Search results for ""Author Marion"

Inspired by aesthetic color palettes, Catherine Marion creates fully immersive, bespoke atmospheres in her designs featuring flowers, foliage, and animals. Her intention is to remind the observer of the rich diversity of natural beauty that can sometimes be overlooked in our busy lives. Take a moment to slow down and smell these intertwined blossoms. The 12 nearly neon patterns and illustrations in this calendar will brighten each month of your year.

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Inspired first by aesthetic color palettes, Catherine Marion creates fully immersive, bespoke atmospheres in her flowers, foliage, and animal-centric patterns. Her intention is to remind the observer of the rich diversity of natural beauty that can sometimes be overlooked in our busy lives. Take a moment to slow down and smell these intertwined flowers. The 12 nearly neon creations in this calendar will brighten each month of your year.

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Marion Mahony Griffin (1871-1961) was an American architect and artist, one of the first licensed female architects in the world, designer for Frank Lloyd Wright's Chicago studio, and an original member of the Prairie School of architecture. Largely heralded for her exquisite presentation drawings for both Wright and her husband, Walter Burley Griffin, Mahony was an adventurous designer in her own right, whose independent and highly original work attracted attention at a moment when architectural drawing and graphic illustration were becoming integral to the design process. This book examines new research into Mahony's life and paints a vivid portrait of a woman's place among the lives and productions of some of our most noted American architects. The essays included take us on an ambitious journey from Mahony's origins in the Chicago suburbs, through her years as Wright's right-hand woman and her bohemian life with her husband in Australia - whose new capital city, Canberra, she helped to plan - up until her golden years in the middle of the twentieth century. Filled with richly detailed analyses of Mahony's works and populated by an international cast of characters, "Marion Mahony Reconsidered" greatly expands our knowledge of this talented, complex, and enigmatic modern architect.

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Rift refers to the eastern edge of the North American Plate where it meets the Eurasian Plate along the Mid-Atlantic Rift in Iceland. New crust is formed as magma pushes up from the mantle; the land along the rift is unstable and raw. Marion Belanger (born 1957) documents this land and its structures: geothermal electricity, hot pools, volcanic excavation sites, houses, new earth and cultural relics within the landscape. In Fault, meanwhile, she photographs the shifting western edge of the North American Continental Plate along the San Andreas Fault in California, focusing on traces of the tectonic plate edge and the artifacts of our built environment upon them. Though characterized by earthquake activity, the landscape is often striking in its visual normalcy. Capturing moments of anticipation in settings that shift between the wild and the contained, Rift/Fault creates a visual tension that questions the relationship between geologic force and the limits of human intervention.

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Marion plans a perfect girls weekend for her friends—with a surprise appearance from a snow bunny!—in the twentieth book of the Critter Club series.Marion has planned the ultimate girls’ getaway. There will be skiing, a trip to the spa, and of course, hot chocolate! What Marion didn’t plan was a snow bunny sighting! As members of the Critter Club, she and her friends are so excited to find the most adorable bunny. But when Marion’s kitten, Ollie, scares the bunnies away, Marion scolds him. That’s when she notices he’s been acting a little strange the whole time. What’s wrong with Ollie? And will the girls get to see the bunnies again? With easy-to-read language and illustrations on almost every page, The Critter Club chapter books are perfect for beginning readers!

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Marion plans a perfect girls weekend for her friends—with a surprise appearance from a snow bunny!—in the twentieth book of the Critter Club series.Marion has planned the ultimate girls’ getaway. There will be skiing, a trip to the spa, and of course, hot chocolate! What Marion didn’t plan was a snow bunny sighting! As members of the Critter Club, she and her friends are so excited to find the most adorable bunny. But when Marion’s kitten, Ollie, scares the bunnies away, Marion scolds him. That’s when she notices he’s been acting a little strange the whole time. What’s wrong with Ollie? And will the girls get to see the bunnies again? With easy-to-read language and illustrations on almost every page, The Critter Club chapter books are perfect for beginning readers!

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New York 1915, Marion Davies is a shy eighteen-year-old beauty dancing on the Broadway stage when she meets William Randolph Hearst and finds herself captivated by his riches, passion and desire to make her a movie star. Following a whirlwind courtship, she learns through trial and error to live as Hearst’s mistress when a divorce from his wife proves impossible. A baby girl is born in secret in 1919 and they agree to never acknowledge her publicly as their own. In a burgeoning Hollywood scene, she works hard making movies while living a lavish partying life that includes a secret love affair with Charlie Chaplin. In late 1937, at the height of the depression, Hearst wrestles with his debtors and failing health, when Marion loans him $1M when nobody else will. Together, they must confront the movie that threatens to invalidate all of Marion’s successes in the movie industry: Citizen Kane.

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Known for her paper art and collages, Marion Eichmann spent many weeks in the Reichstag building and the enclosed parliamentary buildings. Not only did she visit the plenary chamber, the floor designated to the parliamentary groups and the committee rooms, but she also keenly observed in corridors, canteens, libraries, and connecting tunnels the everyday life of a highly complex machinery that keeps the heart of democracy beating almost invisibly—focussing her interest at once on the iconic facades and settings familiar to the public, and on the rarely visible workspaces, devices, and often-overlooked details essential to the smooth daily operation of Parliament. Created as part of a commissioned project by the German Bundestag, the series of more than 80 papercuts documented in this volume in its entirety, provides a unique insight into the artist’s creative process and working method.

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This title focuses on a key architect in Florida's first building boom. Marion Manley (1893-1984) was Maimi's first female architect and successfully maintained an independent architectural practice in south Florida over much of the twentieth century. In this first comprehensive, illustrated work on Manley, Catherine Lynn and Carie Penabad explore the relationship of Manley's work to her life and to the broader historical moment of which she was a part, including the overall development of the city of Miami. The book catalogs all of Manley's known work, includes images and plans where available, and provides detailed examinations of what the authors consider to be her best, most emblematic work in each phase of her long career. Best known as one of the designers of the innovative University of Miami campus built just after the Second World War, Manley worked on other public buildings that are less well known, including an addition to the John Ringling Museum in Sarasota. Her residential work is interesting as well: modest and rational, with careful consideration of regional characteristics and construction appropriate to the south Florida landscape. As noted architect Elizabeth Plater-Zyberk remarks in her foreword, 'Understanding the reduced circumstances of the provenance of these buildings and their low-technology characteristics, such as rooms with cross ventilation, large areas of shaded glass, and the almost tactile relationship to the adjacent landscape, we must admire the legacy of Marion Manley'.

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This book brings together 57 of the best black-and-white photographs of Marion Patterson, who describes her work as “photographs of the intimate landscape, simple and contemplative like a zen garden.” The images focus on the natural surroundings of the central California coast and Sierra—rocks, waterfalls, creeks, trees, seashells, sand, driftwood, and kelp washed ashore by the tides—as well as images from the Southwest and the deserts of California. The book provides a quiet meditation on the beauty of our natural environment in a manner that reflects the author’s lifelong ties to the West Coast school of photography, deeply influenced by Edward Weston and Ansel Adams. Although Patterson’s work is in some sense a virtual homage to those two giant figures, what sets it distinctly apart is her ability to use some of their stylistic and technical methods to express her own individual and deeply felt responses to the natural landscape. Where so many have understood the West Coast school as a graphic or technical exercise, Patterson has grasped the expressive language that originated in photographic modernism and has used that language to the most sincere and guileless ends. Patterson has also contributed a short introductory essay on her photographic inspiration and techniques, and endnotes that comment on a number of the plates.

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The second installment in the Marion Lane mysteries series. The envelope was tied with three delicate silk ribbons: "One of the new recruits is not to be trusted..." It's 1959 and a new killer haunts the streets of London, having baffled Scotland Yard. The newspapers call him The Florist because of the rose he brands on his victims. The police have turned yet again to the Inquirers at Miss Brickett's for assistance, and second year Marion Lane is assigned the case. But she's already dealing with a mystery of her own, having received an unsigned letter warning her that one of the three new recruits should not be trusted. She dismisses the letter at first, focusing on The Florist case, but her informer seems to be one step ahead, predicting what will happen before it does. But when a fellow second-year Inquirer is murdered, Marion takes matters into her own hands and must come face-to-face with her informer-who predicted the murder-to find out everything they know. Until then, no one at Miss Brickett's is safe and everyone is a suspect. With brilliant twists and endless suspense, all set within the dazzling walls and hidden passageways of Miss Brickett's, Marion Lane and the Deadly Rose is a deliciously fun new historical mystery you won't be able to put down. 'The most fun I've had with a book this year. Every page is a delight' Stuart Turton, author of The Seven Deaths of Evelyn Hardcastle

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At the end of the Southern Plains Indian wars in 1875, the War Department shipped seventy-two Kiowa, Cheyenne, Arapaho, Comanche, and Caddo prisoners from Fort Sill, Oklahoma, to Fort Marion in St. Augustine, Florida. These most resistant Native people, referred to as “trouble causers,” arrived to curious, boisterous crowds eager to see the Indian warriors they knew only from imagination. Fort Marion Prisoners and the Trauma of Native Education is an evocative work of creative nonfiction, weaving together history, oral traditions, and personal experience to tell the story of these Indian prisoners.Resurrecting the voices and experiences of the prisoners who underwent a painful regimen of assimilation, Diane Glancy’s work is part history, part documentation of personal accounts, and a search for imaginative openings into the lives of the prisoners who left few of their own records other than carvings in their cellblocks and the famous ledger books. They learned English, mathematics, geography, civics, and penmanship with the knowledge that acquiring the same education as those in the U.S. government would be their best tool for petitioning for freedom. Glancy reveals stories of survival and an intimate understanding of the Fort Marion prisoners’ predicament.

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The second instalment in the Marion Lane mysteries series. The envelope was tied with three delicate silk ribbons: One of the new recruits is not to be trusted...It''s 1959 and a new killer haunts the streets of London, having baffled Scotland Yard. The newspapers call him The Florist because of the rose he brands on his victims. The police have turned yet again to the Inquirers at Miss Brickett''s for assistance, and second year Marion Lane is assigned the case. But she''s already dealing with a mystery of her own, having received an unsigned letter warning her that one of the three new recruits should not be trusted. She dismisses the letter at first, focusing on The Florist case, but her informer seems to be one step ahead, predicting what will happen before it does. But when a fellow second-year Inquirer is murdered, Marion takes matters into her own hands and must come face-to-face with her informer-who predicted the murde

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With the outbreak of World War I, German-born Kitty Marion, suspected of being a German spy and placed under surveillance, sailed from Liverpool for New York. She left a dramatic and colourful life behind: a hectic and fascinating 20-year career as a performer crisscrossing Britain first as a singer, dancer and actress on the musical comedy and pantomime stage, and then in music hall as a ‘refined comedienne’. She campaigned against the sexual abuses rife in the theatre of the day which led her eventually into the suffragette movement where she became a ‘notorious’ militant, responsible for numerous acts of arson. She was imprisoned, went on hunger-strike, and was force-fed more than 300-times. In America, she became a celebrated ‘foot-soldier’ in Margaret Sanger’s birth control movement. Her autobiography, written in the 1930s is published here for the first time.

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In Citizenship, Inclusion, and Democracy, six expert contributors explore the conceptual and empirical significance of the work of leading contemporary political philosopher, Iris Marion Young, and her work in the field of education. Illuminates the discussion about the centrality of public education. Explores the idea of an inclusive, publicly mandated, system if education by looking at the topics of citizenship, group-based politics, social justice, difference, democracy, equality, and inclusion in education. Includes a thorough introduction from editor Mitja Sardoc, and a response essay from Iris Marion Young.

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Jean-Luc Marion's theory of saturated phenomena is one of the most exciting developments in phenomenology in recent decades. It opens up new possibilities for understanding phenomena by beginning from rich and complex examples such as revelation and works of art. Rather than being curiosities or exceptions, these "excessive" or "saturated" phenomena are, in Marion's view, paradigms. He understands more straightforward phenomena, such as the objects of the natural sciences, as reduced and impoverished versions of the excess given in saturated phenomena. Interpreting Excess is a systematic and comprehensive study of Marion's texts on saturated phenomena and their place in his wider phenomenology of givenness, tracing both his theory and his examples across a wide range of texts spanning three decades. The author argues that a rich hermeneutics is implicit in Marion's examples of saturated phenomena but is not set out in his theory. This hermeneutics makes clear that attempts to overthrow the much-criticized sovereignty of the Cartesian ego will remain unsuccessful if they simply reverse the subject-object relation by speaking of phenomena imposing themselves with an overwhelming givenness on a recipient. Instead, phenomena should be understood as appearing in a hermeneutic space already opened by a subject's active reception. Thus, a phenomenon's appearing depends not only on its givenness but also on the way it is interpreted by the receiving subject. All phenomenology is, therefore, necessarily hermeneutic. Interpreting Excess provides an indispensable guide for any study of Marion's saturated phenomena. It is also a significant contribution to ongoing debates about philosophical ways of thinking about God, the relation between hermeneutics and phenomenology, and philosophy "after the subject."

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The founding articles of the University of Chicago contained what was for the era a shocking declaration: "To provide, impart, and furnish opportunities for all departments of higher education to persons of both sexes on equal terms." In a time when many still scoffed at educating women, the university was firmly co-ed from the very start. One of its first hires was Marion Talbot. Ready for the adventure of a lifetime, she set her sights on Chicago at a time when the city was still considered all but the Wild West. Talbot eventually became the University of Chicago's first Dean of Women, influencing a generation of female students. Originally published in 1936, More than Lore is a unique firsthand account of the early days of the university, capturing the excitement and travails of life on an academic frontier. Talbot shares gossip from the faculty lounge, relays student antics in the dorms, and tells stories from the living rooms of Hyde Park. It's also a fascinating look at life as an early twentieth-century college woman, with scandals over improper party invitations and underground sororities, petitions calling for more female professors, and campaigns to have students be known as "university women" instead of "college girls." With Talbot as our guide, we reenter a lost world where simply to be a woman was to be a pioneer and where the foundations of the modern undergrad experience were being established.

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Unarguably, Jean-Luc Marion is the leading figure in French phenomenology as well as one of the proponents of the so-called “theological turn” in European philosophy. In this volume, Kevin Hart has assembled a stellar group of philosophers and theologians from the United States, Britain, France, and Australia to examine Marion’s work—especially his later work—from a variety of perspectives. The resulting volume is an indispensable resource for scholars working at the intersection of philosophy and theology. Hart characterizes Marion’s work as a profound response to two major philosophical events: the end of metaphysics and the beginning of phenomenology. From the vantage point reached by Marion over the years, Hart argues, that end and that beginning are one and the same. Yet their unity is elusive: in order to discern it, the student of Marion must follow his vigorous and subtle rethinking of the history of modern philosophy and the nature of phenomenology. Only then can the reader begin to perceive many things that metaphysics has occluded, especially the nature of selfhood and our relations with God. The newfound unity of these two events is productive; it allows Marion to revise and extend the philosophy of disclosure that Edmund Husserl and Martin Heidegger were the first to practice. With Marion as guide, we can also refigure the human subject—the gifted one (l’adonné)—and thus also secure a phenomenological understanding of revelation. Marion challenges theologians to pursue the implications of this move. This is the Marion for whom a revived phenomenology is philosophy today, the Marion deeply concerned to understand, maintain, and, if need be, rework the central insights of Husserl and Heidegger. The volume includes essays that consider The Erotic Phenomenon (2003), a rethinking of human subjectivity in terms of the possibility of loving and being loved. Throughout, the contributors engage key concepts defined by Marion—givenness, the saturated phenomenon, erotic reduction, and counter-experience—and Marion himself concludes with a retrospective essay written in response to criticisms of his work.

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Unarguably, Jean-Luc Marion is the leading figure in French phenomenology as well as one of the proponents of the so-called “theological turn” in European philosophy. In this volume, Kevin Hart has assembled a stellar group of philosophers and theologians from the United States, Britain, France, and Australia to examine Marion’s work—especially his later work—from a variety of perspectives. The resulting volume is an indispensable resource for scholars working at the intersection of philosophy and theology. Hart characterizes Marion’s work as a profound response to two major philosophical events: the end of metaphysics and the beginning of phenomenology. From the vantage point reached by Marion over the years, Hart argues, that end and that beginning are one and the same. Yet their unity is elusive: in order to discern it, the student of Marion must follow his vigorous and subtle rethinking of the history of modern philosophy and the nature of phenomenology. Only then can the reader begin to perceive many things that metaphysics has occluded, especially the nature of selfhood and our relations with God. The newfound unity of these two events is productive; it allows Marion to revise and extend the philosophy of disclosure that Edmund Husserl and Martin Heidegger were the first to practice. With Marion as guide, we can also refigure the human subject—the gifted one (l’adonné)—and thus also secure a phenomenological understanding of revelation. Marion challenges theologians to pursue the implications of this move. This is the Marion for whom a revived phenomenology is philosophy today, the Marion deeply concerned to understand, maintain, and, if need be, rework the central insights of Husserl and Heidegger. The volume includes essays that consider The Erotic Phenomenon (2003), a rethinking of human subjectivity in terms of the possibility of loving and being loved. Throughout, the contributors engage key concepts defined by Marion—givenness, the saturated phenomenon, erotic reduction, and counter-experience—and Marion himself concludes with a retrospective essay written in response to criticisms of his work.

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Simultaneously inspired by Peter Bruegel and Pee Wee Herman, modern kitsch and ancient magic, Marion Peck is the author of a distinctive and considerable body of work over the last 20 years. Containing paintings from throughout her career, new essays, and an in-depth interview, this beautifulv olume initiates the reader into Peck’s completely unique graphic, poetic, and fantastic world.

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Francis Marion is certainly the stuff of which legends are made. His nickname “The Swamp Fox,” bestowed upon him by one of his fiercest enemies, captures his wily approach to battle. The embellishment of his exploits in Parson Weems’ early biography make separation of fact from fiction difficult, but certainly represents the awe, loyalty, and attraction he produced in those around him. His legacy is enshrined in the fact that more places in the United States have been named after him than any other soldier of the American Revolution, with the sole exception of George Washington. Even today’s U.S. Army Rangers include Marion as one of their formative heroes. Surely much about leadership can be learned from such an intriguing personality.Leading like the Swamp Fox: The Leadership Lessons of Francis Marion unlocks those lessons. Divided into three parts, the book first presents the historical background and context necessary to appreciate Marion’s situation. The main body of the book then examines Marion’s leadership across eight categories, with a number of vignettes demonstrating Marion’s competency. The summary then captures some conclusions about how leadership impacted the American Revolution in the South CarolinaLowcountry. An appendix provides some information about how the reader might explore those physical reminders of Marion and his exploits that exist today. Readers interested in history or leadership, or both, will all find something for them in Leading like the Swamp Fox.

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Insightful account of the life and works of two of the most important figures in twentieth-century British cultural life. This dual biography of Ivor Gurney and Marion Scott tells the dramatic story of two geniuses who met at the Royal College of Music in 1911 and formed an unlikely partnership that illuminated and enriched the musical and literary worlds in which they moved. Gurney's poetry and songs have taken their place as part of the inheritance of England. Scott, Gurney's strongest advocate, emerges from his shadow for the first time. Her own remarkable achievements as a pioneering music critic, musicologist, advocate of contemporary music and women musicians place her among the most influential and respected women of her generation. Based on original research, this is thefirst biography of Gurney since 1978 and the only biography of Scott. It offers new, in-depth perspectives on Gurney's attempts to create music and poetry while struggling to overcome the bipolar illness that eventually derailed his genius, and restores Marion Scott's rightful place in music history. Pamela Blevins is a former journalist and managing editor of Signature, a magazine about women in classical music. She has publishedwidely on British composers and poets.

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The philosophical work of Jean-Luc Marion has opened new ways of speaking about religious convictions and experiences. In this exploration of Marion's philosophy and theology, Christina M. Gschwandtner presents a comprehensive and critical analysis of the ideas of saturated phenomena and the phenomenology of givenness. She claims that these phenomena do not always appear in the excessive mode that Marion describes and suggests instead that we consider degrees of saturation. Gschwandtner covers major themes in Marion's work—the historical event, art, nature, love, gift and sacrifice, prayer, and the Eucharist. She works within the phenomenology of givenness, but suggests that Marion himself has not considered important aspects of his philosophy.

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'The most fun I've had with a book this year. Every page is a delight' Stuart Turton, author of The Seven Deaths of Evelyn HardcastleThey were a band of mysterious private detectives who lived beneath the streets of London...London, 1958. Elaborately disguised and hidden deep beneath the city's streets lies the world of Miss Brickett's, a secret detective agency. From traversing deceptive escape rooms, to engineering almost magical mechanical gadgets, apprentice detectives at Miss Brickett's undergo rigorous training to equip them with the skills and knowledge they will need to solve the mysteries that confound London's police force. But nothing can prepare 23-year-old apprentice Marion Lane for what happens after the arrest of her friend and mentor, Frank, on suspicion of murder: he tasks Marion with clearing his name and saving his life. Her investigation will place Marion and her friends in great peril as they venture into the forbidden maze of uncharted tunnels that surround Miss Brickett's. Being discovered out of bounds means immediate dismissal, but that is the least of Marion's problems... This is the first installation in a fantastical historical mystery series for fans of Stuart Turton's The Seven Deaths of Evelyn Hardcastle and Natasha Pulley's The Watchmaker of Filigree Street.

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'Fierce, fresh and feminist, Fern Riddell tells the story of Suffragette Kitty Marion in a way that fizzes and shocks. Exciting, twisty and very very timely.' Lucy WorsleyIn Death in Ten Minutes Fern Riddell uncovers the story of radical suffragette Kitty Marion, told through never before seen personal diaries in Kitty's own hand. Kitty Marion was sent across the country by the Pankhurst family to carry out a nationwide campaign of bombings and arson attacks, as women fought for the vote using any means necessary. But in the aftermath of World War One, the dangerous and revolutionary actions of Kitty and other militant suffragettes were quickly hushed up and disowned by the previously proud movement, and the women who carried out these attacks were erased from our history. Now, for the first time, their untold story will be brought back to life.Telling a new history of the women's movement in the light of new and often shocking revelations, this book will ask the question: Why has the life of this incredible woman, and the violence of the suffragettes been forgotten? And, one hundred years later, why are women suddenly finding themselves under threat again?

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Cari Beauchamp masterfully combines biography with social and cultural history to examine the lives of Frances Marion and her many female colleagues who shaped filmmaking from 1912 through the 1940s. Frances Marion was Hollywood's highest paid screenwriter--male or female--or almost three decades, wrote almost 200 produced films and won Academy Awards for writing "The Big House" and "The Champ."

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Northern California Book Awards ShortlistThe comprehensive critical biography of silent-screen star Marion Davies, who fittingly referred to herself as "the captain of my soul." From Marion Davies's humble days in Brooklyn to her rise to fame alongside press baron William Randolph Hearst, the public life story of the film star plays like a modern fairy tale shaped by gossip columnists, fan magazines, biopics, and documentaries. Yet the real Marion Davies remained largely hidden from view, as she was wary of interviews and trusted few with her true life story. In Captain of Her Soul, Lara Gabrielle pulls back layers of myth to show a complex and fiercely independent woman, ahead of her time, who carved her own path. Through meticulous research, unprecedented access to archives around the world, and interviews with those who knew Davies, Captain of Her Soul counters the public story. This book reveals a woman who navigated disability and social stigma to rise to the top of a young Hollywood dominated by powerful men. Davies took charge of her own career, negotiating with studio heads and establishing herself as a top-tier comedienne, but her proudest achievement was her philanthropy and advocacy for children. This biography brings Davies out of the shadows cast by the Hearst legacy, shedding light on a dynamic woman who lived life on her own terms and declared that she was "the captain of her soul."

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For over 20 years, Marion Peck has stood out in the contemporary art scene as the godmother of Pop Surrealism. A unique artist who distanced herself from passing trends and seasonal impulses, Peck joyfully plays and blends all of the rules of classical pictorial technique with modernity to introduce us to a world both familiar and enchanting. The Art of Marion Peck is an exclusive boxed set of thirty postcards selected from her most iconic paintings throughout her career, as well as images from her recent 2018 European solo exhibition, StraVolti, which featured surrealist portraits inspired by Picasso.

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In the darkest days of the American Revolution, Francis Marion and his band of militia freedom fighters kept hope alive for the patriot cause during the critical British "southern campaign." Employing insurgent guerrilla tactics that became commonplace in later centuries, Marion and his brigade inflicted enemy losses that were individually small but cumulatively a large drain on British resources and morale.Although many will remember the stirring adventures of the "Swamp Fox" from the Walt Disney television series of the late 1950s and the fictionalized Marion character played by Mel Gibson in the 2000 film The Patriot, the real Francis Marion bore little resemblance to either of those caricatures. But his exploits were no less heroic as he succeeded, against all odds, in repeatedly foiling the highly trained, better-equipped forces arrayed against him.In this action-packed biography we meet many colorful characters from the Revolution: Banastre Tarleton, the British cavalry officer who relentlessly pursued Marion over twenty-six miles of swamp, only to call off the chase and declare (per legend) that "the Devil himself could not catch this damned old fox," giving Marion his famous nickname; Thomas Sumter, the bold but rash patriot militia leader whom Marion detested; Lord Cornwallis, the imperious British commander who ordered the hanging of rebels and the destruction of their plantations; "Light-Horse Harry" Lee, the urbane young Continental cavalryman who helped Marion topple critical British outposts in South Carolina; but most of all Francis Marion himself, "the Washington of the South," a man of ruthless determination yet humane character, motivated by what his peers called "the purest patriotism."In The Swamp Fox, the first major biography of Marion in more than forty years, John Oller compiles striking evidence and brings together much recent learning to provide a fresh look both at Marion, the man, and how he helped save the American Revolution.

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This book provides the first detailed analysis of the work of four important contemporary directors whose work falls between the reductive labels of 'auteur cinema' and 'popular cinema'. Their work is contextualised within this timely investigation into the shifting relationship between the privileged status of the auteur and questions of genre, gender and cinematic production in France today. This important contribution to understanding the shifting landscapes of contemporary French film identifies an essential intermediacy in the films of these directors, which works to undo a series of dominant oppositions, generic template and contestation, public collectivity and personal intimacy, to offer a new perspective on the location of the political in contemporary French cinema. The four chapters provide detailed critical analysis of films by Dominique Cabrera, Laetitia Masson, Noémie Lvovsky and Marion Vernoux, and present common thread including the possible construction of social intimacy, the political demystification of romance narratives and the role of nostalgia, to argue that their work uses popular genres in order to challenge dominant cultural representation that resonates beyond the immediate parameters of contemporary French cinema. This book will be of interest to researchers working in French and European cinema, to students of Film Studies and French and Francophone Studies, and to film enthusiasts.

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"There is no one better to ask than Marion, who is the leading guide in intelligent, unbiased, independent advice on eating, and has been for decades."––Mark Bittman, author of How to Cook Everything Let’s Ask Marion is a savvy and insightful question-and-answer collection that showcases the expertise of food politics powerhouse Marion Nestle in exchanges with environmental advocate Kerry Trueman. These informative essays show us how to advocate for food systems that are healthier for people and the planet, moving from the politics of personal dietary choices, to community food issues, and finally to matters that affect global food systems. Nestle has been thinking, writing, and teaching about food systems for decades, and her impact is unparalleled. Let’s Ask Marion provides an accessible survey of her opinions and conclusions for anyone curious about the individual, social, and global politics of food.

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