentimental education in late 19th-Century Europe; inspired by a real historical figure: ‘Captain’ Paul Boyton – the ‘Fearless Frogman’ ‘“But who among you might assist me on this adventure?” the Captain shouts. And then the Captain’s eyes fall on me, as was his plan all along, and he points me out, making sure just so’s everyone can see. “What about you, sir?” “Me?” “A strong young man to journey with me across the wild continent, to support me in my life-saving work, and take the name of his village to the farthest corners of civilisation – and paid a wage, of course!” “Of course!” everyone shouts.’ The 1880s are drawing to a close, and 14(-maybe-15)-year-old Daniel Bones fears that the prospects for him and his younger brother Will may be dimming with the century. For the motherless sons of a drunken blacksmith, life on a barren spit of land reaching into the Essex estuary holds little promise. Until one evening, from out of the water, there emerges the astonishing figure of Captain Clarke B: cigar-smoking daredevil adventurer, charlatan, casanova and inventor of the world-famous life-saving inflatable suit. As the Captain embarks on his ramshackle promotional tour of Europe, Daniel is sucked into his wake, on an adventure that will carry him through the waterways of the continent, encountering Kings and Princesses, wealthy widows, irate husbands, anarchists, arms dealers and shadowy power-brokers. It’s an education beyond Dan’s wildest imaginings, across countries undergoing the convulsions of all kinds of revolution, and one that will open his eyes, and his heart. But as he travels further into the dazzle of notoriety and the darkness that lies behind it, Dan’s promise to return and rescue Will seems ever harder to keep. For in the Captain’s world of smoke and mirrors it is all too easy to lose sight of who he is, or the man he ought to be…

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The definitive illustrated guide to modern British architecture returns in a beautiful new editionModernism is now a century old, and its consequences are all around us, built into our everyday lived environments. Its place in Britain's history is fiercely contested, and its role in our future is the subject of ongoing controversy but modernist buildings have undoubtedly changed our cities, politics and identity forever.In Modern Buildings in Britain, Owen Hatherley applauds the ambition and explores the significance of this most divisive of architectures, travelling from Aberystwyth to Aberdeen, from St Ives to Shetland, in search of our most important and distinctive modern buildings. As Hatherley considers the social, political and cultural value of these structures a number of which are threatened by demolition two linked questions emerge: what happens to a building after it has been lived in, and what becomes of an idea when its time has pass

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Going to bed is an exciting quest for one little boy in this charming tale. It might seem like he's going upstairs, brushing his teeth and climbing into bed, but actually he's riding through the forest, jumping over crocodiles and scaling the castle wall - no wonder he's exhausted and falls straight to sleep!

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THE #1 INTERNATIONAL BESTSELLER'Gareth Southgate's secret weapon' - Guardian'A copy of Eastwood's new book, Belonging, was given to every England player when they reported for duty at the European Championships' - TelegraphIn BELONGING Owen Eastwood reveals, for the first time, the ethos that has made him one of the most in-demand Performance Coaches in the world. Drawing on his own Maori ancestry, Owen weaves together insights from homo sapiens' evolutionary story and our collective wisdom. He shines a light on where these powerful ideas are applied around the world in high-performing settings encompassing sport, business, the arts and military.Whakapapa is a Maori idea which embodies our universal human need to belong. It represents a powerful spiritual belief - that each of us is part of an unbroken and unbreakable chain of people who share a sacred identity. Owen places this concept at the core of his methods to maximise a team's performance.Aspects of Owen's unique approach include: finding your identity story; defining a shared purpose; visioning future success; sharing ownership with others; understanding the 'silent dance' that plays out in groups; setting the conditions to unleash talent; and converting our diversity into a competitive advantage.Whakapapa. You belong here.'How Maori belief is driving the England team to seize the moment' - Sunday Telegraph'Belonging is a must-read for anyone interested in building a long term high-performing team' - Stuart Lancaster'One of the wisest books about winning you'll ever read... Powerful lessons beautifully expressed' - James Kerr'Owen's work and outlook really resonate with me. His philosophy has real depth and value. [It's] so of the moment - at just the right time, at just the right place, with just the right message' - Simon Mundie'Belonging reminds of us of who we really are and what is most important' Kieran Read

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SHORTLISTED FOR THE PUSHKIN HOUSE PRIZE 'The most formidable spy in history' IAN FLEMING 'His work was impeccable' KIM PHILBY 'The spy to end spies' JOHN LE CARRÉ Born of a German father and a Russian mother, Richard Sorge moved in a world of shifting alliances and infinite possibility. In the years leading up to and during the Second World War, he became a fanatical communist – and the Soviet Union’s most formidable spy. Combining charm with ruthless manipulation, he infiltrated and influenced the highest echelons of German, Chinese and Japanese society. His intelligence proved pivotal to the Soviet counter-offensive in the Battle of Moscow, which in turn determined the outcome of the war itself. Drawing on a wealth of declassified Soviet archives, this is a major biography of one of the greatest spies who ever lived.

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Winner of Wales Book of the Year Pink Mist is a verse-drama about three young soldiers from Bristol who are deployed to Afghanistan. School friends still in their teens, Arthur, Hads and Taff each have their own reasons for enlisting. Within a short space of time they return to the women in their lives (a mother, a wife, a girlfriend), all of whom must now share the psychological and physical aftershocks of their service. A work of great dramatic power, documentary integrity and emotional intensity, Pink Mist uses everyday yet heightened speech to excavate the human cost of modern warfare. Drawing upon interviews with soldiers and their families, as well as ancient texts such as the medieval Welsh poem Y Gododdin, it is the first extended lyric narrative to emerge from the devastating conflict in Afghanistan.

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Great Britain has just left one Union, after years of bitter argument and divisive posturing. But what if the island's future lies in another Union altogether, with some of its former colonial “kith and kin” across the seas? Why be in a Union with your immediate neighbours, when you could instead be in a trans-oceanic super-state with our old friends in Canada, Australia and New Zealand? Welcome to the strange world of the 'CANZUK Union', the name for a quixotic but apparently serious plan to reunify the white-majority 'Dominions' of the British Empire under the flag of low taxes, strong borders and climate change denialism. Artificial Islands tests the idea that Britain's natural allies and closest relations are in these three countries in North America and the Antipodes, through a good look at the histories, townscapes and spaces of several cities across the settler zones of the British Empire. These are some of the most purely artificial and modern landscapes in the world, British-designed cities that were built with extreme rapidity in forcibly seized territories on the other side of the world from Britain. Were these places really no more than just a reproduction of British Values planted in unlikely corners of the globe? How are people in Auckland, Melbourne, Montreal, Ottawa and Wellington re-imagining their own history, or their countries' role in the British Empire and their complicity in its crimes? And do they have any interest in a union with us?

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Are you left not having a baldy by what punters around you are saying? Does the way you hear English being spoke lack rime and raisin? If so, this is exactly the wee toady book you've been duking for. Self-proclaimed Norn Irish expert Owen Kelly has compiled the definitive basic introduction to local lingo, helping the reader to tell the difference between an 'Absolutely!' and a 'Wise'! So, whether you're a native or a visitor, and without Annie Furderadoo, overcome your diffs and join in the banter. Square crack! 'The authentic voice of Ulster - irreverent, independent, humorous and humane.' Northern Life

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Laika is a homeless stray living on the streets of Moscow when she is picked by the Space Programme to be the first ever animal launched into orbit! But her rocket disappears and everyone thinks Laika is lost forever. Now you'll discover in Owen Davey's imaginative story that Laika was rescued by a loving new owner and found her true home on a planet far, far away.

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THE #1 INTERNATIONAL BESTSELLER'Gareth Southgate's secret weapon' - Guardian'A copy of Eastwood's new book, Belonging, was given to every England player when they reported for duty at the European Championships' - TelegraphIn BELONGING Owen Eastwood reveals, for the first time, the ethos that has made him one of the most in-demand Performance Coaches in the world. Drawing on his own Maori ancestry, Owen weaves together insights from homo sapiens' evolutionary story and our collective wisdom. He shines a light on where these powerful ideas are applied around the world in high-performing settings encompassing sport, business, the arts and military.Whakapapa is a Maori idea which embodies our universal human need to belong. It represents a powerful spiritual belief - that each of us is part of an unbroken and unbreakable chain of people who share a sacred identity. Owen places this concept at the core of his methods to maximise a team's performance.Aspects of Owen's unique approach include: finding your identity story; defining a shared purpose; visioning future success; sharing ownership with others; understanding the 'silent dance' that plays out in groups; setting the conditions to unleash talent; and converting our diversity into a competitive advantage.Whakapapa. You belong here.'How Maori belief is driving the England team to seize the moment' - Sunday Telegraph'Belonging is a must-read for anyone interested in building a long term high-performing team' - Stuart Lancaster'One of the wisest books about winning you'll ever read... Powerful lessons beautifully expressed' - James Kerr'Owen's work and outlook really resonate with me. His philosophy has real depth and value. [It's] so of the moment - at just the right time, at just the right place, with just the right message' - Simon Mundie'Belonging reminds of us of who we really are and what is most important' Kieran Read

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'A genuine presence on the field, Owen refereed with the perfect balance of respect and authority' Keith Wood'Highly respected with vast experience and knowledge, Owen Doyle contributed hugely to the world of rugby refereeing, both on and off the field' Nigel Owens'Owen Doyle was a highly respected referee who officiated matches with passion, commitment, knowledge and, occasionally, some great humour' Will CarlingWith a foreword by Donal Lenihan.Owen Doyle is an Irish Times columnist and former Irish rugby Test match referee. Here in his frank, revealing and often humorous memoir, The Ref's Call, he gives a behind-the-scenes glimpse into the high-pressured world of international rugby.From the processes involved in becoming a referee, to officiating in the Five Nations, touring Internationals and a World Cup, Doyle takes us through the most memorable matches of his career and how, following his retirement, he became instrumental in coaching the most successful generation of referees in the IRFU's history.Covering over forty years of rugby, and written in his own inimitable style, Doyle looks at the challenges facing modern rugby, particularly the issues of concussion and dementia, to give a fascinating insight into the great game, told from a unique perspective.

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'A genuine presence on the field, Owen refereed with the perfect balance of respect and authority' Keith Wood'Highly respected with vast experience and knowledge, Owen Doyle contributed hugely to the world of rugby refereeing, both on and off the field' Nigel Owens'Owen Doyle was a highly respected referee who officiated matches with passion, commitment, knowledge and, occasionally, some great humour' Will CarlingWith a foreword by Donal Lenihan.Owen Doyle is an Irish Times columnist and former Irish rugby Test match referee. Here in his frank, revealing and often humorous memoir, The Ref's Call, he gives a behind-the-scenes glimpse into the high-pressured world of international rugby.From the processes involved in becoming a referee, to officiating in the Five Nations, touring Internationals and a World Cup, Doyle takes us through the most memorable matches of his career and how, following his retirement, he became instrumental in coaching the most successful generation of referees in the IRFU's history.Covering over forty years of rugby, and written in his own inimitable style, Doyle looks at the challenges facing modern rugby, particularly the issues of concussion and dementia, to give a fascinating insight into the great game, told from a unique perspective.

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Buried in an unmarked grave in the churchyard of the small village of Benson in Oxfordshire lies the body of a footballing world champion from a bygone era shrouded in the mists of time. His name was Stephen Smith. This footballer of the Victorian and Edwardian era could claim as many league title winning medals as John Terry and Wayne Rooney, more league winners medals than Eric Cantona, Frank Lampard, Cristiano Ronaldo, Thierry Henry and Alan Shearer. This book is the never before told story of a footballer born at the end of the Industrial Revolution, son of agricultural labourers who became a miner, working underground combining that job with one as a professional footballer to rise to the top of the footballing world. Smith won trophy after trophy in the best and only professional league anywhere in the world at that time. He also scored the goal that made England World Champions in 1895. Smith, at the top of his game in a move that mirrored the Premier League breakaway of 1992 and the recent ill-fated European Super League then joined the newly formed Southern League at a time when the Football League started to cap player wages. He did this in order to ensure his family's future as well as end his reliance on his part-time earnings from mining. Football's zeitgeist has fundamentally changed very little in the last 130 years for those inside the industry. This is the story of Stephen Smith and the quest to find the support and funds to mark and commemorate one of the most decorated yet underappreciated footballers in the history of the game.

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Guest-edited by Owen Hopkins Multispace exists at the intersection of the physical and digital, and in the blurring of their previously clear dividing lines. Multispace is not a single space, but a hybrid space where, in effect, we occupy multiple spaces simultaneously. We enter it on a Zoom call, when we are in our office and in a meeting with 20 people; when we are cycling down a country lane whilst racing against thousands of others who also use the Strava app; when we are watching a TV show while live tweeting; or, perhaps most literally, when wandering around the local park looking for creatures that only appear on a smartphone screen. A fundamental question of this AD is why the phenomena that multispace describes are of concern to architects. The answer is that multispace points to a situation that is at root an architectural one. Offering both a collective and highly personalised experience, static and dynamically customisable, and above all at the same time public and private, multispace lies at the centre of a set of tensions, concerns and preoccupations at the core of our conception of architecture as theory and practice. It is the messy space between, with rough and uneven edges that are constantly shifting. Contributors: Aleksandra Belitskaja, Alice Bucknell, Jesse Damiani, Wendy Fok, Andrew Kovacs, Lara Lesmes and Fredrik Hellberg, Micaela Mantegna, Holly Nielsen, Giacomo Pala, Paula Strunden, Lucia Tahan, and Francesca Torello and Joshua Bard. Featured architects and artists: iheartblob, Ibiye Campis, Office Kovacs, Space Popular and Liam Young.

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Psychiatry has always aimed to peer deep into the human mind, daring to cast light on its darkest corners and untangle its thorniest knot, often invoking the latest medical science in doing so. But, as Owen Whooley’s sweeping new history tell us, the history of American psychiatry is really a history of ignorance. On the Heels of Ignorance begins with American psychiatry’s formal beginnings in the 1840s and moves through two centuries of constant struggle simply to define and redefine mental illness, to say nothing of the best way to treat it. Whooley’s book is no anti-psychiatric screed, however; instead, he reveals a field that has steadfastly muddled along through periodic reinventions and conflicting agendas of curiosity, compassion, and professional striving. On the Heels of Ignorance draws from intellectual history and the sociology of professions to portray an ongoing human effort to make sense of complex mental phenomena using an imperfect set of tools, with sometimes tragic results.

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A Supernatural War reveals the surprising stories of extraordinary people in a world caught up with the promise of occult powers. It was a commonly expressed view during the First World War that the conflict had seen a major revival of 'superstitious' beliefs and practices. Churches expressed concerns about the wearing of talismans and amulets, the international press paid considerable interest to the pronouncements of astrologers and prophets, and the authorities in several countries periodically clamped down on fortune tellers and mediums due to concerns over their effect on public morale. Out on the battlefields, soldiers of all nations sought to protect themselves through magical and religious rituals, and, on the home front, people sought out psychics and occult practitioners for news of the fate of their distant loved ones or communication with their spirits. Even away from concerns about the war, suspected witches continued to be abused and people continued to resort to magic and magical practitioners for personal protection, love, and success. Uncovering and examining beliefs, practices, and contemporary opinions regarding the role of the supernatural in the war years, Owen Davies explores the broader issues regarding early twentieth-century society in the West, the psychology of the supernatural during wartime, and the extent to which the war cast a spotlight on the widespread continuation of popular belief in magic.

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