Search results for ""Demeter Press""

This edited collection seeks to initiate a dialogue on South Asian mothering. The chapters in this book explore how South Asian cultural norms and values, as well as social constructions such as gender, race, class, caste, sexuality and ability inform South Asian mothers’ perceptions and practices of mothering, both in South Asia and in the diaspora. This book will appeal to multiple audiences as contributors with backgrounds in academia, activism, public policy, and the media draw from theory, research and lived experiences to illuminate the complexity of South Asian mothering.

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Feminist Parenting is a collection of writings from women around the globe who offer unique standpoints on feminist theory, intersectional feminist parenting, and empowerment, through poetry, research, and prose. Global perspectives include Anwar Shaheen's research on parenting inequality in Pakistan, Marlene Pomrenke's examination of Aboriginal single mothers attending University, and Iza Desperak's insights on single motherhood in Poland. The collection offers Johanna Wagner's witty, self-reflective essay on her ambivalence toward her new role as a lesbian parent, and Sarah Keeth's abortion fantasy sonnet 'Tomatoes' in which she describes a pregnant woman who desires, yet struggles with her pregnancy. Feminist Parenting brings together unique voices and provides riveting perspectives on an institution in flux. The anthology pulls back the veil on power dynamics in relationships and exposes some of the challenges of feminist parenting in society. Authors shed critical light on long-held parenting conventions such as unpaid carework labor, gender roles, and family power dynamics, and expose how particular conventions reproduce gendered inequality. Feminist resistance strategies are offered by authors for 'doing parenting,' to increase 'mother-power' in the family. This collection raises important questions about contemporary women's roles and adds to the current literature on feminism, parenting, gender, and family diversity.

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One quiet October morning, in a suburban neighbourhood of Cincinnati, Ohio, after awakening from a recurring nightmare, 41-year-old stay-at-home mom and social media aficionado Enid Kimble receives two messages, one a disquieting phone call about her mother, and the other a newspaper clipping in a plain envelope in her mailbox, that start to unravel her carefully woven-together world. These two startling messages force Enid to grapple with her past and future in new ways. In a story that weaves together crime, legal drama, romance, adolescence, and motherhood, Enid Kimble struggles to come to terms with her past and makes life-altering decisions about her future. This tense, layered novel debut by lawyer and legal scholar Rebecca Jaremko Bromwich, with the gifted and troubled character of Enid at its centre, spins an intriguing story about motherhood, love, law, coming to terms with the complexities of our pasts, and claiming our futures. In doing so, the author offers invigorating and original engagements with law, mythology, feminism, and motherhood that will resonate with legal professionals, academics, and the general public alike. Poignant and funny, the story weaves together scrupulously accurate legal narrative and compelling personal drama.

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Performing Motherhood explores relationships between performativity and the maternal. Highlighting mothers’ lived experiences, this collection examines mothers’ creativity and agency as they perform in everyday life: in mothering, in activism, and in the arts. Chapters contain theoretically grounded works that emerge from multiple disciplines and cross-disciplines and include first-person narratives, empirical studies, artistic representations, and performance pieces. This book focuses on motherwork, maternal agency, mothers’ multiple identities and marginalized maternal voices, and explores how these are performatively constituted, negotiated and affirmed.

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Not Exactly As Planned is a captivating, deeply moving account of adoption and the unexpected challenges of raising a child with fetal alcohol syndrome. Linda Rosenbaum’s life takes a major turn when her son, adopted at birth, is diagnosed with irreversible brain damage. With love, hope and all the medical knowledge she can accumulate, she sets out to change his prognosis and live with as much joy as she can while struggling to accept her new reality. Not Exactly As Planned is more than a story of motherlove. It’s about birdwatching, bar mitzvahs, the collision of ’60’s ideals with the real world, family secrets and woodcarving.

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Patricia Hill Collins has given new meaning to the institution of motherhood throughout her publishing career. Introducing scholars to new conceptions, such as, “othermothering” and “mothering of mind,” Collins through her creative and multifaceted analysis of the institution of motherhood, has in a large sense, reconceived what it means to be a mother in a national and transnational context. By connecting motherhood as an institution to manifestations of empire, racism, classism, and heteronormativity, Collins has informed and invented new understandings of the institution as a whole. This anthology explores the impact/influence/ and/or importance of Patricia Hill Collins on motherhood research, adding to the existing literature on Motherhood and the conceptions of Family. In addition, this collection raises critical questions about the social and cultural meanings of race, class, gender, sexual orientation, and mothering.

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This book considers Black Motherhood through multiple and global lenses to engage the reader in an expanded reflection and to prompt further discourse on the intersection of race and gender within the construct of motherhood among Black women. With an aim to extend traditional treatments of Black motherhood that are often centered on a subordinated and struggling perspective, these essays address some of the hegemonic reality while also exploring nuance in experiences, less explored areas of subjugation, as well as pathways of resistance and resilience in spite of it. Largely focusing within domains such as narrative, identity, spirituality and sexuality, the book deftly explores black motherhood by incorporating varied arenas for discussion including: literary analysis, expressive arts, historical fiction, the African Diaspora, reproductive health, religion and social ecology.

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Essential Breakthroughs: Conversations About Men, Mothers, and Mothering thinks from the nexus of gender, essentialism, and care. The authors creatively blend the philosophical and the personal to collectively argue that while gender is essential to our social and theoretical definitions of care, it is dangerously co-opted into naturalized discourses, which limit particular identities and negate certain forms of care. The perspectives curated in Essential Breakthroughs illuminate how care, as a respected and productive cultural ethic, is neither inherent nor instinctual for any human, but is learned and fostered. The chapters are informed by feminist, queer, and trans politics, wielding post-structuralist methodologies of unlearning and deconstruction, while maintaining the maternal lens as a credible feminist analytical tool and not as a gender-essentialist practice.

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The Mother-Blame Game is an interdisciplinary and intersectional examination of the phenomenon of mother-blame in the twenty-first century. As the socioeconomic and cultural expectations of what constitutes “good motherhood” grow continually narrow and exclusionary, mothers are demonized and stigmatized—perhaps now more than ever—for all that is perceived to go “wrong” in their children’s lives.This anthology brings together creative and scholarly contributions from feminist academics and activists alike to provide a dynamic study of the many varied ways in which mothers are blamed and shamed for their maternal practice. Importantly, it also considers how mothers resist these ideologies by engaging in empowered and feminist mothering practices, as well as by publicly challenging patriarchal discourses of “good motherhood.”

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This anthology takes an international and cross-cultural approach to discussions about friendship by curating a set of diverse contributions situated in a transnational context. These interdisciplinary contributions take friendship seriously as a subject of feminist and legal study and hone in specifically on polyamory, polygamy, and Platonic affinities, considering the sexual and non-sexual ties of affect and affinity that link a diverse range of contemporary friendships that exist cross-culturally. This highly original book teases out commonalities between experiences of affinity that are enmeshed with the differences between social, national, legal, and cultural frameworks that surround these relationships of affinity and affect, and troubles forms of government and legal regulation that prohibit or fail to recognize the consensual interdependence connecting diverse forms of human friendship.

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This edited collection examines conflicting assumptions, expectations, and perceptions of maternity in artistic, cultural, and institutional contexts. Over the past two decades, the maternal body has gained currency in popular culture and the contemporary art world, with many books and exhibitions foregrounding artists’ experiences and art historical explorations of maternity that previously were marginalized or dismissed. In too many instances, however, the maternal potential of female bodies—whether realized or not—still causes them to be stigmatized, censored, or otherwise treated as inappropriate: cultural expectations of maternity create one set of prejudices against women whose bodies or experiences do align with those same expectations, and another set of prejudices against those who do not. Support for mothers in the paid workforce remains woefully inadequate, yet in many cultural contexts, social norms continue to ask what is “wrong” with women who do not have children. In these essays and conversations, artists and writers discuss how maternal expectations shape creative work and designed environments, and highlight alternative ways of existing in relation to those expectations.

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To be a young mother is almost by definition to be considered an “unfit” mother. Thus, it is not surprising that young Canadian, U.S. and Australian mothers are often scorned, stigmatized and monitored. This is a book about being young, being a mother, and grappling with what it means to inhabit these two complex social positions. This book critiques the dominant, negative construction of young motherhood. Contributors reject the notion that the “ideal” mother is a 30ish, white, middle-class, able-bodied, married, heterosexual woman situated in a nuclear family. This collection privileges the insights and stories of a diverse array of young mothers such as; a young mother coerced into giving her child up for a adoption, a young queer mother who has been parenting a child borne by her trans partner and who is now pregnant herself and many more. The tales analyzed and recounted in the collection record experiences of pain and joy, frustration and success, struggle and resistance, oppression and empowerment. We invite readers to hear the all too often silenced stories of young mothers, to learn what prevents and what allows these mothers to lead lives of grit, determination, authenticity, and agency as they strive to lovingly care for themselves, their children, and in many cases, other young mothers.

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Mothers, Mothering, and Globalization is an anthology that cogently and powerfully examines the diverse and complex experiences of motherhood and mothering from a broad interdisciplinary perspective. The lucid analysis of how globalization influences the lives of mothers, especially in regard to cultural, political, historical, social, and economic factors, provides a compelling examination of the myriad of relationships between mothering and globalization. The collection also surveys multiple approaches to mothers, mothering, and globalization and contributes to a nascent dialogue through its interrogation of the impact of globalization on mothers and mothering practices through the lenses of feminist ideologies; literary criticism; and cultural, social, and economic analyses.

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Mothering and music are complex and universal events, the structure and function of each show remarkable variability across social domains and different cultures. Al- though motherhood studies and studies in music are each recognized as important areas of research, the blending of the two topics is a recent innovation. The chapters in this collection bring together artists and scholars in conversations about the multiple profound relationships that exist between music and mothering. The discussions are varied and exciting. Several of the chapters revolve around the challenges of mothering partnered with a musical career; others look at the affordances that music offers to mothers and children; and some of the chapters examine the ways in which music inspires social and political change, as well as acknowledging the rise of the mom rock phenomenon.

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The rise of social media has changed how we understand and enact relationships across our lives, including motherhood. The meanings and practices of mothering have been significantly impacted by the availability of communities found via forums, blogs, and sites like Twitter, Facebook, and Instagram, as well as internet resources that function to inform maternal experience and self-concept (ex. motherhood websites, Pinterest, or YouTube). The village that now contributes to the mothering experience has grown exponentially, granting mothers access to interactional partners and knowledge never before available. This volume of works explores the impact of social media forms on our cultural understandings of motherhood and the ways that we communicate about the experience and practice of mothering.

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This edited volume explores how and why immigrant/refugee mothers’ experiences differ due to the challenges posed by the migration process, but also what commonalities underline immigrant/refugee mothers’ lived experiences. This book will add to the field of women’s studies the much-needed discussion of how immigrant and refugee mothers’ lives are dependent on cultural, environmental and socio-economic circumstances. The collection offers multiple perspectives on migrant mothering by including ethnographic and theoretical submissions along with mothers’ personal narratives and literary analyses from diverse locales: New Zealand, Japan, Canada, The United States, Turkey, Italy and the Netherlands among others. The first section of the volume focuses on mothers’ roles in the family institution and the pressures and responsibilities they face in “creating” and “reproducing” families physically and socially. The second section shifts its attention to children and highlights mothers’ continued roles in the development of their children abroad, along with the gendered/generational dynamics in the settlement process and the resultant effects on motherhood responsibilities. In all chapters, readers will find how women negotiate their traditional roles in a new sociocultural milieu, and how mothering processes are critical in creating connections with traditions and homelands.

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This collection brings together scholarly and creative pieces that reveal how the intellectual, emotional, and physical work of mothering is informed by women's religiosities and spiritualities. Its contributors examine contemporary and historical perspectives on religious and spiritual mothering through interdisciplinary research, feminist life writing, textual analyses, and creative non-fiction work. In contrast to the bulk of feminist scholarship which marginalizes women's religious and spiritual knowledges, this volume explores how such epistemologies fundamentally shape the lived experiences of diverse mothers across the globe. In emphasizing the empowerment and enrichment that women derive from their religious beliefs and spiritual worldviews, Angels on Earth invites readers to cultivate a deeper understanding of how mothers are transforming their local communities, religious institutions, and broader spiritual traditions.

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The 21st century sustains one significant commonality with the decades of the preceding century. The majority of individuals parenting on their own and heading one-parent families continue to be mothers. Even so, current trends in globalization (economic, political, cultural) along with technological advancement, shifts in political, economic and social policy, contemporary demographic shifts, changing trends in the labor sector linked to global economics, and developments in legislative and judicial output, all signify the distinctiveness of the current moment with regard to family patterns and social norms. Seeking to contribute to an existing body of literature focused on single motherhood and lone parenting in the 20th century, this collection explores and illuminates a more recent landscape of 21st century debates, policies and experiences surrounding single motherhood and one-parent headed families.

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This is a unique book that argues that mothers who are critical thinkers and who take a stance against social pressures to be perfect mothers experience a sense of empowerment. The book is based and expands on qualitative research that explored the experience of mothers who resist the current discourse on mothering. Through the Maze of Motherhood conveys what it is like to resist a strong societal discourse and how some mothers have managed to navigate the intricacies of the process of resistance. This book also dispels the belief that there is one right way to mother and, therefore, suggests that a process of questioning and resisting the current myths may result in a more autonomous, agency driven, and empowered way to mother. This book will not only encourage resistance that can lead to freedom from the oppression of the discourse, but that it will also persuade women to refrain from judging one another and develop a strong community with a strong voice against the ideal of the prefect mother. Through the Maze of Motherhood gives voice to mothers who are in a process of resistance to the discourse on mothering and it unpacks the many benefits, intricacies, challenges, and struggles they experience. Moreover, the book provides evidence for the notion that critical thinking and resistance are experienced as empowering even though they present some challenges.

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To celebrate the twentieth anniversary of Sharon Hays’ landmark book, The Cultural Contradictions of Motherhood, this collection will revisit Hays’ concept of “intensive mothering” as a continuing, yet controversial representation of modern motherhood. In Hays’ original work, she spoke of “intensive mothering” as primarily being conducted by mothers, centered on children’s needs with methods informed by experts, which are labourintensive and costly simply because children are entitled to this maternal investment. While respecting the important need for connection between mother and baby that is prevalent in the teachings of Attachment Theory, this collection raises into question whether an over-investment of mothers in their children’s lives is as effective a mode of parenting, as being conveyed by representations of modern motherhood. In a world where independence is encouraged, why are we still engaging in “intensive motherhood?”

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Scholars turn to reproduction for its ability to illuminate the practices involved with negotiating personhood for the unborn, the newborn, and the already-existing family members, community members, and the nation. The scholarship in this volume draws attention to doula work as intimate and relational while highlighting the way boundaries are created, maintained, challenged, and transformed. Intimate labour as a theoretical construct provides a way to think about the kind of care doulas offer women across the reproductive spectrum. Doulas negotiate boundaries and often blur the divisions between communities and across public and private spheres in their practice of intimate labour. This book weaves together three main threads: doulas and mothers, doulas and their community, and finally, doulas and institutions. The lived experience of doulas illustrates the interlacing relationships among all three of these threads. The essays in this collection offer a unique perspective on doulas by bringing together voices that represent the full spectrum of doula work, including the viewpoints of birth, postpartum, abortion, community based, adoption, prison, and radical doulas. We privilege this broad representation of doula experiences to emphasize the importance of a multi-vocal framing of the doula experience. As doulas move between worlds and learn to live in liminal spaces, they occupy space that allows them to generate new cultural narratives about birthing bodies.

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Listening to the Beat of Our Drum: Indigenous Parenting in a Contemporary Society ;is a collection of stories, inspired by a wealth of experiences across space and time from a kokum, an auntie, two-spirit parents, a Metis mother, a Tlinglit/Anishnabe Métis mother and an allied feminist mother. This book is born out of the need to share experiences and story. Storytelling is one of the most powerful forms of passing on teachings and values that we have in our Indigenous communities. This book weaves personal stories to explore mothering practices and examines historical contexts and underpinnings that contribute to contemporary parenting practices. We share our stories with the hope that it will resonate with readers whether they are in the classroom or in the community. Like our contributors, we are from all walks of life, sharing diverse perspectives about mothering whether it be as a mother, auntie, kokum or other adopted role.

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Traditional midwifery, culture, customs, understandings, and meanings surrounding pregnancy and birth are grounded in distinct epistemologies and worldviews that have sustained Indigenous women and their families since time immemorial. Years of colonization, however, have impacted the degree to which women have choice in the place and ways they carry and deliver their babies. As nations such as Canada became colonized, traditional gender roles were seen as an impediment. The forced rearrangement of these gender roles was highly disruptive to family structures. Indigenous women quickly lost their social and legal status as being dependent on fathers and then husbands. The traditional structures of communities became replaced with colonially informed governance, which reinforced patriarchy and paternalism. The authors in this book carefully consider these historic interactions and their impacts on Indigenous women’s experiences. As the first section of the book describes, pregnancy is a time when women reflect on their bodies as a space for the development of life. Foods prepared and consumed, ceremony and other activities engaged in are no longer a focus solely for the mother, but also for the child she is carrying. Authors from a variety of places and perspectives thoughtfully express the historical along with contemporary forces positively and negatively impacting prenatal behaviours and traditional practices. Place and culture in relation to birth are explored in the second half of the book from locations in Canada such as Manitoba, Ontario, British Columbia, the Northwest Territories, and Aotearoa. The reclaiming and revitalization of birthing practices along with rejuvenating forms of traditional knowledge form the foundation for exploration into these experiences from a political perspective. It is an important part of decolonization to acknowledge policies such as birth evacuation as being grounded in systemic racism. The act of returning birth to communities and revitalizing Indigenous prenatal practices are affirmation of sustained resilience and strength, instead of a one-sided process of reconciliation.

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Whereas biomedical and feminist literature treat abortion, miscarriage, and stillbirth as differently conceptualized events, this collection explores the connections between these three categories. How have feminist debates and strategies around reproductive choice invigorated the cultural conversation about miscarriage and stillbirth? How can we imagine more nuanced engagements with the spectrum of experiences that are at stake when a pregnancy ends? And how can we effectively create a space where pregnant people contend with the ways that loss makes meaning for those who grieve and/or celebrate the end of pregnancy? This collection centres pregnancy loss as an embodied and social phenomenon within a framework that understands pregnancy as a process with no guaranteed outcomes. Interrogating Pregnancy Loss considers pregnancy as an epistemic source, one that has the capacity to reveal the limits of our collective assumptions about temporality, expectation, narrative, and social legitimacy. By interrogating loss, this collection argues that the lessons learned from loss have the capacity to serve our collective understandings of both the expected and unexpected rhythms of social and reproductive life.

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This book includes a remarkably diverse range of voices and perspectives on the under-researched topic of mothers electing to stay at home to care for their children or returning home after being in the paid workforce. As the first international collection of its kind, it explores with sensitivity and insight some of the deep cultural

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The voices of Indigenous women world-wide have long been silenced by colonial oppression and institutions of patriarchal dominance. Recent generations of powerful Indigenous women have begun speaking out so that their positions of respect within their families and communities might be reclaimed. The book explores issues surrounding and impacting Indigenous mothering, family and community in a variety of contexts internationally. The book addresses diverse subjects, including child welfare, Indigenous mothering in curriculum, mothers and traditional foods, intergenerational mothering in the wake of residential schooling, mothering and HIV, urban Indigenous mothering, mothers working the sex trade, adoptive and other mothers, Indigenous midwifery, and more. In addressing these diverse subjects and peoples living in North America, Central America, Sub-Saharan Africa, the Philippines and Oceania, the authors provide a forum to understand the shared interests of Indigenous women across the globe.

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At twenty-seven years old, Robin Silbergleid decided to become a single mother. Not as a backup or “Plan B,” but as a first choice. In her memoir Texas Girl, she raises fundamental questions about the nature of family and maternity at the turn of the twenty-first century. At a moment when SMCs grace the covers of magazines and Hollywood films, Texas Girl adds the perspective of someone who boldly side-steps the social expectation for a woman to take a life-partner before she has a child. Beginning with a metaphorical conception, Texas Girl charts a long four-year journey, including infertility, miscarriage, and high-risk pregnancy, traveling from Indiana to Texas and back to the snowy north. In this compelling coming-of-age narrative, Silbergleid explores the notion of the chosen family, as close female friends provide perspective, support, and comic relief along the way. A must-read for anyone contemplating single motherhood, this bitingly honest memoir will resonate with anyone concerned with the vital feminist issue of what reproductive choice really means and the obstacles we face in pursuit of it.

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Marilyn Gear Pilling brilliantly displayed her competence in describing women in My Nose is a Gherkin Pickle Gone Wrong (1996). Showing them “in all their nakedness … the voice is neither sentimental nor fussy, the prose spare and fresh” (Quill & Quire). She continued her explorations of Canadian women in The Roseate Spoonbill of Happiness(2002), a collection of stories shortlisted for the Upper Canada writing award by Leon Rooke, Greg Gatenby and Sandra Martin: “Pilling has a confident, quirky voice and her stories range in tone from the heartwarming to the humorous. The domestic landscape is familiar, but this book unlocks the strangeness beneath the familiar. In every one of these stories, the unusual and the unexpected give a perspective that enlarges the understanding and leaves the reader wanting more.” Since 2002, Pilling has produced five books of poetry, and now, with On Huron’s Shore, she has returned to fiction with a collection of linked stories about mothers, daughters, and sisters, set in the landscape of the Huron County of the mid-fifties juxtaposed with the Huron County of today. Gear Pilling takes a humourous and sensual look at the female members of one family as it was then, as it is now.

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Feminist parenting creates unique challenges. As women experience the unique powerlessness of motherhood, they also hold the uncomfortable power of acting as advocates for and as agents of socialization and social control over their children. Fathers may feel the desire for feminist parenting whilst experiencing a backlash and a lack of sup- port, while some parents may attempt to resist the binaries of mothering and fathering in their feminist parenting journey. Feminist parents may attempt to resist gender binaries; they may submit to them while attempting to foster critical dialogue; they may struggle with the display of their own femininity and masculinity or, for some, its perceived lack. This book attempts to cast a lens on the messy and convoluted ways that feminist parents approach parenting their children in gender aware and gender fluid ways.

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In April 2011, a team of five people put together SlutWalk Toronto, a protest responding to slut shaming and victim blaming culture, exemplified by a recent event at Osgoode Hall Law School at York University. In the name of campus “safety,” Toronto Police Constable Michael Sanguinetti advised “women should avoid dressing like sluts in order to not be victimized.” The sentiment of those in the over 3000 person crowd that day were shared by folks around the globe — leading to over 200 SlutWalks internationally and the establishment of “SlutWalk” organizing groups. This collection engenders a critical engagement with the global phenomenon of the SlutWalk movement, considering both its strengths and limitations. The chapters take up SlutWalk through a feminist lens (broadly defined) considering SlutWalk as a successful social movement, a site of tremendous controversy, and an ongoing discussion among and between waves of feminists across the life cycle and across the globe. Through poetry, photography, scholarly articles, creative non-fiction, personal essays, the collection seeks to unpack the discursive performance of SlutWalk as well as explore the experiences of people who attended various and diverse SlutWalks marches/protests in North America and Asia.

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As the fastest growing prison population worldwide, more and more women are living in cages and most of them are mothers. This alarming trend has huge ramifications for women, children and communities across the globe. Empathy for mothers behind bars and concern for criminalized mothers in the community is in short supply. Mothers are criminalized for their vulnerabilities and for making unpopular but difficult choices under material and ideological conditions not of their own choosing. Criminalized Mothers, Criminalizing Mothering shines a spotlight on mothers who are, by law or social regulation, criminalized and examines their troubles and triumphs. This book offers a critical and compassionate lens on social (in)justice, mass incarceration, and collective miseries women experience (i.e., economic inequality, gendered violence, devalued care work, lone-parenting etc.). This book is also about mothers’ encounters with systems of control, confinement, and criminalization, but also their experiences of care.

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There has been little research on the specific impact of the COVID-19 pandemic on mothers and motherwork. This collection is the first to explore the impact of the pandemic on mothers’ care and wage labour in the context of employment, schooling, communities, families, and the relationships of parents and children. With a global perspective and from the standpoint of single, partnered, queer, racialized, Indigenous, economically disadvantaged, disabled, and birthing mothers, the volume examines the increasing complexity and demands of childcare, domestic labour, elder care, and home schooling under the pandemic protocols; the intricacies and difficulties of performing wage labour at home; the impact of the pandemic on mothers’ employment; and the strategies mothers have used to manage the competing demands of care and wage labour under COVID-19. By way of creative art, poetry, photography and creative writing along with scholarly research, the collection seeks to make visible what has been invisibilized and render audible what has been silenced: the care and crisis of motherwork through and after the COVID-19 pandemic.

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