Search results for ""Demeter Press""

This interdisciplinary volume opens an innovative space for critical discussion, and production of new imaginaries within, feminist scholarship, analysis and feminist politics, about what is and has been meant by, involved in, required of, and what it means to be, a “wife.” Contributions within this volume together critically explore and tease out, intersections, overlaps, and distinctions between the social categories of wife and mother, and the link, and separate, labours of wife-work and maternal caregiving labour. This volume brings together diverse critical perspectives through creative contributions, personal narratives, and scholarly works. Chapters discuss critical theorizing about roles, representations, identities, and work associated with being a “wife.”

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Though the negative effects of social exclusion are well documented, there is a paucity of research on women’s experiences of social exclusion as they relate to mothering within the institution of motherhood. Social exclusion is a socially constructed concept; it refers to a multi-dimensional form of systematic discrimination driven by unequal power relationships. It is the denial of equal opportunities, resources, rights, goods, and services for some, by others, within economic, social, cultural, and political arenas. Carrying, birthing, and mothering children place women in a unique position to face social exclusion based on their role as mothers. Perhaps at no other time in our lives could we benefit more from feeling as though we are engaged in our community than when we enter into and are experiencing the patriarchal institution of motherhood. As the widely used proverb states, “It takes a village to raise a child”, it also takes a village (of societal institutions) to support mothers. This collection explores motherhood in the context of social exclusion. The book is divided into four parts, each exploring the topic from a different perspective: A Historical Look at Motherhood; Mothers and Crime; Disability, Care Work, and Motherhood; and Personal Narratives.

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“Don’t women with children travel?” Marybeth Bond and Pamela Michael enquire, in their book A Mother’s World: Journeys of the Heart (1998), when discovering the absence of portrayals of travelling mothers. Addressing this absence, our book Travellin’ Mama: Mothers, Mothering and Travel explores the multiple dimensions of motherhood and travel. Through a variety of compelling creative pieces and critical essays with a global outlook and wide-ranging historical, cultural, and national perspectives, Travellin’ Mama: Mothers, Mothering and Travel examines the vital contributions made to travel writing and representations of travel by mothers. Autoethnographical approaches inform many of the pieces in this book, illustrating the significance of the personal and writing the self in re-imagining our cultural narratives and representations of travel, and the mothers who undertake it. This book is about mothers who travel, for mothers who travel with their children, and all those readers who have travelled in any capacity, with or without family.

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Heavy Burdens: Stories of Motherhood and Fatness seeks to address the systemic ways in which the moral panic around 'obesity' impacts fat mothers and fat children. Taking a life-course approach, the book begins with analyses of the ways in which fatphobia is enacted on pregnant (or even not-yet-pregnant) women, whose bodies immediately become viewed as objects warranting external control by not only medical professionals, but family members, and even passers-by. The story unfolds as adults recount childhood stories of growing up fat, or growing up in fear of being fat, and how their mothers' relationships with their own bodies and attempted weight-loss experiences shaped how food, exercise, and body management were approached in their homes in sometimes harmful ways. Finally, the book concludes with stories of women who have since become mothers, examining the ways in which having their own children altered their views on their own bodies and their perceptions of their mothers' actions, and working to find fat-friendly futures via their own parenting (or grand-parenting) techniques.

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Interweaving my experiences as a Canadian Muslim woman, mother, (grand)daughter, educator, and scholar throughout this work, I write about living and narratively inquiring (Clandinin and Connelly, Narrative Inquiry; Clandinin) alongside three Muslim mothers and daughters during our daughters’ transition into adolescence. I was interested in mother-and-daughter experiences during this time of life transition because my eldest daughter, Malak, was in the midst of transitioning into adolescence as I embarked upon my doctoral research. I had many wonders about Malak’s experiences, my experiences as a mother, and the experiences of other Muslim daughters and mothers in the midst of similar life transitions. I wondered about how dominant narratives from within and across Muslim and other communities in Canada shape our lives and experiences. For, while we are often storied as victims of various oppressions in media, literature, and elsewhere, little is known about our diverse experiences—par-ticularly the experiences of Muslim mothers and daughters composing our selves and lives alongside one another in familial places.

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While the image or construct of the “good mother” has been the focus of many research projects, the “bad mother,” as a discursive construct, and also mothers who do “bad” things as complicated, agentic social actors, have been quite neglected, despite the prevalence of the image of the bad mother across late modern societies. The few researchers who address this powerful social image point out that bad mothers are culturally identified by what they do, yet they are also socially recognized by who they are. Mothers become potentially bad when they behave or express opinions that diverge from, or challenge, social or gender norms, or when they deviate from mainstream, white, middle class, heterosexual, nondisabled normativity. When suspected of being bad mothers, women are surveilled, and may be disciplined, punished or otherwise excluded, by various official agents (i.e. legal, medical and welfare institutions), as well as by their relatives, friends and communities. Too often, women are judged and punished without clear evidence that they are neglecting or abusing their children. Frequently they are blamed for the marginal sociocultural context in which they are mothering. This anthology presents empirical, theoretical and creative works that address the construct of the bad mother and the lived realities of mothers labeled as bad. Throughout the volume, the editors consider voices and acts of resistance to bad mother constructions, demonstrating that mothers, across time and across domains, have individually and collectively taken a stand against this destructive label.

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Missing, dead, disappeared, or otherwise absent mothers haunt us and the stories we tell ourselves. Our literature, from fairytales like Cinderella and The Little Mermaid to popular narratives like Cheryl Strayed's recent book Wild, is peopled with motherless children. The absent mother, whether in literature or life, may force us to forge an independent identity. But she can also leave a mother-shaped hole and a howling loneliness that dogs us through our adult lives. This anthology explores the theme of absent mothers from scholars and creative writers, who tell personal stories and provide the theoretical framework to recognize and begin to understand the impact of motherlessness that ripples through our cultures and our art.

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This book provides a rare and in-depth examination of the narratives, experiences, and lived realities of abused mothers—a group of women who, despite being the victims, are often criticized, vilified, and stigmatized for failing to meet dominant ideologies of what a “good mother” is/should be, because they have lived and mothered in domestic abuse relationships. Based on a qualitative research study conducted with 29 abused mothers residing in abused women’s shelters in Calgary, Alberta, this book highlights the ways that these mothers experience the dominant ideology of intensive mothering, negotiate the resulting discourses of the “good” and the “bad” mother, and ultimately find ways to exercise agency, resistance, and empowerment in and through their mothering. This book discusses how abused mothers engage in empowered mothering by constructing valued, fortified, and liberating identities for themselves as mothers in the face of an ideology of intensive mothering that delegitimizes and subjugates them. These mothers are not passive victims, but rather are active agents who resist and question the idealized standards of intensive mothering as being restrictive and unachievable; who view their mothering in a positive light even though they have lived and mothered in social milieus deemed outside the boundaries of acceptable mothering; and who uphold that they are indeed worthy mothers despite their stigmatized status. Particular attention is given to the ways that intersections of gender, race, and social class shape and influence abused mothers constructions of their mothering identities. This book calls into question the false notion that there is only one standard, one definition, and one social location in which effective mothering is performed. It is a voice against the judgment of mothers, a call to end the oppressive and restrictive bifurcation of mothers into categories of either “good” or “bad” mothers, and an attempt to re-envision a more inclusive understanding of mothering. This book is a movement towards the empowerment of all mothers, regardless of differences in their lives and social circumstances.

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While the existence of maternal ambivalence has been evident for centuries, it has only recently been recognized as central to the lived experience of mothering. This accessible, yet intellectually rigorous, interdisciplinary collection demonstrates its presence and meaning in relation to numerous topics such as pregnancy, birth, Caesarean sections, sleep, self-estrangement, helicopter parenting, poverty, environmental degradation, depression, anxiety, queer mothering, disability, neglect, filicide and war rape. Its authors deny the assumption that mothers who experience ambivalence are bad, evil, unnatural, or insane. Moreover, historical records and cross-cultural narratives indicate that maternal ambivalence appears in a wide range of circumstances; but that it becomes unmanageable in circumstances of inequity, deprivation and violence. From this premise, the authors in this collection raise imperative ethical, social, and political questions, suggesting possibilities for vital cultural transformations. These candid explorations demand we rethink our basic assumptions about how mothering is experienced in everyday life.

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“Motherhood” and “military” are often viewed as dichotomous concepts, with the former symbolizing feminine ideals and expectations, and the latter suggesting masculine ideals and norms. Mothers, Military, and Society contributes to a growing body of research that disrupts this false dichotomy. This interdisciplinary and international volume explores the many ways in which mothers and the military converse, align, contest, and intersect in society. Through various chapters that include in-depth case studies, theoretical perspectives and personal narratives, this book offers insights into the complex relationship between motherhood and the military in ways that will engage both academic and non-academic readers alike.

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By morning you uncurl — lean in and pull back on a fulcrum of ego the way a steel-toed boot supports a shovel. When I emerge from behind our flap of vinyl, who comes out might be any collection of us here, hail, sunshine or rain. —Excerpt from “Day 6” In tree-planting lingo, a “lowballer” is the least respected person on any crew, one who plants slowly, earning little money. This narrative poem sequence contrasts lyric love and nature poems with found poems from advertising and planting logs. Spanning the period of one potent season, Goodliffe’s narrator tells a spellbinding story about disillusionment in the clear-cut.

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Motherhood is one of those roles that assumes an almost-outsized cultural importance in the significance we force it to bear. It becomes both the source of and the repository for all kinds of cultural fears. Its ubiquity perhaps makes it this perfect foil. After all, while not everyone will become a mother, everyone has a mother. When we force motherhood to bear the terrors of what it means to be human, we inflict trauma upon those who mother. A long tradition of bad mothers thus shapes contemporary mothering practices (and the way we view them), including the murderous Medea of Greek mythology, the power-hungry Queen Gertrude of Hamlet, and the emasculating mother of Freud’s theories. Certainly, there are mother who cause harm, inflict abuse, act monstrously. Mothers are human. But mothers are also a favourite and easy scapegoat. The contributors to this collection explore a multitude of interdisciplinary representations of mothers that, through their very depictions of bad mothering, challenge the tropes of monstrous mothering that we lean on, revealing in the process why we turn to them. Chapters in Monstrous Mothers: Troubling Tropes explore literary, cinematic, and real-life monstrous mothers, seeking to uncover social sources and results of these monstrosities.

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Over the past fifty years, feminist literary criticism has become theoretical rather than practical, severing any relationship between literary analysis and the real lived experiences of women. An example of this disconnect is the way in which the madwoman in feminist literature has become a lauded icon of liberation, when in reality her situation would be seen as anything but empowered. Finding the Plot takes this example to task, arguing that in fact any interpretation of women’s madness as subversive reinforces the very gender stereotypes that feminist literary criticism should be calling into question.

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This collection of 18 scholarly works and personal accounts from Canada, the U.S., and Australia explores and analyzes issues of parenting by mothers with a variety of physical and mental disabilities. The book delves into pregnancy, birth, adoption, child custody, discrimination, and disability politics. Noticing dominant ideas, meanings, and narratives about mothering and disability, as the contributors of this book do, exposes how the actual lives and experiences of mothers with disabilities are key to challenging cultural norms and therefore discrimination.

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“I could have been born and raised in Africa. But my Spirit was in too much of a rush to be reincarnated…At six weeks I was chucked out into the new year of 1965 which wasn’t prepared to welcome on African baby, abandoned on a harsh English winter’s day.” So begins Pauline’s spirited and moving story of her childhood and teenage years in and out of foster homes and back and forth to Dr. Barnardo’s Village in Essex. Her Barnardo’s family was ruled by an unlikely trio—Aunty Claire, a fervent Christian; her laconic husband, the German Jewish Uncle Boris; and Aunty Morag, the cook. And, of course, other kids orphaned or abandoned like Pauline. Woven into this account are Pauline’s angel and spirit companions—Sparky, Annabel and Snake— who by turns help and hinder her to survive in the “real world.” The Barnardo’s good times are shattered by the sudden visits of her mother, whom she calls Wunmi and with whom she goes to live in a London high-rise. Wunmi’s method of refashioning Pauline into a dutiful African child is literally to knock the English out of her. Pauline tries other ways to survive—sniffing glue and shoplifting—until the harsh realities of detention centres and juvenile courts make Pauline think again…

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Mother of Invention: How Our Mothers Influenced Us As Feminist Academics and Activists is an interdisciplinary collection that combines feminist theory with life writing to explore the diverse ways that mothers, whether or not they themselves identity as “feminist,” inspire feminist consciousness in their daughters and sons. It features creative and scholarly contributions from feminist academics, activists, writers and artists from different educational backgrounds, places and walks of life. While not an exclusive celebration of maternal relations, this collection provides an antidote to matrophobia and mother-blaming by critically exploring and affirming the myriad of challenges and complexities that constitute motherwork. It explores how the mothering of feminist daughters and sons intersects with issues of gender, sexuality, disability, ethnicity, racialization, citizenship, religion, economic class, education, and socio-historical location. Collectively these essays explore the centrality of intergenerational matrilineal narratives in shaping feminist consciousness, they deconstruct dominant ideologies of patriarchal motherhood and womanhood, and they challenge the notion that there is a formulaic way to raise feminist daughters and sons, or a singular “correct” way to engage in feminist maternal practice.

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Body stories capture a nuanced, interconnected, interactive and complex telling of our understanding, perception and experience of and through our bodies. Plenty has been published on body image but image suggests a static fixed body unmitigated through our social interactions and varying times and spaces. This book is not a 'how-to' guide for fat confidence. It's not a compendium of fat suffering. It's simply a collection of narratives about what it's like to survive in a weight-hating world. It resists the ways that marginalized bodies are being written and researched and put into other people's ideas about our existence. The stories in this book are celebratory and are painful. They look at intersections of race and queerness; they destabilize womanhood by presenting a range of possible female embodiments. They explore issues of disability and madness. The full range of possibilities that are collected here give a picture of what it means to live in a society with strong and powerful messages about size, about normalcy, about what a moral and healthy life and body look like.This book is a snapshot of its place and time, but these stories remind us that we're here to stay. The body stories will change but we will keep owning our own narratives. While story, especially written by women, is often seen as outside the academic canon, these stories, these creative offerings, are theory, are research, and are activism. They are nothing less than the blueprint for liberation. Writing about fat and about bodies outside of medicalized narratives, without ignoring the impact of race, sexuality, class, ability, gender, fashion, appearance and beyond, is radical and rigorous.It is impossible to think about the future without wishing for liberation. Liberation can come in many forms. It can mean an awareness, the ability to confront. The stories in this book display the ways that liberation isn't a finish line or a thing we can complete - rather it is a million small actions and understandings in aid of a renewed and hopeful world.

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The author anticipated building an ordinary family. And that’s what happened. But mental illness and grief also happened, undermining the security of home and changing the familial experience from ordinary to extraordinary. A hard story to live, a hard story to read, this book describes the day to day life in a family navigating their increasingly fraught lives. A must read for any family who has experienced this and a must read for anyone wanting to know about this.

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Breasts are integral to mothers’ bodies; over the life course, they can swell, droop, be judged, be aroused, lactate, be altered, be removed. A woman’s own breasts may be foremost in her mind during some life events, only to recede into the background at other times. Breasts are complex; they are enveloped by larger cultural meanings that go far beyond their mammary gland function, and we cannot fully understand breasts without examining the myriad discourses surrounding them. Social policies, cultural norms, and interpersonal interactions all help construct localized breast discourses which, in turn, shape mothers’ breast experiences. Through examining commonalities and differences over the lifespan, we can see that women’s breast experiences inform us about the social conditions in which women live their lives. The chapters in this volume bring together perspectives from Spain, Brazil, Canada, and the United States, among other countries. They include historical and contemporary examinations, and feature diverse types of writing such as first-person narrative accounts, academic interviews, and art analyses. Contributors come from an array of fields including nursing, sociology, English, art history, and psychology. Each chapter offers readers a unique context for understanding how temporally- and geographically-situated breast understandings shape mothers’ personal breast views and breast-related body practices. Taken together, the chapters in this edited collection reveal the significant ways that societies shape mothers’ embodied experiences and breasted selves.

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Queer parenthood: It's multifaceted. It's complex. And it is constantly changing, as laws and culture shift around us. What's in a Name? reflects on this complexity through the voices of nonbiological/non-gestational queer mothers/parents who explore our experiences parenting across our different social and familial locations. The authors have all taken different routes to parenting, live in different countries, and understand our relationships to parenting through our own personal experiences. What we share is a commitment to parenting beyond the limits of biology, and of building families that are drawn together and maintained by the love and labour of parenting.The fifteen essays in this book address three key moments in our parenting journeys. First, we examine the routes we took to parenting, with many of us specifically focusing on the experience of being the "other" mother while our partners were pregnant, and the particular fears, anxieties, and triumphs that come with it. Second, we locate ourselves "in the thick of it" as parents, where the experiences shared among parents are colored by our particular experiences as nonbiological/non-gestational mothers/parents. Finally, we reflect on our identities, including the identity of "mother," and how those grow, shift, and develop throughout our parenting journeys.

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Spawning Generations is a collection of stories by queerspawn (people with LGBTQ+ parents) spanning six decades, three continents, and five countries. Curated by queerspawn, this anthology is about carving out a space for queerspawn to tell their own stories. The contributors in this volume break away from the pressures to be perfect, the demands to be well adjusted, and the need to prove that they turned out “all right.” These are queerspawn stories, airbrushed for no one, and told on their own terms.

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For myriad reasons, breastfeeding is a fraught issue among mothers in the U.S. and other industrialized nations, and breastfeeding advocacy in particular remains a source of contention for feminist scholars and activists. Breastfeeding raises many important concerns surrounding gendered embodiment, reproductive rights and autonomy, essentializing discourses and the struggle against biology as destiny, and public policies that have the potential to support or undermine women, and mothers in particular, in the workplace. The essays in this collection engage with the varied and complicated ways in which cultural attitudes about mothering and female sexuality inform the way people understand, embrace, reject, and talk about breastfeeding, as well as with the promises and limitations of feminist breastfeeding advocacy. They attend to diffuse discourses about and cultural representations of infant feeding, all the while utilizing feminist methodologies to interrogate essentializing ideologies that suggest that women’s bodies are the “natural” choice for infant feeding. These interdisciplinary analyses, which include history, law, art history, literary studies, sociology, critical race studies, media studies, communication studies, and history, are meant to represent a broader conversation about how society understands infant feeding and maternal autonomy.

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In postwar Canada, having a child out-of-wedlock invariably meant being subject to the adoption mandate. Andrews describes the mandate as a process of interrelated institutional power systems which, together with socio-cultural norms, ideals of gender heteronormativity, and emerging sociological and psychoanalytic theories, created historically unique conditions in the post WWII decades wherein the white unmarried mother was systematically separated from her baby by means of adoption. This volume uncovers and substantiates evidence of the mandate, ultimately finding that at least 350,000 unmarried mothers in Canada were impacted.

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This cross-disciplinary collection considers the intersection of affect and mothering, with the aim of expanding both the experiential and theoretical frameworks that guide our understanding of mothering and of theories of affect. It brings together creative, reflective, poetic, and theoretical pieces to question, challenge, and re-conceptualize mothering through the lens of affect, and affect through the lens of mothering. The collection also aims to explore less examined mothering experiences such as failure, disgust, and ambivalence in order to challenge normative paradigms and narratives surrounding mothers and mothering. The authors in this collection demonstrate the theoretical and practical possibilities opened up by a simultaneous consideration of affect and mothering, thereby broadening our understanding of the complexities and nuances of the always changing experiences of world-making.

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Motherhood does not just originate in the body, but in the world—a place, a region, a country or nation, a landscape, a language, a culture. Mothers are, as novelist Rachel Cusk once observed, “the countries we come from.” This unique literary anthology features thirty-five poems and twenty-three works of prose (creative non-fiction and short fiction). Here, forty-three award-winning and accomplished writers reflect on their complex twenty-first century familial identities and relationships, exploring maternal landscapes of all kinds, including those of heritage, matrilineage, geneaology, geography, emigration, war, exile, alienation, and affiliation. Spanning the globe—from the U.K, the USA and Canada, Egypt, the former Yugoslavia, France, Africa, Korea and South America—these intimate and honest narratives of the heart cross borders and define crossroads that are personal and political, old and new. Recovering the maternal landscape through poetry and prose, these writers both memorialize and celebrate the power of family to define, limit, and challenge us.

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This book is about the two-tiered system and invisible imbalance that operates within the framework of the family. It is about the fantasy of the 'happily-ever- after,' which the wedding industry promotes and Western society reinforces. Why are we hanging onto this faux happiness at the expense of our future well-being? Why don't we wonder what happened after 'they lived happily ever after' and if, in fact, they really do? What I hope to achieve by writing this book is to rattle the cage of young brides, about to embark on this journey, to talk about these issues with their future partners and to set the system up in a more equal way, so no one is caught off guard if and when things crumble. It will be difficult to achieve this task because no one wants to think about things falling apart before the marriage even begins, and most certainly it sours the sweetness of the fantasy of the 'happily ever after,' as we know it. What we don't realize is that there will be less bitterness and upset for the family, especially for the children, if we pursue this line of thinking. Isn't that the real 'happily-ever-after?'

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From multidisciplinary perspectives, this volume explores the roles mothers play in the producing, purchasing, preparing and serving of food to their own families and to their communities in a variety of contexts. By examining cultural representations of the relationships between feeding and parenting in diverse media and situations, these contributions highlight the tensions in which mothers get entangled. They show mothers’ agency — or lack thereof — in negotiating the environmental, material, and economic reality of their feeding care work while upholding other ideals of taste, nutrition, health and fitness shaped by cultural norms. The contributors to Mothers and Food go beyond the normative discourses of health and nutrition experts and beyond the idealistic images that are part of marketing strategies. They explore what really drives mothers to maintain or change their family’s foodways, for better or for worse, paying a particular attention to how this shapes their maternal identity. Questioning the motto according to which “people are what they eat,” the chapters in this volume show that mothers cannot be categorized simply by how they feed themselves and their family.

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together we climb the mountain because I climb this mountain for you together we wade through the river together we shelter in the trees gathered with my support crew or standing solo exuding the theatrics of the stage or in the quiet Zen of retreat I unravel myself open myself surrender myself to this bold and broad and astonishing experience that will release you my child into the world and will forge my will my heart my being into the wild depths of motherhood Held in the story of Persephone, we start where all women now begin their birth journey – with Zeus, in the structure of patriarchy. Then we move beyond, through the supportive hold of mother Demeter, then further into ourselves until we find the unique wonder of woman, through courage, strength and surrender, to the breath and calm and ecstasy she can hold. Written from the embodied experience of home birth mother and GP obstetrician, offering pregnant women and birth attendants insights into the hospital system, and the beauty that can be found in natural birthing.

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Listening to the Beat of Our Drum: Indigenous Parenting in a Contemporary Society ;is a collection of stories, inspired by a wealth of experiences across space and time from a kokum, an auntie, two-spirit parents, a Metis mother, a Tlinglit/Anishnabe Métis mother and an allied feminist mother. This book is born out of the need to share experiences and story. Storytelling is one of the most powerful forms of passing on teachings and values that we have in our Indigenous communities. This book weaves personal stories to explore mothering practices and examines historical contexts and underpinnings that contribute to contemporary parenting practices. We share our stories with the hope that it will resonate with readers whether they are in the classroom or in the community. Like our contributors, we are from all walks of life, sharing diverse perspectives about mothering whether it be as a mother, auntie, kokum or other adopted role.

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Traditional midwifery, culture, customs, understandings, and meanings surrounding pregnancy and birth are grounded in distinct epistemologies and worldviews that have sustained Indigenous women and their families since time immemorial. Years of colonization, however, have impacted the degree to which women have choice in the place and ways they carry and deliver their babies. As nations such as Canada became colonized, traditional gender roles were seen as an impediment. The forced rearrangement of these gender roles was highly disruptive to family structures. Indigenous women quickly lost their social and legal status as being dependent on fathers and then husbands. The traditional structures of communities became replaced with colonially informed governance, which reinforced patriarchy and paternalism. The authors in this book carefully consider these historic interactions and their impacts on Indigenous women’s experiences. As the first section of the book describes, pregnancy is a time when women reflect on their bodies as a space for the development of life. Foods prepared and consumed, ceremony and other activities engaged in are no longer a focus solely for the mother, but also for the child she is carrying. Authors from a variety of places and perspectives thoughtfully express the historical along with contemporary forces positively and negatively impacting prenatal behaviours and traditional practices. Place and culture in relation to birth are explored in the second half of the book from locations in Canada such as Manitoba, Ontario, British Columbia, the Northwest Territories, and Aotearoa. The reclaiming and revitalization of birthing practices along with rejuvenating forms of traditional knowledge form the foundation for exploration into these experiences from a political perspective. It is an important part of decolonization to acknowledge policies such as birth evacuation as being grounded in systemic racism. The act of returning birth to communities and revitalizing Indigenous prenatal practices are affirmation of sustained resilience and strength, instead of a one-sided process of reconciliation.

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Whereas biomedical and feminist literature treat abortion, miscarriage, and stillbirth as differently conceptualized events, this collection explores the connections between these three categories. How have feminist debates and strategies around reproductive choice invigorated the cultural conversation about miscarriage and stillbirth? How can we imagine more nuanced engagements with the spectrum of experiences that are at stake when a pregnancy ends? And how can we effectively create a space where pregnant people contend with the ways that loss makes meaning for those who grieve and/or celebrate the end of pregnancy? This collection centres pregnancy loss as an embodied and social phenomenon within a framework that understands pregnancy as a process with no guaranteed outcomes. Interrogating Pregnancy Loss considers pregnancy as an epistemic source, one that has the capacity to reveal the limits of our collective assumptions about temporality, expectation, narrative, and social legitimacy. By interrogating loss, this collection argues that the lessons learned from loss have the capacity to serve our collective understandings of both the expected and unexpected rhythms of social and reproductive life.

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This book includes a remarkably diverse range of voices and perspectives on the under-researched topic of mothers electing to stay at home to care for their children or returning home after being in the paid workforce. As the first international collection of its kind, it explores with sensitivity and insight some of the deep cultural

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The voices of Indigenous women world-wide have long been silenced by colonial oppression and institutions of patriarchal dominance. Recent generations of powerful Indigenous women have begun speaking out so that their positions of respect within their families and communities might be reclaimed. The book explores issues surrounding and impacting Indigenous mothering, family and community in a variety of contexts internationally. The book addresses diverse subjects, including child welfare, Indigenous mothering in curriculum, mothers and traditional foods, intergenerational mothering in the wake of residential schooling, mothering and HIV, urban Indigenous mothering, mothers working the sex trade, adoptive and other mothers, Indigenous midwifery, and more. In addressing these diverse subjects and peoples living in North America, Central America, Sub-Saharan Africa, the Philippines and Oceania, the authors provide a forum to understand the shared interests of Indigenous women across the globe.

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At twenty-seven years old, Robin Silbergleid decided to become a single mother. Not as a backup or “Plan B,” but as a first choice. In her memoir Texas Girl, she raises fundamental questions about the nature of family and maternity at the turn of the twenty-first century. At a moment when SMCs grace the covers of magazines and Hollywood films, Texas Girl adds the perspective of someone who boldly side-steps the social expectation for a woman to take a life-partner before she has a child. Beginning with a metaphorical conception, Texas Girl charts a long four-year journey, including infertility, miscarriage, and high-risk pregnancy, traveling from Indiana to Texas and back to the snowy north. In this compelling coming-of-age narrative, Silbergleid explores the notion of the chosen family, as close female friends provide perspective, support, and comic relief along the way. A must-read for anyone contemplating single motherhood, this bitingly honest memoir will resonate with anyone concerned with the vital feminist issue of what reproductive choice really means and the obstacles we face in pursuit of it.

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