Search results for ""Aarhus University Press""

Rising inequality is one of the most prominent characteristics of the modern age of globalized economies. To some observers, inequality is a natural consequence of economic growth that ought to be accepted to ensure a prosperous future. To others, rising inequality is a cause for alarm—not just because it is unfair, but also because, as Pope Francis has said, “inequality is the root of social evil.”By most measures, the Nordic countries consistently rank among the best not only when it comes to equality, but also when it comes to business friendliness. Political scientist Carsten Jensen delves into what is exceptional about equality in the region, and outlines “the four equalities” that set it apart: economic (the distance between the poor and rich is relatively low), inter-generational (success in life is not dependent on the status of one’s parents), gender (women are highly integrated into the labor market and independent from the family), and health (the poor have access to the same medical treatments as the well-off).All four types of equalities have their origins in unique political settlements made in the 20th century. The resulting special social market economies of these countries affect their growth and levels of equality even today.

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An equestrian burial from the 10th century with an exceptionally elaborate horse harness was discovered at Fregerslev near Skanderborg in eastern Jutland, Denmark in 2012. This formed the starting point for the Fregerslev Research Project initiated by Museum Skanderborg in 2017. Two years later, the museum held a conference to present the preliminary results of the project. A group of researchers from neighbouring countries were invited to provide a wider international context for a discussion of the social, political, cultural and religious background of the Fregerslev burial.With 21 articles, Horse and Rider in the late Viking Age presents the outcome of the conference. Part I describes the excavation of the Fregerslev burial and its contents. The finds, particularly the harness fittings and the remains of a quiver of arrows, and the results of a wide range of scientific analyses demonstrate what a remarkable burial this once was. The excavation methods and documentation procedures, the sampling strategies, and the following conservation and preservation of the finds, give an idea of the many new approaches, which may be useful when dealing with a decomposed grave in the future. Part II and Part III present new research on 10th-century equestrian burials and their significance in contemporary society from a variety of countries across Central and Northern Europe.

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For almost a century, music on the radio has been an important part of Danish music culture. Tunes for All? Music on Danish Radio presents the many ways music and radio have co-existed and interacted from the 1920s until today. Music radio is a complex network of sounds, technologies and people, and the book spans programmes and channels, presenters and listeners, music genres and programme genres, stakeholders and different interests primarily in relation to the all-dominant national broadcasting institution, Danmarks Radio. In 10 chapters, the authors address this network with an interest in programme content and production from various media and music perspectives in order to contribute to analytical and theoretical knowledge about music on the radio. The many cases cover chart shows, morning radio, live ensembles, automatic music programming and sports radio.

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In this pioneering musicological study the Danish emeritus professor Finn Egeland Hansen proposes that the classical-romantic main current of the 19th century in fact represents two sub-currents, the one focusing on the romantic aspects, the other focusing on the classical aspects of its musical style. His thesis is discussed with excerpts from the standard musicological literature plus writings by Saint-Saëns, and Finn Egeland Hansen exemplifies his argument in readings of the music by three stylistically different composers – the French Camille Saint-Saëns and Charles Gounod and the Danish Niels W. Gade. Finn Egeland Hansen labels these harbingers’ style as retro-classicism.

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Whaling Communities

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