Search results for ""Author Four"

La confrontation des sources littéraires et des données archéologiques s’avère importante pour essayer de comprendre tout à la fois la mise en place des interdits alimentaires particuliers à une religion, les limites de la mise en pratique des interdits alimentaires et leur évolution dans le temps. Les interdits alimentaires et les restrictions sur la commensalité permettent à différents groupes religieux d’établir une frontière entre «eux» et «nous». Le corpus de textes normatifs appartenant aux droits religieux et civils interdisant la consommation d’aliments particuliers a été souvent étudié pour le judaïsme ou l’islam, moins souvent pour les polythéismes, le zoroastrisme ou le christianisme. Nous allons présenter la littérature normative et faire réfléchir sur les limites de sa mise en application, en nous appuyant sur l’archéozoologie qui peut fournir des données sur le décalage entre norme et pratique. The confrontation of literary sources and archaeological data is important to try altogether to understand the implementation of dietary prohibitions peculiar to a religion, the limits of the practice of dietary prohibitions and their evolution over time. Food prohibitions and restrictions on commensality allow different religious groups to draw a line between “them” and “us”. The body of normative texts pertaining to religious and civil laws prohibiting the consumption of particular foods has often been studied for Judaism or Islam, less often for polytheisms, Zoroastrianism or Christianity. We intend to present the normative literature and to reflect on the limits of its implementation, relying on archaeozoology that can provide data on the discrepancy between norm and practice.

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The Drum Tower is Farnoosh Moshiri's fourth work of fiction concerned with the deleterious effects of the Iranian Revolution of 1979. This novel, told by a mentally ill, 16-year-old girl, depicts the fall of Drum Tower, the house of a family descended from generations of War Ministers. Rich in characters-Talkhoon, who struggles to control the winds she hears inside her head and who tells the story; Assad, a man made evil by his love for her; Anvar Angha, Talkhoon's grandfather who has devoted his life to writing a book about the Simorgh (the mythical bird of knowledge; the Persian Phoenix) but never completes it; Soraya, Talkhoon's mother, whom we never meet but about whom myriad and contradictory stories abound-and rich in family secrets, this novel chronicles the early days of the revolution, the ruthlessness and opportunism of the competing factions, the rise of the Revolutionary Guard, the chaos and murder in the streets of Tehran, the arrests and executions, as experienced by the members of this family. The Drum Tower may be compared, favorably, to Gone with the Wind. It has already won two Barbara Deming Memorial Fund Fiction Awards and a Black Heron Press Award for Social Fiction. It has been licensed to the United Kingdom's Sandstone Press which will publish the British Commonwealth edition simultaneous with the Black Heron Press edition.

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Why Write? An Anthology for English Composition equips students with the knowledge, skillsets, and applied practice needed to improve their academic writing, critical thinking skills, and research capability. The anthology provides students with engaging and thought-provoking readings, which are complemented by as-you-read suggestions, writing prompts, reflection exercises, and opportunities for discussion.Unit I helps students understand who they are as writers and how to imbue their writing with their unique experiences, viewpoints, and strengths. They are introduced to exploratory writing, personal narratives, essay writing, the writing process, and strategies for improving written works with revision. In Unit II, students learn who they are as critical thinkers while also learning how to effectively and confidently construct and defend an argument. Unit III helps students understand who they are as researchers. They learn how research and knowledge can strengthen arguments, deepen personal analysis of works, and further develop writing effectiveness. The second edition features a new fourth unit, which focuses on the practice of argumentation. The unit covers types of arguments, fallacies, oral arguments, and how to construct an effective argument. An enlightening and practical anthology, Why Write? is ideal for foundational courses in English, composition, and rhetoric. It can also be used to support freshman orientation or student success courses and programs.

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Matilda meets The Penderwicks in this charming, magical story about a young witch who accidentally travels back in time—the fourth in the “effervescent” (Kirkus Reviews) Poppy Pendle series.Della Dupree has the so-called honor of being named after the legendary founder of the prestigious witchcraft school, Ruthersfield Academy. Her namesake left incredibly big shoes to fill, and most days, Della doesn’t feel like she’s up to the task. No matter how hard she tries, Della’s magic seems middling, her spells sad, and her charms not so charming. Deep down, Della feels she will never do the academy founder proud. Then one morning Della is in the library early to work on her spells before class. Thinking about her name again, she finds herself chanting, “Twelve twenty-three, twelve twenty-three, Ruthersfield was founded by Witch Dupree.” But the open closet of time travel amulets nearby means her careless words have serious consequences. A mysterious wind gusts through the library and sweeps Della back to the year 1223. She ends up alone in a strange time with no idea how to get back home. Della has never had much confidence in her magic, but left with no choice, she must use her spells and ingenuity to find her way back across the centuries—and maybe finally feel she’s earned her name.

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Fourth grade’s tough. But how much trouble can one kid get into when he’s just trying to help his sister?When Sandro Zapote finds out his little sister needs heart surgery, he is determined to help his parents raise the money so she can get treatment. Sandro’s dad is in the States illegally and must work two jobs to support the family. For one, he picks up roadkill for the department of streets and sanitation and gets paid by the carcass. For the other, he collects scrap metal to recycle for cash. Sandro helps his dad with some of the scrap metal heavy lifting, and one headboard, a weight bench, some gutters, and a few car parts later, Sandro has a brilliant idea: can collecting. Save the environment. Save his sister. Maybe even save some spending money for the fabulous, fast new bike he’s been coveting.Well-meaning and with funny inner monologue, Sandro is the kind of person you can’t help but cheer for. He’s a boy who loves drawing, soccer, and his little sister. And whether he’s fishing a fuzzy, dust-coated turtle out from under his sister’s bed or organizing a school-wide can drive all by himself, Sandro is a smart, self-aware hero who makes just a few mistakes along the way.

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The fate of the USS Flier is one of the most heroic stories of the Second World War. On August 13, 1944, the submarine struck a mine and sank to the bottom of the Sulu Sea in less than one minute, leaving only fourteen of its eighty-six crewmen alive. After enduring eighteen hours in the water, the eight remaining survivors swam to a remote island controlled by the Japanese. Deep in enemy territory and without food or drinking water, the crewmen soon realized that their struggle for survival had just begun. Noted historian Michael Sturma's vivid recounting of the harrowing story of the USS Flier has all the elements of a classic World War II survival tale: sudden disaster, physical deprivation, a ruthless enemy, friendly guerrillas, and a dramatic escape from behind enemy lines. The eight sailors who survived the disaster became the first Americans of the Pacific conflict to escape from a sunken submarine and return safely to the United States. Though some of the Flier's mysteries remain with the submarine beneath the sea, this account sheds light on the nature of underwater warfare and naval protocol and demonstrates the high degree of cooperation that existed among submariners, coast watchers, and guerrillas in the Philippines. Sturma fills a historical gap by detailing this important episode of the Second World War.

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The traditional view of the Scottish nation holds that it first arose during the Wars of Independence from England in the thirteenth and fourteenth centuries. Although Scotland was absorbed into Britain in 1707 with the Treaty of Union, Scottish identity is supposed to have remained alive in the new state through separate institutions of religion (the Church of Scotland), education, and the legal system. Neil Davidson argues otherwise. The Scottish nation did not exist before 1707. The Scottish national consciousness we know today was not preserved by institutions carried over from the pre-Union period, but arose after and as a result of the Union, for only then were the material obstacles to nationhood – most importantly the Highland/Lowland divide – overcome. This Scottish nation was constructed simultaneously with and as part of the British nation, and the eighteenth century Scottish bourgeoisie were at the forefront of constructing both. The majority of Scots entered the Industrial Revolution with a dual national consciousness, but only one nationalism, which was British. The Scottish nationalism which arose in Scotland during the twentieth century is therefore not a revival of a pre-Union nationalism after 300 years, but an entirely new formation. Davidson provides a revisionist history of the origins of Scottish and British national consciousness that sheds light on many of the contemporary debates about nationalism.

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Gabrielle Hamilton meets April Bloomfield in a raw and rollicking memoir that pulls back the curtain on life as a female butcher.When 16-year-old Jessica Wragg applied for a job at the local farm shop in her hometown of Chesterfield, England, she never expected to land a position behind the all-male butchery counter. Young and enthusiastic, and fueled by a newfound fascination with the craft, Wragg quickly realized that she was an outcast in a world of middle-aged men who spoke a secret language to fool customers and were reluctant to share the tricks of their trade with a novice.A decade later, against all odds, Wragg is pulling back the curtain on an industry that is still problematically set in its old-school ways. Like her female counterparts in the restaurant world, she has had to fight to establish herself in the meat industry, memorizing muscle and bone and tendon, while battling sexism and ageism. Girl on the Block is a fish-out-of-water story that blends Wragg's personal journey with an exploration of the sanctity of her craft and an honest look at the modern meat industry. A tour through one of the oldest, dirtiest, and most fascinating professions, Girl on the Block is Wragg's tale of returning home with blood on her boots at the end of fourteen-hour days and finding her way in the end.

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This second edition was updated and will again be of great value to medical and other allied health students. It seeks to aid students in gaining a general understanding of clinical anatomy before embarking on a specific discipline-focused program.The purpose of this text is not an exhaustive deep dive into all of gross anatomy. There are numerous other books that have done this. Likewise, it is not meant to be just a quick overview. Rather, it is meant to present each anatomical topic with clinical scenarios in mind. Hopefully, it will help first-year students with their course, second-year students looking for a refresher before boards, and third- and fourth-year students looking for a refresher before rotations.Organized among two sections, the first includes chapters that cover the anatomy of the head and neck, abdomen, thorax, pelvis and perineum, lower limb, upper limb, and back. What’s more, section two briefly examines the embryology and development of the organ systems, such as the development of major organs.This new edition is again an invaluable resource for students who wish to retain anatomical knowledge on the entire human body despite an eventual career in one particular discipline of medicine. It is complemented by its previously published sister text Medical Neuroanatomy for the Boards and the Clinic, now in second edition, which applies similar principles of anatomical information with a focus on identifying potentially malignant lesions.

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Originally published in Dutch and translated to Spanish for the fourth centenary celebration of the death of El Greco in 2014, this book is a comprehensive study of the rediscovery of El Greco -- seen as one of the most important events of its kind in art history. The Nationalization of Culture versus the Rise of Modern Art analyses how changes in artistic taste in the second half of the nineteenth century caused a profound revision of the place of El Greco in the artistic canon. As a result, El Greco was transformed from an extravagant outsider and a secondary painter into the founder of the Spanish School and one of the principle predecessors of modern art, increasingly related to that of the Impressionists -- due primarily to the German critic Julius Meier-Graefe's influential History of Modern Art (1914). This shift in artistic preference has been attributed to the rise of modern art but Eric Storm, a cultural historian, shows that in the case of El Greco nationalist motives were even more important. This study examines the work of painters, art critics, writers, scholars and philosophers from France, Germany and Spain, and the role of exhibitions, auctions, monuments and commemorations. Paintings and associated anecdotes are discussed, and historical debates such as El Greco's supposed astigmatism are addressed in a highly readable and engaging style. This book will be of interest to both specialists and the interested art public.

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First comprehensive study of English artillery in the late Middle Ages, bringing out its full impact on areas beyond the military. One of the most important technological developments of the Middle Ages was the adoption of gunpowder weapons in medieval Europe. From the fourteenth century onwards, this new technology was to eventually transform the conduct ofwarfare beyond all recognition with important implications for European and global history. Guns came to be used in all aspects of military operations, with kings, nobles and burgesses all spending large sums of money on these prestigious weapons. The growing effectiveness of gunpowder artillery prompted major changes in the design of fortifications, the composition of armies, the management of logistics and administrative systems. This book is the first full-length study of the unique English experience of gunpowder weapons, tracing their development from their introduction in the reign of Edward III to the end of the fifteenth century. The rich records of the English Exchequer and urban accounts are used to explore their role in campaigns, in sieges, on the battlefield, at sea and their role in the defence of towns, royal castles and the fortifications of the Pale of Calais. It provides a comprehensive framework for the speed of technological advances and the factors responsible for these changes, as well as an in-depth discussion of individual gun types. DAN SPENCER obtained his PhD from the University of Southampton.

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Staying Human is the sequel to the Staying Alive trilogy of anthologies which have introduced many thousands of new readers to contemporary poetry. This fourth Bloodaxe world poetry anthology offers poetry lovers an even broader, international selection of 500 more ‘real poems for unreal times’, with a strong focus on 21st-century poems addressing current issues. The range of poetry here complements that of the first three anthologies: hundreds of thoughtful and passionate poems about living in the modern world; poems that touch the heart, stir the mind and fire the spirit; poems about what makes us human, about love and loss, fear and longing, hurt and wonder; talismanic poems which have become personal survival testaments for many. There’s a strong focus on the human side of living in the 21st century in poems from the past two decades relating to migration, oppression, alienation and the individual’s struggle to hold on, stay connected and find meaning in an increasingly polarised world. Staying Human also draws on poems suggested by readers because they’ve been so important in their own lives, as well as many poems which have gone viral after being shared on social media because they speak to our times with such great immediacy. And there are poems from around the world written just recently in response to the 2020 coronavirus pandemic.

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In The United States of Anonymous, Jeff Kosseff explores how the right to anonymity has shaped American values, politics, business, security, and discourse, particularly as technology has enabled people to separate their identities from their communications. Legal and political debates surrounding online privacy often focus on the Fourth Amendment's protection against unreasonable searches and seizures, overlooking the history and future of an equally powerful privacy right: the First Amendment's protection of anonymity. The United States of Anonymous features extensive and engaging interviews with people involved in the highest profile anonymity cases, as well as with those who have benefited from, and been harmed by, anonymous communications. Through these interviews, Kosseff explores how courts have protected anonymity for decades and, likewise, how law and technology have allowed individuals to control how much, if any, identifying information is associated with their communications. From blocking laws that prevent Ku Klux Klan members from wearing masks to restraining Alabama officials from forcing the NAACP to disclose its membership lists, and to refusing companies' requests to unmask online critics, courts have recognized that anonymity is a vital part of our free speech protections. The United States of Anonymous weighs the tradeoffs between the right to hide identity and the harms of anonymity, concluding that we must maintain a strong, if not absolute, right to anonymous speech.

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This book provides over 300 standard letters for architects and contract administrators to use at all stages of contract administration. The letters are grouped into sections which correspond with the RIBA Plan of Work: the aim is to cover all the common situations encountered in practice. This Fourth Edition has been revised to take account of the extensive changes to virtually the whole of the JCT suite of building contracts. Unless otherwise stated, all letters are suitable for use with: · JCT Standard Building Contract (SBC) · JCT Intermediate Building Contract (IC) · JCT Intermediate Building Contract with contractor’s design (ICD) · JCT Minor Works Building Contract (MW) · JCT Minor Works Building Contract with contractor’s design (MWD) · JCT Design and Build Contract (DB) · GC/Works/1 (1998) With Quantities Contract The latest edition also takes account of the CDM Regulations 2007, the revised RIBA Code of Conduct and its associated guidance notes, and the RIBA standard agreements for the appointment of an architect issued in 2007. Architects and contract administrators spend a great deal of time writing letters of various types. Many of them are routine and repetitive in character, but they require proper consideration if potentially dangerous liability situations are to be avoided. The book will be of use not only to architects and contract administrators but also to project managers and employers’ agents.

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A complete course in do-it-yourself digital marketing in 14 bite-sized lessons The global recession has sent tens of millions scrambling for alternative employment opportunities, and a great many of them have taken the leap into becoming their own bosses. As a result there is a crying need among small business startups, entrepreneurs, and independents working on a shoestring for expert guidance on marketing themselves and their businesses online. Pimp My Site fills that void. It is a complete, do-it-yourself toolkit structured as a fourteen-day course. Rather than fry readers' circuits with a lot of jargon-heavy technical descriptions, Paula Wynne, a successful publicist, marketer and award-winning online entrepreneur, takes a show-and-tell approach. Her step-by-step descriptions are concise and in plain English, and each step is illustrated with vivid screenshots and illustrations, making the coverage eminently digestible, even for complete novices. From keywords and YouTube to search marketing and optimization, Pimp My Site, offers much for beginners and advanced users alike. Notable experts describe, in their own words, quick, easy techniques for driving traffic to your site and achieving online success An excellent do-it-yourself resource for complete beginners as well as experienced users looking to plug a few holes in their online marketing know-how Provides practical coverage of all important trends and technologies, including optimization, search marketing, social media, YouTube, keywords, email marketing, and more

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"Lollard" is the name given to followers of John Wyclif, the English dissident theologian who was dismissed from Oxford University in 1381 for his arguments regarding the eucharist. A forceful and influential critic of the ecclesiastical status quo in the late fourteenth century, Wyclif’s thought was condemned at the Council of Constance in 1415. While lollardy has attracted much attention in recent years, much of what we think we know about this English religious movement is based on records of heresy trials and anti-lollard chroniclers. In Feeling Like Saints, Fiona Somerset demonstrates that this approach has limitations. A better basis is the five hundred or so manuscript books from the period (1375–1530) containing materials translated, composed, or adapted by lollard writers themselves. These writings provide rich evidence for how lollard writers collaborated with one another and with their readers to produce a distinctive religious identity based around structures of feeling. Lollards wanted to feel like saints. From Wyclif they drew an extraordinarily rigorous ethic of mutual responsibility that disregarded both social status and personal risk. They recalled their commitment to this ethic by reading narratives of physical suffering and vindication, metaphorically martyring themselves by inviting scorn for their zeal, and enclosing themselves in the virtues rather than the religious cloister. Yet in many ways they were not that different from their contemporaries, especially those with similar impulses to exceptional holiness.

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Now in paperback, the third novel of the Family Spies series, set in the bestselling world of Valdemar, where Heralds Mags and Amily's youngest child must follow in his parents' footsteps to protect both his family and the realm.Thirteen year old Prince Kyril and Mags and Amily's fourteen-year-old son Tory "share" the Gift of Farsight--although neither of them are Chosen. They are self-trained, though currently, their shared Gift only allows them to see what is happening with their immediate family members.After much debate, the Herald's Collegium has decided to test and train them anyway. That's when the surprises start. They do not share a single Gift; they have two complementary Gifts working together in a way that the Heralds have never seen before. Tory is the Farseer--Kee's Gift is to extend his range beyond a few dozen feet.Their Gifts become crucial when Mags gets a desperate message from his cousin Bey, the head of the enigmatic assassin-tribe, the Sleepgivers. Bey's eldest daughter has been kidnapped, but he doesn't know why or by whom. He's calling in the debt Mags owes him to find his daughter before it's too late.Tory is certain that if anyone can find her, he can. But that will mean traveling out of Valdemar into an unknown, dangerous country. And it will mean taking a Royal Prince with him.

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The modern prison is commonly thought to be the fruit of an Enlightenment penology that stressed man's ability to reform his soul. The Medieval Prison challenges this view by tracing the institution's emergence to a much earlier period beginning in the late thirteenth century, and in doing so provides a unique view of medieval prison life. G. Geltner carefully reconstructs life inside the walls of prisons in medieval Venice, Florence, Bologna, and elsewhere in Europe. He argues that many enduring features of the modern prison--including administration, finance, and the classification of inmates--were already developed by the end of the fourteenth century, and that incarceration as a formal punishment was far more widespread in this period than is often realized. Geltner likewise shows that inmates in medieval prisons, unlike their modern counterparts, enjoyed frequent contact with society at large. The prison typically stood in the heart of the medieval city, and inmates were not locked away but, rather, subjected to a more coercive version of ordinary life. Geltner explores every facet of this remarkable prison experience--from the terror of an inmate's arrest to the moment of his release, escape, or death--and the ways it was viewed by contemporary observers. The Medieval Prison rewrites penal history and reveals that medieval society did not have a "persecuting mentality" but in fact was more nuanced in defining and dealing with its marginal elements than is commonly recognized.

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By "literary criticism" we usually mean a self-conscious act involving the technical and aesthetic appraisal, by individuals, of autonomous works of art. Aristotle and Plato come to mind. The word "social" does not. Yet, as this book shows, it should--if, that is, we wish to understand where literary criticism as we think of it today came from. Andrew Ford offers a new understanding of the development of criticism, demonstrating that its roots stretch back long before the sophists to public commentary on the performance of songs and poems in the preliterary era of ancient Greece. He pinpoints when and how, later in the Greek tradition than is usually assumed, poetry was studied as a discipline with its own principles and methods. The Origins of Criticism complements the usual, history-of-ideas approach to the topic precisely by treating criticism as a social as well as a theoretical activity. With unprecedented and penetrating detail, Ford considers varying scholarly interpretations of the key texts discussed. Examining Greek discussions of poetry from the late sixth century B.C. through the rise of poetics in the late fourth, he asks when we first can recognize anything like the modern notions of literature as imaginative writing and of literary criticism as a special knowledge of such writing. Serving as a monumental preface to Aristotle's Poetics, this book allows readers to discern the emergence, within the manifold activities that might be called criticism, of the historically specific discourse on poetry that has shaped subsequent Western approaches to literature.

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Fully revised and updated to reflect changes in clinical practice, legislation and regulation, this groundbreaking textbook intertwines the subjects of dental hygiene and dental therapy to provide a comprehensive resource for students of these courses, as well as those studying new degree programmes in oral health science. The Clinical Textbook of Dental Hygiene and Therapy is designed as a dedicated companion text for these disciplines and should enable students to streamline their primary reading. Following course developments and an expansion in the remits of both hygienists and therapists, this book is written not only for students, but also as a revision aid for those already in practice. Interactive questions on a companion website allow the reader to test their knowledge and understanding. The opening section of the book is dedicated to relevant oral sciences: anatomy; histology; embryology; oral medicine and pathology. The clinical section contains fourteen chapters which provide coverage of the core syllabus for dental hygiene and therapy. The final section is dedicated to primary dental care services and law, ethics and professionalism. FEATURES • Provides unique combined coverage of the subjects of dental hygiene and dental therapy • Emphasises the clinical domain and reflects role expansion • Highly illustrated in full colour throughout • Includes expert contributions from dental hygienists, therapists, and dentists • Dedicated companion website at www.wiley.com/go/noble/dentalhygiene

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The volume The Many Faces of Beauty joins the rich debate on beauty and aesthetic theory by presenting an ambitious, interdisciplinary examination of various facets of beauty in nature and human society. The contributors ask such questions as, Is there beauty in mathematical theories? What is the function of arts in the economy of cultures? What are the main steps in the historical evolution of aesthetic theories from ancient civilizations to the present? What is the function of the ugly in enhancing the expressivity of art? and What constitutes beauty in film? The sixteen essays, by eminent scientists, critics, scholars, and artists, are divided into five parts. In the first, a mathematician, physicist, and two philosophers address beauty in mathematics and nature. In the second, an anthropologist, psychologist, historian of law, and economist address the place of beauty in the human mind and in society. Explicit philosophical reflections on notoriously vexing issues, such as the historicity of aesthetics itself, interculturality, and the place of the ugly, are themes of the third part. In the fourth, practicing artists discuss beauty in painting, music, poetry, and film. The final essay, by a theologian, reflects on the relation between beauty and God. Contributors: Vittorio Hösle, Robert P. Langlands, Mario Livio, Dieter Wandschneider, Christian Illies, Francesco Pellizzi, Bjarne Sode Funch, Peter Landau, Holger Bonus, Pradeep A. Dhillon, Mark W. Roche, Maxim Kantor, Claus-Steffen Mahnkopf, Mary Kinzie, Dudley Andrew, and Cyril O’Regan.

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Compiled in China in the fourth–third centuries BCE, The Book of Lord Shang argues for a new powerful government to rule over society and turn every man into a diligent tiller and valiant soldier. Creating a “rich state and a strong army” will be the first step toward unification of “All-under-Heaven.” These ideas served the state of Qin that eventually created the first imperial polity on Chinese soil. In Yuri Pines’s translation, The Book of Lord Shang’s intellectual boldness and surprisingly modern-looking ideas shine through, underscoring the text’s vibrant contribution to global political thought.The Book of Lord Shang is attributed to the statesman and theorist Shang Yang and his followers. It epitomizes the ideology of China’s so-called Legalist School of thought. In the ninety years since the work’s previous translation, major breakthroughs in studies of the book’s dating and context have recast our understanding of its messages. Pines applies these advances to a whole new reading of the text’s content and function in the sociopolitical life of its times and subsequent centuries. This abridged and revised edition of Pines’s annotated translation is ideal for newcomers to the book while also guiding early Chinese scholars and comparatists. It highlights the text’s practical success and its influence on political thought and political practice in traditional and modern China.

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Clive Cussler sends his great hero on an explosive mission in Atlantis Found, the fifteenth Dirk Pitt adventure. Around the world ancient artefacts are suddenly appearing, hinting at a catastrophe that will soon visit Earth ...Dirk Pitt is on hand at a Colorado archaeological site where an ancient and mysterious artefact has been found - one that is perhaps linked to other strange objects turning up across the globe. And soon Pitt's skills and ingenuity are desperately needed to rescue the team after a suspicious explosion seals them deep underground. It quickly becomes clear that the artefacts carry a message: warning of global Armageddon. Yet a shadowy organisation called the Fourth Empire not only wants to stop others from heeding that warning, but is also actively seeking to accelerate the end it foretells. Now Pitt and NUMA must face this diabolical foe, who will stop at nothing to wipe out all life on earth ...Packed with blistering action and hair-raising suspense, Atlantis Found is Clive Cussler at his brilliant best. Atlantis Found is the fifteenth of Clive Cussler's bestselling Dirk Pitt thrillers - the series that also includes Arctic Drift and, his first novel, Mayday - in which the discovery of an artefact could mean the end of the world. Praise for Clive Cussler: 'Cussler is hard to beat' Daily Mail 'The guy I read' Tom Clancy

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Hunter, naturalist, and conservationist, Jim Corbett is famous for slaying man-eating tigers and leopards in the Kumaon region of northern India. Frequently appealed to by the government of the United Provinces during the 1920s and the 1930s for help, Corbett is known to have shot nineteen tigers and fourteen leopards-all man-eaters. Corbett was encouraged to write about his hunting experiences by Roy E. Hawkins, manager of the Indian Branch of the Oxford University Press and a personal friend. An integral part of OUP India's centenary celebrations, this volume includes Jim Corbett's unpublished writings on man-eaters, nature, and his beloved Kumaon, personal letters, articles written for newspapers and gazettes by his contemporaries, and letters exchanged between Corbett and his publisher showcasing the development of his bestselling books-all from the archives of the Oxford University Press. It highlights Corbett's engagement with the times in which he lived, his complete empathy with the people of Kumaon, his great understanding of tigers and leopards, and also the gradual development of his ideas about conservation and the need to preserve the tiger and its habitat. Chronicling the history of his bestselling books (Man-Eaters of Kumaon, The Man-Eating Leopard of Rudraprayag, and My India) and supported by rare photographs and evocative line drawings, this volume reflects the evolution of his writing as well as his long relationship with the Press.

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'Myles Foley gripped my soaked jumper. Before his ship sank he was a Nazi: now he's a drowning sailor. Out here, we are all sailors. Your father and grandfather understood that. Are you going to disgrace their memory?' Part historical fiction, part extraordinary coming-of-age tale, The Lonely Sea and Sky charts the maiden voyage of fourteen-year-old Jack Roche aboard a tiny Wexford ship, the Kerlogue, on a treacherous wartime journey to Portugal. After his father's ship is sunk on this same route, Jack must go to sea to support his family swapping Wexford's small streets for Lisbon's vibrant boulevards: where every foreigner seems to be a refugee or a spy, and where he falls under the spell of Katerina, a Czech girl surviving on her wits. Bolger's new novel is based on a real-life rescue in 1943, when the Kerlogue's crew risked their lives to save 168 drowning German sailors - members of the navy that had killed Jack's father. Forced to choose who to save and who to leave behind, the Kerlogue grows so dangerously overloaded that no one knows if they will survive amid the massive Biscay waves. A brilliant portrayal of those unarmed Irish ships that sailed alone through hazardous waters; of young romance and a boy encountering a world where every experience is intense and dangerous, this is Bolger's most spellbinding novel, and the work of a master storyteller who is one of Ireland's best-known novelists, playwrights and poets.

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Frankenstein . . . his very name conjures up images of plundered graves, secret laboratories, electrical experiments and reviving the dead.Within these pages, the maddest doctor of them all and his demented disciples once again delve into the Secrets of Life, as science fiction meets horror when the world's most famous creature lives again!The Mammoth Book of Frankenstein collects together for the first time twenty-fourelectrifying tales of cursed creation that are guaranteed to spark your interest - with classics from the pulp magazines by Robert Bloch and Manly Wade Wellman, modern masterpieces from Ramsey Campbell, Dennis Etchison, Karl Edward Wagner, David J. Schow and R. Chetwynd-Hayes, and contributions from Graham Masterson, Basil Copper, John Brunner, Guy N. Smith, Kim Newman, Paul J. McAuley, Roberta Lannes, Michael Marshall Smith, Daniel Fox, Adrian Cole, Nancy Kilpatrick, Brian Mooney and Lisa Morton.Plus you're sure to get a charge from three complete novels: The Hound of Frankenstein by Peter Tremayne, The Dead End by David Case, and Mary W. Shelley's original masterpiece Frankenstein; or, The Modern Prometheus.As an electrical storm rages overhead, the generators are charged up, and beneath the sheet a cold form awaits its miraculous rebirth. Now it's time to throw that switch and discover all that Man Was Never Meant to Know.

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Russian military aviation has undergone several upheavals in the post-Soviet era. There have been two driving forces behind these changes. First, the Russian experience of air power in conflicts has led to an increasing integration of the various branches of the armed forces. Today’s VKS was created as a result of the absorption of the Air Defence Troops (VPVO) by the Air Force (VVS) in 1998, and then a merger of the Air Force with the Aerospace Defence Troops (VVKO) in 2015.Meanwhile, Russia has adapted to financial realities, with insignificant defence spending throughout the 1990s followed by rapid expansion as the global price of oil increased since the beginning of the 21st century. Mass purchases of aircraft and helicopters began in 2009, and the proportion of modern equipment in Russia’s Aerospace Forces now exceeds 75%.The fourth title in Harpia Publishing’s series on Russian military aviation details all fixed-wing aircraft, helicopters and other aerial vehicles operated by Russia’s military air arms.Like the previous volumes, Flashpoint Russia is a comprehensive reference work, presenting organisational structure and the quantitative potential of Russian military aviation.The centrepiece of the book describes the current order of battle of the Aerospace Forces (VKS) and other operators of military aircraft in Russia and includes all the country’s aviation units.Other chapters cover Russia’s approach to purchases of arms and military equipment, and priority air programmes for the next decade.

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A searing book club novel for fans of Where the Crawdad's Sing and The Girls in the Stilt House following one girl fighting for her family, her body, and her right to create a future all her ownSome folks will do anything to control the wild spirit of a Carolina girl...For fourteen-year-old Leah Payne, life in her beloved coastal Carolina town is as simple as it is free. Devoted to her lumberjack father and running through the wilds where the forest meets the shore, Leah's country life is as natural as the Loblolly pines that rise to greet the Southern sky.When an accident takes her father's life, Leah is wrenched from her small community and cast into a family of strangers with a terrible secret. Separated from her only home, Leah is kept apart from the family and forced to act as a helpmate for the well-to-do household. When a moment of violence and prejudice thrusts Leah into the center of the state's shameful darkness, she must fight for her own future against a world that doesn't always value the wild spirit of a Carolina girl.Set in 1935 against the very real backdrop of a recently formed state eugenics board, The Last Carolina Girl is a powerful and heart-wrenching story of fierce strength, forgotten history, autonomy, and the places and people we ultimately call home.

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An Inspirational Book for Girls Who Love STEM “This book is an inspiration to the next-gen of women innovators all over the world.”— Charlotte Yarkoni, CVP Cloud & AI, Microsoft AZ is a young girl who finds herself in a robot building competition. Can she use girl power to overcome crashes, explosions, and hackers to beat school bully and three-time champ, Dalk? Smart and strong is the new pretty. In this funny, action-packed book about robots for kids, talented AZ fights gender and learns tough lessons on leadership. With the help of her quirky friends, Li and 10, the team builds a feisty robot named Ada. Together, they work hard, solve puzzles, grow in confidence, and learn the importance of friendship and collaboration. All science girls welcome! Written to raise awareness about the challenges faced by women in science and engineering, She’s Building a Robot celebrates voices from diverse socioeconomic and ethnic background. Perfect for bedtime stories or girls who code, She’s Building a Robot gives young women the opportunity to relate to smart characters, promotes girl empowerment, and shows that there’s room in STEM for girls. If you’re looking for young girl gifts, robot books for kids, or stories for children—or enjoyed books like The Fourteenth Goldfish, Women in Science, and Hidden Figures Young Reader’ Edition—then She’s Building a Robot is your next read!

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In the 1880s, through an amendment to the Indian Act of 1876, the government of Canada began to require all Aboriginal children to attend schools administered by churches. Separating these children from their families, removing them from their communities and destroying Aboriginal culture by denying them the right to speak Indigenous languages and perform native spiritual ceremonies, these residential schools were explicitly developed to assimilate Aboriginal peoples into Canadian culture and erase their existence as a people. Daring to break the code of silence imposed on Aboriginal students, residential school survivor Isabelle Knockwood offers the firsthand experiences of forty-two survivors of the Shubenacadie Indian Residential School. In their own words, these former students remember their first day of residential schooling, when they were outwardly transformed through hair cuts and striped uniforms marked with numbers. Then followed years of inner transformation from a strict and regimented life of education and manual training, as well as harsh punishments for speaking their own language or engaging in Indigenous customs. The survivors also speak of being released from their school and having to decide between living in a racist and unwelcoming dominant society or returning to reserves where the Aboriginal culture had evolved. In this newly updated fourth edition, Knockwood speaks to twenty-one survivors of the Shubenacadie Indian Residential School about their reaction to the apology by the Canadian government in 2008. Is it now possible to move forward?"

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From one of rap’s most personal and evocative writers comes a stirring memoir about how Boosie Badazz, one of the industry’s most controversial figures, was able to overcome insurmountable odds to make his music dreams a reality.A Baton Rouge native who began rapping at age fourteen, Boosie Badazz was already a cult hero in Louisiana when, in 2009, he was sentenced to two years in prison. The next year, he was indicted on even more serious charges, eventually landing him on Death Row. Prosecutors played Boosie’s music in the courtroom in an attempt to paint him as a thug with no chance of redemption. However, against overwhelming odds and the backdrop of a social media campaign to #FreeBoosie, he was freed in March of 2014 with a rare second chance to make his music dreams come true. In this evocative and compelling memoir, Boosie explores the relationship between his life on the streets with his ceaseless tear through the rap industry. From near-death experiences to a ruthless bout with kidney cancer to a life-threatening diabetes diagnosis, Boosie has overcome remarkable challenges to make a name for himself as one of rap’s most influential voices. A redemptive story with an urgent voice, Cross the Tracks is the survival tale of a man who wasn’t sure he would live to see another day...but who rose from the ashes to change the rap industry forever.

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As Christian leaders in the first through fifth centuries embraced ascetic interpretations of the Bible and practices of sexual renunciation, sexual slander—such as the accusations Paul leveled against wayward Gentiles in the New Testament—played a pivotal role in the formation of early Christian identity. In particular, the imagined construct of the lascivious, literal-minded Jew served as a convenient foil to the chaste Christian ideal. Susanna Drake examines representations of Jewish sexuality in early Christian writings that use accusations of carnality, fleshliness, bestiality, and licentiousness as strategies to differentiate the "spiritual" Christian from the "carnal" Jew. Church fathers such as Justin Martyr, Hippolytus of Rome, Origen of Alexandria, and John Chrysostom portrayed Jewish men variously as dangerously hypersexual, at times literally seducing virtuous Christians into heresy, or as weak and effeminate, unable to control bodily impulses or govern their wives. As Drake shows, these carnal caricatures served not only to emphasize religious difference between Christians and Jews but also to justify increased legal constraints and violent acts against Jews as the interests of Christian leaders began to dovetail with the interests of the empire. Placing Christian representations of Jews at the root of the destruction of synagogues and mobbing of Jewish communities in the late fourth and early fifth centuries, Slandering the Jew casts new light on the intersections of sexuality, violence, representation, and religious identity.

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Sultans, Spices, and Tsunamis: The Incredible Story of the World's Largest ArchipelagoIndonesia is by far the largest nation in Southeast Asia and has the fourth largest population in the world after the United States. Indonesian history and culture are especially relevant today as the Island nation is an emerging power in the region with a dynamic new leader. It is a land of incredible diversity and unending paradoxes that has a long and rich history stretching back a thousand years and more. Indonesia is the fabled "Spice Islands" of every school child's dreams—one of the most colorful and fascinating countries in history. These are the islands that Europeans set out on countless voyages of discovery to find and later fought bitterly over in the 15th, 16th and 17th centuries. This was the land that Christopher Columbus sought, and Magellan reached and explored. One tiny Indonesian island was even exchanged for the island of Manhattan in 1667! This fascinating history book tells the story of Indonesia as a narrative of kings, traders, missionaries, soldiers and revolutionaries, featuring rough sea crossings, fiery volcanoes, and the occasional tiger. It recounts the colorful visits of foreign travelers who have passed through these shores for many centuries—from Chinese Buddhist pilgrims and Dutch adventurers to English sea captains and American movie stars. For readers who want an entertaining introduction to Asia's most fascinating country, this is delightful reading.

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Fourteen-year-old Audrey Martin, with her Poindexter glasses and her head humming the 3/4 meter of gospel music, knows she’ll never get out of Kentucky—but when her fingers touch the piano keys, the whole church trembles. Her best friend, Caroline, daydreams about Hollywood stardom, but both girls feel destined to languish in a slow-moving stopover town in Montgomery County. That is, until chance intervenes and a booking agent offers Audrey a ticket to join the booming jazz scene in Harlem—an offer she can’t resist, not even for Caroline. And in New York City the music never stops. Audrey flirts with love and takes the stage at the Apollo, with its fast-dancing crowds and blinding lights. But fortunes can turn fast in the city—young talent means tough competition, and for Audrey failure is always one step away. Meanwhile, Caroline sinks into the quiet anguish of a Black woman in a backwards country, where her ambitions and desires only slip further out of reach. Jacinda Townsend’s remarkable first novel is a coming-of-age story made at once gripping and poignant by the wild energy of the Jazz Era and the stark realities of segregation. Marrying musical prose with lyric vernacular, Saint Monkey delivers a stirring portrait of American storytelling and marks the appearance of an auspicious new voice in literary fiction.

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Classical Sanskrit literature boasts an exquisite canon of poetry devoted to erotic love. In Erotic Poems from the Sanskrit, noted translator and scholar R. Parthasarathy curates a selection in a new verse translation that introduces readers to Sanskrit poetry in a modern English vernacular. The volume features works by seventy-two poets, including seven women poets and thirty-five anonymous poets, primarily composed between the fourth and seventeenth centuries. It includes a detailed introduction that guides readers through Sanskrit poetic forms and explains how to read and appreciate the poems in English. Erotic Poems from the Sanskrit seeks to represent the breadth of Sanskrit poetry through the ages and to present a cohesive, thematically unified selection when read as a whole. The works in this volume depict licit and illicit love, speaking to the joys and sorrows of consummation and separation and a broader cultural celebration of the pleasures of the flesh. Often sexually explicit, they are replete with recurrent scenarios and striking tactile, visual, and olfactory images, whose resonance and use as motifs across eras are expertly explained. Parthasarathy shows that Sanskrit poets are our contemporaries despite the centuries that separate us, as they speak simply and passionately to a wide range of human experience. Erotic Poems from the Sanskrit offers English-speaking readers an enticing and tantalizing initiation into the riches and beauty of this venerable poetic tradition.

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In A Tour of C++, Third Edition, Bjarne Stroustrup provides an overview of ISO C++, C++20, that aims to give experienced programmers a clear understanding of what constitutes modern C++. Featuring carefully crafted examples and practical help in getting started, this revised and updated edition concisely covers most major language features and the major standard-library components needed for effective use. Stroustrup presents C++ features in the context of the programming styles they support, such as object-oriented and generic programming. His tour is remarkably comprehensive. Coverage begins with the basics, then ranges widely through more advanced topics, emphasizing newer language features. This edition covers many features that are new in C++20 as implemented by major C++ suppliers, including modules, concepts, coroutines, and ranges. It even introduces some library components in current use that are not scheduled for inclusion in the standard until C++23. This authoritative guide does not aim to teach you how to program (for that, see Stroustrup's Programming: Principles and Practice Using C++, Second Edition), nor will it be the only resource you'll need for C++ mastery (for that, see Stroustrup's The C++ Programming Language, Fourth Edition, and recommended online sources). If, however, you are a C or C++ programmer wanting greater familiarity with the current C++ language, or a programmer versed in another language wishing to gain an accurate picture of the nature and benefits of modern C++, you won't find a shorter or simpler introduction.

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In 1922 the US Navy commissioned its first small experimental aircraft carrier. This was followed into service by two much larger and capable carriers in 1927 with five more being built prior to the Japanese attack on Pearl Harbor including three large Yorktown class. To take the offensive against the Japanese Navy, the American Congress funded by far the largest carrier building programme in history based on the Essex class, a larger version of the pre-war Yorktown vessels. Of the twenty-six ordered, fourteen were commissioned in time to see Second World War service. These were joined by many smaller classes of carriers, including light carriers and escort carriers. Post-war ever larger and more capable carriers were commissioned. Since 1975, when the first of a fleet of ten nuclear-powered Nimitz class carriers was commissioned, they have epitomized United States superpower status and worldwide power projection. These are due to be replaced in the decades to come with the even more sophisticated nuclear-powered Gerald R. Ford class. Compiled and written by Michael Green, Aircraft Carriers of the United States Navy contains superb images of all the different types of classes of carriers employed by the US Navy since 1922. These and its highly informative text and captions give the reader a broad overview of this fascinating subject.

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How does English work? What are the different elements? How do they all fit together? The fourth edition of this popular textbook takes the reader on a step-by-step journey through the various levels of language, covering all the linguistic frameworks in a single volume. Beginning with words as the building blocks of language, Ballard investigates their internal structure before moving on to larger and larger units, from phrases to sentences and beyond. The sound system of English is also explored in detail, from individual segments to connected speech. Lastly, some broader perspectives are offered, looking at regional, global and historical variation in English. Fully revised and refreshed, this edition includes an engaging new chapter exploring how the frameworks of the language have changed over time, from Old English to the present day, provides a selection of exercises at the end of every chapter allowing readers to consolidate and develop their understanding, and introduces ‘point of comparison’ boxes offering opportunities to compare features of English with those found in other languages. Supported by plenty of examples, helpful cross-referencing and a detailed glossary, The Frameworks of English is the perfect reader-friendly guide for all students of English language and linguistics. Accompanying online resources for this title can be found at bloomsbury.pub/frameworks-of-english. These resources are designed to support learning when using this textbook and are available at no extra cost.

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The Architectonic of Pure Reason, one of the most important sections of Kant's first Critique, raises three fundamental questions. What can I know? What should I do? What may I hope? Taken together these questions converge on a fourth one, which is at the centre of philosophy as a whole: what is the human being? Lea Ypi suggests that the answer to this question is tied to a particular account of the unity of reason - one that stresses its purposive character. By focusing on the sources, evolution and function of Kant's concept of purposiveness, this book shows that the idea of purposiveness that Kant endorses in the Critique of Pure Reason is a concept of purposiveness as intelligent design, quite different from the concept of purposiveness as normativity that will become central to his later works. In the case of purposiveness as design, the relationship between reason and nature is anchored to the idea of God. In the case of purposiveness as normativity, it is anchored to the concept of reflexive judgment, and grounded on transcendental freedom. Understanding this shift has important implications for some of the most difficult questions that confront the Kantian system: the passage from the system of nature to that of freedom, the relation between faith and knowledge, the philosophical defence of progress in history, and the role of religion. It is also crucial to shed light on the way in which Kant's critique has shaped the successive German philosophical tradition.

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The idea of the sword-wielding samurai, beholden to a strict ethical code and trained in deadly martial arts, dominates popular conceptions of the samurai. As early as the late seventeenth century, they were heavily featured in literature, art, theater, and even comedy, from the Tale of the Heike to the kabuki retellings of the 47 Ronin. This legacy remains with us today in the legendary Akira Kurosawa films, the shoguns of HBO's Westworld, and countless renditions of samurai history in anime, manga, and video games. Acknowledging these common depictions, this book gives readers access to the real samurai as they lived, fought, and served. Much as they capture the modern imagination, the samurai commanded influence over the politics, arts, philosophy and religion of their own time, and ultimately controlled Japan from the fourteenth century until their demise in the mid-nineteenth century. On and off the battlefield, whether charging an enemy on horseback or currying favor at the imperial court, their story is one of adventures and intrigues, heroics and misdeeds, unlikely victories and devastating defeats. This book traces the samurai throughout this history, exploring their roles in watershed events such as Japan's invasions of Korea at the close of the sixteenth century and the Satsuma Rebellion of 1877. Coming alive in these accounts are the samurai, both famed and ordinary, who shaped Japanese history.

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William C. Morris Award FinalistAlabama Library Association 2019 Young Adult Award WinnerKirkus Best Book of 20172018 Best Fiction for Young Adults, YALSA2019 Sequoia Master List2018-2019 Green Mountain Book Award Master List2019-2020 Volunteer State Book Award Nominee2020 Georgia Peach Book Award NomineeAge range 14+Killing isn't supposed to be easy. But it is. It's the after that's hard to deal with. Nate was eight the first time he stabbed someone, he was eleven when he earned his red laces — a prize for spilling blood for 'the cause.' And he was fourteen when he murdered his father (and the leader of The Fort, a notorious white supremacist compound) in self-defense, landing in a treatment centre while the state searched for his next of kin. Now, in the custody of an uncle he never knew existed, who wants nothing to do with him, Nate just wants to disappear. Enrolled in a new school under a false name, so no one from The Fort can find him, he struggles to forge a new life, trying to learn how to navigate a world where people of different races interact without enmity. But he can't stop awful thoughts from popping into his head, or help the way he shivers with a desire to commit violence. He wants to be different — he just doesn't know where to start. Then he meets Brandon, a person The Fort conditioned Nate to despise on sight. But Brandon's also the first person to treat him like a human instead of a monster. Brandon could never understand Nate's dark past, so Nate keeps quiet. And it works for a while. But all too soon, Nate's worlds crash together, and he must decide between his own survival and standing for what's right, even if it isn't easy. Even if society will never be able to forgive him for his sins.

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“One day, I went to the slave market and watched em barter off po’ niggers lak tey was hogs,” said George Lycurgas, as recalled by his son, Edward. “Whole families sold together, and some was split—mother gone to one marster and father and children gone to others. They’d bring a slave out on the platform and open his mouth, pound his chest, make him harden his muscles so the buyer could see what he was gittin’.” The ex-slaves in No Man’s Yoke on My Shoulders speak of a Florida that no longer exists and can barely be imagined today. Now the fourth most populous state in the country, Florida has more than 100 times the people it did in 1860, just before the Civil War. And it was only 40 years removed from Spanish rule. In the 1930s, the Federal Writers’ Project dispatched interviewers to record the recollections of former slaves, many in their 80s or 90s. Only one percent of the 2,000-plus transcripts collected in the Library of Congress told the stories of people who had experienced bondage in Florida. That makes the narratives of former Florida slaves in this volume doubly precious. Readers will get a glimpse into the lives of these rare survivors as they told their stories at the height of the Great Depression, a time many found little better than the slave days. Horace Randall Williams describes himself as “among the last of Alabamians—black or white—who have memories of picking cotton by hand not for a few minutes to see how it felt but because I needed the few dollars I would get for a day’s hard labor under a hot sun.” He was the founder and for many years the director of the Southern Poverty Law Center’s Klanwatch Project. He also edited Weren’t No Good Times: Personal Accounts of Slavery in Alabama.

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The claim that evolution undermines Christianity is standard fare in our culture. Indeed, many today have the impression that the two are mutually exclusive and that a choice must be made between faith and reason—rejecting Christianity on the one hand or evolutionary theory on the other. Is there a way to square advances in this field of study with the Bible and Church teaching?In this book—his fourth dedicated to applying Joseph Ratzinger/Benedict XVI's wisdom to pressing theological difficulties—Matthew Ramage answers this question decidedly in the affirmative. Distinguishing between evolutionary theory properly speaking and the materialist attitude that is often conflated with it, Ramage's work meets the challenge of evolutionary science to Catholic teaching on human origins, guided by Ratzinger's conviction that faith and evolutionary theory mutually enrich one another.Pope Benedict gifted the Church with many pivotal yet often-overlooked resources for engaging evolution in the light of faith, especially in those instances where he addressed the topic in connection with the Book of Genesis. Ramage highlights these contributions and also makes his own by applying Ratzinger's principles to such issues as the meaning of man's special creation, the relationship between sin and death, and the implications of evolution for eschatology. Notably, Ramage shows that many apparent conflicts between Christianity and evolutionary theory lose their force when we interpret creation in light of the Paschal Mystery and fix our gaze on Jesus, the New Adam who reveals man to himself.Readers of this text will find that it does more than merely help to resolve apparent contradictions between faith and modern science. Ramage's work shows that discoveries in evolutionary biology are not merely difficulties to be overcome but indeed gifts that yield precious insight into the mystery of God's saving plan in Christ.

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Completed with the enthusiastic support and participation of the late Laureate, Jean Antoine-Dunne’s lively and enriching study begins in a recognition of how important film has been in the whole of Derek Walcott’s career. It is not merely that Derek Walcott wrote a number independent film scripts such as The Rig, The Haitian Earth and To Die for Grenada and wrote film treatments of several of his plays such as for Marie Laveau, Ti Jean and O Babylon, and also a film treatment of his poetic epic Omeros, but that the whole of Walcott’s work, whether poetry, drama or painting, is infused with the sense of the filmic. As she says, “I see him as a film poet”.This study, written with unrivalled access both to Walcott and to his multiple library archives, moves in several directions. Firstly, it comprises a record of all Walcott’s work in film, extensively illustrated with his storyboards and quotation from this mostly unpublished work. Secondly, it tracks Walcott’s own commentary on the place of film in his aesthetics and on his ideas about reaching the widest possible audiences. Thirdly it tracks those explicit moments in the texture of his work (Omeros is a key focus in this regard) where Walcott references film and the filmic. Fourthly the study proposes ways of rereading Walcott’s work – its narrative modes, imagery and construction -- through the lense of the filmic and in particular through the work of Sergei Eisenstein and his conception of film montage. Finally, the book makes an important contribution to the underdeveloped area of reception in Caribbean literary and aesthetic studies, exploring the concept of hybrid forms and their capacity to reach audiences excluded by the exclusively literary. Here, in an immensely stimulating argument, she brings together both the theoretical work of Gilles Deleuze and Caribbean discussions of the role of oral and visual traditions in Caribbean culture.

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A collection of essays and stories written in Spanish by students for students.Contar Historias: Escritura creativa en el aula es una colección de ensayos e historias de no ficción escritas por estudiantes de grado y pregrado que tomaron cursos y/o asistieron a talleres de escritura impartidos el Departamento de Español y Portugués en la Universidad de Texas en Austin. El libro es una muestra del trabajo creativo de estudiantes que hablan español en casa pero que nunca escribieron un texto creativo en esta lengua; estudiantes para quienes el español es su segunda, tercera e incluso cuarta lengua, y estudiantes para quienes es su lengua materna. La diversidad de voces y la amplia raigambre cultural, lingüística y geográfica de la que emergen se juntan en este volumen que refleja la multiplicidad de maneras en que el español apela a las nuevas generaciones de estudiantes, no solo en UT sino en todo el país.Contar historias: Escritura creativa en el aula (Telling Stories: Creative Writing in the Classroom) is a remarkable collection of topical essays and poignant stories written by undergraduate and graduate students who took courses and/or writing workshops offered by the Spanish Creative Writing Initiative in the Department of Spanish and Portuguese at the University of Texas at Austin. The book showcases an abundance of amazingly creative work and includes heritage speakers who have never before written a creative work in Spanish; students for whom Spanish is a second, third, and even fourth language; and native speakers. The diversity of voices from an array of cultural, linguistic, and geographical backgrounds collected in this volume reflects the multiplicity of ways in which Spanish appeals to students, not just at UT, but everywhere. The stories include—but are not limited to—intimate tales of attending college; personal testimonials on the effects of climate change, experiences navigating the US health system, and accounts of many beautiful memories from childhood. They reveal the moving and diverse ways of communicating in Spanish and are themselves potent arguments for the importance of using creativity, working collaboratively, and telling stories in the classroom.

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Rife with incest, adultery, rape, and murder, the biblical story of Jacob and his children must have troubled ancient readers. By any standard, this was a family with problems. Jacob's oldest son Reuben is said to have slept with his father's concubine Bilhah. The next two sons, Simeon and Levi, tricked the men of a nearby city into undergoing circumcision, and then murdered all of them as revenge for the rape of their sister. Judah, the fourth son, had sexual relations with his own daughter-in-law. Meanwhile, jealous of their younger sibling Joseph, the brothers conspired to kill him; they later relented and merely sold him into slavery. These stories presented a particular challenge for ancient biblical interpreters. After all, Jacob's sons were the founders of the nation of Israel and ought to have been models of virtue. In The Ladder of Jacob, renowned biblical scholar James Kugel retraces the steps of ancient biblical interpreters as they struggled with such problems. Kugel reveals how they often fixed on a little detail in the Bible's wording to "deduce" something not openly stated in the narrative. They concluded that Simeon and Levi were justified in killing all the men in a town to avenge the rape of their sister, and that Judah, who slept with his daughter-in-law, was the unfortunate victim of alcoholism. These are among the earliest examples of ancient biblical interpretation (midrash). They are found in retellings of biblical stories that appeared in the closing centuries BCE--in the Book of Jubilees, the Aramaic Levi Document, the Testaments of the Twelve Patriarchs, and other noncanonical works. Through careful analysis of these retellings, Kugel is able to reconstruct how ancient interpreters worked. The Ladder of Jacob is an artful, compelling account of the very beginnings of biblical interpretation.

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Modern-day Europeans by the millions proudly trace back their national identities to the Celts, Franks, Gauls, Goths, Huns, or Serbs--or some combination of the various peoples who inhabited, traversed, or pillaged their continent more than a thousand years ago. According to Patrick Geary, this is historical nonsense. The idea that national character is fixed for all time in a simpler, distant past is groundless, he argues in this unflinching reconsideration of European nationhood. Few of the peoples that many Europeans honor as sharing their sense of "nation" had comparably homogeneous identities; even the Huns, he points out, were firmly united only under Attila's ten-year reign. Geary dismantles the nationalist myths about how the nations of Europe were born. Through rigorous analysis set in lucid prose, he contrasts the myths with the actual history of Europe's transformation between the fourth and ninth centuries--the period of grand migrations that nationalists hold dear. The nationalist sentiments today increasingly taken for granted in Europe emerged, he argues, only in the nineteenth century. Ironically, this phenomenon was kept alive not just by responsive populations--but by complicit scholars. Ultimately, Geary concludes, the actual formation of European peoples must be seen as an extended process that began in antiquity and continues in the present. The resulting image is a challenge to those who anchor contemporary antagonisms in ancient myths--to those who claim that immigration and tolerance toward minorities despoil "nationhood." As Geary shows, such ideologues--whether Le Pens who champion "the French people born with the baptism of Clovis in 496" or Milosevics who cite early Serbian history to claim rebellious regions--know their myths but not their history. The Myth of Nations will be intensely debated by all who understood that a history that does not change, that reduces the complexities of many centuries to a single, eternal moment, isn't history at all.

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In April 1967, a year before his run for president, Senator Robert F. Kennedy knelt in a crumbling shack in Mississippi trying to coax a response from a listless child. The toddler sat picking at dried rice and beans spilled over the dirt floor as Kennedy, former US attorney general and brother to a president, touched the boy's distended stomach and stroked his face and hair. After several minutes with little response, the senator walked out the back door, wiping away tears.In Delta Epiphany: Robert F. Kennedy in Mississippi, Ellen B. Meacham tells the story of Kennedy's visit to the Delta, while also examining the forces of history, economics, and politics that shaped the lives of the children he met in Mississippi in 1967 and the decades that followed. The book includes thirty-seven powerful photographs, a dozen published here for the first time. Kennedy's visit to the Mississippi Delta as part of a Senate subcommittee investigation of poverty programs lasted only a few hours, but Kennedy, the people he encountered, Mississippi, and the nation felt the impact of that journey for much longer. His visit and its aftermath crystallized many of the domestic issues that later moved Kennedy toward his candidacy for the presidency. Upon his return to Washington, Kennedy immediately began seeking ways to help the children he met on his visit; however, his efforts were frustrated by institutional obstacles and blocked by powerful men who were indifferent and, at times, hostile to the plight of poor black children.Sadly, we know what happened to Kennedy, but this book also introduces us to three of the children he met on his visit, including the baby on the floor, and finishes their stories. Kennedy talked about what he had seen in Mississippi for the remaining fourteen months of his life. His vision for America was shaped by the plight of the hungry children he encountered there.

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