Search results for ""Free Press""

The Voice of America is the nation's largest publicly funded broadcasting network, reaching more than 90 million people worldwide in over forty languages. Since it first went on the air as a regional wartime enterprise in February 1942, VOA has undergone a spectacular transformation, and it now employs scores of reporters worldwide and broadcasts around the clock every day of every year, reaching listeners in the four-fifths of the world still denied a completely free press. Alan L. Heil, Jr., former deputy director of VOA, chronicles this remarkable transformation from a fledgling short wave propaganda organ during World War II to a global multimedia giant encompassing radio, the Internet, and 1,500 affiliated radio and television stations across the globe. Using transcripts of radio broadcasts and numerous personal anecdotes, Heil gives the reader a front-row seat to the greatest events of the past sixty years, from the Cold War and the Vietnam conflict to the Watergate and Lewinsky scandals, from Neil Armstrong's first steps on the moon in 1969 to ethnic strife in the Balkans and Rwanda in the mid-1990s, and from the outbreak of HIV/AIDS in the 1980s to the terrorist attacks on September 11, 2001. Yet Heil also relates the story of a perennially underfunded organization struggling against the political pressures, congressional investigations, massive reorganizations, and leadership purges that have attempted to shape-and, in some instances, control-VOA programming. Reporting first hand, high-quality news is a monumental task for any network, but the Voice faces obstacles unique to an organization that stands, as former director John Chancellor once observed, at "the crossroads of journalism and diplomacy." It is for this reason that many people still perceive VOA as an instrument of American propaganda. However, as a thirty-six-year veteran of VOA and its numerous policy wars, Heil believes that the Voice has always sought to deliver accurate, objective, and comprehensive news of the highest journalistic standard, news that reflects America's diversity and dynamism, and that presents not only U.S. policies but also critical debate about those policies. This in-depth history of VOA from its founding until its sixtieth anniversary is a vivid portrait of the people who made it great, depicting a news network that has overcome enormous challenges to steadfastly and faithfully report the most important news stories of our time.

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While the phrase “Fake News” may be a recent phenomenon, the relationship between journalists and the politicians they cover has been on a course for disaster for decades. From Richard Nixon’s disdain for the press, to Donald Trump’s claims that reporters are the “enemy of the people,” animosity between press and presidency has reached a fever pitch. In Free The Press, renowned journalist Brian J. Karem asks the question “How did we get here?” And perhaps more importantly, “How do we fix it?”Blending his experiences as a veteran reporter with trenchant analysis of the erosion of trust between the press and the government over the past 40 years, Free The Press gives readers a unique perspective on the challenges facing journalism as well as the rise of hostility between these institutions. While early presidents like Theodore Roosevelt and Dwight Eisenhower enjoyed close relationships with the press, the Vietnam War saw a schism develop that has never fully healed. Since then, each and every president has overseen the withering of relations between the Executive Branch and the so-called Fourth Estate: Ronald Reagan weaponized his partnership with FCC Chairman Mark Fowler to weaken the Fairness Doctrine; George H.W. Bush installed a “pool” system for reporters covering Operation Desert Storm, co-opting and guiding the work of supposedly independent journalists; Bill Clinton’s landmark telecommunications act included harmful regulations regarding the internet and allowed for the rise of media conglomerates; George W. Bush’s Patriot Act further stifled a suffocating press; Barack Obama’s administration repeatedly used the Espionage Act – a relic of the WWI-era – to prosecute officials and whistle-blowers who talked to journalists. All of this leads directly to Donald Trump’s most egregious offenses against the media. Readers also see first-hand Karem’s own experience in the newspaper industry where he witnessed buyouts and the end of locally owned and operated newspapers, a behind-the-scenes look at his work as a member of the White House Press Corps, and his work defending the confidentiality of sources and advocacy for shield laws to protect the journalistic pillar of anonymity.But it’s not all on the government. The press has hurt itself over the years, too. Corporate media has us following the news of the day for clicks and views rather than pursuing long term stories of impact. Reporters have ceased to frame the narrative and failed to co-opt social media contributions until it was too late. Karem concludes with a three-step plan to save the free press, as well as a comprehensive method to reporting in the White House –and elsewhere – for reporters to regain level footing and work towards repairing the damage done to one of the most important and sacred institutional relationships of our country.

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A powerful critique of how manipulation of media gives rise to disinformation, intolerance, and divisiveness, and what can be done to change direction."Mickey Huff and Nolan Higdon emphasize what we can do today to restore the power of facts, truth, and fair, inclusive journalism as tools for people to keep political and corporate power subordinate to the engaged citizenry and the common good."—Ralph NaderThe role of news media in a free society is to investigate, inform, and provide a crucial check on political power. But does it?It's no secret that the goal of corporate-owned media is to increase the profits of the few, not to empower the many. As a result, people are increasingly immersed in an information system structured to reinforce their social biases and market to their buying preferences. Journalism’s essential role has been drastically compromised, and Donald Trump’s repeated claims of "fake news" and framing of the media as “an enemy of the people” have made a bad scenario worse.Written in the spirit of resistance and hope, United States of Distraction offers a clear, concise appraisal of our current situation, and presents readers with action items for how to improve it. Praise for United States of Distraction:"A war of distraction is underway, media is the weapon, and our minds are the battlefield. Higdon and Huff have written a brilliant book of how we’ve gotten to this point, and how to educate ourselves to fight back and win."—Henry A. Giroux, author of American Nightmare: Facing the Challenge of Fascism"A timely and urgent demand re-asserting the central importance of civic pursuits—not commercialism—in U.S. media and society."—Ralph Nader"Higdon and Huff have produced the best short introduction to the nature of Trump-era journalism and how the 'Post-Truth' media world is inimical to a democratic society that I have seen. The book is provocative and an entertaining read. Best of all, the analysis in United States of Distraction leads to concrete and do-able recommendations for how we can rectify this deplorable situation."—Robert W. McChesney, author of Rich Media, Poor Democracy: Communication Politics in Dubious Times"The U.S. wouldn't be able to hide its empire in plain sight were it not for the subservient 'free' press. United States of Distraction shows, in chilling detail, America's major media dysfunction—how the gutting of the fourth estate paved the road for fascism and what tools are critical to salvage our democracy."—Abby Martin, The Empire Files"Nolan Higdon and Mickey Huff provides us with a fearless and dangerous text that refuses the post-truth proliferation of fake news, disinformation, and media that serve the interests of the few. This is a vital wake-up call for how the public can protect itself against manipulation and authoritarianism through education and public interest media.”—George Yancy, author of Backlash: What Happens When We Talk Honestly about Racism in America and Professor of Philosophy at Emory University"United States of Distraction challenges our hegemon-media’s ideological mind control and the occupation of human thought. … Huff and Higdon correctly call for mass critical resistance through truth telling by free minds. Power to the people!"—Peter Phillips, author of Giants: The Global Power Elite

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A 2020 Michigan Notable Book 2020 WFWA Star Award Winner 2019 Christy Award finalist *** "In this powerful first novel . . . Bartels successfully weaves American history into a deeply moving story of heartbreak, long-held secrets, and the bonds of family."--Publishers Weekly, Starred Review "A forbidden interracial marriage, an escaped slave, an expectant mother waiting for her Union soldier to return--all of these stories are deftly told by Bartels, as she explores the hard realities of racism and its many faces during various eras of American history. . . .Compelling characters make this winning debut also appealing for fans of general historical fiction."--Library Journal "Bartels' debut tells the story of three Balsam women, each of a different era, told against the backdrop of racism and violence in America. . . .will appeal to fans of faith-based women's fiction authors like Colleen Coble."--Booklist ***** When Detroit Free Press reporter Elizabeth Balsam meets James Rich, his strange request--that she look up a relative she didn't know she had in order to deliver an old camera and a box of photos--seems like it isn't worth her time. But when she loses her job after a botched investigation, she suddenly finds herself with nothing but time. At her great-aunt's 150-year-old farmhouse north of Detroit, Elizabeth uncovers a series of mysterious items, locked doors, and hidden graves. As she searches for answers to the riddles around her, the remarkable stories of two women who lived in this very house emerge as testaments to love, resilience, and courage in the face of war, racism, and misunderstanding. And as Elizabeth soon discovers, the past is never as past as we might like to think. Debut novelist Erin Bartels takes readers on an emotional journey through time--from the volatile streets of 1960s Detroit to the Michigan's Underground Railroad during the Civil War--to uncover the past, confront the seeds of hatred, and discover where love goes to hide. ***** "We Hope for Better Things has it all: fabulous storytelling, an emotional impact that lingers long after you turn the last page, and a setting that immerses you. I haven't read such a powerful, moving story since I read To Kill a Mockingbird in high school. This book will change how you look at the world we live in. Highly recommended!"--Colleen Coble, USAToday bestselling author of the Rock Harbor series and The View from Rainshadow Bay "A timely exploration of race in America, We Hope for Better Things is an exercise of empathy that will shape many a soul."--Julie Cantrell, New York Times and USA Today bestselling author of Perennials "I applaud [Erin's] courage, her authenticity, her beautiful turn of phrase, the freshness of her imagery, and the depth of her story that speaks to a contemporary world where understanding is often absent. We Hope for Better Things is a remarkable debut novel."--Jane Kirkpatrick, award-winning author of Everything She Didn't Say "Erin Bartels's We Hope for Better Things shares the joys and sorrows of three women from different generations. A roller coaster of emotions awaits as you share the lives of these women and hope along with them for better things."--Ann H. Gabhart, bestselling author of River to Redemption "Storytelling at its finest. Erin Bartels delivers a riveting story of forbidden love, family bonds, racial injustice, and the power of forgiveness. We Hope for Better Things is a timely, sobering, moving account of how far we've come . . . and how much distance remains to be covered. A compulsively readable, incredibly powerful novel."--Lori Nelson Spielman, New York Times bestselling author of The Life List "There is the Detroit we think we know, and there is the Detroit full of stories that are never brought to the forefront. With We Hope for Better Things, Erin Bartels brings full circle an understanding of contemporary Detroit firmly rooted in the past, with enthralling characters and acute attention to detail. It's a must not just for Detroit lovers but also for those who need to understand that Detroit history is also American history."--Aaron Foley, city of Detroit's chief storyteller and editor of The Detroit Neighborhood Guidebook

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