Search results for ""Author Marion"

A ghostly portrait of an untenanted Venice In these stark black-and-white photographs, gallerist and photographer Mario Peliti (born 1958) transforms our perceptions of Venice. All the pictures were taken under the same lighting conditions, with no people. The lack of human presence induces the viewer to reflect on the city’s possible fate as a city with no inhabitants.

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Newbery Honor recipient and New York Times bestselling author Marion Dane Bauer explains how volcanoes work in this Level 1 Ready-to-Read.The Earth as we know it was partly created by volcanoes. Many are still active today. Learn how volcanoes form and what is going on inside when they erupt in this engaging Ready-to-Read!

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Encuadernación: Rústica.Tamaño: 12x20.Las dictaduras siempre son dolorosas para las libertades, y la Grecia de los Coroneles no fue una excepción.Mario, el Macedonio, se ve forzado a abandonar su Grecia natal para poder vivir en libertad y realizar su sueño: ser médico. Será en España donde pueda llevarlo a cabo.Panos Fantidis incorpora a la vida real elementos de la tragedia griega en este estudio sobre el cainismo tan frecuente en la historia de la humanidad.

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Esta pareja de hermanos formada por Mario y Luigi a la que se suma el tragaldabas de Yoshi no para.Aquí un montón de gags del videojuego que buscan hacernos reír. Espero que, tanto si te gusta Super Mario World, para la Super Nintendo, como si no, disfrutes de la lectura pensando en pasártelo entero.

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It’s game on, Mario fans! This title explores the inception and evolution of Mario, highlighting the game’s key creators, super players, and the cultural crazes inspired by the game. Special features include side-by-side comparisons of the game over time and a behind-the-screen look into the franchise. Other features include a table of contents, fun facts, a timeline and an index.Full-color photos and action-packed screenshots will transport readers to the heart the Mario empire! Aligned to Common Core Standards and correlated to state standards.

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Mario el epicúreo es una narración profundamente poética, una biografía del espíritu, que muestra la evolución del pensamiento de un joven patricio romano, tal y como se desarrolló en muchos espíritus y pensadores de finales del Imperio Romano, desde las tradicionales creencias paganas de la vida espiritual griega y romana hacia una nueva filosofía de la vida representada por el espíritu comunitario de los primeros cristianos. Su héroe, el joven Mario, vive en la época de los Antoninos, el periodo más álgido del Imperio Romano. Al principio, el cálido culto de los dioses domésticos y de los espíritus campestres colman todas sus aspiraciones. La muerte de su madre y la de su más querido amigo, el poeta Flavio, lo sumen en la incertidumbre sobre los problemas fundamentales de la vida, que cree resueltos en la filosofía epicúrea. Más tarde, su decisivo encuentro con Marco Aurelio le inclina hacia las doctrinas estoicas. Finalmente es seducido por el espíritu rebelde y la ser

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Tras un macabro asesinato, el teniente Mario Conde debe resolver un caso lleno de implicaciones religiosas, diplomáticas y culturales en la Cuba actual.En la tupida arboleda del Bosque de La Habana aparece un 6 de agosto, el día en que la Iglesia celebra la transfiguración de Jesús, el cuerpo de un travestí con el lazo de seda roja de la muerte aún al cuello. Para mayor zozobra del Conde ?el policía encargado de la investigación?, aquella mujer sin los beneficios de la naturaleza, vestida de rojo, resulta ser Alexis Arayán, hijo de un respetado diplomático del régimen cubano. La investigación se inicia con la visita del Conde al impresionante personaje del Marqués, hombre de letras y de teatro, homosexual desterrado en su propia tierra en una casona desvencijada, especie de excéntrico santo y brujo a la vez, culto, inteligente, astuto y dotado de la más refinada ironía. Poco a poco, el Conde va adentrándose en el mundo hosco en el que le introduce ladinamente el Marqués, pobl

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We recognise Mario Botta's buildings for their strong presence. His architecture is not ephemeral. It shapes the mass firmly and precisely. It touches the ground with self-reliance. A building by Mario Botta is an autonomous object. It comprises an ordered world of its own make. It is standing in dialogue with the urban tissue, but it establishes its own order as if it aims at differentiation instead of integration. Architectural order represents the core of his personal idiom. It is a well structured, compositional order which organises everything into a whole, as an underlying thread that connects and brings together houses on the mountains to museums and churches, banks and commercial buildings to buildings on the ground and buildings underground, different buildings at different places in time. The themes that underlie Mario Botta's architecture are ties that connect and spines that support, common threads that bind one building to the next. His architecture is one of mass. It is then of no surprise that mass is the first thing to be defined and ordered, in his creative process. The volume of his buildings is mostly composed by one or more primary solids. Volume is thus an a-priori for Botta. It is conceived beforehand, the starting point to the adventure of architectural design. From the Introduction, Thoughts on architectural creativity By Dr. Irena Sakellaridou

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Die Ursprunge der evangelischen Kirchen St. Kiliani und St. Marien in Hoexter gehen bis ins 11. bzw. 13. Jahrhundert zuruck. Das zweiturmige Westwerk St. Kilianis - ursprunglich eine romanische Basilika - uberragt bis heute die Altstadt Hoexters und war Vorbild des karolingischen Westwerks der nahegelegenen Abteikirche Corvey. Die gotische Marienkirche ist als einzige Kirche der Stadt seit ihrer Entstehung unverandert geblieben.

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Perfect for fans of Cathy Kelly, Victoria Hislop and Lucinda Riley, The Godmothers is a heart-warming exploration of family, friendship and female bonds. ___________In order to find out who her father is, Eliza has to discover who her mother truly was . . . As the only daughter of a troubled young mother, Eliza Miller's life was kept on track by the constant support of her godmothers Olivia and Maxie – until a tragic event just before her eighteenth birthday changed everything.Thirteen years later, Eliza is cautious, lonely, and dedicated to her work in Melbourne. Out of the blue, an enticing invitation from Olivia, now based in the UK, prompts a leap into the unknown. Eliza is thrown back into the centre of a complicated family, and the busy hotel they run in Edinburgh's West End.Amidst the chaos, Eliza unexpectedly begins to explore her past. Her godmothers have long been waiting for her to ask about her mother's mysterious life – and the identity of the father she has never known.But even they are taken by surprise with all that she discovers . . .If you loved The Godmothers, don't miss Monica McInerney's The House of Memories, available now in paperback. ___________'Absolutely beautiful . . . Intriguing and uplifting' Marian Keyes 'The perfect read!' Patricia Scanlan'A feel-good read' The Sun'Warm, wise and witty' Woman & Home'You'll be laughing out loud one minute and crying the next' Cosmopolitan'Heart-warming . . . A lovely read' Hello! Magazine'McInerney is a must-read author for women's fiction fans around the world' Huffington Post'The sort of feel-good read you long to get back to' Hilary Boyd, bestselling author of Thursdays In The Park'Exploring universal family issues of loss, rivalry, ageing and grief, this is a warm, witty and moving novel' Woman's Day'McInerney's bewitching multigenerational saga lavishly and lovingly explores the resiliency and fragility of family bonds' Booklist'A world of family, love, warmth and heartbreaking secrets that will sweep you up . . . Superb' Books of all Kinds'You'll be laughing in one breath, crying in the next . . . If you haven't discovered McInerney yet, now is the time to do so' Better Reading

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The guide retains the Blue Guides' traditional focus on history, culture and the arts, but explores the Marche in all its many ramifications: this is an area of stunning natural beauty, with national parks, abundant wildlife, caves and river gorges - not to mention exceptional food and wine. Eating and drinking is a major part of this guide and each chapter contains suggestions of places to eat and regional delicacies to sample. The Marche is also an important manufacturing region, with shoe-makers, hat-makers, violin-makers and lace-makers still plying age-old trades. Tips on where to shop for typical local products are also included.

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In a series of conversations, Jean-Luc Marion reconstructs a career’s path in the history of philosophy, theology, and phenomenology. Discussing such concepts as the event, the gift, and the saturated phenomenon, Marion elaborates the rigor displayed by the things themselves. He discusses the major stages of his work and offers his views on the forces that have driven his thought. The conversation ranges from Marion’s engagement with Descartes, to phenomenology and theology, to Marion’s intellectual and biographical backgrounds, concluding with illuminating insights on the state of the Catholic Church today and on Judeo-Christian dialogue. Marion also reflects on the relationship of philosophy to history, theology, aesthetics, and literature. At the same time, the book provides an account of French intellectual life in the late twentieth century. In these interviews, Marion’s language is more conversational than in his formal writing, but it remains serious and substantive. The book serves as an excellent and comprehensive introduction to Marion’s thought and work.

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Piano Lessons Book Two is a part of The Waterman/Harewood Piano Series, and includes pieces by Bach, Gurlitt, Mozart, Gounod and Tchaikovsky. The book also contains an extensive appendices of scales, arpeggios and exercises. Piano Lessons Books 1–3 are the central course books of this highly successful piano method aimed at the older beginner. Devised jointly by distinguished authors Dame Fanny Waterman and Marion Harewood, the series is established as one of the foremost piano methods. Technical material is skilfully and imaginatively presented, while each chapter guides the young player towards the successful performance of a comprehensive selection of pieces and studies. The Waterman/Harewood Piano Series has been devised jointly by the world famous piano teacher Fanny Waterman and the co-founder of the Leeds International Piano Competition, Marion Harewood, and is established as one of the foremost piano methods.

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Jean-Luc Marion: The Essential Writings is the first anthology of this major contemporary philosopher’s writings. It spans his entire career as a historian of philosophy, as a theologian, and as a theoretician of “saturated phenomena.” The editor’s long general Introduction situates Marion in the history of modern philosophy, especially phenomenology, and shorter introductions preface each section of the anthology. The entire volume will enable professors to teach Marion by assigning a single book, and the editor’s introductions will make it possible for students to learn enough about phenomenology to read Marion without having to take preliminary courses in Husserl and Heidegger.

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A brutally mutilated body is discovered washed up in the bay of Havana. The body of Miguel Forcade Mier, head smashed in by a baseball bat, genitals cut off by a dull knife. Forcade, once an official in the Cuban government responsible for the confiscation of the belongings of the bourgeoisie fleeing the revolution, was an exile in Miami. Had he really returned to Havana just to visit his ailing father? Conde immerses himself in the dark history of expropriations of works of art, paintings that have vanished without trace, corrupt civil servants and old families that lost much, but not everything. Here is the disillusion of Padura's generation, many of them veterans of the war in Angola, dealing with the catastrophe that followed the collapse of Russian aide in the 1990's and now discovering the corruption of those that preceded them. Yet a eulogy of Cuba, its life of music, sex and the great friendships of those who elected to stay and fight for survival.

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This volume accompanies a major anthological exhibition that celebrates and pays tribute to Mario Nigro (1917-1992), a painter who left a lasting impression on the artistic panorama of our time. Mario Nigro’s art has deep roots in the principal artistic currents of the 20th century and is of the most astonishing originality. This has made him hugely appreciated internationally, as we can see in the presence of his works in the most prestigious museums and exhibitions in Italy and abroad. This volume contains an essay by Antonella Soldaini, an interview by Elena Tettamanti with Tommaso Trini on the work and figure of Mario Nigro, an essay by Francesca Pola dedicated to the work on paper, a detailed chronology and an updated bio-bibliographic apparatus. “At a certain point I need to sing, I need to paint, I need to do something; it is the reflection of a need for love, irrespective of any manifest tragedy or drama.” Mario Nigro Text in English and Italian.

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Texts centred on the mother of Jesus abound in religious traditions the world over, but thirteenth-century Old French lyric stands apart, both because of the enormous size of the Marian cult in thirteenth-century France and the lack of critical attention the genre has garnered from scholars.As hybrid texts, Old French Marian songs combine motifs from several genres and registers to articulate a devotional message. In this comprehensive and illuminating study, Daniel E. O’Sullivan examines the movement between secular and religious traditions in medieval culture that Old French religious song embodies. He demonstrates that Marian lyric was far more than a simple, mindless imitation of secular love song. On the contrary, Marian lyric participated in a dynamic interplay with the secular tradition that different composers shaped and reshaped in light of particular doctrinal and aesthetic concerns. It is a corpus that reveals itself to be far more malleable and supple than past readers have admitted.With an extensive index of musical and textual editions of dozens of songs, Marian Devotion in Thirteenth-Century French Lyric brings a heretofore neglected genre to light.

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This Companion offers an overview and assessment of Mario Vargas Llosa's large body of work, tracing his development as a writer and intellectual in his essays, critical studies, journalism, and theatrical works, but above all inhis novels. This companion to the work of Peruvian Nobel Laureate Mario Vargas Llosa traces his fictional and non-fictional writing throughout the different phases of a career spanning more than fifty years. His lifelong dedication to literature goes hand in hand with his commitment as a public intellectual, a role that frequently involves him in controversy. Against the backdrop of Vargas Llosa's political and intellectual development, this study brings out the continuities and interrelations that give unity and coherence to a diverse body of work. It highlights the thematic concerns that re-emerge at different points in his writing and link Vargas Llosa's journalism and essays with his fiction: the effects of social ills on the individual, the nature of fiction, and the importance of literature for society. The novels at the centre of his work combine passionate storytelling with technical complexity and an often playful experimentation with genres. This book not only provides a comprehensive overview of Vargas Llosa's writing in the context of his intellectual biography, but looks in detail at each individual work, summarizing contents and analyzing the interplay of form, language, and meaning. A bibliography and suggestions for further reading complement this Companion, which will serve the general reader as much as the undergraduate and scholar. Sabine Köllmann is an independent academic writer living in London.

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'He's a total rock 'n' roller. There's a bit of Mario in all of us - well, maybe not Gary Neville - but the rest of us most definitely.' Noel GallagherHe may be football's latest superstar, but Mario Balotelli is just as famous off the pitch for his eccentricity and extraordinary antics. From the time he let off fireworks in his bathroom to the notorious bib incident, he's rarely out of the news. But in his secret diary*, as we follow Mario through one turbulent football season and the trail of mayhem he leaves in his wake, we discover that the headlines only tell half the story. Whether he's hiding Silvio Berlusconi in his basement, patrolling the streets of Manchester as a caped crusader or trying to be the first Premiership footballer to go to the moon, the truth is stranger, and much funnier, than we could have expected.*not the actual diary of Mario Balotelli

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Koji Kondo’s Super Mario Bros. (1985) score redefined video game music. With under three minutes of music, Kondo put to rest an era of bleeps and bloops—the sterile products of a lab environment—replacing it with one in which game sounds constituted a legitimate form of artistic expression. Andrew Schartmann takes us through the various external factors (e.g., the video game crash of 1983, Nintendo’s marketing tactics) that coalesced into a ripe environment in which Kondo’s musical experiments could thrive. He then delves into the music itself, searching for reasons why our hearts still dance to the “primitive” 8-bit tunes of a bygone era. What musical features are responsible for Kondo’s distinct “Mario sound”? How do the different themes underscore the vastness of Princess Peach’s Mushroom Kingdom? And in what ways do the game’s sound effects resonate with our physical experience of the world? These and other questions are explored within, through the lens of Kondo’s compositional philosophy—one that would influence an entire generation of video game composers. As Kondo himself stated, “we [at Nintendo] were trying to do something that had never been done before.” In this book, Schartmann shows his readers how Kondo and his team not just succeeded, but heralded in a new era of video games.

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Two extraordinary storytellers, Gabriel García Márquez (affectionately known as Gabo) and Mario Vargas Llosa the novelist and the literary critic star in one of the most fervent friendships that the world of literature has ever seen. These same friends, ten years later, end their friendship with an infamous punch to the face. But before things fell apart under the guidance of these two men who would later win Nobel Prizes, a group of writers, the best of Latin America, met, celebrated, lived and wrote together sharing exciting adventures and shared experiences the stuff that literary genius is made of.

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Una mujer acaba de perder a su marido y vela el cadáver durante la noche. Sobre la mesilla hay un libro ?la Biblia? que la esposa hojea, leyendo los párrafos subrayados por el hombre que se ha ido para siempre. Una oleada de recuerdos le viene a la mente y empieza un lento desordenado monólogo en el que la vida pugna para hacerse real otra vez. La pobre vida llena de errores y torpezas, de pequeños goces e incomprensiones. Ha conocido Carmen alguna vez a Mario? Escuchemos el irritante discurrir de la pequeña y estrecha mentalidad de la esposa. Otro hombre irá poco a poco descubriéndose, para todos menos para ella, con toda su desesperanza y su fe en la vida.Cinco horas con Mario es una novela de gran penetración psicológica que, a través de un alma femenina puesta al descubierto, llega hasta el fondo de la sociedad española del siglo XX. Sólo un escritor de la categoría de Miguel Delibes podía enfrentarse con este difícil tema y resolverlo tan brillantemente.

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Pollito Benito se ha resfriado. Nada de qué preocuparse, solo es una fiebre pasajera que ya se acerca a su fin. En dos días, a más tardar, volverá a estar en plena forma. Pero dos días son mucho tiempo todavía para quien lleva en cama toda una semana y se muere por salir al jardín a divertirse. De poco sirvió que Benito suplicara y protestara clamando que ya se encontraba bien. Su madre, toda una madre gallina, se tomaba muy en serio la salud de los pequeños.El pollito estaba enfadado. Entre toses y lloriqueos, se deslizó hasta la ventana de la habitación y empotró el pico contra el cristal. Entonces vio a la madre pato, seguida de los patitos, camino del estanque. Cómo me gustaría poder ir con ellos! Sería estupendo! Benito nunca había llegado hasta el estanque? seguro que era un precioso paseo. Al fin y al cabo quién se lo impedía? Solo tenía que abrir la ventana, que además ya estaba entreabierta. Con mucho cuidado, Benito sacó la cabeza, se aseguró de que no hubiera madre gallina a

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La veu i la memòria del narrador unifiquen les històries de Recorda sempre això, l?últim premi MarianVayreda. Hi veiem una caserna de guàrdia civil al Raval barceloní, el pati on les famílies dels membresdel cos passen l?estona, l?eventual aparició d?un circ humil per distreure la canalla, la feina a les voresdescosides de l?extraradi urbà... Són escenaris d?una educació sentimental que posa el focus en elcoratge quotidià, en les dificultats de la vida diària, en les sobtades explosions de violència i en lanecessitat d?assumir el passat per poder governar la pròpia vida.

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Senior Detective Margot Gorman has been assigned to watch over a raving woman in an asylum. What could a madwoman know? And Peter, the sportsman, can he become a warrior in Vietnam? With a deft hand, the author challenges the traditional stereotypes of a crime novel with questions of politics, patriarchy, sanity and murder. First published in 1991, Still Murder was widely praised by reviewers for being a ‘cross-over’ novel, bringing together literary and crime styles of writing and narrative. This feminist classic edition has an introduction by Marion Campbell and an Afterword by the author.

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*The hilarious new novel from Abbi Waxman - I WAS TOLD IT WOULD GET EASIER - is available now*Abbi Waxman's charming novel follows introvert and bookworm Nina Hill as she discovers if real life can ever live up to fiction... Shortlisted for the Comedy Women In Print Prize, this novel is perfect for fans of Lucy Diamond and Maria Semple. 'GORGEOUS' Marian Keyes'Like a big slab of your favourite cake in book form' Libby Page, author of The LidoMeet Nina Hill: A young woman supremely confident in her own. . . shell.Nina has her life just as she wants it: a job in a bookstore, an excellent trivia team and a cat named Phil. If she sometimes suspects there might be more to life than reading, she just shrugs and picks up a new book. So when the father she never knew existed dies, leaving behind innumerable sisters, brothers, nieces, and nephews, Nina is horrified. They all live close by! She'll have to Speak. To. Strangers. And if that wasn't enough, Tom, her trivia nemesis, has turned out to be cute, funny and interested in getting to know her...It's time for Nina to turn her own fresh page, and find out if real life can ever live up to fiction. . .Praise for The Bookish Life of Nina Hill...'Like a conversation with the funniest person you know - just lovely' KATIE FFORDE'Charmed by its funny loveliness' NINA STIBBE, AUTHOR OF REASONS TO BE CHEERFUL'Book lovers will absolutely relate' O, THE OPRAH MAGAZINE'Meet our bookish millennial heroine - a modern-day Elizabeth Bennet' THE WASHINGTON POST'A quirky, eccentric romance that will charm any bookworm' ENTERTAINMENT WEEKLY 'I hope you're in the mood to be downright delighted, because that's the state you'll find yourself in' POPSUGAR

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Piano Lessons Book Three is a part of The Waterman/Harewood Piano Series, and intoduces more advanced pieces and a wider range of repertoire from CPE Bach and WF Bach, Farnaby and Couperin, to Kabelevsky and Britten. The book also contains an extensive appendices of scales, arpeggios and exercises. Piano Lessons Books 1–3 are the central course books of this highly successful piano method aimed at the older beginner. Devised jointly by distinguished authors Dame Fanny Waterman and Marion Harewood, the series is established as one of the foremost piano methods. Technical material is skilfully and imaginatively presented, while each chapter guides the young player towards the successful performance of a comprehensive selection of pieces and studies. The Waterman/Harewood Piano Series has been devised jointly by the world famous piano teacher Fanny Waterman and the co-founder of the Leeds International Piano Competition, Marion Harewood, and is established as one of the foremost piano methods.

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First book-length study of hagiographical legends of the Virgin Mary in medieval England, with particular reference to her relationship with Jews, books, and the law. Legendary accounts of the Virgin Mary's intercession were widely circulated throughout the middle ages, borrowing heavily, as in hagiography generally, from folktale and other motifs; she is represented in a number of different, often surprising, ways, rarely as the meek and mild mother of Christ, but as bookish, fierce, and capricious, amongst other attributes. This is the first full-length study of their place in specifically English medieval literary and cultural history. While the English circulation of vernacular Miracles of the Virgin is markedly different from continental examples, this book shows how difference and miscellaneity can reveal important developments withinan unwieldy genre. The author argues that English miracles in particular were influenced by medieval England's troubled history with its Jewish population and the rapid thirteenth-century codification of English law, so that Maryfrequently becomes a figure with special dominion over Jews, text, and legal problems. The shifting codicological and historical contexts of these texts make it clear that the paradoxical sign"Mary" could signify in both surprisingly different and surprisingly consistent ways, rendering Mary both mediatrix and legislatrix. ADRIENNE WILLIAMS BOYARIN is Assistant Professor of English at the University of Victoria (British Columbia).

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In a series of conversations, Jean-Luc Marion reconstructs a career’s path in the history of philosophy, theology, and phenomenology. Discussing such concepts as the event, the gift, and the saturated phenomenon, Marion elaborates the rigor displayed by the things themselves. He discusses the major stages of his work and offers his views on the forces that have driven his thought. The conversation ranges from Marion’s engagement with Descartes, to phenomenology and theology, to Marion’s intellectual and biographical backgrounds, concluding with illuminating insights on the state of the Catholic Church today and on Judeo-Christian dialogue. Marion also reflects on the relationship of philosophy to history, theology, aesthetics, and literature. At the same time, the book provides an account of French intellectual life in the late twentieth century. In these interviews, Marion’s language is more conversational than in his formal writing, but it remains serious and substantive. The book serves as an excellent and comprehensive introduction to Marion’s thought and work.

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Robin and Marion are taking on the authorities again in the third action-packed adventure from international bestseller Robert Muchamore.'Strikes the bullseye.' - The Times Children's Book of the Week (Robin Hood: Hacking Heists & Flaming Arrows)There's a price on Robin's head, one that has attracted a gang of ruthless mercenaries who are determined to track him down and hand him over to Guy Gisborne. So Robin is hiding out by the sea, but trouble has a way of finding him.Before long he is helping to rescue refugees and trying to avoid the attentions of Customs and Immigration officials. Then he and Marion discover a people-smuggling operation: desperate people brought into the country to work in slave-like conditions making cheap goods. It's only a matter of time before the two of them are trying to find out who is behind it - and Robin is again making the headlines with spectacular raids on the rich and powerful.

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Bradt's new Emilia-Romagna is the most thorough and in-depth guide available to this entire north Italian region (not just Bologna and the main cities) with a strong focus on history, background information, art and culture, as well as extensive detail on the Apennines along the Tuscan border, where you can escape the flatlands of the Po and go trekking, cycling and skiing. Here are some of region's prettiest villages, including Vignola, famous for cherries and lovely medieval Castell'Arquato and Brisighella. To the east, the Romagna part of this hyphenated region boasts long sandy Adriatic beaches, wildlife-filled lagoons around the Po Delta, and the world's smallest republic, San Marino. Written by expert authors Dana Facaros and Michael Pauls, possibly the world's most experienced travel writers on Italy, Bradt's Emilia-Romagna is the definitive guide to this diverse and authentic area. Bologna, the regional capital, is covered in detail, from accommodation and restaurants to galleries, museums, shopping and the new FICO Eataly food theme park. Emilia-Romagna combines the rich farmlands of the Po plain with dazzling cities strung like pearls along the straight-as-a-die Via Emilia. The capital, Bologna, home to the world's oldest university, and the smaller cities of Parma, Modena, Ferrara, Piacenza, Ravenna and Rimini are year-round destinations, each strikingly different, each filled with art and architectural masterpieces and fascinating museums housing everything from Etruscan vases to still life by Giorgio Morandi. Ravenna glitters with Byzantine mosaics; Parma, the town of Correggio, is mad about opera; Modena, with its stupendous medieval cathedral, is the hometown of Pavarotti and Ferrari; Ferrara has delightful early Renaissance frescoes; Rimini was immortalised by Fellini in Amarcord. With Bradt's Emilia-Romagna you can discover all of this and more. With 22 town and area maps, plus language, art and architecture glossaries, full practical information and all the background context you could need, Bradt's Emilia-Romagna is the perfect companion for art lovers, food lovers, families taking a beach holiday and city-break enthusiasts of all ages.

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Painting, according to Jean-Luc Marion, is a central topic of concern for philosophy, particularly phenomenology. For the question of painting is, at its heart, a question of visibility—of appearance. As such, the painting is a privileged case of the phenomenon; the painting becomes an index for investigating the conditions of appearance—or what Marion describes as "phenomenality" in general. In The Crossing of the Visible, Marion takes up just such a project. The natural outgrowth of his earlier reflections on icons, these four studies carefully consider the history of painting—from classical to contemporary—as a fund for phenomenological reflection on the conditions of (in)visibility. Ranging across artists from Raphael to Rothko, Caravaggio to Pollock, The Crossing of the Visible offers both a critique of contemporary accounts of the visual and a constructive alternative. According to Marion, the proper response to the "nihilism" of postmodernity is not iconoclasm, but rather a radically iconic account of the visual and the arts that opens them to the invisible.

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'I stood up. A miracle had happened. I could walk. It was as if I was born again.'With a heart full of prayer, Marion Carroll journeyed to Knock in the west of Ireland. For 17 years, Multiple Sclerosis had ravaged her body so utterly that this reluctant pilgrim travelled on a stretcher. Then, at the Mass, an unimaginable miracle. Marion rose, pain-free, to walk, talk and see once more.Thanks to this wondrous blessing, Marion has transformed – in her 'own small way' – the lives of countless others. Her ministries share her rock-like faith and devotion to God. They testify to the power of ordinary people to listen, to care, to inspire.Nearly 30 years later, the Catholic Church officially recognised Marion's cure as a proclaimed miracle. Here, with warmth, grace, humility – and down-to-earth Irish humour – she tells of her life 'before' and 'after'. Marion's powerful, uplifting story is unique. It shines a light on love, hope and a remarkable relationship with God.

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