Search results for ""The University Press of Kentucky""

Joshua "Josh" Gibson (1911–1947) is a baseball legend - one of the greatest power hitters in the Negro Leagues, and in all of baseball history. At the height of his career, this trailblazing athlete suffered grueling physical ailments, lost his young wife who died giving birth to their twins, and endured years of Jim Crow–era segregation and discrimination - all the while breaking records on the ball field.Dorian Hairston's debut poetry collection explores the Black American experience through the lens of Gibson's life and seventeen-year baseball career, which culminated in his posthumous election to the Baseball Hall of Fame in 1972. Hairston brilliantly reconstructs the personas of Gibson and others in his orbit whose encounters with white supremacy interweave with the inevitability of losing loved ones. By alternating between the perspectives of Gibson, members of his family, and contemporary Black baseball players, Hairston captures the complexity and the pain of living under the oppressive weight of grief and racial discrimination.Emotive, prescient, and absorbing, these powerful poems address social change, culture, family, race, death, and oppression—while honoring and giving voice to Gibson and a voiceless generation of African Americans.

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The Little Book of Whiskey Cocktails sets out to share the stories of the wide whiskey-making world and recipes suitable for whiskey drinkers of all expertise levels. Bryan Paiement takes a practical approach to exploring the various ways in which the spirit can be mixed and enjoyed. Beginning with a brief history of whiskey, Paiement answers many questions that even aficionados can’t help but stumble over: What is the difference between "whiskey" and "whisky?" Does bourbon have to come from Kentucky? How many times does Irish whiskey need to be distilled? Twenty classic whiskey cocktail recipes and twenty original recipes follow in this pocket-sized gift book. Each carefully curated recipe is introduced with details on the cocktail’s origins and concluded with bartenders' tips for shaking (or stirring) the perfect concoction. Time-tested classics like the Old Fashioned and the Rusty Nail are featured, providing whiskey novices with the necessary foundations. For seasoned whiskey drinkers, Paiement includes recipes from award-winners like the Paper Plane to handcrafted originals like the Scotch Smash.Adorned with custom line-art illustrations, a key of whiskey ware and bar tools, and an extensive repertoire of bar jokes, Paiement brings whiskey’s terminology and mixology to any home bar.

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In her novel At The Breakers, Mary Ann Taylor-Hall presents Jo Sinclair, a longtime single mother of four children. Fleeing an abusive relationship after a shocking attack, Jo finds herself in Sea Cove, New Jersey, in front of The Breakers, a salty old hotel in the process of renovation. Impulsively, she negotiates a job painting the guest rooms and settles in with her youngest child, thirteen-year-old Nick. As each room is transformed under brush and roller, Jo finds a way to renovate herself, reclaiming a promising life derailed by pregnancy and a forced marriage at age fourteen.At The Breakers is a deeply felt and beautifully written novel about forgiveness and reconciliation. In Jo's words, she is "trying to find the right way to live" as a long-suffering woman who is put through the fire and emerges with a chance at a full, rich life for herself and her children, if only she has the faith to take it.

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The brutality of war and abuse is juxtaposed with the banal in this story of two women who spend their days transcribing the testimonies of Abu Ghraib prisoners. The prisoners' gruesome accounts of physical and sexual abuse, torture, sodomy, and murder interrupt the ordinary lives and concerns of the typists, and reveal deeper face=Calibri>– and more troubling – truths.Sylvia is a single mother, haunted by the words of the prisoners' testimonies. Her job strains her already-fragmented relationship with her capricious teenage son. Marina's submissive ignorance allows her to become involved in a disturbing relationship with a man who engages her in humiliating and abusive sexual acts and indirectly involves her six-year-old daughter, causing the child to suffer troubling effects from bearing witness to the trauma.Interjected within the lyrical prose is commentary about the history, development, and qualities of ink, as well as of other objects and elements (such as urine and water) that are part of the accounts of tortured prisoners as well as the lives of Sylvia and Marina. Taken together, this illuminating and meditative work reveals how correlations between the abuse of women, domestic violence, rape, and the abuse and torture of prisoners of war are not as disparate or detached as they might first appear.

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This provocative study traces Alfred Hitchcock's long directorial career from Victorianism to postmodernism. Paula Cohen considers a sampling of Hitchcock's best films - Shadow of a Doubt, Rear Window, Vertigo, Psycho - as well as some of his more uneven ones - Rope, The Wrong Man, Topaz - and makes connections between his evolution as a filmmaker and trends in the larger society.Drawing on a number of methodologies including feminism, psychoanalysis, and family systems, the author provides an insightful look at the paradox of a Victorian-style gentleman who evolved into one of the leading masters of the modern medium of film. Cohen sees Hitchcock's films as developing, in part, as a masculine response to the domestic, psychological novels that had appealed primarily to women during the Victorian era. His career, she argues, can be seen as an attempt to balance "the two faces of Victorianism": the masculine legacy of law and hierarchy and the feminine legacy of feeling and imagination.Also central to her thesis is the Victorian model of the nuclear family and its permutations, especially the father-daughter dyad. She postulates a fundamental dynamic in Hitchcock's films, what she calls a "daughter's effect," and relates it to the social role of the family as an institution and to Hitchcock's own relationship with his daughter, Patricia, who appeared in three of his films.Cohen argues that Hitchcock's films reflect his Victorian legacy and serve as a map for ideological trends. She charts his development from his British period through his classic Hollywood years into his later phase, tracing a conceptual evolution that corresponds to an evolution in cultural identity - one that builds on a Victorian inheritance and ultimately discards it.

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Joan Crawford: The Essential Biography explores the life and career of one of Hollywood's great dames. She was a leading film personality for more than fifty years, from her beginnings as a dancer in silent films of the 1920s, to her portrayals of working-class shop girls in the Depression thirties, to her Oscar-winning performances in classic films such as Mildred Pierce. Crawford's legacy has become somewhat tarnished in the wake of her daughter Christina's memoir, Mommie Dearest, which turned her into a national joke. Today, many picture Crawford only as a wire hanger-wielding shrew rather than the personification of Hollywood glamour. This new biography of Crawford sets the record straight, going beyond the gossip to find the truth about the legendary actress. The authors knew Crawford well and conducted scores of interviews with her and many of her friends and co-stars, including Frank Capra, George Cukor, Nicholas Ray, and Sidney Greenstreet. Far from a whitewash - Crawford was indeed a colorful and difficult character - Joan Crawford corrects many lies and tells the story of one of Hollywood's most influential stars, complete with on-set anecdotes and other movie lore.Through extensive interviews, in-depth analysis, and evaluation of her films and performances - both successes and failures - Lawrence J. Quirk and William Schoell present Crawford's story as both an appreciation and a reevaluation of her extraordinary life and career. Filled with new interviews, Joan Crawford tells the behind-the-scenes story of the Hollywood icon. Lawrence J. Quirk is the author of many books on film, including Bob Hope: The Road Well-Traveled. William Schoell is the author of several entertainment-related books, including Martini Man: The Life of Dean Martin.

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Increasingly resistant to lessons on international politics, society often turns to television and film to engage the subject. Numerous movies made in the twentieth and twenty-first centuries reflect political themes that were of concern within the popular cultures of their times. For example, Norman Jewison's The Russians Are Coming! The Russians Are Coming! (1966) portrays the culture of suspicion between the United States and the Soviet Union during the Cold War, while several of Alfred Hitchcock's movies as well as the John Wayne film Big Jim McLain (1952) and John Milius's Red Dawn (1984) helped to raise and sustain skepticism about the Soviet Union. World Politics on Screen: Understanding International Relations through Popular Culture uses films and television shows like these as well as contemporary including 24, The Simpsons, South Park, and The Daily Show to guide readers to a deeper understanding of enduring issues in international politics.In this unique and insightful volume, author Mark Sachleben demonstrates that popular culture reflects societal beliefs about the world, and that the messages captured on television and film transcend time and place. Using films such as Secret Ballot (2001), Under the Bombs (2007), and Wall•E (2008), he addresses topics such as international relations and diplomacy, the study of war, nuclear weapons, poverty, immigration and emigration, human rights, and genocide. An engaging read for students and for anyone with a general interest in politics and popular culture, World Politics on Screen succeeds in its argument by illuminating unexplored assumptions about international policy.

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Children's books play a critical role in building a child's worldview, introducing new vocabulary, and imparting moral lessons with examples from young readers' own contextual world. Yet there is a serious need for a perspective more attuned to the cultural and verbal complexities of Appalachia's young readership. Mommy Goose's Appalachian Melodies fills the gaps in children's literature by carving a space for readers to delight in language and the richness of music and storytelling in the region. Each lyrical poem and nursery rhyme, in tandem with whimsical and vibrant wood carvings, taps into the world of natural wonder and domestic charm. Revealed is a world populated with people, farm animals, wildlife, and nature that is equally familiar and fantastic to Appalachian children. The quaint and heartwarming poems address lessons of kindness, acceptance, and respect, while not shying away from poignant glimpses of life's harsh realities. This colorful collection celebrates the art, lan

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In sports, not all the long shots who succeed are athletes. In 1984, Tom Hammond, a forty-year-old sportscaster who had primarily worked in Kentucky and the Southeast, got an unlikely opportunity to appear on the NBC Sports telecast of the inaugural Breeders' Cup. Assigned to report from the stall area on what was supposed to be a single broadcast, Hammond performed so well that an NBC executive offered him a chance to call NFL games on the spot. That broadcast launched Hammond's thirty-four-year career with NBC Sports and his rise to the top levels of American television sportscasting. Along with cowriter Mark Story, Hammond pulls back the curtain on how a Kentucky native who started out reading horse racing results on Lexington radio went on to broadcast from thirteen Olympic Games. While covering Thoroughbred racing for NBC, Hammond broadcast sixteen Kentucky Derby and Preakness Stakes races and eleven runnings of the Belmont Stakes, including American Pharoah's historic 2015 Trip

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Louis Pete Rogers Browning, the original Louisville Slugger for whom the famous baseball bat was named, was one of the greatest baseball players of the nineteenth century. Yet his prowess and talent were often overshadowed by his drunken exploits and endless eccentricitieson and off the field. Over his thirteen-year career he won three batting titles, finished in the top three nine times, and was one of the greatest hitters of the premodern era. To this day, his.341 lifetime batting average remains in the MLB's top five for right-handed hitters. He acquired other nicknames such as the Gladiator and Prince of Bourbon, and when Browning was stolen from Louisville by Pittsburgh recruiters, the team became known as the Pittsburgh Pirates. He attributed his great abilities to many quirky and colorful habits. He drank tabasco sauce and washed his eyes with buttermilk, claiming that both improved his ability to hit. He named his bats after biblical characters and meticulously took care of the

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On Christmas Eve in 1859, sixty-five prominent armed white men rode into the small Kentucky town of Berea and forced the townspeople to close its integrated one-room schoolhouse. The mob perceived the school as a threat to white supremacy and the racial order. Abolitionist John Gregg Fee established the school for the expressed purpose of providing education to anyone eager to learn, regardless of their racea notion that horrified those convinced of the sanctity of white supremacy. The mob succeeded in evicting thirty-six community members, including Fee''s family, but Fee and the others returned to Berea in 1864 and reestablished the school as Berea Collegean institution committed to providing education to Appalachia''s most vulnerable populations.In Lessons from the Foothills, Gretchen Dykstra profiles modern Berea College, considered the moral compass of the commonwealth, and its rich and beloved history. This book is the first to focus solely on the principles and practices that gu

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When people think of Kentucky, three things usually come to mind: bourbon, Colonel Sanders''s secret chicken recipe, and the glamorous Kentucky Derby. Add college basketball to that list, and you have yourself a superfecta. Looking beyond these time-honored traditions, however, visitors will find in Kentucky a diverse patchwork of faces and places, each as unique as the state''s geography. Kentucky, Y''all: A Celebration of the People and Culture of the Bluegrass State is an entertaining and informative compilation of the state''s favorite oddities, cultural quirks, traditions, and rites of passage. Authors and proud Kentuckians Blair Thomas Hess and Cameron M. Ludwick share the best stories from their experiences as writers, travelers, and residents in this ode to the Commonwealth. From the iconic to the obscure, the book reveals vital knowledge that every Kentuckianwhether by birth, residence, or simply in mind and heartshould know. What is beer cheese? Who was Bill Monroe? Where can

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In a span of minutes, the lives of four members of Brickton Community College change forever when an active shooter enters the campus and opens fire. Running on adrenaline and fear, the groupa crew of students and their teachersubdues the perpetrator in a violent frenzy that leads to the man''s death. Reeling from the shock of their collective actions, the group is thrown into turmoil when they realize that the person they have killed is someone they all knew. Narrated in alternating voices and set against the backdrop of an economically depressed Appalachian town, Laura Leigh Morris''s The Stone Catchers explores the immeasurable pain and loss felt by the survivors of a school shooting. Forced to process the horror of the event, mourn, and to reconcile themselves to their newfound recognition as local heroes, the survivors grapple with the losses suffered by their community and their own actions. In the process they come face to face with the unquantifiable cost gun violence takes on

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In Black Officer, White Navy, Lieutenant Commander Reuben Keith Green shares a compelling and enthralling account of how, as a Black man in the postVietnam War era, he navigated his unique career path from high school dropout to unrestricted line officer in the US Navy. Weaving history with personal narrative, Green''s engaging, raw, and insightful storytelling style provides an insider''s analysis of what was happening within the navy, ultimately exposing systemic racism throughout the US military. Using the power of the pen, he offers uninhibited accounts of sometimes life-threatening confrontations that resulted from personal and institutional racial bias, describing what it was like to sail second class in the navy. Green, who retired as a decorated surface-warfare officer in the mid-1990s, presents an eye-opening account of the challenges, discrimination, and resistance he faced while serving in the military. Through it all, Green''s characteristic sense of humor and honesty shine

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The Holliman sisters have voices like angels. In 1972, when their father, Garland, hears the girls' beautiful harmonies, he decides to start a family gospel group with his wife Big Jean and four teenage children: the twins, Jeannie and Junior, and their younger sisters, Debbie and Patty. The Gospelettes become a popular act, traveling throughout Kentucky and the surrounding states spreading the gospel in song. But as society outgrows their way of life, changes are encroaching even on their small town and the sheltered Holliman children. The Evolution of the Gospelettes follows the family and their transformation from old-time gospel singers in the 1970s to performers on a televangelist program in the 1980s to founding members of a megachurch in the 1990s. As the new millennium approaches, Jeannie, whose beliefs have evolved and irreversibly departed from her family's, fears what will happen the more entrenched they become in fundamentalist thinking and finds herself in a fight to sav

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The flood came at night, forcefully and quickly, destroying so many lives in its wake. Unfortunately, I''m afraid it will happen again and again. Carter SickelsIn late July 2022, a catastrophic flash flood claimed the lives of more than forty people and devastated homes and communities in Central Appalachia. The forty-fifth annual Appalachian Writers'' Workshop at Hindman Settlement School in eastern Kentucky was in progress when surging floodwater forced the participants and staff to rush to higher ground. The school lost classrooms, housing, and gathering areas, as well as valuable equipment, and irreplaceable artifacts such as historical books and documents, photographs, and handmade musical instruments from the school archives were damaged. As the floodwaters receded throughout the region, countless lives were forever changed.In this visceral and powerful anthology, well-known and emerging Appalachian writers create an authentic space for processing and healing as they document an

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The Safety of Small Things meditates on mortality from a revealing perspective. Images of stark examination rooms, the ravages of chemotherapy, biopsies, and gel-soaked towels entwine with remembrance to reveal grace and even beauty where they are least expected. Jane Hicks captures contemporary Appalachia in all of its complexities: the world she presents constantly demonstrates how the past and the present (and even the future) mingle unexpectedly. The poems in this powerful collection juxtapose the splendor and revelation of nature and science, the circle of life, how family and memory give honor to those we've lost, and how they can all fit together. This lyrical and contemplative yet provocative collection sings a song of lucidity, redemption, and celebration.

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On November 20, 1943, the United States invaded the Tarawa Atoll of the Gilbert Islands as part of the first American offensive in the Central Pacific region during World War II. This invasion marked more than one first, as it was also the introductory test of a doctrine developed during the interwar years to address problems inherent in situations where amphibious assaults require support by naval gunfire rather than land-based artillery.In this detailed study, Donald K. Mitchener documents and analyzes the prewar development of this doctrine as well as its application and evolution between the years 1943--1945. The historical consensus is that the test at Tawara was successful and the experience increased the efficiency with which U.S. forces were able to apply the doctrine in the Pacific theater for the remainder of the Second World War. Mitchener challenges this view, arguing that the reality was much more complex. He reveals that strategic concerns often took precedence over the lessons learned in the initial engagement, and that naval planners' failure to stay up to date with the latest doctrinal developments and applications sometimes led them to ignore these lessons altogether.Though the weapons, techniques, and strategies of the U.S. armed forces have changed dramatically over the years, Mitchener compellingly argues that a nuanced understanding of the historical application of doctrine is necessary in order to protect soldiers' and sailors' lives. U.S. Naval Gunfire Support in the Pacific War presents an important analysis that highlights the human cost of misinterpreting strategic and tactical realities.

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When one thinks of the quintessential Frenchman, one likely pictures Jean Gabin (1904-1976). The son of music hall performers, the Paris-born actor grew up in the entertainment business. His onscreen debut in the 1930's marked the beginning of many memorable roles in films such as La Grande Illusion (1937) and Émile Zola's La Bête Humaine (1938). His performances would earn him international recognition and establish his reputation as one of the greatest stars of film noir.Pausing his performances on screen, Gabin joined the Allied struggle of WWII. Serving under General Charles De Gaulle in the Free French Forces as a tank commander, Gabin was awarded several medals for his service. Upon his return to acting after the war, he became the embodiment of the uniquely French spirit - a persona that would define his future roles.In Jean Gabin: The Actor Who Was France, Joseph Harriss tells the story of this French icon. This well-researched biography documents Gabin's life from his start as a reluctant singer and dancer in Parisian music halls to his rise to film superstardom. Harriss recounts the actor's multi-faceted persona, including his famously fiery temper, his tumultuous love affairs - including a six-year relationship with the German star Marlene Dietrich - and his military valor. With this enthralling work, film enthusiasts can gain an appreciation of France's quintessential movie star and his lasting impact on world cinema during its Golden Age.

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Nineteen months after Japanese forces attacked Pearl Harbor and forced the United States to enter World War II, boats carrying the 7th US Army landed on the shores of southern Sicily. Dubbed Operation Husky, the campaign to establish an Allied foothold in Sicily was led by two of the most noted American tacticians of the twentieth century: Major General George S. Patton Jr. and Major General Geoffrey Keyes.While Patton is the renowned subject of numerous books and films, Keyes's life and achievements have gone unrecognized, but his anonymity is by no means an accurate reflection of the value of his contributions and dedicated service in World War II and the Cold War.Patton's Tactician: The War Diary of Lieutenant General Geoffrey Keyes is the first transcribed edition of Keyes's personal diary to be published. Edited by James W. Holsinger Jr., the diary begins in October 1942, prior to the invasion of French Morocco and Keyes's engagement in World War II and the Cold War. Holsinger has integrated a variety of related sources, including correspondence between Keyes, Patton, and Eisenhower. A day-to-day chronicle of Keyes's experiences in the World War II Mediterranean theater and the early days of the Cold War in occupied Germany and Austria, Patton's Tactician is an invaluable primary source that offers readers a glimpse into the mind of one of America's most distinguished World War II corps commanders.

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Orson Welles was once asked which directors he most admired. He replied: "The old masters. By which I mean John Ford, John Ford, and John Ford." A legend in his own time, John Ford (1894–1973) received a record four Academy Awards for best director, and two of his World War II documentaries won Oscars for the US Navy. He directed 136 films in a career that lasted from the early silent era through the late 1960s. Ford is celebrated throughout the world as the cinema's foremost chronicler of American history, the leading poet of the Western genre, and a wide-ranging filmmaker of profound emotional impact. His classic films - including Stagecoach (1939), The Grapes of Wrath (1940), How Green Was My Valley (1941), The Quiet Man (1952), The Searchers (1956), and The Man Who Shot Liberty Valance (1962) - remain widely popular, and he has been acknowledged as a major influence on filmmakers such as Jean Renoir, Ingmar Bergman, Akira Kurosawa, Howard Hawks, Frank Capra, Samuel Fuller, Elia Kazan, Sidney Lumet, Martin Scorsese, Steven Spielberg, and George Lucas.In this groundbreaking critical study, Joseph McBride and Michael Wilmington provide an overview of Ford's career as well as in-depth analyses of key Ford films. Analyzing recurring Fordian themes and relating each film to his entire body of work, the authors insightfully explore the full richness of Ford's tragicomic vision of history. This new and revised version includes a study of the twenty-seven Ford silent films now known to survive in whole or in part (more than double the number available when the original edition was published); essays on three controversial aspects of Ford: his tragicomic sensibility, his views of race, and the influence of his Irish heritage; and an expanded version of McBride's interview with Ford on the last day of his career.

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Born in Fallsburg, Kentucky, in a tenant house insulated with newspapers, Paul Patton had a humble upbringing that held few clues about his future as one of the most prominent politicians in the history of the state. From the coal mines of eastern Kentucky to the governor's office in Frankfort, Patton's life exemplifies triumph through hard work, determination, and perseverance, as well as the consequences of personal mistakes.In The Coal Miner Who Became Governor, Patton, with Jeffrey S. Suchanek, details his personal, professional, and political life as Kentucky's fifty-ninth governor. This comprehensive memoir details the beginning of his career in the coal industry - from working for his father-in-law, J. C. Cooley, in the 1950s to partnering with his brother-in-law, Nick, to establish their own company, which they sold for millions in 1978 - and how he leveraged his coal connections into a political career. Patton started raising money for Democratic candidates before becoming the chair of the Kentucky Democratic Party. He first took elected office in 1981 as Pike County Judge-Executive; he then served a term as lieutenant governor (1991–1995), followed by an unprecedented two consecutive terms as governor. His overhaul of higher education in Kentucky led to his role as the University of Pikeville's greatest champion and eventual president and chancellor, even after a scandal-ridden second term in Frankfort effectively ended his political career.In this compelling account, Patton reveals the decision-making process for many of his controversial choices, including campaign strategies, selection of running mates, his postsecondary education and workers' compensation reforms, his work on early childhood development initiatives, and his attempt at tax reform. He gives his unfiltered opinion about Mitch McConnell's "scorched-earth political philosophy" and how it has failed Kentucky, and he draws connections between public policy and party machinations during his time in office and the present day. He also addresses his fall from grace - his extramarital affair with Tina Conner and its effects on his personal and professional life.

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The auteur theory - the belief that a director's personal influence and artistic control over a movie are so great that the filmmaker is regarded as the key artist in making a film - was first popularized in America by film critic Andrew Sarris. In the New Hollywood Era of the 1960s and 1970s, as weakening studio control granted directors more artistic freedom, the theory gained traction, embraced by both the media and by directors themselves, and it came to be a significant factor in the filmmaking process. With its almost ubiquitous acceptance, the auteur theory also had, in hindsight, a negative effect. It undeniably played a role in establishing and romanticizing the dominance of the white heterosexual male point of view while ignoring the contributions of screenwriters and cinematographers, and worse, excluding marginalized aspiring filmmakers from the industry.Mavericks: Interviews with the World's Iconoclast Filmmakers amplifies the voices of a wide-ranging group of groundbreaking filmmakers whose identities, perspectives, and works don't conform to typical Hollywood standards. Author Gerald Peary, whose experience as a film studies professor, film critic, arts journalist, and director of documentaries culminates in a lifetime of film scholarship, presents a riveting collection of interviews with idiosyncratic directors - including Black, queer, female, and non-Western filmmakers—whose unconventional work is marked by their unique artistic points of view and molded by their social and political consciousness.Beginning in the 1970s and ending at the dawn of the new millennium, the collection includes Peary's talks with more than twenty film pioneers. Prior to Kathryn Bigelow's 2010 win as the first woman to receive an Oscar for best director, Peary interviewed cutting-edge female directors, including Iran's Samira Makhmalbaf (Blackboards, 2000), Poland's Agnieszka Holland (Europa, Europa, 1990), Norway's Liv Ullmann (Sofie,1992), and America's Roberta Findlay (Snuff, 1975), who is the first female director of pornographic films. While some of the collection's conversations focus on a single film, other interviews are an ambitious discussion of the filmmaker's whole career. Interviews with a disparate range of male filmmakers are also included: Howard Alk (The Murder of Fred Hampton, 1971), Ousmane Sembéne (Mandabi, 1968 and Emitai, 1971), Mel Brooks (The Producers, 1967, Young Frankenstein, 1974, and Blazing Saddles, 1974), Gus Van Sant (My Own Private Idaho, 1991, Good Will Hunting, 1997, and Milk, 2008), and John Waters (Pink Flamingos, 1972, Hairspray, 1988, and Pecker, 1998). With contextualizing introductions and insightful questions, Peary reveals the brilliance of these maverick directors and offers readers a lens into the minds of these incredible and engaging artists.

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No one will protect you. Months after being named the 2022 Kentucky Teacher of the Year, Willie Edward Taylor Carver Jr. announced his decision to leave the public school system. His career as a high school English teacher had spanned more than a decade but ended abruptly - another casualty of the cruel and dangerous anti-LGBTQ+ discrimination that is creeping back into the halls of government and the homes of Americans. At the beginning of Carver's career, an administrator warned him about discussing his otherwise openly gay identity at work: "No one will protect you, including me." A new administration allowed for more freedom, but the initial warning eventually rang true. School officials failed repeatedly to address harassment of students and of Carver himself, until he could no longer endure such a purposeful deterioration of human rights. While Carver's testimony before the House of Representatives brought much-needed attention to the need for protections for LGBTQ+ people in schools, the damage was done.In Gay Poems for Red States, Carver counters the injustice of a persistent anti-LGBTQ+ movement by asserting that a life full of beauty and pride is possible for everyone. More than a collection of poetry, Carver's earnest and heartfelt verses are for those wishing to discover and understand the vastness of Appalachia, and for the LGBTQ+ Appalachians who long for a future - for a home - in an often unwelcoming place.

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Brilliant, beautiful, driven, uncompromising, elusive, iconic - Jessica Lange is one of the most gifted and fascinating actors of her generation. From her rise to fame in Dino De Laurentiis's remake of King Kong (1976) and her Oscar-winning performances in Tootsie (1982) and Blue Sky (1994); to her Emmy-winning work in Grey Gardens (2009) and the American Horror Story series; and her Tony Award–winning turn in Eugene O'Neill's Long Day's Journey into Night (2016), Lange has had a long and illustrious career on-screen and onstage. She has worked with some of the most celebrated names in the business, including Jack Nicholson, Bob Fosse, Martin Scorsese, Kim Stanley, Halle Berry, and Kathy Bates.Jessica Lange: An Adventurer's Heart, the first full-length biography of Lange, presents a comprehensive study of the life and work of an exceptional actress. Beginning with her upbringing in Minnesota, author Anthony Uzarowski traces Lange's formative years as a restless soul who found solace in art and a life on the road before turning to acting. While critics initially questioned her talent, she refused to be dismissed as yet another pretty face. She continued to study her craft and immersed herself in her roles, honing the poignant and emotionally charged performances for which she is renowned.Lange was introduced to a whole new generation of fans with her acclaimed work in Ryan Murphy's anthology series, American Horror Story. Murphy later created another chance for Lange to shine with his television miniseries, Feud: Bette and Joan, costarring Susan Sarandon.This meticulously researched and wide-ranging biography also gives a glimpse into Lange's carefully guarded private life: her years as a free-spirited artist in the 1960s, her dedication to motherhood, and her legendary partnership with Sam Shepard, which was one of the most passionate, tumultuous, and secretive long-term relationships in Hollywood.

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Between 1945 and 1965, more than fifty nations declared their independence from colonial rule. At the height of the Cold War, the global process of decolonization complicated US-Soviet relations, while Soviet and American interventionism transformed the decolonizing process. Remaking the World examines the connections between the Cold War and decolonization, which helped define the post-World War II global order. Drawing on new scholarship, this comprehensive study provides a chronological overview from World War I to the Soviet collapse and highlights key developments in the international system as decolonization unfolded in tandem with the Cold War. Through six carefully selected case studies - India, Egypt, the Congo, Vietnam, Angola, and Iran - historian Jessica M. Chapman addresses the shifting of Soviet, American, Chinese, and Cuban policies, the centrality of modernization, the role of the United Nations, the often-outsized influence of regional actors like Israel and South Africa, and seminal post-Vietnam War shifts in the international system. Each of the case studies analyzes at least one geopolitical turning point, demonstrating that the Cold War and decolonization were mutually constitutive processes in which local, national, and regional developments altered the superpower competition. Chapman presents a picture of the complexities of international relations and the ways in which local communist and democratic movements differed from their Soviet and American ties, as did their visions for independence and success.

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George Orson Welles (1915-1985) is considered to be among the greatest and most influential filmmakers of all time. At just twenty-five years old, he co-wrote, produced, directed, and starred in his Academy-Award-winning debut film Citizen Kane (1941). His innovative and distinctive directorial style - nonlinear narratives, unusual camera angles, deep focus shots, and long takes - continues to be emulated by directors and cinematographers to this day. The brilliant yet provocative Welles won multiple Grammys, a Golden Globe, and the greatest honor the Directors Guild of America bestows: the D.W. Griffith Award. His final film, The Other Side of the Wind, was released in 2018, 33 years after his death.In Citizen Welles, author Frank Brady presents a comprehensive and complete picture of the artist and auteur. Painstakingly researched, Brady delves into Welles's creative achievements, from his critically acclaimed film Citizen Kane and his controversial radio broadcast The War of the Worlds (1938) to his pioneering stage productions of the classics of Shakespeare, Shaw, and Ionesco; and Welles' starring turn on Broadway in Shaw's Heartbreak House (for which he made the cover of Time). Brady also explores other notable films, including The Magnificent Ambersons (1942), Touch of Evil (1958), and Chimes at Midnight (1965). This all-encompassing work also details the personal side of Welles's life, including his romances with Rita Hayworth and Dolores Del Rio and the confounding tragedy of his final years. Presented is a captivating and compelling encapsulation of the revered and respected artist.

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The O.J. Simpson trial. The Lindbergh kidnapping. The death of Marilyn Monroe. The assassination of the Romanovs. The Atlanta child murders. All controversial cases. All investigated with the latest techniques in forensic science. Nationally respected investigators Joe Nickell and John Fischer explain the science behind the criminal investigations that have captured the nation's attention. Crime Science is a comprehensive guide to forensics. Without being overly technical or treating scientific techniques superficially, the authors introduce readers to the work of firearms experts, document examiners, fingerprint technicians, medical examiners, and forensic anthropologists. Each topic is treated in a separate chapter, in a clear and understandable style. Nickell and Fisher describe fingerprint classification and autopsies, explain how fibers link victims to their killers, and examine the science underlying DNA profiling and toxicological analysis. From weapons analysis to handwriting samples to shoe and tire impressions, Crime Science outlines the indispensable tools and techniques that investigators use to make sense of a crime scene. Each chapter closes with a study of a well-known case, revealing how the principles of forensic science work in practice.

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In 1942, the US government began construction on a sixty-thousand-acre planned community named Oak Ridge in a rural area west of Knoxville, Tennessee. Unmarked on regional maps, Oak Ridge attracted more than seventy thousand people eager for high-paying wartime jobs. Among them were author Emily Strasser's grandfather George, a chemist. All employees - from scientists to secretaries, from military personnel to construction workers - were restricted by the tightest security. They were provided only the minimum information necessary to perform their jobs. It wasn't until three years later that the citizens of Oak Ridge, and the rest of the world, learned the true purpose of the local industry. Oak Ridge was one of three secret cities constructed by the Manhattan Project for the express purpose of developing the first atomic bomb, which devastated Hiroshima on August 6, 1945.In Half-Life of a Secret: Reckoning with a Hidden History, Emily Strasser exposes the toxic legacy - political, environmental, and personal—that forever polluted her family, a community, the nation, and the world. Sifting through archives and family memories, and traveling to the deserts of Nevada and the living rooms of Hiroshima, she grapples with the far-reaching ramifications of her grandfather's work. She learns that during the three decades he spent building nuclear weapons, George suffered from increasingly debilitating mental illness. Returning to Oak Ridge, Strasser confronts the widespread contamination resulting from nuclear weapons production and the government's disregard for its impact on the environment and public health. With brilliant insight, she reveals the intersections between the culture of secrecy in her family and the institutionalized secrecy within the nuclear industry, which persists, with grave consequences, to this day.

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Inclusive campus-community collaborations provide critical opportunities to build community capacity - defined as a community's ability to jointly respond to challenges and opportunities - and sustainability. Through case studies from across all three subregions of Appalachia from Georgia to Pennsylvania, Engaging Appalachia: A Guidebook for Building Capacity and Sustainability offers diverse perspectives and guidance for promoting social change through campus-community relationships from faculty, community members, and student contributors.This volume explores strategies for creating more inclusive and sustainable partnerships through the arts, humanities, social sciences, and natural sciences. In representing diverse areas, environments, and issues, three relatable themes emerge within a practice viewpoint that is scalable to communities beyond Appalachia: fostering student leadership, asset-building, and needs fulfillment within community engagement.Engaging Appalachia presents collaborative approaches to regional community engagement and offers important lessons in place-based methods for achieving sustainable and just development. Written with practicality in mind, this guidebook embraces hard-earned experiences from decades of work in Appalachia and sets forth new models for building community resilience in a changing world.

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The movie director Paul Williams is a real-life Forrest Gump. Williams' experiences form a unique and often wild constellation of encounters with star power, political power, and spiritual power - a life cycle that led to fame and fortune and to integrity and anonymity.In a mad childhood created by an autocratic English teacher father and an infantilizing mother, he develops a precocious visual acuity to avoid wallops and a writing ability that mollified his father. This skill set wins him a scholarship to Harvard, where he needs to learn how the Wisemen think. He seeks out tutors who reveal themselves: Kissinger, Skinner, Galbraith, Erikson, Alpert, Leary, the Hubleys and Jean Renoir. Howard Gardner is his roommate and Michael Crichton is an editor friend on the college daily, The Crimson. After months, his lover reveals she is the heiress of a great American fortune.A member of the inner circle of the "Movie Brats" who led the charge of American New Wave cinema in the 1970s, Williams' idiosyncrasies make him a darling of the era. His stories about his pals - Scorcese, Voight, Christie, DePalma, Coppola, Dreyfuss, Spielberg, De Niro, Lucas - shed new light on a world bursting with creativity and possibility. He helps Terrence Malick make his first film, tries to adjust to the tyranny of the fabulously wealthy, and turns down the offer to direct the smash hits Animal House and Stepford Wives, and to partner on a new Parisian restaurant - The Hard Rock Cafe; and turns down Lorne Michaels' offer to help him create Saturday Night Live. With amazing honesty, Williams recounts the unexpected details of making his own seminal cult classics, Out of It (1969), The Revolutionary (1970) and Dealing (1972). And his adventures with Black Panther Eldridge Cleaver in Algiers, Fidel Castro in Havana, Huey P. Newton in Oakland, and Pope John Paul II in Vatican City.Harvard, Hollywood, Hitmen and Holy Men is an extraordinary odyssey - large, experimental, fearlessly audacious and eventually self-knowing. Through his anecdotes, shocking and delightful in their humor and authenticity, Williams takes readers on his unique journey to answer life's big questions - with aides Mescalito (the Peyote guide), Ichazo (the Gurdjieffian Sufi master), and Dilgo Khyentse (the current Dali Lama's principal teacher), and finally, Vivian (a transcendent redhead).

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"The work of this institution has only begun I want to see this faculty continue to develop in not only teaching ability, but heart power—the ability to lead and inspire I want to see the fullest opportunities furnished to students I want to see young men and women who will become effective leaders I want to see all of these things and more" face=Calibri>– Dr. John W. Carr, First President of Murray State University, April 1, 1926When Murray State University was founded shortly after World War I, it was a modest, one-building teachers' college with a mandate to prepare better-trained educators for schools in the Jackson Purchase area of Western Kentucky. Now Murray State has grown to become a major university with nearly (or approximately) 10,000 students from all over the world. Over the past century, this institution has indelibly shaped the lives of generations of talented young people who went on to enjoy remarkable careers at NASA, the Kentucky Supreme Court, in Hollywood, the NBA, and elsewhere.In The Finest Place We Know, authors Robert L Jackson, Sarah Marie Owens, and Sean J. McLaughlin celebrate the 100-year story of Murray State University by looking back on the people, places, and events which have shaped the institution's history. This comprehensive, pictorial history features hundreds of images from the Progue Special Collections Library and is accompanied by stories that explore everything from the school's first student-produced weekly newspaper The College News that began publication on June 24, 1927, the hiring of Ernest T. Brooks, its first Black professor, in 1970, and the appointment of Dr. Kala Stroup, the first woman president of any Kentucky university. This work face=Calibri>– equal parts history and celebration – presents an in depth account of one of Kentucky's prosperous public universities.

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For almost half a century, celebrated ventriloquist and entertainer Shari Lewis delighted generations of children and adults with the help of her trusted sock puppet sidekick Lamb Chop. For decades, the beloved pair were synonymous with children's television, educating and entrancing their young audience with their symbiotic personalities and their proclivity for song, dance, and the joy of silliness.But as iconic as their television personas were, relatively little inside knowledge has been revealed about Lewis herself and the life-changing moments that led her to the entertainment industry and perhaps, most importantly, to Lamb Chop.Renowned for her skills as a performer, Lewis was an equally skilled businesswoman. Operating in an era when women were largely left out of the conversation, she was one of the few women to run her own television production company. Whether it was singing, dancing, conducting, writing, drawing, or ventriloquism—a skill in which she was virtually unmatched face=Calibri>– Lewis spent the entirety of her 65 years in pursuit of performative perfection. Constantly innovating and adapting to the needs of her audience and the market, Lewis extended the longevity of her career decade after decade. Her contributions, and that of Lamb Chop, and the rest of her puppet pals forever changed the history of children's television.Now, two decades after Lewis and Lamb Chop last graced television with their presence, Lewis' daughter Mallory and author Nat Segaloff have set the record straight about the iconic pair in Shari Lewis and Lamb Chop: The Team that Changed Children's Television. In this seminal biography, the pair pull the veritable wool from the eyes of audiences who adored the legendary entertainer to examine the joys, sorrows, triumphs, and sheer hard work that gave Lewis and Lamb Chop their enduring star power.

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One of the defining features of United States foreign policy since World War II has been the nation's special relationship with Israel. This informal alliance, rooted in shared values and culture, grew out of a moral obligation to promote Israel's survival in the aftermath of the Holocaust as US policymakers provided military aid, weapons, and political protection. In return, Israel served American interests through efforts to contain communism and terrorism in the region. Today, the US provides almost four billion dollars in military aid per year, which raises questions regarding interest and propriety: At what point does US support for Israel exceed the boundaries of the countries' unconventional relationship and become counterproductive to other national interests, including the pursuit of peace in the Middle East?Kenneth Kolander provides a vital new perspective on the US-Israel bond by focusing on Congress's role in developing and maintaining the special relationship during a crucial period. Previous studies have focused on the executive branch, but Kolander demonstrates that US-Israel relations did not follow a course preferred by successive presidential administrations, especially in the 1960s and 1970s. Instead, he illuminates how influential lobbyists, America's affinity for Israel and antipathy towards Arabs, and economic pressures influenced legislators and inspired congressional action in support of Israel. In doing so, he presents an essential investigation of the ways in which legislators exert influence in foreign policy and adds new depth to the historiography of an important dynamic in postwar world politics.

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John Hervey Wheeler (1908–1978) was one of the civil rights movement's most influential leaders. In articulating a bold vision of regional prosperity grounded in full citizenship and economic power for African Americans, this banker, lawyer, and visionary would play a key role in the fight for racial and economic equality throughout North Carolina.Utilizing previously unexamined sources from the John Hervey Wheeler Collection at the Atlanta University Center Robert W. Woodruff Library, this biography explores the black freedom struggle through the life of North Carolina's most influential black power broker. After graduating from Morehouse College, Wheeler returned to Durham and began a decades-long career at Mechanics and Farmers (M&F) Bank. He started as a teller and rose to become bank president in 1952. In 1961, President Kennedy appointed Wheeler to the President's Committee on Equal Employment Opportunity, a position in which he championed equal rights for African Americans and worked with Vice President Johnson to draft civil rights legislation. One of the first blacks to attain a high position in the state's Democratic Party, Wheeler became the state party's treasurer in 1968, and then its financial director.Wheeler urged North Carolina's white financial advisors to steer the region toward the end of Jim Crow segregation for economic reasons. Straddling the line between confrontation and negotiation, Wheeler pushed for increased economic opportunity for African Americans while reminding the white South that its future was linked to the plight of black southerners.

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In 2019, the NFL issued a list of football's one hundred greatest game-changers, and among the legendary athletes and coaches was one broadcaster: Phyllis George. The first female anchor of a major network sports show, George broke the glass ceiling in sports journalism and embodied the complexities of the women's movement of the 1970s. As a young woman, George first hit the media radar in 1971 when she won the crown of Miss America and toured the world. While many in the budding feminist movement looked down on the pageant queen, George parlayed her success into a television career and excelled in sports journalism. While she was not immune to criticism, George was never deterred by the complainants and constantly showed her inner strength and perseverance. Through the decades she cultivated a reputation as one of the most respected and strong-willed players in the rough and tumble businesses of sports and network news, breaking through the glass ceiling in one of the most male-driven industries in the world. She was a pioneer who helped pave the way for a new generation of female broadcasters. A published author in her own right and champion of the arts, George remained a stalwart advocate for female empowerment until her death in 2020.In Phyllis George: Shattering the Ceiling authors Lenny Shulman and Paul Volponi trace George's evolution from Miss America to professional broadcaster, to arts advocate, author, philanthropist, and also as First Lady of Kentucky who was instrumental in getting her husband, John Y. Brown Jr., elected Governor of that state. George's life was defined by her professionalism, her strength of character, and her uncanny ability to leave an indelible impression on all she met.

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More than 2.7 million post-9/11 veterans served in Iraq and Afghanistan. Their homecomings didn't include parades or national celebrations, but civilians regard them with reverence and pride. Veterans' benefits are comprehensive. The phrase "thank you for your service" is ubiquitous. Yet, one in ten post-9/11 veterans struggle with substance abuse. Fifteen to twenty veterans die by suicide every day, with 18-34-year-olds dying at the highest rates. These veterans carry intractable mental and physical wounds, leading advocates to focus on concepts like moral injury and collective belonging.In War and Homecoming: Veteran Identity and the Post-9/11 Generation, Travis Martin, a scholar, teacher, and former veteran himself, argues that post-9/11 veterans struggle with homecoming because of decades of stereotyping and a lack of healthy models of veteran identity. In the American unconscious, veterans are the superficially praised ‘hero’, the victimised ‘wounded warrior’, forever defined by past accomplishments. They are appropriated as symbols in competing narratives of national identity. War and Homecoming explores past and current stereotypes often found in patriotic rhetoric, popular media, literature, and veterans' lives.Luckily, a third type of post-9/11 veteran has emerged, the veteran ‘storyteller’ who recognises stereotypes, claims their symbolic authority, and defines who they are through literature, art, and service. This identity allows for continued growth, and these ‘storytellers’ provide examples of identity rooted in agency, individuality, and resilience for other veterans to model. New creative communities, service organisations, and the growing academic field of Veterans Studies suggest post-9/11 veterans are redefining what it means to be a veteran.

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#NiUnaMenos#Aufschrei#LoSHA Before #MeToo became the massive global movement we know today, these were the hashtags that represented mobilisations from Ukraine to Latin America that demanded accountability for the intersecting experiences of sexual violence and racism, xenophobia, and misogyny inflicted on women, transgender people, and girls. Lead by activists such as Tarana Burke, who coined the phrase "me too," the movement provided a call to action for survivors across the world to speak out about their experiences. In #MeToo and Beyond, M. Cristina Alcalde and Paula-Irene Villa bring together scholars and activists from various backgrounds to approach #MeToo from multiple spaces, positionalities, and areas of expertise, many from regions and contexts often overlooked and understudied in the mediascapes of the Global North. This volume includes perspectives from around the world and covers research spanning topics from masculinity, and trans issues, to Jewish communities. The editors and contributors heed Tarana Burke's call to center marginalised voices and experiences so that instead of becoming a footnote, these experiences guide activists to frame polyphony as central to understanding past, current, and future forms of gendered violence and resistance. The goal of #MeToo and Beyond is to examine both the profoundly universal and familiar experiences of sexual violence, and the specificity of these forms of violence and mobilisation against them across place, space, and experiences of participants. Activists and scholars will find this an important and necessary contribution to current and future discussions on sexual violence and global movements.

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For a few months in 1982, Landaluce was a national celebrity. In her second start, just one week after claiming her maiden, the two-year-old filly won the Hollywood Lassie Stakes by 21 lengths face=Calibri>– a margin of victory that remains the largest ever in any race by a two-year-old at Hollywood Park. Landaluce was poised to become the next American super-horse. But those dreams ended when the two-year-old died in her stall at Santa Anita four months later, the victim of a swift and mysterious illness. Today, with the 'I Love Luce' bumper stickers long-gone, the filly has been largely forgotten.In Landaluce: Forever a Champion, Mary Perdue tells the story of a filly whose short but meteoric racing career could have changed racing history forever. In doing so, Perdue also explores the lives and careers of the breeders, owners and trainer, as well as her famous sire, Seattle Slew. From breeder Leslie Combs, who grew Spendthrift farm into a 4,000 acre powerhouse while standing over 40 of the most prized stallions in the country, to trainer D. Wayne Lukas whose stable of racehorses have been winning races for nearly forty years, Landaluce’s brief stint at the top of the sport provides a window into racing history.More than a mere recitation of Landaluce's accomplishments or a piece of investigative journalism probing the mystery of her death, Perdue explores how one filly captured the imagination of racing fans across the country and set the stage for another filly turned super-horse, Zenyatta, in the decades to come."Mary Perdue takes readers on a riveting journey not just through Landaluce's two years on earth, but across decades of horse racing history, from the Great Depression to the 1980s, from Kentucky to California, from breeding shed to euthanasia ...Perdue's work centers on one horse, but taps racing's every vein — essential reading for fans of the sport." — Tim Layden, writer-at-large at NBC Sports

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The American World War II film depicted a united America, a mythic America in which the average guy, the girl next door, the 4-F patriot, and the grieving mother were suddenly transformed into heroes and heroines, warriors and goddesses. The Star-Spangled Screen examines the historical accuracy - or lack thereof - of films about the Third Reich, the Resistance, and major military campaigns. Concerned primarily with the films of the war years, it also includes discussions of such postwar movies as Battleground (1949), Attack! (1956), The Bridge on the River Kwai (1957), and Patton (1970). This revised edition includes new material covering recent films such as Saving Private Ryan (1998), JoJo Rabbit (2019), Pearl Harbor (2001), and Dunkirk (2017), and their place in the war movie tradition. The Star-Spangled Screen makes a major contribution to popular culture by recreating an era that, for all its tragedy, was one of the most creative in the history of American film.

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Interest in bourbon, America's native spirit and a beverage almost exclusively distilled in Kentucky, has never been greater. Thanks in part to the general popularity of cocktails and the marketing efforts of the bourbon industry, there are more brands of bourbon and more bourbon drinkers than ever before. In The Kentucky Bourbon Cocktail Book, Joy Perrine and Susan Reigler provide a reader-friendly handbook featuring more than 100 recipes including seasonal drinks, after-dinner bourbon cocktails, Derby cocktails, and even medicinal toddies. The book's introduction explains how the use of specific spirits and ingredients, glassware, and special techniques, such as muddling and infusions, accentuates the unique flavor of bourbon. Much of the book is devoted to recipes and instructions for the professional or at-home bartender, from classic drinks such as the Manhattan and the Mint Julep to drinks for special occasions, including the Candy Cane, Pumpkin Eggnog, and Kentucky Bourbon Sparkler. The authors complete the work with suggested appetizer pairings, a glossary of terms, and a bibliography of bourbon-related books.

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The television industry is changing, and with it, the small screen's potential to engage in debate and present valuable representations of American history. Founded in 1972, HBO has been at the forefront of these changes, leading the way for many network, cable, and streaming services into the "post-network" era. Despite this, most scholarship has been dedicated to analyzing historical feature films and documentary films, leaving TV and the long-form drama hungry for coverage.In History by HBO: Televising the American Past, Rebecca Weeks fills the gap in this area of media studies and defends the historiographic power of long-form dramas. By focusing on this change and its effects, History by HBO outlines how history is crafted on television and the diverse forms it can take. Weeks examines the capabilities of the long-form serial for engaging with historical stories, insisting that the shift away from the network model and toward narrowcasting has enabled challenging histories to thrive in home settings. As an examination of HBO's unique structure for producing "quality" historical dramas, Weeks provides four case studies of HBO series set during different periods of U.S. history: Band of Brothers (2001), Deadwood (2004-2007), Boardwalk Empire (2012-2014), and Treme (2010-2013). In each case, HBO's lack of advertiser influence, commitment to creative freedom, and generous budgets, continues to draw and retain talent who want to tell historical stories.Balancing historical and film theory in her assessment of the roles of mise-en–scène, characterization, narrative complexity, and sound in the production of effective historical dramas, Weeks' evaluation acts as an ode to the most recent "Golden Age" of TV, as well as a critical look at the relationship between entertainment media and collective memory.

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Down-home Southern cooking is as much a part of Kentucky's heritage as fine horses or bourbon whiskey. Louisville's own Marion Flexner gathers Kentucky's best cuisine in Out of Kentucky Kitchens. Known as a skilled hand in the kitchen, Flexner compiled delicious and thoroughly tested recipes of Kentucky specialties, such as the Chocolate Almond Torte, Tombstone Pudding, and the Real Hot Brown. Colorful anecdotes, spanning 100 years of famous Kentuckians, the best hostesses, and cooks, bring this collection of the best Kentucky fare to life. Originally published in 1949, the reissue of this Kentucky classic gives generations of cooks access once again to a regional culinary guide that is a delight to use and read.

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The fate of the USS Flier is one of the most heroic stories of the Second World War. On August 13, 1944, the submarine struck a mine and sank to the bottom of the Sulu Sea in less than one minute, leaving only fourteen of its eighty-six crewmen alive. After enduring eighteen hours in the water, the eight remaining survivors swam to a remote island controlled by the Japanese. Deep in enemy territory and without food or drinking water, the crewmen soon realized that their struggle for survival had just begun. Noted historian Michael Sturma's vivid recounting of the harrowing story of the USS Flier has all the elements of a classic World War II survival tale: sudden disaster, physical deprivation, a ruthless enemy, friendly guerrillas, and a dramatic escape from behind enemy lines. The eight sailors who survived the disaster became the first Americans of the Pacific conflict to escape from a sunken submarine and return safely to the United States. Though some of the Flier's mysteries remain with the submarine beneath the sea, this account sheds light on the nature of underwater warfare and naval protocol and demonstrates the high degree of cooperation that existed among submariners, coast watchers, and guerrillas in the Philippines. Sturma fills a historical gap by detailing this important episode of the Second World War.

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