Search results for ""Free Press""

Rich in historical detail, Images of a Free Press is an elegant, powerful guide to the evolution of our modern conception of freedom of the press, which finds expression in laws that protect print journalism and regulate broadcast media. Bollinger argues that this distinction remains meaningful but he advocates a more sophisticated approach to issues of privacy, access, and technology. Providing concrete guidelines for improving media laws, Images of a Free Press is a vital First Amendment primer for lawyers, media professionals, and critics, and all concerned citizens."Images of a Free Press is the natural sequel to Lee Bollinger's first book, The Tolerant Society, and is destined to become a standard in first amendment scholarship."—Rodney A. Smolla, Constitutional Commentary"Revisiting themes he first explored some fifteen years ago, Bollinger now adds further to our understanding of the complex relationship among the First Amendment, the Supreme Court, the public, the press and the democratic process. This is a work of insight, sensitivity, and power. Bollinger has a profound knowledge of and a deep affection for his subject, and it shows."—Geoffrey R. Stone, Michigan Law Review"This thoughtful, understated book remains a call to come join the town meeting and hammer out some new rules of order. Scholars and citizens alike could do well to read Bollinger's book and accept his challenge."—Yale Law Review"For a number of years, Lee Bollinger has argued that the First Amendment has been applied differently to the print media than it has been to the broadcast media. In his new book, Images of a Free Press, Bollinger provides a concise, persuasive account of why this is so—and why it ought to be so."—Columbia Law Review

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Spanning the first one hundred years of the newspaper (1849-1950), London Free Press: From the Vault is chock full of photographs from the London Free Press archives, with fascinating and fun chapter introductions by local historian Jennifer Grainger and a general introduction by James Reaney, a former reporter with the newspaper.

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In determining the news that’s fit to print, U.S. courts have traditionally declined to second-guess professional journalists. But in an age when news, entertainment, and new media outlets are constantly pushing the envelope of acceptable content, the consensus over press freedoms is eroding. The First Amendment Bubble examines how unbridled media are endangering the constitutional privileges journalists gained in the past century.For decades, judges have generally affirmed that individual privacy takes a back seat to the public’s right to know. But the growth of the Internet and the resulting market pressures on traditional journalism have made it ever harder to distinguish public from private, news from titillation, journalists from provocateurs. Is a television program that outs criminals or a website that posts salacious videos entitled to First Amendment protections based on newsworthiness? U.S. courts are increasingly inclined to answer no, demonstrating new resolve in protecting individuals from invasive media scrutiny and enforcing their own sense of the proper boundaries of news.This judicial backlash now extends beyond ethically dubious purveyors of infotainment, to mainstream journalists, who are seeing their ability to investigate crime and corruption curtailed. Yet many—heedless of judicial demands for accountability—continue to push for ever broader constitutional privileges. In so doing, Amy Gajda warns, they may be creating a First Amendment bubble that will rupture in the courts, with disastrous consequences for conventional news.

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The much-anticipated follow-up to From the Vault, Volume 1 draws on local archives to bring historic London, Ontario, to life. Welcome to 1950 in London, Ontario. The post-war boom is in full swing, fueled by jobs, babies, and the modern consumer. New buildings dot the landscape, marking the advent of suburbia and rise of the shopping mall. When the 401 cuts through town, London finds itself on the cultural map, bringing famous acts to town. Taken by the spirit of protest, Londoners hit the streets to make their voices heard. The Forest City is electric with change. From the Vault, Volume II: 1950 to 1975 explores what were among the most important and exciting years of London’s history. From the opening of Wellington Square Mall to a Royal Visit, the demolition of Hotel London to anti-Vietnam protests, the book illustrates the era by featuring over 1,250 iconic images from the archives of the London Free Press, held at Western Archives. As London’s paper of record for 170 years, the London Free Press remains the region’s greatest source of historical photography and eyewitness testimony. Like its predecessor, the best-selling From the Vault, this book sets a new standard for Canadian excellence in regional history. Documenting landmark events, timeless memories, and unforgettable characters, it's a must-have for lovers of history.

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Edward Snowden's release of classified NSA documents exposed the widespread government practice of mass surveillance in a democratic society. The publication of these documents, facilitated by three journalists, as well as efforts to criminalize the act of being a whistleblower or source, signaled a new era in the coverage of national security reporting. The contributors to Journalism After Snowden analyze the implications of the Snowden affair for journalism and the future role of the profession as a watchdog for the public good. Integrating discussions of media, law, surveillance, technology, and national security, the book offers a timely and much-needed assessment of the promises and perils for journalism in the digital age. Journalism After Snowden is essential reading for citizens, journalists, and academics in search of perspective on the need for and threats to investigative journalism in an age of heightened surveillance. The book features contributions from key players involved in the reporting of leaks of classified information by Edward Snowden, including Alan Rusbridger, former editor-in-chief of The Guardian; ex-New York Times executive editor Jill Abramson; legal scholar and journalist Glenn Greenwald; and Snowden himself. Other contributors include dean of Columbia Graduate School of Journalism Steve Coll, Internet and society scholar Clay Shirky, legal scholar Cass Sunstein, and journalist Julia Angwin. Topics discussed include protecting sources, digital security practices, the legal rights of journalists, access to classified data, interpreting journalistic privilege in the digital age, and understanding the impact of the Internet and telecommunications policy on journalism. The anthology's interdisciplinary nature provides a comprehensive overview and understanding of how society can protect the press and ensure the free flow of information.

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In 1735, struggling printer John Peter Zenger scandalized colonial New York by launching a small newspaper, the New-York Weekly Journal. The newspaper was assailed by the new British governor as corrupt and arrogant, and as being a direct challenge against the prevailing law that criminalized any criticism of the royal government. Zenger was thrown in jail for nine months before his landmark one-day trial on August 4, 1735, in which he was brilliantly defended by Andrew Hamilton. In Indelible Ink, Pulitzer Prize–winning social historian Richard Kluger has fashioned the first book-length narrative of the Zenger case, rendering with colorful detail its setting in old New York and the vibrant personalities of its leading participants, whose virtues and shortcomings are assessed with fresh scrutiny often at variance with earlier accounts.

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In 1733, John Peter Zenger scandalised New York by launching a newspaper, The New-York Weekly Journal, which assailed the new British governor as corrupt and arrogant—a direct challenge to the prevailing law against “seditious libel” that criminalised any criticism of the government. Fronting for a group of anti-royalist politicians, Zenger was thrown in jail before his landmark one-day trial on 4 August 1735 where he was brilliantly defended by lawyer Andrew Hamilton. In Indelible Ink, Richard Kluger re-creates the dramatic clash of powerful antagonists that marked the beginning of press freedom in America and its role in vanquishing colonial tyranny. Here is an enduring lesson on the importance of free public expression as the underpinning of democracy.

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