Search results for ""Author Four"

In Euclid's Window, Leonard Mlondinow takes us on a brilliantly entertaining journey through 3,000 years of genius and geometry, introducing the people who revolutionized the way we see the world around us. Ever since Pythagoras hatched a 'little scheme' to invent a set of rules describing the entire universe, scientists and mathematicians have tried to seek order in the cosmos: Euclid, who in 300BC defined the nature of space; Descartes, a fourteenth-century gambler and idler who invented the graph; Gauss, the fifteen-year-old genius who discovered that space is curved; Einstein, who added time to the equation; and Witten, who ushered in today's weird new world of extra, twisted dimensions. They all show how geometry is the key to understanding the universe. Once you have viewed life through Euclid's Window, it will never be the same again... 'Elegant, attractive and concise ... also very readable. Buy it' Ian Stewart, New Scientist 'This is an exhilarating book ... an important book ... and finally, a lovely book, one that reflects the radiance of its subject' David Berlinski 'Reader-friendly, high-spirited, splendidly lucid and often hilarious' Washington Post 'Mlodinow has a talent for lively and clear exposition ... Pythagoras' proof has lost none of its capacity to astonish and delight' Edward Skidelsky, Daily Telegraph Leonard Mlodinow was a member of the faculty of the Californian Institute of Technology before moving to Hollywood to become a writer for television. He has developed many best selling and award-winning CD-ROMs and is currently Vice President, Emerging Technologies and R&D at Scholastic Inc. He lives in New York City. His other books include The Drunkard's Walk and Subliminal.

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Get ready to fall for this year's most poignant and romantic love story...Fourteen days together. Fifteen years apart.Their love story isn't over yet...When Abbie met Oz they were young, idealistic students from different backgrounds, but their connection was unmistakable. Then Oz went home to Istanbul and life moved on.Years later, Abbie and Oz meet again - a chance encounter that could change everything.Despite leading very different lives, they find themselves drawn to eachother once more. But they have commitments, jobs and families that take priority - and too much time has passed... Hasn't it? From London to Istanbul, Paris to Beirut, It Must Be Love is a heart-wrenching story that will leave you believing in the power of fate and destiny. Perfect for fans of Josie Silver and Sophie Cousens.______________________READERS ARE FALLING HEAD OVER HEELS FOR IT MUST BE LOVE...'A real rollercoaster ride of emotions ... I felt them all!''Wistful, touching ... takes you on a wonderfully romantic journey''The characters are ones you can easily warm to and take to your heart''This book had me entranced from the beginning''I was hooked!''Fans of One Day will love this''You are sure to be weeping by the end. A fab read with a cup of tea and mountain of biscuits'______________________PRAISE FOR IT MUST BE LOVE...'Life-affirming and unforgettable, this is a very special love story' Holly Miller'One of the most wonderful will-they-won't-they books I've read' Lorna Cook'A gorgeously romantic and evocative debut ... I know it's going to be a hit!' Emma Hughes

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Lesley Herbert's Complete Book of Sugar Flowers explains and illustrates the methods of making sugar flowers in more depth than has ever been attempted before. This cake decorating book concentrates on the techniques involved in creating and arranging thirty types of flowers and foliage. In addition, there are fourteen arrangements, each displayed on a finished cake. For the complete beginner, the first steps in making and handling flower paste are shown in the opening chapter, along with photographs of how to use the essential equipment, colors, glazes and finishes.Once the basic skills of handling flower paste are understood, the blooms can be made from start to finish. Every stage for each flower is clearly laid out in the order in which it is prepared, leading you step-by-step from molding the first tiny ball of paste to applying the final dusting of color. The completed sugar flower is shown with its leaves, where suitable,and a photograph of the fresh flowers used for reference is also included.Many of the neat sprays of blossom are ideal for decorating a simple cake, but when you have mastered the knack of making flowers, you will definitely feel inspired to progress to creating stunning arrangements. Grouping complementary flowers, working out the shape of the design, wiring and securing the centerpieces are all illustrated alongside each finished arrangement. The information is completed by showing a cake with the floral decoration displayed to full advantage.By setting out her work in such detail, Lesley Herbert offers a real insight into the professional approach which gives immaculate results. Her book is the perfect individual tutor and worktop companion—follow her instructions, practice the techniques and study the photographs of the beautiful flowers for successful results.From buds to bouquets, Lesley Herbert's Complete Book of Sugar Flowers is the ultimate source of inspiration for sugarcraft artists.This cake decoration book includes: Basic instructions to fill beginners with confidence Templates of cutters to save buying dozens of shapes Fabulous displays of flowers to inspire experienced cake decorators

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The Roman emperor Commodus wanted to kill a rhinoceros with a bow and arrow, and he wanted to do it in the Colosseum. Commodus' passion for hunting animals was so fervent that he dreamt of shooting a tiger, an elephant, and a hippopotamus; his prowess was such that people claimed he never missed when hurling his javelin or firing arrows from his bow. For fourteen days near the end of AD 192, the emperor mounted one of the most lavish and spectacular gladiatorial games Rome had ever seen. Commodus himself was the star attraction, and people rushed from all over Italy to witness the spectacle. But this slaughter was simply the warm-up act to the main event: the emperor was also planning to fight as a gladiator. Why did Roman rulers spend vast resources on such over-the-top displays - and why did some emperors appear in them as combatants? Why did the Roman rabble enjoy watching the slaughter of animals and the sight of men fighting to the death? And how best can we in the modern world understand what was truly at stake in the circus and the arena? In The Day Commodus Killed a Rhino, Jerry Toner set out to answer these questions by vividly describing what it would have been like to attend Commodus' fantastic shows and watch one of his many appearances as both hunter and fighter. Highlighting the massive logistical effort needed to supply the games with animals, performers, and criminals for execution, the book reveals how blood and gore were actually incidental to what really mattered. Gladiatorial games played a key role in establishing a forum for political debate between the rulers and the ruled. Roman crowds were not passive: they were made up of sophisticated consumers with their own political aims, which they used the games to secure. In addition, the games also served as a pure expression of what it meant to be a true Roman. Drawing on notions of personal honor, manly vigor, and sophisticated craftsmanship, the games were a story that the Romans loved to tell themselves about themselves.

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Magic, danger, and adventure abound for messenger Karigan G'ladheon in the fourth book in Kristen Britain's New York Times-bestselling Green Rider fantasy seriesOver a millennium ago, Mornhavon the Black, heir to the Arcosian Empire, crossed the great sea hoping to conquer Sacoridia. Mornhavon and his armies were defeated—but not before their general had resorted to desperate, dark magic that rendered his twisted spirit immortal. Finally, Mornhavon was captured and imprisoned in Blackveil Forest, and the forest’s perimeter was sealed by the magical D’Yer Wall. In the many centuries since, knowledge of magic has disappeared from Sacoridia due to the fear and prejudice of a people traumatized by the memory of Mornhavon’s terrifying sorceries. Even the protective magic that created and maintained the D’Yer Wall has been lost, and the once-impermeable barrier has been breached, allowing Blackveil’s malignant influence to seep into the lands beyond once again. Karigan G’ladheon is a Green Rider—a seasoned member of the elite messenger corps of King Zachary of Sacoridia. But Karigan is no ordinary Rider, for she can traverse the barriers of time and space. Because of this extraordinary ability, she was able to transport the spirit of Mornhavon into the future, buying precious time for her country. During the window of relative safety, King Zachary decides to send Karigan and a small contingent of scouts, accompanied by a small group of Eletians—a magical race who once lived in the lands now tainted by Mornhavon’s magic—into Blackveil Forest. Though Mornhavon is gone, the forest is still a treacherous and unnatural place filled with monstrous creatures and deadly traps. Plus, no one knows how far in the future Mornhavon has been sent—Ten years? One? Maybe even less. And unbeknownst to the band of Eletians and Sacoridians, another small group has entered the forest—Arcosian descendants who have kept Mornhavon’s dark magic alive in secret for centuries, and who now plan to avenge their long-ago defeat by bringing Sacoridia to its knees.

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Original artwork and materials explore children’s literature and its impact in society and culture over time A favorite childhood book can leave a lasting impression, but as adults we tend to shelve such memories. For fourteen months beginning in June 2013, more than half a million visitors to the New York Public Library viewed an exhibition about the role that children’s books play in world culture and in our lives. After the exhibition closed, attendees clamored for a catalog of The ABC of It as well as for children’s literature historian Leonard S. Marcus’s insightful, wry commentary about the objects on display. Now with this book, a collaboration between the University of Minnesota’s Kerlan Collection of Children’s Literature and Leonard Marcus, the nostalgia and vision of that exhibit can be experienced anywhere. The story of the origins of children’s literature is a tale with memorable characters and deeds, from Hans Christian Andersen and Lewis Carroll to E. B. White and Madeleine L’Engle, who safeguarded a place for wonder in a world increasingly dominated by mechanistic styles of thought, to artists like Beatrix Potter and Maurice Sendak who devoted their extraordinary talents to revealing to children not only the exhilarating beauty of life but also its bracing intensity. Philosophers like John Locke and Jean-Jacques Rousseau and educators such as Johann Comenius and John Dewey were path-finding interpreters of the phenomenon of childhood, inspiring major strands of bookmaking and storytelling for the young. Librarians devised rigorous standards for evaluating children’s books and effective ways of putting good books into children’s hands, and educators proposed radically different ideas about what those books should include. Eventually, publishers came to embrace juvenile publishing as a core activity, and pioneering collectors of children’s book art, manuscripts, correspondence, and ephemera appeared—the University of Minnesota’s Dr. Irvin Kerlan being a superb example. Without the foresight and persistence of these collectors, much of this story would have been lost forever. Regarding children’s literature as both a rich repository of collective memory and a powerful engine of cultural change is more important today than ever.

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UP-TO-DATE, TECHNICALLY ACCURATE COVERAGE OF ESSENTIAL TOPICS IN IMAGE AND VIDEO PROCESSING This is the first book to combine image and video processing with a practical MATLAB®-oriented approach in order to demonstrate the most important image and video techniques and algorithms. Utilizing minimal math, the contents are presented in a clear, objective manner, emphasizing and encouraging experimentation. The book has been organized into two parts. Part I: Image Processing begins with an overview of the field, then introduces the fundamental concepts, notation, and terminology associated with image representation and basic image processing operations. Next, it discusses MATLAB® and its Image Processing Toolbox with the start of a series of chapters with hands-on activities and step-by-step tutorials. These chapters cover image acquisition and digitization; arithmetic, logic, and geometric operations; point-based, histogram-based, and neighborhood-based image enhancement techniques; the Fourier Transform and relevant frequency-domain image filtering techniques; image restoration; mathematical morphology; edge detection techniques; image segmentation; image compression and coding; and feature extraction and representation. Part II: Video Processing presents the main concepts and terminology associated with analog video signals and systems, as well as digital video formats and standards. It then describes the technically involved problem of standards conversion, discusses motion estimation and compensation techniques, shows how video sequences can be filtered, and concludes with an example of a solution to object detection and tracking in video sequences using MATLAB®. Extra features of this book include: More than 30 MATLAB® tutorials, which consist of step-by-step guides toexploring image and video processing techniques using MATLAB® Chapters supported by figures, examples, illustrative problems, and exercises Useful websites and an extensive list of bibliographical references This accessible text is ideal for upper-level undergraduate and graduate students in digital image and video processing courses, as well as for engineers, researchers, software developers, practitioners, and anyone who wishes to learn about these increasingly popular topics on their own.

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Marianna Bussalai, the poet and anti-Fascist activist of the Barbagia region, wrote that she felt humiliated at school 'wondering why, in the history of Italy, Sardinia was never mentioned. I deduced that Sardinia was not Italty and had to have a separate history'. It is not surprising that islands tend to be different from the country to which they are in some way attached. But Sardinia's personality differs even more from that of Italy than one might expect. This book explores that difference through the island's women. Sardinia has been inhabited for longer than many European countries; of its earlier peoples, the best-known are the pre-historic Nuraghic. The hundreds of tall and mysterious megalithic towers which still grace the landscape are the most outward distinctive remnants of their civilisation. But it is from the myriad and tantalising clay statuettes found in ritual wells that it is possible to suggest aspects of women's lives. These are now in archaeological museums, such as that of Cagliari; many of the wells still exist. There followed invasions, colonisations and settlements - often bringing women exiles or landowners - by phoenicians, Carthaginians, Romans, Muslims, Catalans, Genoese, Pisans, Spaniards and Savoyards, until finally the island became part of a united Italy, But, as the Swede Amelie Posse-Brazdova, sentenced to exile in Alghero during the First World War, was to write, 'For many centuries the Sardinians had been so fooled and exploited by the Italians, especially the Genoese merchants, that in the end they began to look upon them as their worst enemies.' However much that enmity is now little evident, Sardinia is still very much its own place, with its own languages. This is true of Alghero with its distinctive aura of Catalan occupation, of Marianna Bussalai's always intransigent Barbagia, and of Oristano where perhaps Sardinia's only well-known historical woman, Eleanora d'Arborea, ruled as Giudicessa in the fourteenth century. Although still particularly revered, she epitomised the strong and advanced women, from peasants to poitical activists, who emerge here from those often turbulent centuries.

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Blast off into outer space and explore the mysteries of the red planet with Discovering Mars.Did you know that Mars is twice the size of Earth's moon? Or that it is home to the Valles Marineris--the largest canyon in our solar system? Blast off and explore the surface of the fourth planet from the Sun with Discovering Mars. This book is a complete scientific guide to Mars, including information on geography, atmosphere, unique landscape features, and more. Discover Mars's moons Phobos and Deimos, learn all about unique polar spiders, and investigate past, present, and future life on Mars. Incredible illustrations and NASA imagery of Mars's surface, craters, and volcanoes bring outer space right to your fingertips and let you explore the red planet like never before. Learn all about past missions to Mars, and take a sneak peek into future projects from NASA and beyond.An avid traveler, Alexandra Lefort has lived in France, Scotland, Switzerland, and the U.S., and has now made her home in Vancouver, B.C. Passionate about exploration, she completed a PhD in planetary sciences at the University of Bern, Switzerland, focusing her academic research on the investigations of Martian water, with a particular interest for the question of habitability and extraterrestrial life. This interest in the origin and development of life also translates into artistic representation of terrestrial lifeforms and environments. A self-taught artist, her favorite media are photography, with a portfolio which includes wildlife portraits, macro photography, landscapes, and traditional drawing and painting, including graphite, pastels, acrylics, and digital art. She has designed several coins for the Royal Canadian Mint and has collaborated with paleoartist Julius Csotonyi on realistic depictions of prehistoric wildlife, including a mural for the 2015-2018 exhibit Ice Age Bison Discovery: Our Frozen Past and Thawing Future at the Prince of Wales Northern Heritage Centre, Yellowknife, Northwest Territories, Canada, and collaborative paintings in The paleoart of Julius Csotonyi, Why Did T. rex Have Short Arms?: And Other Questions about Dinosaurs, and Discovering Sharks.

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Much more than a collection of essays by eminent writers, Against the Great Reset is intended to kick off the intellectual resistance to the sweeping restructuring of the western world by globalist elites.In June 2020, prominent business and political leaders gathered for the 50th annual meeting of the World Economic Forum in Davos, Switzerland, under the rubric of “The Great Reset.” In the words of WEF founder Klaus Schwab, the Great Reset is a “unique window of opportunity” afforded by the worldwide COVID-19 panic to build “a new social contract” ushering in a utopian era of economic, social, and environmental justice. But beneath their lofty and inspiring words, what are their actual plans? In this timely and necessary book, Michael Walsh has gathered trenchant critical perspectives on the Great Reset from eighteen eminent writers and journalists from around the world. Victor Davis Hanson places the WEF’s prescriptions and goals in historical context and shows how American politicians justify destructive policies. Michael Anton explains the socialist history of woke capitalism. James Poulos looks at how Big Tech acts as informal government censors. John Tierney lays out the lack of accountability for the unjustified panic over the virus. David Goldman confronts the WEF’s ideas for a fourth industrial revolution with China’s commitment to being the leader of a post-western world. And there are many more. These writers see the goal of the Great Reset as not just a world without racism, disease, economic inequality, or fossil fuels—but rather, a world with no individual autonomy and power in which our betters rig the system for their own purposes. Find out what the Great Resetters ultimately have in store for you, and join the intellectual resistance—before it’s too late. Featuring Essays by: Michael Anton Salvatore Babones Conrad Black Jeremy Black Angelo Codevilla Janice Fiamengo Richard Fernandez David P. Goldman Victor Davis Hanson Martin Hutchinson Roger Kimball Alberto Mingardi Douglas Murray James Poulos Harry Stein John Tierney Michael Walsh

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'One of the best business books I've read in years.' BILL GATES THE #1 NEW YORK TIMES BESTSELLER A SUNDAY TIMES BOOK OF THE YEAR 2019 _____________________________The CEO of Disney, one of Time's most influential people of 2019, shares the ideas and values he embraced to reinvent one of the most beloved companies in the world and inspire the people who bring the magic to life.Robert Iger became CEO of The Walt Disney Company in 2005, during a difficult time. Morale had deteriorated, competition was intense, and technology was changing faster than at any time in the company's history. His vision came down to three clear ideas: Recommit to the concept that quality matters, embrace technology instead of fighting it, and think bigger-think global-and turn Disney into a stronger brand in international markets.Fourteen years later, Disney is the largest, most respected media company in the world, counting Pixar, Marvel, Lucasfilm and 21st Century Fox among its properties. Its value is nearly five times what it was when Iger took over, and he is recognized as one of the most innovative and successful CEOs of our era.In The Ride of a Lifetime, Robert Iger shares the lessons he's learned while running Disney and leading its 200,000 employees, and he explores the principles that are necessary for true leadership, including:Optimism. Even in the face of difficulty, an optimistic leader will find the path toward the best possible outcome and focus on that, rather than give in to pessimism and blaming. Courage. Leaders have to be willing to take risks and place big bets. Fear of failure destroys creativity. Decisiveness. All decisions, no matter how difficult, can be made on a timely basis. Indecisiveness is both wasteful and destructive to morale. Fairness. Treat people decently, with empathy, and be accessible to them.'Bob Iger has not only lived up to ninety-six years of groundbreaking history but has moved the Disney brand far beyond anyone's expectations, and he has done it with grace and audacity. This books shows you how that happened.' STEVEN SPIELBERG

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In June 1973, amid ideological rifts in the U.S. gay liberation movement, thousands of people gathered in New York City's Washington Square Park to commemorate the fourth anniversary of the Stonewall Rebellion. Partway through the rally, Street Transvestite Action Revolutionaries (STAR) co-founder Sylvia Rivera fought her way to the stage to address the predominantly white, middle class lesbian and gay crowd. Over the din of their boos and jeers, Rivera reprimanded the crowd for failing in their responsibilities to their "gay brothers and sisters" in jail, detailed the sacrifices she had made for the movement, and called them into the politics of STAR, "The people who are trying to do something for all of us and not men and women that belong to a white middle class white club! And that is what you all belong to!" Rivera's appeal thus worked through a push-pull of distance and belonging, shaming the movement for its assimilatory turn while invoking forms of kinship and calling her listeners into an expansive multi-issue liberation politics. How does a sense of intimacy call people into political community? If We Were Kin is about the we of politics--how that we is made, fought over, and remade--and how these struggles lie at the very core of questions about power and political change. Across a range of sites in racial justice and queer/trans liberation movements--from speeches by James Baldwin and Sylvia Rivera in the 1960s and 1970s to contemporary immigrant justice campaigns by the antiracist LGBTQ organization Southerners on New Ground (SONG)--Lisa Beard traces a distinct lineage of appeals that challenge atomized and hierarchical racial formations in the United States and advance powerful visions of political relationships rooted in mutuality and shared freedom. In plumbing the deeper registers of identificatory appeals, Beard transforms understandings of identity, solidarity, political confrontation, and apparent loss/failure as points of possibility. If We Were Kin offers an innovative account of racial politics and political theory rooted in Black, Latinx, queer, and trans activism in twentieth and twenty-first century America.

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As David White explains in the Introduction to Tantra in Practice, Tantra is an Asian body of beliefs and practices that seeks to channel the divine energy that grounds the universe, in creative and liberating ways. The subsequent chapters reflect the wide geographical and temporal scope of Tantra by examining thirty-six texts from China, India, Japan, Nepal, and Tibet, ranging from the seventh century to the present day, and representing the full range of Tantric experience--Buddhist, Hindu, Jain, and even Islamic. Each text has been chosen and translated, often for the first time, by an international expert in the field who also provides detailed background material. Students of Asian religions and general readers alike will find the book rich and informative. The book includes plays, transcribed interviews, poetry, parodies, inscriptions, instructional texts, scriptures, philosophical conjectures, dreams, and astronomical speculations, each text illustrating one of the diverse traditions and practices of Tantra. Thus, the nineteenth-century Indian Buddhist Garland of Gems, a series of songs, warns against the illusion of appearance by referring to bees, yogurt, and the fire of Malaya Mountain; while fourteenth-century Chinese Buddhist manuscripts detail how to prosper through the Seven Stars of the Northern Dipper by burning incense, making offerings to scriptures, and chanting incantations. In a transcribed conversation, a modern Hindu priest in Bengal candidly explains how he serves the black Goddess Kali and feeds temple skulls lentils, wine, or rice; a seventeenth-century Nepalese Hindu praise-poem hammered into the golden doors to the temple of the Goddess Taleju lists a king's faults and begs her forgiveness and grace. An introduction accompanies each text, identifying its period and genre, discussing the history and influence of the work, and identifying points of particular interest or difficulty. The first book to bring together texts from the entire range of Tantric phenomena, Tantra in Practice continues the Princeton Readings in Religions series. The breadth of work included, geographic areas spanned, and expert scholarship highlighting each piece serve to expand our understanding of what it means to practice Tantra.

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Walking the Stations of the Cross, the Christian faithful re-create the Passion, following the sorrowful path of Jesus Christ from condemnation to crucifixion. While this devotion, now so popular in the Catholic Church and many Protestant denominations, first emerged in Jerusalem and began spreading through Western Europe in the fourteenth century, it did not assume its current form, and earn the Church’s formal recognition, until almost three centuries later. It was at this time, in the last decades of the seventeenth century, that a Franciscan friar in colonial Mexico translated a devotional guide to the Stations of the Cross into the native Nahuatl. This little handbook, Fray Agustin de Vetancurt’s Via crucis en mexicano, proved immensely popular, going through two editions, but survives today only in a copy made by a native scribe from Central Mexico. Reproduced here in Nahuatl and English, Vetancurt’s handbook offers unique insight into the history, the practice, and the meaning of the Stations of the Cross in the New World and the Old. With the Via crucis en mexicano as a starting point, John F. Schwaller explores the history of the development and spread of the Stations of the Cross, placing the devotion in the context of the Catholic Reformation and the Baroque, the two trends that exalted this type of religious expression. He describes how the devotion, exported to New Spain in the sixteenth century, was embraced by Spanish and natives alike. For the native Americans, Schwaller suggests, the Via crucis resonated because of its performative aspects, reminiscent of rituals and observances from before the arrival of the Spanish. And for missionaries, the devotion offered a means of deepening the faith of the newly converted. In Schwaller’s deft analysis—which extends from the origins of the devotion, to the processions and public rituals of the Mexica (Aztecs), to the text and illustrations of the Vetancurt manuscript—the Via crucis en mexicano opens a window on the practice and significance of the Stations of the Cross—and of private devotions generally—in Mexico, Hispanic America, and around the world.

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The fourth book in the fan-favorite Rookie Book series, Sports Illustrated Kids explains the most popular sport in the world to its youngest fans. The ref blows the whistle, the striker approaches for kickoff, feet fly—a soccer match is underway! With a fun mix of Sports Illustrated action photography, simple text, a full glossary of terms, and awesome graphics, My First Book of Soccerintroduces readers to the world’s favorite game. Kids (and probably a few adults, too) will learn how the clock counts “up” and never stops, what an offside means, what’s up with those yellow cards, and how kicks become a gooooaaaallll! Illustrated "rookie" characters appears on every page, guiding the reader moment by moment, and helping to make My First Book of Soccer an ideal shared reading experience between parents and their little rookies before, during, and after the game.

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Alaska is home to more than two hundred federally recognized tribes. Yet the long histories and diverse cultures of Alaska’s first peoples are often ignored, while the stories of Russian fur hunters and American gold miners, of salmon canneries and oil pipelines, are praised. Filled with essays, poems, songs, stories, maps, and visual art, this volume foregrounds the perspectives of Alaska Native people, from a Tlingit photographer to Athabascan and Yup’ik linguists, and from an Alutiiq mask carver to a prominent Native politician and member of Alaska’s House of Representatives. The contributors, most of whom are Alaska Natives, include scholars, political leaders, activists, and artists. The majority of the pieces in The Alaska Native Reader were written especially for the volume, while several were translated from Native languages.The Alaska Native Reader describes indigenous worldviews, languages, arts, and other cultural traditions as well as contemporary efforts to preserve them. Several pieces examine Alaska Natives’ experiences of and resistance to Russian and American colonialism; some of these address land claims, self-determination, and sovereignty. Some essays discuss contemporary Alaska Native literature, indigenous philosophical and spiritual tenets, and the ways that Native peoples are represented in the media. Others take up such diverse topics as the use of digital technologies to document Native cultures, planning systems that have enabled indigenous communities to survive in the Arctic for thousands of years, and a project to accurately represent Dena’ina heritage in and around Anchorage. Fourteen of the volume’s many illustrations appear in color, including work by the contemporary artists Subhankar Banerjee, Perry Eaton, Erica Lord, and Larry McNeil.

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We have come to admire Buddhism for being profound but accessible, as much a lifestyle as a religion. The credit for creating Buddhism goes to the Buddha, a figure widely respected across the Western world for his philosophical insight, his teachings of nonviolence, and his practice of meditation. But who was this Buddha, and how did he become the Buddha we know and love today? Leading historian of Buddhism Donald S. Lopez Jr. tells the story of how various idols carved in stone variously named Beddou, Codam, Xaca, and Fo - became the man of flesh and blood that we know simply as the Buddha. He reveals that the positive view of the Buddha in Europe and America is rather recent, originating a little more than a hundred and fifty years ago. For centuries, the Buddha was condemned by Western writers as the most dangerous idol of the Orient. He was a demon, the murderer of his mother, a purveyor of idolatry. Lopez provides an engaging history of depictions of the Buddha from classical accounts and medieval stories to the testimonies of European travelers, diplomats, soldiers, and missionaries. He shows that centuries of hostility toward the Buddha changed dramatically in the nineteenth century, when the teachings of the Buddha, having disappeared from India by the fourteenth century, were read by European scholars newly proficient in Asian languages. At the same time, the traditional view of the Buddha persisted in Asia, where he was revered as much for his supernatural powers as for his philosophical insights. From Stone to Flesh follows the twists and turns of these Eastern and Western notions of the Buddha, leading finally to his triumph as the founder of a world religion.

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The recent military coup in Myanmar perpetrated by the Tatmadaw has set the country back to the days of political uncertainty and military authoritarianism. This book examines how far the country has come since its nascent attempt at democratic reforms and democratisation in 2010.Each chapter considers some of the more prominent issues that have plagued Myanmar since political reforms started. First, there have been debates about the extent to which democratic reforms have been achieved since the Constitution was formalised in 2008. Second, what has been the significance of the three elections in 2010, 2015 and 2020? Third, how has the National League for Democracy transformed in the past decade? How far has the Union Solidarity and Development Party changed the political landscape? What roles did the Tatmadaw play in the last decade? Fourth, questions surrounding how the ethnic crisis, not least the Rohingya issue, have continued to dominate the country's political landscape in the last decade, thereby overshadowing its democratisation process.Finally, how far have these efforts at democracy demonstrated Myanmar's futile attempts at appeasing the domestic and international audience? Myanmar's relations with the global and regional community vis-à-vis the US, China, and the Association of Southeast Asian Nations have also taken a toll in the last decade. There is already a shift in power politics, especially with China determining the direction of Myanmar.Myanmar has been locked in a perpetual cycle transitioning between military authoritarianism and democratisation. These prevailing issues have led to a fragmented democracy and a lost opportunity to demonstrate its foray into a genuine democracy.

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William C. Morris Award FinalistAlabama Library Association 2019 Young Adult Award WinnerKirkus Best Book of 20172018 Best Fiction for Young Adults, YALSA2019 Sequoia Master List2018-2019 Green Mountain Book Award Master List2019-2020 Volunteer State Book Award Nominee2020 Georgia Peach Book Award NomineeAge range 14+Killing isn't supposed to be easy. But it is. It's the after that's hard to deal with. Nate was eight the first time he stabbed someone, he was eleven when he earned his red laces — a prize for spilling blood for 'the cause.' And he was fourteen when he murdered his father (and the leader of The Fort, a notorious white supremacist compound) in self-defense, landing in a treatment centre while the state searched for his next of kin. Now, in the custody of an uncle he never knew existed, who wants nothing to do with him, Nate just wants to disappear. Enrolled in a new school under a false name, so no one from The Fort can find him, he struggles to forge a new life, trying to learn how to navigate a world where people of different races interact without enmity. But he can't stop awful thoughts from popping into his head, or help the way he shivers with a desire to commit violence. He wants to be different — he just doesn't know where to start. Then he meets Brandon, a person The Fort conditioned Nate to despise on sight. But Brandon's also the first person to treat him like a human instead of a monster. Brandon could never understand Nate's dark past, so Nate keeps quiet. And it works for a while. But all too soon, Nate's worlds crash together, and he must decide between his own survival and standing for what's right, even if it isn't easy. Even if society will never be able to forgive him for his sins.

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“One day, I went to the slave market and watched em barter off po’ niggers lak tey was hogs,” said George Lycurgas, as recalled by his son, Edward. “Whole families sold together, and some was split—mother gone to one marster and father and children gone to others. They’d bring a slave out on the platform and open his mouth, pound his chest, make him harden his muscles so the buyer could see what he was gittin’.” The ex-slaves in No Man’s Yoke on My Shoulders speak of a Florida that no longer exists and can barely be imagined today. Now the fourth most populous state in the country, Florida has more than 100 times the people it did in 1860, just before the Civil War. And it was only 40 years removed from Spanish rule. In the 1930s, the Federal Writers’ Project dispatched interviewers to record the recollections of former slaves, many in their 80s or 90s. Only one percent of the 2,000-plus transcripts collected in the Library of Congress told the stories of people who had experienced bondage in Florida. That makes the narratives of former Florida slaves in this volume doubly precious. Readers will get a glimpse into the lives of these rare survivors as they told their stories at the height of the Great Depression, a time many found little better than the slave days. Horace Randall Williams describes himself as “among the last of Alabamians—black or white—who have memories of picking cotton by hand not for a few minutes to see how it felt but because I needed the few dollars I would get for a day’s hard labor under a hot sun.” He was the founder and for many years the director of the Southern Poverty Law Center’s Klanwatch Project. He also edited Weren’t No Good Times: Personal Accounts of Slavery in Alabama.

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The claim that evolution undermines Christianity is standard fare in our culture. Indeed, many today have the impression that the two are mutually exclusive and that a choice must be made between faith and reason—rejecting Christianity on the one hand or evolutionary theory on the other. Is there a way to square advances in this field of study with the Bible and Church teaching?In this book—his fourth dedicated to applying Joseph Ratzinger/Benedict XVI's wisdom to pressing theological difficulties—Matthew Ramage answers this question decidedly in the affirmative. Distinguishing between evolutionary theory properly speaking and the materialist attitude that is often conflated with it, Ramage's work meets the challenge of evolutionary science to Catholic teaching on human origins, guided by Ratzinger's conviction that faith and evolutionary theory mutually enrich one another.Pope Benedict gifted the Church with many pivotal yet often-overlooked resources for engaging evolution in the light of faith, especially in those instances where he addressed the topic in connection with the Book of Genesis. Ramage highlights these contributions and also makes his own by applying Ratzinger's principles to such issues as the meaning of man's special creation, the relationship between sin and death, and the implications of evolution for eschatology. Notably, Ramage shows that many apparent conflicts between Christianity and evolutionary theory lose their force when we interpret creation in light of the Paschal Mystery and fix our gaze on Jesus, the New Adam who reveals man to himself.Readers of this text will find that it does more than merely help to resolve apparent contradictions between faith and modern science. Ramage's work shows that discoveries in evolutionary biology are not merely difficulties to be overcome but indeed gifts that yield precious insight into the mystery of God's saving plan in Christ.

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Completed with the enthusiastic support and participation of the late Laureate, Jean Antoine-Dunne’s lively and enriching study begins in a recognition of how important film has been in the whole of Derek Walcott’s career. It is not merely that Derek Walcott wrote a number independent film scripts such as The Rig, The Haitian Earth and To Die for Grenada and wrote film treatments of several of his plays such as for Marie Laveau, Ti Jean and O Babylon, and also a film treatment of his poetic epic Omeros, but that the whole of Walcott’s work, whether poetry, drama or painting, is infused with the sense of the filmic. As she says, “I see him as a film poet”.This study, written with unrivalled access both to Walcott and to his multiple library archives, moves in several directions. Firstly, it comprises a record of all Walcott’s work in film, extensively illustrated with his storyboards and quotation from this mostly unpublished work. Secondly, it tracks Walcott’s own commentary on the place of film in his aesthetics and on his ideas about reaching the widest possible audiences. Thirdly it tracks those explicit moments in the texture of his work (Omeros is a key focus in this regard) where Walcott references film and the filmic. Fourthly the study proposes ways of rereading Walcott’s work – its narrative modes, imagery and construction -- through the lense of the filmic and in particular through the work of Sergei Eisenstein and his conception of film montage. Finally, the book makes an important contribution to the underdeveloped area of reception in Caribbean literary and aesthetic studies, exploring the concept of hybrid forms and their capacity to reach audiences excluded by the exclusively literary. Here, in an immensely stimulating argument, she brings together both the theoretical work of Gilles Deleuze and Caribbean discussions of the role of oral and visual traditions in Caribbean culture.

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A collection of essays and stories written in Spanish by students for students.Contar Historias: Escritura creativa en el aula es una colección de ensayos e historias de no ficción escritas por estudiantes de grado y pregrado que tomaron cursos y/o asistieron a talleres de escritura impartidos el Departamento de Español y Portugués en la Universidad de Texas en Austin. El libro es una muestra del trabajo creativo de estudiantes que hablan español en casa pero que nunca escribieron un texto creativo en esta lengua; estudiantes para quienes el español es su segunda, tercera e incluso cuarta lengua, y estudiantes para quienes es su lengua materna. La diversidad de voces y la amplia raigambre cultural, lingüística y geográfica de la que emergen se juntan en este volumen que refleja la multiplicidad de maneras en que el español apela a las nuevas generaciones de estudiantes, no solo en UT sino en todo el país.Contar historias: Escritura creativa en el aula (Telling Stories: Creative Writing in the Classroom) is a remarkable collection of topical essays and poignant stories written by undergraduate and graduate students who took courses and/or writing workshops offered by the Spanish Creative Writing Initiative in the Department of Spanish and Portuguese at the University of Texas at Austin. The book showcases an abundance of amazingly creative work and includes heritage speakers who have never before written a creative work in Spanish; students for whom Spanish is a second, third, and even fourth language; and native speakers. The diversity of voices from an array of cultural, linguistic, and geographical backgrounds collected in this volume reflects the multiplicity of ways in which Spanish appeals to students, not just at UT, but everywhere. The stories include—but are not limited to—intimate tales of attending college; personal testimonials on the effects of climate change, experiences navigating the US health system, and accounts of many beautiful memories from childhood. They reveal the moving and diverse ways of communicating in Spanish and are themselves potent arguments for the importance of using creativity, working collaboratively, and telling stories in the classroom.

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Rife with incest, adultery, rape, and murder, the biblical story of Jacob and his children must have troubled ancient readers. By any standard, this was a family with problems. Jacob's oldest son Reuben is said to have slept with his father's concubine Bilhah. The next two sons, Simeon and Levi, tricked the men of a nearby city into undergoing circumcision, and then murdered all of them as revenge for the rape of their sister. Judah, the fourth son, had sexual relations with his own daughter-in-law. Meanwhile, jealous of their younger sibling Joseph, the brothers conspired to kill him; they later relented and merely sold him into slavery. These stories presented a particular challenge for ancient biblical interpreters. After all, Jacob's sons were the founders of the nation of Israel and ought to have been models of virtue. In The Ladder of Jacob, renowned biblical scholar James Kugel retraces the steps of ancient biblical interpreters as they struggled with such problems. Kugel reveals how they often fixed on a little detail in the Bible's wording to "deduce" something not openly stated in the narrative. They concluded that Simeon and Levi were justified in killing all the men in a town to avenge the rape of their sister, and that Judah, who slept with his daughter-in-law, was the unfortunate victim of alcoholism. These are among the earliest examples of ancient biblical interpretation (midrash). They are found in retellings of biblical stories that appeared in the closing centuries BCE--in the Book of Jubilees, the Aramaic Levi Document, the Testaments of the Twelve Patriarchs, and other noncanonical works. Through careful analysis of these retellings, Kugel is able to reconstruct how ancient interpreters worked. The Ladder of Jacob is an artful, compelling account of the very beginnings of biblical interpretation.

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Modern-day Europeans by the millions proudly trace back their national identities to the Celts, Franks, Gauls, Goths, Huns, or Serbs--or some combination of the various peoples who inhabited, traversed, or pillaged their continent more than a thousand years ago. According to Patrick Geary, this is historical nonsense. The idea that national character is fixed for all time in a simpler, distant past is groundless, he argues in this unflinching reconsideration of European nationhood. Few of the peoples that many Europeans honor as sharing their sense of "nation" had comparably homogeneous identities; even the Huns, he points out, were firmly united only under Attila's ten-year reign. Geary dismantles the nationalist myths about how the nations of Europe were born. Through rigorous analysis set in lucid prose, he contrasts the myths with the actual history of Europe's transformation between the fourth and ninth centuries--the period of grand migrations that nationalists hold dear. The nationalist sentiments today increasingly taken for granted in Europe emerged, he argues, only in the nineteenth century. Ironically, this phenomenon was kept alive not just by responsive populations--but by complicit scholars. Ultimately, Geary concludes, the actual formation of European peoples must be seen as an extended process that began in antiquity and continues in the present. The resulting image is a challenge to those who anchor contemporary antagonisms in ancient myths--to those who claim that immigration and tolerance toward minorities despoil "nationhood." As Geary shows, such ideologues--whether Le Pens who champion "the French people born with the baptism of Clovis in 496" or Milosevics who cite early Serbian history to claim rebellious regions--know their myths but not their history. The Myth of Nations will be intensely debated by all who understood that a history that does not change, that reduces the complexities of many centuries to a single, eternal moment, isn't history at all.

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In April 1967, a year before his run for president, Senator Robert F. Kennedy knelt in a crumbling shack in Mississippi trying to coax a response from a listless child. The toddler sat picking at dried rice and beans spilled over the dirt floor as Kennedy, former US attorney general and brother to a president, touched the boy's distended stomach and stroked his face and hair. After several minutes with little response, the senator walked out the back door, wiping away tears.In Delta Epiphany: Robert F. Kennedy in Mississippi, Ellen B. Meacham tells the story of Kennedy's visit to the Delta, while also examining the forces of history, economics, and politics that shaped the lives of the children he met in Mississippi in 1967 and the decades that followed. The book includes thirty-seven powerful photographs, a dozen published here for the first time. Kennedy's visit to the Mississippi Delta as part of a Senate subcommittee investigation of poverty programs lasted only a few hours, but Kennedy, the people he encountered, Mississippi, and the nation felt the impact of that journey for much longer. His visit and its aftermath crystallized many of the domestic issues that later moved Kennedy toward his candidacy for the presidency. Upon his return to Washington, Kennedy immediately began seeking ways to help the children he met on his visit; however, his efforts were frustrated by institutional obstacles and blocked by powerful men who were indifferent and, at times, hostile to the plight of poor black children.Sadly, we know what happened to Kennedy, but this book also introduces us to three of the children he met on his visit, including the baby on the floor, and finishes their stories. Kennedy talked about what he had seen in Mississippi for the remaining fourteen months of his life. His vision for America was shaped by the plight of the hungry children he encountered there.

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Bev Stohl ran the MIT office of the renowned linguist and social critic Noam Chomsky for nearly two and a half decades. This is her account of those years, working next to a man described by the New York Times as “arguably the most important intellectual alive today.” Through these pages we observe the comings and goings of a constant and varied stream of visitors: the historian Howard Zinn; activists Alex Carey, Peggy Duff, and Dorie Ladner; the inventor of the World Wide Web, Tim Berners Lee; actors Catherine Keener and Wallace Shawn; the writer Norman Mailer; gaggles of fourteen-year-old school students, and the world’s leading linguists. All make appearances in these stories. Many who visit are as careless of their allotted time as Chomsky is generous with his. Shepherding them out in mid-conversation is one of Bev’s more challenging responsibilities. Other duties include arranging lectures to overflow crowds around the world, keeping unscrupulous journalists at bay, preventing teetering ziggurats of paper and books from engulfing her boss, and switching on his printer when it is deemed “broken” by a mind that is engaged less by mundane technology than the realms of academia and activism. Over the years, what has commenced as a formal working arrangement blossoms into something more: a warm and enduring friendship that involves work trips to Europe, visits with her partner and dog to Noam’s summer home on Cape Cod, and a mentorship that challenges Bev with all manner of intriguing mental and practical puzzles. Published with the approval of its subject and written with affection, insight and a gentle sense of humor, Chomsky and Me describes a relationship between two quite different people who, through the happenstance of work, form a bond that is both surprising and reciprocally rich.

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Change your child's future starting today: Learn how to use Stephen R. Covey's proven 7 Habits to create a leadership program for kids of all ages so they can be more effective, more goal oriented, and more successful. In today's world, we are inundated with information about who to be, what to do, and how to live. But what if there was a way to learn not just what to think about, but how to think? A program that taught how to manage priorities, focus on goals, and be a positive influence? The Leader in Me is that program. In this bestseller, Stephen R. Covey took the 7 Habits that have already changed the lives of millions of readers and showed how even young children can use them as they develop. These habits-be proactive, begin with the end in mind, put first things first, think win-win, seek to understand and then to be understood, synergize, and sharpen the saw-are being adapted by schools around the country in leadership programs, most famously at the A.B Combs Elementary school in Raleigh. Not only does it work, but it works better than anyone could have imaged. This book is full of examples of how the students blossom under the program: the classroom that decided to form a support group for one of their classmates who had behavioural problems; the fourth grader who found a way to overcome his fear of public speaking and wound up taking his class to see him compete in a national story telling competitive, or the seven-year-old who told her father than they needed to go outside and play because they both needed to 'sharpen the saw'. Perfect for individuals and corporations alike, The Leader in Me shows how easy it is to incorporate these skills into daily life. It is atimely answer to many of the challenges facing today's young people,businesses, parents, and educators-one that is perfectly matched tothe growing demands of our certain future.

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Selected by Aracelis Girmay, A Tinderbox in Three Acts is at once elegy and exegesis, fact and invention.In her fourth poetry collection, Cynthia Dewi Oka performs a lyric accounting of the anti-Communist genocide of 1965, which, led by the Indonesian military and with American assistance, erased and devastated millions of lives in Indonesia. Under the New Order dictatorship that ruled by terror for over three decades in the aftermath, perpetrators of the killings were celebrated as national heroes while survivors were systemically silenced. Drawing on US state documents that were only declassified in recent years, Oka gives form and voice to the ghosts that continue to haunt subsequent generations despite decades of state-produced amnesia and disinformation.In service of recovering what must not be remembered, A Tinderbox in Three Acts repurposes the sanitized lexicon of official discourse, imagines an emotional syntax for the unthinkable, and employs synesthetic modes of perception to convey that which exceeds language. Here, the boundary between singular and collective consciousness is blurred. Here, history as an artifact of the powerful is trumped by the halting memory of the people whom power sought to destroy. Where memory fails, here is poetry to honor the dishonored, the betrayed, the lost and still-awaited.

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Originally published as Le commerce extérieur du Japon des origines au XVIe siécle in 1988, this new edition of the landmark French study chronicles Japan's transformation from an importer of continental luxury items, raw materials, and techniques to an exporter of high-quality merchandise over nearly a millennium. The vicissitudes of foreign trade policy, as well as the volume and balance of trade, are examined within the context of regional political and economic developments. All aspects of state-sanctioned and unofficial external commerce are considered. Indeed, this volume reveals that proliferation of private foreign trade constituted a vital link between Japan and its neighbors throughout the suspension of diplomatic relations from the ninth to the fourteenth century. Evidence culled from Japanese, Chinese, and Korean annals and administrative compendia, archaeological excavations, classic literature, artifact collections, and monk and courtier diaries attests to the spectacular diversity of foreign trade goods and their significance in pre-Tokugawa Japanese society. Methodically revised, and featuring an updated, expanded bibliography and redesigned maps, as well as a précis on the state of the field since the original publication, the 2006 English edition is an indispensable resource for scholars and the teaching of premodern East Asian regional history.

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Spice things up in the kitchen! Rubs, Third Edition will be your guide to season any dish so you can create your own signature concoction!Part of The Art of Entertaining series, this new and expanded edition of the bestselling book by John Whalen III makes it even easier to season any dish and features: Over 175 recipes for rubs, marinades, glazes, and bastes A guide to flavor profiles – like “spicy,” “sweet,” “savory,” and “tangy" – and the types of proteins on which each one works best Directions for using the appropriate rub, marinade, glaze, or baste depending on how you are planning to cook your food This handbook is a perfect gift for family and friends that love to grill, and they’ll be sure to invite you to their next Fourth of July, Memorial Day, or Labor Day BBQ shindig. Or buy it for yourself and enjoy cooking in the great outdoors!Rubs is packed with recipes you can use in the kitchen, too, which are also a great starting point for your own bespoke dishes. With this flavor-packed handbook at the ready, you won’t believe how good these easy-to-follow recipes will make your food taste.

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Nearly everything you do with CSS involves units for determining the look and formatting of your web page elements. With this concise guide, you'll learn how to work with an array of units--including measurements and keywords--that help you define color, text, distance between elements, location of external files, and other values. This book contains chapters from the upcoming fourth edition of "CSS: The Definitive Guide." When you purchase either the print or the ebook edition of "Values, Units, and Colors," you'll receive a significant discount on the entire Definitive Guide when it's released. Why wait when you can learn how to use units and other key CSS3 features right away?Use RGB or HSL values to mix your own colors, and designate the degree of opacity Learn how to apply global keywords introduced in CSS3 Use string values to wrap a sequence of text characters in quotes Describe margins, letter spacing, and other properties, with either fixed or relative length units Understand how number, integer, and percentage values differ Explore CSS3 unit types for describing display resolution Use time values for transitions and animations

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Radiology Lecture Notes is a succinct yet thorough introduction to the essential imaging techniques used in various clinical situations. This fully revised and updated new edition presents the fundamental core knowledge of film interpretation, specialised radiological investigations, and procedures for imaging specific problems. The book explores common diseases and disorders complemented by good quality radiology images and full-colour illustrations. Concise chapters, organised by body systems cover investigations of the respiratory and gastrointestinal tracts, the cardiovascular and musculoskeletal systems, the liver and pancreas, and many others. Now in its fourth edition, this market-leading guide has been updated to reflect current practices and technologies in the field, featuring new up-to-date content on Computed Tomography (CT) and Magnetic Resonance Imaging (MRI). This practical guide: Provides a basic foundation in the principles and techniques of radiology Offers new content, including up-to-date CT, MRI and nuclear medicine images Features bulleted lists, ‘Key Points’ boxes, and ‘Radiological Investigations’ sections throughout the text Radiology Lecture Notes is an ideal study and revision guide for medical students and junior doctors, and will be a useful aid for specialist nurses, radiographers, and radiology department staff.

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National Protection for National Citizens, 1873 to 1880 is the third of six planned volumes of TheSelected Papers of Elizabeth Cady Stanton and Susan B. Anthony. The entire collection documents the friendship and accomplishments of two of America's most important social and political reformers. Though neither Stanton nor Anthony lived to see passage of the Nineteenth Amendment in 1920, each of them devoted fifty-five years to the cause of woman suffrage.The third volume of the Selected Papers of Elizabeth Cady Stanton and Susan B. Anthony opens while woman suffragists await the decision of the U.S. Supreme Court in cases testing whether the Constitution recognized women as voters within the terms of the Fourteenth and Fifteenth Amendments. At its close they are pursuing their own amendment to the Constitution and pressing the presidential candidates of 1880 to speak in its favor. Through their letters, speeches, articles, and diaries, the volume recounts the national careers of Elizabeth Cady Stanton and Susan B. Anthony as popular lecturers, their work with members of Congress to expand women's rights, their protests during the Centennial Year of 1876, and the launch that same year of their campaign for a Sixteenth Amendment.

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This book is intended primarily as a handbook for engineers who must design practical systems. Its primary goal is to discuss model development in sufficient detail so that the reader may design an estimator that meets all application requirements and is robust to modeling assumptions. Since it is sometimes difficult to a priori determine the best model structure, use of exploratory data analysis to define model structure is discussed. Methods for deciding on the “best” model are also presented. A second goal is to present little known extensions of least squares estimation or Kalman filtering that provide guidance on model structure and parameters, or make the estimator more robust to changes in real-world behavior. A third goal is discussion of implementation issues that make the estimator more accurate or efficient, or that make it flexible so that model alternatives can be easily compared. The fourth goal is to provide the designer/analyst with guidance in evaluating estimator performance and in determining/correcting problems. The final goal is to provide a subroutine library that simplifies implementation, and flexible general purpose high-level drivers that allow both easy analysis of alternative models and access to extensions of the basic filtering. Supplemental materials and up-to-date errata are downloadable at http://booksupport.wiley.com.

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In the fourth volume in the Why I Write series, the iconic Samuel Delany remembers fifty years of writing and shaping the world of speculative fiction “Delany’s prismatic output is among the most significant, immense and innovative in American letters.”—Jordy Rosenberg, New York Times “He dispenses wisdom about craft—including the demanding revision process his dyslexia requires—but most moving are the moments when he sheds light on connections he has made with other readers and writers. . . . Delany’s fans are in for a treat.”—Publishers Weekly, starred review Language is the way humans deal with past, present, and future possibilities, as well as the subset called the probable. This is where Samuel Delany finds his justification for the writing life. Since the 1960s, occurrences such as Sputnik, school desegregation, and the advent of AIDS have given Delany, as a gay man, as a black man, access to certain truths and facts he could write about, and the language—sometimes fiction, sometimes nonfiction—in which to present them. “We write,” Delany believes, “at the intersection of your experience and mine in a way, I hope, that allows recognition.”

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A vivid and extraordinarily wide-ranging collection of writings by an eminent historian of Spain and its empire When J. H. Elliott published Spain and Its World, 1500–1700 some twenty years ago, one of many enthusiasts declared, “For anyone interested in the history of empire, of Europe and of Spain, here is a book to keep within reach, to read, to study and to enjoy" (Times Literary Supplement). Since then Elliott has continued to explore the history of Spain and the Hispanic world with originality and insight, producing some of the most influential work in the field. In this new volume he gathers writings that reflect his recent research and thinking on politics, art, culture, and ideas in Europe and the colonial worlds between 1500 and 1800.The volume includes fourteen essays, lectures, and articles of remarkable breadth and freshness, written with Elliott’s characteristic brio. It includes an unpublished lecture in honor of the late Hugh Trevor-Roper. Organized around three themes—early modern Europe, European overseas expansion, and the works and historical context of El Greco, Velázquez, Rubens, and Van Dyck—the book offers a rich survey of the themes at the heart of Elliott’s interests throughout a career distinguished by excellence and innovation.

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The second edition presents the latest advanced in total knee and hip replacement. The book forms an essential and up-to-date resource for orthopaedic surgeons and trainees. This edition consists of more than 3000 cases of total knee and hip replacement surgery, with discussion on the management of various complications. The book is composed of fourteen chapters, many of which have been extended in this new edition, including Total Knee Replacement by Navigation System, Ultrasonic System for Cemented and Uncemented Revision Surgeries, and Complications and Revision Total Hip Replacement. Topics are further enhanced by over 500 full colour images. This edition also includes a supplementary DVD, featuring cruciate-substituting fixed bearing total knee replacement, cemented total hip replacement (C-stem), and an audiovisual presentation on education to arthritis patients. A Practical Operative Guide to Total Knee and Hip Replacement is an invaluable resource for both practising surgeons and trainees. Key Points Second edition with numerous revisions and additions bringing all information up-to-date Various techniques of postoperative analgesia new to this edition Includes DVD demonstrating surgical techniques Previous edition published in 2008

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2006 American Book Award, presented by the Before Columbus Foundation Southern Italian emigration to the United States peaked a full century ago—;descendents are now fourth and fifth generation, dispersed from their old industrial neighborhoods, professionalized, and fully integrated into the “melting pot.” Surely the social historians are right: Italian Americans are fading into the twilight of their ethnicity. So, why is the American imagination enthralled by The Sopranos, and other portraits of Italian-ness? Italian American identity, now a mix of history and fantasy, flesh-and-bone people and all-too-familiar caricature, still has something to teach us, including why each of us, as citizens of the U.S. twentieth century and its persisting cultures, are to some extent already Italian. Contending that the media has become the primary vehicle of Italian sensibilities, Ferraro explores a series of books, movies, paintings, and records in ten dramatic vignettes. Featured cultural artifacts run the gamut, from the paintings of Joseph Stella and the music of Frank Sinatra to The Godfather’s enduring popularity and Madonna’s Italian background. In a prose style as vivid as his subjects, Ferraro fashions a sardonic love song to the art and iconography of Italian America.

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During the Second World War five brutal battles were fought in and around Warsaw. Each proved to be dramatic, decisive and bloody, and in this volume of the Images of War series Anthony Tucker-Jones records them all in graphic detail. The first occurred in 1939 when the Polish army was defeated by the German invaders, and five years of occupation followed. The second was sparked by the Jewish Ghetto Uprising in 1943 which was ruthlessly suppressed by 1,200 SS troops and led to the deaths of 13,000 people. In the third the Red Army's advance was beaten back at the gates of the city in the summer of 1944 and the fourth was fought at the same time when the Nazis crushed the rising of the Polish Home Army and sought to destroy the city in an act of revenge. The failure of the rising consigned the country to decades of communist rule. The photographs and the detailed narrative give the reader a powerful impression of the experience of the people of Warsaw during this tragic period in their history and document the widespread devastation the fighting left in its wake.

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The book aims at a new exposition of the basic idea of modern aesthetics by way of a reconstruction of its genesis in the 18th century, between Baumgarten’s Aesthetics and Kant’s Critique of Judgment. The claim is that the historical invention of aesthetics was not about expanding the range of legitimate objects of philosophical inquiry—these objects all existed before aesthetics. Rather, aesthetics, by introducing the category of the “aesthetic,” fundamentally redefined these objects. But most importantly, the reconstruction of the historical genesis of aesthetics shows that the introduction of the category of the “aesthetic” required nothing less than a transformation of the fundamental terms of philosophy. What begins in—or as—aesthetics is modern philosophy. More precisely, Force shows that in—or as—aesthetics modern philosophy began twice, in two different, even opposite forms. On the one hand, Baumgarten’s Aesthetics is organized around the new concept of the “subject”: the concept of the subject as the totality of faculties, as the agent defined by his capabilities; of the subject as one who is able. By conceiving sensible cognition and (re)presentation as the exercise of subjective faculties acquired in practice, Baumgarten has framed the modern conception of human practices (and of philosophy as the inquiry into the conditions that enable the success of these practices). That is why aesthetics, the reflection upon the aesthetic, is a central pillar of modern philosophy: in aesthetics, the philosophy of the subject or of the subject’s faculties assures itself of its own possibility. Yet here, in the aesthetic and the reflection on it, the aesthetics “in the Baumgartian manner” (Herder), as the theory of the sensible faculties of the subject, at once faces a different aesthetics: the aesthetics of force, which conceives the aesthetic not as sensible cognition but instead as a play of expression—propelled by a force that, rather than being exercised, like a faculty, in practices, realizes itself; a force that does not recognize or represent anything because it is “obscure” and unconscious; a force not of the subject but of man as distinct from the same man as subject. The aesthetics of force is a science of the nature of man: of his aesthetic nature as distinct from the culture, acquired by practice, of his practices. That is the hypothesis the six chapters of Force intend to unfold. The first chapter, analyzing the rationalist concept of the sensible, recollects the point of departure of aesthetics: the sensible is that which is without determinable definition or measure. The second chapter reconstructs Baumgarten’s aesthetics of sensible cognition as a theory of the subject and its faculties. The third and fourth chapters draw on writings by Herder, Sulzer, and Mendelssohn to develop the basic motifs of a counter-model, an aesthetics of force: the aesthetic, as the operation of an “obscure” force, is a performance without generality, divorced from all norm, law, and purpose—a play. And the aesthetic, as the pleasure of self-reflection, is a process of the transformation of the subject, of its faculties and practices—a process of aestheticization. The aesthetics of force founds an anthropology of difference: between force and faculty, between man and subject. The two concluding chapters explore the consequences: for the idea of philosophical aesthetics; and for ethics as the theory of the good. The fifth chapter engages Kant to show that an aesthetics conceived as an aesthetics of force is the scene of an irresolvable contention: aesthetics unfolds within philosophy the contention between philosophy and aesthetic experience. The sixth chapter draws on Nietzsche to demonstrate the ethical import of aesthetic experience as the experience of the play of force: it teaches us to distinguish between action and life; it teaches the other good of life. – “The last word of aesthetics is human freedom.”

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In full command of both Hollywood stylistics and camp aesthetics, Spain's Pedro Almodóvar (b. 1951) has become a master of the audacious and the unorthodox, of the permissive and the polemical. Pedro Almodóvar: Interviews documents the 22-year-long cinematic career of the most internationally celebrated Spanish art-film director since Luís Buñuel. Many of these interviews, from French, Italian, and Spanish periodicals, appear for the first time in English. Almodóvar's early cinematic ventures in Super 8 and 16mm in the 1970s marked and memorialized the rise of the Movida, Madrid's underground vanguard artistic movement. Almodóvar's critical success in his native Spain came with What Have I Done to Deserve This? Almodóvar made his mark in the United States with his kitschy, melodramatic comedy and Academy Award nominee Women on the Verge of a Nervous Breakdown, and his outlandish and irreverently funny Tie Me Up! Tie Me Down! For all its taboo-breaking plots, eccentric characterizations, and explosive palettes, Almodóvar's cinema of excess has matured into one of tender compassion. All About My Mother, winner of the Best Foreign Language Film Oscar and of Best Director at the Cannes Film Festival, and his fourteenth feature to date, Talk to Her, winner of the Oscar for Best Original Screenplay, 2003, cement Almodóvar's commitment to characters on the margins and to social critique. Covering more than two decades, the interviews collected here trace Almodóvar's journey from the small village of Calzada de Calatrava to Madrid, from his humble and Catholic provincial upbringing to his superstar status as Spain's leading postmodern auteur. Originally published in Spain, France, Italy, and the United States, these conversations disclose as much about Almodóvar's personal biography as they do about his thematic universe, his directorial personality, and his maturing style. Paula Willoquet-Maricondi is assistant professor of media arts at Marist College, in Poughkeepsie, New York. She is the co-editor of Peter Greenaway's Postmodern/Poststructuralist Cinema.

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American constitutionalism rests on premises of popular sovereignty, but serious questions remain about how the "people" and their rights and powers fit into the constitutional design. In a book that will radically reorient thinking about the Constitution and its place in the polity, Wayne Moore moves away from an exclusive focus on courts and judges and considers the following queries: Who is included among the people? How are the people politically configured? How may the people act? And how do the people relate to government and other representative structures? Going beyond though not excluding relevant discussions of specific constitutional texts (such as the preamble, articles V and VII, and the ninth, tenth, and fourteenth amendments), Moore examines historical material from the antebellum period, such as the opinions of U.S. Supreme Court justices in the notorious Dred Scott case and significantly different perspectives from the writings and speeches of Frederick Douglass. He also looks at influential thinking from the founding period and examines precedents set during prominent controversies involving the establishment of a national bank, regulations of the economy, and efforts to limit sexual and reproductive choices. The penultimate chapter explores issues raised by claims of state interpretive autonomy, and the conclusion models various dimensions of the constitutional order as a whole. The book offers fresh insights into central problems of constitutional history, theory, and law. Originally published in 1998. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Amarna Sunset tells the story of the decline and fall of the pharaoh Akhenaten's religious revolution in the fourteenth century bc. Beginning at the regime's high point in his Year 12, it traces the subsequent collapse that saw the deaths of many of the king's loved ones, his attempts to guarantee the revolution through co-rulers, and the last frenzied assault on the god Amun. The book then outlines the events of the subsequent five decades that saw the extinction of the royal line, an attempt to place a foreigner on Egypt's throne, and the accession of three army officers in turn. Among its conclusions are that the mother of Tutankhamun was none other than Nefertiti, and that the queen was joint-pharaoh in turn with both her husband Akhenaten and her son. As such, she was herself instrumental in beginning the return to orthodoxy, undoing her erstwhile husband's life-work before her own mysterious disappearance. This fully updated and extensively revised paperback edition addresses new evidence and discussions that have appeared in the decade since the book was originally published. Amarna Sunset, together with its recently updated companion volume, Amarna Sunrise, accordingly provides readers with a comprehensive, up-to-date overview of Egyptian history during the golden years of the Late Bronze Age in the Eastern Mediterranean and the Near East.

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La confrontation des sources littéraires et des données archéologiques s’avère importante pour essayer de comprendre tout à la fois la mise en place des interdits alimentaires particuliers à une religion, les limites de la mise en pratique des interdits alimentaires et leur évolution dans le temps. Les interdits alimentaires et les restrictions sur la commensalité permettent à différents groupes religieux d’établir une frontière entre «eux» et «nous». Le corpus de textes normatifs appartenant aux droits religieux et civils interdisant la consommation d’aliments particuliers a été souvent étudié pour le judaïsme ou l’islam, moins souvent pour les polythéismes, le zoroastrisme ou le christianisme. Nous allons présenter la littérature normative et faire réfléchir sur les limites de sa mise en application, en nous appuyant sur l’archéozoologie qui peut fournir des données sur le décalage entre norme et pratique. The confrontation of literary sources and archaeological data is important to try altogether to understand the implementation of dietary prohibitions peculiar to a religion, the limits of the practice of dietary prohibitions and their evolution over time. Food prohibitions and restrictions on commensality allow different religious groups to draw a line between “them” and “us”. The body of normative texts pertaining to religious and civil laws prohibiting the consumption of particular foods has often been studied for Judaism or Islam, less often for polytheisms, Zoroastrianism or Christianity. We intend to present the normative literature and to reflect on the limits of its implementation, relying on archaeozoology that can provide data on the discrepancy between norm and practice.

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The Drum Tower is Farnoosh Moshiri's fourth work of fiction concerned with the deleterious effects of the Iranian Revolution of 1979. This novel, told by a mentally ill, 16-year-old girl, depicts the fall of Drum Tower, the house of a family descended from generations of War Ministers. Rich in characters-Talkhoon, who struggles to control the winds she hears inside her head and who tells the story; Assad, a man made evil by his love for her; Anvar Angha, Talkhoon's grandfather who has devoted his life to writing a book about the Simorgh (the mythical bird of knowledge; the Persian Phoenix) but never completes it; Soraya, Talkhoon's mother, whom we never meet but about whom myriad and contradictory stories abound-and rich in family secrets, this novel chronicles the early days of the revolution, the ruthlessness and opportunism of the competing factions, the rise of the Revolutionary Guard, the chaos and murder in the streets of Tehran, the arrests and executions, as experienced by the members of this family. The Drum Tower may be compared, favorably, to Gone with the Wind. It has already won two Barbara Deming Memorial Fund Fiction Awards and a Black Heron Press Award for Social Fiction. It has been licensed to the United Kingdom's Sandstone Press which will publish the British Commonwealth edition simultaneous with the Black Heron Press edition.

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Why Write? An Anthology for English Composition equips students with the knowledge, skillsets, and applied practice needed to improve their academic writing, critical thinking skills, and research capability. The anthology provides students with engaging and thought-provoking readings, which are complemented by as-you-read suggestions, writing prompts, reflection exercises, and opportunities for discussion.Unit I helps students understand who they are as writers and how to imbue their writing with their unique experiences, viewpoints, and strengths. They are introduced to exploratory writing, personal narratives, essay writing, the writing process, and strategies for improving written works with revision. In Unit II, students learn who they are as critical thinkers while also learning how to effectively and confidently construct and defend an argument. Unit III helps students understand who they are as researchers. They learn how research and knowledge can strengthen arguments, deepen personal analysis of works, and further develop writing effectiveness. The second edition features a new fourth unit, which focuses on the practice of argumentation. The unit covers types of arguments, fallacies, oral arguments, and how to construct an effective argument. An enlightening and practical anthology, Why Write? is ideal for foundational courses in English, composition, and rhetoric. It can also be used to support freshman orientation or student success courses and programs.

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Matilda meets The Penderwicks in this charming, magical story about a young witch who accidentally travels back in time—the fourth in the “effervescent” (Kirkus Reviews) Poppy Pendle series.Della Dupree has the so-called honor of being named after the legendary founder of the prestigious witchcraft school, Ruthersfield Academy. Her namesake left incredibly big shoes to fill, and most days, Della doesn’t feel like she’s up to the task. No matter how hard she tries, Della’s magic seems middling, her spells sad, and her charms not so charming. Deep down, Della feels she will never do the academy founder proud. Then one morning Della is in the library early to work on her spells before class. Thinking about her name again, she finds herself chanting, “Twelve twenty-three, twelve twenty-three, Ruthersfield was founded by Witch Dupree.” But the open closet of time travel amulets nearby means her careless words have serious consequences. A mysterious wind gusts through the library and sweeps Della back to the year 1223. She ends up alone in a strange time with no idea how to get back home. Della has never had much confidence in her magic, but left with no choice, she must use her spells and ingenuity to find her way back across the centuries—and maybe finally feel she’s earned her name.

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