Search results for ""Author Charles Dickens"

In the nineteenth century, Great Britain and the United States shared a single literary marketplace that linked the reform movements, as well as the literatures, of the two nations. The writings of transatlantic reformers—antislavery, temperance, and suffrage activists—gave novelists a new sense of purpose and prompted them to invent new literary forms. The result was a distinctively Anglo-American realism, in which novelists, conceiving of themselves as reformers, sought to act upon their readers—and, through their readers, the world. Indeed, reform became so predominant that many novelists borrowed from reformist writings even though they were skeptical of reform itself. Among them are some of the century's most important authors: Anne Brontë, Charles Dickens, George Eliot, Thomas Hardy, Henry James, Elizabeth Stoddard, and Mark Twain. The Novel of Purpose proposes a new way of understanding social reform in Great Britain and the United States. Amanda Claybaugh offers readings that connect reformist agitation to the formal features of literary works and argues for a method of transatlantic study that attends not only to nations, but also to the many groups that collaborate across national boundaries.

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Victorians were fascinated with how accurately photography could copy people, the places they inhabited, and the objects surrounding them. Much more important, however, is the way in which Victorian people, places, and things came to resemble photographs. In this provocative study of British realism, Nancy Armstrong explains how fiction entered into a relationship with the new popular art of photography that transformed the world into a picture. By the 1860s, to know virtually anyone or anything was to understand how to place him, her, or it in that world on the basis of characteristics that either had been or could be captured in one of several photographic genres. So willing was the readership to think of the real as photographs, that authors from Charles Dickens to the Brontës, Lewis Carroll, H. Rider Haggard, Oscar Wilde, D. H. Lawrence, E. M. Forster, and Virginia Woolf had to use the same visual conventions to represent what was real, especially when they sought to debunk those conventions. The Victorian novel's collaboration with photography was indeed so successful, Armstrong contends, that literary criticism assumes a text is gesturing toward the real whenever it invokes a photograph.

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Oliver Twist is one of the most well-known stories ever told, about a young orphan who has to survive the mean streets of London before ultimately being rescued by a kindly benefactor. But it is his friend, the Artful Dodger, who has the far more intriguing tale, filled with more adventure and excitement than anything boring Oliver could possibly get up to. Throw in some vampires and a plot to overthrow the British monarchy, and what you have is the thrilling account that Charles Dickens was too scared to share with the world. From the brilliant mind of novelist and comic book veteran Peter David, Artful is the dark, funny, and action-packed story of one of the most fascinating characters in literary history. With vampires.

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Complete and unabridged.When A Christmas Carol was first published in 1843 it was an overnight success. A celebration of Christmas, a tale of redemption, and a critique on Victorian society, Charles Dickens' atmospheric novella follows the miserly, penny-pinching Ebenezer Scrooge who views Christmas as 'humbug'. Part of the Macmillan Collector’s Library; a series of stunning, clothbound, pocket sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. Featuring original illustrations by John Leech, with an afterword by Anna South.It is only through a series of eerie, life-changing visits from the ghost of his deceased business partner Marley and the spirits of Christmas past, present and future that Scrooge begins to see the error of his ways. With heart-rending characters, rich imagery and evocative language, the hopeful message of A Christmas Carol remains as significant today as when it was first published.

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Scholastic Children's Books are proud to publish this beautiful edition of the classic tale, Oliver Twist. The story of orphaned Oliver, who runs away from the workhouse only to be taken in by a den of thieves. Plunged into a dark criminal underworld of vivid and memorable characters - the arch-villain Fagin, the artful Dodger, the menacing Bill Sikes and kind-hearted Nancy - Oliver struggles to survive and find his real family. A rich, powerful look at Victorian London poverty from master storyteller, Charles Dickens. SCHOLASTIC "INK DOT" CLASSICS - COLLECT THEM ALL! A Christmas Carol A Little Princess Alice's Adventures in Wonderland Anne Of Green Gables Black Beauty Five Children and It Just So Stories Kidnapped Little Women Moonfleet Oliver Twist Pollyanna The Happy Prince and Other Stories The Jungle Book The Railway Children The Secret Garden The Wind in the Willows The Wonderful Wizard of Oz Treasure Island What Katy Did

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The beginning is both internal and external to the text it initiates, and that noncoincidence points to the text’s vexed relation with its outside. Hence the nontrivial self-reflexivity of any textual beginning, which must bear witness to the self-grounding quality of the literary work— its inability either to comprise its inception or to externalize it in an authorizing exteriority. In a different but related way, the fact that they must begin renders our lives and our desires opaque to us; what Freud called “latency” marks not only sexuality but human thought with a self-division shaped by asynchronicity. From Henry James’s New York Edition prefaces to George Eliot’s epigraphs, from Ovid’s play with meter to Charles Dickens’s thematizing of the ex nihilo emergence of character, from Wallace Stevens’s abstract consideration of poetic origins to James Baldwin’s, Carson McCullers’s, and Eudora Welty’s descriptions of queer childhood, writers repeatedly confront the problem of inception. Inception introduces a fundamental contingency into texts and psyches alike: in the beginning, all could have been otherwise. For Kevin Ohi, the act of inception, and the potential it embodies, enables us to see making and unmaking coincide within the mechanism of creation. In this sense, Inceptions traces an ethics of reading, the possibility of perceiving, in the ostensibly finished forms of lives and texts, the potentiality inherent in their having started forth.

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George Eliot (Mary Ann Evans) made her fictional debut when SCENES OF CLERICAL LIFE appeared in 'Blackwood's Magazine' in 1857. These stories contain Eliot's earliest studies of what became enduring themes in her great novels: the impact of religious controversy and social change in provincial life, and the power of love to transform the lives of individual men and women. 'Adam Bede' was soon to appear and bring George Eliot fame and fortune. In the meantime the SCENES won acclaim from a discerning readership including Charles Dickens: ' I hope you will excuse my writing to you to express my admiration...The exquisite truth and delicacy, both of the humour and the pathos of those stories, I have never seen the like of.'

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This beautiful, giftable Christmas collection features timeless works from well-known authors that will become a precious holiday keepsake.Perhaps no Christmas novel is more beloved than Charles Dickens’s A Christmas Carol, and no holiday poem more well-known than Clement Clarke Moore’s “’Twas the Night Before Christmas.” Together these classic literary masterpieces warm our hearts and remind us of the joy and love to be discovered anew each Christmas morning.A Classic Christmas features both of these traditional works, as well as other vintage poems and stories that celebrate the timeless truths of the holiday season. This cheerful, collectible treasury makes a wonderful gift for the reader in your life and reminds us that simple gifts of the heart and memories made with loved ones truly are the most meaningful of all. With additional pieces from Louisa May Alcott, Elizabeth Barrett Browning, Hans Christian Andersen, and more, A Classic Christmas will become a beloved holiday keepsake—one that will be enjoyed by the whole family for years to come. Perfect as a stocking stuffer or as a host or hostess gift Hardcover, giftable size Makes a lovely keepsake companion to A Vintage Christmas and A Timeless Christmas Includes hopeful and encouraging Christmas stories

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Which novels are truly great, and why? The Novel 100, Revised Edition is a unique reference that profiles great novels drawn from all cultures and periods of literature. Each entry provides a plot summary and assessment of a particular novel, with an emphasis on facts about the novel's creation, critical reception, and contribution to literary history.For this revised edition, Daniel S. Burt has reevaluated the original list and added entries on 25 additional novels, including Margaret Atwood's The Handmaid's Tale, Jane Austen's Persuasion, Charles Dickens's David Copperfield, Philip Roth's American Pastoral, and Salman Rushdie's Midnight's Children. Featuring an index and a helpful bibliography, The Novel 100, Revised Edition is sure to engage readers in a spirited discussion of literary values.

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In an adorable box set, three of the greatest classics ever written are retold with a cast of guinea pigs in the starring roles. These little books contain all the wit and wonder of William Shakespeare, Charles Dickens and Jane Austen, with added fluffiness! In Romeo & Juliet, two young dreamers must find true love against the odds, while Pride & Prejudice is a delightful tale of clever conversation, unexpected romance and guinea pigs in bonnets and top hats. In Oliver Twist, a very small guinea pig has a BIG London adventure in front of him starting when he says the fateful words, ''Please, sir, I want some more''. It''s a furry new world, where storytelling will never be the same again...

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'Christmas is the perfect time to share the magic of reading with your family and Scrooge's journey to redemption is still as thrilling, moving and joyous over 175 years after it was written. This has to be the perfect Christmas book' - Cressida CowellEbenezer Scrooge is a bitter and selfish old man, and worst of all . . . he hates Christmas! But this Christmas Eve there's a surprise in store for Scrooge when four spooky ghosts pay him an unexpected visit. Over the course of the night, the Ghosts of Christmas Past, Christmas Present and Christmas Yet to Come show Scrooge how his mean and nasty behaviour has affected everyone around him . . .But is it enough to help Scrooge change his ways, just in time for Christmas Day? Or is he destined to remain miserable for ever?Perfect for any young book lover - Charles Dickens' much-loved classic is a wonderful story for all the family to share at Christmas.

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"The Ideas in Things" explores apparently inconsequential objects in popular Victorian texts to make contact with their fugitive meanings. Developing an innovative approach to analyzing nineteenth-century fiction, Elaine Freedgood reconnects the things readers unwittingly ignore to the stories they tell. Building her case around objects from three well-known Victorian novels - Charlotte Bronte's Jane Eyre, Elizabeth Gaskell's Mary Barton, and Charles Dickens' Great Expectations - Freedgood argues that these things are connected to histories that the novels barely acknowledge, generating darker meanings outside the novels' symbolic systems. A valuable contribution to the field of object studies, "The Ideas in Things" pushes readers' thinking about things beyond established concepts of commodity and fetish.

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This Devil’s Advocate explores the cinematic wonders of Brian Desmond Hurst’s much loved 1951 adaptation of A Christmas Carol, Scrooge, through the prism of horror cinema, arguing that the film has less in common with cosy festive tradition than it does with terror cinema like James Whale’s Bride of Frankenstein, Robert Weine’s The Cabinet of Dr. Caligari, and F.W. Murnau’s Faust. Beginning with Charles Dickens himself, a prolific writer of ghost stories, with A Christmas Carol being but one of many, Colin Fleming then considers earlier cinematic adaptations including 1935’s folk-horror-like Scrooge, before offering a full account of the Hurst/Sim version, stressing what must always be kept at the forefront of our minds: this is a ghost story.

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THE CAPTIVATING NEW NOVEL, SET AGAINST CHARLES DICKENS' HOME FOR FALLEN WOMEN'Absorbing . . . Halls weaves together the elements of her story with great skill' Sunday Times'Acutely observed and beautifully written' Daily Mail'Compelling and richly detailed' Good Housekeeping'Captivating' Woman'Meticulously researched and compelling' Red'Keeps the reader enthralled' Prima'Exquisitely written . . . full of heart and hope' FabulousNOT ALL WHO ARE FALLEN WANT TO BE SAVEDLondon, 1847. In a quiet house in the countryside outside London, the finishing touches are being made to welcome a group of young women. The house and its location are top secret, its residents unknown to one another, but the girls have one thing in common: they are fallen. Offering refuge for prostitute

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This volume reproduces writings, social teachings, testimonies and reports of figures as diverse as Karl Marx, Victor Hugo, Charles Dickens and Mark Twain, and bodies such as the US Congress. Extracted material charts the development of an international system of copyright regulation, and the growth, in the 20th century, of copyright industries benefitting from new copyright laws. In the second half of the 19th century, many writers and thinkers, like Marx, attacked capital, and its corollary, property rights. Some writers, such as Victor Hugo, while exposing the horrors of poverty and social alienation, demanded for authors rights of property. The modern system of copyright substantially originates from the efforts of Hugo and others. Articles by leading US copyright scholars such as Jessica Litman and Tim Wu explain the development of copyright law in the 20th century, and are complemented by reproduction of key copyright cases in the US and UK, as well the primary copyright legislation in those countries. Contributors examine critically whether copyright law in the 20th century developed to encourage information dissemination or enable producers to control the supply of information for super profit.

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Who doesn't dream of leaving everyday life behind and really experiencing nature with an adventure in the wilderness... and a delicious campfire supper to round off a perfect day? Enjoy the beauty and stillness of breathtaking shots, taken on location in the National Parks of Vancouver and Banff, of the lakes, cascading waterfalls, rivers, canyons, mountains and deep, green, tranquil forests for which Canada is renowned. This is the stunning natural backdrop for recipes and short extracts from Charles Dickens, Margaret Atwood, Chris Czajkowski and Anne Michaels inspired by Canada's incredible landscapes. Whether it's fluffy blueberry pancakes with maple syrup, or tender salmon fillet on a cedarwood board, hearty campfire stew with craft beer or the unique national dish of Canada, poutine, these ingredients and recipes evoke bounty, simplicity, campfires and wilderness.

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Summer is a season of richness: gold against blue; sun dazzle on water; sweet fragrance, and the sound of insects, filling the air. We feel the sand between our toes, or the grass beneath our feet. In these long, warm days, languid and sensual, we reconnect with the natural world, revelling in light and scent and colour once more.Capturing the high point of the year's progress, Summer presents prose and poetry spanning eight hundred years. Featuring new contributions by Simon Barnes, Michael McCarthy and Esther Woolfson, classic extracts from the work of Charles Dickens, Mary Webb and Philip Larkin, and diverse new nature writing from across the UK, this vibrant and evocative collection will inspire you to go out and enjoy the pleasures of summer.

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The First Showman is a hugely entertaining history of the man who created the modern circus: Philip Astley. There have been many books about aspects of the circus but little written about its inventor. Here, New York Times bestselling author Karl Shaw draws on original research to tell the story of Britain’s Barnum. He brilliantly evokes the time, the place, the drama, pitfalls, successes, characters and passion behind Astley’s rise to fame. Born in Newcastle-under-Lyme, ‘Mr Astley’ is also a local hero for the author, who now lives there. Astley served as a sergeant major in the British Army where he learned his horse-riding skills, before becoming a brilliant innovator of equestrian tricks and spectacles. In April 1768 Astley staked out a ring at Halfpenny Hatch near Waterloo in London and he and his wife Patty put on displays of trick horse-riding in the open air. Two years later, he put a clown in the ring and gave birth to the modern circus. His circus performers included a strongman called Signor Colpi and a clown called Mr Merryman. He established the still-standard diameter of the circus ring, 42 feet. He was invited to perform before European royalty and built France’s first purpose-built circus building, the Amphitheatre Anglais, in Paris. Almost incredibly, he built circuses in twenty European cities. At home, Astley’s Amphitheatre was mentioned in books by Charles Dickens and Jane Austen. He died on 20 October 1814 and was buried in Pere Lachaise Cemetery, Paris. His life is a wonderful story of perseverance and flair on the way to achieving everlasting renown.

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Alex Grecian's The Black Country sees the Scotland Yard Murder Squad return in a gruesome historical thriller.When members of a prominent family disappear from a coal-mining village - and a human eyeball is discovered in a bird's nest - the local constable sends for help from Scotland Yard's new Murder Squad. Inspector Walter Day and Sergeant Nevil Hammersmith respond, but they have no idea what they're about to get into. The villagers have intense, intertwined histories. Everybody bears a secret. Superstitions abound. And the village itself is slowly sinking into the mines beneath it.Not even the arrival of forensics pioneer Dr. Bernard Kingsley seems to help. In fact, the more the three of them investigate, the more they realize they may never be allowed to leave. . . .From The Yard author Alex Grecian comes The Black Country- a horrifying journey into the darkest backwoods of Victorian Britain. The Black Country is guaranteed to appeal to fans of recent Ripper TV dramas (BBC's Ripper Street, ITV's Whitechapel) as well as Guy Ritchie's Sherlock Holmes films.Praise for Alex Grecian:'Will keep you riveted from page one' Jeffrey Deaver'Outstanding. If Charles Dickens isn't somewhere clapping his hands for this, Wilkie Collins surely is.' The New York Times Book ReviewAlex Grecian has worked for an ad agency on accounts for Harley-Davidson, Cub Foods, and The Great American Smokeout, before returning to writing fiction full time and raising his son. Alex is the author of the long-running and critically acclaimed comic book series Proof, and he lives in Topeka, Kansas, with his wife and son. The Yard is his first novel.

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`I have in my heart of hearts a favourite child. And his name is DAVID COPPERFIELD,' wrote Dickens of what is the most personal, certainly one of the most popular, of all his novels. Dickens wrote the book after the completion of a fragment of autobiography recalling his employment as a child in a London warehouse, and in the first-person narrative, a new departure for him, realized marvellously the workings of memory. The embodiment of his boyhood experience in the novel involved a `complicated interweaving of truth and fiction', at its most subtle in the portrait of his father as Mr Micawber, one of Dickens's greatest comic creations. Enjoying a humour that never becomes caricature, the reader shares David's affection for the eccentric Betsey Trotwood and her protégé Mr Dick, and smiles with the narrator at the trials he endures in his love for the delightfully silly Dora. Settings, (East Anglia, the London of the 1820s), people, and events are unified by their relationship to the story of Steerforth's treachery, which reaches its powerful climax in the storm scene. This edition, which has the accurate Clarendon text, includes Dickens's trial titles and working notes, and eight of the original illustrations by `Phiz'. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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The true story of the remarkable John Rae - Arctic traveller and Hudson's Bay Company doctor - FATAL PASSAGE is a tale of imperial ambition and high adventure. In 1854 Rae solved the two great Arctic mysteries: the fate of the doomed Franklin expedition and the location of the last navigable link in the Northwest Passage.But Rae was to be denied the recognition he so richly deserved. On returning to London, he faced a campaign of denial and vilification led by two of the most powerful people in Victorian England: Lady Jane Franklin, the widow of the lost Sir John, and Charles Dickens, the most influential writer of the age. A remarkable story of courage and determination, FATAL PASSAGE is Ken McGoogan's passionate redemption of Rae's rightful place in history. In this richly documented and illustrated work, McGoogan captures the essence of one man's indomitable spirit.

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If you were fascinated by The Five, you'll love this gripping and atmospheric historical thriller set in Victorian London in the wake of Jack the Ripper.A killer is haunting London's streets . . .A year after Jack the Ripper claimed his last victim, London is in the grip of a wave of terror. The newly formed Murder Squad of Scotland Yard battles in vain against the tide of horror.When the body of a detective is found in a suitcase, his lips sewn together and his eyes sewn shut, it becomes clear that no one is safe from attack. Has the Ripper returned - or is a new killer at large? And for Walter Day, the young policeman assigned the case, is time running out?Praise for The Yard:'If Charles Dickens isn't somewhere clapping his hands for this one, Wilkie Collins surely is.' New York Times

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Dickens had already achieved renown with The Pickwick Papers. With Oliver Twist his reputation was enhanced and strengthened. The novel contains many classic Dickensian themes - grinding poverty, desperation, fear, temptation and the eventual triumph of good in the face of great adversity. Oliver Twist features some of the author's most enduring characters, such as Oliver himself (who dares to ask for more), the tyrannical Bumble, the diabolical Fagin, the menacing Bill Sikes, Nancy and 'the Artful Dodger'. For any reader wishing to delve into the works of the great Victorian literary colossus, Oliver Twist is, without doubt, an essential title.

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In The Art of Alibi, Jonathan Grossman reconstructs the relation of the novel to nineteenth-century law courts. During the Romantic era, courthouses and trial scenes frequently found their way into the plots of English novels. As Grossman states, "by the Victorian period, these scenes represented a powerful intersection of narrative form with a complementary and competing structure for storytelling." He argues that the courts, newly fashioned as a site in which to orchestrate voices and reconstruct stories, arose as a cultural presence influencing the shape of the English novel. Weaving examinations of novels such as William Godwin's Caleb Williams, Mary Shelley's Frankenstein, and Charles Dickens's The Pickwick Papers and Oliver Twist, along with a reading of the new Royal Courts of Justice, Grossman charts the exciting changes occurring within the novel, especially crime fiction, that preceded and led to the invention of the detective mystery in the 1840s.

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'Acker gives her work the power to mirror the reader's soul' William S. Burroughs'Kathy Acker's writing is virtuoso, maddening, crazy, so sexy, so painful, and beaten out of a wild heart that nothing can tame. Acker is a landmark writer' Jeanette WintersonThis is the story of Janey, who lived in a locked room, where she found a scrap of paper and began to write down her life. It's a story of lust, sex, pain, youth, punk, anarchy, gangs, the city, feminism, America, Jean Genet and the prisons we create for ourselves. A heady, surreal mash-up of coming-of-age tale, prose, poetry, plagiarism and illustration, Kathy Acker's breakthrough 1984 novel caused huge controversy and made her an avant-garde literary icon.Published to coincide with the 20th anniversary of Kathy Acker's untimely death, Blood and Guts in High School is published for the first time in Penguin Classics, acknowledging the profound impact she has had on our culture, and alongside the authors her work pulsates with the influence of: William S. Burroughs, Cervantes and Charles Dickens, among others.

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From humble beginnings with the threat of the workhouse looming, Emily Soldene rose to become a star of the London stage and a formidable impresario with her own opera company. The darling of theatreland, she later reinvented herself as a journalist and writer who scandalised the country with her outrageous memoir. Weaving through the grit and glamour of Victorian music halls and theatres, taking encounters with the Pre-Raphaelites and Charles Dickens in her stride, Emily became the toast of New York and ventured far off the beaten track to tour Australia and New Zealand. Batten paints a vibrant portrait of an almost forgotten star who trod the boards, travelled the globe and tore up the Victorian rule book.

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'New York City is very peaceful and quiet, and the pale grey mists are slowly rising, to show me the world'Pip switches identities, sexes and centuries in this punk, fairytale reimagining of Charles Dickens's original Great Expectations. Both familiar and unfamiliar, our orphaned narrator is transplanted to New York City in the 1980s; becoming, by turns, a sailor, a pirate, a rebel and an outlaw, through adventures incorporating desire, creativity, porn, sadism and art. This ribald explosion of literature, sex and violence shows the literary anarchist Kathy Acker at her most brilliant and brave. 'Acker's most accomplished experimental work' The Village Voice'A postmodern Colette with echoes of Cleland's Fanny Hill' William S. Burroughs

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‘Well, Watson, we seem to have fallen upon evil days’Sherlock Holmes: the quintessential British hero and the world's most popular detective. Through his powers of deduction, and with the help of his faithful companion Dr Watson, Holmes takes on all manner of devious criminals and dangerous villains – and wins. But the cases involving murder are the most dastardly of them all… Selected from The Complete Sherlock HolmesVINTAGE MINIS: GREAT MINDS. BIG IDEAS. LITTLE BOOKS. A series of short books by the world’s greatest writers on the experiences that make us human Also in the Vintage Minis series: Power by William Shakespeare Independence by Charlotte BronteLondon by Charles Dickens

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Now a major West End play! From 3rd May 2023, see Bleak Expectations on stage at the Criterion theatre, with guest stars Stephen Fry, Dermot O'Leary, Sue Perkins and more!Based on the beloved Radio 4 series, BLEAK EXPECTATIONS recounts the remarkable adventures of young Pip Bin as he tries to make his way in a world made all horrible by the machinations of his cruel guardian, Mr Gently Benevolent. Grim circumstances, mistaken identities, nightmarish court-cases, ridiculous names, convenient coincidences to resolve plot problems, over-sentimental death scenes and lots and lots of adjectives: Bleak Expectations is a novel like Charles Dickens might have written after far too much gin.

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Meet the women of American Housewife… They smoke their eyes and paint their lips. They channel Beyoncé while doing household chores. They drown their sorrows with Chanel No. 5 and host book clubs where chardonnay trumps Charles Dickens. They redecorate. And they are quietly capable of kidnapping, breaking and entering, and murder. These women know the rules of a well-lived life: replace your tights every winter, listen to erotic audio books while you scrub the bathroom floor, serve what you want to eat at your dinner parties, and accept it: you’re too old to have more than one drink and sleep through the night.Vicious, fresh and darkly hilarious, American Housewife is a collection of stories for anyone who has ever wondered what really goes on behind the façades of the housewives of America…

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With an Introduction and Notes by Doreen Roberts, University of Kent at Canterbury. Illustrations by Hablot K. Browne (Phiz). Bleak House is one of Dickens' finest achievements, establishing his reputation as a serious and mature novelist, as well as a brilliant comic writer. It is at once a complex mystery story that fully engages the reader in the work of detection, and an unforgettable indictment of an indifferent society. Its representations of a great city's underworld, and of the law's corruption and delay, draw upon the author's personal knowledge and experience. But it is his symbolic art that projects these things in a vision that embraces black comedy, cosmic farce, and tragic ruin. In a unique creative experiment, Dickens divides the narrative between his heroine, Esther Summerson, who is psychologically interesting in her own right, and an unnamed narrator whose perspective both complements and challenges hers.

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The Devil's Workshop is the third historical thriller in Alex Grecian's acclaimed Scotland Yard Murder Squad series. April, 1890. London wakes to the shocking news of a mass prison escape. Walter Day and the Scotland Yard Murder Squad now face a desperate race against time: if the four convicted murderers aren't recaptured before night settles, they'll vanish into the dark alleys of London's criminal underworld for ever. And in the midst of this mayhem and fear the city's worst nightmare is realized: Jack the Ripper haunts the streets of London once more . . . From The Yard and The Black Country author, Alex Grecian, comes The Devil's Workshop - and the return of Jack the Ripper. Expect another gruesome foray into the underbelly of Victorian Britain and early crime forensics. This is historical thriller heaven for fans of Sherlock and Ripper Street. Praise for Alex Grecian: 'Will keep you riveted from page one' Jeffery Deaver 'CSI: Victorian London' Daily Express 'Throw in deranged prostitutes, poisonings and throat slittings galore, amidst lashings of London fog. Gory, lurid and tons of guilty fun' Guardian 'Outstanding. If Charles Dickens isn't somewhere clapping his hands for this, Wilkie Collins surely is.' The New York Times Book Review Alex Grecian has worked for an ad agency on accounts for Harley-Davidson, Cub Foods and The Great American Smokeout, before returning to writing fiction full time and raising his son. Alex is the author of the long-running and critically acclaimed comic-book series Proof, and he lives in Topeka, Kansas, with his wife and son. The Yard is his first novel, followed by The Black Country.

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John Pendleton Kennedy (1795-1870) achieved a multidimensional career as a successful novelist, historian, and politician. He published widely and represented his district in the Maryland legislature before being elected to Congress several times and serving as secretary of the navy during the Fillmore administration. He devoted much of his life to the American Whig party and campaigned zealously for Henry Clay during his multiple runs for president. His friends in literary circles included Charles Dickens, Washington Irving and Edgar Allan Poe. According to biographer Andrew Black, scholars from various fields have never completely captured this broadly talented antebellum figure, with literary critics ignoring Kennedy's political work, historians overlooking his literary achievements, and neither exploring their close interrelationship. In fact, Black argues, literature and politics were inseparable for Kennedy, as his literary productions were infused with the principles and beliefs that coalesced into the Whig party in the 1830s and led to its victory over Jacksonian Democrats the following decade. Black's comprehensive biography amends this fractured scholarship, employing Kennedy's published work and other writing to investigate the culture of the Whig party itself.Using Kennedy's best-known novel, the enigmatic Swallow Barn, or, A Sojourn in the Old Dominion (1832), Black illustrates how the author grappled unsuccessfully with race and slavery. The novel's unstable narrative and dissonant content reflect the fatal indecisiveness both of its author and his party in dealing with these volatile issues. Black further argues that it was precisely this failure that caused the political collapse of the Whigs and paved the way for the Civil War.

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From the teeming streets of Dickens's London to the households of domestic fiction, nineteenth-century British writers constructed worlds crammed beyond capacity with human life. In Populating the Novel, Emily Steinlight contends that rather than simply reflecting demographic growth, such pervasive literary crowding contributed to a seismic shift in British political thought. She shows how the nineteenth-century novel in particular claimed a new cultural role as it took on the task of narrating human aggregation at a moment when the Malthusian specter of surplus population suddenly and quite unexpectedly became a central premise of modern politics. In readings of novels by Mary Shelley, Elizabeth Gaskell, Charles Dickens, Mary Braddon, Thomas Hardy, and Joseph Conrad that link fiction and biopolitics, Steinlight brings the crowds that pervade nineteenth-century fiction into the foreground. In so doing, she transforms the subject and political stakes of the Victorian novel, dislodging the longstanding idea that its central category is the individual by demonstrating how fiction is altered by its emerging concern with population. By overpopulating narrative space and imagining the human species perpetually in excess of the existing social order, she shows, fiction made it necessary to radically reimagine life in the aggregate.

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From the teeming streets of Dickens's London to the households of domestic fiction, nineteenth-century British writers constructed worlds crammed beyond capacity with human life. In Populating the Novel, Emily Steinlight contends that rather than simply reflecting demographic growth, such pervasive literary crowding contributed to a seismic shift in British political thought. She shows how the nineteenth-century novel in particular claimed a new cultural role as it took on the task of narrating human aggregation at a moment when the Malthusian specter of surplus population suddenly and quite unexpectedly became a central premise of modern politics. In readings of novels by Mary Shelley, Elizabeth Gaskell, Charles Dickens, Mary Braddon, Thomas Hardy, and Joseph Conrad that link fiction and biopolitics, Steinlight brings the crowds that pervade nineteenth-century fiction into the foreground. In so doing, she transforms the subject and political stakes of the Victorian novel, dislodging the longstanding idea that its central category is the individual by demonstrating how fiction is altered by its emerging concern with population. By overpopulating narrative space and imagining the human species perpetually in excess of the existing social order, she shows, fiction made it necessary to radically reimagine life in the aggregate.

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'Clennam rose softly, opened and closed the door without a sound, and passed from the prison, carrying the quiet with him into the turbulent streets.' Introspective and dreamy, Arthur Clennam returns to England from many years abroad to find a people gripped in their self-made social and mental prisons. Against a background of government incompetence and financial scandal, he searches for the key to the affairs of the Dorrit family, prisoners for debt in the Marshalsea. He discovers through the seamstress Amy Dorrit the fulfilment of which he dreams, but only after he learns to understand his own heart. Revelation and redemption haunt Dickens's portrayal of human relations as fundamentally distorted by class and money. The swindling financier Merdle, the bureaucratic nightmare of the Circumlocution Office, and a teeming cast of characters display the inadequacy of secular morality in the face of contemporary social and political confusion. Mixing humour and pathos, irony and satire, Dickens's eleventh novel reveals a master of fiction in top form. This new edition, based on the definitive Clarendon text, includes all of Phiz's original illustrations and a wide-ranging introduction highlighting Dickens's move to more personal and spiritual concerns. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Things are going to be different. Very different... 1838, London. Jacob Marley is dead. And so is Ebenezer Scrooge... In this reinvention of the timeless classic, Ebenezer has died and his sister Fan has inherited his money-lending business. She rapidly becomes notorious as the most monstrous miser ever known, a legendary misanthrope, lonely, and despised by all who cross her path. This year, on Christmas Eve, Fan Scrooge will be haunted by three spirits. They want her to change. But will she? Charles Dickens's traditional story was adapted for the stage by renowned author Piers Torday, and came to life in the Dickensian environment of the world's oldest-surviving music hall, Wilton's Music Hall, London, in 2019. It will prove a festive gift for amateur theatre companies seeking an original, female-led version with lashings of goodwill to all men - and women. Piers Torday's bestselling series for children, The Last Wild trilogy, has been sold all over the world, was nominated for the Waterstone's Children Book Award, and won the Guardian's Children's Fiction Prize. He also adapted The Box of Delights for Wilton's.

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Charles Dickens sigue siendo para muchos el prototipo del novelista victoriano, pues en su obra se condensan los valores y los ideales de esa sociedad. Novelista burgués, sensible a los cambios sociales que se producen en su entorno, logró conciliar dos mundos: el de la sociedad establecida y el de los descontentos y oprimidos. Tiempos difíciles no es sólo un tratado genuino de la realidad efervescente de la segunda mitad del siglo XIX en Inglaterra: las tensiones liberales provocadas por una huelga en el sector textil. Constituye, además, una crítica al utilitarismo más radical, y, en un plano más secundario y marginal, aborda el tema del matrimonio como reflejo de su infeliz experiencia personal.

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QUIET AND DARK, BESIDE HIM STOOD THE PHANTOM, WITH ITS OUTSTRETCHED HANDA Christmas Carol, first published in 1843, is Charles Dickens’s timeless festive tale of transformation and redemption. On Christmas Eve Ebenezer Scrooge, the uncharitable miser, is visited by the ghost of his dead business partner, Jacob Marley, who comes with a warning. Later that evening, Scrooge falls into a deep sleep and is called upon in the night by three more spectres, the Ghosts of Christmas Past, Present, and Yet to Come. These apparitions bring strange visions and offer Scrooge the chance to absolve for his lifetime of avarice and greed.Accompanying a the three-part special from Steven Knight (Taboo, Peaky Blinders) starring Guy Pearce, Andy Serkis, Stephen Graham, Charlotte Riley, Joe Alwyn, Vinette Robinson, Jason Flemyng, Kayvan Novak and Lenny Rush. Written and executive produced by Steven Knight, executive produced by Tom Hardy, Ridley Scott, Dean Baker, David W. Zucker, Kate Crowe and Mona Qureshi for the BBC.

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Earthquakes have taught us much about our planet's hidden structure and the forces that have shaped it. This knowledge rests not only on the recordings of seismographs, but also on the observations of eyewitnesses to destruction. During the nineteenth century, a scientific description of an earthquake was built of stories - stories from as many people in as many situations as possible. Sometimes their stories told of fear and devastation, sometimes of wonder and excitement. In "The Earthquake Observers", Deborah R. Coen acquaints readers not only with the century's most eloquent seismic commentators, including Alexander von Humboldt, Charles Darwin, Mark Twain, Charles Dickens, Karl Kraus, Ernst Mach, John Muir, and William James, but also with countless other citizen-observers, many of whom were women. Coen explains how observing networks transformed an instant of panic and confusion into a field for scientific research, turning earthquakes into natural experiments at the nexus of the physical and human sciences. Seismology abandoned this project of citizen science with the introduction of the Richter Scale in the 1930s, only to revive it in the twenty-first century in the face of new hazards and uncertainties. "The Earthquake Observers" tells the history of this interrupted dialogue between scientists and citizens about living with environmental risk.

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Routledge A Level English Guides equip AS and A2 Level students with the skills they need to explore, evaluate, and enjoy English.Books in the series are built around the various skills specified in the assessment objectives (AOs) for all AS and A2 Level English courses. Focusing on the AOs most relevant to their topic, the books help students to develop their knowledge and abilities through analysis of lively texts and contemporary data. Each book in the series covers a different area of language and literary study, and offers accessible explanations, examples, exercises, summaries, a glossary of key terms, and suggested answers.The Language of Literature:*looks at how writers use language to create literary texts*explores a wide variety of literary texts from Shakespeare to Helen Fielding, via Alexander Pope, William Blake, Mary Shelley, Charles Dickens, Oscar Wilde, Julian Barnes and Martin Amis*covers the key skills and topics, including structure, shapes and patterns, genre and sub-genre, narrative and narrators, representing talk, metaphor, allegory and intertextuality*offers a step-by-step guide to approaching literary texts and structuring a response*can be used as both a course stimulus and a revision tool.Written by an experienced teacher, author and AS and A2 Level examiner, The Language of Literature is an essential resource for all students of AS and A2 Level English Language, English Literature, and English Language and Literature.

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Rochester is riddled with tales of phantom monks, eerie tunnels, romantic spirits, dark apparitions, and ancient history, but pick up any book pertaining to ghostlore and you will find only a handful of tales from Rochester, which has become a much ignored haven of spiritual activity. Now, however, comes a unique volume which proves that Rochester is in fact one of the most haunted places in Kent. Its High Street alone harbours over forty ghost stories, whilst its surrounding schools, houses and pubs are home to many obscure spectres. The atmosphere described by Charles Dickens many years ago can now be seen in a more chilling light, so read on to discover the ghosts of Rochester’s past.

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'Every idiot who goes about with "Merry Christmas" on his lips, should be boiled with his own pudding'Dickens's story of solitary miser Ebenezer Scrooge, who is taught the true meaning of Christmas by a series of ghostly visitors, has had an enduring influence on the way we think about the season. Dickens's other Christmas writings collected here include 'The Story of the Goblins who Stole a Sexton'; 'The Haunted Man'; and shorter pieces, some drawn from the 'Christmas Stories' that Dickens wrote annually for his weekly journals. In all of them Dickens celebrates Christmas as a time of geniality, charity and remembrance.Edited with an introduction by MICHAEL SLATER

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A brand new edition of a Terry Pratchett classic – set in Victorian London, and starring cunning but kind Dodger, as he sets off on a whirlwind adventure through the city streetsTHE SEWER IS DODGER’S WORLD . . .He hunts treasure there – coins and jewels lost in the dark and dirty drains. It’s a good life, if you don’t mind getting your hands (and arms and feet and face) dirty.But one night, Dodger helps a young woman flee two ruffians. Now, a street urchin dressed as a gentleman, he must discover the secret behind her escape. Along the way he’ll befriend Charles Dickens, outwit Sweeny Todd and reach the giddy heights of Victorian society.Dodger may be living in the gutter, but he’s heading for the stars . . .

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This Devil’s Advocate explores the cinematic wonders of Brian Desmond Hurst’s much loved 1951 adaptation of A Christmas Carol, Scrooge, through the prism of horror cinema, arguing that the film has less in common with cosy festive tradition than it does with terror cinema like James Whale’s Bride of Frankenstein, Robert Weine’s The Cabinet of Dr. Caligari, and F.W. Murnau’s Faust. Beginning with Charles Dickens himself, a prolific writer of ghost stories, with A Christmas Carol being but one of many, Colin Fleming then considers earlier cinematic adaptations including 1935’s folk-horror-like Scrooge, before offering a full account of the Hurst/Sim version, stressing what must always be kept at the forefront of our minds: this is a ghost story.

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Unfailingly elegant and endlessly relevant, the four essays in this collection treat literature as a vital record of our political hypocrisies, our social failings, and the ennobling limits of our ideological aspirations. Delving into the literary canon, George Orwell encounters dusty classics and lesser-known works of literature on his own exhilarating terms. The novels of Henry Miller lead him inside the belly of Jonah's whale, an imagined refuge in a time of total war. A trenchant investigation of Charles Dickens unfolds into a poignant portrait of nineteenth-century liberalism. A minor pamphlet on Shakespeare by Tolstoy provokes a stirring evocation of humanism and the excessive vitality of life. A series of singularly thrilling reading experiences, they celebrate Orwell's engagement with the world of writers and literature.

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Escape to Christmas Past is a colouring book filled with highly detailed line artwork that brings to life A Christmas Carol in an entirely unique way. Evocative Christmas scenes and characters from Charles Dickens' famous story of Ebenezer Scrooge and Marley's ghost, threaded with imaginative, delicate patterns all clearly outlined in pen and ink, make ideal compositions to colour. Pivotal extracts from the story are scattered throughout for inspiration, and there are spaces left within some of the compositions for individual design and embellishment. This is a highly original colouring book for adults and older children alike from design duo Good Wives and Warriors. Perfect for fans of Millie Marotta and Johanna Basford. Handy-sized square format, easily portable - take it anywhere!

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Charles Dickens’s famous second novel recounts the story of a boy born in the workhouse and raised in an infant farm as he tries to make his way in the world. Intended to raise feeling against the Poor Law Amendment Act of 1834 (which had emphasized the workhouse as an appropriate means of dealing with the problem of poverty), Oliver Twist also provides a sweeping portrait of London life in the 1830s—including the life of the criminal elements in society.Oliver Twist was first published in serialised form (with illustrations by George Cruikshank) in Bentley’s Miscellany between February 1837 and April 1839. It was issued with some corrections and revisions in ten numbers in 1846 by Bradbury and Evans (which then also issued the same text in a single volume). Each of these ten numbers, including the Cruikshank illustrations and the advertisements, is included in this facsimile reprint of the 1846 edition.This is one of a series from Broadview Press of facsimile reprint editions—editions that provide readers with a direct sense of these works as the Victorians themselves experienced them.

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