Search results for ""Author Charles Dickens"

'New York City is very peaceful and quiet, and the pale grey mists are slowly rising, to show me the world'Pip switches identities, sexes and centuries in this punk, fairytale reimagining of Charles Dickens's original Great Expectations. Both familiar and unfamiliar, our orphaned narrator is transplanted to New York City in the 1980s; becoming, by turns, a sailor, a pirate, a rebel and an outlaw, through adventures incorporating desire, creativity, porn, sadism and art. This ribald explosion of literature, sex and violence shows the literary anarchist Kathy Acker at her most brilliant and brave. 'Acker's most accomplished experimental work' The Village Voice'A postmodern Colette with echoes of Cleland's Fanny Hill' William S. Burroughs

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‘Well, Watson, we seem to have fallen upon evil days’Sherlock Holmes: the quintessential British hero and the world's most popular detective. Through his powers of deduction, and with the help of his faithful companion Dr Watson, Holmes takes on all manner of devious criminals and dangerous villains – and wins. But the cases involving murder are the most dastardly of them all… Selected from The Complete Sherlock HolmesVINTAGE MINIS: GREAT MINDS. BIG IDEAS. LITTLE BOOKS. A series of short books by the world’s greatest writers on the experiences that make us human Also in the Vintage Minis series: Power by William Shakespeare Independence by Charlotte BronteLondon by Charles Dickens

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Dickens had already achieved renown with The Pickwick Papers. With Oliver Twist his reputation was enhanced and strengthened. The novel contains many classic Dickensian themes - grinding poverty, desperation, fear, temptation and the eventual triumph of good in the face of great adversity. Oliver Twist features some of the author's most enduring characters, such as Oliver himself (who dares to ask for more), the tyrannical Bumble, the diabolical Fagin, the menacing Bill Sikes, Nancy and 'the Artful Dodger'. For any reader wishing to delve into the works of the great Victorian literary colossus, Oliver Twist is, without doubt, an essential title.

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Things are going to be different. Very different... 1838, London. Jacob Marley is dead. And so is Ebenezer Scrooge... In this reinvention of the timeless classic, Ebenezer has died and his sister Fan has inherited his money-lending business. She rapidly becomes notorious as the most monstrous miser ever known, a legendary misanthrope, lonely, and despised by all who cross her path. This year, on Christmas Eve, Fan Scrooge will be haunted by three spirits. They want her to change. But will she? Charles Dickens's traditional story was adapted for the stage by renowned author Piers Torday, and came to life in the Dickensian environment of the world's oldest-surviving music hall, Wilton's Music Hall, London, in 2019. It will prove a festive gift for amateur theatre companies seeking an original, female-led version with lashings of goodwill to all men - and women. Piers Torday's bestselling series for children, The Last Wild trilogy, has been sold all over the world, was nominated for the Waterstone's Children Book Award, and won the Guardian's Children's Fiction Prize. He also adapted The Box of Delights for Wilton's.

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The Devil's Workshop is the third historical thriller in Alex Grecian's acclaimed Scotland Yard Murder Squad series. April, 1890. London wakes to the shocking news of a mass prison escape. Walter Day and the Scotland Yard Murder Squad now face a desperate race against time: if the four convicted murderers aren't recaptured before night settles, they'll vanish into the dark alleys of London's criminal underworld for ever. And in the midst of this mayhem and fear the city's worst nightmare is realized: Jack the Ripper haunts the streets of London once more . . . From The Yard and The Black Country author, Alex Grecian, comes The Devil's Workshop - and the return of Jack the Ripper. Expect another gruesome foray into the underbelly of Victorian Britain and early crime forensics. This is historical thriller heaven for fans of Sherlock and Ripper Street. Praise for Alex Grecian: 'Will keep you riveted from page one' Jeffery Deaver 'CSI: Victorian London' Daily Express 'Throw in deranged prostitutes, poisonings and throat slittings galore, amidst lashings of London fog. Gory, lurid and tons of guilty fun' Guardian 'Outstanding. If Charles Dickens isn't somewhere clapping his hands for this, Wilkie Collins surely is.' The New York Times Book Review Alex Grecian has worked for an ad agency on accounts for Harley-Davidson, Cub Foods and The Great American Smokeout, before returning to writing fiction full time and raising his son. Alex is the author of the long-running and critically acclaimed comic-book series Proof, and he lives in Topeka, Kansas, with his wife and son. The Yard is his first novel, followed by The Black Country.

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From the teeming streets of Dickens's London to the households of domestic fiction, nineteenth-century British writers constructed worlds crammed beyond capacity with human life. In Populating the Novel, Emily Steinlight contends that rather than simply reflecting demographic growth, such pervasive literary crowding contributed to a seismic shift in British political thought. She shows how the nineteenth-century novel in particular claimed a new cultural role as it took on the task of narrating human aggregation at a moment when the Malthusian specter of surplus population suddenly and quite unexpectedly became a central premise of modern politics. In readings of novels by Mary Shelley, Elizabeth Gaskell, Charles Dickens, Mary Braddon, Thomas Hardy, and Joseph Conrad that link fiction and biopolitics, Steinlight brings the crowds that pervade nineteenth-century fiction into the foreground. In so doing, she transforms the subject and political stakes of the Victorian novel, dislodging the longstanding idea that its central category is the individual by demonstrating how fiction is altered by its emerging concern with population. By overpopulating narrative space and imagining the human species perpetually in excess of the existing social order, she shows, fiction made it necessary to radically reimagine life in the aggregate.

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From the teeming streets of Dickens's London to the households of domestic fiction, nineteenth-century British writers constructed worlds crammed beyond capacity with human life. In Populating the Novel, Emily Steinlight contends that rather than simply reflecting demographic growth, such pervasive literary crowding contributed to a seismic shift in British political thought. She shows how the nineteenth-century novel in particular claimed a new cultural role as it took on the task of narrating human aggregation at a moment when the Malthusian specter of surplus population suddenly and quite unexpectedly became a central premise of modern politics. In readings of novels by Mary Shelley, Elizabeth Gaskell, Charles Dickens, Mary Braddon, Thomas Hardy, and Joseph Conrad that link fiction and biopolitics, Steinlight brings the crowds that pervade nineteenth-century fiction into the foreground. In so doing, she transforms the subject and political stakes of the Victorian novel, dislodging the longstanding idea that its central category is the individual by demonstrating how fiction is altered by its emerging concern with population. By overpopulating narrative space and imagining the human species perpetually in excess of the existing social order, she shows, fiction made it necessary to radically reimagine life in the aggregate.

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John Pendleton Kennedy (1795-1870) achieved a multidimensional career as a successful novelist, historian, and politician. He published widely and represented his district in the Maryland legislature before being elected to Congress several times and serving as secretary of the navy during the Fillmore administration. He devoted much of his life to the American Whig party and campaigned zealously for Henry Clay during his multiple runs for president. His friends in literary circles included Charles Dickens, Washington Irving and Edgar Allan Poe. According to biographer Andrew Black, scholars from various fields have never completely captured this broadly talented antebellum figure, with literary critics ignoring Kennedy's political work, historians overlooking his literary achievements, and neither exploring their close interrelationship. In fact, Black argues, literature and politics were inseparable for Kennedy, as his literary productions were infused with the principles and beliefs that coalesced into the Whig party in the 1830s and led to its victory over Jacksonian Democrats the following decade. Black's comprehensive biography amends this fractured scholarship, employing Kennedy's published work and other writing to investigate the culture of the Whig party itself.Using Kennedy's best-known novel, the enigmatic Swallow Barn, or, A Sojourn in the Old Dominion (1832), Black illustrates how the author grappled unsuccessfully with race and slavery. The novel's unstable narrative and dissonant content reflect the fatal indecisiveness both of its author and his party in dealing with these volatile issues. Black further argues that it was precisely this failure that caused the political collapse of the Whigs and paved the way for the Civil War.

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'Acker gives her work the power to mirror the reader's soul' William S. Burroughs'Kathy Acker's writing is virtuoso, maddening, crazy, so sexy, so painful, and beaten out of a wild heart that nothing can tame. Acker is a landmark writer' Jeanette WintersonThis is the story of Janey, who lived in a locked room, where she found a scrap of paper and began to write down her life. It's a story of lust, sex, pain, youth, punk, anarchy, gangs, the city, feminism, America, Jean Genet and the prisons we create for ourselves. A heady, surreal mash-up of coming-of-age tale, prose, poetry, plagiarism and illustration, Kathy Acker's breakthrough 1984 novel caused huge controversy and made her an avant-garde literary icon.Published to coincide with the 20th anniversary of Kathy Acker's untimely death, Blood and Guts in High School is published for the first time in Penguin Classics, acknowledging the profound impact she has had on our culture, and alongside the authors her work pulsates with the influence of: William S. Burroughs, Cervantes and Charles Dickens, among others.

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Charles Dickens sigue siendo para muchos el prototipo del novelista victoriano, pues en su obra se condensan los valores y los ideales de esa sociedad. Novelista burgués, sensible a los cambios sociales que se producen en su entorno, logró conciliar dos mundos: el de la sociedad establecida y el de los descontentos y oprimidos. Tiempos difíciles no es sólo un tratado genuino de la realidad efervescente de la segunda mitad del siglo XIX en Inglaterra: las tensiones liberales provocadas por una huelga en el sector textil. Constituye, además, una crítica al utilitarismo más radical, y, en un plano más secundario y marginal, aborda el tema del matrimonio como reflejo de su infeliz experiencia personal.

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QUIET AND DARK, BESIDE HIM STOOD THE PHANTOM, WITH ITS OUTSTRETCHED HANDA Christmas Carol, first published in 1843, is Charles Dickens’s timeless festive tale of transformation and redemption. On Christmas Eve Ebenezer Scrooge, the uncharitable miser, is visited by the ghost of his dead business partner, Jacob Marley, who comes with a warning. Later that evening, Scrooge falls into a deep sleep and is called upon in the night by three more spectres, the Ghosts of Christmas Past, Present, and Yet to Come. These apparitions bring strange visions and offer Scrooge the chance to absolve for his lifetime of avarice and greed.Accompanying a the three-part special from Steven Knight (Taboo, Peaky Blinders) starring Guy Pearce, Andy Serkis, Stephen Graham, Charlotte Riley, Joe Alwyn, Vinette Robinson, Jason Flemyng, Kayvan Novak and Lenny Rush. Written and executive produced by Steven Knight, executive produced by Tom Hardy, Ridley Scott, Dean Baker, David W. Zucker, Kate Crowe and Mona Qureshi for the BBC.

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With an Introduction and Notes by Peter Preston, University of Nottingham. With Illustrations by Hablot K. Browne (Phiz). Little Dorrit is a classic tale of imprisonment, both literal and metaphorical, while Dickens' working title for the novel, Nobody's Fault, highlights its concern with personal responsibility in private and public life. Dickens' childhood experiences inform the vivid scenes in Marshalsea debtor's prison, while his adult perceptions of governmental failures shape his satirical picture of the Circumlocution Office. The novel's range of characters - the honest, the crooked, the selfish and the self-denying - offers a portrait of society about whose values Dickens had profound doubts. Little Dorrit is indisputably one of Dickens' finest works, written at the height of his powers. George Bernard Shaw called it ‘a masterpiece among masterpices’, a vedict shared by the novel's many admirers.

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'What dark history is this?' This is the question that hangs over Dickens's brooding novel of mayhem and murder in the eighteenth century. Set in London at the time of the anti-Catholic Gordon Riots, Barnaby Rudge tells a story of individuals caught up in the mindless violence of the mob. Lord George Gordon's dangerous appeal to old religious prejudices is interwoven with the murder mystery surrounding the father of the simple-minded Barnaby. The discovery of the murderer and his involvement in the riots put Barnaby's life in jeopardy. Culminating in the terrifying destruction of Newgate prison by the rampaging hordes, the descriptions of the riots are among Dickens's most powerful. Written at a time of social unrest in Victorian Britain, Barnaby Rudge explores the relationship between repression and liberation in private and public life. It looks forward to the dark complexities of Dickens's later novels, whose characters also seek refuge from a chaotic and unstable world. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Now a major West End play! From 3rd May 2023, see Bleak Expectations on stage at the Criterion theatre, with guest stars Stephen Fry, Dermot O'Leary, Sue Perkins and more!Based on the beloved Radio 4 series, BLEAK EXPECTATIONS recounts the remarkable adventures of young Pip Bin as he tries to make his way in a world made all horrible by the machinations of his cruel guardian, Mr Gently Benevolent. Grim circumstances, mistaken identities, nightmarish court-cases, ridiculous names, convenient coincidences to resolve plot problems, over-sentimental death scenes and lots and lots of adjectives: Bleak Expectations is a novel like Charles Dickens might have written after far too much gin.

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Rochester is riddled with tales of phantom monks, eerie tunnels, romantic spirits, dark apparitions, and ancient history, but pick up any book pertaining to ghostlore and you will find only a handful of tales from Rochester, which has become a much ignored haven of spiritual activity. Now, however, comes a unique volume which proves that Rochester is in fact one of the most haunted places in Kent. Its High Street alone harbours over forty ghost stories, whilst its surrounding schools, houses and pubs are home to many obscure spectres. The atmosphere described by Charles Dickens many years ago can now be seen in a more chilling light, so read on to discover the ghosts of Rochester’s past.

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Examines the moving image in relation to nineteenth-century literature, theories of mind, and visual media This book examines how the productive interplay between nineteenth-century literary and visual media paralleled the emergence of a modern psychological understanding of the ways in which reading, viewing and dreaming generate moving images in the mind. Reading between these parallel histories of mind and media reveals a dynamic conceptual, aesthetic and technological engagement with the moving image that, in turn, produces a new understanding of the production and circulation of the work of key nineteenth-century writers, such as Lord Byron, Walter Scott, Lewis Carroll, Charles Dickens and William Makepeace Thackeray. As Helen Groth shows, this engagement is both typical of the nineteenth-century in its preoccupation with questions of automatism and volition (unconscious and conscious thought), spirit and materiality, art and machine, but also definitively modern in its secular articulation of the instructive and entertaining applications of making images move both inside and outside the mind. Key Features *Considers the impact of the dramatic transformations in print and visual culture on our understanding of the production, circulation and mediation of works by Byron, Scott, Thackeray, Carroll, Dickens, Mayhew and James, as well as lesser-known writers such as Ann and Jane Taylor, Pierce Egan, Countess Blessington, and George Sims *Provides a new perspective on the conventional opposition of the early cinema of attractions to the immersive absorption of both nineteenth-century literary formations and later classical narrative cinema

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A brand new edition of a Terry Pratchett classic – set in Victorian London, and starring cunning but kind Dodger, as he sets off on a whirlwind adventure through the city streetsTHE SEWER IS DODGER’S WORLD . . .He hunts treasure there – coins and jewels lost in the dark and dirty drains. It’s a good life, if you don’t mind getting your hands (and arms and feet and face) dirty.But one night, Dodger helps a young woman flee two ruffians. Now, a street urchin dressed as a gentleman, he must discover the secret behind her escape. Along the way he’ll befriend Charles Dickens, outwit Sweeny Todd and reach the giddy heights of Victorian society.Dodger may be living in the gutter, but he’s heading for the stars . . .

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Meet the women of American Housewife… They smoke their eyes and paint their lips. They channel Beyoncé while doing household chores. They drown their sorrows with Chanel No. 5 and host book clubs where chardonnay trumps Charles Dickens. They redecorate. And they are quietly capable of kidnapping, breaking and entering, and murder. These women know the rules of a well-lived life: replace your tights every winter, listen to erotic audio books while you scrub the bathroom floor, serve what you want to eat at your dinner parties, and accept it: you’re too old to have more than one drink and sleep through the night.Vicious, fresh and darkly hilarious, American Housewife is a collection of stories for anyone who has ever wondered what really goes on behind the façades of the housewives of America…

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This Devil’s Advocate explores the cinematic wonders of Brian Desmond Hurst’s much loved 1951 adaptation of A Christmas Carol, Scrooge, through the prism of horror cinema, arguing that the film has less in common with cosy festive tradition than it does with terror cinema like James Whale’s Bride of Frankenstein, Robert Weine’s The Cabinet of Dr. Caligari, and F.W. Murnau’s Faust. Beginning with Charles Dickens himself, a prolific writer of ghost stories, with A Christmas Carol being but one of many, Colin Fleming then considers earlier cinematic adaptations including 1935’s folk-horror-like Scrooge, before offering a full account of the Hurst/Sim version, stressing what must always be kept at the forefront of our minds: this is a ghost story.

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Unfailingly elegant and endlessly relevant, the four essays in this collection treat literature as a vital record of our political hypocrisies, our social failings, and the ennobling limits of our ideological aspirations. Delving into the literary canon, George Orwell encounters dusty classics and lesser-known works of literature on his own exhilarating terms. The novels of Henry Miller lead him inside the belly of Jonah's whale, an imagined refuge in a time of total war. A trenchant investigation of Charles Dickens unfolds into a poignant portrait of nineteenth-century liberalism. A minor pamphlet on Shakespeare by Tolstoy provokes a stirring evocation of humanism and the excessive vitality of life. A series of singularly thrilling reading experiences, they celebrate Orwell's engagement with the world of writers and literature.

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Escape to Christmas Past is a colouring book filled with highly detailed line artwork that brings to life A Christmas Carol in an entirely unique way. Evocative Christmas scenes and characters from Charles Dickens' famous story of Ebenezer Scrooge and Marley's ghost, threaded with imaginative, delicate patterns all clearly outlined in pen and ink, make ideal compositions to colour. Pivotal extracts from the story are scattered throughout for inspiration, and there are spaces left within some of the compositions for individual design and embellishment. This is a highly original colouring book for adults and older children alike from design duo Good Wives and Warriors. Perfect for fans of Millie Marotta and Johanna Basford. Handy-sized square format, easily portable - take it anywhere!

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The First Showman is a hugely entertaining history of the man who created the modern circus: Philip Astley. There have been many books about aspects of the circus but little written about its inventor. Here, New York Times bestselling author Karl Shaw draws on original research to tell the story of Britain’s Barnum. He brilliantly evokes the time, the place, the drama, pitfalls, successes, characters and passion behind Astley’s rise to fame. Born in Newcastle-under-Lyme, ‘Mr Astley’ is also a local hero for the author, who now lives there. Astley served as a sergeant major in the British Army where he learned his horse-riding skills, before becoming a brilliant innovator of equestrian tricks and spectacles. In April 1768 Astley staked out a ring at Halfpenny Hatch near Waterloo in London and he and his wife Patty put on displays of trick horse-riding in the open air. Two years later, he put a clown in the ring and gave birth to the modern circus. His circus performers included a strongman called Signor Colpi and a clown called Mr Merryman. He established the still-standard diameter of the circus ring, 42 feet. He was invited to perform before European royalty and built France’s first purpose-built circus building, the Amphitheatre Anglais, in Paris. Almost incredibly, he built circuses in twenty European cities. At home, Astley’s Amphitheatre was mentioned in books by Charles Dickens and Jane Austen. He died on 20 October 1814 and was buried in Pere Lachaise Cemetery, Paris. His life is a wonderful story of perseverance and flair on the way to achieving everlasting renown.

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Alex Grecian's The Black Country sees the Scotland Yard Murder Squad return in a gruesome historical thriller.When members of a prominent family disappear from a coal-mining village - and a human eyeball is discovered in a bird's nest - the local constable sends for help from Scotland Yard's new Murder Squad. Inspector Walter Day and Sergeant Nevil Hammersmith respond, but they have no idea what they're about to get into. The villagers have intense, intertwined histories. Everybody bears a secret. Superstitions abound. And the village itself is slowly sinking into the mines beneath it.Not even the arrival of forensics pioneer Dr. Bernard Kingsley seems to help. In fact, the more the three of them investigate, the more they realize they may never be allowed to leave. . . .From The Yard author Alex Grecian comes The Black Country- a horrifying journey into the darkest backwoods of Victorian Britain. The Black Country is guaranteed to appeal to fans of recent Ripper TV dramas (BBC's Ripper Street, ITV's Whitechapel) as well as Guy Ritchie's Sherlock Holmes films.Praise for Alex Grecian:'Will keep you riveted from page one' Jeffrey Deaver'Outstanding. If Charles Dickens isn't somewhere clapping his hands for this, Wilkie Collins surely is.' The New York Times Book ReviewAlex Grecian has worked for an ad agency on accounts for Harley-Davidson, Cub Foods, and The Great American Smokeout, before returning to writing fiction full time and raising his son. Alex is the author of the long-running and critically acclaimed comic book series Proof, and he lives in Topeka, Kansas, with his wife and son. The Yard is his first novel.

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What is a hangover? How does it feel to suffer from one? What can hangovers tell us about the way attitudes to alcohol have developed over time? In the humanities, why have we neglected the subject of the hangover in our critical discussions of alcohol and intoxication?In the first comprehensive study of the hangover in literature and culture, Jonathon Shears sets out to answer each of these questions by exploring the representation of ‘the morning after’ in a wide variety of texts ranging from the Renaissance to the present day. The book looks at what examples of ‘hangover literature’ from writers such as Ben Jonson, Robert Burns, Charles Dickens, Kingsley Amis and A.L. Kennedy can add to our personal and cultural understanding of alcohol use. It demonstrates that, more than just a cluster of physical symptoms, the hangover is a complex interplay of sensations and emotions with a fascinating cultural history.

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Step aside cat ladies, it’s time to put the men in the spotlight – when it comes to the felines in our lives, men are just as OBSESSED as women. Celebrating the unique bond between cat and dad, this cute little book is an ode to all cat dads out there and a guide on being the best cat parent possible. It might take a little while for their hearts to be won over, but men, eventually, always fall for their cats. With chapters covering everything from cat–dad psychology to fathering quizzes and from a toolkit of parenting essentials to basic behaviour interpretation, this is the perfect gift for the man in your cat’s life. Peppered throughout are feline-inspired quotes from famous cat dads, including Charles Dickens and Ernest Hemingway, and advice to help to ensure your cat is happy, healthy so you can really be the perfect Cat Father.

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Why did dustmen exercise an extended hold over the imagination of many Regency and Victorian artists and writers, including George Cruikshank, Henry Mayhew, Charles Dickens as well as numerous little known dramatists, caricaturists, print makers, journalists and novelists? This book, the first study of the cultural representation of the dust trade, provides many varied answers to this question by showing the ways in which London dustmen were associated with ideas of contamination, dirt, noise, violence, wealth, consumerism and threat. Drawing on an extraordinary range of sources, including plays, novels, reportage and, especially, visual culture, Dusty Bob describes the ways in which dustmen were perceived and mythologised in the first seventy years of the nineteenth century.Although Dusty Bob centrally comprises a detailed and original piece of research of interest to scholars and advanced students of Victorian culture, it has been written with a broader readership in mind.

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Here is a uniquely welcome gift for all who treasure the idea of an old-fashioned Christmas. Take a Victorian-inspired journey through the holiday as it was celebrated a century and more ago, beginning in the cold snows of early December and ending with the departure of guests on Christmas night. The book tells of games, gifts, decorations, superstitions, beliefs, fashions, foods, and fun, all presented in illustrated bursts of history combined with the thoughts and poetry of the Victorians themselves. A visual treat, richly peppered with vintage trade cards, greeting cards, photographs, and artwork from period magazines for a scrapbook-like kaleidoscope of colors and impressions, this is Christmas history at its best and most playful. As Charles Dickens wrote, "it is good to be children sometimes, and never better than at Christmas." A value guide to the items shown makes this book a valuable resource as well, offering guidance for new and seasoned collectors alike.

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Earthquakes have taught us much about our planet's hidden structure and the forces that have shaped it. This knowledge rests not only on the recordings of seismographs, but also on the observations of eyewitnesses to destruction. During the nineteenth century, a scientific description of an earthquake was built of stories - stories from as many people in as many situations as possible. Sometimes their stories told of fear and devastation, sometimes of wonder and excitement. In "The Earthquake Observers", Deborah R. Coen acquaints readers not only with the century's most eloquent seismic commentators, including Alexander von Humboldt, Charles Darwin, Mark Twain, Charles Dickens, Karl Kraus, Ernst Mach, John Muir, and William James, but also with countless other citizen-observers, many of whom were women. Coen explains how observing networks transformed an instant of panic and confusion into a field for scientific research, turning earthquakes into natural experiments at the nexus of the physical and human sciences. Seismology abandoned this project of citizen science with the introduction of the Richter Scale in the 1930s, only to revive it in the twenty-first century in the face of new hazards and uncertainties. "The Earthquake Observers" tells the history of this interrupted dialogue between scientists and citizens about living with environmental risk.

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'Clennam rose softly, opened and closed the door without a sound, and passed from the prison, carrying the quiet with him into the turbulent streets.' Introspective and dreamy, Arthur Clennam returns to England from many years abroad to find a people gripped in their self-made social and mental prisons. Against a background of government incompetence and financial scandal, he searches for the key to the affairs of the Dorrit family, prisoners for debt in the Marshalsea. He discovers through the seamstress Amy Dorrit the fulfilment of which he dreams, but only after he learns to understand his own heart. Revelation and redemption haunt Dickens's portrayal of human relations as fundamentally distorted by class and money. The swindling financier Merdle, the bureaucratic nightmare of the Circumlocution Office, and a teeming cast of characters display the inadequacy of secular morality in the face of contemporary social and political confusion. Mixing humour and pathos, irony and satire, Dickens's eleventh novel reveals a master of fiction in top form. This new edition, based on the definitive Clarendon text, includes all of Phiz's original illustrations and a wide-ranging introduction highlighting Dickens's move to more personal and spiritual concerns. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Round About the Christmas Tree is the perfect Christmas gift for booklovers, as all facets of the festive season are represented here in one gorgeous volume. Part of the Macmillan Collector’s Library; a series of stunning, clothbound, pocket sized classics with gold foiled edges and ribbon markers. These beautiful hardbacks make perfect gifts for book lovers, or wonderful additions to your own collection. This edition is introduced by Ned Halley and features the classic, charming illustrations of Alice Ercle Hunt.This anthology reveals the inspiration Christmas gives so many writers, whether as a time for celebration, for family, or as a chance to remember those in hardship. There are heart-warming stories from Charles Dickens and E. Nesbit, comic fun from G. K. Chesterton and Saki, touching whimsy from Hans Christian Andersen, and even crimes to solve from Arthur Conan Doyle.

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The articles collected in George Orwell's Essays illuminate the life and work of one of the most individual writers of this century - a man who elevated political writing to an art. This outstanding collection brings together Orwell's longer, major essays and a fine selection of shorter pieces that includes 'My Country Right or Left', 'Decline of the English Murder', 'Shooting an Elephant' and 'A Hanging'. With great originality and wit Orwell unfolds his views on subjects ranging from a revaluation of Charles Dickens to the nature of Socialism, from a comic yet profound discussion of naughty seaside postcards to a spirited defence of English cooking. Displaying an almost unrivalled mastery of English plain prose, Orwell's essays created a unique literary manner from the process of thinking aloud and continue to challenge, move and entertain.This Penguin Modern Classics edition includes an introduction by Bernard Crick.

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A compact biography of one of nineteenth-century England’s most renowned illustrators. George Cruikshank (1792–1878) was a key transitional figure in the changing world of nineteenth-century London’s graphic humor. He carried his eighteenth-century-trained wit from the field of political satire during the Regency years into the Victorian era of journals and books. His witty drawings of boisterous London streets in 1820–1836 made him a household name, and in 1836, his masterful etchings were key to the positive reception of Charles Dickens’s first novel. Illustrated throughout by his one-of-a-kind drawings, “The Great George” traces Cruikshank’s career from his ascent, by 1820, as the preeminent political satirist to the end of his career. During the 1840s and 50s, with the rising popularity of Dickens, the arrival of Punch, and his adoption of the temperance movement as his work’s focus, Cruikshank was eventually eclipsed by new generations of artists. Using as her launchpad the argument that drawing with humor takes both great draftsmanship and a highly perceptive sense of humanity, Josephine Lea Iselin not only details the trajectory of Cruikshank’s art but also provides valuable context for his work, placing his drawings alongside pieces from his artistic predecessors and principal contemporaries.

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Transcendentalism was the first major intellectual movement in U.S. history, championing the inherent divinity of each individual, as well as the value of collective social action. In the mid-nineteenth century, the movement took off, changing how Americans thought about religion, literature, the natural world, class distinctions, the role of women, and the existence of slavery.Edited by the eminent scholar Lawrence Buell, this comprehensive anthology contains the essential writings of Ralph Waldo Emerson, Henry David Thoreau, Margaret Fuller, and their fellow visionaries. There are also reflections on the movement by Charles Dickens, Henry James, Walt Whitman, Louisa May Alcott, and Nathaniel Hawthorne. This remarkable volume introduces the radical innovations of a brilliant group of thinkers whose impact on religious thought, social reform, philosophy, and literature continues to reverberate in the twenty-first century.

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A beautifully illustrated retelling of the festive favourite, Disney The Muppet Christmas Carol!Christmas is a season of peace, joy and love - but not for Ebenezer Scrooge. The meanest, greediest man in London, Scrooge hates Christmas. But everything changes one snowy Christmas Eve when Scrooge receives a ghostly visit. Over the course of that one magical night, Scrooge will come face-to-face with his past, present and future as three spirits - and a whole lot of Muppets - arrive to show him the error of his ways.Narrated by the Great Gonzo as Charles Dickens - with a little help from Rizzo the Rat - this illustrated storybook stars Kermit the Frog as Bob Cratchit, Miss Piggy as Mrs. Cratchit and the entire Muppets cast, as they help Scrooge change his fate, open his heart and discover the true meaning of Christmas.

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Contrary to the monochrome vision of Queen Victoria’s mourning dresses and the coal-polluted streets of Charles Dickens’ London, Victorian Britain was, in fact, a period of new and vivid colours. The Industrial Revolution had transformed the Victorians’ perception of colour and, over the course of the second half of the 19th century, it became the key signifier of modern life. Colour Revolution: Victorian Art, Fashion & Design charts the Victorians’ new attitudes to colour through a multi-disciplinary exploration of culture, technology, art and literature. The catalogue explores key ‘chromatic’ moments that inspired Victorian artists and writers to think anew about the materiality of colour. Rebelling against the bleakness of the industrial present, these figures learned from the sacred colours of the past, the sumptuous colours of the Middle East and Japan and looked forward towards the decadent colours that defined the end of the century.

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Elizabeth Gaskell's Wives and Daughters is a story of romance, scandal and intrigue within the confines of a watchful, gossiping English village during the early nineteenth century. This Penguin Classics edition is edited with an introduction and notes by Pam Morris.When seventeen-year-old Molly Gibson's widowed father remarries, her life is turned upside down by the arrival of her vain, manipulative stepfather. She also acquires an intriguing new stepsister, Cynthia, glamorous, sophisticated and irresistible to every man she meets. The two girls begin to confide in one another and Molly soon finds herself a go-between in Cynthia's love affairs - but in doing so risks losing both her own reputation and the man she secretly loves. Set in English society before the 1832 Reform Bill, Elizabeth Gaskell's last novel - considered to be her finest - demonstrates an intelligent and compassionate understanding of human relationships, and offers a witty, ironic critique of mid-Victorian society.This text is based on the 1866 Cornhill Magazine version of the novel. It also includes notes on textual variants between this edition and the original manuscript, a note on the story's ending and an introduction discussing the novel's challenging investigation of themes of Englishness, Darwinism and masculine authority.Elizabeth Gaskell (1810-65) was born in London, but grew up in the north of England in the village of Knutsford. In 1832 she married the Reverend William Gaskell and had four daughters, and one son who died in infancy. Her first novel, Mary Barton, was published in 1848, winning the attention of Charles Dickens, and most of her later work was published in his journals, including Cranford (1853), serialised in Dickens's Household Words. She was also a lifelong friend of Charlotte Brontë, whose biography she wrote.If you enjoyed Wives and Daughters, you might like Thomas Hardy's The Return of the Native, also available in Penguin Classics.'No nineteenth-century novel contains a more devastating rejection than this of the Victorian male assumption of moral authority'Pam Morris

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In The Victorian Novel of Adulthood, Rebecca Rainof confronts the conventional deference accorded the bildungsroman as the ultimate plot model and quintessential expression of Victorian nation building. The novel of maturity, she contends, is no less important to our understanding of narrative, Victorian culture, and the possibilities of fiction. Reading works by Charles Dickens, George Eliot, Henry James, John Henry Newman, and Virginia Woolf, Rainof exposes the little-discussed theological underpinnings of plot and situates the novel of maturity in intellectual and religious history, notably the Oxford Movement. Purgatory, a subject hotly debated in the period, becomes a guiding metaphor for midlife adventure in secular fiction. Rainof discusses theological models of gradual maturation, thus directing readers’ attention away from evolutionary theory and geology, and offers a new historical framework for understanding Victorian interest in slow and deliberate change.

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Dogs throughout history have enjoyed a special relationship with humankind, and our favourite four-legged creatures continue to grow in popularity. The writers and poets collected within this anthology reflect on the joys and pitfalls of dog ownership with brilliant wit, insight, and affection. From Roald Amundsen’s account of using and eating sled dogs in his expedition to the South Pole, to J.R. Ackerley’s tender portrayal of his ill-behaved dog Tulip, ON DOGS traces the canine’s journey from working animal to pampered pet. With a humorous introduction by Tracey Ullman (an inveterate adopter of strays), and 6 characterful dog portraits by animal photographer Rhian ap Gruffydd and a cover image by Picasso of his dog Lump. Contributors include Alice Walker, Charles Dickens, James Thurber, Miranda Hart, Brigitte Bardot, A.A. Gill, David Sedaris, Barbara Woodhouse, and many more.

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Feeling confident about the Grade 9-1 GCSE English Literature exams? Put your knowledge of Charles Dickens' A Christmas Carol to the test with CGP’s brilliant Revision Question Cards! There are 63 cards in the pack covering the key characters, themes, context, writer's techniques, plot and key events. There's also a section of cards focussing on key quotes in the text - great for helping to learn quotes in preparation for the exam. Each card starts off with quick questions to warm you up, followed by harder questions that require more thought, plus revision and exam tips. Flip the card over and you’ll find full answers to each question, carefully written to help you understand everything you need to know. Don't miss CGP's matching A Christmas Carol Text Guide (9781782943099) and Text Guide Workbook (9781782947806).

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Few actors are more eloquent, honest or entertaining about their life and their profession than Simon Callow. Being an Actor traces his stage journey from the letter he wrote to Laurence Olivier that led him to his first job, to his triumph as Mozart in the original production of Amadeus. This new edition continues to tell the story of his past two decades onstage. Callow discusses his occasionally ambivalent yet always passionate feelings about both film and theatre, conflicting sentiments partially resolved by his acclaimed return to the stage with his solo performances in The Importance of Being Oscar and The Mystery of Charles Dickens, seen in the West End and on Broadway in 2002. Being an Actor is a guide not only to the profession but also to the intricacies of the art, told with wit, candour, and irrepressible verve by one if the great figures of the stage.

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This book presents vintage, often whimsical, and one-of-a-kind wooden figurine carvings by ANRI, the world-renowned company founded in 1912 in the Dolomite Mountains of northern Italy. Among the more than 2,500 carvings featured are bottle stoppers, bottle openers and corkscrews, bar sets, calendars, letter openers, bookends, humidors, ashtrays, lighters, cigarette boxes, pipe rests, salt and pepper sets, pepper mills, napkin rings, timers, toothpick holders, brushes, salt and serving spoons, spoon and key racks, door knockers, and figurines, including monks and characters from novels by Charles Dickens. Collectors with a wide range of interests will be delighted with the amazing number of woodcarvings shown. This book will amuse and inspire today’s woodcarvers and collectors, novices and experienced devotees alike.

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Decked out in Christmas garb, set against evocative backgrounds—from Charles Dickens’s London to the ice floes of Antarctica—an adorable dog strikes a pose. The scenes aren’t always ornate: Peter Thorpe’s first dog Christmas shoot involved his dog, a pair of antlers and a red nose. From Rudolph in 1990 to Santa in 2015, his dogs, donned in festive costumes, have adorned cards every December. In Bark! The Herald Angels Sing, the photographs—and outtakes—include Paddy as a tree-topper and Raggles dressed as Ebenezer Scrooge. Thorpe made his own sets and props, and used no digital retouching. Describing his inspiration for each card, with humour he suggests how readers might attempt to capture the scenes with their pups.

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Charles Dickens’s famous second novel recounts the story of a boy born in the workhouse and raised in an infant farm as he tries to make his way in the world. Intended to raise feeling against the Poor Law Amendment Act of 1834 (which had emphasized the workhouse as an appropriate means of dealing with the problem of poverty), Oliver Twist also provides a sweeping portrait of London life in the 1830s—including the life of the criminal elements in society.Oliver Twist was first published in serialised form (with illustrations by George Cruikshank) in Bentley’s Miscellany between February 1837 and April 1839. It was issued with some corrections and revisions in ten numbers in 1846 by Bradbury and Evans (which then also issued the same text in a single volume). Each of these ten numbers, including the Cruikshank illustrations and the advertisements, is included in this facsimile reprint of the 1846 edition.This is one of a series from Broadview Press of facsimile reprint editions—editions that provide readers with a direct sense of these works as the Victorians themselves experienced them.

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Of all the great British bands to emerge from the 1960s, none had a stronger sense of place than the Kinks. Often described as the archetypal English band, they were above all a quintessentially working-class band with a deep attachment to London. Mark Doyle examines the relationship between the Kinks and their city, from their early songs of teenage rebellion to their album-length works of social criticism. He finds fascinating and sometimes surprising connections with figures as diverse as Edmund Burke, John Clare and Charles Dickens. More than just a book about the Kinks, this is a book about a social class undergoing a series of profound changes, and about a group of young men who found a way to describe, lament and occasionally even celebrate those changes through song.

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"He was a man of fair learning, and more than average accomplishment; not at all intolerant of opinions at issue with his own; in religion a Dissenter of the class still prevalent in New England: in his tastes scholarly and refined, not ill read in general literature, prone to social enjoyments, a reasonably good critic of what he saw, altogether an excellent example of the class of men out of whom the fathers and founders of that great republic sprang..."-Charles Dickens, in summing up the character of Samuel CurwenThis unabridged two-volume edition of Samuel Curwen's journal supersedes the only version previously available to historians: a fragmentary and inaccurate mid-nineteenth-century work published by George Atkinson Ward, which nevertheless was celebrated by Charles Dickens.Andrew Oliver, combining painstaking documentation with an abundance of illustrations, provides a colorful, complete work which ranks as a valuable source of English social history from 1775 to 1784. It was during these years that Curwen, a Salem merchant, after fleeing from the harassment incurred by his loyalist activities, migrated to England and kept this journal. A man small in size, physically timid, mentally brave, and remarkably injudicious, Curwen felt that he was "unhappily though unjustly ranked" as a tory. Thus his observations and thoughts are useful in understanding the attitudes and experiences of the loyalist exiles.Set primarily in England and sparked throughout with engaging reports on personalities, places, and even the weather, the journal traces Curwen's nine years of exile. It also briefly details his departure from Salem, his short and alarming sojourn in Philadelphia where he found the political climate no less unfavorable, and his subsequent sea voyage to England.The Journal of Samuel Curwen, Loyalist is the first in a series of Loyalist Papers, a long-term program to be undertaken independently by a number of publishers in Britain, Canada, and the United States. The program will locate, gather, and make available documents that place in perspective those Americans who, at the time of the Revolution, remained loyal to the Crown.

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Routledge A Level English Guides equip AS and A2 Level students with the skills they need to explore, evaluate, and enjoy English.Books in the series are built around the various skills specified in the assessment objectives (AOs) for all AS and A2 Level English courses. Focusing on the AOs most relevant to their topic, the books help students to develop their knowledge and abilities through analysis of lively texts and contemporary data. Each book in the series covers a different area of language and literary study, and offers accessible explanations, examples, exercises, summaries, a glossary of key terms, and suggested answers.The Language of Literature:*looks at how writers use language to create literary texts*explores a wide variety of literary texts from Shakespeare to Helen Fielding, via Alexander Pope, William Blake, Mary Shelley, Charles Dickens, Oscar Wilde, Julian Barnes and Martin Amis*covers the key skills and topics, including structure, shapes and patterns, genre and sub-genre, narrative and narrators, representing talk, metaphor, allegory and intertextuality*offers a step-by-step guide to approaching literary texts and structuring a response*can be used as both a course stimulus and a revision tool.Written by an experienced teacher, author and AS and A2 Level examiner, The Language of Literature is an essential resource for all students of AS and A2 Level English Language, English Literature, and English Language and Literature.

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Close friendships are a heart-warming feature of many of our best-loved works of fiction. From Jane Eyre and Helen Burns’ poignant schoolgirl relationship to Tom Sawyer and Huckleberry Finn’s adventures on the Mississippi, fictional friends have supported, guided, comforted, nursed and at times betrayed the heroes and heroines of our popular and influential plays and novels. This book explores twenty-four literary friendships and, together with character studies and publication history, describes how each key relationship influences character, determines plot, promotes or disguises romance, preserves a reputation, sometimes results in betrayal, or underlines the theme of each literary work. It shows how authors from William Shakespeare to Elena Ferrante have by turns celebrated, lamented or transformed friendships throughout the ages, and how some friends – Don Quixote and Sancho Panza, Holmes and Watson or even Bridget Jones and pals – have taken on creative lives beyond the bounds of their original narrative. Including a broad scope of literature spanning a period of 400 years from writers as diverse as Jane Austen, Charles Dickens, George Eliot, Evelyn Waugh, John Steinbeck and Alice Walker, this book is the ideal gift for your literature-loving friend.

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A delicious literary anthology all about food. With extracts from over 200 authors, it embraces fiction, non-fiction, poetry, and even a smattering of recipes, with one piquant extract for every night of the year.This absorbing book is a literary feast for every food lover. Within these pages, you'll discover a wealth of foodie extracts from around the world and throughout the centuries, from Christmas feasts in Tudor times to Nigella Lawson on how much cheese to buy for a dinner party. In addition to renowned food writers such as Elizabeth David, Madhur Jaffrey and Anthony Bourdain, it includes literary greats like Charles Dickens, F. Scott Fitzgerald and Maya Angelou, and some intriguing curiosities such as the surreal recipes in 1932’s Futurist Cookbook. And, of course, Mrs Beeton makes an appearance. Also on the menu are:• Tantalizing gingerbread in Jane Austen's Emma.• The joys of Caribbean cooking in Sam Selvon’s The Housing Lark.• Ingenious wartime solutions in MFK Fisher's How to Cook a Wolf and much, much more.Keep this delectable book by your bedside and savour a whole world of delicious food writing every night of the year – and it also makes the perfect gift for the foodie in your life!

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